#since their normal versions are different elements

[elcor-thespian]

YES I get to talk about my character's names.

Nephele Mercar (my canon Rook): So I unintentionally made protagonists for the first three games that I strongly associate with an element. My Warden, Ilayna, is a fire mage, my Hawke is very Water sign coded and loves the sea, and my Inquisitor, Terrwyn, is Dalish and very connected to the earth. Once I realized that (Maybe like 6 months ago?) I knew I had to make my protagonist for this game Air themed. So I picked a name before I knew anything about the game, and I can't believe that we have a companion named Neve, which sounds so similar to Neph. I also named my Hawke Seraphina and then when DAI came out....I'm just saying if I had a nickel for every time DA introduced a companion with a name that sounded like a shortened version of my character's name, I'd have 2 nickels, which isn't a lot but it's weird that it happened twice.

Nephele means "cloud" and in Greek mythology she was a nymph made from a cloud and was the mother of the centaurs, and is also connected to the Golden Fleece.

Names for my other DATV characters under the cut:

Nasreen "Raven" Aldwir: Each of my characters has a different bird code name given to them by Varric. They are all present at the Lighthouse, but Nephele is the protagonist.

Nasreen is a Persian name that means "wild rose". I really wanted something with a nature connection, and something that maybe hinted at something a little darker/edgier. I also just love this name and I think it's pretty.

Aleksei "Magpie" Laidir: means "protector of man". I gotta be honest, I don't remember why I chose this. I often have a harder time choosing male names. I also didn't have the firmest grasp on who his character was going to be at the time. If I were to name him now I probably wouldn't pick this, but now I'm very attached to it and I feel like it fits him perfectly (Although again, it's close to Elek and IF I HAD A NICKEL)

Brenna "Kestrel" Thorne: Brenna is a name I've liked for a while and wanted to use, and for a bit it was going to be my dwarf character's name. Depending on where you look, it might mean "high hill", "princess", "strength", "dark hair" or "burn". I feel like if you mixed all these ideas in to a soup, you would come out with my character.

Elspeth "Crow" de Riva: This was the DATV OC that I named last. Elspeth is the Scottish form of Elizabeth and means "chosen by God". Again, I do not remember why I landed on this. It's not Italian or Spanish. I don't think Elspeth is fully Antivan, and she had this name when she got to the orphanage. I think some people just call them "El", since it's easier to say in an Antivan accent. Elspeth is non-binary and they don't love their name because it's pretty feminine, but they also don't have a strong idea of what they would change it to. I kind of like that their name is at odds with the type of person they are.

Konstantin "Wren" Ingellvar: Russian name meaning "constant or everlasting". I wanted something German/Slavic/Russian, and this was the name I liked the best. I also think that the meaning works for him. He's not the biggest fan of his code name, and to be honest neither am I. But I'm in too deep now.

Paloma "Dove": Paloma literally means "dove". Paloma is my ex-Saarebas character, and so they chose their name. There wasn't a ton of thought behind it. She does a lot of people watching, and she heard a mother calling for her daughter, Paloma, in the market one day. She liked the sound of it, and she wanted a name that wouldn't stand out too much in Minrathous and she had no concept of what a normal name would be. She practiced saying it over and over and decided she could live with it.

It’s Monday Morning 👎👎👎🚫🚫

It’s the Rook Introduction Hour ! 🥳🥳🎊🎊🙌

For new people, it works like this: I ask you about your Rook, and if you want you can rb and answer, and then I’ll rb it back here and comment a bit !

I really made you all work last week, so let’s do something easier: What is the significance of your Rook’s (first) name? Who gave it to them— did they pick it themselves? Do they have any nicknames (besides Rook)? Who gave those to them? Do they like their name?

Feel free to answer as much/little as you like!

[morninkim]

Rise of the Mighty Morphin Power Rangers (Non-Canon) - Madame Drakkon & The Ranger Slayer

In another timeline, the Rise of the Mighty Morphin Power Rangers was much, much less of a rise.

(Rise' World of the Coinless deets under the cut, i'm having fun)

In another timeline, Rita's attack on Grace Oliver left her severely injured and near death. This threw Tommy into a fit, which forced the shadow out of her body in an incredibly traumatic and painful manner. Desperate, she pleaded with Zordon to help her mother, but the White Light confirmed her fears. Grace was gone.

Unstable and still reeling from Rita being ripped from her body, Tommy would seek out where the shadow was hiding, tracking her down to an abandoned warehouse on the docks. She would witness the partial resurrection of Lord Zedd and barge in, demanding the Dark Spectre bring her mother back. The Spectre agreed, on the condition that the Green Ranger help him recover the other five Power Coins and reunite the Zeo Crystal.

Over the next few months, Tommy would slowly lose more and more of herself as she pursued more power and learned dark magic from a weakened Rita inhabiting the body of Dr. Finster. A final assault against the Rangers would see Jason attempt to combine the spectrum of the team's powers to become a White Ranger, only to be struck down by Tommy. She would claim the coins for herself, corrupting and forcing the coins into her own White Ranger form.

Zedd and Tommy, with their combined powers and now endless source of energy, would then conquer the Earth unopposed. But as more time went on without Zedd's promise fulfilled, the more Tommy began plotting to overthrow the Dark Spectre. She's be encouraged by Rita, now unable to leave Dr. Finster's deteriorating body and kept alive with salvaged parts from the destroyed Command Center.

As the last of Earth's defenders fell, Tommy struck down Zedd with the Black Dragon Saber, laying claim to his seventh Zeo Crystal shard and the planet and taking the name Madame Drakkon.

Years later, tired of her friends being captured or dying and at her wit's end, Kimberly Hart would decide today is the day Drakkon dies. But she would be captured, her mind taken over with a spell Drakkon had been perfecting for some time, and become her right hand with her old Power Coin as the Slayer Ranger.

Kimberly would later break the spell with the help of the Coinless Resistance, who'd been built by the combined efforts of Trini, Richie, Bulk and Skull. She'd then lead the Resistance against Madame Drakkon's regime, taking on the name Ranger Slayer as a symbol of her goal to slay the last Ranger on Earth.

[all-the-fish]

Oh, you know, just the usual internet browsing experience in the year of 2024

Some links and explanations since I figured it might be useful to some people, and writing down stuff is nice.

First of all, get Firefox. Yes, it has apps for Android/iOS too. It allows more extensions and customization (except the iOS version), it tracks less, the company has a less shitty attitude about things. Currently all the other alternatives are variations of Chromium, which means no matter how degoogled they supposedly are, Google has almost a monopoly on web browsing and that's not great. Basically they can introduce extremely user unfriendly updates and there's nothing forcing them to not do it, and nowhere for people to escape to. Current examples of their suggested updates are disabling/severly limiting adblocks in June 2024, and this great suggestion to force sites to verify "web environment integrity" ("oh you don't run a version of chromium we approve, such as the one that runs working adblocks? no web for you.").

uBlockOrigin - barely needs any explanation but yes, it works. You can whitelist whatever you want to support through displaying ads. You can also easily "adblock" site elements that annoy you. "Please log in" notice that won't go away? Important news tm sidebar that gives you sensory overload? Bye.

Dark Reader - a site you use has no dark mode? Now it has. Fairly customizable, also has some basic options for visually impaired people.

SponsorBlock for YouTube - highlights/skips (you choose) sponsored bits in the videos based on user submissions, and a few other things people often skip ("pls like and subscribe!"). A bit more controversial than normal adblock since the creators get some decent money from this, but also a lot of the big sponsors are kinda scummy and offer inferior product for superior price (or try to sell you a star jpg land ownership in Scotland to become a lord), so hearing an ad for that for the 20th time is kinda annoying. But also some creators make their sponsored segments hilarious.

Privacy Badger (and Ghostery I suppose) - I'm not actually sure how needed these are with uBlock and Firefox set to block any tracking it can, but that's basically what it does. Find someone more educated on this topic than me for more info.

Https Everywhere - I... can't actually find the extension anymore, also Firefox has this as an option in its settings now, so this is probably obsolete, whoops.

Facebook Container - also comes with Firefox by default I think. Keeps FB from snooping around outside of FB. It does that a lot, even if you don't have an account.

WebP / Avif image converter - have you ever saved an image and then discovered you can't view it, because it's WebP/Avif? You can now save it as a jpg.

YouTube Search Fixer - have you noticed that youtube search has been even worse than usual lately, with inserting all those unrelated videos into your search results? This fixes that. Also has an option to force shorts to play in the normal video window.

Consent-O-Matic - automatically rejects cookies/gdpr consent forms. While automated, you might still get a second or two of flashing popups being yeeted.

XKit Rewritten - current most up to date "variation "fork" of XKit I think? Has settings in extension settings instead of an extra tumblr button. As long as you get over the new dash layout current tumblr is kinda fine tbh, so this isn't as important as in the past, but still nice. I mostly use it to hide some visual bloat and mark posts on the dash I've already seen.

YouTube NonStop - do you want to punch youtube every time it pauses a video to check if you're still there? This saves your fists.

uBlacklist - blacklists sites from your search results. Obviously has a lot of different uses, but I use it to hide ai generated stuff from image search results. Here's a site list for that.

Redirect AMP to HTML - redirects links from their amp version to the normal version. Amp link is a version of a site made faster and more accessible for phones by Bing/Google. Good in theory, but lets search engines prefer some pages to others (that don't have an amp version), and afaik takes traffic from the original page too. Here's some more reading about why it's an issue, I don't think I can make a good tl;dr on this.

Also since I used this in the tags, here's some reading about enshittification and why the current mainstream internet/services kinda suck.

[honey-tongued-devil]

↠The last drop tour

| Part 1 | | Part 2 | | Part 3 |

Alright, alright, I know I’ve already shown you the Last Drop, so here we’re looking at the one from the alternate timeline, as seen in Episode 7. The elements and layout don’t change too much, but there are variations, and since my story is set in this universe, I imagine this version is the most helpful for anyone wanting to explore the universe I write about. The link to the story is HERE, but I hope this can also be useful for anyone writing or reading their own work.

Here we are once again! This tour might be a bit challenging, but don’t worry—your guide has got you covered! This time, we need to start outside.

I know we all recognize the exterior of the bar, which hasn’t changed, but I ask you to take a closer look at the streets. They’re clean and bathed in sunlight. (The Last Drop is in the Entresol, the middle level of Zaun’s three depth levels.) While it may seem almost normal or expected, the smog that used to accumulate made it impossible for light to filter through the thick air, even during the day. As a result, the underground city never got to see this much light. This is the first time.

In Heimerdinger’s sequence where he’s seen playing "Spin the Wheel," we can catch glimpses of glass greenhouses protecting plants, and people in wheelchairs, hinting that the city is now more accessible.

This is the third post where I’ve mentioned this damn ceiling, so I went back just to show it to you, because it was necessary at this point. Let’s start with the fact that the Last Drop has been renovated. The fact that Ekko is wearing a gold earring and is so well-dressed suggests that their profits have increased, and the first thing they did was fix up the place. But enough talk—let’s get to the proof. Now that natural light reaches Zaun, the LED lights on the ceiling aren’t needed anymore. What is needed? Glass, to let the light in.

And so, we move on to another small but significant difference. Scattered throughout the Last Drop, but especially at the bar counter, there are terrariums with plants. Claggor and Mylo are even working on plants capable of converting the dense air of the Sump into clean oxygen. But why do plants have such prominence here? In Season 1, we’re shown that in Zaun, only one place had plants: the Chembarons' meeting room. It was so high up and so clean, thanks to the ventilation on the ceiling, that plants were a privilege of the oligarchy, not something for everyone. But here, even ordinary people in Zaun have plants around, and they thrive.

The bar counter remains the same, the barrels behind Vander are still protected by the same glass partitions as always. The difference now is that everything is adorned with what used to be a symbol of luxury.

Did you recognize these booths? Now, instead of the Chembarons' photos, there are sheets with dart game scores written on them—both for the kids and the three older men. To be honest, the one I’m showing you in the photo from Zaun’s original timeline is actually the first booth on the left from the entrance. Meanwhile, the one shown where the kids are sitting is the second booth, a bit closer to both the bar counter and the narrow hallway that leads to the arcade area and the pool table.

Which ones? These. Actually... this photo was taken in front of the first booth, and we can see Powder's drawings hanging there. Basically, we understand that they’re portraits of all of them together, happy. Maybe some are solo portraits, but they’re definitely very different from how things are now. (the comparison)

I imagine that the basement where Vander and his children used to live is now the place where they store alcohol and reserve drinks, or maybe it has become a boiler room. We don’t have photos of the lower area (which, I remind you, can be accessed by taking the door to the right of the bar counter and going down a long staircase) nor of the upper area, which is reached by climbing the stairs to the left. So, I can’t show you more parts of our beloved bar, but I can tell you that according to what we’re told in episode 7, they now offer both live music and events. So, the Last Drop has continued both Vander’s family-oriented, rustic management and Silco’s vision of a nightlife hub and heart of the city.

As for the rest—how we got to this point, what brought the change, how Silco's eye healed, how they managed to reach such an economic development to renovate the bar in that way—I can only speculate. But, I won’t do that here.

The theme of the universe’s development from episode 7, starting with Vi’s death, is what I talk about in my fanfiction. So, I’ll take a moment to advertise myself during this tour and let you know that if, in addition to the objective facts, you'd like to hear my opinion, I address it HERE (Everytime it rains).

From these three tours, I think you've gathered that I’m someone who pays a lot of attention to details, which is why a superficial analysis of the differences wasn't enough for me. I needed a bigger space to narrate (and analyze) the politics and the domino effect of events. So, I don't know, I hope to see you again at the bar.

Sincerely, your guide, provided by...

-Kiramman's chronocare

[absolutebl]

This Week in BL - It's odd rn but VERY PRETTY

Organized, in each category, with ones I'm enjoying most at the top.

Oct 2024 Week 1

Ongoing Series - Thai

Jack & Joker (Thai Mon IQIYI) ep 4 of 12 - I love Joke so much! And I love War in this role so much. It’s great. This is a great show it’s such fun. The comedy is somewhat leaving me flat. But that’s normal for me in this kind of Thai BL. I also like Hope. I shouldn’t, but I do. I love the little girl character as well, and I do believe that Joke has found his scion in her.

(As per usual the grandma of this BL speaks for all of us.)

Kidnap (Fri YT) ep 5 of 12 - Coils be coiling. Mummy dearest is v hot. I do like the twist on the henchmen. It would’ve been really gut-wrenching if Q had put the rope around his own wrist the night that he slept by himself (or tried to). And they have now made "the promise that is destined to be broken" waves at trope. Meanwhile, great flirting. Next week being episode six we should be getting our kiss.

(Was GMMTV gently poking at Jack & Joker with that play-within-a-play reference to Jack as Min's stunt part?)

Fourever You (Thai Thurs YT) ep 1 of 16 - Sampler pack university BL from Wabi Sabi that's trying to be a gay Boys Over Flowers (4 older med student hot boys + frosh) and it’s exactly what I want right now. Is it good? No, not really. Do I care? Not at all. It is, in fact, boys over flowers... only boys no flowers. I really couldn’t want anything more than that. What can I say? I’m easy. I love a pining seme. I guess what I am saying is, I am trash for trash. Inject this shit directly into my eyeballs.

Love Sick 2024 (Thai Sun iQIYI) ep 3 of 15 - At least in this version they talk bit more with each other about what’s going on. (Then again in the original we didn't need it, the acting was so good.) Still it’s a lot more modern to see representation of communication, but but the previous version felt more honest to teen behavior. This open communication entirely changes the push pull dynamic of Phun & Noh's whole relationship. I actually LIKE that change because it makes it very different from the original. I’ve been hoping that this one would veer in a different direction. I'm enjoying that they've made it Phun with the long term crush, and that he’s sort of testing himself with heterosexuality. It is selfish, but it is also a very rich kid thing to do. I love the shouted confessions and the decision to not date. This is a really good twist on the original. I’m liking this a hell of a lot more now that it’s substantially changed in direction, if not in tone.

Monster Next Door (Thai Thurs Gaga ) ep 11 of 12 - It’s very sweet and wholesome. And everyone kisses pretty. And I do like the communication and green flag aspects of this show. But I'm also finding it a touch dull. 

Battle of the Writers (Sun YT) ep 9 of 12 - I don’t know. The pretending to be blind thing is weird. This whole show is weird. I’m kinda weirded out by it. I like the two side couples well enough, but we get barely any time with them at all.

I Saw You in My Dream (Weds Gaga) ep 12 fin - I like that they did come around to the dreaming thing as a major plot point in the end. Even though it felt like they forgot about it in the middle. And I liked that it was an inherited family trait. I didn’t expect that (should have, but I didn't). And I thought it suited this kind of drama, even if it was a little pat. The whole family helping at the very end was very sweet and a nice full circle for the narrative. (Like the Ae's family sort of adopting the next-door kids originally. 

Summation

A cute friends to lovers romance, that’s a little bit like the stepbrothers trope since these two grow up next-door to each other and in and out of each other’s lives. The paranormal element is about prophetic dreams, and it is threaded through the narrative even if it gets somewhat lost in the muddy middle. All in all, a sweet fun little series with decent chemistry. 8/10

Addicted Heroin (Thai Tues WeTV) ep 8 of 10 - I've totally forgotten what’s going on. There was another kidnapping. Maybe they’re actually dating now? I don’t know. Honestly, it won’t really matter cause everything will change by the end of this episode... again. That said, I did love the parental confrontation sequence. It’s not as good as in the original because it’s a lot more direct and modernized, but it was pleasingly aggressive. Which I weirdly appreciated for the military angle. The cross-dressing thing was odd. The dolls advertising thing is even odder. Jealous baby on sports day was good though.

Bad Guy My Boss (Thai Sun Gaga) ep 3 of 10 - Why did I feel like I’ve seen this entire episode already. It’s just different characters saying the same thing to the main characters or flirting the same way or whatever. 

Live in Love (Sun Gaga) ep 5 fin - I did not like this ep at all. Fully half of it was evil backstabbing and some bullying and some sort of trying to engender sympathy for a friendship betrayal. And I was not on board. (Wouldn’t mind seen Hali and that cute kid in something together tho.) 

Conclusion

Basically this was a story about online relationships and how they interface with the real world, and in personal friendships, plus bullying of all types and some backstabbing and shipping. The acting was weak, the sound was terrible, and generally it was an old style pulp offering. It tried to deal with some interesting issues, but was awfully clumsy about it. 5/10 

Ongoing Series - Not Thai

Sugar Dog Life (Japan Sun grey) ep 9 fin - Such a great confession, so truthful and earnest and honest. And he’s also like that with his friends. And such a nice answer. I love that during the cool off they both realize how very much they both act like are boyfriends to each other all the time. Ooo running of the gays! And we even got a cute little smile kiss!!!! and an adorable boyfriend montage at the end. How unexpectedly satisfying of you, Japan!

Summation 

This is a phenomenally charming and adorable little romance about a forlorn university kid and the police officer who adopts him. They are relentlessly kind to each other, in fact it’s an extremely kindly show over all (everyone in it is so nice to everyone else including us) so there’s very little tension. But what it lacks in drive and complexity it makes up for in earnest acts of service and simple affection. These two are basically boyfriends from the get-go, it’s just one of them acts like it and doesn’t realize it and the other one realizes it and has to figure out how to make it a reality. It’s incredibly sweet and incredibly wholesome, nourishing but delicious. Everybody who can should watch this show. It will make you feel better about life. 

Easy 9/10 on this one from me.  

GO WATCH IT  

Teenager Judge (Vietnam Sat YT) ep 2 of ? - We have some semblance of a plot! Yay! Our BV tsundere character is secretly an online judge who whistleblows and exposes corruption in the school system. How very Pump Up the Volume. I am not mad about it. Also 2 of the prettiest seme bullies EVER. The epic pout-off with these bad boys. Be still my heart.

Our Golden Times (Hong Knong ??? YT) 1-4 of ? - Billed as a BL from Hong Kong I’m not sure we can trust this one to a get finished or be cohesive or have an HEA. But the optics are good. Everybody’s very pretty. It’s chaotic and clumsy and a little odd. But most of the stuff on my dash is these days, so what the hell? And ya know what, I kinda like it.

Love is Like a Poison AKA Doku Koi: Doku mo Sugireba Koi to Naru (Japan Tues Netflix?) 4 of 10 eps - It remains entertaining but off kilter in that way that indicates 50% chance of ultimate dissatisfaction in the JBL pantheon. 

First Note Of Love (Taiwan Mon Gaga) ep 9 of 12 - I wish we knew a little bit more about Sea's background/family. Neil should just tell him what the hell is going on. Why wouldn’t he? Instead they artificially wedged the main couple apart for most of this episode and Orca wasn’t there at all? = Not a good episode IMHO.

It's airing but...

My Damn Business (Korea Sat ????) 7 eps - supposedly airing on Saturdays starting 10/5 have no roleand I found the trailer but nothing else.

The Hidden Moon (Sat WeTV) ep 1 of 10 - This is a supernatural romance (my ghost boyfriend trope) by Violet Rain (I Feel You Linger). A man is hired to write an article about an old mansion in Chiang Mai being converted into a café. He sees the ghosts of people who died at the mansion, falls in love with one of them. Was substantially recast. I loved IFYLITA except the ending so I think I'll let this one run it's course you can tell me if it's work tracking down... if they managed to land it. I have my doubts.

Next Week Looks Like This:

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

Coming Oct 2024:

10/7 Every You Every Me (Thai Mon Gaga) 10 eps - Jade and Chin have lived over a thousand lifetimes. In each one they somehow manage to fall in love with each other. (This pair, TopMick was piloted in a My Universe ep, that was one of the only ones I liked.)

10/10 Eccentric Romance (Korea Thurs Viki & Gaga) 12 eps - Silkwood’s 2nd Thai/Korean colab, that has been in production since 2022 which is a LONG time in the BL world. I'm worried but I like the concept: friends of 10 years who’ve been hiding feelings for each other enter the same university. Plus MURDER.

10/10 Gangster and His Boyfriend (Korea Thurs ????) 8 eps? - Kim Dong Bin (famous trainee & idol reality competitor, yeah that happens) stars as a fallen idol who unexpectedly becomes entangled in a gangster family. Discovers that his friend’s father is responsible for the murder of his entire family years ago. I don't know much about this one, neither does anyone else and I'm not sure where I got that release date so……

10/21 Love in the Big City (Korea ????) 8 eps - Okay both a movie (already out) and a series. Neither one is likely BL and I can't imagine it will end happily. I'm giving both a pass but here's your synopsis.

Cynical fun loving student Young pinballs from home, to class, to on night stands. He and Jaehee, his female besie and roommate, frequent nearby bars where they push away their worries about life, love, and money with soju and hookups.

10/23 See Your Love (Taiwan Gaga Viki) 10 eps? - Zi Xiong, a third-generation heir, attempting to flee from taking over their family business, meets and falls in love with Shao Peng, who works as a hearing-impaired nurse. From the same production house as Kiseki Dear To Me in partnership with Shinehouse Theatre, funded by Taiwan’s BIGART + Japan's Rakuten (Viki). Show includes Lin Chia Yo (Be Loved in House: I Do). Director Chiang Ping Chen’s childhood experiences with his deaf uncle have inspired the drama.

THIS WEEK’S BEST MOMENTS

I kinda love it when someone else does the prophetic claiming. Our Golden Times

Crumbs in Summer Nights but they very cute crumbs. We didn't even really get to see them get together but I'm glad that they are.

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

Sigh, Tumblr in its infinite wisdom doesn't like too many at-ings.

[toastermuffles]

Hey guys welcome to my massive rant about q!Fit and how cc!Fit is incredibly talented and underrated. Since y'all kinda blew up my twitter post LOL.

There are SO many things I could touch on so it's probably gonna be scattered around a lot.

1) Fit had a great character set up from the beginning. From the very start many people knew Fits reputation as a 2b2t veteran, a place with a toxic environment and brutal people. He was no exception, he was closed off to relationships and was very cautious/closed off to many things. Not only that but his past made people distrust him in the beginning. I loved the suspense it brought with his character and the question of why he WAS actually here. Since the whole "vacation" thing was never very convincing. My favourite part was a lot of this was IMPLIED! He built on the character he portrayed in his YT videos and it worked so well, adding small comments about his character here and there (like when he said q!Fits hearing was bad BC of all the explosions he's experienced).

2) His RP skills were another level, not only was he in character almost the WHOLE time when he was live (even donos) when he first did lore he would tease elements of it by writing cryptic messages when others were live. SUCH a good idea when you have a smaller audience and want to create suspense. Not only that, he would have set dates and times for BIG lore stuff, this honestly made it so much easier to keep track of and engage in, not only alone but with friends too! His actual lore was very different from many others, it was cinematic and well planned, yet it still left room for sudden changes. The final result was a cohesive story line that the audience could interpret. I just loved how I could understand what was happening but also have questions/cliffhangers!

3) the fucking MUSIC. Throughout his lore and start of his streams I adored his choice of music, "Stranger in Paradise" being a personal favourite that was not only reoccurring in more than one language but fit SO WELL. I also think it was very clever how a lot of his music choices for his character didn't make sense until you understand the full story e.g. "Can't say goodbye to yesterday". All of this really added a new perspective on his character, almost through cc!Fits own eyes. Along with his music choice just being absolute bops OFC.

4) THE SYMBOLISM. My absolute favourite lore moment of his was at the end of the "Attachments" lore stream. Where the sun is setting over the mountain, slowly covering a patch of roses in darkness. ALL WHILE an instrumental Italian version of "Stanger in paradise" played. Roses of course being a symbol of not only his and Pac's relationship but love in general. His love for Ramon and his friends. The love he had to grow, just like a rose. While the darkness symbolizes his past catching up to him, more specifically his deadline. His time with his family and friends ending, his loves disappearing. Chefs kiss because it makes me cry everytime fr.

5) q!Fit's sexuality (gay). There is something so poetic about a gay guy from an extremely homophobic wasteland learning to come to terms with his own sexuality and love in general. Him slowly building a loving relationship with Ramon, Growing feelings for Pac, Nervously coming out to his son and then finally indulging in the first relationship and FAMILY he had ever had. Finally learning to love and to be loved in return. Even if he is scared about his mission, or taking things too fast. Just learning to live a normal life.

6) Fitmc is criminally underrated and overlooked. I still remember when Fit got his first proper piece of fanart in the museum. It was like... JULY? or something. And I think that says enough. People had no idea he was even doing lore at some points. Averaging at about 1-2k viewers in the beginning, until hideduo came into the mix. A lot but still compared to others very low. I think because his viewers consisted of his YT audience it didn't translate well. But I'm so glad he was able to build a loving community on twitch <3

Anyways it's 3am for me, I probably have more to talk about but this is basically what I meant when I posted that tweet. Feel free to reblog and add your own favourite observations or moments. I wanna hear them! ❤️

[literaryvein-reblogs]

How do you write a humorous character?

Writing Notes: Humorous Characters

Here are some ways you can explore and develop your characters to make them as rich and comedic as possible.

Base your characters on real people. Characters are fleshed out and made individual by drawing on the qualities of real people you know or have encountered. Real life offers up an abundance of eccentric and dysfunctional people who can become comedy characters. When you have a real model behind the character they become more individual, believable and idiosyncratic. If you don’t have a real-life model (or models) in mind you are more likely to draw on stereotype and cliché. You can draw on a number of real people to flesh out your character picking up on their mannerisms, speech patterns, attitudes, beliefs as well as their biography and life experience. Since you’re fictionalizing, do feel free to do them a terrible disservice and focus on and exaggerate all their worst qualities. And in terms of their biography, if they’ve done three really "stupid" things in the last five years, your character version of them will have done those three stupid things in the last three weeks – or if they’re a real "klutz", in the last three days. Then once you have identified the kinds of stupid things the real person does, you can invent more in a similar vein for your character.

Positives and negatives. It can be brilliantly cathartic to take dreadful people in your life and turn them into comedy characters. Your characters have a problem or a goal and they set about trying to get what they want with their limited skill set. They don’t have the skills, knowledge or ability to effectively achieve their goals, but still they try. (Just like your bad boss). A first question to ask of your boss is: What’s wrong with them? This will be where the comedy lies. All their negative qualities, failings and shortcomings. Have a clear, short list of these issues. This is enough to get started. A next step to ask is: Who else do I know who’s like this? Now you are drawing on bad qualities of other people to make this character even worse. Then having considered your boss’ negative sides ask: What’s right with them? If you really despise them or find them totally contemptible, this can be tricky! They must have some positive qualities. What are they? A balance of positives and negatives makes the character more rounded and engaging – even if the negatives are likely to dominate with many characters, that bit of humanity is important.

Two perspectives on your characters. Here’s another way of looking at your character from 2 perspectives: firstly, describe how they see themselves and secondly how others see them. If there is very little difference between these two perspectives then that would be a self-aware, functional person. The bigger the difference the more comic and/or tragic the character.

Likeability of characters. Often writers get feedback that their characters aren’t likeable enough and yet at the same time there are often sitcoms with characters who behave badly and aren’t obviously likeable. And yet so many viewers have an appalled fascination with the truly dark characters.

Developing an ensemble of characters. Once you have one clear character with strongly defined positives and negatives, to create another character – simply make them the polar opposite of the original character. Comedy thrives on opposites.

Ensemble of Characters. In summary, most successful sitcoms have this dynamic (and some unsuccessful ones lack some element of it):

BOSS – A character in position of power over the striver/protagonist and others – it may be a role or rank or just social status or family seniority. They may have real power or it may just be vested in them by their position but they are inept in some way.

STRIVER (PROTAGONIST) – The main comic character with all their flaws and failings.

FOIL – The more reasonable normal one (usually also a striver) who has to deal with the main striver. Often protagonist and foil are basically on the same side but they can be rivals. Usually the foil is the one the audience can identify with but sometimes they are less obviously likeable.

FOOL – Self-explanatory – the "stupid" or naive and awkward one. Often happy with their lot, they tend to be able to bounce back from the indignities heaped on them.

How to Write Funny Dialogue

Once you have your funny character, how do you write their dialogue? Here are some comedy writing tips and techniques to consider when creating dialogue that is both humorous and convincing.

Quote funny people: In nonfiction writing, one technique for getting laughs is simply to quote people with a sense of humor. When the people around you are funny, you can bring them into your work. They know they are being witty, and you are taking them with you into the essay (or other piece of writing) as part of the humor. In fiction writing, you can create funny characters to introduce jokes into the text in a way that feels natural and not forced. Whether you’re writing fiction or nonfiction, some characters in your story are bound to be funnier than others.

Exaggerate: Stretching a real scenario into the most ridiculous version you can imagine can be another way to get a laugh in nonfiction writing.

Compress: People don’t speak in real life like they do on the page, so there’s an art to writing speech to make it feel real. When quoting a funny person, one of its important tools is compression. By trimming down your characters’ speech, you can convey realistic sounds without dulling the reader. This is important for all types of dialogue, but especially humorous dialogue. A lot of funny dialogue comes from one-liners, humorous responses to situations that are short and punchy.

Keep a diary: Keeping a diary where you write down funny things that happen to you, dialogue you overhear and love, and character traits, will help you see the world differently. Tuning in to your surroundings will open you to moments that could become stories and the parts of your world that belong in your writing.

Be self-deprecating: When you’re writing a scene in which you’re a main character, deploy a trusty humor tool: being harder on yourself than any other character in the story. When you make yourself a relatable character, your reader will feel connected to you. Let go of thinking about how you come across and just try to be honest—learning how to laugh at yourself is crucial.

Twist a cliché or undermine any expectation you’ve set up: Humor relies in part on twisting a cliché—transforming or undermining it. You do this by setting up an expectation based on the cliché and then providing a surprise outcome. In humor writing, this process is called reforming.

Put your funny lines at the end of a sentence or scene: Humor is often a release of tension, so the sentence builds that tension, and the pay-off happens most naturally at the end (the punchline).

Use contrast: Are your characters in a terrifying situation? Add something light, like a man obsessing about his briefcase instead of the T-Rex looming behind him.

Find funny words: Some words are just funnier than others, so make a list of those that amuse you the most. When working with compressed text, word choice is especially important. Wordplay is one kind of humor writing that can make your dialogue funnier.

Manage expectations: It’s especially difficult to make people laugh when they’re expecting you to be funny—never set the expectation that you’re about to try to be funny. It’s much easier to be funny unexpectedly. Make these attempts to be funny a quiet side effect; think of humor as a pleasant deviation from an expectation. Then create a context where laughter is easily produced.

Use body language: A large part of real-life dialogue is non-verbal, and these cues make their way into fiction through the use of stage direction, which is any textual reference to the physical movement of the speakers. The term is borrowed from theater, where such directions are necessary tools to help actors and directors envision the physical set-up of a play. In fiction, stage directions can often do just as much as dialogue to convey a character’s mood, frame of mind, or responses. If your dialogue starts to feel repetitive, put your characters in motion—walking, driving, or distracted by their environment. In comedy, you can use gestures to enhance the humor of a scene, or you can take body language to the maximum of physical comedy: slapstick.

Use gossip: Gossip makes excellent dialogue because people unconsciously dramatize events for the benefit of the listener. They narrate not what happened, but the essence of what happened. When you gossip, your listener suspends disbelief. This is a great way to introduce exaggerated funny stories.

Pay attention to rhythm: Your dialogue should be rhythmic because human speech is naturally rhythmic. When you listen to people having a conversation, they’re creating rhythmic poetry; pauses are filled, sentences are capped by the other’s interruptions, all amounting to a patterned cadence. A play is essentially a poem written for several voices. When writing humorous dialogue, delivery and timing are especially important. Don’t be afraid to rewrite each line of dialogue in your first draft until you get the rhythm just right.

Read your work aloud (to an audience, if possible): Reading aloud is another layer of the editing process—kind of like live workshopping. Make notes on the page as you read, demarcating where the audience laughs and where there is silence. Even without having an audience’s reaction to gauge, reading your work out loud can be an invaluable tool in the writing process. Whether you do stand-up comedy or share a short story at an open mic night or reading, pay attention to your audience’s reactions: where people laugh out loud or where your jokes fall flat.

Use funny dialogue for character development: Dialogue serves the triple purpose of revealing character, advancing plot lines, and providing entertainment. The entertainment part will come more easily if you’re a naturally funny person, but it’s important not to sacrifice character development in dialogue-writing. Dialogue should always be appropriate to the character and should take their point of view, beliefs, and backstory into consideration. People’s desires motivate them to speak, so when writing dialogue, ask yourself what your characters want. Ideally, you will know your characters well enough to sense not only what they want but how they would express their desires verbally. Good jokes often hinge on subverting expectations, and the best jokes—the ones that will stick with your readers—tie into the story as a whole.

More information:

Researching Humor

Linking Sense of Humor to Personality

Sources: 1 2 ⚜ More: Insults & Dry Humor ⚜ Humour ⚜ Laughter & Humour

Hope this helps with your writing!

[thankskenpenders]

One question that's been haunting me since I binge-read most of the blog whilst doing testing is: in your opinion, what is the primary difference in the worlds of Archie Sonic and IDW Sonic? Obviously part of that is Penders' influence vs. Ian's influence, one's obviously based more on the games than the others, etc... but I feel like more than that, the two comics have a vastly different feel in terms of how their world generally just works in-universe. I'd like to know if this makes any sense, or if I'm just crazy.

I mean, the IDW world literally is the game world now, so yes, there are some pretty huge differences that are immediately apparent.

I'd say that where both incarnations of the Archie universe were much more of an "anything goes" sci-fi/fantasy world with all these different factions and kingdoms and whatnot, the IDW comics depict a more mundane modern/near-future setting that just so happens to have some highly stylized scenery and be inhabited by cartoon furries. (And off-screen humans, now that the two worlds have been reunited, I guess.)

I mean, it's right there in the names of the planet. Archie was set on the fantastical world of Mobius, but the IDW comics are just on a fictional version of Earth. Most of the sci-fi elements are Eggman's creations. There are still plenty of fantasy elements, but they tend to be hidden better. They're a thing for Sonic and his friends and enemies to discover on their adventures, not an everyday fact of life for the normies. In the Archie comics you had people living in medieval kingdoms and underwater societies and Mad Max wastelands and floating utopias and all this other stuff, but in the IDW comics they tend to live in pretty normal modern cities. I'd argue that this makes Sonic feel like more of a larger-than-life hero in the IDW comics, since he's always seeking out adventures in these corners of the world that the average person doesn't know about. Joe from Station Square's never been to somewhere like Sky Sanctuary or Little Planet

I know some Archie fans think this means the worldbuilding in IDW is "bad" or "boring" since there aren't a bunch of high-concept fantasy locations being introduced, but it's just different. The way they did things at Archie was fun, but this matches the vibe of the games much better

[kozachenko]

Here's a digital sketch dump of some pose/anatomy practices and some 2hu doodles, I think from now on if I don't have any big final piece to post, I'll just post sketches I liked that I did digitally (might also reblog some drawings of mine that I want more people to see, maybe idk).

Artist's Notes:

Ok so after the recent Hifuu fanart I did, I've been hoping to experiment more with how I draw faces, how I render, as well as how I stylize things. In some of the earlier sketches I did, I had an idea for a pose that I wanted to try drawing, so I took a ref pic of myself doing said pose (the leaning one btw) and then did a sketch over top of it just to get an idea for the shapes, negative space, and silhouette. After that, I wanted to do some simpler breakdowns of the shapes so I can get better at simplifying the body (these ended up being the bottom right sketches in the post). I also did some experimenting with how to push certain parts of said sketches to create a different body type (via liquify and then a more refined version based on that sketch), as well as figuring out what makes a pose feel natural and not stiff. This was also a bit of a foreshortening practice just so I can get more confident with it, and I ended up using the arms from the liquified version for the coloured Zanmu sketch I did since I liked them so much (dw I'll get to that).

The next thing I wanted to try and draw was Hisami, mainly because.... I am very bad at drawing her in my style. Last time I drew her I made her look really creepy and spindly, and it is my headcanon now that she can switch between a more human, and more creepy look whenever she wants. I'm liking where the face is going a lot, might have to refine a few things about it in the future, but it's cute (I also made the blush purple which I think is what I'm gonna do with her face from now on). I also like how her hair in the sketch turned out a lot, but the outfit..... not as much... Ever since I started changing my style to something less cartoony, I've had a hard time drawing her outfit in my style. Especially the flower veil thing she has on, which, I did try to find a way to draw, but I ended up deleting that sketch because I didn't like it. I'm also not a fan of using the colour purple, like, pure purple, magentas are fine, indigos are fine, but not strict purple. I also have a hard time with drawing all the little pattern details on her dress. I also need to find a way to draw the flower veil in a way that looks good because everytime I try it ends up just looking off (very similar to whenever I try to draw Zanmu's blue spears). I think the only solution to this problem is to do what I normally do and make my own version of the outfit, but with adjustments to suit my style while still trying to keep core elements from the original design intact (like I do with Zanmu and Keiki, and yes I am going to get to that Zanmu drawing just gimme a minute).

Ok next up is Keiki, my favourite Touhou character who I haven't drawn since the beginning of the year. Since my style has changed a lot, I wanted to just do a face sketch of her to get a hang of drawing her again, and I..... really really like how it turned out! When I drew her eyes, I realized that a good way of keeping faces too same facey can be via varying the sizes of their pupils, so that's an idea I'm gonna keep in mind from now on. I had a lot of fun with her hair, I initially was gonna do it like how it is in the official art, but I ended up not liking it, so now I'm gonna draw Keiki with wavy heir like this because it's fun and it looks nice. I also included my base sketch for Keiki's face since I was initially struggling with drawing her bandanna, and in the coloured sketch I added some more detail into her hair.

Now to finally talk about the sketches for Zanmu. Good lord was I having a tough time with her face. I also did this sketch before I figured out how I wanted to draw hair, so that's why the rendering on her hair is different (I did this soon after the Hisami sketch actually). Since I changed my art style a lot, I had to find a way to translate her face from my more cartoony style to my more detailed style, so while the face shape, nose shape and mouth was fine, I was really struggling with the eyes. I did get somewhere eventually though, and I am super happy with how it turned out. I wanted to lean more towards the androgynous side of the gender presentation spectrum, mainly because I think that makes sense for her character. Also made sure to include the silver hairs and some wrinkles just to bring some signs of her aging into her face because those are just staple features of how I draw Zanmu at this point lol. You will also notice that I gave her some scars on the right side of her face, and that's because I am a Zanmu-with-scars truther, I fucking love it whenever I see someone give Zanmu visible scars like that it just adds so much omg (I also tried to put a wolf bite mark on her arm in the full body drawing but idk if it reads well). While you can argue that her not having scars sells the idea of her being this "powerful, untouchable mastermind who is impossible to defeat," I'd say that instead of those scars representing times she got injured, they represent everyone who has failed to defeat her.

As I was drawing Zanmu's face, I referenced my sketch of to help with contrasting their features since I made Keiki's face more traditionally feminine. I also didn't mention this in my commentary on Keiki's face because I wanted to save it for here, but giving Zanmu scars also plays into the fact that she used to be human, wheras Keiki doesn't have any scars because she's a god who doesn't follow the rules of normal human biology. Plus I'm thinking about the two of them interacting again (return of Zan/Keik??? (I'm a multishipper btw) maybe???) so drawing their faces together will definitely help me in the future if I wanna draw them together (again, maybe as a ship? I've kinda been ironing out the kinks in their potential interactions (romantic and non-romantic) for a while now so idk maybe expect that in the future lol).

And now for the full body drawing, when I was doing the face sketch I did this little snippet of an outfit, had a vision, and the made it into a reality. I'll admit, part of me was worried that it would end up looking too much like Yuugi's outfits in the spinoffs and mangas, but I feel like I made enough changes to differentiate them. I tried to keep a few of the major details in Zanmu's design (i.e. the red tassles and yellow lining on her shirt) while putting a new spin on it. I also dialed up the scars to 11 since without them the whole thing kinda looked incomplete. Also, while I could say that the leaves on her kimono are "a nod to the fact that technically she should be a tengu because back then people belived that corrupt monks would turn into tengu but no Zanmu is an oni and they're maple leaves because...tengu...ahahahaha" what really ended up happening was that I looked up clothing patterns from Sengoku era Japan, liked the leaves the most because the red picked up on the red from the rest of her design and just ran with it. I also always had the idea to put Zanmu in men's clothing from Sengoku era Japan and while the accurate thing to do would be to put her in a Buddhist's clothes from that era.... from a character standpoint, I don't think Zanmu is pious enough to strictly wear the proper monk uniform, and also since she's basically the king of Hell, she would probably dress herself like royalty from that era. TBH, I probably could've been a bit more historically accurate, but again, this was mainly for conceptual purposes because I had a vision and I needed to see it through.

If I were to draw her in this sort of outfit again, I should probably try and use more references, although now that I look at it, if she were to wear it properly this would maybe, probably look a bit closer to a Kyūtai sugata (a very huge stretch, but it just kinda reminds me of that) just without the layers under and over the main piece of clothing (In the website that I searched up to try and compare the outfit in my sketch to, they name the outfit pieces but don't label them on the image, so I don't know 100% what everything is called) so I will definitely have to use that style of clothing as a reference going forward.

Also, I was kind of inspired by the ToTK design for Ganondorf since I have finished the game a while ago and I absolutely love what they did with his design (it's just so fucking cool omg) and I thought that sort of look would look good on Zanmu, so yeah got some inspo from that.

And those were all the notes for each of the sketches, I'm motivated to draw rn but kinda art blocked, so doing these little coloured sketches helps a lot.

[hellspawn-enjoyer]

Another thing I need to rant about because I find it incredibly adorable is how these dorks have the nerve to have elements of a reincarnation romance in their romance together.  

What do I mean by this?

I mean having dialogue that lampshades that one feels like they’ve met before and the other feels like they’ll meet again. Karlach’s dialogue in her date night romance scene you get in Act 3. You and each companion get a different special response to asking her if being mysterious suits you.

This is her response for Astarion-

Karlach mentions feeling like there's something familiar about Astarion. The second picture is a common dialogue other characters can get, but it does add various meanings to her line specific to Astarion. Overall adding to their special connection and how they just sort of click when they first meet each other.

Feeling something familiar between them also plays nicely into them having similar woven parts in their unfortunate traumatic history. As well as them being a sort of mirror to each other. One that shows what they could've been, but also what they can still become since they can either improve or descend into becoming worse versions of themselves down the road.

This dialogue on its own is cute because of the fact it shows that she feels connected and understood by Astarion to the point that she feels they’ve been together for longer even though their time together at present is so short.

So the fact that Astarion has a similar feeling, but with her death makes it all the more gut-wrenching.

When Astarion tries to convince Karlach to go with him to Avernus to look for a way to fix her engine, if she declines Astarion will tearfully accept her decision but remain hopeful that somehow their paths will cross again. Basically, saying that maybe her death isn’t the end of their love, but instead the beginning.

So now we're getting into the whole Reincarnated/We’ll meet in another life romance trope. Obviously, you can roleplay this with any romance, but it just makes me particularly insane that it’s hinted a few times as a theme in their romance with special dialogue between the two of them. That they have a connection so deep to each other that they can feel it from another life.

Now, of course, I've got to talk about Ascended Astarion's dialogue if Karlach declines his offer to go with him to Avernus because it's interesting in it's own way as well. He essentially says the same thing to Karlach, but the way he says it comes across as being more confident that they'll meet again.

This, of course, can be read similarly with him planning to find her reincarnation and romancing her again or as Astarion willing to do some questionable things in order for them to be reunited with each other. You can see this as sweet, concerning, or both. All valid takeaways from this scene. Either way, he holds on to the feeling that their romance has only just begun and that they have something more awaiting them in the future.

Karlach's origin epilogue if she chooses to die on the docks also adds to this with Withers coming to her and saying that her death isn't the end of her story.

So even if you play their romance in a way that ends with her choosing to go out on her own terms their dialogue and this ending scene connects in a way that reinforces that they'll have a chance to meet again someday. Also implying that they're a fated pair, soulmates, romantic or platonic that have met before and will meet again, that just gets to me.

Overall another reason why I'll never be normal about these two and their relationship with each other! 😭

[its-no-biggie]

thinking about teruhashi, and her relationship with saiki after she finds out about his powers......

cause like. teruhashi is so convinced that people only like her because of the perfect facade of effortless beauty and grace right. but saiki isnt fooled by the facade and actually appreciates how much effort she puts into her image. like in the episode where they go to the nasty ramen shop and she loses respect from nendou and kaidou but gains respect from saiki. so like, i think teruhashi would definitely have a crisis about saiki being able to hear her thoughts at first, but once she got over the shock she would probably give up on trying to make him like her. she'd just be convinced he'll never like the version of her that isnt perfect. especially since hes already been seeing that version of her for so long - even if teruhashi could somehow project a perfect version of herself to saiki by policing her internal self as well as external (which, holy shit would that be unhealthy but you know she'd try) that ship has long sailed. she obviously wouldnt lose feelings for him but she would stop actively pursuing him since he can see right through her.

but even if she accepts that saiki knows who she is inside, teruhashi probably wouldnt be comfortable completely dropping the act around him for a while - but since she would know he can hear her thoughts, they could finally interact directly without that barrier between them yk? and saiki also has a history of dropping his facade around people who know about his powers, so i think theres some really cool potential there of like. we've both been pretending for so long but now we cant pretend around each other anymore and its weird and different but not in a bad way. kind of like theyre starting their friendship over from the beginning.....

and i think they would get along like a house on fire. all of saikis friends are isolated in one way or another, but saiki and teruhashi have a uniquely similar flavour of it: elevated to near-god status by the traits they were born with. the difference is that saiki tries to pretend to be normal to blend in (unsuccessfully), while teruhashi intentionally widens the divide between herself and normal people. thats probably why saiki admires that about her - he sees the effort she puts in to maintain her image because hes doing something similar. and especially if this is a scenario where somehow only teruhashi knows about saikis powers, it becomes like a little secret they both have. they see each other in public, while theyre both putting on their little performance to maintain their ideal social standing, and have a mental conversation about how irritating it all is (and maybe tease each other about how different they are internally vs externally). she can ask him for tips about the people around her to get on their good side, and in return she stays away from saiki while there are people around to not draw attention to him. symbiotic relationship.

and then of course. combining their powers. i actually have a post about this where the dynamic is more like teruhashi manipulating saiki into going along with her schemes (but he secretly doesnt mind), but revisiting it now i think that dynamic isnt quite right...... teruhashi definitely gets involved in more situations than saiki does, so that would be kind of similar to how aiura drags him into things. but they might have more of a transactional situation, almost like saiki and his dad have? its kind of an interesting middle ground - teruhashi is not as concerned with doing the right thing as aiura (so there wouldnt be the element of ideological conflict), but in her desire to be seen as perfect, her actions tend to be pretty selfless (unlike saikis dad who asks for saiki to teleport him to work and stuff). not to mention teruhashis desire to stand out paired with saikis desire to blend in - he could use his powers without standing out if there was someone else there to bask in that attention. and teruhashi would thrive as the face of saikis powers, seeing as it would only elevate her "blessed by god" status. its really not difficult to imagine a world where theyre a powerful duo - even in the original they kinda put their powers together like this, and i think that could be even more fun if teruhashi was in on it yk?

but also it would help them both accept that they dont need the facade to be liked...... because the person they cant pretend around still likes them....... well saiki kind of has an arc like this in the show but hes still basically on the starting line. we dont even get to see him revealing his powers to his friends. so i think its one thing to rip the bandaid off but its another to come to terms with the fact that the person does still like you after they find out about the real you...... and that could be a cool thing to kind of mirror with these two i think! and especially where they both have preconceived notions about each other - saiki wont say "offu" because im not doing enough to appeal to him. teruhashi only has a crush on me because she thinks im a regular guy. but then teruhashi stops trying to impress saiki and saiki stops trying to appear normal to teruhashi and theyre both surprised to find that they actually have good chemistry and like being around each other. i like that kind of development, of revealing your "uglier" side to someone and it only brings you closer. they could be haters together..... you see my vision......

[a-student-out-of-time]

The Post-Tragedy Horrors of Despair Time

Hello everyone, Mod Bubbles here!

This Halloween, I decided to do something a little different. Rather than a dedicated post or song parody, I've decided to share a worldbuilding analysis. A pretty fortuitous one, since we've recently completed Chapter 2 of Despair Time.

I'm sure it's no exaggeration to say that DT is a pretty dark fangan, especially within its own context. I wouldn't say it's as grimdark and nihilistic as some people are convinced it is, but there's some elements to it that I feel are worth analyzing going forward.

See, it's been established that DT is set within the Hope's Peak continuity. This would mean that the canon games sans V3 (and if you want to have fun with it, other fangans like the Another series) have all happened here.

According to a Q&A, DT is set around 70-80 years after the end of the Tragedy, so if you wanted to estimate based on in-universe dates (such as Makoto's Hope's Peak brochure saying 2010 in the earliest version of the game but 2014 in a re-release), that would put it sometime around 2080 to the mid-2090s. Veronika backs this up in Chapter 2, when she mentions the Tragedy happened "almost a century ago."

Why do I bring all this up? Because if you looked at DT, you'd probably never guess it was that deep in the future. I know I didn't at first. And this is all by design, but it goes beyond simple cosmetic details. Allow me to explain to you why this is probably the darkest timeline that could've happened after Class 78's victory over Ultimate Despair.

___________________________________________________

Modern Stagnancy

So if we look at the obvious, the world of DT looks pretty much identical to our own, which should be a good thing. When you consider that this is set after The Biggest, Most Awful, Most Tragic Event in Human History- an event that saw societal collapse, wars happen for the sake of destruction, massive pollution, rampant murder, and countless killing games- then it almost seems utopian.

Cities have long since been rebuilt, the skies are clear, there are functional trains, movies, celebrities, schools, music, art, Ted-Talks, the internet, all the trappings of normality. And that's really the problem.

Once the recovery efforts were underway, the goal of those in power was to rebuild things exactly as they used to be. Bear in mind, the world looks like our modern day, yet this is set deep into the late 21st century. In that context, the world almost seems stunted in its growth or even that it's regressed, given that CDs and DVDs are used rather than USBs or digital downloads.

Not only that, but this extends to societal attitudes as well. Nico was the victim of bullying over their status as an enby by everyone who knew, including their own father. It's almost the 22nd century and anti-LGBTQ bigotry like this still exists.

In that context, it feels less like the world is recovering and more that it's been stuck in its pre-Tragedy status quo, right down to continuing the Ultimates program that contributed to The Tragedy in the first place. And who would be motivated to do that?

2. Hope's Peak And Their Kin Are Stronger Than Ever

Probably one of the most contentious aspects of DR3's ending is that, after everything the people in charge of it were responsible for- exploiting their students, covering up crimes, human experimentation- Hope's Peak Academy was rebuilt by the survivors, now with Makoto as headmaster.

Now, one could make the argument that Makoto is a better example of hope and thus better suited to lead the school to follow its stated ideals than the Steering Committee ever was. That very well may be true, but as they also proved, nobody stays in charge forever. And now, because of his decision, Hope's Peak isn't contained to Japan.

There now exist Hope's Peak branches in every major country on Earth, with two in the United States. Teruko and co. are students of the East Coast Division's 27th class, meaning that one opened almost thirty years ago. This would also mean that Japan's Hope's Peak would have seen over 150 classes since its inception.

I bring all this up because, as has been made very clear by canon, Hope's Peak is a terrible place even in concept. When you remove the idyllic aspect of fostering talent and guaranteeing its students are set for life, the truth is that ultimates are stunted in their development. They're only encouraged to excel in their particular field, whether they really want to or not.

In addition, Hope's Peak has always quietly held this belief that only people with talent hold any worth; those without talent are just "ticks" who leech off the success of their betters. Characters like Byakuya and Nagito echo those very same sentiments, this extreme elitism that encourages people to view the "99%" as inherently inferior.

Even if you wanted to say Makoto managed to undo that idea, can we really say this divide would never come up again? No matter how many years pass or how many divisions of Hope's Peak are set up across the world? That seems really far-fetched to me.

Consider Min's bonus video. As she explains, she was never scouted by the school. Instead, America's Hope's Peak announced something called the Ultimate Contest for Eminent Students, where eligible high school students would be allowed to take a test, the best of whom would be admitted to the school when they graduated. The catch is that they had 12 years to prepare. Min, who was only 5 at the time, wasn't initially going to participate, but then the founder of a company called XF-Ture Tech approached her family- who was quite poor- and wanted to sponsor her in exchange for her participation.

She spent her entire life preparing for that test. And when she passed, she realized it was all really just an experiment to create their ideal version of the Ultimate Student. She even doubted that she was the best in terms of raw score, just that she met their desired expectations by cutting out everything else in her life for that test.

It also extends beyond just Hope's Peak itself. Those with power and influence now hold a strangle hold over the most vulnerable people out there, as we can see with the Lacroix family.

Rose wanted to help her family out of their financial limitations using her painting skills and her photographic memory, which lead to her becoming an art forger. However, at 15, she was found out and her family faced tens of millions in fines. This would've been the end, but then they were bailed out by a billionaire named Richard Spurling, founder of the Spurling Foundation. In exchange for clearing her charges, Rose had to sign a contract that meant she doesn't own the rights to anything she paints.

She hates what her life has become, where she can only ever really paint things at the whims of the Foundation because it was the only way her family could survive that mountain of debt. The exploitation there is undeniable.

No matter where you look, there's still exploitation and experiment abound with the school, corporations and the wealthy. And if you think the Spurling Foundation sounds bad here, they're implied to be responsible for something much worse.

Which is also brings us to Xander. See, there's a curious detail when we first meet him in the prologue:

And I agree. Xander being the Ultimate Rebel really doesn't fit him, as he's better described as the "Ultimate Revolutionary." Except there's no chance Hope's Peak would call him that, instead paying lip service to the idea in a digestible format to still support the status quo.

Xander is an activist who works to oppose corruption, but the ones who benefit from corruption wouldn't want him to flaunt that. It's a subtle but very clever detail that shows those in power still maintain a hold even over their beloved Ultimates.

They probably had no issue throwing the obviously corrupt under the bus to save their own hides, and raised Xander up with a quasi-supportive title. It gives them a chance to look like they're supporting what he's doing while still tying an element of a "rebellious child" to his image with the name.

Had Xander survived, he had a good reason to want to bring them down, especially the Spurlings.

3. Illness and Poverty

Xander's bonus video clued us in on what I believe is one of the most important parts of DT's continuity: the fate of the town of Chariton, implied to be where he lived. It seemed to be a small town, home to a couple hundred or a couple thousand people, where the only hospital for miles was "dinky, understaffed" and barely able to handle a minor flu outbreak. They were completely unprepared for what became known as the Chariton Incident.

When he was around 14, the town was hit by a disease that caused those infected to decay from the outside in; their limbs would stop working before their organs did, meaning they would just lay there and feel themselves slowly dying. So many died that nobody was left to move the bodies, so they were left where they fell, rotting in the summer heat.

The cause of this outbreak? A contaminated river that served as the town's water source. Chariton was an impoverished community, where people had no money to treat their water, get medicine from a nearby city or to even move out. It's also implied, based on Xander's anger, that Duke Spurling was partially responsible and that he got off the hook, which may be what drove Xander to become the Ultimate Rebel. Especially when you consider he's the only surviving member of his family.

Duke Spurling is, as the named implies and Dev has confirmed, the younger brother of Richard Spurling. The money and influence needed to get his brother off the hook is the very same that has the Lacroix family under his thumb.

So as we can see, Chariton was a major event in DT's canon. Not only does it showcase corruption, it also showcases understated but still prominent problems in the post-Tragedy U.S. If you pay attention, you'll also notice Teruko, Min, and Rose mention poverty playing a role in their lives.

As we can see, poverty plays a major role in their lives, and that extends beyond a personal level. Chariton's poverty is why the incident happened at all, and a big reason is because it's also an example of a medical desert.

"Medical desert" is a term used to describe regions whose population has inadequate access to healthcare. This can be all healthcare in general or in specialties such as dental care or pharmaceuticals. This is an especially prominent problem in rural areas, but it can affect urban ones too.

If that sounds implausible to you, today it's believed that around 30 million Americans- over 1% of the population- live over an hour from a hospital. Can you imagine how bad the problem is in a world after The Tragedy? All the damage to infrastructure, established institutions, the economy, and the population? I doubt Chariton was the first to see something this bad.

Ace's execution gives us more clues. In the Death By Illness section, there are several newspaper clippings on the wall, most of which are readable. One flashes on screen saying "Unexplained Illness Kills Thousands," which I believe is another reference to Chariton (why else would it flash on screen?), but there's more as well:

"More people are dying of cancer than ever before"

"Flu season claims thousands of lives"

"Falling rates of survival for hospitalized patients"

"Antibiotic-resistant infections a growing threat in this hospital"

One is harder to read, but I believe it mentions Chronic Kidney Disease being tied to an early death

Now, the interesting thing is that most of these are modern headlines, and they can be pretty misleading. The cancer one is actually based on the fact that more people are living longer lives, thus are reaching ages where they develop cancer due to their cell infrastructure breaking down naturally. It doesn't mean there's more cancer cases overall across all ages.

The only one that's not true is the falling rates one. Which suggests that not only was it Chariton, but healthcare infrastructure in general after the Tragedy seems to be a mess.

See, I was assuming that these articles are identical to what we see today. But it's also possible that the cancer one is now literally true, and it could be because The Tragedy was rife with this kind of horror. We know that terrorism, coups and wars happened for no reason other than to spread despair across the world.

Could you imagine how many nuclear, chemical, biological and radiological weapons were used? How many diseases and hazardous materials were seeded into the environment? If it's unsafe to drink tap water after a serious hurricane or earthquake, how bad is the problem when contamination is the goal?

And this doesn't even touch on how disturbingly easy it would be to spread long-term illnesses such as HIV or CJD in contaminated food and medical supplies. Some diseases have latency periods that last decades, meaning they could still be killing people even by the time DRDT is set.

Antibiotic resistance is also a very real and serious problem. Even today, some strains have become immune to even the strongest antibiotics available. This has given rise to Vancomycin-Resistant Enterococci or VREs, which are immune to basically every medication we can throw at them.

Now, it's still possible to deal with them, such as with naturally antimicrobial metals or experimental treatments such as CRISPR and Phage Therapy, but in a world that saw such a massive hit to everything? I'm certain antibiotic-resistance bacteria have become much more serious, potentially resulting in epidemics over the years.

And when these things happen, it's always the poor who suffer the most.

4. Lethal Repetition

Now we come to the most obvious example, something highlighted by the same reveal that DT is set nearly a century into the future:

Veronika, who provided us with information on the effects the Tragedy still has, apparently has never heard about The Killing School Life.

Now, it's important to keep in mind that most of the Killing Games in DR were pretty secluded and motivated. SDR2 was only broadcast to Future Foundation with the goal to allow Junko to escape into the real world, for example. However, DR1's Killing School Life was broadcast globally as a means to break humanity's hope by showing the Ultimates slaughtering each other. Instead, Makoto and co. managed to reinvigorate the world's hope and played a pivotal role in ending the Tragedy.

...And yet Veronika apparently hasn't heard any of it.

Now, there's two possibilities here, neither of which are good:

One is that the Mastermind has removed their knowledge of previous killing games, specifically. Now, I actually consider this an unlikely explanation because, not only does Teruko seem to vaguely remember the Killing School Life happened, but what's the goal in doing so for the participants?

The canon games all had solid reasons why the other masterminds erased the participants' memories: the revelation that they'd been killing their friends, the fact that their past identities were supposed to be undone to save them, even the fact that they weren't even who they were supposed to be in V3.

But what's the purpose of suppressing the memories of the Killing School Life in the participants themselves? Especially since this game is also apparently being broadcast to the outside world, although we only have MonoTV's word on that. Is it to undermine everything the survivors achieved or to get the participants not to consider the same strategies?

The other, more plausible explanation to me is that the mastermind isn't the one who erased their memories. The outside world did.

It's possible that, in the decades since the Tragedy and the drive to return things to the status quo, knowledge of the Killing School Life has been suppressed. It would be so easy to blame Makoto's decision to rebuild the school, but it's just as plausible that his attempts to genuinely reform the school were undone over the years.

Corporations and those that came after had a vested reason to improve their own reputations, and why would they allow their connection to the Tragedy to remain public knowledge? The entire thing began as a revolution of lower classes against the rich before it became a whirlwind of mindless violence.

So what does this mean for DT? This is more hypothesizing on my part, but I'd say this could tell us a lot about the potential motivations for this very killing game. Could it be someone trying to remind the world about this event and how we got here? Is it more retribution against the wealthy? Is it someone who was inspired by Junko to slaughter her friends? Or is it something else entirely? And what role does Teruko have if someone involved is so hellbent on trying to kill her?

For now, we can only speculate. But I can tell you that, based on what we've seen here, DT is probably the darkest future we could've gotten out of the canon series.

Happy Halloween, everyone!

[mahouowo]

Trading Card Game Divination

One of my main ways of divination, next to the Clow cards, is Magic the Gathering. After years of trying methods like tarot, lenormand & other cartomancies I saw someone on twitch giving readings with pokemon cards. I was interested and I've been doing it ever since!

Building your deck

First you have to decide what system you will be using. Magic the Gathering? Pokémon? Lorcana? Altered? (etc) When just starting out I suggest using cards you already have. It may not be the best of the best, but you can get an idea of what you want and if you like it. My own decks have between 50 and 75 cards.

What's also a neat thing is that you can tailor TCG divination decks to your liking! You could make a theme or have 'em be nicer or meaner (I like a blunt deck, personally). You can also keep upgrading them as new sets come out. For example, my Magic the Gathering deck is a mix of Theros, Strixhaven & Wilds of Eldraine.

The Basis

Regardless of what route you take, your deck should have a base of one card of each mana type, if your tcg of choice has those. It will be the element in it's purest form like the aces in tarot. You can always take type meanings with you as cards will have one or more anyways.

A few examples:

Magic the Gathering

Plains (Positive, beginnings, good luck, life, etc)

Swamp (Negative, endings, rebirth, death, etc)

Mountain (Fire, passion, struggles, aggressive, speed, etc)

Island (Water, emotions, isolation, magic, etc)

Forest (Earth, roots, strength, growth, etc)

Pokémon

Normal (Basic, nothing, potential, mundane, etc)

Water (Emotions, fluidity, adaptable, etc)

Fire (Passion, drive, aggression, excitable, assertive, etc)

Grass (Earth, roots, growth, slow, passive, etc)

Electric (Energy, sudden, fast, shocking, irritable, etc)

Fighting (Endurance, fighting, tradition, studying, etc)

Psychic (Intuition, magic, manifestation, etc)

Dark (Unknown, unseen, struggles, shadow, negativity, etc)

Steel (Perseverance, support, willpower, etc)

Fairy (Wishes, hope, positivity, etc)

Dragon (Strength, magnanimous, divine, magnificence, etc)

Lorcana

Amber (Resilience, persistence, patience, dedication, etc)

Amethyst (Sorcery, mysticism, power, limited options, etc)

Emerald (Flexibility, adaptability, change, analytic, witty, etc)

Ruby (Courage, challenges, speed, confrontations, etc)

Sapphire (Knowledge, creativity, inventive, strategy, etc)

Steel (Strength, imposition, perseverance, mundane, etc)

There is a lot from the card itself you can take with you in your reading. Let's look at Spectacle Mage to see what.

You can use:

The cost, their attack & defense or all together (numerology)

The name of the card

The subtext of the card

The abilities of the card

The (creature)type of the card

The element(s)

The image

The setting

Pokémon cards will have attacks and stages you can take with you in your readings, next to how they act (try sites like bulbapedia). With Lorcana you can look at the stories of the disney characters, as well as the lyrics of their songs and whether they can turn into ink or not.

Now to add other cards! You want a mix & match of different themes. If you build a deck of around 50 cards I advice you have little theme overlap between the cards unless you like the nuance. My Pokémon deck has Deino & Diglett which both can mean overwhelm with the versions I have. But whereas Deino is pure overwhelm because it can't find its way nor its family, Diglett's overwhelm is because it dug out next to the sea. You dug too deep, poked your nose where you shouldn't have, said yes one too many times, etc.

Once you have a good amount of cards you can give 'em cute sleeves, practice with your deck and build up from there!

[nothing-gold-comic]

vine boom sfx

long author comment this time so I'm dumping it below a cut!

... What's that? Phoebe looks different? No no, she always looked like this, remember?

Alright, gaslighting aside, she may look different because I went ahead and tweaked her design a bit! There are multiple reasons for this change, but the short version of things is that I removed a lot of repetitive and busy elements of her design to make it both easier to draw for myself, and easier for readers to parse her different body parts in certain poses. Between the prongs on her antlers, sharp angles of her face, double layered feather wings, and literal fluff, it was very easy for me to forget which body part belonged where between sketching, lining, and coloring. I bet you probably didn't even notice I forgot to give Phoebe ears in this panel until several hours after the page was public!

Since the comic is in its infancy, I went ahead and added these changes on all existing pages. You may be asking, "is all that editing why it took so long for updates to resume?" and the answer to that is... no, it took less than 24 hours for me to redraw all those panels. Updates were just put on hold while I slowly recovered from work injuries and was trying to refill buffer for On Borrowed Time, which is my main priority. I do plan on doing either double weekly updates or a daily update event at some point to compensate for missed pages, but to keep myself from burning out I'm just gonna go back to the normal update schedule until I have enough pages in my buffer to catch up. Nice to be getting back into updating!

[shutyourfacemonsterlover]

Overall thoughts and opinions on the most famous Phantom adaptations / most famous Eriks

Because these things are fun, i thought maybe it could be interesting for me to reunite my overall thoughts on the most popular adaptations, because everybody has opinions on them (and maybe my takes are super cold and vanilla). Still, it's fun!

I'm also gonna go with the most popular because there are like a million Phantom adaptations and I don't have the energy to rank them all. (i'm also mostly doing the ones that are series / shows / musicals- the books i would pretty much mostly mention the Leroux OG and Kay, and i'm already going somewhere with the second one). (Forgive me all Ken Hill / Song at Midnight / MazM fans)

-The 1925 silent film with Lon Chaney: I'm really biased, but I admit this is my favorite Phantom adaptation, even if i know as a film it's rather limited by the constraints of the era (bad acting, slow pacing, the weird whitewashing of the Persian etc etc). It downplays the tragic romantic elements of the story (Christine is very one-dimensional and seems more afraid of Erik than empathetic), and Erik is written a little too "generic evil villain", but there are elements to suggest that there's more to Erik than meets the eye, and why he's an engaging figure in the first place. Yeah, like most, i hate the ending, but it's saved by overall faithfulness to the novel (he's born deformed! he has a death's head! he has a life of tragedy! he loves Christine! you can't imagine the number of adaptations that don't get these simple things RIGHT), and the subtle moments Chaney adds to make his Erik more three dimensional (the moment in the Apollo's Lyre scene where he holds his mouth in pain lives in my head rent free) It has my favorite movie Erik, and that's all that matters to me. <3 8/10

-The 1943 film with Claude Rains: I always call this film "missed potential". It looks beautiful, it sounds beautiful, it has good quotes, I like the film delving more into Christine's character; but the Abbott and Costello comedy of the two Raouls is out of place, and the writing of Erique is kinda of a mess (and considering he's the most important character in POTO...YEAH a good adaptation depends a lot on his writing). You don't really understand what is his connection with Christine, and how his initial sympathetic scenes kinda clash with his more violent streak (he gets thrown acid in the first place because he kills a man pre-Phantom); making the character come off as a little inconsistent and not as sympathetic as he should be. This movie also started the "disfigured in an accident, no Persian" versions of Phantom that I feel kinda cheapen the story later on (a lifetime of tragedy is what shaped Erik, not "one bad day"). A real shame, because Rains carries an elegance to Erik that I think helps with the imagery of the character (a monster trying so much to be "human"). Hmm...6.5/10

-The 1962 with Herbert Lom. This one also changes a bit, and normally i'd be bitching and moaning about it, but i prefer the changes here to the Claude Rains version since they're more consistent in portraying Erik's character. You feel for his music being stolen, and want to see this artist have such a simple dream as seeing his creation come true. People don't like it erases his obsession with Christine, but i think here it works, since you can believe his passion for his art is what drives him. (Also, i think this movie is what started the trend of Phantom adaptations having another villain, which is something explored better in Phantom of the Paradise). It doesn't look as nice as the Claude Rains film, tho, and something in the acting stops it from going the most. 6/10

-Phantom of the Paradise: A BLAST. It changes a lot about the source material, but considering even the setting is different, everything works to its advantage. Winslow is the first Phantom that really delves well into the "tragic monster" element of the character, with even his violent tendencies being a consistent trait from the start of the story (he attacks Philbin for making an inoffensive comment about the Juicy Fruits). The imagery is distinctive, Swan is a very compelling villain, and the songs are fantastic. Winslow's sacrifice, like Lindsay Ellis said, is simply a progression from his acts in the novel (yes, I believe Erik would sacrifice himself to guarantee Christine's safety, post development). What only sucks is that I don't feel you buy Winslow's passion for Christine / Phoenix, and she comes off as inconsistent in her ambition and not as empathetic (still, she sings very nicely and I love that the actress resembles Mary Philbin (1925 Christine) at times). Also while the Faustian elements add to the movie, i'm not sure how they can relate to Erik's' character in general (not to mention the Dorian Gray element). Also the pacing in the last 10 minutes is rushed and kinda sucks. But still...As a movie? It's my favorite. 9/10

-The Maximilliam Schell 1983 made for TV film: My least favorite, and it all has to do with how slow and dull the pacing is, you just don't get the sense of dread or tragedy. The reincarnated wife subplot is really random, and it makes Sandor pathetic and delusional instead of empathetic and tragic. And i'll take bad over boring any day of the week. 2/10

-ALW's musical (add here the 25th version too): Oh ho ho, the one piece of media that got us all into Phantom I think. It's a big, bombastic musical, and you can see the appeal. While i don't like some characters are turned more one-dimensional (Raoul, Christine); I do like how it pushes forward Erik's trauma, and how it has broken him; he's not a good man, no, but not a monster, either. And this idea that abuse victims can turn cruel as well...But, you know, they still deserve love. Perhaps they always did! And the focus on the romance which puritans complain about...Boy you will not be ready to hear me when i tell you the original novel implies Christine is indeed into both Raoul and Erik, for different reasons lol. I dont like the omission of the Persian, but I like that this cements that again, Erik wasn't a rando who one day snapped, it was a life of tragedy that turned him into what he is....We can dislike it, we can like it, but we can admit it has influenced our perception of the story in more ways than one. 8/10.

-The 1988 cartoon: The most faithful adaptation of the novel is also the cheapest movie of the bunch. Whew lads...Tho I do like Erik's character. He's got the redemption, the deformity, the sense of humor (when i read Erik i often headcanon him having this Erik's voice). I also like Christine, she's not written as a bland damsel, she shows a bit of an attitude. And hey, rare Persian appearance! I even like the ending, with the cast showing compassion towards Erik's misfortune. It's just that the technical limitations of the movie avoid the film from reaching high status. 6.5/10

-1989 with Robert Englund: An unpopular opinion, but I love this film. It's strange in that it's both very faithful to the novel, adapting the gothic horror of the elements, but it changes way too much Erik's character (the crux of the story) into somebody who isn't really tragic or sympathetic. A musician who sells his soul to the devil (an element it took from Phantom of the Paradise...I have the theory that Phantom adaptations take elements from each other more than from the novel) and gains immortality...and kills people for no reason??? Normally, in another adaptation, I would dislike a lot this change, but Englund's interpretation turns the character into more layers than simply a psychopathic asshole. He gets the "allure" and horror of Erik, which is a big part of the character. I feel with a more book accurate backstory, and impulse more the angle of "doomed dark lover" with Christine (yes his love is also...downplayed), this would easily be one of the more popular Eriks. Yeah it steals a lot from Nightmare on Elm Street, but there's an interesting movie in here, amidst the music and the beautiful cinematography...8/10.

-The 1990 miniseries with Charles Dance: Cherik! The phandom darling! This one is strange since i feel it diverges from the novel as much as the Robert Englund version, yet it's one of the most beloved adaptations. It offers an interesting interpretation of Erik, he's not as cruel, but the movie delves more into the aspect of him being a doomed romantic lover. He's not as manipulative to his Christine (i'd argue this is one version of the story where they should've gotten together imo), and has a gentler approach to life. The series takes the element of the book of him having arrested development and runs with it. Still tho, the gentler approach kinda cuts the tragedy of the character; what with loving parents and all being something Erik DIDNT have growing up. The appearance of the father is what dulls the film, and makes Erik come off as more dependent and childish. Still, Charles Dance gives his Erik a quiet dignity, that avoids the character falling into a manchild interpretation. 7/10 (not bad, just that i like my Eriks more lonely and threatening)

-The 1998 film of Dario Argento: Y'all owe Gerard Butler an apology, lol. This is the ONE truly shit adaptation of Phantom, lol. It feels like a fever dream. It's more gross than scary, it's not tragic, it's not romantic, Erik is not in any way sympathetic or complex or alluring...Like the fuck lol. 3/10 (and that 3 is because it makes me laugh...)

-Wishbone "Pantin' at the Opera" episode: Eh, "Phantom for kids", not a interpretation of the story I like, but it's accurate to the novel, which makes it stand out. And it gives Erik a rare happy ending! Tho, as expected since it's for kids, it downplays a lot of the more complex themes. Still...gotta praise the accuracy. 5/10

-2004 with Gerard Butler: I don't think it's as bad as the phandom made it out for years. It could be better, but i think the technical details and the bad makeup are what drag the film down, since it doesn't diverge massively from the story or themes (except the weird grooming thing...ew). This Erik is interesting in that much like Cherik, he grew up inside the Opera House, and it's an unique view of the character, that he's got arrested development due to never leaving his own "house" growing up (a bit of a plot hole then how he learned magic, engineering, architecture, etc etc, but eeeeh). He's also more vulnerable and emotional compared to the stage counterpart, who seems more self assured and angry. It's not horrible, just average, and could be better. 6.5/10

-The cartoon episode of the Triplets with Phantom (aired in the 2000s-something): Phantom for kids again. it's not an interpretation of the story in general that i like (too fluffy for my liking), but this episode gets the points of the story; Christine's complex feelings and Erik's redemption, while still keeping his initial wickedness (he even gets a sorta happy ending! my boy!). also it's funny at times, so there's that. 6/10

-Love Never Dies: This is...frustrating. I'm of the unpopular opinion that a sequel focused on Erik can work, but I feel his story with Christine is over, and dragging it back again just places the characters in square one, their development null. As an original story, it can be a potential good drama, but with these established characters, a lot of the emotions feel forced and manufactured. 5/10

So overall...My favorite versions of Erik and the story are...the musical and Chaney? And Paradise and Robert Englund for the wild out there versions. But there's always something missing, i can't always point to one and go "THAT is the definitive Erik". Erik is a very complex character, made of light and shadows, and the movies never reflect that.

I don't think most of these movies are good, we like them because they're Phantom content, but still, it's interesting to observe how this story has changed reflecting the interests of society at the time being. Before, we wanted this cruel monster punished...Then we turned him into an 80s slasher...And now in the monster fucker era we see him as a potential romantic lead...Huh.

[rin-and-jade]

In-Between Lines: A Post about Blurring, Blending & Fusing

We are like colors in a single palette, each with its own distinct vibrancy that our eyes can easily tell apart. Sometimes, when these colors touch, they create a faint overlap, making it difficult to distinguish where the red ends or when the blue is still truly blue upon contact,

Hopefully metaphor above explains how different colors may appear similar when mixed together, even though they are actually quite different depending on how one approaches the method. As how we will perceive today's topic similarly as.

Fast pass: TL;DR on bottom.

What are the difference, anyway..

It's definitely tough trying to grasp these definitions when we live our lives separated as parts, sometimes this topic may also appear mysterious as many don't talk on it.

Throw your worries away, as it is far from scary, or a bad thing to experience, nor it is impossible to understand, here's my breakdown on them, firstly:

Blur When the lines between distinct parts are reduced, though still walled up, it causes a partial leak of traits or behaviors from one part to another. Because this is the weakest level of penetration through the amnesia barriers, these qualities spill out incompletely. This makes it difficult to determine which traits belong to which part, or to identify who you feel closest to when experiencing blurring. An example would be putting on a gaussian blur filter to an object, the clear outline between the table and table is harder to separate, making it difficult to identify their exact details, though you can still vaguely recognize them.

Blend During blending, the barriers between parts are temporarily weakened, creating better transmission of traits and thoughts compared to blurring. From this, the overlaps between parts become more visible, making it easier to tell which traits belong to each part. In this state, they may be aware of the emotions and behaviors of other parts, while still able to distinguish it from their own qualities. Think of blending as an additional extension to your current personality state. An example would be applying a semi transparent image above an existing one, some overlaps fits with the main image, though the relevance or the elements from the second image is still be able to be told apart.

Fuse This is where the barriers completely dropped, where blending is the temporary and less complete form of it only, fusing is where you fully accept and be aware of the overlapping traits as your own. Since there's no more dissociation between the two parts, you will start to identify previously other's traits as yours. Fusing is a more stable and permanent state compared to blending. An example would be building a bigger version out of existing tiny lego creations. The block colors would mix, and the final outcome reflects what the smaller buildings looked like previously, the separated buildings were never gone or altered, but unified despite distinct, unlike how most think fusing feels like.

Why does it happen?

Honestly this topic by itself is complicated while i'd like to keep it as compact as possible. So here's the straight forward reasons why blur and blend can happen:

When you find yourself in a blur, it can be due to..

Stress - due to triggers or feelings that arises from other parts, which partially leaked and is affecting the overall mental state. This greatly varies, depending on the capacity to handle stress.

Exhaustion - due to not having enough energy to expend into distinguishing parts or gain clarity on what's going inside. For some they will blur more often when tired, while some will not be as frequent or never, depending on resilience.

Unfocused - confusion, or disorientation, means the brain cannot function normally to respond to internal or external cues, leaving gaps in details and attention. Other comorbids that affects attention and cognitive abilities will also heavily affect this.

Currently busy - due to how a demanding task requires your full attention, that being said, other functions are currently being upheld. This also depends on how much load a person can handle, some would be unaffected from it.

Fixing blurriness consists of various solutions, such as getting enough sleep or breaks, being in a less energy-demanding space, hydrating adequately, and proper nutrition. As blurriness can be caused by brain fog, it generally takes time to recover and function normally again.

The span of being blurry can vary for everyone, it can be short as for a few hours or days at best, or it can last months depending on your lifestyle and current life situation. Pay attention to what things can blur you, a pattern should bring insight.

When you find yourself to be in a blend, it can be due to..

Significant stress - stronger reactions to a situation cause other parts to bleed their behaviors. Different stress will cause different intensities on blurring.

Triggers - due to parts respond to something they resonate with, although not strong enough to switch, heavily influencing temporary behavior. Just like from stress, different triggers does the same.

Emotional charges - similar to triggers, but specifically with any negative or positive emotions, causing a sudden shift in thinking or feelings. The types of emotions and how intense will affect a blend, too.

Attempt to communicate - due to accidental integration when trying to be aware, connect/communicate, or understand others, as the qualities flow more than usual, creating an uncalled moment of blend.

Fixing blend would depend on situation. Generally if it is harmless, opt to wait it out until the lines of separation builds up again or alternatively, reclaim your clarity on what qualities or traits belong to you, and what belonged to the other to encourage severing a blend.

If it is due to harmful/difficult situations, it is much better to resolve or minimize the severity of the blend until you regain composure and process any emotional/thought bleeds that is causing a blend.

You missed the last one,

Ofcourse i won't forget about it, just that it is a very different aftermath compared to the previous ones.

What is fusing

Fusing is similar to blending, which is a temporary version, though this time you identify all of the qualities of the other parts more permanently and consistently as your own. The process to fusion can look like a seamless flow or can find it be more challenging to integrate. What it feels like

Unlike the circulating ideas of what fusing feels like, no parts are truly gone or have their highlighted traits disappeared. Consider it like mixing the colors blue and red to create a dominant purple hue. Although traces of blue and red can still be seen, the idea is that blue and red still exist closely enough that they are nearly indistinguishable, yet the essence of the pure colors is never gone.

An easier way to understand it is like emulsifying water and oil by shaking it. These two elements never create something entirely new but they are evenly dispersed, creating a tangible idea of integration.

You will start to like what the previous parts would've said, you will also be able to view and react to a situation in a more nuanced way as you had obtained another pov, and you will feel the more complex or sometimes opposing information that still can be true.

For example, A was a protective and cautious part towards people, and B was a compassionate and kind part due to its morals,, these two had constantly disagreed and fought over how the situation must be handled due to the inability to integrate the separate opinions/views. Now that they both fused, as C, upon meeting a new stranger, instead of A's natural instinct to fully avoid interaction, B's gentle demeanor thought that it would be rude. So C responds by approaching the stranger with curiosity, understanding that not all are evil, though still wary just in case for safety as A would, to prevent another negative experience.

What encourages a fuse

Working on trauma, which involves addressing and processing the compartmentalized and unprocessed emotional or mental damage of the past, encourages fusing. Since parts exist to hold and separate the pain, hiding the whole picture. To integrate is to fuse.

Working on triggers, uncovering repressed memories, processing unfinished business, healing unhealthy behaviors or mindsets, and establishing overall acceptance of your own parts will make the barriers for self protection become meaningless, creating an easier time to fuse and feel more whole, with better control between facets.

When you don't want to fuse

It's pretty valid, some are more comfortable being whole, while some would prefer being distinct yet fully functioning.

The alternative to this would be functional multiplicity, where the integration manifests differently as better internal communication, equal cooperation, sharing the same goal for the future, have healthy conflict resolutions between each other, respecting each part's boundaries, and lastly, able to be aware of other parts and their emotions.

Functional Multiplicity and Full Fusion are equally good, they are neither worser or better, as it heavily depends on the person's preference and comfort level.

Last notes

Remember, blurring, blending, and fusing never looks the same for everyone, everything written here are given purpose as insights on how it generally will look like.

What do you previously think fusing is like? Is it as you'd expect after reading it? Feel free to share your experiences related to this topic too, i'd love to hear them all! (though sorry, i don't think i can reply to everyone if so)

Feel free to let me know if you have questions, or need help in this topic! My DMs and askbox will still be available, although i also want to announce that i am taking 1-2 weeks of break before continuing again to enjoy my academic holiday.

(due to reason of how educative posts easily exceed 10 hours in process before release including interviewing, researching, and writing from start to end.. im tired)

TL;DR

Blurring, blending, and fusing are different levels of integration that can manifest in a system.

Blur: Partial leaks of traits between parts due to reduced but intact barriers. It’s the weakest form of integration, making it hard to identify distinct traits. Example: A Gaussian blur filter on an image, making objects hard to distinguish.

Blend: Temporary weakening of barriers, allowing more traits to flow between parts. Traits are more identifiable but still distinct. Example: A semi-transparent image overlay, showing both images' details.

Fuse: Permanent merging of parts, integrating all traits as one’s own. Traits from all parts are combined, creating a coherent personality. Example: Mixing colors to create a new hue while retaining traces of the original colors.

Reasons for Blurring & Blending:

Stress: Triggers cause partial leaks or stronger reactions.

Exhaustion: Lack of energy to distinguish parts.

Unfocused: Confusion or disorientation.

Busy: Demanding tasks take full attention.

Managing Blurring & Blending:

Blurring: Rest, reduce stress, stay hydrated, proper nutrition.

Blending: Wait for clarity, resolve stressful situations, reclaim individual traits.

Fusing:

Process: Working on trauma, triggers, repressed memories, and acceptance of all parts encourages fusing.

Outcome: Unified personality with integrated traits, retaining the essence of original parts.

Functional Multiplicity: Preferred by some, involves cooperation and communication between distinct parts without full integration, achieving similar functionality.

Remember, these processes vary greatly for each individual. Blurring, blending, and fusing can look different for everyone, and both full fusion and functional multiplicity are valid approaches depending on personal preference and comfort.

- j