#silver bezel setting

[jindalgems]

Why Silver Diamond Beads Jewelry is in Trend

In fashion world, there are some trends that not only catch our eye but also capture our imagination. They perfectly blend tradition with modern flair. One such trend is silver diamond beads jewelry.

Source Link: https://jindalgemsjaipur.weebly.com/blog/why-silver-diamond-beads-jewelry-is-in-trend

[a1silverhub]

925 Sterling Solid Silver Marquise Blank Bezel with CZ Set Ring, Good for Resin & Ashes Breastmilk DIY Work, Keepsake Ring, Memorial Jewelry

Description :

Round Bezel CZ size - 2mm

Marquise Bezel Size - 2x4mm

Metal: 925 Solid Sterling Silver

Type: Chevron Band Ring

Ring Size: Optional

Quantity: 1 Piece

Link on my bio to purchase

[metalicious-jewelry]

Buy Wedding Jewellery online - Custom & Antique Design | Metalicious

Get the latest gold and diamond Wedding jewelry for every bride. Explore our wide range of gold and diamond Rings, Earrings, Bracelets necklaces, and more jewelry. Buy Wedding Jewelry Online At Metalicious.

[sajidhaji]

[tiarascrowns]

Blue Sapphire Rings

Bayco's Sapphire & Diamond Lotus Ring

"A platinum & oxidized silver Lotus ring centered upon a cushion Ceylon sapphire, set atop a bed of sapphire pavé setting with an underlying colorless diamond micropavé accent."

- Jedora

Sapphire Diamond Platinum Ring

"A sapphire and diamond ring, set with an oval faceted Ceylon sapphire, weighing an estimated 2.07cts, surrounded by round brilliant-cut diamonds, weighing an estimated total of 0.92cts, within a navette shape, with calibré sapphires and round brilliant-cut diamonds forming a scallop shaped surround, with diamond set shoulders, mounted in platinum."

- 1st Dibs

Marquise Halo Diamond & Sapphire Ring

"This stunning ... ring has a 4.4 x 10 marquise diamond center stone with square sapphires on the inner halo and paves of diamonds in the rounded scallops, bows and ribbons; surrounded by milgrain all over. The bow on each side has a bezel diamond with a twisted ribbon shank half way."

- PriceScope.com

Chatila Sapphire and Diamond Flower Ring

"This mesmerizing 18 carat white gold transparent blue oval sapphire and diamond ring by Chatila features 49 smaller sapphires spread out on a bed of white diamonds on the petals. The band is also decorated with three rows of diamonds and a front row of blue sapphires. Guaranteed to turn heads."

- 1st Dibs

Cultured Pearl and Sapphire Ring

"Centering on a cultured pearl surrounded by light and dark blue sapphires

Metal: 18k white gold Sapphires: 24 oval and 16 round sapphires Cultured Pearl: 1 white cultured pearl measuring approximately 15.00 mm in diameter Marks: 750 Size/Dimensions: US ring size 6.75 Gross Weight: 18.7 grams"

- Christie's

Secret Wonder by Harry Winston

"Exquisite medallions, meticulously set with a starburst of round and pear-shaped diamonds, rotate to reveal a symphony of sapphires, diamonds, and aquamarines hidden on the other side."

- Harry Winston & Vogue

Sapphire, Diamond and Emerald Ring

"Designed as a serpent set with round sapphires, the eyes set with round emeralds, centering a cabochon sapphire weighing 10.32 carats, size 7."

- Sotheby's

[ltwilliammowett]

Mourning Ring for Vice-Admiral Sir Samuel Cornish, 1770

Amethyst, diamonds, gold and enamel. Bezel set with a faceted amethyst encircled by diamonds in a closed setting, the shank set with black enamel decoration around the inscription ‘Sir Sam. Cornish … 30 Oct 1770 AE 56’.

Sir Samuel Cornish is remembered for the Capture of Manila in 1762 during the Seven Years War - the conflict that found Britain competing with France and her allies around the globe. For nearly 200 years Manila had been at the centre of the imperial Spain’s galleon trade with Acapulco, trading Mexican silver for Chinese silk, porcelain and spices. After Spain allied herself with France in 1762, the British government approved plans to attack Havana and Manila. 

Samuel Cornish was appointed to the command of the naval forces bound for Manila comprising 12 ships-of-the-line, 3 frigates and 4 store ships, with his flag in HMS Norfolk. Brigadier-General William Draper commanded land forces of 6,839 soldiers, sailors and marines. By posting a frigate in the Strait of Malacca, Cornish ensured that no news of the impending strike reached Manila prior to the fleet's arrival on 23 September 1762. The city walls were breached on 5 October and on the following day the place was taken by storm. Draper did his utmost to put a stop to the rape and plunder of the town, and with Cornish agreed to accept a ransom of 4 million dollars from the Spanish acting Governor-General Archbishop Manuel Rojo del Rio y Vieyra. 

The British occupation of Manila lasted 18 months until the city was returned to Spain under the 1763 Treaty of Paris.During their time in the Philippines, the British found themselves confined to Manila and Cavite, but were rewarded with the capture of the treasure ships Filipina and  Santísima Trinidad. These captures made Draper and Cornish wealthy men to the extent that they could retire on the prize money. Both were thanked in Parliament, and Cornish received a Baronetcy.

Sir Samuel Cornish (c1715-1770) was believed at one time to have risen from modest origins, and to have served his apprenticeship on a collier before being appointed to an East Indiaman, but it has been suggested these details relate to his father. Cornish is known to have entered the navy as a volunteer ‘per order’ in 1728. He was commissioned lieutenant in the Litchfield on 12 November 1739, and on 11 November 1740 he moved, with Captain Charles Knowles, to HMS Weymouth, in which he served in the ill-conducted combined operation at Cartagena during March and April 1741. On his return to England he was appointed to command the bomb-ketch Mortar; and on 12 March 1742 he was posted flag captain of the old HMS Namur, flagship of Admiral Matthews in the Mediterranean. In 1742 Cornish was appointed to command the Guernsey (50); and continued in her until the end of the ‘War of Jenkin’s Ear’, doing occasional good service in the destruction of Spanish privateers. 

During the war of the Austrian Succession, he was present at the Battle of Toulon which saw the British lose control of the waters around Italy and Spain take the offensive against Savoy. Matthews was dismissed from the navy along with seven captains for lacking offensive spirit. Cornish’s part occasioned no comment, which must be considered an achievement in the light of the number of careers destroyed. On 9 March 1749, as a 'gentleman well skilled in mathematicks and natural knowledge', Cornish was elected to the Royal Society. In 1755 he commissioned HMS Stirling Castle for service in the channel, and in 1758 he was transferred to the Union (90 guns), and was ordered by Lord Anson to wear a distinguishing pennant.

On 14 February 1759 Cornish was promoted Rear-Admiral of the White, and sent out to the East Indies with a small squadron to reinforce Vice-Admiral George Pocock, and undertook operations to clear the coast of Coromandel, which established his reputation as a commander able to co-operate effectively with the army. He succeeded to the command of the East Indies station in 1761, but became embroiled in a dispute with the East India Company over the plunder taken from the French at Pondicherry. Nevertheless his professional competence in combined operations won him the command of the Manila expedition.

Cornish returned to Europe with a comfortable income from prize money. In 1765 he purchased the manors of Sharnbrook, Tafte, and Temple Hills in Bedford. The Duke of Norfolk supported his election as MP for Shoreham, a seat he held from December 1765 until his death, and on 9 January 1766 he was created a baronet, taking his style as Sir Samuel Cornish of Sharnbrook. About this time he married Susan, daughter of James Gambier of Holborn and sister of Admiral James Gambier; they had no children. Cornish died on 30 October 1770, whereupon his title became extinct and his estate passed to his nephew, Samuel Pitchford, captain in the navy, who took the name Cornish.

[eriebasin]

A c1790 dark rose colored natural zircon set in a foil-backed bezel and mounted as a ring. As found, but it was probably adapted into a ring from a single earring or a button. Built in rosy-colored 9K gold and silver. English. Note that rings of this period are not well suited to everyday wear. Care should be taken especially not to submerge them in water as moisture can become trapped behind the stone.

eriebasin.com

[wisedelusionalmarshmallow]

@jegulus-microfic, June 18th - Date, G, Word Count - 310

"Let me see! Let me see!" Pandora squealed, jumping off the couch and running up to where Regulus was.

Regulus tilts his hand forward again, showing off his ring for the thousandth time since James proposed two weeks ago.

It was a scissor cut green sapphire stone, bezel set in a silver band. Plain and simple from the outside, but engraved along the inside of the ring's band was written 'le soleil aime l'etoile'. Which Regulus found both incredible cheesy and the most romantic thing ever done for him.

"It's so beautiful," Pandora mumbles, lightly grabbing Regulus' hand and angling it so that the sun pouring in from the windows hits the gem just right to make it sparkle.

"I haven't stopped staring at it," Regulus agrees with a laugh.

Pandora admires it for a moment longer. "So... do you two have a date yet? Or just planning to be engaged for a while?"

Moving his hand in front of his face Regulus marvels at his ring in nearly the same fashion as Pandora as he answers her question. "Nothing's set yet, but I can't imagine James waiting very long either."

She nods and watches Regulus, as he takes in his ring. He wonders how he got so lucky.

"He really loves you." Pandora looks up to meet Regulus' eyes, her voice soft. "I can tell."

It was true. Regulus knew from the first moment that James met him on the train. He knew it when the brown-haired boy looked up at him, eyes filled with pure adoration. Regulus tried to ignore him at first—brainwashed by his family into doing what they thought was best for him. But after that night James found him sleeping in the library and took him to his dorm safely. Regulus looked at him with the exact same expression. And he knew, he was screwed.

[cruelangelscrypt]

Hand-forged and one-of-a-kind labradorite amulet made by me 💘

Carved natural labradorite skull set in sterling silver. Rings and bezel soldered to a thick backplate for durability.

Can be worn multiple ways, tied into hair, laced through shoelaces, or as a choker.

In metaphysical circles, labradorite is revered as a potent protector, shielding one’s aura to ward off negativity. It's believed to not only guard against external forces but also to help neutralize internal negativity. Labradorite's renowned iridescence, symbolizing transformation, is closely tied to its reputation as a stone that bolsters inner strength and self-value. Additionally, it's thought to stimulate the throat chakra (communication, self-expression, creativity). While not linked to any specific zodiac sign, labradorite is often said to resonate strongly with those born under the sign of Cancer.

[world-of-wales]

Catherine's Jewel Vault (17/∞) ♛

↬ Elsa Peretti® Diamonds by the Yard Bracelet

First worn by Catherine when she and Prince William touched down in Ottawa for their North-American tour in 2011; the Diamonds by the Yard Bracelet became a staple in her official Olympics wardrobe, having been worn by her on almost every appearance during the 2012 London Olympics.

This Tiffany & Co. bracelet was designed by Elsa Peretti and is a piece from the company's Diamonds by the Yard collection.

One of Catherine's go to bracelets in the earlier years following her wedding to Prince William, it is 7" in length and features three bezel-set diamonds separated by a chain in sterling silver.

[ssudas]

Techniques and craftmanship methods require for Jewelry making

Jewelry making involves a wide range of techniques and craftsmanship methods, each requiring specific skills, tools, and materials. Here are some of the most common techniques used in jewelry making, whether for handmade artisanal pieces or mass-produced collections:

Hand Fabrication

Sawing: Using a jeweler’s saw to cut metal sheets into desired shapes.

Filing & Sanding: Smoothing and refining metal surfaces or edges after cutting.

Soldering: Using heat to melt solder (a metal alloy) to join pieces of metal, such as attaching clasps, links, or settings.

Forging: Shaping metal by hammering it to create texture, thin it out, or curve it.

Polishing: Using buffing machines, wheels, or cloth to achieve a high-shine finish on the metal.

Casting

Lost Wax Casting: A mold is created from a wax model, which is then melted and replaced with molten metal. This is one of the oldest techniques used for making detailed metal jewelry pieces.

Centrifugal & Vacuum Casting: Used to ensure the molten metal flows evenly into the mold, minimizing air bubbles and imperfections.

Stone Setting

Prong Setting: Small metal prongs are used to hold a gemstone in place. Common for engagement rings.

Bezel Setting: A metal rim encircles the gemstone to hold it securely.

Pavé Setting: Multiple small gemstones are set closely together, often giving the illusion of a continuous surface of stones.

Channel Setting: Gemstones are set between two strips of metal, allowing for a seamless, smooth look.

Flush Setting: The gemstone is set flush with the metal surface, offering a sleek and modern aesthetic.

Gypsy Setting: Similar to flush setting but usually involves a hammered finish around the gemstone, used for bold, simple designs.

Engraving & Embellishment

Hand Engraving: Using sharp tools to carve intricate patterns or designs into metal surfaces.

Laser Engraving: A modern technique that uses lasers to create detailed engravings or inscriptions, often used for personalization.

Etching: Using acid or other chemicals to corrode the surface of the metal in specific patterns, creating a textured or detailed design.

Filigree

Wire Work: Fine wires of gold or silver are twisted and shaped into intricate designs, often with lace-like appearances. This technique requires high precision and is often used in traditional jewelry.

Enameling

Cloisonné: Small cells or compartments are created with metal wire, which are then filled with enamel (colored glass powder) and fired to create vibrant patterns.

Champlevé: Enamel is applied into recessed areas of metal, then fired to create a colored design.

Plique-à-Jour: A transparent enamel technique that allows light to shine through, giving a stained-glass effect.

Hammering & Texturing

Chasing: A technique where the surface of the metal is hammered from the front to create patterns or designs.

Repoussé: The reverse of chasing, where the metal is hammered from the back to create a raised design.

Texturing: Using different hammers, stamps, or other tools to create a variety of surface textures, such as hammered, brushed, or matte finishes.

Wirework

Wire Wrapping: Jewelry made from twisting and wrapping wire into shapes and loops, often around gemstones, beads, or crystals.

Weaving & Knotting: Using wire or string to weave intricate patterns, often incorporating beads or small stones.

Beadwork

Stringing: Threading beads, pearls, or gemstones onto a string or wire to create necklaces or bracelets.

Knotting: Tying knots between beads (commonly pearls) to ensure they don’t rub against each other and for added strength.

Loom Beading: Using a loom to weave tiny seed beads into patterns for bracelets, necklaces, or other accessories.

Electroforming

Metal Coating: This is a process where a base material (such as a wax or organic object) is coated with a metal layer through electroplating. It’s commonly used for creating lightweight, hollow jewelry pieces.

CNC & 3D Printing

CNC Machining: This computerized technique is used to carve precise patterns and designs into metal or wax, enabling intricate designs that are difficult to achieve by hand.

3D Printing: Used for prototyping or creating complex designs, 3D printing involves creating a wax or resin model layer by layer, which can then be cast in metal using traditional techniques.

Inlay & Marquetry

Stone Inlay: Stones, such as turquoise or lapis lazuli, are cut into thin pieces and inserted into metal grooves to create decorative designs.

Wood or Shell Inlay: Wood, shell, or other non-metal materials are inlaid into metal surfaces to create intricate designs or mosaics.

Embossing & Stamping

Stamping: Using metal stamps or dies to create patterns or letters on the surface of a piece.

Embossing: Using pressure to raise designs on metal surfaces, creating a three-dimensional effect.

Granulation

Beading Technique: Small metal beads or granules are applied to the surface of a piece and soldered to create intricate designs, often used in ancient and traditional jewelry styles.

Soldering & Welding

Soldering: Used to join metal pieces together with the help of solder and heat.

Laser Welding: A modern technique using laser technology to weld small or delicate pieces of metal together, often for intricate repairs.

Pearl & Bead Setting

Knotting: Hand-knotting is used in pearl necklaces to separate each pearl and add durability.

Glue Setting: Some beads and pearls are set using adhesives, especially in designs where drilling holes isn't practical.

By mastering these techniques and methods, jewelry makers can produce pieces ranging from simple, minimalist designs to complex, ornate creations. The choice of technique depends on the desired aesthetic, materials used, and the skill level of the jeweler.

[jindalgems]

Why Silver Diamond Beads Jewelry is in Trend

In fashion world, there are some trends that not only catch our eye but also capture our imagination. They perfectly blend tradition with modern flair. One such trend is silver diamond beads jewelry.

Learn more: https://jindalgemsjaipur.weebly.com/blog/why-silver-diamond-beads-jewelry-is-in-trend

[bentartistry]

🖤✨— During the past few weeks, I’ve been teaching myself how to solder, among other things such as fabricating bezels for necklaces from sterling silver sheet metal and wire. In the photo above, you’re actually looking at a memento I made for a good friend of mine - this is her dog (Biminis) blood casted with epoxy and set into the bezel! Biminis is still with us today, but this memento will be something to hold onto forever! I’ve also been experimenting with doing the same thing with ashes as memorial pieces for animals that have passed away. For those who might have questions, please feel free to DM me! This process is completely safe, and no animals were harmed in the making of this!—— .

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https://www.instagram.com/bent_artistry?igsh=MWsxMHB1Znd2c2F1aw%3D%3D&utm_source=qr

[refractiveame]

Memoriam of Calamity

"A stunning jeweled statue, found in the depths of a smoldering cavern. The two gems dance in intertwined chaos, a breathtaking site that refuels my desire to finish this journey's quota and return to my family." - Captain Olimar... Probably.

This piece was inspired and based around Pikmin 2's treasures Essence of Rage and Essence of Despair; imagining how these treasures may have been found in jewelery before their new purpose as a galactic freight company's debt recovery asset.

But to get to the fun part, this piece is a 20" total length necklace in sterling silver with a 14k gold button on the flower, featuring a lab created rose cut ruby and emerald. I hand made the leaves and the flower and ordered the chain and the mounting for the stones.

Figuring out how to create a natural looking leaf that still resembled the classic pikmin leaf was far more challenging than i had anticipated going into this project. After some testing with different initial shapes and thicknesses i found something i was happy with. Essentially i cut a flat piece of silver that fit my dimensions and matched a drawing i had assumed to turn out well and then used a dapping set to do the shaping. (A dapping set being a small steel block with many spherical holes of many different sizes and a corresponding set of steel punches that have spherical ends to match the holes of the block)

After curving the piece into one curve i would take round nose pliers and bend the end up to give it a sensible shape and one that complements it being used as the connection between chain and center of the pendant. For the very tip of the leaf i took the same pliers and carefully bent the other way to loop the end for a oring to fit through for the chain, then soldered that loop i created shut to ensure sturdiness of the pendant.

In retrospect i wish i had tried to add the detailing you see in the finished piece before rounding to see if a more even and clean carving could have been achieved.

I moved on to the flower which i did some quick maths to determine the size and where to cut the slits to split it into petals. It largely followed the same process as the leaf of cut to shape, cut the reliefs for the petals, and round with the dapping set. But after rounding i took a small round ball bur to the center to allow me to solder a small gold ball to it to better resemble the flower in game.

Here i wish i had better understood how exactly to shape the petals the way i wished as i was not consciously expecting the petals to touch again after being rounded. But i still am stumped as to what the best way to shape a piece like this is given the size and precision i was wanting with the curves on the sides of the petals.

After carefully attaching the pieces together with a few third hands and some patience i began the detailing process which was rather tedious but simple. I applied sharpie to the leaves and scratched in a pattern i felt fit the shape to give the impression of a leaf's vascular system before following that up with a kraus bur, small ball bur, and rubber wheels.

For the flower i added some slight folding of the petals by using a kraus bur to indent it as the petal sprawled from its center, then went back over it with a heavy rubber wheel to smooth out the sharp ruts of removed metal, giving it a wavy, fold like effect that doesn't capture well on camera.

And i added a brush finished to the leaves but left the "veins" high polished to give it an appealing contrast and prevent it from easily looking bad due to greasy/dirty fingers touching the polished silver.

Attached the chain with some simple orings and moved on.

Thusly i arrived at the most stressful and final part of the journey, Bezel setting these roze cuts. For someone who knew what they were doing this would be a breeze but as someone who had never set a stone bezel style nor done so on a pendant that would be hard to grasp firmly this was quite a challenge for me. After getting advice from my elder coworkers on the process i got to work using an inverted conical bur to shape the inside of the mountings to set the stone, periodically checking if the stone would snap in so as to prevent making the cuts too deep. I still fucked that up and made the emerald's seat too big and it took a very mighty effort to get it snugly set in there.

In the process of setting these stones i greatly marred the edges of the bezel, more so than one would expect, and had to spend multiple hours tediously fixing the dents and scraps with a rubber wheel under the microscope, making sure to be hyper aware of my positioning so as not to scratch the stone with the abrasive wheel.

After much trials I finally managed to get the stones tight and good looking without a gross amount of damage to them and took to a final polishing pass. Showed it off to my coworkers and then promptly bagged it up to give to it's recipient this weekend.

Took approx 15 hours give or take 1, most of which was fixing mistakes and decided on leaf shapes.

[sajidhaji]

[tiarascrowns]

Vintage Sapphire and Diamond Convertible Tiara Necklace

A vintage sapphire and diamond convertible tiara necklace.

"An exceptional vintage sapphire and diamond convertible tiara and necklace set, in platinum, circa 1950. This beautifully handcrafted tiara is easily transformed into necklace by simply unclipping it from its frame, no additional screws or parts are needed! The tiara is composed of nine cabochon cut sapphires, each individually bezel set within an elegant diamond scrolled cluster surround, providing a beautiful amount of sparkle to the jewel.

The handmade frame that the tiara sits on is made of German Silver and handstitched brown velvet. Stamped with Assay marks for France."

- 1st Dibs