#so I already read the rules :'3

[shrimpchipsss]

peerless melons 🍈

[lowkeyclueless5137]

I might just take a shot :3

Hi guys im sooo normal about Sebek Zigvolt (im going to bash my head in with a ROCK)

REQUEST ONESHOTS!!! If you have a Sebek centric idea drop it down the comments!! Please read the rules first though. Please.

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[bmpmp3]

kotarou maghni ai thank GOD i literally sighed an audible sigh of relief

[nyaitsu-writes]

working on a little something to make the blog cuter ♡

also running a little experiment, like this post if you'd be interested in seeing me go back to post!

[wheelsupin-five]

TELL ME ABOUT YOUR COD OC MERCY!!!!!!!

MERCY MY TRAGIC BELOBED BOY <33

Name: Emrys Leigh (meaning immortal meadow/clearing)

Call sign: Mercy (obtained through the fact he is RUTHLESS in the field and excelles in ✨information extraction✨)

Age: approx 28 but who's counting (not me)

Picrew by lunevani

He normally wears a dark fabric face mask bc the scar pulls on his lips and exposes his teeth a little bit (I am normal I promise I am sooooo normal) and it drys out his mouth and also it makes him look more intimidating which he likes (it's also just one scar running from temple down through both his lips). He has THEE winter soldier stare of all time which terrifies new recruits but also anyone with a healthy sense of self preservation

He joined the British army at 19 (it was 100% an act of self destruction but now he cant leave bc it's all he knows) he specialized as a sniper and joined the SAS at 22, (was captured and tortured (but did not break) at 23 and took a year to rehabilitate before rejoining), and was hand picked by Price to join TF 141 at ~27 (again my math might be wrong but idc).

At some point during this he leveled up to a Sargent which is his current rank.

Looking at the scary brooding man who speaks very little who WILL snarl at you if you piss him off enough you would not guess it but he is a BIG card game fan HOWEVER do not play w him bc he will CHEAT bc hes also very good at slight of hand (and card tricks!!)

Hes literally just a silly little guy with a tragic background and enough trauma for a fucking large city but he tells silly jokes when he warms up to you (but takes a while) and once you have his trust you will have it for life !! You would kill for you without question !! Hes a coffee snob but in the way he'll turn his nose up at anything that isnt literally the shittiest instant coffee you've ever tasted !!

He also has an idle animation of systematically tensing + relaxing muscle groups which earns him some side eyes but no one has the balls to ask abt it <3

Anyways soap was the first person to gain his trust bc that man is relentless it's not his first rodeo (befriended ghost asap), then price (had worked w him prior a few times so he did have a head start), then gaz, then eventually ghost (if you put two private quiet people in a room together they WILL just sit in silence)

[merinelsa]

.

[angstandhappiness]

Interesting

I think an important part of the "D&D is easy to learn" argument is that a lot of those people don't actually know how to play D&D. They know they need to roll a d20 and add some numbers and sometimes they need to roll another type of die for damage. A part of it is the culture of basically fucking around and letting the GM sort it out. Players don't actually feel the need to learn the rules.

Now I don't think the above actually counts as knowing the rules. D&D is a relatively crunchy game that actually rewards system mastery and actually learning how to play D&D well, as in to make mechanically informed tactical decisions and utilizing the mechanics to your advantage, is actually a skill that needs to be learned and cultivated. None of that is to say that you need to be a perfectly tuned CharOp machine to know how to play D&D. But to actually start to make the sorts of decisions D&D as a game rewards you kind of need to know the rules.

And like, a lot of people don't seem to know the rules. They know how to play D&D in the most abstract sense of knowing that they need to say things and sometimes the person scowling at them from behind the screen will ask them to roll a die. But that's hardly engaging with the mechanics of the game, like the actual game part.

And to paraphrase @prokopetz this also contributes to the impression that other games are hard to learn: because a lot of other games don't have the same culture of play of D&D so like instead of letting new players coast by with a shallow understanding of the rules and letting the GM do all the work, they ask players to start making mechanically informed decisions right away. Sure, it can suck for onboarding, but learning from your mistakes can often be a great way to learn.

[whumptober]

WHUMPTOBER 2024: PROMPTS LIST

Welcome to Whumptober 2024 — Seventh Time's a Charm!

Please make sure to read the Event Info and FAQ below carefully, as most of your questions will be answered there already. For everything else, you are welcome to come to our ask box or ask questions in our Discord server here.

This year’s AO3 Collection can be found here.

This year's playlist can be found here.

The 'Anatomy of a Whumptober Prompt' post can be found here.

And our 'Resources for Writing Sensitive Topics' post is here.

We’re very excited to see the community come together for another year of Whumptober! Go wild with the prompts, and support your fellow creators - we wish you all the fun!

Best of luck and happy whumping,

Mods Vanne, Yenn, Kitty and Surro

(Text versions of the prompts, as well as event information, rules and FAQ are posted below the cut!)

Whumptober 2024 Prompt List

No. 1: RACE AGAINST THE CLOCK

Search Party | Panic Attack | "If only we could hold on.” (Icysami x Renegaderr, Strangers.)

No. 2: TRUST ISSUES

Amusement Park | Role Reversal | “You got away with the crime while the knife's in my back.” (Charlotte Sands, Rollercoaster)

No. 3: SET UP FOR FAILURE

Fingerprints | Wrongfully Arrested | "I warned you."

No. 4: HALLUCINATIONS

Hypnosis | Sensory Deprivation | “You're still alive in my head.” (Billy Lockett, More)

No. 5: SUNBURN

Healing Salve | Heatstroke | "If my pain will stretch that far." (Lottery Winners, Burning House)

No. 6: NOT REALISING THEY'RE INJURED

Unhealthy Coping Mechanisms | Healed Wrong | "It's not my blood."

No. 7: ONLY FOR EMERGENCIES

Unconventional Weapon | Magic with a Cost | "It's us or them."

No. 8: SLEEP DEPRIVATION

Isolation Chamber | Forced to Stay Awake | "Leave the lights on." (Coldplay, Midnight)

No. 9: OBSESSION

Broken Window | Bruises | “Frame me up on the wall, just to keep me out of trouble.” (Fall Out Boy, Irresistible)

No. 10: BLOW TO THE HEAD

Slurred Words | Passing Out from Pain | "I can't think straight."

No. 11: SEEING DOUBLE

Convenience Store | Loneliness | “Leave no trace behind, like you don't even exist.” (Taylor Swift, Illicit Affairs)

No. 12: STARVATION

Underground Caverns | Cannibalism | "Just a little more."

No. 13: TEAM AS A FAMILY

Familial Curse | Multiple Whumpees | "Death will do us part." (Set It Off, Partner's In Crime)

No. 14: LEFT FOR DEAD

Hunting Gear | Blackmail | “Because I want you to know what it feels like to be haunted” (tiLLie, kooL aiD mAn)

No. 15: CHILDHOOD TRAUMA

Painful Hug | Moment of Clarity | "I did good, right?"

No. 16: NECROSIS

Swamp | Wound Cleaning | "No, I can't feel anything."

No. 17: NOWHERE ELSE TO GO

Ruined Map | Shipwrecked | "We had a good run."

No. 18: REVENGE

Unreliable Narrator | Loss of Identity | “I see what's mine and take it.” (Panic! at the Disco, Emperor's New Clothes)

No. 19: BLOOD TRAIL

Abandoned Cabin | One Way Out | "Is there anybody alive out there?" (Bruce Springsteen, Radio Nowhere)

No. 20: EMOTIONAL ANGST

Shoulder to Cry On | Giving Permission to Die | "It's not your fault."

No. 21: BODY HORROR

Body Horror | Tattoo Gun | Spirit Possession | “Let the bedsheet soak up the tears.” (Apparat feat. Soap & Skin, Goodbye)

No. 22: BLEEDING THROUGH BANDAGES

Tourniquet | Reopening Wounds | "Oh that's not good."

No. 23: FORCED CHOICE

Public Display | Broken Pedestal | "I'm doing this for you."

No. 24: RADIATION POISONING

Collapsed Building | Equipment Failure | “I never knew daylight could be so violent.” (Florence + The Machine, No Light, No Light)

No. 25: SURGERY

Stitches | Being Monitored | "It's for your own good."

No. 26: NIGHTMARES

Breakfast Table | Parting Words of Regret | “I'm haunted by the lies that I have loved, the actions I have hated.” (Poe, Haunted)

No. 27: VOICELESS

Laboratory | Muzzled | “I have no mouth and I must scream.”

No. 28: DENIAL

CCTV | Exposure | "They caught me red handed."

No. 29: FATIGUE

Labyrinth | Burnout | "Who said you could rest?"

No. 30: RECOVERY

Hospital Bed | Holding Back Tears | "What have I done?"

No. 31: ASKING FOR HELP

Therapy | Making Amends | "I'm alive, I'm just not well." (Elliot Lee, Alive, Not Well.)

Alternatives List:

Body Swap

Communication Barrier

Finding Old Messages

Forgotten

Friendly Fire

Motion Sickness

No-Holds-Barred Beatdown

Regret

Secrets Revealed

Shivering

Survivor's Guilt

Time Loop

Used As Bait

Venom

Vermin

Event Info & Rules

WHUMPTOBER is a month-long, prompt-based creation challenge (think: Inktober, but whumpier). There are 31 official themes this year - one for each day of the month - which can be used, skipped, or combined in any way you’d like. They are meant to serve as inspiration without being taken literally (e.g. you don’t have to include the exact wording of prompts into your work). Feel free to run rampant on interpretation. For example, if the prompt is “flame", you could create something with reference to a candle/campfire, your character could have suffered a burn, or the flame could be a reference to an ‘old flame’ - an old relationship. It’s truly down to you!

In total, there are 4 prompts for each day. These are optional suggestions and can be used in conjunction with the theme, or as options/alternatives.  We want to give everyone as much creative freedom as possible, as well as increase event accessibility for folks with triggers and squicks. There is also a list of 15 alternative prompts that can be subbed in for any day, again to give participants as much creative freedom as possible.

Creators can PRODUCE work in any media they choose, including but not limited to: writing, visual artwork, photo/video/audio edits, paper crafts and elaborate recommendation lists (not just a list of links). Creators can PARTICIPATE as much or as little as they want (i.e. you don’t have to do ALL the prompts if you don’t want to) and prompts can be used in any order. They are also free to use even after the event ends.

When uploading Whumptober content to your blog, be sure to tag it with:

#whumptober2024 …..(the event tag)

#no.1, #no.2, #no.3, …..(theme number)

#bruises, #stabbing, …..(the theme or specific prompt you chose)

#altprompt …..(if you use an altprompt, tag the post with the number of the prompt you replace)

#fandom or #OC, …..(ironman, original content, oc, etc.)

#medium …..(gifs, fic, podcast, art, etc.)

#teeth, #etc …..(trigger warnings & any additional tags. Keep in mind not to add “tw” in front but only use the word/trigger itself)

#nsfwhump …..(only for nsfw content)

#your own tags go here

PLEASE BE DILIGENT WITH YOUR TAGGING. Only properly tagged posts are considered for archiving on the official @whumptober-archive blog. They must be tagged in the order above. An elaborate post about our tagging system can be found [here]

Unfortunately, due to the sheer number of participants in recent years, we cannot guarantee your work will be archived. A random selection of properly tagged posts from all genres will be reblogged each day.

Whumpers who produce content for 31 total theme days are considered event completionists and will be tagged in a masterpost at the end of the month. A form will be published at the beginning of November asking you to tell us if you completed. This is based on trust and we will not check this.

Frequently Asked Questions

Please read this before you send an ask!

TIMELINE

July: Trope voting form released. Late August: Prompt list is released for at least four weeks of preparation time. Tropes cannot be posted earlier than August 25th because of Moderator obligations in real life. (But, you know, go ahead and start writing/drawing, and add the themes in later, if you want!) September: Do as much or as little on your works as you want. You can prepare everything in advance or let September go by with vibes and start working in October. It’s up to you. October 1st: Challenge begins! A storm of whump breaks upon us all! During this time, some posts will be reblogged to the whumptober archive blog. We open the yearly AO3 collection for posting (optional). November 1st: The challenge is officially over! Completionist form opens for those who want to be included in the hall-of-fame. Early November: We release completionist and participant badges, solicit feedback, and post a hall-of-fame list of completionists by the 10th.

PARTICIPATION AND COMPLETION

Q: What counts as participation? Create or continue at least one work inspired by one of this year’s prompts. Q: What counts as completion? Creating work(s) inspired by at least one prompt from each day (or alts), for a total of 31 unique prompts. Q: Do I need to create 31 works? No. You can, if you want. Or you can create one work that you add to every day with a new prompt. Or several works that combine prompts. You can also update an existing work by adding new material with the current prompts. Q: Do I need to post my works somewhere to be a completionist or a participant? No. Q: How do you know I actually completed the challenge? We’ll take your word for it! Q: Do I have to finish my work(s) to be a completionist? No, you can post WIPs. And you’re not obligated to finish them in October, but if you want it to count towards being a completionist, you must have completed 31 prompts by the end of the month. So for example, if you’re writing a long fic and you fit 31 different prompts into the writing you did in October, it’s okay if that fic isn’t finished by the time October ends, you’ll still be a completionist. Q: Is co-writing/illustrating allowed? Yes, absolutely, and it would count towards being a completionist for both/all of you. Q: Is there a min/max limit on word count for written works? No. Q: Is there a min/max limit of quality for art? No. Q: Do I have to do something each day to be a completionist? No. You can skip days whenever you want, and as long as 31 daily prompts (or alts) are in your works done in October, you can be a completionist. For example, if you wrote a 1000-word ficlet that covers prompts in days 2, 3, and 17, you can check all three days off your list even though it’s only one work. Q: Is this challenge just for fics? No! Artworks, GIFsets, headcannons, rec lists, poetry, moodboards, or any other creative work is encouraged. Q: Can I combine Whumptober with other creation challenges? Absolutely, as long as the other challenges allow it too.

PROMPTS

Q: How do the prompts work? There are FOUR prompts per day: a theme and three ideas. You can use one, two, three, or all four prompts for each day. If you don’t like any of the daily prompts, you can substitute one of the ALT prompts instead. Q: How strictly/literally should we interpret the prompts? As literally or as figuratively as you want. For example, if the theme is WATER, that could mean drowning, waterboarding, raining, swimming, take place underwater, be lost at sea, construct a metaphor about a character’s mood that changes like a flowing river, crying, or whatever else you can think of that fits that theme. Q: Can I combine prompts? Is there a limit on how many? No limit and combine as many as you’d like. If you create a work that checks off multiple prompts, that work will count for a fill of multiple prompts. You need to address 31 different prompts to be an official completionist, but you don’t have to produce 31 separate works.

WORKS

Q: What’s whump? Hurting a character, whether that’s physically, emotionally, intellectually, psychologically, or any other way you can think of. Comfort afterwards is optional. Angst is emotional whump, so it counts. Q: How do I know if it’s whumpy enough? If your character is just mildly inconvenienced, it probably needs more whump. However, no participant has to prove whumpiness to the mods. Whatever you write is up to you. Q: What kind of characters can I create for? Anything. Generic “whumpee,” OC, PC, NPC, major characters, minor characters, or whatever you want. There are no limits. Q: Does it have to take place in a specific fandom? No, you can create works for your own worlds or for fandoms or for both. You can also create more generic or pan-fandom works. You can do cross-overs or use OCs, whatever you want. Q: Can I create AI-created works? We will not reblog or promote any works we know to be generative AI-created. Q: Is there anything we’re not allowed to write? As long as it contains whump and is based on our prompts, it’s fine. Please courtesy tag your works if you post them so people who follow the #whumptober2024 tag can filter according to their preferences. Q: What about sex, minor characters, and potentially disturbing content? You can create whatever works are legal in your country and post them accordingly. Please courtesy tag anything you think might be objectionable if you post to Tumblr so people who follow the #whumptober2024 tag can filter according to their preferences.

POSTING

Q: Where can I post my work? Post where and how you want. You don’t even have to (cross)post it to Tumblr. Just keep in mind if it’s not on Tumblr we will not be able to add it to the blog archive. There is an AO3 archive for Whumptober 2024, as well as the parent collection for works completed outside of the event. Q: Can I start posting early? You can, but this is an October event and wouldn’t it be more fun with everyone doing it at the same time? We won’t be reblogging any work predating October 1st. Q: Can I post late? Yes. For the sake of our hardworking Post Fairies, only a day’s themes will be reblogged to @whumptober-archive each day of October. But you can post whenever. Some of us are still working on and posting Whumptober fics from years ago. Q: Do I have to use your tags? Only on Tumblr and only if you want us to reblog your work on @whumptober-archive. Q: How do I have my works reblogged to the archive? Properly tagged posts will be reblogged to @whumptober-archive. If you want the official archive blog to reblog you, post on Tumblr and tag correctly (see this FAQ link for more info on tagging). Please note not all posts will be reblogged each day. Q: Can we @ you? For questions and comments, of course. We’ll be getting a flood of notifications, so if you really want us to see something send an ask. Q: Can I cross post on other blogs? Yes, multiple platforms and blogs are perfectly acceptable, as long as they allow cross-posting (to us). You can also post different works to different accounts under different names, without posting them everywhere at once. If you post some works under your main and others under an alt blog, that’s fine for completionist purposes. Q: Can I upload/repost my Whumptober content to other social media platforms? Of course! We’ve created an AO3 Collection to archive any fics posted there, which can be found here. The blog is the official archive, so please respect the personal boundaries of any whumpers in your social circle (don’t out anyone as a participant who would prefer not to be outed).

Most importantly, have fun, create, and enjoy all the whump posted this October!

[iamthedukeofurl]

Scott Pilgrim is, I think, the best example I can think of for establishing a setting's Nonsense Limit. The setting's Nonsense Limit isn't quite "How high-fantasy is this". It's mostly a question of presentation, to what degree does the audience feel that they know the rules the world operates by, such that they are primed to accept a random new element being introduced. A setting with a Nonsense Limit of 0 is, like, an everyday story. Something larger than life, but theoretically taking place in our world, like your standard spy thriller action movie has a limit of 1. Some sort of hidden world urban fantasy with wizards and stuff operating in secret has a nonsense limit around 3 or 4. A Superhero setting, presenting an alternate version of our world, is a 5 or 6. High fantasy comes in around a 7 or so, "Oh yeah, Wizards exist and they can do crazy stuff" is pretty commonly accepted. Scott Pilgrim comes in at a 10. If you read the Scott Pilgrim book, it starts off looking like a purely mundane slice of life. The first hint at the fantastical is Ramona appearing repeatedly in Scott's Dreams, and then later showing up in real life. When we finally get an explanation, it's this:

Apparently Subspace Highways are a thing? And they go through people's heads? And Ramona treats this like it's obscure, but not secret knowledge. Ramona doesn't think she's doing anything weird here. At this point, it's not clear if Scott is accepting Ramona's explanation or not, things kind of move on as mundane as ever until their Date, when Ramona takes Scott through subspace, and he doesn't act like his world was just blown open or anything, although I guess that could have been a metaphor. there's a couple other moments, but everything with Ramona could be a metaphor, or Scott not recognizing what's going on. Maybe Ramona is uniquely fantastical in this otherwise normal world. And then, this happens

Suddenly, a fantastical element (A shitty local indie band finishing their set with a song that knocks out most of the audience) is introduced unrelated to Ramona, and undeniably literal. We see the crowd knocked out by Crash and The Boys. but the story doesn't linger on the implications of that, the whole point of that sequence is to raise the Nonsense Level, such that you accept it when This happens

Matthew Patel comes flying down onto the stage, Scott, who until this point is presented as a terrible person and a loser, but otherwise is extremely ordinary, proceeds to flawlessly block and counter him before doing a 64-hit air juggle combo. Scott's friends treat this like Scott is showing off a mildly interesting party trick, like being really good at darts. The establish that Scott is the "Best Fighter in the Province", not only are street-fighter battles a thing, Scott is Very Good at it, but they're so unimportant that being the best fighter in the province doesn't make Scott NOT a loser. So when Matthew Patel shows off his magic powers and then explodes into a pile of coins, we've established "Oh, this is how silly the setting gets". It's not about establishing the RULES of the setting so much as it is about establishing a lack of rules. Scott's skill at street-fighter battles doesn't translate to any sort of social prestige. Ramona can access Subspace Highways and she uses it to do a basic delivery job. It doesn't make sense and it's clear that it's not supposed to. So later on, when Todd Ingram starts throwing around telekinesis, and the explanation we're given is "He's a Vegan" , you're already so primed by the mixture of weirdness and mundanity that rather than trying to incorporate this new knowledge into any sort of coherent setting ruleset, you just go "Ah, yeah, Vegans".

[scentedpeachlandcreator]

how i manifested my dream life with extremely hard circumstances + how you can too ♡

Note: this is not my post and it's blushydior's post that everyone been searching for, so i thought why not making it as a post,and blushy if you see this, please don't kill me i know you said that you'll change your post but you disappeared After that.

�� table of contents:

1. the importance of making this post

2.my take on manifestation + the 3D

3. HOW I DID IT - my journey in 4 phases i went through that include my mindset changes up to the moment i got my desires 

4. your new rules & routine from this moment on

5. a note from me!

6. frequently asked questions: separated into topics regarding the 3D, self concept + miscellaneous questions to have you leaving this post stress free.

now let’s get into it. read every bit of this post “ ~ ୨୧ ♡ ·

I. THE IMPORTANCE OF MAKING THIS POST

i’ve been through it all. you can read my experiences from old life in the “my life before” section of my success story + here, here, here and here. this is my success story on how the law of assumption has changed my life. as you can see from the “how” section of the post, i had purposely left it short, sweet and simple to avoid people complicating the simplicity of the law of assumption. but as time went on, anons and other blogs made me realize that since people do tend to over-complicate the law, the need i felt to make an in-depth post on how i personally manifested through my hard circumstances grew strong.

my blog often highlights topics that pertain to mental health, so i want to make sure those who find themselves in the same situations as i once were feel seen, heard and loved. you are all so powerful, amazing and hold so much potential more than you know. with this post, i hope i am able to help you realize that fact to the best of my abilities.

𝐈𝐈. MY TAKE ON MANIFESTATION + THE 3D

something that you’ll see me say all the time is: “life is a blank canvas.” that’s because it truly is.

remember that you are working with the law of assumption. what you assume to be true, is true. nothing is set in stone unless you say it is. things have meaning only if you assign it one.

you are the sole creator of your life. you are the artist that controls the brush/pen, you control what goes on and off of this very malleable canvas we call life. you don’t have to do anything. therefore,

you don’t have to: affirm 24/7, be specific, word your affirmations correctly, listen to subliminals, ignore the 3D, be positive all the time, meditate, have high vibrations, script, visualize, do sats or lullaby, go into the void, affirm in the present tense, avoid the mirror, etc.

you can literally say a random word like “bonk” and if saying it means you have all your desires or money is constantly filling your bank account, then that’s what will happen!

“but what if my subconscious doesn’t know what it means?” your subconscious mind is literally you. it’s not some stranger separate from you. if you want a scene to play out a certain way on a specific date or a romantic partner with all the most perfect qualities even if you can’t name it all at the top of your head, your subconscious has your back with the details! you have your own back. don’t worry.

YOU DON’T HAVE TO IGNORE THE 3D.

read that again and again and again and again and-if your circumstances are quite literally in your face, how can you turn the other way and ignore it? you could if you wanted but you’ll only be doing more harm and we don’t want that, right?

“so then what do i do?” you KNOW it’s going to change. it’s challenging when you don’t fully believe the law to know it’s going to change, so for a start, tell yourself that this is not the end. why? because the moment you had a desire and claimed it as yours, it has already been set stone in the 4D so the 3D has no choice but to reflect it. this is your movie, you KNOW this is not the end. you are director and star of this movie! you control how it’s going to play out.

𝐈𝐈𝐈. HOW I DID IT - The 4 Phases (more so, 3)

PHASE 1:

i found out about manifestation from tiktok. from there i have tried scripting, law of attraction and had taken a liking into the craft. i tried it all until i found out about the law of assumption, sammy ingram and finally, tumblr.

PHASE 2:

upon finding out about loassumption tumblr, i had learned more and more about the law but as time went on, i had realized i had never really fully tried to apply the law. the idea just didn’t come about to apply it. as many others, i had overconsumed information, always wondering if i was doing it right, questioning the 3D,

so i took a break. upon discharge, i realized many things and decided to spend an extended amount of time alone, away from social media. i’m someone who values alone time as long as if it’s spent wisely.

during this time away from tumblr and sns platforms in general, constantly surrounded by other people’s takes, information, and opinions, i had learned so much about the law of assumption on my own! i went into the law of assumption with a fresh mind, actually applying the knowledge and overtime of affirming and persisting, i ACTUALLY understood the meaning behind “creation is finished. it is done.”

i’m advising you to step away from social media (that on it’s own has negative impacts) and be alone with your thoughts. i know your thoughts haven’t had it’s time to be alone because you’re most likely constantly seeking information to help you. and i don’t blame you. it’s just that, you are always bombarded by thoughts that aren’t your own, you barely give some time to yourself to think for yourself!

and if you can’t help but be on tumblr for other reasons than loassumption, unfollow blogs for the time being, scroll past informational posts to avoid second guessing your application. tell yourself that

YOU ARE DOING EVERYTHING RIGHT!

PHASE 3:

when it was time to apply the law, i simplified it. you choose what you desire, you affirm from your desire and persist. okay! got it. so that’s what i did. i affirmed whenever i thought about my desire, i kept saying that it is done! so in phase 2, i mentioned how i realized how creation was ACTUALLY done, right? before deciding to apply the law, i kept seeing posts saying that but i didn’t really fully understand it until the realization hit me during my time away from social media. (see? i love alone time. solitude is my bff) — here’s my breakdown for you:

once you decide a desire is yours to claim, THE SECOND you affirm that, in your head, imagination, your 4D, it is ALREADY yours. therefore, it has no choice to become physical reality. (this is why your subconscious only needs to hear things once in order for it to conform!)

it will always be yours for as long as you sustain that assumption (persist), it is yours! no matter what.

this is the meaning of “it is done.” it’s like telling a chef what dish you want, once they know what you want, they’ve got you covered. except that this chef is you. you know the details of your desire, you declare it’s going to conform instantly so why are you worrying? there is no need to worry.

informational post on the 4D + 3D here:

❝ If you judge after appearances, you will continue to be enslaved by the evidence of your senses. To break this hypnotic spell of the senses you are told, "Go within and shut the door,” The door of the senses must be tightly shut before your new claim can be honored .Instead of fighting against the evidence of the senses you claim yourself to be that which you desire to be. As your attention is placed on this claim, the doors of the senses automatically close against your former master (that which you were conscious of being). As you become lost in the feeling of being (that which you are now claiming to be true of yourself) the doors of the senses once more open, revealing your world to be the perfect expression of that which you are conscious of being. ❞

i kept time away from social media and being persistent really helped me be aware of my thoughts.

persistence has helped me:

be aware of thoughts that i wouldn’t have been able to catch before. for example, i was declaring that i have all of my desires and creation was done, but i found myself affirming “okay but where is it?” — this made me realize i was questioning my desires in my 3D even though i knew it was done in the 4D. (you don’t have to do this, you can imply your 3D conforms fast with whatever affs)

flip and interrupt my intrusive thoughts faster and faster the more i persisted. i hated my intrusive thoughts so much. like it was so annoying and hurtful. it was filled with replaying past scenarios that happened to me, things i wished had played out differently, just people who absolutely did not deserve the right to be occupying my mind and space! so i was grateful to learn that with persistence, i started to have less and less of those.

(see!! mental diet, persistence!! <3 this is how habits form and strengthen duhh. remember not to abandon common sense for the law)

AND THEN, PHASE 4:

i had entered sabbath, the state of the wish fulfilled, calm and relaxation that my desire has already manifested and there wasn’t nothing left for me to do other than persist. after so much persisting and saturating my mind with my affirmations, i reached being peace with my desires. i’m really glad i persisted. see how after persistence of assumptions, though false, will harden into fact? see how even your affirmations would feel “fake” at first but will soon feel natural to you? this means that i wasn’t questioning where it was, how long it was taking, etc. but this doesn’t mean i was ignoring my 3D. i saw it all but i knew it was going to change BECAUSE i felt peace in my inevitable desires.

then, i received my desires.

❝ I couldn’t possibly be worried about anything if I really believe that imagining creates reality. ❞

❝ When I speak of feeling I do not mean emotion, but acceptance of the fact that the desire is fulfilled. Feeling grateful, fulfilled, or thankful, it is easy to say, “Thank You,” “Isn’t it wonderful!” or “It is finished.” When you get into the state of thankfulness, you can either awaken knowing it is done, or fall asleep in the feeling of the wish fulfilled. ❞

𝐈𝐕. YOUR NEW RULES & ROUTINE

☆┆YOUR 3 NEW RULES ARE:

1, you have all your desires:

i have all of my desires.

creation is finished. it is done.

2. you manifest quickly and easily:

manifesting is always so easy and instant for me.

i always manifest within 2 days or less, the 3D conforms instantly.

the 3D instantly reflect my 4D.

the physical reality instantly reflects my 4D/imaginative reality.

3. you are okay because nothing can stop you from getting the inevitable:

everything is going to be okay because creation is done.

i am always aware of my thoughts. nothing can stop/get in the way of my desires.

no amount of intrusive thoughts, events and opinions of others have the power to stop my manifestations.

✉️: choose one affirmation from each list or make one of your own that makes you feel comfortable.

☆┆ROUTINE:

affirm on loop as an act of saturating your mind whenever you think of your desire until you feel satisfied,

in the morning, after you wake up: saturate your mind with affs.

read the manifesting vaunt below everyday (whenever you feel like it) — read it over and over again until you feel confident then go about your day!!

at night, before you sleep, affirm this:

“i kept all my thoughts in check today. i didn’t waver once. my mind is completely saturated with the new story.”

optional tip: if you want to saturate your mind even more as a start, you can set reminders with sticky notes around your space, have affs on your phone lock screen or wear a bracelet.

✉️ NOTE: soon enough, your mind will be saturated and you won’t need to do this anymore. this is just a start for those who battle intrusive thoughts!

let yourself feel any emotions that may come up because of your hard circumstances then once it’s out of your system, affirm your rules, especially rule #3!

do not consume any loassumption information if you know it will only cause you to second guess your ability. if you have the urge to ask a blog a question, try to make sense of what they will say and answer it yourself.

in times of doubt, remember that life is a blank canvas. your desire is set in stone, so your only task is to persist.

REASSURANCE VAUNT

creation is ACTUALLY finished. it is done. the second i claimed my desires as mine, it has already manifested itself in the 4D so it has no choice to present itself in the 3D! all i have to do is affirm and persist. i always have unwavering faith in my manifesting abilities and the law. i never fail. i am successful at every single thing i do. manifesting is so effortless. no amount of doubt, worry, fear, anxiety, intrusive thoughts or events can ever, and i mean EVER stop my manifestations. why? because i said so. this is MY life. i make the rules. so if i say i manifest easily, the 3D conforms instantly and that i have all of my desires, then it is a FACT. i’m literally unstoppable. everything i want is inevitable. my only task is to persist, sit back and relax as the 3D reflects my 4D. it all happens so fast, but what else do you expect from a master manifester like me?

SOMETHING TO NOTE:

most of the time, people think affirming on loop is saying it like a robot but what you don’t realize is that you’re affirming as if you’re reading a book. it’s not filled with enthusiasm but it’s not exactly monotone either. stop overthinking it. it’s like the voice you’re reading this post with. correct?

again, soon enough, your affirmations will feel natural and you won’t feel the need to affirm constantly. the routine above was given for those who battle intrusive thoughts, making your affirmations dominate to the point where you don’t waver.

QUOTES on STATES:

❝ I paid thirty dollars for my first suit. Today a suit will cost me $200.00, but regardless of the cost, when the suit is new I am aware of it. But let me wear it long enough for it to feel natural and I will no longer be conscious of it. The same is true for a state. You may desire the state of fame. If you will think you are famous and remain conscious of the state long enough to make it natural, as the thoughts flow from you they become a natural part of your body of beliefs, and the world will proclaim your fame. ❞

❝ I urge you to use your own wonderful creative power and deliberately move into the state of your choice. Make it now by occupying the state long enough so that it feels natural. Haven’t you had a suit of clothes that felt so new you were conscious of them every moment? I know when I bought my first suit I walked down Fifth Avenue thinking everyone I passed knew my suit was new. People passing paid no attention to me, but I was so aware, so conscious of my new suit. That’s exactly that happens when you move into a new state. If the state of affluence is new, you think everyone knows it, but no one knows or cares whether you are rich or poor, so walk in the state until it becomes natural. The moment the feeling is natural, wealth is yours! ❞

𝐕. ENDING NOTE

i love you. read that again. you can do it. read that again. i am so so so so proud of you. read that again! you are so strong, you have SOO much potential and power. it’s time for you to tap into it, angel. stop making excuses. stop telling yourself you can’t do it. stop the nonsense! you’ve dealt with your hard circumstances long enough, it’s time for you to turn to the person who can make that change (you) and make it happen. i’m really sorry you have to go through what you did. you certainly do not deserve the unkind treatment. give yourself a hug and tell yourself that this. is. it. you’re going to make the change. you know it and i do too. it’s possible. nothing is impossible for the person who believes! keep the faith in yourself. nothing can stop you.

it’s like those movies where the mc finds out they hold so much power. they doubt it because of the life they’ve had so far but once they give it a shot, they become the most powerful hero ever. you are that hero!!!

i love you and i am, again, giving you the biggestttt hug ever.

now, with that being said, @blushydior​ will no longer be taking asks regarding this topic. i’ve cleared most of the questions that could ever arise. you don’t need my guidance anymore after this post! im seeing you off now. i love you. stay safe. know that you’re loved and hold the power to change your life.

— kisses from bambi ٩(ˊᗜˋ*)و ♡

ps. make sure you clicked the words that have links! <3 (the links are missing)

𝐕𝐈. FREQUENTLY ASKED QUESTIONS

Something you wish you could’ve told yourself before you manifested it all to make things easier for anyone struggling:

TAKE CARE OF YOURSELF.

you guys are beating yourself up for something so simple. take a step back and realize that. you’re already dealing with such hard circumstances, so why are you literally degrading yourself for something so within your power and reach? tell yourself everything is going to be okay. you’re always doing your best. you deserve the WORLD.

I could write a whole novel, combine all the posts on tumblr teaching the law of assumption, and every helpful ask out there but at the end of the day, YOU are the only person who could change your life. YOU make the call. turn every doubtful question to a positive one, when in doubt, turn inwards toward the 4D and know that it is real. it is done the second you affirmed it so.

SPEND TIME ALONE.

i can NOT stress this enough. i didn’t include the details of my time alone in phase 2 for nothing. you’ll see that you can answer your own questions. you’ll catch the thoughts you missed because you have always been so adamant on getting answers to questions you already knew. take a deep breathe and stay firm.

SEE WHAT’LL HAPPEN IF YOU DON’T GIVE UP.

What did you affirm to get your dream life?

basically my affirmations i gave above and these. all i used were blanket affirmations.

What does persisting mean to you? What does persisting really feel like? Is it just like a mental diet? or what?

“persisting is sticking to what you want / the end no matter what you’re shown, told, and what you experience + picking yourself up after letting any negative emotions & thoughts pass by.” — blushydior from this ask here (sadly the link is missing:()

+ keeping your thoughts in line of the same category. to word this in a different way, i can affirm so many affirmations just as long as they mean the same thing to me!

“it also is a mental diet. we’re always persisting in something. it’s just a matter of what you’re persisting in. you either persist in your desire or negative/non-beneficial thought 24/7.”

“in your post about how you changed your life, you said you just affirmed and persisted. but from your other posts it seems like you read neville goddard books. so did you just affirm or did you do imaginal acts too? i get confused when people say “just affirm and persist” cause neville never said that.” (original ask here) (note from Eli: the link is missing).

“yes, i read his books and sometimes i would do imaginal acts but i would only do that bc it helped me get by my circumstances, yk? like if i was overwhelmed i would just daydream lol. its like how i read books to escape to another world. but i would say, affirming and persisting was what i focused more on.

i just used what worked for me and used his quotes as a reminder of the power of man. i didn’t want to bound myself to one’s teaching constantly worrying if im doing it “right” or not so instead, i went back to his quotes that consisted of telling me to persist, look inwards, finding confirmation in my imagination, etc whenever i needed a pick me up.

but correct me if i’m wrong, i’m pretty sure many of the success stories he shared consisted of people simply decreeing their desires and feeling the wish fulfilled simply by repetition and acceptance of their assumption.”

What is saturating your mind?

read about it here (the link is missing, but Basically it is repeating an affirmation every minute or hour until you feel fulfilled)

Do we have to believe our affirmations? Did you ever doubt the law in the process?

no, i did not believe my affirmations and YES of course i doubted the law but i kept persisting either way because what could i lose? and here i am.

Did you just affirm, persist, maintain a mental diet and that’s it? No SATS, going to the void, lullaby, repeating affirmations? Did you just got it sleep?

just affirming and persisting. sure, the occasional lullaby, i usually affirmed for 10 seconds max before i gave up. i couldn’t sleep without imagining some romantic scenario LOL #bambiexposed

How to deal with manipulation and narcissism?

remind yourself that you’re in advantage because you know about the law of assumption. life is a dream, you can literally have whatever you want just by affirming. if you know that, why allow yourself succumb to other people’s thoughts and beliefs? i couldn’t allow other people’s thoughts ruin my chance of living my dream life. the thought of it alone gave me the worst feeling.

How did you tackle the feelings of having no hope? + After being in the victim state for so long what did you do to get yourself out and actually stay out?

i persisted on loop whenever i doubted the law. i reminded myself that it doesn’t hurt to just be quiet, affirm and persist to live my dream life. just do it. you gain nothing from turning back to your old habits. see what’ll happen if you don’t give up. ❝ Do you always turn to your imagination and, no matter what happens, do you remain faithful to the state imagined? If you do, you have passed the test. But if every little rumor, doubt, or fear can move you around like a pawn on a chessboard, then you are not keeping the faith! ❞ ❝ Objects seem so independent of our perception of them that we incline to forget that they owe their origin to imagination.❞

What was the timeframe of when you got your desires?

about a week after deciding to be strict with self discipline, mind you, i was dealing with hard circumstances and intrusive thoughts for years. within this time span, i had entered sabbath so i immediately got my desires.

How did you kept a positive mindset when it looked like there was no movement?

refer back to phase 3

What was your affirming routine?

AT FIRST, when i started to get sick of overconsumption and not getting my desires, i knew my mind wasn’t saturated/my desires were not my dominant thoughts. so, i decided to be strict with myself. i reminded myself with pieces of paper in my room that said: ❝ PERSIST. new story only!❞ ❝ AFFIRM!❞

❝ 1.) the 3D conforms instantly.

2.) AFFIRM THE DESIRED

3.) BE LOT.❞

and taped them on the wall infront of my bed & one on my door so i can see it before i head out.

i didn’t need them anymore after a few days. (phase 3 & 4)

What did you do on all the days you woke up and things were still the same?

stop affirming that you don’t see results. i flipped the thought of “nothing’s changed.” to “i am in my desired reality, it is done.” and so on. be stern and remind yourself that you are in control. don’t fall prey to the 3D. turn inwards, find confirmation in the 4D. read quotes above.

How did you not react to the 3D?

i allowed myself to be angry. if i wanted to cry, i did. if i wanted to vent, i did. i ranted my feelings out in my head, aloud or in a journal then proceeded to go back to the new story after i cooled down.

But isn’t ranting “not letting the old story die out?”

you and i could rant until our minds are cleared, just as long as you flip my thoughts, you are on the right track. i ranted for 2% of my 24 hour days. the other 98% i was persisting in the fact that creation was done. as “time” went on, it began to feel more natural and i felt more at ease. i held onto that feeling because i knew this was when i would get my desires and i did. letting out and actually feeling your feelings is important. you’re not a robot.

Did you script how your life would be?

no.

(.𖥔 ݁ note from Eli: here's her post about her life before and After she changed it with LOA, anyway i wanted to make it in a post since the Google document can't let you make a copie of it and plus you can't take screenshots which René didn't allow)

[444lotus]

how i manifested (+revised) my dream body ౨ৎ

This is my first post on my new account, though I am NOT new to the law and NOT new to loablr either. This post is specifically about how I manifested my dream body instantly with no technique besides knowing :)

PART ONE - the old story

In the old story, I was so fixated on my body and my weight all of the time, I was tracking my calories and weighing myself and my food obsessively and constantly gaining and losing weight. Back then, my beliefs were that 1) Excess food causes weight gain, 2) If I don't track my food and weigh myself, I will become too fat/skinny, and 3) There is something wrong with my body, and I need to diet/exercise to fix it.

Noticing these beliefs were key to changing the way I viewed food and my body, and therefore changing how I knew food to effect me and how I knew my body to be.

When I was overweight, I knew my body was too big, I knew I was eating too much, I knew excess calories made me gain weight. When I was underweight, I knew I had no appetite, I knew I was too bony, I knew that exercise makes you gain muscle which is why I had none, etc. I had to identify the limiting beliefs that made me know my body was a certain way.

PART TWO - writing the new story

Once I identified the beliefs that were holding me back and kept me from my goals ("I know I eat too much, even if I affirm I'm skinny, I'm still going to gain weight."), I could then change them. I wrote down a list of these beliefs, like I did above, and came up with reversals. For example;

"I overeat, so I will gain weight" -> "Calories aren't even real, so I can eat whatever I want and stay the same weight."

"I eat junk food, so I'll never be skinny" -> "I love how fast my metabolism is, I can eat junk all day and still stay so skinny." or "Junk food is just like other foods. Raspberries can't make me fat so neither can hamburgers."

"I don't exercise enough to be toned" -> "It's crazy how I'm naturally so toned and fit without trying."

The key for me was changing key beliefs that kept me dieting and exercising to lose weight, to sever the tie between calories consumed and weight, and hours exercising and muscles. These are limiting beliefs. We literally create our reality. Not ice cream, not soda and chips, none of that can overcome YOU as a divine creator. It sounds silly when you spell it out like that, doesn't it?

PART THREE - how i did it

Okay, now we understand that the secret is to change the rules of our own reality to allow us to know a higher truth (my higher truth? I am a skinny legend). So how do we put this into practice?

All you have to do is know. You set these rules, so you know they are true, reality is bound to them. You must know you are successful, know that reality is in the 4d, and feel truly satisfied in that realm. You can do this using whatever method you need to, but personally, I just knew deep within me that I was my ideal weight, and that nothing could change that, that is simply the reality, that is simply the way things are. I thought about old pictures I took of myself, and remembered how skinny I looked in them, I thought about the last time I saw my friends and how much littler they said I'd gotten, I thought about the last time I stood on the scale and how it read the exact weight I knew myself to be. And I just knew, deep within me, that was simply how things were.

And the last step, for me, was to feel truly joyful at this realization. To feel satisfied it came into fruition. Without seeking confirmation, because I already KNEW.

And what do you know? Pictures of myself in my phone from weeks ago, they were my ideal body. The girl I saw in the mirror when I stood up from my meditation? She had my ideal body. My clothes? XS and S, all of them. I had revised my ideal body all the way back to the day I bought them. And confirmed this by checking pictures I took in the dressing room.

I'm telling you right now it is possible if you know in your heart you've always had your desire. It's always been fulfilled within you. You make the rules because you are a divine creator. Nothing outside of you can change what you know to be true.

That's all for now ౨ৎ

[luwha]

LMAO so, recently someone tried to SCAM me, so i'll show you what happened and the telltales of it being a scam.

This one is quite obvious but i know people who are just starting their artist careers and might not have experiece.

Follow the thread:

🚩#1: They pick your most famous/Popular art as reference. They don't know what you actually sell.

🚩#2: They will pick a random popular character. They're not roleplayers or anything. They're not here for the art in any level

You ask me, what are the odds they really like Goku? Oh, well, you'll see. At this point i check their profile for anythign that might indicate it, but as you'll see you won't have to.

🚩#3: They say they saw my ToS. On it i state i only work with paypal and google forms.

🚩#4: Random issue with payment method. They might have a real problem with it, but see; they'll never ever accept any other payment method, such as Zelle, CashApp, Payoneer, Ko-fi, etc.

I already knew this drill so, let's continue.

🚩#5: I love playing dumb lmao. Anyway, this scam revolves on them either sending you "too much money" and asking it back or something like it. I won't be following through because i know it'll be annoying.

BE ADAMANT WITH YOUR METHODS. Do NOT EVER bend them for randos.

🚩#6: They're so ready with the info on how the payment works it's fucking funny.

The reason I PERSONALLY use PayPal INVOICES (no any other payment within paypal) is that they're safe for both me and my client. My rules are stated clearly.

MAKE A ToS I BEG YOU YOUNG ARTIST

🚩#7: They're not even a good scammer lmao they REFUSE to go on my PROFILE to get a link or read anything.

I use Forms because it collects the client requests and it's easier for me to read it all in one place. It ALSO makes scammers bored.

🚩#8: They're so disinterested on the art they don't care for posing, vibes, colors, nothing. Again, they're NOT here for art. That's hilarious.

🚩#8: Same as above. They don't care for posing or anything.

On my art they link me, i have a vampire almost staking himself in a state of euphoria.

IMAGINE VAMPIRE GOKU STAKING HIMSELF THAT'S SO FUCKIGN FUNNY MY BRO, THINK YOUR SCAM THROUGH MAYBE

🚩#9: They will price your own work for you. And they'll overshot what we, smaller artists, charge for it.

They'll overshot by a lot.

They want you to be impressed and showing "generosity" usually gets people who need monay into risky situations. That's just plain cruel.

🚩#9: Same as above. Over generosity and eagerness to pay.

They're not even with the sketch, this haven't been an hour, they don't have any work form me but OH GOD they're SO READY to pay you NEED TO KNOW they WANTS TO PAY YOU SO BAD

Lmao yeah it's working out ❤️

THIS ONE IS JUST HILARIOUS BRO I CAN'T EVEN.

ANYWAY let's continue

🚩#10: They don't know me. They don't follow me. They broke every rule on my ToS. They're making me go through a payment method i am unfamiliar and don't use.

They don't care for my process. They're not interested on my sketch.

BE. ADAMANT. ABOUT. YOUR. RULES. AND. PROCESS.

Now, for the beautiful closure of this:

Have a ToS. Don't bend the rules for randos.

Use Invoices. Be sure you're safe.

Use forms if you'd like. Requests through DM and Discord ARE COMMON FOR OTHER ARTISTS. I personally don't like it, i have ADHD.

Being an artist on an online space is dangerous. If you need help, poke an artist you know, see how they operate and if it fits you. Most of them would help you.

🚩#11: goku isn't even on their icon 😭

This is the account that tried to scam me.

#art is life ❤️

[valeriehalla]

actual writing advice

1. Use the passive voice.

What? What are you talking about, “don’t use the passive voice”? Are you feeling okay? Who told you that? Come on, let’s you and me go to their house and beat them with golf clubs. It’s just grammar. English is full of grammar: you should go ahead and use all of it whenever you want, on account of English is the language you’re writing in.

2. Use adverbs.

Now hang on. What are you even saying to me? Don’t use adverbs? My guy, that is an entire part of speech. That’s, like—that’s gotta be at least 20% of the dictionary. I don’t know who told you not to use adverbs, but you should definitely throw them into the Columbia river.

3. There’s no such thing as “filler”.

Buddy, “filler” is what we called the episodes of Dragon Ball Z where Goku wasn’t blasting Frieza because the anime was in production before Akira Toriyama had written the part where Goku blasts Frieza. Outside of this extremely specific context, “filler” does not exist. Just because a scene wouldn’t make it into the Wikipedia synopsis of your story’s plot doesn’t mean it isn’t important to your story. This is why “plot” and “story” are different words!

4. okay, now that I’ve snared you in my trap—and I know you don’t want to hear this—but orthography actually does kind of matter

First of all, a lot of what you think of as “grammar” is actually orthography. Should I put a comma here? How do I spell this word in this context? These are questions of orthography (which is a fancy Greek word meaning “correct-writing”). In fact, most of the “grammar questions” you’ll see posted online pertain to orthography; this number probably doubles in spaces for writers specifically.

If you’re a native speaker of English, your grammar is probably flawless and unremarkable for the purposes of writing prose. Instead, orthography refers to the set rules governing spelling, punctuation, and whitespace. There are a few things you should know about orthography:

English has no single orthography. You already know spelling and punctuation differ from country to country, but did you know it can even differ from publisher to publisher? Some newspapers will set parenthetical statements apart with em dashes—like this, with no spaces—while others will use slightly shorter dashes – like this, with spaces – to name just one example.

Orthography is boring, and nobody cares about it or knows what it is. For most readers, orthography is “invisible”. Readers pay attention to the words on a page, not the paper itself; in much the same way, readers pay attention to the meaning of a text and not the orthography, which exists only to convey that meaning.

That doesn’t mean it’s not important. Actually, that means it’s of the utmost importance. Because orthography can only be invisible if it meets the reader’s expectations.

You need to learn how to format dialogue into paragraphs. You need to learn when to end a quote with a comma versus a period. You need to learn how to use apostrophes, colons and semicolons. You need to learn these things not so you can win meaningless brownie points from your English teacher for having “Good Grammar”, but so that your prose looks like other prose the reader has consumed.

If you printed a novel on purple paper, you’d have the reader wondering: why purple? Then they’d be focusing on the paper and not the words on it. And you probably don’t want that! So it goes with orthography: whenever you deviate from standard practices, you force the reader to work out in their head whether that deviation was intentional or a mistake. Too much of that can destroy the flow of reading and prevent the reader from getting immersed.

You may chafe at this idea. You may think these “rules” are confusing and arbitrary. You’re correct to think that. They’re made the fuck up! What matters is that they were made the fuck up collaboratively, by thousands of writers over hundreds of years. Whether you like it or not, you are part of that collaboration: you’re not the first person to write prose, and you can’t expect yours to be the first prose your readers have ever read.

That doesn’t mean “never break the rules”, mind you. Once you’ve gotten comfortable with English orthography, then you are free to break it as you please. Knowing what’s expected gives you the power to do unexpected things on purpose. And that’s the really cool shit.

5. You’re allowed to say the boobs were big if the story is about how big the boobs were

Nobody is saying this. Only I am brave enough to say it.

Well, bye!

[sabertoothwalrus]

make a farcille fankid. im a fankid fan and i think that adding to the whole complicated situation is great. the political ramifications of EVERYTHING about laios's country are fantastic and making it worse by adding more interspecies kids (shoutout to chilchuck's grandkids) is fascinating

great cause I already started drawing adjkfghdjfg

PLEASE READ THIS POST TO UNDERSTAND MY THOUGHT PROCESS BEHIND THIS

but yeah I !!!!!! really like the political implications of 1) having a half-elf (which the queen of elves doesn't recognize as people) as a royal court mage who is 2) gay married to King's sister who is 3) a chimera

additionally!!!! I think Laios would pick his niece to be his successor, for several reasons:

I think he's gay. maybe aro-spec.

I don't think he'd MIND marrying a woman. He had a fiance (which ended when he left home, meaning he was engaged before the age of THIRTEEN) so I think he just always assumed he would get married at some point, regardless of his personal feelings about it

haven't decided if I think he would get gay married, get comphet married, or stay single. I think it depends on How progressive he thinks Melini should be, other countries' feelings be damned. (unless Kabru says no, actually, that's a little too risky.)

point being IDK if Laios would have any kids of his own

He LOVES Falin. He loves Marcille as well. He'd fucking LOVEEEEE their kid my GOD would he spoil her!!!!! Best Uncle In The World

He probably thinks any chimera traits she'd have Fucking Rule and would think it's badass for someone like that to have the throne

yeah so. uh. enjoy farcille fankid

[physalian]

How to Make Your Writing Less Stiff Part 3

Crazy how one impulsive post has quickly outshined every other post I have made on this blog. Anyway here’s more to consider. Once again, I am recirculating tried-and-true writing advice that shouldn’t have to compromise your author voice and isn’t always applicable when the narrative demands otherwise.

Part 1

Part 2

1. Eliminating to-be verbs (passive voice)

Am/is/are/was/were are another type of filler that doesn’t add anything to your sentences.

There were fireworks in the sky tonight. /// Fireworks glittered in the sky tonight.

My cat was chirping at the lights on the ceiling. /// My cat chirped at the lights on the ceiling.

She was standing /// She stood

He was running /// He ran

Also applicable in present tense, of which I’ve been stuck writing lately.

There are two fish-net goals on either end of the improvised field. /// Two fish-net goals mark either end of the improvised field.

For once, it’s a cloudless night. /// For once, the stars shine clear.

Sometimes the sentence needs a little finagling to remove the bad verb and sometimes you can let a couple remain if it sounds better with the cadence or syntax. Generally, they’re not necessary and you won’t realize how strange it looks until you go back and delete them (it also helps shave off your word count).

Sometimes the to-be verb is necessary. You're writing in past-tense and must convey that.

He was running out of time does not have the same meaning as He ran out of time, and are not interchangeable. You'd have to change the entire sentence to something probably a lot wordier to escape the 'was'. To-be verbs are not the end of the world.

2. Putting character descriptors in the wrong place

I made a post already about motivated exposition, specifically about character descriptions and the mirror trope, saying character details in the wrong place can look odd and screw with the flow of the paragraph, especially if you throw in too many.

She ties her long, curly, brown tresses up in a messy bun. /// She ties her curls up in a messy brown bun. (bonus alliteration too)

Generally, I see this most often with hair, a terrible rule of threes. Eyes less so, but eyes have their own issue. Eye color gets repeated at an exhausting frequency. Whatever you have in your manuscript, you could probably delete 30-40% of the reminders that the love interest has baby blues and readers would be happy, especially if you use the same metaphor over and over again, like gemstones.

He rolled his bright, emerald eyes. /// He rolled his eyes, a vibrant green in the lamplight.

To me, one reads like you want to get the character description out as fast as possible, so the hand of the author comes in to wave and stop the story to give you the details. Fixing it, my way or another way, stands out less as exposition, which is what character descriptions boil down to—something the audience needs to know to appreciate and/or understand the story.

3. Lacking flow between sentences

Much like sentences that are all about the same length with little variety in syntax, sentences that follow each other like a grocery list or instruction manual instead of a proper narrative are difficult to find gripping.

Jack gets out a stock pot from the cupboard. He fills it with the tap and sets it on the stove. Then, he grabs russet potatoes and butter from the fridge. He leaves the butter out to soften, and sets the pot to boil. He then adds salt to the water.

From the cupboard, Jack drags a hefty stockpot. He fills it with the tap, adds salt to taste, and sets it on the stove.

Russet potatoes or yukon gold? Jack drums his fingers on the fridge door in thought. Russet—that’s what the recipe calls for. He tosses the bag on the counter and the butter beside it to soften.

This is just one version of a possible edit to the first paragraph, not the end-all, be-all perfect reconstruction. It’s not just about having transitions, like ‘then’, it’s about how one sentence flows into the next, and you can accomplish better flow in many different ways.

4. Getting too specific with movement.

I don’t see this super often, but when it happens, it tends to be pretty bad. I think it happens because writers feel the need to overcompensate and over-clarify on what’s happening. Remember: The more specific you get, the more your readers are going to wonder what’s so important about these details. This is fiction, so every detail matters.

A ridiculous example:

Jack walks over to his closet. He kneels down at the shoe rack and tugs his running shoes free. He walks back to his desk chair, sits down, and ties the laces.

Unless tying his shoes is a monumental achievement for this character, all readers would need is:

Jack shoves on his running shoes.

*quick note: Do not add "down" after the following: Kneels, stoops, crouches, squats. The "down" is already implied in the verb.

This also happens with multiple movements in succession.

Beth enters the room and steps on her shoelace, nearly causing her to trip. She kneels and ties her shoes. She stands upright and keeps moving.

Or

Beth walks in and nearly trips over her shoelace. She sighs, reties it, and keeps moving.

Even then, unless Beth is a chronically clumsy character or this near-trip is a side effect of her being late or tired (i.e. meaningful), tripping over a shoelace is kind of boring if it does nothing for her character. Miles Morales’ untied shoelaces are thematically part of his story.

Sometimes, over-describing a character’s movement is meant to show how nervous they are—overthinking everything they’re doing, second-guessing themselves ad nauseam. Or they’re autistic coded and this is how this character normally thinks as deeply methodical. Or, you’re trying to emphasize some mundanity about their life and doing it on purpose.

If you’re not writing something where the extra details service the character or the story at large, consider trimming it.

—

These are *suggestions* and writing is highly subjective. Hope this helps!