#so I already read the rules :'3

[shrimpchipsss]

peerless melons 🍈

[lowkeyclueless5137]

I might just take a shot :3

Hi guys im sooo normal about Sebek Zigvolt (im going to bash my head in with a ROCK)

REQUEST ONESHOTS!!! If you have a Sebek centric idea drop it down the comments!! Please read the rules first though. Please.

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[bmpmp3]

kotarou maghni ai thank GOD i literally sighed an audible sigh of relief

[nyaitsu-writes]

working on a little something to make the blog cuter ♡

also running a little experiment, like this post if you'd be interested in seeing me go back to post!

[wheelsupin-five]

TELL ME ABOUT YOUR COD OC MERCY!!!!!!!

MERCY MY TRAGIC BELOBED BOY <33

Name: Emrys Leigh (meaning immortal meadow/clearing)

Call sign: Mercy (obtained through the fact he is RUTHLESS in the field and excelles in ✨information extraction✨)

Age: approx 28 but who's counting (not me)

Picrew by lunevani

He normally wears a dark fabric face mask bc the scar pulls on his lips and exposes his teeth a little bit (I am normal I promise I am sooooo normal) and it drys out his mouth and also it makes him look more intimidating which he likes (it's also just one scar running from temple down through both his lips). He has THEE winter soldier stare of all time which terrifies new recruits but also anyone with a healthy sense of self preservation

He joined the British army at 19 (it was 100% an act of self destruction but now he cant leave bc it's all he knows) he specialized as a sniper and joined the SAS at 22, (was captured and tortured (but did not break) at 23 and took a year to rehabilitate before rejoining), and was hand picked by Price to join TF 141 at ~27 (again my math might be wrong but idc).

At some point during this he leveled up to a Sargent which is his current rank.

Looking at the scary brooding man who speaks very little who WILL snarl at you if you piss him off enough you would not guess it but he is a BIG card game fan HOWEVER do not play w him bc he will CHEAT bc hes also very good at slight of hand (and card tricks!!)

Hes literally just a silly little guy with a tragic background and enough trauma for a fucking large city but he tells silly jokes when he warms up to you (but takes a while) and once you have his trust you will have it for life !! You would kill for you without question !! Hes a coffee snob but in the way he'll turn his nose up at anything that isnt literally the shittiest instant coffee you've ever tasted !!

He also has an idle animation of systematically tensing + relaxing muscle groups which earns him some side eyes but no one has the balls to ask abt it <3

Anyways soap was the first person to gain his trust bc that man is relentless it's not his first rodeo (befriended ghost asap), then price (had worked w him prior a few times so he did have a head start), then gaz, then eventually ghost (if you put two private quiet people in a room together they WILL just sit in silence)

[merinelsa]

.

[angstandhappiness]

Interesting

I think an important part of the "D&D is easy to learn" argument is that a lot of those people don't actually know how to play D&D. They know they need to roll a d20 and add some numbers and sometimes they need to roll another type of die for damage. A part of it is the culture of basically fucking around and letting the GM sort it out. Players don't actually feel the need to learn the rules.

Now I don't think the above actually counts as knowing the rules. D&D is a relatively crunchy game that actually rewards system mastery and actually learning how to play D&D well, as in to make mechanically informed tactical decisions and utilizing the mechanics to your advantage, is actually a skill that needs to be learned and cultivated. None of that is to say that you need to be a perfectly tuned CharOp machine to know how to play D&D. But to actually start to make the sorts of decisions D&D as a game rewards you kind of need to know the rules.

And like, a lot of people don't seem to know the rules. They know how to play D&D in the most abstract sense of knowing that they need to say things and sometimes the person scowling at them from behind the screen will ask them to roll a die. But that's hardly engaging with the mechanics of the game, like the actual game part.

And to paraphrase @prokopetz this also contributes to the impression that other games are hard to learn: because a lot of other games don't have the same culture of play of D&D so like instead of letting new players coast by with a shallow understanding of the rules and letting the GM do all the work, they ask players to start making mechanically informed decisions right away. Sure, it can suck for onboarding, but learning from your mistakes can often be a great way to learn.

[whumptober]

WHUMPTOBER 2024: PROMPTS LIST

Welcome to Whumptober 2024 — Seventh Time's a Charm!

Please make sure to read the Event Info and FAQ below carefully, as most of your questions will be answered there already. For everything else, you are welcome to come to our ask box or ask questions in our Discord server here.

This year’s AO3 Collection can be found here.

This year's playlist can be found here.

The 'Anatomy of a Whumptober Prompt' post can be found here.

And our 'Resources for Writing Sensitive Topics' post is here.

We’re very excited to see the community come together for another year of Whumptober! Go wild with the prompts, and support your fellow creators - we wish you all the fun!

Best of luck and happy whumping,

Mods Vanne, Yenn, Kitty and Surro

(Text versions of the prompts, as well as event information, rules and FAQ are posted below the cut!)

Whumptober 2024 Prompt List

No. 1: RACE AGAINST THE CLOCK

Search Party | Panic Attack | "If only we could hold on.” (Icysami x Renegaderr, Strangers.)

No. 2: TRUST ISSUES

Amusement Park | Role Reversal | “You got away with the crime while the knife's in my back.” (Charlotte Sands, Rollercoaster)

No. 3: SET UP FOR FAILURE

Fingerprints | Wrongfully Arrested | "I warned you."

No. 4: HALLUCINATIONS

Hypnosis | Sensory Deprivation | “You're still alive in my head.” (Billy Lockett, More)

No. 5: SUNBURN

Healing Salve | Heatstroke | "If my pain will stretch that far." (Lottery Winners, Burning House)

No. 6: NOT REALISING THEY'RE INJURED

Unhealthy Coping Mechanisms | Healed Wrong | "It's not my blood."

No. 7: ONLY FOR EMERGENCIES

Unconventional Weapon | Magic with a Cost | "It's us or them."

No. 8: SLEEP DEPRIVATION

Isolation Chamber | Forced to Stay Awake | "Leave the lights on." (Coldplay, Midnight)

No. 9: OBSESSION

Broken Window | Bruises | “Frame me up on the wall, just to keep me out of trouble.” (Fall Out Boy, Irresistible)

No. 10: BLOW TO THE HEAD

Slurred Words | Passing Out from Pain | "I can't think straight."

No. 11: SEEING DOUBLE

Convenience Store | Loneliness | “Leave no trace behind, like you don't even exist.” (Taylor Swift, Illicit Affairs)

No. 12: STARVATION

Underground Caverns | Cannibalism | "Just a little more."

No. 13: TEAM AS A FAMILY

Familial Curse | Multiple Whumpees | "Death will do us part." (Set It Off, Partner's In Crime)

No. 14: LEFT FOR DEAD

Hunting Gear | Blackmail | “Because I want you to know what it feels like to be haunted” (tiLLie, kooL aiD mAn)

No. 15: CHILDHOOD TRAUMA

Painful Hug | Moment of Clarity | "I did good, right?"

No. 16: NECROSIS

Swamp | Wound Cleaning | "No, I can't feel anything."

No. 17: NOWHERE ELSE TO GO

Ruined Map | Shipwrecked | "We had a good run."

No. 18: REVENGE

Unreliable Narrator | Loss of Identity | “I see what's mine and take it.” (Panic! at the Disco, Emperor's New Clothes)

No. 19: BLOOD TRAIL

Abandoned Cabin | One Way Out | "Is there anybody alive out there?" (Bruce Springsteen, Radio Nowhere)

No. 20: EMOTIONAL ANGST

Shoulder to Cry On | Giving Permission to Die | "It's not your fault."

No. 21: BODY HORROR

Body Horror | Tattoo Gun | Spirit Possession | “Let the bedsheet soak up the tears.” (Apparat feat. Soap & Skin, Goodbye)

No. 22: BLEEDING THROUGH BANDAGES

Tourniquet | Reopening Wounds | "Oh that's not good."

No. 23: FORCED CHOICE

Public Display | Broken Pedestal | "I'm doing this for you."

No. 24: RADIATION POISONING

Collapsed Building | Equipment Failure | “I never knew daylight could be so violent.” (Florence + The Machine, No Light, No Light)

No. 25: SURGERY

Stitches | Being Monitored | "It's for your own good."

No. 26: NIGHTMARES

Breakfast Table | Parting Words of Regret | “I'm haunted by the lies that I have loved, the actions I have hated.” (Poe, Haunted)

No. 27: VOICELESS

Laboratory | Muzzled | “I have no mouth and I must scream.”

No. 28: DENIAL

CCTV | Exposure | "They caught me red handed."

No. 29: FATIGUE

Labyrinth | Burnout | "Who said you could rest?"

No. 30: RECOVERY

Hospital Bed | Holding Back Tears | "What have I done?"

No. 31: ASKING FOR HELP

Therapy | Making Amends | "I'm alive, I'm just not well." (Elliot Lee, Alive, Not Well.)

Alternatives List:

Body Swap

Communication Barrier

Finding Old Messages

Forgotten

Friendly Fire

Motion Sickness

No-Holds-Barred Beatdown

Regret

Secrets Revealed

Shivering

Survivor's Guilt

Time Loop

Used As Bait

Venom

Vermin

Event Info & Rules

WHUMPTOBER is a month-long, prompt-based creation challenge (think: Inktober, but whumpier). There are 31 official themes this year - one for each day of the month - which can be used, skipped, or combined in any way you’d like. They are meant to serve as inspiration without being taken literally (e.g. you don’t have to include the exact wording of prompts into your work). Feel free to run rampant on interpretation. For example, if the prompt is “flame", you could create something with reference to a candle/campfire, your character could have suffered a burn, or the flame could be a reference to an ‘old flame’ - an old relationship. It’s truly down to you!

In total, there are 4 prompts for each day. These are optional suggestions and can be used in conjunction with the theme, or as options/alternatives.  We want to give everyone as much creative freedom as possible, as well as increase event accessibility for folks with triggers and squicks. There is also a list of 15 alternative prompts that can be subbed in for any day, again to give participants as much creative freedom as possible.

Creators can PRODUCE work in any media they choose, including but not limited to: writing, visual artwork, photo/video/audio edits, paper crafts and elaborate recommendation lists (not just a list of links). Creators can PARTICIPATE as much or as little as they want (i.e. you don’t have to do ALL the prompts if you don’t want to) and prompts can be used in any order. They are also free to use even after the event ends.

When uploading Whumptober content to your blog, be sure to tag it with:

#whumptober2024 …..(the event tag)

#no.1, #no.2, #no.3, …..(theme number)

#bruises, #stabbing, …..(the theme or specific prompt you chose)

#altprompt …..(if you use an altprompt, tag the post with the number of the prompt you replace)

#fandom or #OC, …..(ironman, original content, oc, etc.)

#medium …..(gifs, fic, podcast, art, etc.)

#teeth, #etc …..(trigger warnings & any additional tags. Keep in mind not to add “tw” in front but only use the word/trigger itself)

#nsfwhump …..(only for nsfw content)

#your own tags go here

PLEASE BE DILIGENT WITH YOUR TAGGING. Only properly tagged posts are considered for archiving on the official @whumptober-archive blog. They must be tagged in the order above. An elaborate post about our tagging system can be found [here]

Unfortunately, due to the sheer number of participants in recent years, we cannot guarantee your work will be archived. A random selection of properly tagged posts from all genres will be reblogged each day.

Whumpers who produce content for 31 total theme days are considered event completionists and will be tagged in a masterpost at the end of the month. A form will be published at the beginning of November asking you to tell us if you completed. This is based on trust and we will not check this.

Frequently Asked Questions

Please read this before you send an ask!

TIMELINE

July: Trope voting form released. Late August: Prompt list is released for at least four weeks of preparation time. Tropes cannot be posted earlier than August 25th because of Moderator obligations in real life. (But, you know, go ahead and start writing/drawing, and add the themes in later, if you want!) September: Do as much or as little on your works as you want. You can prepare everything in advance or let September go by with vibes and start working in October. It’s up to you. October 1st: Challenge begins! A storm of whump breaks upon us all! During this time, some posts will be reblogged to the whumptober archive blog. We open the yearly AO3 collection for posting (optional). November 1st: The challenge is officially over! Completionist form opens for those who want to be included in the hall-of-fame. Early November: We release completionist and participant badges, solicit feedback, and post a hall-of-fame list of completionists by the 10th.

PARTICIPATION AND COMPLETION

Q: What counts as participation? Create or continue at least one work inspired by one of this year’s prompts. Q: What counts as completion? Creating work(s) inspired by at least one prompt from each day (or alts), for a total of 31 unique prompts. Q: Do I need to create 31 works? No. You can, if you want. Or you can create one work that you add to every day with a new prompt. Or several works that combine prompts. You can also update an existing work by adding new material with the current prompts. Q: Do I need to post my works somewhere to be a completionist or a participant? No. Q: How do you know I actually completed the challenge? We’ll take your word for it! Q: Do I have to finish my work(s) to be a completionist? No, you can post WIPs. And you’re not obligated to finish them in October, but if you want it to count towards being a completionist, you must have completed 31 prompts by the end of the month. So for example, if you’re writing a long fic and you fit 31 different prompts into the writing you did in October, it’s okay if that fic isn’t finished by the time October ends, you’ll still be a completionist. Q: Is co-writing/illustrating allowed? Yes, absolutely, and it would count towards being a completionist for both/all of you. Q: Is there a min/max limit on word count for written works? No. Q: Is there a min/max limit of quality for art? No. Q: Do I have to do something each day to be a completionist? No. You can skip days whenever you want, and as long as 31 daily prompts (or alts) are in your works done in October, you can be a completionist. For example, if you wrote a 1000-word ficlet that covers prompts in days 2, 3, and 17, you can check all three days off your list even though it’s only one work. Q: Is this challenge just for fics? No! Artworks, GIFsets, headcannons, rec lists, poetry, moodboards, or any other creative work is encouraged. Q: Can I combine Whumptober with other creation challenges? Absolutely, as long as the other challenges allow it too.

PROMPTS

Q: How do the prompts work? There are FOUR prompts per day: a theme and three ideas. You can use one, two, three, or all four prompts for each day. If you don’t like any of the daily prompts, you can substitute one of the ALT prompts instead. Q: How strictly/literally should we interpret the prompts? As literally or as figuratively as you want. For example, if the theme is WATER, that could mean drowning, waterboarding, raining, swimming, take place underwater, be lost at sea, construct a metaphor about a character’s mood that changes like a flowing river, crying, or whatever else you can think of that fits that theme. Q: Can I combine prompts? Is there a limit on how many? No limit and combine as many as you’d like. If you create a work that checks off multiple prompts, that work will count for a fill of multiple prompts. You need to address 31 different prompts to be an official completionist, but you don’t have to produce 31 separate works.

WORKS

Q: What’s whump? Hurting a character, whether that’s physically, emotionally, intellectually, psychologically, or any other way you can think of. Comfort afterwards is optional. Angst is emotional whump, so it counts. Q: How do I know if it’s whumpy enough? If your character is just mildly inconvenienced, it probably needs more whump. However, no participant has to prove whumpiness to the mods. Whatever you write is up to you. Q: What kind of characters can I create for? Anything. Generic “whumpee,” OC, PC, NPC, major characters, minor characters, or whatever you want. There are no limits. Q: Does it have to take place in a specific fandom? No, you can create works for your own worlds or for fandoms or for both. You can also create more generic or pan-fandom works. You can do cross-overs or use OCs, whatever you want. Q: Can I create AI-created works? We will not reblog or promote any works we know to be generative AI-created. Q: Is there anything we’re not allowed to write? As long as it contains whump and is based on our prompts, it’s fine. Please courtesy tag your works if you post them so people who follow the #whumptober2024 tag can filter according to their preferences. Q: What about sex, minor characters, and potentially disturbing content? You can create whatever works are legal in your country and post them accordingly. Please courtesy tag anything you think might be objectionable if you post to Tumblr so people who follow the #whumptober2024 tag can filter according to their preferences.

POSTING

Q: Where can I post my work? Post where and how you want. You don’t even have to (cross)post it to Tumblr. Just keep in mind if it’s not on Tumblr we will not be able to add it to the blog archive. There is an AO3 archive for Whumptober 2024, as well as the parent collection for works completed outside of the event. Q: Can I start posting early? You can, but this is an October event and wouldn’t it be more fun with everyone doing it at the same time? We won’t be reblogging any work predating October 1st. Q: Can I post late? Yes. For the sake of our hardworking Post Fairies, only a day’s themes will be reblogged to @whumptober-archive each day of October. But you can post whenever. Some of us are still working on and posting Whumptober fics from years ago. Q: Do I have to use your tags? Only on Tumblr and only if you want us to reblog your work on @whumptober-archive. Q: How do I have my works reblogged to the archive? Properly tagged posts will be reblogged to @whumptober-archive. If you want the official archive blog to reblog you, post on Tumblr and tag correctly (see this FAQ link for more info on tagging). Please note not all posts will be reblogged each day. Q: Can we @ you? For questions and comments, of course. We’ll be getting a flood of notifications, so if you really want us to see something send an ask. Q: Can I cross post on other blogs? Yes, multiple platforms and blogs are perfectly acceptable, as long as they allow cross-posting (to us). You can also post different works to different accounts under different names, without posting them everywhere at once. If you post some works under your main and others under an alt blog, that’s fine for completionist purposes. Q: Can I upload/repost my Whumptober content to other social media platforms? Of course! We’ve created an AO3 Collection to archive any fics posted there, which can be found here. The blog is the official archive, so please respect the personal boundaries of any whumpers in your social circle (don’t out anyone as a participant who would prefer not to be outed).

Most importantly, have fun, create, and enjoy all the whump posted this October!

[iamthedukeofurl]

Scott Pilgrim is, I think, the best example I can think of for establishing a setting's Nonsense Limit. The setting's Nonsense Limit isn't quite "How high-fantasy is this". It's mostly a question of presentation, to what degree does the audience feel that they know the rules the world operates by, such that they are primed to accept a random new element being introduced. A setting with a Nonsense Limit of 0 is, like, an everyday story. Something larger than life, but theoretically taking place in our world, like your standard spy thriller action movie has a limit of 1. Some sort of hidden world urban fantasy with wizards and stuff operating in secret has a nonsense limit around 3 or 4. A Superhero setting, presenting an alternate version of our world, is a 5 or 6. High fantasy comes in around a 7 or so, "Oh yeah, Wizards exist and they can do crazy stuff" is pretty commonly accepted. Scott Pilgrim comes in at a 10. If you read the Scott Pilgrim book, it starts off looking like a purely mundane slice of life. The first hint at the fantastical is Ramona appearing repeatedly in Scott's Dreams, and then later showing up in real life. When we finally get an explanation, it's this:

Apparently Subspace Highways are a thing? And they go through people's heads? And Ramona treats this like it's obscure, but not secret knowledge. Ramona doesn't think she's doing anything weird here. At this point, it's not clear if Scott is accepting Ramona's explanation or not, things kind of move on as mundane as ever until their Date, when Ramona takes Scott through subspace, and he doesn't act like his world was just blown open or anything, although I guess that could have been a metaphor. there's a couple other moments, but everything with Ramona could be a metaphor, or Scott not recognizing what's going on. Maybe Ramona is uniquely fantastical in this otherwise normal world. And then, this happens

Suddenly, a fantastical element (A shitty local indie band finishing their set with a song that knocks out most of the audience) is introduced unrelated to Ramona, and undeniably literal. We see the crowd knocked out by Crash and The Boys. but the story doesn't linger on the implications of that, the whole point of that sequence is to raise the Nonsense Level, such that you accept it when This happens

Matthew Patel comes flying down onto the stage, Scott, who until this point is presented as a terrible person and a loser, but otherwise is extremely ordinary, proceeds to flawlessly block and counter him before doing a 64-hit air juggle combo. Scott's friends treat this like Scott is showing off a mildly interesting party trick, like being really good at darts. The establish that Scott is the "Best Fighter in the Province", not only are street-fighter battles a thing, Scott is Very Good at it, but they're so unimportant that being the best fighter in the province doesn't make Scott NOT a loser. So when Matthew Patel shows off his magic powers and then explodes into a pile of coins, we've established "Oh, this is how silly the setting gets". It's not about establishing the RULES of the setting so much as it is about establishing a lack of rules. Scott's skill at street-fighter battles doesn't translate to any sort of social prestige. Ramona can access Subspace Highways and she uses it to do a basic delivery job. It doesn't make sense and it's clear that it's not supposed to. So later on, when Todd Ingram starts throwing around telekinesis, and the explanation we're given is "He's a Vegan" , you're already so primed by the mixture of weirdness and mundanity that rather than trying to incorporate this new knowledge into any sort of coherent setting ruleset, you just go "Ah, yeah, Vegans".

[444lotus]

how i manifested (+revised) my dream body ౨ৎ

This is my first post on my new account, though I am NOT new to the law and NOT new to loablr either. This post is specifically about how I manifested my dream body instantly with no technique besides knowing :)

PART ONE - the old story

In the old story, I was so fixated on my body and my weight all of the time, I was tracking my calories and weighing myself and my food obsessively and constantly gaining and losing weight. Back then, my beliefs were that 1) Excess food causes weight gain, 2) If I don't track my food and weigh myself, I will become too fat/skinny, and 3) There is something wrong with my body, and I need to diet/exercise to fix it.

Noticing these beliefs were key to changing the way I viewed food and my body, and therefore changing how I knew food to effect me and how I knew my body to be.

When I was overweight, I knew my body was too big, I knew I was eating too much, I knew excess calories made me gain weight. When I was underweight, I knew I had no appetite, I knew I was too bony, I knew that exercise makes you gain muscle which is why I had none, etc. I had to identify the limiting beliefs that made me know my body was a certain way.

PART TWO - writing the new story

Once I identified the beliefs that were holding me back and kept me from my goals ("I know I eat too much, even if I affirm I'm skinny, I'm still going to gain weight."), I could then change them. I wrote down a list of these beliefs, like I did above, and came up with reversals. For example;

"I overeat, so I will gain weight" -> "Calories aren't even real, so I can eat whatever I want and stay the same weight."

"I eat junk food, so I'll never be skinny" -> "I love how fast my metabolism is, I can eat junk all day and still stay so skinny." or "Junk food is just like other foods. Raspberries can't make me fat so neither can hamburgers."

"I don't exercise enough to be toned" -> "It's crazy how I'm naturally so toned and fit without trying."

The key for me was changing key beliefs that kept me dieting and exercising to lose weight, to sever the tie between calories consumed and weight, and hours exercising and muscles. These are limiting beliefs. We literally create our reality. Not ice cream, not soda and chips, none of that can overcome YOU as a divine creator. It sounds silly when you spell it out like that, doesn't it?

PART THREE - how i did it

Okay, now we understand that the secret is to change the rules of our own reality to allow us to know a higher truth (my higher truth? I am a skinny legend). So how do we put this into practice?

All you have to do is know. You set these rules, so you know they are true, reality is bound to them. You must know you are successful, know that reality is in the 4d, and feel truly satisfied in that realm. You can do this using whatever method you need to, but personally, I just knew deep within me that I was my ideal weight, and that nothing could change that, that is simply the reality, that is simply the way things are. I thought about old pictures I took of myself, and remembered how skinny I looked in them, I thought about the last time I saw my friends and how much littler they said I'd gotten, I thought about the last time I stood on the scale and how it read the exact weight I knew myself to be. And I just knew, deep within me, that was simply how things were.

And the last step, for me, was to feel truly joyful at this realization. To feel satisfied it came into fruition. Without seeking confirmation, because I already KNEW.

And what do you know? Pictures of myself in my phone from weeks ago, they were my ideal body. The girl I saw in the mirror when I stood up from my meditation? She had my ideal body. My clothes? XS and S, all of them. I had revised my ideal body all the way back to the day I bought them. And confirmed this by checking pictures I took in the dressing room.

I'm telling you right now it is possible if you know in your heart you've always had your desire. It's always been fulfilled within you. You make the rules because you are a divine creator. Nothing outside of you can change what you know to be true.

That's all for now ౨ৎ

[valeriehalla]

actual writing advice

1. Use the passive voice.

What? What are you talking about, “don’t use the passive voice”? Are you feeling okay? Who told you that? Come on, let’s you and me go to their house and beat them with golf clubs. It’s just grammar. English is full of grammar: you should go ahead and use all of it whenever you want, on account of English is the language you’re writing in.

2. Use adverbs.

Now hang on. What are you even saying to me? Don’t use adverbs? My guy, that is an entire part of speech. That’s, like—that’s gotta be at least 20% of the dictionary. I don’t know who told you not to use adverbs, but you should definitely throw them into the Columbia river.

3. There’s no such thing as “filler”.

Buddy, “filler” is what we called the episodes of Dragon Ball Z where Goku wasn’t blasting Frieza because the anime was in production before Akira Toriyama had written the part where Goku blasts Frieza. Outside of this extremely specific context, “filler” does not exist. Just because a scene wouldn’t make it into the Wikipedia synopsis of your story’s plot doesn’t mean it isn’t important to your story. This is why “plot” and “story” are different words!

4. okay, now that I’ve snared you in my trap—and I know you don’t want to hear this—but orthography actually does kind of matter

First of all, a lot of what you think of as “grammar” is actually orthography. Should I put a comma here? How do I spell this word in this context? These are questions of orthography (which is a fancy Greek word meaning “correct-writing”). In fact, most of the “grammar questions” you’ll see posted online pertain to orthography; this number probably doubles in spaces for writers specifically.

If you’re a native speaker of English, your grammar is probably flawless and unremarkable for the purposes of writing prose. Instead, orthography refers to the set rules governing spelling, punctuation, and whitespace. There are a few things you should know about orthography:

English has no single orthography. You already know spelling and punctuation differ from country to country, but did you know it can even differ from publisher to publisher? Some newspapers will set parenthetical statements apart with em dashes—like this, with no spaces—while others will use slightly shorter dashes – like this, with spaces – to name just one example.

Orthography is boring, and nobody cares about it or knows what it is. For most readers, orthography is “invisible”. Readers pay attention to the words on a page, not the paper itself; in much the same way, readers pay attention to the meaning of a text and not the orthography, which exists only to convey that meaning.

That doesn’t mean it’s not important. Actually, that means it’s of the utmost importance. Because orthography can only be invisible if it meets the reader’s expectations.

You need to learn how to format dialogue into paragraphs. You need to learn when to end a quote with a comma versus a period. You need to learn how to use apostrophes, colons and semicolons. You need to learn these things not so you can win meaningless brownie points from your English teacher for having “Good Grammar”, but so that your prose looks like other prose the reader has consumed.

If you printed a novel on purple paper, you’d have the reader wondering: why purple? Then they’d be focusing on the paper and not the words on it. And you probably don’t want that! So it goes with orthography: whenever you deviate from standard practices, you force the reader to work out in their head whether that deviation was intentional or a mistake. Too much of that can destroy the flow of reading and prevent the reader from getting immersed.

You may chafe at this idea. You may think these “rules” are confusing and arbitrary. You’re correct to think that. They’re made the fuck up! What matters is that they were made the fuck up collaboratively, by thousands of writers over hundreds of years. Whether you like it or not, you are part of that collaboration: you’re not the first person to write prose, and you can’t expect yours to be the first prose your readers have ever read.

That doesn’t mean “never break the rules”, mind you. Once you’ve gotten comfortable with English orthography, then you are free to break it as you please. Knowing what’s expected gives you the power to do unexpected things on purpose. And that’s the really cool shit.

5. You’re allowed to say the boobs were big if the story is about how big the boobs were

Nobody is saying this. Only I am brave enough to say it.

Well, bye!

[luwha]

LMAO so, recently someone tried to SCAM me, so i'll show you what happened and the telltales of it being a scam.

This one is quite obvious but i know people who are just starting their artist careers and might not have experiece.

Follow the thread:

🚩#1: They pick your most famous/Popular art as reference. They don't know what you actually sell.

🚩#2: They will pick a random popular character. They're not roleplayers or anything. They're not here for the art in any level

You ask me, what are the odds they really like Goku? Oh, well, you'll see. At this point i check their profile for anythign that might indicate it, but as you'll see you won't have to.

🚩#3: They say they saw my ToS. On it i state i only work with paypal and google forms.

🚩#4: Random issue with payment method. They might have a real problem with it, but see; they'll never ever accept any other payment method, such as Zelle, CashApp, Payoneer, Ko-fi, etc.

I already knew this drill so, let's continue.

🚩#5: I love playing dumb lmao. Anyway, this scam revolves on them either sending you "too much money" and asking it back or something like it. I won't be following through because i know it'll be annoying.

BE ADAMANT WITH YOUR METHODS. Do NOT EVER bend them for randos.

🚩#6: They're so ready with the info on how the payment works it's fucking funny.

The reason I PERSONALLY use PayPal INVOICES (no any other payment within paypal) is that they're safe for both me and my client. My rules are stated clearly.

MAKE A ToS I BEG YOU YOUNG ARTIST

🚩#7: They're not even a good scammer lmao they REFUSE to go on my PROFILE to get a link or read anything.

I use Forms because it collects the client requests and it's easier for me to read it all in one place. It ALSO makes scammers bored.

🚩#8: They're so disinterested on the art they don't care for posing, vibes, colors, nothing. Again, they're NOT here for art. That's hilarious.

🚩#8: Same as above. They don't care for posing or anything.

On my art they link me, i have a vampire almost staking himself in a state of euphoria.

IMAGINE VAMPIRE GOKU STAKING HIMSELF THAT'S SO FUCKIGN FUNNY MY BRO, THINK YOUR SCAM THROUGH MAYBE

🚩#9: They will price your own work for you. And they'll overshot what we, smaller artists, charge for it.

They'll overshot by a lot.

They want you to be impressed and showing "generosity" usually gets people who need monay into risky situations. That's just plain cruel.

🚩#9: Same as above. Over generosity and eagerness to pay.

They're not even with the sketch, this haven't been an hour, they don't have any work form me but OH GOD they're SO READY to pay you NEED TO KNOW they WANTS TO PAY YOU SO BAD

Lmao yeah it's working out ❤️

THIS ONE IS JUST HILARIOUS BRO I CAN'T EVEN.

ANYWAY let's continue

🚩#10: They don't know me. They don't follow me. They broke every rule on my ToS. They're making me go through a payment method i am unfamiliar and don't use.

They don't care for my process. They're not interested on my sketch.

BE. ADAMANT. ABOUT. YOUR. RULES. AND. PROCESS.

Now, for the beautiful closure of this:

Have a ToS. Don't bend the rules for randos.

Use Invoices. Be sure you're safe.

Use forms if you'd like. Requests through DM and Discord ARE COMMON FOR OTHER ARTISTS. I personally don't like it, i have ADHD.

Being an artist on an online space is dangerous. If you need help, poke an artist you know, see how they operate and if it fits you. Most of them would help you.

🚩#11: goku isn't even on their icon 😭

This is the account that tried to scam me.

#art is life ❤️

[sabertoothwalrus]

make a farcille fankid. im a fankid fan and i think that adding to the whole complicated situation is great. the political ramifications of EVERYTHING about laios's country are fantastic and making it worse by adding more interspecies kids (shoutout to chilchuck's grandkids) is fascinating

great cause I already started drawing adjkfghdjfg

PLEASE READ THIS POST TO UNDERSTAND MY THOUGHT PROCESS BEHIND THIS

but yeah I !!!!!! really like the political implications of 1) having a half-elf (which the queen of elves doesn't recognize as people) as a royal court mage who is 2) gay married to King's sister who is 3) a chimera

additionally!!!! I think Laios would pick his niece to be his successor, for several reasons:

I think he's gay. maybe aro-spec.

I don't think he'd MIND marrying a woman. He had a fiance (which ended when he left home, meaning he was engaged before the age of THIRTEEN) so I think he just always assumed he would get married at some point, regardless of his personal feelings about it

haven't decided if I think he would get gay married, get comphet married, or stay single. I think it depends on How progressive he thinks Melini should be, other countries' feelings be damned. (unless Kabru says no, actually, that's a little too risky.)

point being IDK if Laios would have any kids of his own

He LOVES Falin. He loves Marcille as well. He'd fucking LOVEEEEE their kid my GOD would he spoil her!!!!! Best Uncle In The World

He probably thinks any chimera traits she'd have Fucking Rule and would think it's badass for someone like that to have the throne

yeah so. uh. enjoy farcille fankid

[physalian]

How to Make Your Writing Less Stiff Part 3

Crazy how one impulsive post has quickly outshined every other post I have made on this blog. Anyway here’s more to consider. Once again, I am recirculating tried-and-true writing advice that shouldn’t have to compromise your author voice and isn’t always applicable when the narrative demands otherwise.

Part 1

Part 2

1. Eliminating to-be verbs (passive voice)

Am/is/are/was/were are another type of filler that doesn’t add anything to your sentences.

There were fireworks in the sky tonight. /// Fireworks glittered in the sky tonight.

My cat was chirping at the lights on the ceiling. /// My cat chirped at the lights on the ceiling.

She was standing /// She stood

He was running /// He ran

Also applicable in present tense, of which I’ve been stuck writing lately.

There are two fish-net goals on either end of the improvised field. /// Two fish-net goals mark either end of the improvised field.

For once, it’s a cloudless night. /// For once, the stars shine clear.

Sometimes the sentence needs a little finagling to remove the bad verb and sometimes you can let a couple remain if it sounds better with the cadence or syntax. Generally, they’re not necessary and you won’t realize how strange it looks until you go back and delete them (it also helps shave off your word count).

Sometimes the to-be verb is necessary. You're writing in past-tense and must convey that.

He was running out of time does not have the same meaning as He ran out of time, and are not interchangeable. You'd have to change the entire sentence to something probably a lot wordier to escape the 'was'. To-be verbs are not the end of the world.

2. Putting character descriptors in the wrong place

I made a post already about motivated exposition, specifically about character descriptions and the mirror trope, saying character details in the wrong place can look odd and screw with the flow of the paragraph, especially if you throw in too many.

She ties her long, curly, brown tresses up in a messy bun. /// She ties her curls up in a messy brown bun. (bonus alliteration too)

Generally, I see this most often with hair, a terrible rule of threes. Eyes less so, but eyes have their own issue. Eye color gets repeated at an exhausting frequency. Whatever you have in your manuscript, you could probably delete 30-40% of the reminders that the love interest has baby blues and readers would be happy, especially if you use the same metaphor over and over again, like gemstones.

He rolled his bright, emerald eyes. /// He rolled his eyes, a vibrant green in the lamplight.

To me, one reads like you want to get the character description out as fast as possible, so the hand of the author comes in to wave and stop the story to give you the details. Fixing it, my way or another way, stands out less as exposition, which is what character descriptions boil down to—something the audience needs to know to appreciate and/or understand the story.

3. Lacking flow between sentences

Much like sentences that are all about the same length with little variety in syntax, sentences that follow each other like a grocery list or instruction manual instead of a proper narrative are difficult to find gripping.

Jack gets out a stock pot from the cupboard. He fills it with the tap and sets it on the stove. Then, he grabs russet potatoes and butter from the fridge. He leaves the butter out to soften, and sets the pot to boil. He then adds salt to the water.

From the cupboard, Jack drags a hefty stockpot. He fills it with the tap, adds salt to taste, and sets it on the stove.

Russet potatoes or yukon gold? Jack drums his fingers on the fridge door in thought. Russet—that’s what the recipe calls for. He tosses the bag on the counter and the butter beside it to soften.

This is just one version of a possible edit to the first paragraph, not the end-all, be-all perfect reconstruction. It’s not just about having transitions, like ‘then’, it’s about how one sentence flows into the next, and you can accomplish better flow in many different ways.

4. Getting too specific with movement.

I don’t see this super often, but when it happens, it tends to be pretty bad. I think it happens because writers feel the need to overcompensate and over-clarify on what’s happening. Remember: The more specific you get, the more your readers are going to wonder what’s so important about these details. This is fiction, so every detail matters.

A ridiculous example:

Jack walks over to his closet. He kneels down at the shoe rack and tugs his running shoes free. He walks back to his desk chair, sits down, and ties the laces.

Unless tying his shoes is a monumental achievement for this character, all readers would need is:

Jack shoves on his running shoes.

*quick note: Do not add "down" after the following: Kneels, stoops, crouches, squats. The "down" is already implied in the verb.

This also happens with multiple movements in succession.

Beth enters the room and steps on her shoelace, nearly causing her to trip. She kneels and ties her shoes. She stands upright and keeps moving.

Or

Beth walks in and nearly trips over her shoelace. She sighs, reties it, and keeps moving.

Even then, unless Beth is a chronically clumsy character or this near-trip is a side effect of her being late or tired (i.e. meaningful), tripping over a shoelace is kind of boring if it does nothing for her character. Miles Morales’ untied shoelaces are thematically part of his story.

Sometimes, over-describing a character’s movement is meant to show how nervous they are—overthinking everything they’re doing, second-guessing themselves ad nauseam. Or they’re autistic coded and this is how this character normally thinks as deeply methodical. Or, you’re trying to emphasize some mundanity about their life and doing it on purpose.

If you’re not writing something where the extra details service the character or the story at large, consider trimming it.

—

These are *suggestions* and writing is highly subjective. Hope this helps!

[cheapshrimpysheep]

Yuutsum 1

SUMMARY: What if you also have a Tsum? Then your Tsum and the Tsum of the person you like keep giving signs that they like each other?

CHARACTERS: Twisted Tsumderland 1 Tsumsitters (Riddle; Cater; Leona; Jack; Floyd; Epel; Sebek)

TAGS: Fluff; GN Reader 

WARNING: Spoilers for the Twisted Tsumderland Event and the Tsumsitter cards Vignettes.

WORD COUNT: An average of 600 words per character.

COMMENTS: This was originally a request from @taruruchi for my 1k celebration. Which you can read here. And since so many readers liked it, I decided to do what I normally do when this happens: Do this for ALL the characters! Grouped by event in this case.

The beginning of the Riddle's part is the same as in the request, but I added a little bit more scenario after that.

I hope you enjoy 😉

Yuutsum 2 (Deuce; Azul; Jade; Kalim; Rook; Ortho; Lilia)

Yuutsum 3 (after going to the English server)

.

With your Tsum in your arms, you find Ace and Deuce, leaning over with their hands on their knees as if they were catching their breath after a run. They look at you first, but quickly the cute little creature you hold in your arms catches their attention. They both have that look on their faces like they think it's the cutest and most beautiful little thing in the world but don't want to admit it.

They say that Riddle also has one of those and it was the one they were chasing and trying to catch, but they lost it. The moment they said Riddle’s name, you felt your Tsum move enthusiastically for a moment.

They hear something, when they look they see Riddle-tsum in the distance and run towards it, starting the chase again. Your Tsum jumps out of your arms and runs with them, which makes you run after them too.

Your Tsum passes Ace and Deuce, which surprises them because they were so fast, and throws itself at Riddle-tsum, rolling together for a few seconds until they both stop. When this happened, Riddle-tsum didn't run away again, and the two were rubbing each other's cheeks happily.

Ace grabbed Riddle-tsum while it was distracted. It seemed upset about being caught. But the moment Deuce grabbed your Tsum that upsetness turn into anger. Riddle-tsum jumped out of Ace's arms, hits him in the face and threw itself right in Deuce's face to make him release your Tsum. Once back on the ground, Riddle-tsum positioned itself between your Tsum and those two. Glaring threateningly at Ace and Deuce.

Once again, it doesn't run away. You finally get close to them and approach the tsums. When Riddle-tsum sees you it relaxes again and looks at you with admiration. As if looking at a royalty.

Ace and Deuce suggest that you try taking them both to Heartslabyul, as Riddle-tsum doesn't seem to like either of them. They were small enough for you to be able to carry them both in your arms without any problems.

You take them both in your arms and Riddle-tsum immediately turns red. It looked like a tomato in white clothes. And it writhed as if it wanted to hide your arms in embarrassment. When you arrive at Heartslabyul, Riddle-tsum's blush had already subsided.

“Ah, prefect.” Riddle says when he sees you, Ace and Deuce arriving. “I see you were the one who managed to catch...” He looks at your arms to see his tsum, but his gaze automatically goes to your tsum instead. “Oh, there is one similar to you too. It looks... as charming as you.” he blushes just a little.

After explaining how you three caught Riddle-tsum, Ace suggests that they leave you and your Tsum with Riddle-tsum to prevent it from escaping again or causing trouble. Or hurt someone else. Riddle hesitates at first, as he is the one responsible for taking care of his tsum. But soon after, Riddle-tsum hits a student for breaking some rule and Riddle starts arguing with it so he stops attacking others.

You place a hand on Riddle's shoulder to try to calm him down a little and at that moment both of your attention went to your tsums. Your Tsum was between you and Riddle-tsum.

“You know, they remind me of the hedgehogs in a way.” Riddle says “And now they are reminding me of when they come closer to smell each other or to rub each other's noses. I can't deny that I find it quite cute whenever they do it.”

And then your Tsum starts rubbing its little round nose against Riddle-tsum's and caressing him to calm him down. And it works. And he returns the affection by staying very close to your Tsum.

Riddle blushes a little again, and says that, reconsidering Ace's suggestion and if you want, you could take care of your tsums together.

You were walking with your Tsum in your arms when you saw Cater and his Tsum on Main Street. Cater-tsum seemed to be curled defensively around something Cater was trying to retrieve.

“Look, you can't have it, okay?!” You hear Carter say to his Tsum as you get close to them.

You greet him by asking what they are doing. Cater gives you a quick glance before turning his attention back to Cater-tsum, as if he's afraid that if he looks away it'll escape.

“Hey, [Y/N]! I'm trying to get my-” He quickly looks back at you, more specifically at the adorable little thing you have in your arms. “Oh!... My!... Great Seven!” He turns his body towards you, his gaze so fixed on your Tsum that he doesn't even blink. “YOU HAVE A TSUM TOO! And it's the most adorable little thing I've ever seen in my life!”

Suddenly you both got jumpscared as something jumps towards you. It was Cater-tsum jumping into your arms! Despite the scare, you manage to catch it and it starts to nestle into your arms and cuddle your Tsum. Cater looks at the floor where Tsum was and sees his cell phone left behind. He retrieves it.

“We HAVE to take a pic of them!” Cater says excitedly “No! We have to do a whole photoshoot! Here! It's a great place to start.”

If you like taking pictures, your Tsum will be very excited. If you are shy, your Tsum will turn around to hide its face in your arms.

“Awwwww~ That’s even more adorable! Pwease! I beg you~" He says to your Tsum. Cater-tsum will also make pleading eyes at your Tsum.

The four of you spend a lot of time taking pictures in different places. Both pictures of the Tsums and of you with Cater. Until Cater and his Tsum have enough pictures to finally let you and your Tsum rest.

You sit on a bench, you with your Tsum on your lap and Cater with his Tsum on his lap, both of them editing photos on his cell phone. However, you feel your Tsum move and leave your lap to headbutt Cater's hand that was holding the cell phone, making it fall against his belly. After that, your tsum just stands there looking at Cater-tsum with a slightly annoyed look. Cater-tsum smiles with its tiny eyes and jumps against your tsum so they can cuddle each other.

Cater looks at the Tsums protecting the cell phone against his chest, watches them for a moment and then looks at you.

“Hey, if you want to do the same, just need to ask, you know~?” Cater says and winks at you.

If you accept, he'll put an arm around your shoulders and edit the photos with you, while your two Tsums cuddle on your laps.

Your Tsum was restless, impatient. It really wanted to go somewhere. So you pick it up and walk around campus trying to understand where it wants to go. Fortunately you don't need to walk far, as the botanical garden is one of the closest points to Ramshackle Dorm.

As soon as you enter, your tsum jumps out of your arms and starts jumping (its way of running) somewhere in the middle of some bushes. And you know that spot well. As soon as you stop seeing it, you hear a patient growl.

“Another one?” You hear Leona's voice. “Hey! What do you think you're doing?!” You follow the voice, pass through the bushes and see Leona lying down with two tsums on top of his torso. Your Tsum and Leona-tsum, cuddled up like two cats sleeping with each other.

“Herbivore, get your stuffie thing out of here and take the one that looks like me with you too. I'm not a nest to have two pesky armadillos sleeping on top of me!”

You kneel down next to him, looking at Leona-tsum with that “HE’S SO CUTE!” twinkle in your eyes. Leona-tsum looks at you and its sleepy eyes suddenly open, almost bulging. And it jumps onto your chest, knowing you would catch it.

“You got one.” Leona said. “Just one more to-” He interrupted himself, looking at his chest and seeing your tsum rising until it approached his face.

If you look at his face, you will see Leona's pupils dilating. And your tsum snuggling against his chest. You comment that you don't think your tsum will want to leave his side.

“Why don't you walk away with that one and see what happens? Maybe yours will follow.”

You are also curious to know what would happen. Leona-tsum was already sleeping in your arms.

You walk away with him, towards the exit of the botanical garden. Halfway there it wakes up and you feel it move in your arms. You stop and look at it. It seemed to have an annoyed look on his face, very similar to what Leona does when things aren't going according to his plans. You open your mouth to say or ask something, but it's Leona's voice that can be heard throughout the botanical garden.

“OI!” You hear Leona growl in annoyance. “Who do you think you are demanding anythin’ from me?!” And then you hear him roar.

You come back with Leona-tsum in your arms, and you find your tsum pulling one of Leona's braids towards you as if he wanted to force him to come to you.

“This thing really takes after you.” he comments, in a tone reminiscent of a father irritated with a child he deep down loves.

Leona tsum jumps out of your arms and lazily approaches your tsum. Your tsum lets go of Leona's braid.

You both see Leona-tsum rubbing his cheek on your Tsum's cheek, and making a movement as if it was licking your Tsum's face. After calming your tsum down, the two of them curl up to sleep together.

“Well, at least they're not bothering me anymore.” Leona says. He closes his eyes, but right after, he opens one of them again to look at you. “If you're also going to stay here with your stuffie thing, at least be useful. This floor isn't the best pillow, you know?” He makes that gesture for you to come closer with his index finger.

And if you let him use your lap to to lie down, he will fall asleep in 3 seconds, just like his Tsum did.

You were in the Ramshackle Dorm Lounge with your Tsum and Grim was in your bedroom, probably taking a nap after eating too much, when you hear someone knocking at the door. You go open the door, leaving your Tsum on the couch. You open the door and see Jack.

“Hi [Y/N]. Sorry to bother you, but this Tsum-” Before Jack could finish his sentence, you saw something near your feet come barreling through the door. You look back in time to see Jack-tsum turn to enter the Lounge. “Ah! Sorry. It won't sit still. Let's catch it before it does any damage.”

The two of you go to the lounge and stop right at the entrance. Jack-tsum was on the couch with your Tsum. Jack-tsum was jumping around your Tsum, its little tail wagging like crazy, and its eyes shining while also rubbing its face against your Tsum’s as if licking it. It was just like a puppy wanting to play.

“OI!” Jack shouted “Don't mess up [Y/N]'s couch!”

Jack-tsum sulked and your Tsum jumped from the couch to the floor. Jack-tsum followed it. Your Tsum approached Jack and smiled at him with its eyes, as if it were greeting him.

“Hum?” Jack’s ears pricked up as he looked down. “You also have a Tsum similar to you.” He didn't realize his tail had started wagging.

Jack-tsum followed your Tsum and you felt the need to bend down to see Jack-tsum up close. It looked at you with big bright eyes and its tail wagging wildly. You comment on how cute it is and reach out to pet it.

“Be careful.” Jack warns you “It doesn't let anyone...” You start to pet its head as it leans in your hand. “... touch it... What's the deal with this thing? Whenever anyone approached it would either move away or growl at them. How did you do that? I can't even catch it to take it to Savanaclaw.”

You say you don't know what you did either, if anything special. And you comment that it seems to like you. This makes Jack blush slightly.

“How would it not?” he says softly, and without meaning to. He clears his throat. “Um, do you mind if we stay here for a while? It seems to have finally settle down a bit.”

Your tsum goes to Jack-tsum's side and they both look at you as if begging you to say yes. You agree and the two Tsums bounce happily for a moment before they start running around the lounge together.

“OI! You two be careful!” Jack warns “Don't break or mess anything up, you hear?!”

You laugh and comment on how much you think Jack and his Tsum look alike.

“It's just the hair and the outfit.” he says a little embarrassed “Do I look round and soft?!”

“Round maybe not but soft...” You laugh and he blushes.

Before he could open his mouth to try to respond to that, the tsums started running towards you and ended up bump into you as they passed, which made you lose your balance. Jack catches you.

“What did I say?” he shouts to the tsums. He looks at you. "Are you okay?" In his arms, and he releases you, blushing a little. “Sorry about that.” he rubs the back of his neck. “It had never done this.”

“Maybe it was a bad influence.” you say and look at the Tsums. From the looks on their faces, especially your Tsum’s, it wasn't an accident.

You were walking down the Main Street with your Tsum in your arms when you hear footsteps running behind you, approaching quickly. You turn around in shock and see a very tall figure right in front of you. Then you realize it's Floyd.

“Boo~” Floyd smiles at you with something writhing violently in his arms. You look and see his Tsum trying to get free. You also notice, by the way he is holding Floyd-tsum, that he is using a lot of force. “Hi Koebi-chan~. Whatcha doin'~?” He sees something in your arms and looks to find your Tsum. “Woo! You have one too! And it looks so small and weak like you, how cute! He he.”

(What you don't know is that what really happened was that Floyd-tsum was loose and took off running when it saw you. The footsteps you heard were Floyd running to catch it before Floyd-tsum caught you.)

Your Tsum made a sulky face, while Floyd-tsum continued to struggle in Floyd's arms. You say Floyd-tsum is also very cute, it stops and looks at you with smiling little eyes.

“Do you wanna play with it?” Floyd asks and you say yes. “Sure, but careful how you handle it. It’s easy to set this guy-” The moment he let his arms go slack for a second, Floyd-tsum jumped into your arms.

With difficulty, but you managed to catch it without letting your tsum fall. Now you had them both in your arms. You saw it squeezing your tsum while it snuggled into your arms. However, your tsum didn't seem uncomfortable, quite the opposite, it felt like a passionate everyday hug.

Between letting Floyd-tsum jump out of his arms, until realizing that it wouldn't hurt you, Floyd stared at his Tsum with that serious face that all students who know him the least bit fear.

“Aw~ Aren't they cute together?” he says with his usual relaxed expression. He sees that you are having difficulty holding both tsums. “Let them go. They can walk on their own. Or hop, I guess.”

You do so. The two Tsums land on the ground and Floyd-tsum jumps up to continue hugging your Tsum. But before it can, Floyd quickly picks up your Tsum in his arms and starts squeezing it too.

“MY TURN!” Floyd says to his Tsum.

This one sulks, looks at you and jumps back towards you. You catch it and it hugs your forearm. You and Floyd laugh, until the pressure in your arm starts to increase to the point where it starts to hurt. The moment you grimace, Floyd's expression changes, he lets go of your tsum and rips his off your arm.

“I warned you.” he says to his tsum, with the same face he uses to threaten students who don't pay Azul. “Someone is not keeping their side of the deal.”

Floyd-tsum manages to escape and hugs your tsum again, but without hurting it. Floyd looks at you, who looks slightly sad, and sees you rubbing the forearm that Tsum was squeezing. He holds your wrist to see better. There is a slight reddish mark. He lets go of your wrist, turns to the Tsums and lifts his foot as if to step on his tsum. Before you could stop him, your tsum does it, getting out of Floyd-tsum's embrace and positioning itself between it and Floyd's sole when he was about to hit his Tsum. He looks at your tsum's fearless face for a moment and laughs heartily.

“HA HA HA HA! It also takes after you, Koebi-chan~” He puts his foot back on the ground and turns back to you. “We were going to Mostro Lounge. Do you want to come?”

With your Tsum in your arms, you were walking down Main Street when you heard a scream. It sounded like someone was being attacked by a dog or something. You follow the sound and see Epel, another Pomefiore student, and an Epel-tsum attacking this student while Epel tries to stop it.

Your tsum jumps out of your arms and runs (or hops) towards them until it stops between Epel-tsum and the student, preventing the tsum from attacking him again. And then, your tsum headbutted Epel-tsum so hard that it even knocked it upside down for a moment. Enough time for Epel to catch it. The other student runs away and Epel-tsum begins to struggle in Epel's arms.

“Stop it!” Epel complained “Ya can't go aroun´ attackin´ students!”

You approach them asking if everything is okay and if he need help. Epel-tsum stops and looks at you. You smile when you see that Epel also has a tsum and comment on how cute it is (like any tsum).

“No! Don't call it that!” The Tsum manages to jump out of Epel's arms and towards you.

He panics, but instead of the Tsum hitting you, it lands in your arms and just looks at you with a sulky face. You say it's still being cute, and once again, instead of it attacking you, its little face turns red with blush.

Epel freezes, completely confused for a moment until he thinks about what could be the possible reason for you being the only person who called the Tsum cute and it didn't attack. And when he thinks of the most likely reason, he also blushes.

Your tsum also jumped into Epel's arms, surprising him. It smiles at him with its cute little eyes and his blush deepens. Your voice is the only thing that makes Epel look away from your Tsum, asking if you could accompany him and his Tsum if they were going to Pomefiore.

In his dorm, needless to say, Rook wasted no time praising the Tsums, both Epel's and yours. But since Epel's Tsum didn't seem to appreciate the comments very much, especially if they focused on the fact that he was cute, Rook ended up turning his attention to your Tsum, which ended up bothering Epel's Tsum even more.

“It looks like someone is jaloux.” Rook says smiling amused.

That was the only thing that made Epel-tsum throw itself at him, to attack. Rook dodged it like a bullfighter with the grace of someone who was expecting it. Epel panicked and quickly picked up his tsum and apologized to Rook.

“There is no reason to apologize, Monsieur Pommette.” Rook says, loving the situation more than he should. “Truly. I must confess that my provocation was premeditated. C'est tellement beau to see your true feelings and emotions through your Tsum's lack of filter.”

“WHA-?! WHAT IS THIS SUPPOSED TO MEAN?!”

Rook just laughs, winks at Epel and starts walking towards the door. Halfway there he passes you, leans over and whispers in your ear: “Could you tame the little beast for us, Trickster?” and leaves.

Epel's Tsum struggled in his arms, angry... with jealousy.

Your Tsum was restless, impatient. It really wanted to go somewhere. So you pick it up and walk around campus trying to understand where it wants to go. You leave Ramshackle Dorm, pass the Botanical Garden and the Alchemy Workshop and arrive at the Hall of Mirrors.

As soon as you enter, your Tsum escapes from your arms and quickly jumps until it enters the mirror of Diasmonia. You follow it, but you realize that you lost sight of it the moment it passed through the mirror.

“Good afternoon, [Y/N]!” Lilia is the first to come and greet you. “To what do we owe such a wonderful surprise visit?”

You tell him about your tsum.

“Ah yes! Sebek also has a cute little lookalike. I can't wait to see yours. Although if it's as adorable or even more adorable than you, we're going to have a cuteness overdose problem in this dorm. Khe he. Well, from what I understand, and despite Sebek denying it, the personality of these tsums is very similar to the personality of those they physically resemble. So if your tsum wanted to come here, where do you think it would have gone? Where would you want to go?”

You don't think about a ‘where’ but rather a ‘who’ and that may have shown on your face, beacuse Lilia laughs amusedly.

“So maybe your tsum went to meet someone? Maybe a fellow tsum? Khe he he. I suggest we look for Malleus. Wherever he is, Sebek and Silver will be there too.”

The two of you head to the lounge, but before you get there you can already hear all the commotion. Aka: Sebek’s thunderous voice.

“Don't look at me like that! No matter who your looks resemble, you're bothering Malleus-sama and meddling in our, I mean my guard duties!”

“Actually,” You hear Malleus's patient voice say. “I am quite enjoying this little one's presence. It's as pleasant as [Y/N]'s own presence. Wouldn't you agree, Sebek?”

“HUM?! Yes! Of course sir! Please forgive me for implying that this Tsum's presence was inconvenient.”

You and Lilia arrive at the lounge and approach those two. Sebek, as expected, was standing very straight next to Malleus, who was sitting in one of the sofas. Coming closer, you see that both your Tsum and Sebek's Tsum are in Malleus' lap. And Sebek-tsum looked like it was... about to cry?

“AWW~ Look at you.” Lilia said, your Tsum turned to him. “You are even cuter than I imagined. *sigh* What an unfair competition. Ke he.”

The moment Sebek-tsum sees you is when it finally starts crying.

“HUM?! What is wrong with you?” Sebek inquires. “You are such a strange creature.”

“I think it's an too much emotion to see so many people it likes together.” Lilia says with a smirk.

“W-Well, regardless, it should learn to control itself!”

You come closer, worried about Sebek-tsum, and ask if it would like a hug to feel better. It looks at you, then at Malleus, back at you, Malleus, you, Malleus, and on until it almost gets dizzy and the indecision seems to make it more sad.

“I think I have an idea.” Malleus says. “[Y/N], would you like to sit next to me?”

You sit down, he asks you to come closer until your thighs touch, so he can place Sebek-tsum on both of your laps at the same time. It, still in tears, seemed to be thanking Malleus with his eyes and head.

“How intelligent and generous, my liege!” Even Sebek himself had a tear in the corner of his eye.

He was about to continue his praise when your Tsum jumped from Malleus' lap into Sebek's hands. He caught it as if he was saving it from a fall. It looked at him and smiled with its eyes.

“How precious.” He said with a tender smile, as he was still emotional about Malleus's act. Then he realized what he had just said and blushed in embarrassment. But he didn't stop holding your Tsum.

If you would like to read more from me, you can find it in my pinned post: INDEX