#so guess who's going to do them? | Explore Tumblr posts and blogs

cheshiresense · 29 days ago

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In the Ichigo & Starrk time travel 'verse I'm just picturing Ichigo registering for the academy like "I'm Ichigo. From the rukongai. No last name" and then kaien popping up like "he's a Shiba!!!" And the people there looking at each other and whispering like "ohhhh he wants to be independent and not rely on his family name!! How sweet!!!" and then Ichigo just sighing. XD

LMAO with his luck, this is exactly what happened.

Meanwhile Starrk's over there in the corner filling out his application forms and thanking every god he wants to beat up I find it rly funny to imagine he has this passive-aggressive grudge against Mimihagi for a variety of reasons that he in no way, shape, or form resembles any of the five big clans. But it would also be really funny to me if people at the admin desk looked at him, and then looked twice, and then looked thrice, and then be like "You sure you're not a Kyouraku?", because let's face it, he really does look a bit like Shunsui. Like it's not immediately noticeable the way Ichigo is with the Shibas, but if Starrk and Shunsui showed up and claimed they were blood-related, probably no one would doubt it.

And at any other time, people might not think of the possibility, but there just so happens to be a Kyouraku relative - even if she's just a bastard - attending the Academy at the moment, and all the teachers and staff are always made aware of any clan children in their halls. The Kyouraku Family isn't one of the Big Five, they're a Lower Noble House and also not a Shinigami-oriented clan, more politicians and scholars and even artisans than soldiers, but they're old and prestigious and the highest-ranked out of all the Lower Noble Houses, so the Academy paid attention when one of them decided to become a Shinigami for the first time in centuries. She ends up being a disappointment with none of her cousin's talent or charisma or wit, and the Eighth Division captain hasn't pushed hard enough for them to really show her any favouritism, but they've still kept an eye on her to make sure the bullying doesn't get too bad and she doesn't fall too far behind, lest they bring her family's wrath down on them, because it doesn't seem like most of her clan cares about her but who even knows with nobles and the things that set off their sense of pride.

But that means Starrk's looks immediately ring a few bells when he shows up. Of course, he denies it; unlike Ichigo, he really doesn't have any relation to the Kyourakus, although even back in their own timeline, a few people had made that mistake when they didn't know he was a Hollow, had thought he was some Kyouraku relative Shunsui had dug up to help out, because not everyone who goes through the Academy becomes a Shinigami, sometimes they're clan members who go home afterwards to guard the family and continue their own training there, plus with Starrk's strength and skill set - 1) powerful, and 2) sharing quite a few similarities to Shunsui's so it's not even just their looks - it had actually been more far-fetched to a lot of people for him to have just been some random nobody than to be a member of this powerful clan.

But no, no blood relation, just a quirk of fate. Still, the Academy notes his name down and makes sure to keep more tabs on his progress than they would an average Rukongai student. And alright, the teachers can be overly biased or overly indifferent depending on the student but they're not actually stupid, and yeah, for a while, it's Shiba Ichigo who takes up all their attention because Ichigo blows all the other students out of the water and skyrockets straight up to a category of genius nobody's ever seen before, even more impressive than his lieutenant cousin and slated to graduate in a year. It helps (Ichigo: "No it fucking doesn't.") that Kaien is constantly buzzing around making sure Ichigo is treated like a prince befitting of a Great Noble House so no one dares make his life difficult. Well, Koyonagi would probably dare, but fortunately (Ichigo: "No it fucking isn't."), he likes Ichigo enough to not hamper him in any way, even if he does come up with all sorts of annoying tasks to heap on Ichigo "for extra credit" (Ichigo: "For his own entertainment.").

Starrk in the meantime is about as entertained by all this as a passively suicidal grieving widow war vet can get, and he makes no effort to hide it every time Ichigo comes to hide in his room and bitch to him about it, because really, it's partly the kid's own fault for not knowing subtlety even if it shoots him in the face. It's harmless enough anyway so long as Ichigo doesn't stand out more than he already has, so Starrk doesn't see a problem with kicking back and enjoying the show. Right up until the novelty of a prodigal Shiba starts wearing off on the Academy teachers because it's not like they've never seen geniuses before even if this one is a little more unique. So the turn their attentions elsewhere and suddenly realize that the guy who might be another bastard Kyouraku and spends more time asleep than awake have some really interesting grades when they look at them altogether at the end of term. Average in everything—so average it's suspicious, meaning Starrk either has the weirdest luck in the universe or he's literally calculating everything he's doing in class to make sure he always falls within a very specific range. Koyonagi had already noticed of course, and he's checked all the boxes that would jump Starrk up to sixth year starting next semester, but the other teachers catch on quickly enough too, and then they also start taking a fourth and fifth look at him.

Now it's Ichigo's turn to be Very Amused. Shouldn't have laughed at his suffering, huh? Karma's a real bitch.

Starrk is Not Amused, but also he can be just as stubborn as Ichigo, even if it's in the opposite direction. Ichigo very stubbornly isn't willing to be held back, he can do more as an official member of the Gotei, and slogging through six years at the Academy is just wasting time. If he has to graduate in the least amount of time possible and thereby be seen as a genius anyway, he might as well put himself out of his misery early and get that out of the way right off the bat. At least then, by the time he graduates, some of the shine will have hopefully worn off for the masses after they've gotten used to him.

Likewise, Starrk very stubbornly isn't willing to be anyone's show pony. Ichigo isn't either, but Ichigo's solution is to just ignore the fact that he sort of is, for the sake of exempting himself from fatal boredom. In contrast, Starrk 100% doesn't mind going to lectures when nobody can stop him from sleeping through them anyway, and he always turns in his homework on time and never fails his tests either so the teachers can't complain. The training sessions in the practical courses are more annoying but he doesn't usually have to do much there either, especially once he's jumped to the sixth-year courses where the teachers teach less and more often pair them up for spars or take them to fight very low-level Hollows they've captured instead. And since he's been noticed now, he doesn't care about maintaining average scores anymore because once you finish your spar or kill your assigned Hollow, you get to sit around and do nothing until everybody else is done, which suits Starrk just fine.

Koyonagi calls him to his office a couple more times, but as Starrk expects, the man grows increasingly bored with Starrk's lack of a reaction to anything he says. He even pokes at him from the "bastard Kyouraku abandoned in the Rukongai" angle, which almost makes Starrk laugh, because from a hierarchical standpoint, and to all these proudly intolerant Shinigami, even an unwanted bastard disowned from a noble clan would already be several steps up from what Starrk actually is.

There's no substance to this insult anyway, because Starrk really isn't a Kyouraku, and what does a Hollow care about noble blood or lack thereof? Koyonagi takes his shot in the dark and misses, and maybe he sees the amused pity that even Starrk can't quite hide this time, because the man's own eyes go flat with displeasure, for once probably aimed more at himself than Starrk because men like Koyonagi don't like making such crude mistakes. He dismisses Starrk and never calls him back again, although Starrk thinks that might have something to do with Ichigo, who hasn't been best pleased for a while now about Koyonagi harassing Starrk in a way that's completely different from his own harassment, and everyone knows - or will soon discover once again - that it's all fun and games until Ichigo puts his foot down. Either way, Koyonagi gives up trying to make Starrk prey, and Starrk chats his way past the Academy chefs one evening to make a spicy mentaiko udon just for Ichigo as thanks.

So in the end, they both think that's the end of that. Ichigo still has his fair share of secret admirers and envious onlookers and background sycophants looking for an easy ride into the Gotei, but his prickly disposition wards off most of them, and Starrk's flat, indifferent gaze from over Ichigo's shoulder - like he could bury you tomorrow and forget you ever existed the moment it's done - scares away the rest.

And Starrk is likewise acknowledged as another genius, but he's so unmotivated about doing anything with that genius that most of the other students don't really notice, and it's hard for even the teachers to make a big deal out of it. Eventually, they stop trying to galvanize him into displaying more of his abilities, if only to catch a squad's attention, and just let him do what he wants. Geniuses, what can you do? Each one is quirkier than the last.

So that's the end of that.

Except-

Quietly, in the background, possibly Koyonagi's roundabout way of revenge, possibly just the Shinigami's inexplicable attachment to all things bloodlines and pedigrees, the Academy comes to the enlightened conclusion that Starrk must be a Kyouraku. Maybe a branch member who doesn't want attention - seems very Starrk - or he really had been disowned, or there's some other circumstance they're not aware of, but nobility is full of drama so it could be anything. Whatever it is, they collectively agree that this assumption must be true, and over the course of the passing months, it becomes an acknowledged fact that nobody really talks about.

Starrk is lazy, but he's not unpleasant to be around. Who doesn't like an intelligent student? He's also polite, always patient when teachers flag him down for yet another chat despite refusing all opportunities to show off a little, and the Academy chefs adore him because that man can cook - his future wife will be very lucky - and he always has time to trade recipes with them. And on the occasions where some of the youngest students who'd shared classes with Starrk back in the first term approach him with questions on one subject or another, Starrk would frown and sigh a lot, but he would also sit down and answer them one by one, indulgent in a way people wouldn't expect just by looking at him.

If he really is a disowned bastard, well, privately they think that's the Kyourakus' loss, but it also means that it's probably a pretty sensitive topic to Starrk, as these things tend to be, so it's better not to throw it in his face. They're not Koyonagi after all.

(They don't understand for quite a while to come why Koyonagi always rolls his eyes and leaves the room whenever they talk about it amongst themselves.)

To be fair, they really can't be wholly blamed for coming to this conclusion despite all lack of solid evidence and testimony.

First of all, Starrk really does share a physical likeness with the Gotei 13's very well-known Eighth Division captain. Their builds are different - one broad, the other lean - but they're both tall with high cheekbones, and they share the same colouring, grey eyes and brown hair and light skin. In that, Fujiwara's the exact same way, and she is a Kyouraku branch member. It's just even more obvious with Starrk because he's male, plus a few of the Academy teachers have been around long enough to still remember Shunsui before he'd grown his hair out, and Starrk resembles that version even more.

Secondly, and this was less conspicuous, but the teachers had even dug out some of Kyouraku Shunsui's very old, very dusty papers from his Academy days for comparison.

In terms of personality, the two are almost complete opposites. One flamboyant, the other solemn. One outgoing, the other reserved. One a flirt who socializes enough for ten, the other would rather stay in bed and sleep the day away. It's just that Starrk is surprisingly good with people when he tries, and some can recall that even Kyouraku Shunsui had had his moments of quiet contemplation, which only puts more stock in the familial tie theory.

But it's in terms of mindset that really drives it home for them, because when it comes to the way they look at the world, they sync up to an almost frightening degree.

They unearth the captain's old papers from the library archives, and it's been years, centuries, but Shinigami don't tend to change much. If anything, Kyouraku Shunsui’s essays read more immaturely than Starrk’s, but the foundational reasoning from both men is solid.

They review them, and then they look at Starrk's again, and Starrk might leave questions blank on homework and tests but he's never skimped on answers when he does turn them in, and a lot of those questions are essay topics - similar enough even between Kyouraku Shunsui's generation and the current one to make a fair comparison - about hypothetical situations on the battlefield, in a fight, if you meet an ally, if you meet an enemy, if you have to choose who to save, if you have to choose who to let die—what would you do?

The respective responses are evidently written by two different people, well-debated and well-presented, but at the same time, even hundreds of years apart, their opinions and strategies and perspectives and choices on almost every single topic are near-interchangeable.

(They can't have known that Starrk had spent seven years at Shunsui's side, watching him lead, watching him fight, watching him wage a war and command his soldiers and protect his people to the best of his ability... and ultimately fail. They can't have known that he'd spent one final year leading the gutted remains of a Gotei in Shunsui's name to the best of his own ability... and also fail in all the ways that had mattered. They can't have known that even before those years, the two of them had met across a battlefield and crossed minds as much as blades, and even then, they hadn't felt like strangers to each other.)

[AUTHOR INTERRUPTS TO SAY I actually didn't want to mention Starrk's Zanpakutou like this because I have a whole thing planned out for it, as in I was insane enough one day and spent an entire afternoon creating a Bankai for him, but I also think some of you guys have probably guessed at least a bit of what his Zanpakutou looks like since I've dropped a few hints in previous snippets, so whatever, I'll just confirm its sealed form now. I guess this officially makes this snippet not part of the AU though cuz I originally had him not revealing his Zanpakutou until like a year after he graduates, post-time travel reveal. And going forward, he'd be meeting Shunsui differently here since originally their first meeting is at one of Asuka's tutoring sessions. But whatever, you can just go with whichever version you like best. Anyway, let's get on with my increasingly off-topic snippet lmao, sorry Anon.]

And last but most definitely not least, even disregarding everything else, Starrk's Zanpakutou alone is simply a Glaringly Obvious Sign From The Heavens. It's not that people from the same family always share similar Zanpakutou, but it's not exactly uncommon either—just look at the Shibas, they all have elemental Zanpakutou, and the newest one will probably go the same way; the Kuchikis have katanas with identical guards and always a white hilt or sheath; and not a single member of the Feng family that's passed through the Academy has ever left with anything but a wakizashi.

It's especially hard not to make certain connections that lead to the most obvious conclusion when everybody knows that Kyouraku Shunsui is the only Shinigami in living memory to wield a Zanpakutou that exists as two separate blades in its sealed form.

And now there is another.

The first time Starrk had finally removed his Zanpakutou - his entire Zanpakutou - from that wooden case he always carries around over one shoulder for a Zanjutsu assessment compulsory for graduation, the entire room had first gone dead silent, then burst into an uproar. Thankfully, it was a private assessment so there'd only been Starrk and several teachers inside.

They'd all thought they'd seen his Zanpakutou before - after all, he has to use a weapon in his Zanjutsu classes - but apparently, he'd always only taken one blade out for training.

A katana and a wakizashi, a daishou pair, each with a pale gold hilt, a darker gold sheath, and a blue-grey rectangular guard decorated by a sun design. Almost exactly like Kyouraku Shunsui's tachi and wakizashi, with their dark blue hilts and gold rectangular guards decorated by cherry blossom petals.

The meaning of it all could not possibly be clearer. At this point, if they're not family, they would have to be the kind of soulmates you would only find in one of those ridiculously sappy unrealistic romance novels.

(They can't have known that sometimes fate likes its jokes a little too much, and its favourites have always been the butt of them.)

Miracle of miracles, the pseudo-secret of Starrk's Zanpakutou doesn't leak right away. Starrk obviously doesn't want the attention for one reason or another, and the teachers have no real cause to spread it around so they don't. For one, they like him enough to cater to his very simple wishes, and for another, this man is clearly going to be a very powerful Shinigami one day, very likely to snag a captaincy sooner or later, and every noble clan is the same—if Starrk really is disowned, once the Kyouraku Family gets wind of what he can do, he won't be for much longer. And on top of all that, Starrk seems to be friends with the Shibas' most recent pride and joy; that's a connection that will get him far even without his own clan's backing. The Academy doesn't have much to do with the goings-on in the Gotei 13 or the government or the courts of aristocracy, but there's no need to make enemies when they don't have to.

Then comes the day Kyouraku Shunsui himself comes around for a visit.

This in itself is not new. The only career Shinigami from the Kyouraku Family isn't one to throw his weight around too much the way a lot of the other clans like to do for their kin, but he still checks up on his cousin two or three times a year, which in their opinion is already pretty admirable considering Fujiwara is not only from about as distant a branch as one can get, but also illegitimate, out of favour with her clan, and... well, painfully average in a way that means they all have to wrack their brains for compliments every time the captain shows up to ask about her.

Fortunately, for the first time since he'd taken up a position at the school, Koyonagi had done them all a favour and assigned her a tutor capable of working miracles, and so they can very happily and very honestly tell Kyouraku Shunsui all about the leaps in progress Fujiwara has made over the past several months.

The captain listens with a smile that's equal parts amicable and unfathomable, nodding in all the right places. He thanks them for their hard work even as he rakes a discerning eye over them that has them all sweating internally, but at least he also seems willing enough to not make things difficult for them now that Fujiwara is thriving under Shiba Ichigo's protection.

And that should've been it. That would've been it if Akabane Shiina, head of the Kidou department and arguably Starrk's favourite because he actually stays awake in her classes - he's certainly her favourite if the way she gushes about his gloriously tricky projects to a very resentful audience in the staffroom is anything to go by - suddenly bursts out just as the captain is making to leave:

"Are you not going to ask about your other relative?" She demands, her voice gone strident with righteous indignation. "Is it because he really was disowned and cast out into the Rukongai? But he is still better than Fujiwara!"

Shiina has no eyes for anyone without talent in Kidou. She doesn't have a problem with Fujiwara, and in fact, out of the four combat forms, Fujiwara is best at Kidou, although that might not last with the way she's catching up in all the other fields under Shiba Ichigo's tutelage, and Shiba Ichigo is notoriously slow at Kidou so he can't teach her anything in that area. But even on her own, Fujiwara's competency in Kidou is enough to meet all graduation requirements, and she'd even done fairly well in the fourth-year course Shiina had taught last year, certainly better than all her other subjects. However, she doesn't have the kind of flair for it that Shiina values.

Starrk does. And Shiina apparently does not appreciate her favourite pupil being dismissed out of hand just because he's considered one step lower on the social ladder than Fujiwara. Sure, Starrk is far more talented than Fujiwara; he's the last person anybody needs to worry about when it comes to graduating. But that's just all the more reason he deserves at least passing acknowledgement from a captain. And yet Kyouraku Shunsui can show concern for a neglected bastard but not a disowned bastard? Don't make her laugh.

Her temper has always been a straightforward creature, and so she ignores her colleagues' frantic squinting and meets Kyouraku Shunsui's gaze head-on when he pauses and then turns back, except he looks... entirely puzzled.

"Other relative?" The man echoes, looking genuinely baffled. "Did my clan send another child to the Academy? Maa, I wasn't informed. And Asuka-chan hasn't mentioned anything to me either."

A moment of silence follows. Shiina glares suspiciously at the pink-clad captain, who waits her out with the same unflappable calm Starrk pulls out whenever Shiina gets too excited about a Kidou seal and babbles for half an hour straight.

And she's supposed to believe these two have no relation to each other?

"He is not a child," She finally says. She doesn't know how old Starrk is, but it's very obvious he has at least several hundred years under his belt. He makes her feel young sometimes, and she's almost four hundred years old. "He came here from the Rukongai, with Shiba Ichigo."

She watches the way Kyouraku's eyes flicker as he takes in this information, but he doesn't emote anything except mild curiosity.

"Ah, I think I've heard a few things about Ichigo-kun's companion," Kyouraku muses. "Coyote Starrk, wasn't it? Also slated to graduate by the end of the year? But I'm afraid my clan definitely doesn't have a branch family by that name."

Well obviously, if he'd been disowned. He'd probably picked it for himself.

Kyouraku smiles a bit at whatever expression has crossed Shiina's face. It should be a scathing one. It feels scathing.

"But now I'm curious," Kyouraku continues, one hand reaching up to tilt his hat up. "For everybody-" His gaze sweeps the room, making everyone straighten in their seats. "-to think he's related to me of all people—we must be very obviously alike in some way."

Shiina scoffs, unimpressed. In some way? Try in every way.

But, at least he hasn't been ignoring Starrk on purpose. Mentally, Shiina grudgingly returns the 50 points she'd docked from him earlier.

She's about to interrogate him about what he's going to do about his curiosity - so help her, if he finds out Starrk really is family, then lets Starrk know that he knows now, and then rejects him for being disowned, captain or no, she's going to make him pay - when one of her colleagues, Koyonagi's gopher actually, because the man himself couldn't be bothered to show up, so as always, he'd sent his nominal vice-department head, interrupts.

"Are you certain you’ve never met?" The man blurts out like he can’t help himself. Especially now that Shiina’s fielded the hard part, and Kyouraku hasn’t taken offense. "Surely you've discussed his essays at least!"

Kyouraku arches an eyebrow. "I can't say I have. But what makes you say that?"

The Zanjutsu teacher flounders. The sixth-year Philosophy teacher is less unprepared and simply pulls out a folder, only about a third full, but they still have a little over a month to go. At least it lets the teachers spread them out a bit instead of having to read them all at once at the end. It was the original reason for the meeting today before Kyouraku had dropped by—going through some of these papers while their workload is still relatively light.

There is an essay question assigned to every student at the beginning of their final year at the Academy. Unlike all other assignments, this one must be completed in order to graduate whether or not your grades are up to par. Students have the whole year to finish it, but it can be handed in anytime.

It's long been said that the the essay question is something Yamamoto Genryuusai himself had come up with, originally posed to his two personal students hundreds of years ago, and unlike all other topics where the details would at least be switched up from year to year, this one has never changed since it had first been included in the curriculum.

To defend honour or to protect life—which should a Shinigami of the Gotei 13 choose to uphold? Why? Which would you choose? Why?

There is actually no correct answer. So long as the paper is written with some thought put in, it’s an automatic pass. But every year without fail, the lieutenant of the First will come by and cart the whole pile away. Nobody can say for sure what happens to them.

Nevertheless, most students choose honour for both parts of the question. Whether they believe it or not, they at least know the politically correct answer, the safe one. Some of the more outspoken students - usually Rukon stock - might choose honour for the first part but argue life for the second part.

Kyouraku Shunsui had been the only one in Academy history to have chosen life for both parts, and now, Coyote Starrk and Shiba Ichigo have joined him.

Shiina watches as Kyouraku wanders back over to peer down at the two essays the Philosophy teacher lays out on the table. She watches as the captain smiles, appreciative and a little amused, as he scans Shiba Ichigo's paper—a fierce discourse on the importance of friends and family, of prioritizing comrades even if it means breaking the law, of doing right by them even if it means discarding the honour of the Gotei or your own honour as a Shinigami because there's no honour in abandoning your loved ones.

And then she watches his gaze move to the other paper, and she watches as his smile fades and his expression goes still. His hand comes up again to tug down the brim of his hat but he never looks up from the essay—a succinct dissertation on doing everything possible to preserve the lives of those in your care, because the duty of a Shinigami to the Gotei 13 is first and foremost to protect the people who depend on them, to shield the world they all reside in, to stand between danger and the realms they have been charged with safeguarding.

—What does honour matter when you cannot protect what you have sworn to protect?

—When you make the choice to step on a battlefield, you are choosing to do all in your power to seize victory, because anything less is an insult to those who have placed their trust in you, a threat to those who rely on you, and a broken oath to those you gave your word to protect.

—When you make the choice to kill, because taking a life is in itself an evil act, you are choosing to carry the necessary sins that will be demanded of you in battle so that others will not have to.

—When you make the choice to protect, you are choosing to discard your honour, because honour will not protect your people. It will not protect the world. It will not protect anything save your own sense of righteousness, and what is that worth if all you care for is gone?

—To be a Shinigami means to shoulder the weight of countless souls. In essence, it is a promise to protect life to the very end, and if honour is the cost, then it is a small price to pay.

Shiina has read Starrk's paper several times already. She had even made her own copy.

She thinks he will make an exceptional Shinigami.

Nobody says a word even after enough time has passed for Kyouraku to have read the paper twice over. What little Shiina can still see of his shadowed face is utterly inscrutable.

When he finally stirs, straightening up to look around, there's something new in his eyes, some emotion Shiina can't place that remains even as he murmurs, "I don't suppose you know where-"

He stops when - as if on cue - a familiar reiatsu signature in the distance rounds the corner of the hallway leading to this room.

It isn't Starrk's reiatsu. He's hard to sense on a good day. But everyone has felt Shiba Ichigo's reiatsu at least once. Boy isn't subtle. He has the skill to hide most of it, but spikes of emotion or even just when he's distracted can bring it out sometimes, and his reiatsu - like that first shocking plunge into ice water that robs you of all breath right before any other sensation hits - isn't one people tend to forget.

And where Shiba Ichigo goes, more often than not, Starrk is there as well.

Shiina checks the time. Classes are out. It's Friday. Chances are good they're together.

Several feet beyond the door, the reiatsu signature comes to an abrupt halt. A few seconds pass, two muffled voices murmur something back and forth, and then footsteps resume, heavier this time, before three brisk knocks are heard.

The head of administration - the one with the highest rank in the room, bar the Shinigami captain - clears his throat, glances at her glower, glances at Kyouraku's perfectly genial expression, and then calls out like a coward, "Come in!"

The door swings open, Shiba Ichigo stalks in, and sure enough, Coyote Starrk shuffles in after him, hands in his pockets, and his bag and the wooden case containing his Zanpakutou slung over one shoulder. His face is so impassive it could've been carved out of marble.

Shiina docks 100 points from everyone in the room. Except Starrk of course.

But even she can't help staring at this meeting that somehow feels like it's been a long time coming.

Starrk's gaze rises. Kyouraku's gaze jumps straight past Ichigo. Their eyes meet, and for just a moment, all of time seems to shudder to a halt.

Silence stretches... and snaps.

"Hey, what's everyone staring at?" Ichigo cuts in irritably, waving the sheaf of papers he's holding in one hand. "We're supposed to hand in our waivers for the assessment on Monday, right? What's the hold up?"

He shoots a look to his left where Starrk and Kyouraku are still standing there staring at each other like the rest of the world has ceased to exist. He's already scowling, but he scowls even harder at the sight.

"Good afternoon, Kyouraku-taichou," He greets very pointedly.

Kyouraku blinks, and Starrk turns away, busying himself with digging out his own papers from his bag. The moment passes, and Kyouraku turns to Ichigo as if nothing out of the ordinary had happened, "Ichigo-kun, what a coincidence. What are you here for?"

Ichigo's gaze bobs between Kyouraku and Starrk again before he shakes the papers in his hand once more. "Starrk-san and I have our second Hohou assessment on Monday. It's the one where they drop us off in an arena full of Hollows, and we have to get out using only Hohou. But we have to assure the school we won't blame them if we get killed, so-"

He brandishes the waivers again and finally looks back at the teachers in the room. "I actually don't know why we have to do this. I asked Matsumoto, and she said she doesn't have to fill out any of this stuff."

The admin head coughs delicately. "It's for clan members, Shiba-san."

Three things happen at once:

Shiba Ichigo, predictably at this point, snaps, "I'm not a clan member!"

Coyote Starrk stops halfway through pulling out his own waivers.

And Kyouraku Shunsui goes back to staring at Starrk, although Shiina thinks he doesn't quite know he's doing it so blatantly.

"Shiba-san, your cousin has already had your name changed to indicate official entry into the clan," The admin head says placatingly. "And he assured us that it was with your approval."

Ichigo glares, clearly all set to spend the next hour fighting this new information tooth and nail. "That doesn't mean-"

"Ichigo," Starrk finally speaks up, but he doesn't say more than that. It doesn't seem like he needs to though because Ichigo breaks off, still scowling, but he also glances back at Starrk, who only arches an eyebrow in return.

Ichigo grumbles something under his breath before slapping his papers down on the desk in front of the admin head. "Fine, whatever, I'll go beat him up later. Starrk-san?"

Starrk meanders over, his own waivers already tucked away again. There's a slight slouch to his frame, his gloved hands are back in his pockets, and he doesn't loom, even stopping a foot behind Ichigo, but when he turns his attention on the admin head, the man almost visibly squirms under that blue-grey gaze.

"I'm not from a clan," He says mildly.

As one, the entire room sans the students and the Shinigami captain turn to look at said captain. A moment later, even the students turn to follow their line of sight.

Kyouraku stares back. Or rather, he meets Starrk's gaze again, dark and intent, searching.

Ichigo snorts. The tension breaks.

"This again?" Ichigo glances at Starrk again. "I thought that rumour went away months ago."

"I thought so too," Starrk agrees in bland tones. He looks from one teacher to the next, and even Shiina ducks her head a little when his gaze sweeps over her.

Another beat of silence ensues before it's Starrk's turn to heave a sigh.

"I'm not from a clan," He repeats in that quietly implacable way of his, and even though there's nothing threatening about him, not in his voice, not on his face, not in his posture, not even in his reiatsu, something in their hindbrains stills like cornered prey anyway.

"I am not a branch member," Starrk continues without much inflection. "Or an illegitimate child, I have never been disowned, and whatever else your... very healthy imagination has come up with," For a split second, he looks almost amused. "I can assure you, I am not that either."

He stops. He needn't have gone on because Shiina definitely believes him this time, or at the very least, she believes he genuinely believes he isn't a Kyouraku.

Except then Starrk also turns to the side where Kyouraku is observing everything in silence. Grey meets grey once more.

"This Taichou-san," Starrk says, looking at the captain in question. His face is unreadable. "Is Kyouraku Shunsui of the Eighth Division, right? Then he should be able to confirm—I am not a part of his clan."

Another moment of silence passes. Shiina catches the way Ichigo's expression has gone grim, although for what reason, she doesn't know.

There's been something off about this whole situation from the start. Why those two couldn't have gone away and come back later is beyond her. They'd clearly sensed Kyouraku inside even before knocking.

"It's true, as far as I'm aware, we really aren't related," Kyouraku says after a few seconds of studying Starrk some more. His eyes don't move away even as he speaks, and his tone is... strangely gentle. "And this should be our first time meeting."

Starrk's gaze slides away at almost the exact same time Ichigo reaches out and snags the sleeve of Starrk's Shihakushou, tugging him forward and around, which just so happens to plant him between Starrk and Kyouraku.

"So is there anything else?" Ichigo says loudly. "Or can we go?"

There's a moment where most of the teachers seem to have forgotten why they're there in the first place. Shiina huffs and decisively takes over.

If she could have her way, she would've already ejected Kyouraku from the room. Maybe they really aren't blood-related - what are the odds though? - but she's pretty sure there's something going on between them anyway. Them and Ichigo.

Whatever, it's not her business. Since both parties have said so, everyone else will just have to accept it.

But now that they've reached this point...

"Come here, I need to tag your Zanpakutou," She says briskly, taking out a box as she beckons them over. "The second Hohou assessment bans the use of Zanpakutou. You'd be surprised how many Zanjutsu-focused students try to cheat anyway, so all Zanpakutou have these attached to them before the assessment begins."

She shows them the tags with seals inscribed across the surface. They're nothing fancy, akin to nametags, but they do their job.

"We don't like separating Zanpakutou from their wielders once students reach their fifth year," She explains. "And all Shinigami are encouraged to get used to carrying their Zanpakutou with them at all times anyway. This way, you'll be able to take them in with you, but we'll know if you unsheathe them."

She takes out three tags and flares her reiatsu, watching half the seals light up before holding them out. "There. Loop the string around the sheath before tying it over the hilt, and then I'll finish locking them. They won't affect your Zanpakutou in any way, and you can still unsheathe your swords anytime. Try not to do that until after the assessment though. There's not much time on Monday to redo the tags, and you'll get marks docked off if you use them during the test."

Ichigo nods and grabs a tag first, head dipping as he reaches for the katana at his waist. Then he jerks back up again, wide-eyed, but Shiina isn't paying any attention to him anymore as she looks up at Starrk.

Starrk blinks at her once, slowly. His expression doesn't shift from its indifferent lines, but after a few seconds, something about his eyes thaws, the corners crinkling briefly with the faintest of mirth.

"You're a bit... petty, Sensei-san," He murmurs in a voice pitched so low only she and Ichigo can hear.

Shiina shrugs unrepentantly. She still can't be 100% sure Starrk isn't a Kyouraku no matter what the man himself believes, but she is sure that either way, it's the Kyouraku Family's loss.

If Starrk isn't a Kyouraku, then it doesn't matter, although knowing nobles, they'll probably be at least a little disgruntled that their unique dual-wielding Shinigami is unique no longer, and it's even someone from Rukongai who's manifested a daishou pair.

And if he is a Kyouraku, an ugly secret the clan had erased so thoroughly that even the only remaining heir of the main branch wasn't told, then Shiina wants them to know, wants to rub it in their faces, wants to shout, Look what you missed out on! Look what you lost! He's no less special than the only Shinigami you've produced!

So sue her. Maybe she's been a little bitter about Starrk receiving no offers from the Gotei divisions beyond the generic ones most students get because there are always unseated cannon fodder positions needing to be filled. Technically, it's Starrk's own fault for utterly failing to stand out in any way, but Shiina doesn't mind blaming everyone else for being blind.

She doesn't know what all Starrk can do, but she is absolutely certain he is far, far more powerful than he's let on. His Kidou work alone is magnificent, and someone like that can't possibly remain in obscurity. Anyone who looks down on him for his circumstance of birth or lack of background will regret it. This is just the first step.

Starrk huffs out an exasperated breath but doesn't refuse her little scheme because obviously she's his favourite teacher. He takes the tags, and then reaches up to twist off the cap of the wooden case.

One could hear a pin drop in the subsequent silence as Starrk retrieves his katana and wakizashi in one fluid motion and lays them out on the desk in front of him. The nearby lamp light catches on the katana's hilt for a moment, making it shine, like sun on sand. With deft steady hands, he attaches a tag to each blade, calm even with a sea of eyes on him.

Shiina slants a look to the side through her eyelashes and suppresses a very satisfied smile.

Kyouraku Shunsui looks like he's been hit over the head with a hammer. She's willing to bet it's a rare look on him, even for someone with a reputation for making a bit of a fool of himself in public whenever he drinks.

He looks stunned now, stunned and... and something else, the same something he'd shown after reading Starrk's paper, except in his distraction, it's far more noticeable now, even if just for a few seconds.

Wonder, Shiina thinks, and doesn't know what to think of it.

"Sensei-san?" Starrk prompts, tilting his blades towards her.

Shiina gives herself a mental shake before finishing up with the tags, Starrk's first, then Ichigo's.

"That's done then, you can go," Shiina tells them. "Have a good weekend. Don't be late on Monday."

Ichigo breathes a sigh of relief, looking reenergized, while Starrk nods at her, nods at the other teachers, and even inclines his head in Kyouraku's direction, before they both turn to go.

"I should get going too then," Kyouraku says, smiling once more and as affably composed again as ever. "Wouldn't want to overstay my welcome."

Shiina stoops down to put the box of tags away just so nobody will see her roll her eyes. By the time she sits up again, her colleagues have seen the captain off, and she silently wishes Starrk good luck with that one. Still, she doesn't regret waving his Zanpakutou in the man's face. She does dock off another 20 points though because she's decided she doesn't much like Kyouraku, especially when he's in Starrk's vicinity.

"Hey!" The Philosophy teacher suddenly calls out, flipping through the papers on the desk. "Where did Coyote-san's essay go?"

Everyone spends a minute looking for it. Shiba Ichigo's is still on the table.

Shiina glances at the door and lets her lip curl. Minus 100 points. She's never met anyone who's hit the negative hundreds so quickly in her life.

The others realize it too soon enough, and the admin head eventually sighs. "It's fine, we have a few copies anyway, and it's not the first time we've lost an essay."

"So... he's not a Kyouraku then?" Someone else pipes up.

An uncertain hush falls over the room. No one is convinced, Shiina included.

"Just..." The admin head waves a weary hand. "Treat him as we always have. It doesn't hurt to be cordial to a future captain, noble or otherwise."

Everybody agrees, and that's that.

-0-

Ichigo has never felt so awkward in his life. He finally understands what being a light bulb means, and these two aren't even dating anymore. Yet. Again. Whatever.

Still, he obstinately makes sure he walks between them. It's not much, but it's probably better than inflicting all of... Kyouraku on Starrk right away. The past twenty minutes had been awful enough. Not many had noticed, or if they had, they probably hadn't been able to pinpoint exactly what was wrong, but Ichigo knows Starrk.

Knows him well enough to tell that the man isn't in any way as put-together as he seems on the surface. Knows too that he's probably thinking about crawling into bed or walking into a lake or disappearing into the sands of Hueco Mundo and just never coming out again.

Ichigo doesn't know how to fix it though, doesn't know if this can even be fixed. The last year in their own timeline had answered him with a resounding no. So all he can do for now is stay close and make sure Starrk is never alone in these moments.

No one is talking. Ichigo wouldn’t usually mind, but the silence this time is tense. It’s also rare to have Kyouraku around and not have any conversation going. The man isn’t actually that chatty most of the time, even if he is a people person, but for there to be something interesting in his immediate vicinity - and Kyouraku is interested in Starrk, even Ichigo can tell that much - and yet choose to remain silent? Ichigo doesn’t like it.

They get all the way to the entrance of the staff building before Ichigo cracks.

“So what were you here for today, Taichou?” Ichigo asks. “Uh, if you can say, I guess.”

Shunsui glances over at him, glances past him, then back. “Maa, it wasn’t anything special. I was just asking about Asuka-chan's progress. You’ve done a good job with her.”

Ichigo flushes a little. “I didn’t do much. She just needed some confidence.”

Kyouraku hums, amused but warm somehow. He's always been good at that. “We’ll agree to disagree then. I’m grateful either way.”

Ugh, this was not what Ichigo had wanted. But he ends up nodding stiffly, and thankfully, Kyouraku gets the hint and drops the subject with a chuckle.

But that also means he has time to glance at Starrk again, like he's checking for a reaction. Unfortunately for him, Starrk is currently impersonating a statue, and he hasn't looked at Kyouraku once since they'd left the meeting room.

It's only when they step outside that Starrk finally stirs. He turns to face them, eyes on Ichigo, features carved from stone. "I turn off here."

Ichigo blinks. Oh, right, but- "You're already going back to the dorms? Fujiwara and Matsumoto want to go out for dinner."

Starrk nods. "I know, you mentioned it yesterday. I won't go. Give me your bag, I'll take it back for you."

Reflexively, Ichigo hands him his bag, but he also tacks on, "You can come too, they're definitely expecting you to."

Starrk shakes his head. "I'm tired, I'll probably just turn in early."

Ichigo opens his mouth to argue, but... to be honest, in Starrk's place, he probably wouldn't want to be inflicted with Matsumoto's energy either. Fujiwara's taking after her a little too much for comfort these days, and Gin is probably going to be there too, and nobody wants to put up with Gin when they're already feeling bad. Of course, Gin always looks sour-faced around Starrk instead of the other way around. Ichigo is pretty sure it's because Starrk has a way about him that makes the suspicious brat feel like the man's constantly catching him red-handed or something every time Starrk so much as looks at him, which is hilarious, but it also means Gin tends to either avoid Starrk whenever possible or needle him when it isn't. Starrk doesn't usually care, but it isn't exactly what anyone would call a good time.

"Okay," Ichigo says instead. "Just make sure you eat something first."

"Mm," Starrk says, very obviously not agreeing to anything. God, Ichigo is surrounded by people who are going to worry him into an early grave. On the other hand, can it be called an early grave when he probably should've died something like ten years ago?

...Wow, that's depressing. Best not to think about it too hard.

"Go have fun," Starrk says before Ichigo can press on the point about food. Sometimes, it's like Starrk forgets he's not just a Hollow anymore. Ichigo had heard that Starrk had transcended hunger even as an Adjuchas because his reiatsu had done the "eating" for him—and then some. And even after reaching the peak of a Hollow's evolution, he's still never needed as much of any kind of food as regular Shinigami, but that doesn't mean it's healthy either for him to eat nothing.

"Don't stay out too late, don't drink too much," Starrk continues, and Ichigo is distracted enough by this to drop the previous subject.

He rolls his eyes. "Okay, Dad. You know it's a Friday, right?"

Also he's not a teenager anymore, he doesn't say, because he's still mindful of Kyouraku's presence behind him.

(His human body had died as a teenager though, at the ripe old age of seventeen. Some days, it feels like he's still aging at the pace of a human, all grown up and as jaded as an adult can get. Other days, when Kaien acts like an annoying big brother around him, or when Starrk fusses over him in that weary, gentle way of his, Ichigo feels exactly like the kid he would be if he'd been born in Soul Society.

He's still not sure how to feel about that. It's weird, always, but... not always bad.)

Starrk raises his eyebrows. "Matsumoto has a makeup test at noon tomorrow. Ichimaru has an early shift in the morning. Fujiwara has an appointment with her advisor at nine, and you-" A wisp of amusement actually makes it all the way onto his face for a moment. "-have remedial Kidou lessons with Koyonagi at ten."

Ichigo immediately scowls. "It's not remedial lessons! That bastard just doesn't know how to butt out of my business!"

Starrk hums noncommittally, but Ichigo's on to him. That's his I'm laughing at you on the inside because I'm secretly an asshole hum.

"How do you even know all these things?" Ichigo grumbles, because honestly, even when Starrk comes to hang out with them, he spends at least two-thirds of the time napping instead of paying attention to anything going on around him. Ichigo hadn't known they'd all be so busy tomorrow.

Starrk just gives him a blank look like he doesn't understand the question. Ichigo rolls his eyes again and gives up.

"It's not like I was planning on staying out that late anyway," He huffs. "We'll be fine for tomorrow."

Starrk nods and says nothing else. Ichigo doesn't have the words to describe how much he likes that about the guy. Unlike Kaien, Starrk says his piece when he feels strong enough about something to actually make his opinion known, but the rest is up to the other party to decide for themselves, for better or for worse. Unless of course you're bleeding a river with your insides hanging outside and trying to insist you can totally still fight.

Healers. They're somehow all carved from the same terrifying, unbending mold. The day Starrk meets Unohana, the Gotei 13 may never know peace again.

Starrk slings Ichigo's bag over his shoulder as well, and then his gaze finally skates past Ichigo to the man waiting patiently on the side while listening with shameless interest.

"Kyouraku-taichou, I'll be taking my leave," Starrk says, polite and formal as he bows his head, as an Academy student should before a captain, and it's- it's wrong, it's all wrong.

Ichigo doesn't really count the first time he'd met Starrk as their first meeting, which means that for as long as he's known this man, it has always been as a package deal with Kyouraku, right up until that final year. To this day, he has no idea how those two had happened, but it's not like 80% of the people he'd known and befriended hadn't been his enemies once upon a time too, so he has no room to judge.

The point is though, from Ichigo's perspective, Starrk had always followed faithfully in Kyouraku's wake, in his shadow, at his shoulder, hunched over the same desk and working long into the night or decimating a battlefield on Kyouraku's command, with eyes for no one else, even when - in the early days - enemy Quincy had mocked him as the Captain-Commander's tamed mutt, and their own allies had disdained him for being Ukitake's substitute. But likewise, while Kyouraku had forged ahead to pave a bloody road through the enemy ranks because there was no one else to do it for them anymore so he'd had to do it for everyone else, it was always Starrk he'd looked back at, always certain that he would only ever have to reach out and there Starrk would be, and no matter what anyone had said about lingering loyalty to Aizen or potential spy for the Quincy or even a Captain-Commander with such an unsightly weakness, Starrk had been the only thing Kyouraku had refused to hear a single dissenting word about.

They'd orbited each other and stood as a unit at the helm of the Gotei 13, and to see them like this now - separated by death and time and memory - even Ichigo aches at the sight. There's barely five feet between them but it might as well be a canyon.

Maybe Kyouraku can sense something of it too, because he tilts his hat down until it casts a shadow over his eyes, like he can't bear to look, but at the same time, his gaze remains glued to Starrk like he can't bear to look away either.

"Aa, I'm glad to have met Ichigo-kun's most mysterious friend at last," Kyouraku says, voice as laidback as ever, eyes anything but. "You've never come along with the others when Ichigo-kun is training Asuka-chan in my backyard."

It isn't quite a question, but Starrk blinks slowly and replies, "That's usually late afternoon. I prefer taking a nap."

Kyouraku smiles a little, and the curve of it is almost sly. "My division grows the most beautiful cherry blossom trees in all of the Seireitei, and they're just starting to bloom. It's a good place for a nap while you wait for your friends to finish up."

Starrk's brow furrows faintly. "...It would be disrespectful to intrude. I'm just a student."

Kyouraku waves a dismissive hand. "And I'm the captain. I can do what I want. And letting someone sleep under a tree is hardly an earth-shattering allowance."

Starrk blinks again before giving the impression of a shrug without actually moving his shoulders. "Thank you for the offer. I'll keep it in mind."

Even Ichigo has to hide a wince at the flat tone. But Kyouraku only smiles some more. "Good. You can come by anytime."

Starrk nods, a graceful dip of his head that lets his gaze fall away as he directs his next words at Ichigo, "I'll see you when you get back then." Then once more at Kyouraku, "Have a good evening, Kyouraku-taichou."

And then he's gone without so much as a blur left behind. Ichigo doesn't understand why they don't just give Starrk an automatic pass for Hohou when the guy uses Shunpou like he's teleporting, and then he remembers that most likely no one else has actually seen him use it yet with this kind of proficiency.

He turns back to Kyouraku, then falters. The man is staring after Starrk, smile nowhere to be found, which Ichigo had expected, but there's also an unsettling air of loss about him, heavy as a funeral shroud. And then, in the next second, Ichigo suddenly finds himself on the receiving end of a dark, ruthless, calculating gaze that Ichigo's only ever seen on the future Kyouraku, on the Captain-Commander at his best, at his worst, his blades stained with lifeblood, his shadows come alive with abyssal hunger.

All the hairs on the back of Ichigo's neck stand up, and a chill runs down his spine. He will honestly never understand how Starrk could look at this particular monster time and time again and never even seem to notice the threat, had always walked in Kyouraku's shadows like they were an embrace and not a bottomless void of remorseless avarice. But Ichigo's also faced down plenty of things just as scary as Kyouraku Shunsui, so he only needs a moment to re-center himself and beat back the instinctive lurch of alarm in his gut.

It's easy to forget, most of the time, just what this man is capable of.

They end up staring at each other in silence, and for a moment, it almost seems like Kyouraku might finally push for some answers. Ichigo knows he hasn't been the most subtle, and there are a handful of people out there nowadays who have their suspicions about him, but so far, none of them have approached him about it.

Kyouraku looks like he's about to. For a split second, he looks like he dearly wants an explanation, and he won't much care either what he might have to do to get it.

Figures, a part of Ichigo thinks wryly even as the rest of him goes tense with a guarded sort of apprehension. It would be Starrk-san who brings this out in him.

But between one breath and the next, Kyouraku blinks, blinks again, and the strained tension pops like a balloon as the monster disappears back into the shadows, and Kyouraku is casually adjusting his hat like the whole stare-down hadn't happened at all.

Ichigo feels his eye twitch.

"Well then, I should be heading off too," Kyouraku declares, and his gaze is feather-light when he glances at Ichigo once more. "I suppose I'll see you at Asuka-chan's next tutoring session. Perhaps I might see some of your friends too, hm? The more the merrier of course, so don't worry about any noise complaints. It's good to be livelier when you're young."

"Uh-huh," Ichigo says very dryly. Internally, he sighs and makes a mental note to do his best to convince Starrk to come with him next time.

Of course, he'll be first in line to beat Kyouraku up if this all turns into (more) heartbreak and (more) tragedy, but...

He's not actually so oblivious that he doesn't know Starrk might still only see a cliff's edge that he'll be more than happy to take a swan dive off of at the end of all this. He talks a good game, and after a year of practice, he's gotten a lot better at hiding his grief. At the very least, ever since they'd come back in time, Ichigo hasn't been able to pick up much more than a haze of melancholy from Starrk that comes and goes at irregular intervals.

He doesn't know how to fix it, doesn't know if it can even be fixed. But he does know that if anyone can pull Starrk back from that cliff, it's this man in front of him.

And Ichigo's lost enough people. He doesn't want to lose Starrk too.

So he'll keep an eye on this relationship, make sure Kyouraku doesn't overstep, and make sure Starrk isn't letting Kyouraku overstep, but otherwise, he doesn't think it's a bad idea to help it along a little.

He fervently hopes he's making the right choice.

Kyouraku takes off with a last friendly nod, and Ichigo also hurries away to meet up with Fujiwara and Matsumoto.

For now, everything will keep another day.

#bleach #kurosaki ichigo #coyote starrk #kyouraku shunsui #shunstarrk #myscrap #ichigo & starrk time travel verse #ok lbr out of the entire bleach cast who else would make the most sense to have two blades for their Zanpakutou in sealed form?#like even in canon Starrk was a dual wielder from the start (Kubo sure understood his audience when he threw him and Shunsui together lmao)#technically you could argue that even as an arrancar the “sealed state” of his Zanpakutou was already two “blades” him and Lilynette #because his power was never sealed in the swords that either of them had those were basically just decoration #so in this AU once he evolved enough and his soul was whole enough to produce a real Zanpakutou ofc it would manifest as a daishou pair #anyway this was fun to think about #and again it doesn't exactly fit with what i've written so far for this AU but you can just go with whichever version you feel like lol #also did i create yet another OC out of the blue? yes yes i did. i suppose we'll see if i do anything with her. fingers crossed for no lmao #i was going to make her a katori but then i was like cross be a little less obsessed with shunsui not everything has to tie back to him #so i just made up a name but who she is and what's her background idk tell me wat you think of her i guess #i do headcanon starrk is a natural at kidou because both kidou and ceros are basically reiatsu manipulation when it comes down to it #and starrk could fire ceros instantaneously all damn day from any part of his body without moving a single finger #i think that that control and skill would translate to kidou

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lucabyte · 5 months ago

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i'm so curious about your character gender reads now tho 👀👀

(You enter the kitchen and see me, eating shredded cheese out of the fridge by the handful)

(I turn around to face you.)

Hi. Do you want me to sell you on amab NB Siffrin? I'm going to try and sell you on amab NB Siffrin. And maybe even a little bit of tranfem siffrin and/or loop. as a treat. just for you.

So, (I put the cheese back in the fridge.)

This read of mine comes from a number of things, a lot of them to do with the game's themes, and to do with Siffrin being a narrative foil to the other characters. And Vaugarde as a whole.

(READMORE WARNING: THIS IS LIKE 6K WORDS LONG. YOU ALL SHOULD KNOW BY NOW I DON'T MAKE POSTS WITHOUT UNCONSCIOUNABLE AMOUNTS OF EVIDENCE AND EXPLANATION. IF ANYTHING I'M BEING RESTRAINED HERE. THUMBS UP.)

(Pre-readmore note: this is in response to me having given an analysis of how I personally percieve Sifloop in relation to asexuality and shipping. Which you can look at here. (x))

It is however, not what my like, no-holds-barred no-rules just-for-me headcanon for Siffrin would be. (which is intersex 'head empty no thoughts' siffrin, for the record). This is instead my close-reading-of-the-text-and-themes interpretation of Siffrin. This is why I'm gonna be saying Read and not Headcanon, to distinguish the two. (Anything I consider a little bit too much of a stretch vis a vis interpretive hard reads I will call a headcanon. But those are for the last bit of this post.)

Unlike *gestures at mass media* All That… ISAT is already packed to the gills with queer rep, to the point where I feel no need to grasp at straws and make overextended reaches into obviously unintended subtext. Like with, y'know, most media. Since here, the subtext isn't unintended. Like this isn't a Transfem Metal Sonic or Aroace Ash Ketchum situation where I know none of the evidence is on purpose and I'm just having fun making a conspiracy theory pinboard out of it. This is like… There's intentionality there. And I want to engage with it on its level, see what the text itself suggests. It's my personal preferred method of expressing deep respect to a text. (Not that it has to be anyone else's, obviously. This is just my way of showing I love a work.)

So yeah, I am, in general, very interested in hearing hard-fought arguments when it comes to interpreting texts. I'm glad ISAT has a lot to pick at here, and so, I will. (and since not a lot of texts ever have anywhere near this kind of depth in this arena, i don't wanna squander it… i'll try and keep my own biases as in check as i can, and already have done by hashing quite a bit of this interpretation out with two people of very different gender identities to mine. To put it mildly, binary-aligned or transfem I am very squarely Not.)

(Now that the cheese bag has been removed from the equation, I drop this framing device, sit you down at the table and begin to dredge up evidence from below it.)

Okay, so. What are my like… Core reasonings here? I think I can split it into three categories. Broadly, with an amount of overlap, so bear with me…

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Okay so up top I'm going to split my argument for Siffrin's gender identity Present and Future here. This means, for now, I'm arguing for AMAB NB Siffrin alone. The transfem stuff is for later (and more for loop, in my mind, too).

I have a few direct observations of the text here that set things up. Here are the things in-game that make me assume that Siffrin, as of the start of the game, has not yet undergone any radical change to their identity in their life. Not on purpose, at least. These are ordered in a messy but logical flow, so uh, try and keep up. I'll synthesise at the end. I Prommy.

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

CHANGE & THE UNIVERSE: PERCEIVED OPPOSITES

When interacting with most objects in the Changing Room in the house, they express a genuine curiosity toward body craft. It seems they are legitimately unfamiliar with it on a deeper level than having simply heard of it.

Despite this curiosity (explicitly stating they've previously wondered about it), they dismiss it as too much work early on in the game. These points combined seem to suggest to me that they have never previously sought out any kind of real change to their appearance or identity. Either for gender reasons, or other body dysmorphia reasons. (Which, despite the dismissal, they do refer to their body as a 'meat prison', which is not particularly positive) However...

This changes in Act 3. In acts 3 and 4 they flatly state: "You're thinking about crafting your body. You seem to have all the time in the world now." While still never spoken aloud, their declining mental state corrosponds with a worn-down, almost nihilistic reckoning with the feelings they masked with the 'meat prison' joke in act 2.

[Image: Interactions with the change craft textbook in acts 2 and 3/4.]

In talking to Mirabelle, they are very self assured that one can stay the same/be comfortable with their born identity. They also seem a little unsettled by the change religion's flippancy in general, which makes sense, as they have been clinging to the famliar (even when painful) to cope with other traumas. (More on this later, section 2)

The Universe Faith appears to heavily disincentivise Wanting for oneself and other expressions of Free Will due to safeguarding against Wish craft. This seems to have impacted Siffrin's mental state majorly, even if they do not recognise it. The followers of the faith are (if Siffrin is to be believed) incentivised to 'go with the flow' and take paths of least resistance, and those that DO make big decisions will tend to justify things as being The Universe's Will. (See: The King's entire Modus Operandi, and the way Loop (and Siffrin) do the same rote actions, constructing worldviews (the play analogy, the Universe's Will) and justify that as what the Universe Would Want (despite a total lack of evidence to prove as such)) As such, it seems as if a follower of this faith as neurotic as Siffrin would be unlikely to act upon any Wants to Change Themselves without a lot of turmoil and backwards-justification. (Of note, Loop's forcible change coinciding with a dropping of pronoun. But that is again for later, section 3) As of the start of the game, they do not appear to have broached this kind of turmoil directly.

[Image: Act 5 interaction with the star journal, emphasis on it being a cautionary tale against reckless usage of wish craft, instilled so deeply to be a children's bedtime story]

Siffrin, in act 5, grows frustrated with both The Universe and The Change God, feeling abandoned by the former. They struggle with simultaneously anthropomorphising the Universe as a cruel onlooker, while also seemingly acknowledging them as a cold, almost scientific fact of nature. This would heavily imply that the 'blame' put upon the Universe by Siffrin in these moments is known to them, at least a little, to be potentially meaningless. It seems that somewhere in Siffrin's belief system is something, be it the core or merely a creeping worry, that the Universe is not a thinking, feeling, thing. And thus that their invocations of "The Universe's Will" are merely rationalisations of random chance and consequence. This is in DIRECT contrast to the Change God, proven to be an emotive sapient entity, who merely refuses to offer a helping hand. (Similar sentiments are, too, spoken by the Change God itself.)

[Images: Interacting with the window in the observatory in act 5, text from the change god meeting]

So. These are the bulk of my observations when it comes to how Siffrin is positioned in contrast to the Change Belief. It would seem to be that Siffrin, inkeeping with their role as an outsider, is a complete fish out of water in Vaugarde's change-centric world. This makes sense! It makes them a compelling foil to the Vaugardians in our cast, and allows the Vaugardians to challenge Siffrin's worldviews merely by existing. It also, more importantly, makes Siffrin an interesting lens through which to inspect our two most Change-driven characters. Mirabelle and Isabeau.

MIRABELLE.

Mirabelle and Siffrin's differing faiths are put on display the most frequently. Interactions like the circle key and the party's disbelief of Siffrin's facts about the stars make this clear. These interactions other Siffrin from the group further, and are another avenue through which Siffrin can ignore their own needs, not communicating with the party and allowing them to dismiss things he deems important.

Obviously, the friendquest is primarily about Mirabelle's struggle with her aromanticism and asexuality. But there's an implicit undercurrent of gender there too. Mirabelle has never made a big change, not like Isabeau. She has never 'changed completely', by her words. And Siffrin distinctly finds this an odd thing to be worried by. Whatever culture he carries has no pressure to explore these avenues, it seems. Siffrin is able to help her by sharing their honest opinions, that he's never felt the need to change these things, and he's happy (allegedly). Why should she?

[Image: Mirabelle's friendquest text] Siffrin is not thinking particularly hard when he first does the friendquests, they are just being themselves. By positioning Siffrin as this unchanged yet confident object, they are in the perfect position to help Mirabelle by being in her almost exact position, both sexuality and transgender status (albeit, with the caveats of potential alloromanticism, and a they pronoun), that they become her ideal foil. (And in fact, the subtle differences between their positions in canon add to this, showing a display of Perceived Genuine Truth, rather than simple in-group camaraderie)

Whereas…

ISABEAU.

When Mal du pays speaks as Isabeau, it says the following;

"I don't want to know someone who won't even try to change, who luxuriates in things staying the exact same like you do."

I don't want to know someone - Shame of being known, that's Isabeau's insecurity. Reflected back at Siffrin, who has become the worst thing imaginable to each of their friends, in Siffrin's own mind. He absorbs their insecurities like a sponge and incorporates them into himself. Empathy turned ill.

Who luxuriates in things staying the exact same - Now THAT'S interesting. This is not Isabeau's insecurity, it's Siffrin's own. But also, it appears as if, Siffrin, whom to Mirabelle was unflappable in that not changing was alright, has internalised some of her worry. That it is MDP's Isabeau saying this, though, shows this is about Personal Change, perhaps even Specifically Gender and Self Image, rather than Mirabelle's spiritual side.

Isabeau and his distinct change in personality and gender, to become someone who he actually likes… Diametric to Siffrin, who has been stagnant for a long time, presumably as far as they can remember. It would seem to imply they have no recourse against this argument. Siffin becomes, in his mind, the opposite to Isabeau, a man he deeply admires the bravery of when told the story of his Change. These are Siffrin's words against themselves, that they consider themselves to have never even 'tried' whatever it is they think Change to be.

So. These are my main points vis a vis: Siffrin as a foil. This reading would posit that Siffrin's He/They status is, well, almost accidental? Which I would imagine befitting of them. They are, at the start of the game, still the mysterious rogue who never elaborates upon anything. They aren't going to be correcting a they/them from a teammate who is likely far more cautious about assumptions.

Notably, Mirabelle excludes Siffrin from the label "man" in the bathroom monologues… But as does Siffrin when in the prologue poem room. Though one needs remember, Siffrin only expresses these thoughts internally.

[Image: Bathroom conversation featuring Isabeau identified as the party's singular man]

[Image: Prologue!Siffrin expressing that they are not a man in very certain terms.]

While I do wonder what Mirabelle's knowledge (or lack thereof, potentially! Did Siffrin actually divulge this to her, once? Or is she making assumptions again?) is here, this is pretty clear evidence that Siffrin doesn't see themselves As A Man. (that, and Adrienne's word of god "fella" comments). I'm sure you can see where I'm going with this… but.

The thesis here is, that Siffrin may want to explore their gender further; doesn't feel connected to Masculinity, and yet, keeps that He pronoun around? Well, the Universe does not, in Siffrin's mind, really allow for personal wants and desires. If their friends start they/themming them, then cool. They like it, but never requested it, so it's the Universe's will. But, asking? Making decisions and requests and rocking the boat? That seems to scare Siffrin a lot. It seems to scare them so much it causes a lot of, if not all of, the conflict in the game. I feel like it's a fair deduction that this aversion to humour their own desires pervades a lot of their existence.

Plus, I think there's meat there. By only allowing Siffrin to reckon with any potential desires to change only after growing closer with the family, you get to explore things like "How does Mirabelle feel that even the person who said she didn't have to change is changing." and the slightly less potentially harrowing (OR MORE, IF YOU WANT IT TO BE? IDK. I'M NOT YOUR BOSS.) "Isa's continued changing allows Siffrin a space to explore it, maybe even just by proxy, or maybe by joining them."

But mostly, this section is about how Siffrin not having Changed Yet makes them delightfully strong narratively; allowing them to relate to Mirabelle, and get cold feet when comparing themselves to Isabeau. I love this as a narrative strengthener. It's very rare in media that we get to explore a nonbinary character's thoughts and insecurities on whether or not they're "doing enough" to be nonbinary. Even less so Aligned nonbinary people. And reading that alignment and insecurity through the lens of a nonbinary person not fully disconnected from their assigned gender at birth? It's a very compelling exploration of a very common and raw and yet underdiscussed feeling, much like the rest of ISAT. I think this is an extremely potent element should it be read this way, and is only strengthened when taking Siffrin's other themes into account.

Speaking of which.

2. SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

HOLDING ON TO WHAT YOU KNOW. (OR KNOW THAT YOU DO NOT.)

I explained above many of my thoughts on the Universe Faith, and trying to keep these two sections separate was difficult, but needed to be done for the sake of clarity. But this section and the above are deeply intertwined.

Siffrin… Holds on to the things they know. They do not know much. But man do they fucking hold. And yet, paradoxically, they are also avoidant about it.

It is made clear in the text, to the point where I really don't feel the need to rehash it here, that Siffrin's disconnection from their homeland is incredibly painful, but that they consider that culture utterly and irreplaceably important to them. They cannot face it, it is too painful. They cannot let it go, it is too important.

Knowing what we know of the Island's irl inspirations (though, word of god, the exact location is not supposed to matter, one can infer it from the text (and I did! within reasonable proximity!)), Siffrin is of an indigenous peoples of some description, more than likely. And at the very least, Siffrin carries with them inherent biases and ignorances that show that Vaugarde's conceptions of things don't quite mesh with their own. Bowing to the Vaugardian way of things could very easily be seen as assimilation, in this way.*

And identity? Gender? Presentation? Role? All of that has a cultural element. There's no telling what specifics Siffrin has lost in that arena, and that's the problem. Neither do they. How paralysing, the feeling, to know that should you change yourself you risk unknowingly erasing another piece of home? I wouldn't blame them for locking it off. Keeping their old clothes, keeping what little they can remember of themselves… It doesn't seem to me a conducive or safe mental space to get experimental.

And the Universe makes for a perfect scapegoat. As referenced in the section above, a lot can be justified should you call it "The Universe's Will", because who's there to call you on it? Hardly anyone. Your divine right to Freeze A Place In Time; Your Deserved Punishment for Wanting to be Loved: All of it the Universe-- If you want it to be. And thusly, if the Universe wanted you to be a certain way, wouldn't you already be? Wouldn't it make you so? (Wouldn't it take away your body, that which makes you human? If that is what it thought of you?) So best to put it out of your mind. Wouldn't want to accidentally wish anything.

But as the game itself puts it, personified by The King, you cannot stay mired like this forever. As Loop themselves puts it, they can "get so fixated, sometimes." At some point they need to allow themselves to grow in whatever direction they need, because in the end, they need to live their life. They don't need to abandon their country, their culture, but they can't let it restrain them either.

(* MASSIVE CAVEAT: im white as fuck boyyy. i cant say shit. im like technically Of The Land im like 90% pictish or something ridiculous like that so my particular line has never moved anywhere but. this is notttt something i have input or insight on. this is all gleaned from reading and listening to indiginous perspectives from wherever they may be. i am simply trying to infer from what the game gives us without inserting my own feelings on the matter.)

3. SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Alright, here's some less heady and purely-thematic points to round things out. And where we'll also address the fucked up star being in the room; Loop.

My last couple of reading points are the most potentially-transfem to me. Or at least the ones that really hammer home, to me, a seeming lack of want to be masculine-aligned.

ANOTHER NOTE ON THE 'NOT A GUY' THING.

Obviously, there is the aforementioned "Not a man/not that you're a boy" thing. This is rather straightforward, but also still pretty ambiguous. You can be masc-aligned and still Not A Guy. But it does seem to be of note that being a guy very much does not seem to be a goal of Siffrin's. I would posit this in direct contrast to… Isabeau.

But not Isabeau's masculinity. I would instead hold it up against Isa's femininity.

ISAT, as a text, has its characters have genuinely different levels of security in their gender identity, and Isabeau, despite still having insecurities, seems super chill on the gender angle specifically! Their internal strife comes not from their 'not feeling like a man enough' or 'hating being a woman', but instead from their self perception as a friendless nerd! Something that seems to be only tangentially related to Isa's gender, really?

The big dumb bruiser thing is certainly aided by being a dude, but Isa still seems completely comfortable referring to themselves with feminine language, calling himself a "mother hen" (prologue) and having "the heart of a fair maiden" (cookie snack time). (However, they also take being excluded from Mira's girly book club as a surprised compliment, implying they weren't expected to be excluded, and find it affirming.) And even further so, Isa states they want to continue changing further and exploring their identity more, being rather blatant that they might lean back into femininity (and more importantly, let themselves be outwardly smart again), since they're starting to feel hurt by everyone assuming they ARE genuinely stupid.

[Image: Prologue Isa calling himself a mother hen]

And man, this is such a breath of fresh air vis a vis representation. I don't think I really need to explain that. A character who's gender identity is driven by chasing euphoria, even if it started out by trying to drive out misery. Isabeau's character is so damn good. But this essay isn't about him, so get back in the crate, boy.

... So here we have Isa, who is genuinely comfortable reclaiming things about their birth gender, and Mirabelle who loves her traditionally feminine traits to the point where she feels a little guilty that she isn't rejecting them to foster change. And then we have Siffrin… who seems to reject masculine language…? Hrm… (… And then we have The King. A Masculine Title. Someone who Siffrin increasingly sees themselves in and deeply, deeply dislikes this.)

APATHY AND SURVIVAL

It should be clear by now that I see Siffrin's core character as being driven by avoidance and survival. This seems to lead to a lot of apathy, brushing off emotions that are too intense or events and occurences that are too painful. (See: just absolutely everything with Bonnie)

It's all Siffrin really seems to be able to do to Survive. They've travelled, seemingly alone, for what would be around a decade by what the game says about the island's disappearance. They've lived alone on the road as a traveller in a country that so openly welcomes strangers that THE KING and his whole motives can happen. Siffrin is avoidant and refuses to acknowledge problems or strive for help and comfort.

So. That line about the dress. Let's unpack the line(s) about the dress.

THE DRESS LINE, AND THE WAY IT CHANGES BETWEEN PROLOGUE, ACT 2, AND ACT 3.

Good god where to start with this. Full disclosure, the first draft here was way more vague in how I approached this line because I remembered it (and another line, I'll get to it.) way more tame, but going and getting the screenshots..... Siffrin. Buddy. We gotta unpack this.

In act 2, we have "You haven't worn a dress in forever!". This is a neutral, if seemingly a little joyous statement. All we really glean from this is the information that Siffrin at some point, wore 'a' dress. No real inferences there. (Maybe you could say that the singular as opposed to plural makes it more likely that they borrowed/only owned One Dress rather than owned several? But that's a massive stretch...)

Then, act 3/4 shuffles this off into a more general "You wonder if you'll ever wear different clothes again." Which is a more despairing and distant statement. Considering Siffrin seems to travel with only the items they can carry, and owns sleep clothes... It's unclear how many changes of clothing they have. The party seems to consider the cloak a pretty permanent fixture, anyhow. But this line doesn't really say much aside from 'oh god i'm losing myself to the time loop malaise'

NOW THE PROLOGUE. Prologue Sif, buddy, pal, Loop, if I'm allowed to call you that....

Thousands of loops in. We are wistful for specifically dresses. You've forgotten almost everything. You dream about someday seeing the sun again. To be anywhere but here. You want to wear a dress again.

I. Kind of do not know what to do here but point at it. Like I said, my first draft had me half-remembering the progression of this line and as such I was far more vague on what I thought it could imply. Instead this is just straight up yearning.

To, try and segue back to what I had initially written, we'll pick up here...

Siffrin expresses a want to wear other clothes, explore changing their body... But instead, they wear a ratty old form-covering cloak that keeps them warm and safe and is a last reminder of home. They are shapeless, formless, hiding their face under the brim of a wide hat. They do not voice their desire to wear a dress aloud. They once again, keep a desire to themselves, because they do not allow themselves to want publicly. Apathy is safer. Apathy and quiet means you do not risk retribution or hurt.

While I do not think the above is exclusively a transfeminine feeling, it really, really reads like one when taken part and parcel with assuming Siffrin has denied themselves prior exploration.

... And here I have to break my first draft again. I was being, once again, restrained in my reading when writing this. Because I had convinced myself I had maybe straight up imagined one of the lines I was basing my reads on, because I couldn't find it. Because it was a line that read so strikingly desolate to me that my brain had slotted it in during Act Five, meaning when I went looking for it neither me nor my friends could find it.

It's in acts 3 and 4. It's a line I already brought up.

"You're thinking about crafting your body. You seem to have all the time in the world now."

good fucking christ. sorry to break the academic tone but Jimminy Fucking Willikers, Siffrin. What's with that bit. The resignation and despair and guilty comfort we know the timeloop brings them, bleeding into the gender.

This. *taps my finger harshly on my desk* THIS, this feels transfem. this feels so wildly transfem to me. The knowledge that they've never changed before this line lends. The admission that they've been holding back because it's 'too much work'. I spent a lot of time during the game relating Siffrin not to myself but to my friends.

If I'm honest, really, truly, I'm not all too often in Siffrin's shoes. I'm the stable one, of my group. I'm the rock people ground themselves on. And I see so much hesitance, all the time. Denial of joy because what if it's taken away, again? Or futilely out of reach? It hurts more to try, and to fail, than to never try at all.

I wanted to shake Siffrin by the shoulders this whole game. Grit teeth beg them to accept help because for fuck's sake people are clearly offering it get it through your skull--

*coughs* Ah. Ahem. Right. The uh, academic tone.

Right. What I mean to say is, this read as transfem to me because of the way it relates to real-world experiences of denial. And this combo of the Dress line, and the progression of the Meat Prison line, the constant evidence of never having strived for what they want, and that insistance that you're not a man, seem to dislike being percieved as a man, but not being able to shed the outward signifiers?

Individually, yes, these points can be read in different ways. The total opposite ways, even, I'm sure! But as a gestalt it feels really, really transfem. Even if yeah, sure Vaugarde is a magical setting where being transgender is accepted, and this hesitance, specifically, around gender, might not 'make sense' in 'the lore'...

Diegesis isn't everything. Sometimes something that reflects a real-world feeling is important, even if it doesn't 'mesh' with 'the lore' of the world.

TANGENT: DIEGESIS AND READING INTO NON-REAL-WORLD-SETTINGS.

This is a Watsonian vs Doylist spectre that's been haunting this whole argument. In-universe (Watsonian), Vaugarde has seemingly no discrimination between genders, sexualities, and a lackadaisical approach to most things in the arena. Reading our own patriarchal/heterosexual/amanonormative/perisexist society unto it does not make sense, not in this context.

In the real world, however (Doylist), ISAT is a text made in our prejudiced society. A text that is distinctly flavoured by those bigotries which it is kicking back against. Because of this, it is not the whole story to simply read the text while discarding our real-world-informed inferences. Isabeau is a big example of this. While perfectly accepted in Vaugarde, he is very obviously a revolutionary character in our real-world space! He has so much to say, specifically BECAUSE things about him that are not readily accepted here, are accepted there! Same with Mira's struggles, and yes, Siffrin's too.

ISAT was written with the knowledge of how it would play against our real world in mind, we know this, clearly, from many an interview. This is most present in how it engages with asexuality and aromanticism (and immigrant identity), but make no mistake, it influences the Whole Text.

Ergo, just because I view certain writing choices here in the context of Our Real World Perspectives On Gender and not Vaugarde's In-Universe Perspectives, it does not make them an invalid read. They are simply a Doylist read.

There's been an admittedly loosey-goosey lack of delineation here between things I'm reading with either lens, because for the most part all of these points have been a vague synthesis of both that I can't quite decouple. Unprofessional, I know, but I'll admit to not having written my thoughts down like this in a good long while. Usually I just hash this out verbally over discord voice to a small number of weirdo literature and classics student friends who are willing to humour me. I'm an arts student too, but animation hardly required I actually write an essay to a literature degree's standard. Lol.

DE-PERSONING. AND LOOP. OH JESUS . LOOP .

Siffrin de-persons themselves a lot. I say de-person rather than dehumanise because, well, there's a subtle difference there. Siffrin doesn't see themselves as vermin or an animal or an object, but they do seem to see themselves as lesser, not requiring the respect they grant others. They aren't, you know, a 'real person'.

People get to have things like thoughts and wants and identities. Siffrin is, at best, Just Siffrin. They have what they have and they don't ask for more and they don't (CAN'T) feel too strongly on what they do have!

When Loop at first offers their pronouns they offer the Royal 'We'. This is at least a little bit, a joke. A nudge toward their true identity, a potential dig at themselves for becoming so understanding of The King. Mostly though, a joke on the first thing…. and a sign that they do not see themselves as a separate entity to the Siffrin stood before them.

When Siffrin rejects this, they settle for they/them. Loop drops the he/him, presumably partially to cover their tracks, but… They just showed their hand with the 'Royal We', and if you wanted to go even further with this, there's no way for us to know whether Loop is treating this pronoun as singular or not. They presumably are, but it is still a potentially plural pronoun.

Loop… Clearly does not see themselves as a person. It's, I would say, a completely reasonable assumption that the form they have taken reflects implicit feelings toward themselves as less than a person, an actor, a monster, a tool, a means to an end. They are rendered inhuman by The Universe, frivolous distractions removed. No mouth, inventory and clothes confiscated, nothing between the legs. Formed roughly in the shape of a person to allow them to do their only job: Help.

Loop's body does not make logical sense, given their continued ability to sleep, dream and their continued habit of deep breaths to self-soothe. It would seem to me, it was made in the image it was, with only the tools it needed to Help Siffrin. Why obfuscate their identity? Because giving the game away too early would likely make them lose hope. Why so deeply, thoroughly star themed? An instant signal, that even if a stranger, they are an ally. They are home.

[Image: Loop saying that they take naps and dream, and evidence of Loop habitually attempting to breathe in the twohats lose-to-loop ending]

And they… Degender themselves. No longer with any bodily signifiers of masculinity, and cruelly disallowed the ability to hide themselves beneath fabric, they are null. The spoiler Q&A (paratext, as it were) states that:

Q. Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they’d like to be perceived? or 3. time lops stole he from they they :( A. Mostly that first one. But all three of those reasons have a bit of truth to them.

While the 'mostly the first one' comment does imply that Loop would not baulk at being he/him'd (similar to how Siffrin does not), the other reasons, especially the second, having 'a bit of truth' does lend credence to this reading. That Loop's self-perception has shifted, and what I posit, is that this shift is in tandem with a disconnection with humanity. Due, presumably, to the dehumanising experience of the timeloop.

Loop has no biology to speak of, and yet they remain blind in one eye. I take this as an implication that they considered this so core to themselves, to who they could remember being, that it stayed. Even if they had forgotten their own face, trapped in a part of the house with no mirrors, they knew they couldn't see. They kept this, and yet seemingly they, or The Universe, or both of them in tandem, discarded all else.

This isn't like…. Healthy behaviour. That is for certain. But it is interesting that Siffrin and Loop seem to hold on to their masculinity by a thread, and that Loop, when actually given the excuse to make a choice, chooses the Neutral Option. Siffrin might de-person themselves, but Loop, Loop is absolutely dehumanising themselves. From Loop's own mouth (or lack thereof) do they call themselves a Corpse. That's… pretty damn bad.

TANGENT 2: POTENTIAL IMPLICATIONS OF THE JAPANESE TRANSLATION.

Did somebody say 'distance'? Yeah turns out that has some more potential evidence. In the form of First Person Pronouns. See, English, with its third person only pronouns relies on others to gender you. Japanese, you get to gender yourself. And Siffrin specifically has an interesting discrepancy in the way he refers to himself.

(DISCLAIMER: I . DO NOT KNOW MUCH ABOUT JAPANESE. THIS IS SECOND-HAND KNOWLEDGE. SOURCED FROM THIS TUMBLR POST AND OTHER QUICK SKIMS OF WIKIPEDIA)

Loop and Siffrin use the same, very neutral "mostly male but could go either way" pronoun of 僕 boku. Safe, soft friendly pronoun. Used by people on the younger side of adulthood, not so impolite that you can't use it in a formal setting. Such a neutral all-rounder that female singers in japan tend to use boku in their songs to relate to the audience with quiet confidence.

And in their internal monologue? Siffrin uses a completely different pronoun. In his head, for himself, he uses 自分 jibun. Now, this may be an artefact of the monologue's english second-person "You", since jibun can also be used to mean a very neutral "self". A "myself/herself/himself" type 'self'. But when used as a first person pronoun, it has a connotation of being… distant, introspective. Which is… a fascinating implication, if that was the intent.

But I don't know anything about japanese so ! If I'm off the mark, discard this!

LOOP, PART 2: MAYBE NOT A GREAT STATE TO BE IN.

While Siffrin I can comfortably argue that they can like, keep their current gender presentation, whatever you may perceive it to be, once the game is over, Loop, I cannot.

Siffrin's potential issues with their identity are ones that honestly feel like they would best be explored with gentle refinement and searching. They don't need to violently seperate themselves from what they are now, far from it, in fact. They need to learn to grow comfortable in their own skin, and with the people they love. To become open and trusting, with an open mind to where it may lead.

Loop has already lost this battle. They don't get to refine anymore, just pick up the pieces. While I don't necessarily think radical change is Good for Loop, I think they may Need It. For them, resting will probably become stagnation (see: napping all day under the tree, resigned, really, to the idea they're stuck there forever.), they need a shake-up in order to re-find their feet. Even if they end up right back where they started, they still need to do the actual painful process of soul-searching first.

Problem is, they're still rather avoidant. So it basically becomes a question of getting them into a situation where this exploration is forced upon them. At which point, that's a whole new plotline. This becomes fanfiction. Hence, why while I think Transfem-Egg Loop is a Valid Read when extrapolated from Siffrin… I must concede any actual adventures into them acting upon that as headcanon territory. I just do not know how you would get them there without making a whole new Thing, at which point it stops being Just A Read of the text haha. It doesn't help that Loop and Siffrin (grudgekeepers supreme) both have reason to spite the Change God after who was phone.

As for whether this egg-read reflects directly back on to Siffrin? Maybe! They are the same person. But I think that, especially with Vaugarde's lax views, and their actual differences (Loop's general worse mania // Siffrin's incentive to stay a reminder to themselves and Loop of their country) means they could easily go two different routes, along the road to becoming their own distinct individuals. (And in all honesty, growing into their differences is probably the more healthy option in the long run if you're keeping Loop around? But again, we are going so far into the future here this is no longer a read. And I am not here to dispense baseless headcanons without massive disclaimer, so…)

Tl;Dr:

Siffrin's Survival-Apathy and hesitance to change feels really thematic to their being 'what's left' of their homeland

They seem unsettled by the flippancy of the Change Religion at times, clinging to the familiar to cope with the trauma of displacement.

Mal du pays speaks of them that they have not 'tried' to change, showing an insecurity there, even outside of the literal stagnance of the loops.

They are self assured to Mira that one does not have to change, in a very genuinely personal impulsive statement.

They and others exclude themselves from being "A Man", but Siffrin keeps desires to explore their expression to themselves.

The Universe belief, seemingly in Siffrin's view of it, disincentivises Free Will and Wants very heavily. It is not hard to assume they extend this to all elements of their life.

They have self-admittedly never pursued tangible change, likely due to this aversion to choice. Despite this, they express interest in changing, seeming nonplussed with their body, and house at least some desire for more traditionally feminine expression.

Oh Good God. Loop Sure Does Not Treat Themselves Like A Person. Why Does That Come With A Pronoun Change? What Does That Mean?

But most of all:

It makes them such a fascinating foil and lens to Change and characters who believe in it! It makes them eerily similar to The King! It opens up such fascinating debate between characters like themselves and Mirabelle, Isabeau and Loop, on whether or not they want to change in future, or if it truly is okay to never radically change yourself! What genuinely fertile ground for dialogues. And man if I'm not heavily drawn towards dialogues.

(End of essay! Congratulations for making it the whole way! 🎉 I hope this nightmarish deep dive helps with understanding some of the ways I've been writing Siffrin and Loop too. Since while I've not ever focused on the gender side of it (and probably won't in comic form) this does pervade my view of the two, since it would be impossible for it to Not. As you can see, I do think it is pretty relevant to both their themes.)

(Now for some bonus material)

ADDENDUMS:

PERSONAL BIAS NOTE:

Not included in this analysis since this is more a Pet Theme of my own (usually kept quarantined to the realms of my OCs), but something else I see in Siffrin is a reflection of the Dude Issue(tm) of patriarchal irl society disincentivisng Dudes(tm) from ever fucking introspecting ever.

I'm curious about nonbinary/trans characters who have no idea they’re nonbinary/trans because they’ve been disincentivised from thinking/doubting their identity due to societal power structures or simply tradition. I dig around the themes of “a lot of guys are trapped in a societal prison without ever knowing and it makes them miserable but they can’t escape because they don’t even see the cage” like, a lot, in my personal work. It intrigues me. So bleh, cards on the table there. That mode of interacting with nb/trans characters is one I'm inclined to.

This kinda goes hand in hand with the watsonian vs doylist situation i took an aside to mention. But it is so far along the doylist side that I didn't want to include it, since it is a little too assumptive of the text for my comfort. I don't think the game necessarily has much commentary on this specific Societal Bind. But if it does, then hey, there's my thoughts on it.

STRAY SIDE NOTES AND HEADCANONS ABOUT OTHER CHARACTERS (AS A TREAT FOR GETTING THIS FAR):

MID-GAME OBSERVATION ABOUT BONNIE AND ODILE THAT I NEVER WENT BACK TO VERIFY:

I got the impression that Bonnie heavily favours they/them pronouns for Siffrin, and Odile he/him, as a bit of presumed character voice. I don't know that I am right, literally at all, in that observation, because it very well could've been confirmation bias.

BUT! It did give me the impression that one of the things Bonnie was idolising about Siffrin was a degree of "wow!! older person with my gender!! wow!!", which is just like, cute. I like it even if I don't have any solid evidence.

ODILE, WHAT'S HER DEAL?:

Oh she stays just as mysterious as she intends to be, huh? Even with her comments in the Changing Room alluding to knowing things about underground changing operations, you can't draw much of a conclusion about her. I appreciate verily that she's word-of-god unlabelled and also poly. That shit's great. Woman who has stopped drawing lines or caring what she's up against. Nice characterisation flavour I think.

Anyway, I do think that transfem Odile is a really, really nice take. I have no evidence in either direction for her in either direction, and her being a woman of any description makes her relationship with her absent mother something interesting to chew on, but the idea that she pursued womanhood intentionally lends an interesting texture. I've not much to say, but it's a thread to pull on. Makes you wonder what other female role models she had in her life instead. Anyway she's mysterious as fuck I can't extrapolate Jack nor Squat. Shrug! I'm also made curious by the idea of her potentially moving away from womanhood as she feels the weight of her history lifted. This goes either way, really. Diagnosis: mysterious.

HEADCANON NOTE: INTERSEX SIFFRIN

I don't have any in-text support for this so this entire thing is an unbased headcanon to me. but i DO like it because 1. fun and 2. potential for more thematic exploration

haha gotcha its fuckin themes again. its always themes with me.

But yeah. Not much to say here besides drawing a parallel (that I believe I've seen drawn elsewhere in the fandom already?) between ISAT's comments on how a society that values change would view Aroace identities, and how Mira feels about not wanting to change with the real world experiences of Intersex people having alteration and conformity forced upon them, saying the Change Belief would likely be just as bad for them as it is for aroace people.

So, adding it to Siffrin's situation further drags them into the opposition-to-change foil role. Which like I said, think has a lot to explore.

HEADCANON NOTE: A POTENTIAL METHOD FOR GETTING LOOP OUT OF THEIR GOD DAMNED COMFORT ZONE

I think utilising Loop's contrarianism is an effective and funny way to get them to explore their gender. I personally think running with them trying to hide their identity from the party is a hilarious way to do it. Having them try to position themselves in direct opposition to Siffrin to "throw the party off their trail" (not that i think they really need to?), going full feminine-revealing-clothing because it's NOT what a Siffrin would do and accidentally growing accustomed to it. Funny to me. Especially when the party eventually do find out who they are and go . "????? what was the girl stuff about ??? is that something you wanna do now ???".

[Isabeau] "Ohhhh it was a bit! Haha you really are Sif, still a jokester!" [Loop] "HAHA YEAH . JOKES. LOVE THOSE. LOVE TO MAKE JOKES!" [Isabeau] "Yep! Anyway. Tell me if you need anything!"

Bonus bonus:

[Siffrin] "Okay, so, if you're a girl. Does this reflect on like… me?" [Loop] "No doubles. Get your own gender, parasite~!"

#oh my god this is like 6k words what happened. well you can't say my claims are unsubstantiated i guess.#lucabytetalks #fuck dude i sure do !!!!#i have to assume a lot of other people picked up on exactly what i did too but i dont read other peoples meta very often so !!#i am simply shaking hands with anyone else who came to this conclusion. hi. sometimes its just fun to construct a small essay i guess #i have like no goal putting this out here other than like. For The Sport of Writing Out Media Analysis. so if it makes anything click #in peoples minds or actually sells them on this reading then that's just a bonus i suppose #in stars and time #isat analysis #isat meta #isat siffrin #isat loop #isat spoilers #2hats spoilers #lucabytewrites #welp. no idea what else to tag this. be free and into the wild my gigantic ass post.#is some of this redundant? probably! but cmon man its a tumblr essay i can't format it perfectly. sometimes points get repeated #anyway this post is lagging out my tumblr drafts now i have to post it oh god oh christ i hope nothing goes wrong #edit: i forgot i made the lucabytewrites tag a while back for purrgatorio this can go in there too

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