#Type: Chevron Band Ring

[boylerpf]

Winged Chevron Diamond Two Tone 14K Gold Ring Band

Source - Boylerpf Antique & Vintage Jewelry

[a1silverhub]

925 Sterling Solid Silver Marquise Blank Bezel with CZ Set Ring, Good for Resin & Ashes Breastmilk DIY Work, Keepsake Ring, Memorial Jewelry

Description :

Round Bezel CZ size - 2mm

Marquise Bezel Size - 2x4mm

Metal: 925 Solid Sterling Silver

Type: Chevron Band Ring

Ring Size: Optional

Quantity: 1 Piece

Link on my bio to purchase

[rrat-king]

some Bad Girls accesory headcannons:

adaine

doesn't need glasses but wears blue light ones because the light gives her migraines. the glasses are round silver wire frames that she has broken and cast mending on too many times

she loses her glasses constantly so gorgug made her a glasses chain so they can just hang when she's not wearing them. it has little star charms and blue and silver beads

it's my hc that adaine didn't actually give kristen her pinky back, keeping the philange instead so she has the bone on a little necklace she wears. its morbid but sweet.

she has a leather book holster that ayda made her after she complimented her's so that they are matching. keeps her spellbook in it

has three bracelets from kristen: a red rubber 'vote for applebees' bracelet as well as two woven friendship bracelets, a purple and blue chevron as well as a orange white and blue striped

elf ears are... so stupidly sensitive so she has a hard time wearing earings but she does steal fig's ear cuffs a lot

kristen

wears dog tags with jawbone's number as her emergency contact in case anything happens. he doesn't legally have custody but its a safe way of making sure he gets called over her parents

got her septum peirced with fig in leviathan, was originally a silver barbell but had to take it out when she realized the silver meant that tracker wouldn't kiss her, so wears a little golden hoop instead

has six trillion bracelets. most of them are friendship bracelets she's made herself, but she also has a rubber sig figs bracelet, a pony bead bracelet that says 'little shrimp' as well as a 'WWCD?' she made with her campaign rubbers

bad at wearing rings but has a number of them that she keeps on a carabiner that tracker got her (most of them found in the river while throwing rocks with riz. don't ask her why there are so many lost rings in the river she doesn't question it)

she got rid of her cross necklace after meeting helio but still has the saint necklace she got at first cornmunion. it's saint iree, patron saint of the lost harvest

fig

has one of gorthalaxes guitar picks as a necklace along with a million others

wears rings around her horns, most of which she makes herself but fabian gifted her a few of his that he doesn't wear cuz 'they interfere with my fighting, thank you' that are nice elven gold

has a matching septum with kristen as well as a million other peircings

she. loves. mixing. metals. she wears a million pieces of jewelry and they are all mishmashed but because none of it matches it works

constantly stealing her mom's earings. it drives sandra lynn crazy

hardcore believer in scrunchys over hairties. always has one either in her hair on on her wrist even they somewhat clash with her aesthetic.

wears compression gloves under her fingerless gloves to help with her joints swelling

has a million pins including: some of her mom's old band pins that she let her have, band pins of her own, kristen's campaign buttons as well as kipperlillys but she doodles over those, pins she's made herself out of bottle caps, a little tin skateboard pin gorgug made her, and a red compass pin that ayda gave her that belonged to one of the previous ayda's

(will make one for the boys eventually when i have time to come to terms with riz's new found accessory addiction this season)

[chenfordfanficquotes]

Lucy had an idea as to what she had discovered, the nondescript paper was thick and folded in half for ease of storage. Her suspicions were only confirmed when with quivering fingers, she undone the crease in the middle to reveal a photograph. A photograph of her. Her head was held up by the palm of her left hand as she looked away from the camera. She was wearing a dark gray sweater with one of her favorite wool winter jackets, a chevron piece she bought one paycheck on a whim which helped in narrowing the date of the image’s origin, down. Her coffee-colored locks were straightened but pulled back into a low bun, golden hoops adorned either of the ear lobes and a simple band adorned the ring finger of her right hand. Tim had taken the picture on a date night, that much she is certain of, but when or where, Lucy failed in placing. Not that it mattered anyways. What mattered, was that Tim kept a candid image of her in the center of his vest. What mattered, was that Tim was carrying a piece of her, a reminder, with him always. What mattered, was that the picture was well loved, and kept right next to Tim’s heart.

-Close to the Heart by @sgtbradfords (submitted by @theawkwardanglophile

[krindor]

Jewish Life Pre-Diaspora: Jewelry

In my previous post in this series, I looked at something ephemeral and best seen in art; women’s hairstyles [x] and came up a bit short. While I’ll get to men’s hairstyles later I wanted to do something a little easier first, and so am doing a topic archaeology is the best tool at answering: What did indigenous Israelite and Judean people wear as jewelry?

Amir Golani has written the literal book on the subject, and so I’d recommend for further information and techniques you should read his book Jewelry from the Iron Age II Levant or his article Revealed by their jewelry: Ethnic identity of Israelites during the Iron Age in the southern Levant, but I’ll provide a summary and some images here.

Since in his writings on the topic Golani found the Israelites and Judahites (the members of the two Israelite Kingdoms in Canaan in the Iron Age) to be similar in ornamentation trends and groups them together, I’ll be doing the same here under the umbrella term Israelites.

(looooong post beneath the cut. you have been warned.)

Part 1: Distinctly Israelite Jewelry

While trade and the movement of craftspeople led to the dispersion of different styles of jewelry around the Mediterranean, we can see trends that indicate certain pieces of ornamentation are distinctive to Israelite culture.

Three types of pendants, usually made of bone or ivory but sometimes of terracotta or stone, follow the history of the Israelite kingdoms to a surprising degree: originating around the 10th century BCE and disappearing in the 8th Century BCE in the North, and the 7th to 6th centuries BCE in the South (matching the beginnings of the diasporas of Israel and Judah, respectively).

1.1 Club Pendants

These pendants are typically 4-9 cm long shaped pieces with rounded ends and a slightly conical shape. They have been found as far north as the Lebanese Coast and as far south as the northern Negev Desert, though most examples come from the historic borders of the Israelite Kingdoms. Some were plain, but many have bands, latticework, or ring-and-dot ‘eyes’ incised into them.

Similar pendants are found in Ephesus (in Asia Minor) and various sites on the Greek Mainland, but these all date to after the 8th century BCE, are truncated at the top rather than rounded, and only have the horizontal bands as decorations and may have arrived with Phoenician traders (as they had been found in the Phoenician city of Byblos in modern day Lebanon).

1.2 Plaque Pendants

These plaques were made of bone and usually had a stringing hole at one end, or with a tab to be attached to a string. Unlike the club pendants, they have more than a single shape; they can be rectangular or oval, circular or teardrops, and are incised with ring-and-dots, lines, and chevrons.

These have a much smaller range than the club-pendants, with most only being found in the territory of the Judean Kingdom. Two were found at Meggido in Israel’s territory, and one at the site of Hama in Syria.

It was at one point theorized that these served as calendars, since some examples have three rows of ten uniform ring-and-dots, the presence of examples with other, non-calendrical numbers (such as 17) indicates that this could not have been their only use.

1.3 Mallet Pendants

The most restricted of the Israelite pendants, both in morphology and in chronology, these pendants are made of two pieces of bone or ivory; a cylindrical head often decorated with ring-and-dot incisions, and a thin shaft pierced at one end for suspension that was inserted into the head at the other end.

These pendants appear in the 10th Century BCE, but disappear in the 8th Century, despite being found in both Israel and Judah.

The hammer form of these pendants, as well as their strict morphology, has led some to theorize that they were used to identify the wearer, though it is unknown if that identity would be to a profession, religion, or some other faction. Similar looking pendants are found in Sardinia in the 12th-10th centuries BCE, as well as Etruscan Italy and Greece in the 9th – 7th Centuries BCE, but those are made of cast bronze and are a single piece. There, however, we know from context that they were probably linked to the wearer’s profession. Whether this bears true for their Israelite counterparts is still unclear.

Part 2: Inherited Canaanite Traditions

While the bone pendants appear to be an aesthetic choice that evolved along with the Israelite identity, as a part of the Canaanite cultural tradition, Israelites also continued to create and wear adapted forms of Canaanite jewelry. Several styles of metallic jewelry that Canaanites also wore, and do not have aesthetic designs credited to the Phoenicians to the north, may be concluded to be the work of local craftspeople in the Israelite kingdoms.

2.1 Crescent Pendants

These are flat crescent-shaped pendants typically made of copper alloys, silver, or gold, though bone examples have been found. They are either strung through a hollow tab at the center of the pendant, connected to a string via two perforations in the crescent itself, or possibly directly sewn into clothing by those same perforations.

These pendants first appear in the area in the Middle Bronze Age (18th - 16th centuries BCE) and appear in archaeological contexts through the Iron Age II, with designs getting simpler over time.

What they represent is debated. Most intuitive to most people reading this would probably be the crescent moon, which was a widely used symbol in the Ancient Near East, either as a symbol of fertility or of redemption and regeneration. The moon cult has been extant in the region for a long time at this point (Jericho, one of the oldest cities in the world, is named after the local moon god Yarikh, who is also the source of the Hebrew word for The Moon, Yareakh).

Other hypotheses include bulls horns or boars tusks, the later of which were used in the area to ward the evil eye away from horses through the Ottoman Period in the Levant. This is further supported by one of the specimen from the Middle Bronze Age in Megiddo is apparently too large to be worn comfortably by a human, and lines up nicely with a story from the biblical story of Gidon taking crescents as spoils of war from Midianite camels in the book of Judges.

2.2 Rings

2.2.1 Finger Rings

Finger rings with bezels (a wider portion used for mounting or displaying an object or image) are by no means a Israelite invention; the style they imitated comes from Egyptian scarab rings, named for their scarab-shaped bezels, which first appeared around 2000 BCE. However, types were worn by Israelites, and their innovations on the style are of interest.

(Egyptian scarabs and scarab rings, via Wikimedia Commons)

The first style Israelites used, all dating to the 7th and 6th centuries BCE, widens and flattens the metal of the ring at its terminal ends, which can support a scarab or other bezel. The rings are made of silver or gold and flattened ends are decorated with flowers, palmettes, or other forms of decorative flora.

The bezel may be made of gold, silver, faience (ancient glass) or may be absent entirely (though it's possible the bezel was simply lost to the sands of time). Unfortunately, such rings are rare (and some of them are poorly documented), so a more robust typology is difficult.

The second form more closely resembles a traditional Egyptian scarab; a round body to the ring with a flattened area at the tips of the terminal ends to support a bezel that may be swiveled on its axis to show off all sides of the piece (this was very important with scarabs, as the bezel was shaped to resemble like a beetle and the flat bottom bore a seal or inscription). The key difference is the material of the scarabs: where the Egyptian scarab is faience or stone, the Israelite 'scaraboid' is made of metal, and the carved scarab is nonexistent.

These are extremely rare and only appear in the record at the end of the Iron Age II (right before the diaspora) and in the Persian period following, so they may have been a relatively short-lived phenomenon - at the same time similar non-metallic, non-ring seals and scarabs are relatively common.

2.2.2 Large Rings

A form of large ring (that is large enough to fit on a limb rather than a finger) that only appears in Israelite contexts has a catch to secure it in place, using a diamond-shaped end and a U-shaped end with upturned ends. Only four of these have been found, all made of a copper alloy, and all from the latter half of the Iron Age II (8th-7th centuries BCE)

This wearing of metal bracelets and anklets appears to be a holdover from Canaanite traditions, where we see depictions of goddesses wearing such items. That, their rarity, and idea that the innovation here is functional rather than aesthetic, are why I believe is why Golani doesn't consider this as a uniquely 'Israelite' jewelry form.

It should be noted here that these are not the only large rings found in the Israelite kingdoms, and evidence from graves indicate that both men and women wore single, solid metal arm-bands as jewelry. Women may have also worn multiple, simple, large rings as bangles as depicted in figurines (which to my chagrin told me nothing about hair, but I digress). This may be a local innovation by Southern Canaanites and Israelites, as the Phoenicians to the north are not depicted this way. Bangles were made of many materials; copper alloys, silver, gold, iron, and even shell.

(More common styles of large rings found in the Israelite kingdoms alongside the rare locking one above)

2.3 Earrings

The styles of earring Israelites used were innovations on earlier Canaanite styles, and were so numerous I'll just be showing archetypal forms and the uniquely Israelite ones, otherwise I might as well rewrite the whole book.

2.3.1 'Lunate Earrings'

These earrings are solid metal (usually silver or copper, but any nice metal works) with a crescent body, a bent and tapered hoop that is narrower than the body, and ends that usually meet at one side.

(Simple Lunate Earrings, found throughout the Ancient Near East)

The most common Israelite version of this earring, and indicative of the Iron Age II (our time period of interest), widens the lunate and rounds out the whole earring for a more robust, heavy design, often with a small rise in the center of the body

Towards the end of the Iron Age II, the hoop elongates and decorations such as wire wrapping or soldered hoops and globules appear on the lunate, and are made of exclusively expensive metals such as silver and gold.

A unique final example comes from the city of Lachish in the Shephelah of Judah from the 8th century BCE (Iron Age II). 'At least a dozen' lunate earrings were found in a corroded mass in a burial cave. at least one of these depicted the head and torso of a woman, but the corrosion of the pieces precluded further analysis.

2.3.2 Lunates with Fixed Attachments

A more ornamental variation on the lunate where the body has an attachment joined to it. The archetypal form of the attachment is that of a hollow ball, tear, or pear, and is further decorated with wiring or soldered globules. Much more detailed than the basic lunates, these seem to typically be made of nicer metals such as silver and gold.

These evolved from much simpler tear and globule attachments worn by Canaanites as early as the Middle Bronze Age.

There is an variant of these solid globule attachments that is common in the 8th - 7th centuries BCE with a ring of globules supporting a center orb, that I think is neat, but is kind of an evolutionary offshoot of the more ornate attachments.

Towards the end of the Iron Age II, elaborate attachments begin to appear, including clusters, rows, and pyramids (or even rows of pyramids!) of globules, as well as fans and the elaborate hollow examples above.

It should be noted that these more ornate forms of earrings are rare in Israelite society, the simple lunates and solid globule attatchment lunates were by far the most common forms of ear ornamentation.

Part 3: Conclusion

When looking at the more common pieces of jewelry among Israelites, bone pendants and copper alloy metal rings and earrings in relatively simple forms seem to be the most common items, despite the wealth of the kingdoms attested to by Assyrian records of what they looted during their invasions.

Additionally depictions of Israelites generally show them without jewelry (but that may be due to them being depicted by conquerors who took their jewelry, rather than by Israelites themselves).

So what's with this apparent aesthetic of austerity? According to Amir Golani, the Israelite kingdoms may not have been poor, but the Israelite Identity as separate from Canaanites possibly started as a rejection of the Canaanite City State culture of the Late Bronze Age, and a general distaste of luxury goods may have persisted through the development of the ethnicity to a more spartan aesthetic overall (this is not just seen in jewelry, Israelite pottery is basically earlier Canaanite forms, just undecorated, with some exceptions).

If you made it this far, congratulations! I hope this was as interesting to read as it was to look into, and thank you for your time.

[sashayed]

Sorry to bother, saw your wedding post and congratulations! May there be many happy returns of the day! Can I ask where you got your rings? I'm looking for an engagement ring for my partner and I adore y'alls. I haven't been able to find anything like them and they are exactly my partner's aesthetic.

anonymous asked:

hi there! i saw your lovely post about you and your wife (congratulations!!) and i thought your engagement rings were just so beautiful. i hope it's okay if i ask - would you be willing to post a picture of your wedding ring(s) as well? i would love to see them!! either way, thanks so much, and i hope you have a wonderful day!!

Please!! I love our rings and I love telling everyone all about them. They are from Sofia Zakia, who has never made anything I wasn't obsessed with. Kelly's is the Sapphire Termina, mine is the Cosmic Witch. We got $80 chevron bands from Etsy to fit over the central stones.

I also really recommend our selection process, e.g., each of us picked out two or three we would love, then the other one chose the final candidate. Then you still get to have a fun little surprise but not too much of a surprise in case you are actually a thin crust of Oh Sweetie Thank You over a simmering molten core of control freak, like me.

[glazeddiamonds]

14K Solid Baguette Curved Wedding Band

[allaboutrings]

From left to right:

Laurie Fleming Hidden Fairy ring in rose gold and diamond stacked with Honeycat rose gold fill stacking rings

Bon Levy rose gold and diamond pavé chevron ring stacked with Variance Objects black, green, white, yellow, and rose gold band and prongs with rutilated quartz

Anjistouch rose gold and natural diamonds ring stacked with Honeycat rose gold fill stacking rings

Affy rose gold plate paperclip chain ring

[styleofdiamandis]

PHOTOSHOOT: MARINA FOR NYLON MAGAZINE

I mean, you guys. How great does Marina look here? For Marina's ever NYLON cover, she paved her own path and went for a more retro look for the magazine. 

Photography was done by Damon Baker. Styling by Santa Bevacqua and Shawna Ferguson, glam by Ozzy Salvatierra, hair (look at all those adorable pins!) by Fallon Toni Chavez and lastly, nails by Stephanie Stone.

I love how fresh, confident, retro, fit and coiffed up she is here for this spread. 

For the cover look, we got Marina in a Dior Pre-Fall 2015 white, beige, orange & black striped rib stretch woven sweater with turtleneck design.

You know how much I love a good mish-mash of pieces that create one look together.

Her coat and skirt belong to Fall/Winter 2015 collections. The first one is by Holly Fulton and is the Gaze repeat print silk and wool coat with red Mongolian fur collar and cuffs, while the latter hails from the French house of Vionnet and is a plaid maxi skit with electric-blue mohair strips and delicate black lace panels.

Underneath her coat M wears the Fortnight Fall/Winter 2014 Vega demi bra made from their signature chevron jacquard lace!

The third look is from Emilio Pucci's Pre-Fall 2015 lookbook. I could totally see the majority of this collection on Marina for this particular shoot but I'm glad they went with one of my favorite sets!

A striped silk dress with roomy, tunic-like silhouette with lace-up neck in striking shades of magenta, blue and pale grey ($1,520.00 - sold out). Of course, she also rocked the matching flared trousers ($554.00 - sold out).

Throughout the shoot, Marina rocks the Cartier Amulette de Cartier 18k rose-gold band ring with malachite and brilliant-cut diamond of 0.09 carats.

Add one more fun printed ensemble to Marina's spread with NYLON.

This 70s-inspired chevron multi metallic jacquard coat with contrasting black panels ($1,540.00 - sold out) and matching flare pants ($495.00 - sold out) hail from Giambattista Valli's Pre-Fall 2015 lookbook – an ode to 1970s icon Mariana Schiano!

The clever play with prints is truly something to be adored.

For the final look our girl looks more than amazing in this diagonally striped silk jacquard blazer ($2,285.00 - sold out) and culottes pulled straight from Dsquared²'s Pre-Fall 2015 collection!

Underneath, Marina rocked a silk blouse version of DKNY's Laura bandana print flare dress.

Marina injected even more fun into her outfit with the shoe department!

The appropriately named Solar strappy sandals are from Charlotte Olympia. I love the typical Charlotte quirk factor on these stunners!

[jewelsandshine]

7 Stunning Stackable Wedding Rings You’ll Want to Add to Your Collection

Want to be in step with the latest wedding trends? Follow the newest one; stackable wedding rings! This style offers a versatile and fashionable way to express your unique style. Whether you are celebrating milestones, want to enhance your engagement ring or simply add a little sparkle to your collection, diamond-stacked wedding rings are the best choice. 

Want to know which is the perfect one for you? Just read on to find a list of the best seven stackable wedding rings, that are so beautiful, you will want to add them to your collection immediately! 

Classic Diamond Eternity Band: 

This diamond-stacked wedding ring is a timeless addition to any stackable wedding ring collection. It features a row of diamonds encircling the band, offering endless sparkle and elegance. It’s perfect for stacking with an engagement ring, or other plain metal bands, for that luxurious and sophisticated look. 

Why: The continuous sparkle of the diamonds makes this stackable wedding ring a versatile piece; it can even be worn solo!

Best paired with a simple solitaire engagement ring, or a thin, plain gold band, to let the diamonds shine!

Sleek and modern chevron band: 

For a contemporary and geometric style, choose a chevron band. It adds a unique shape to your stackable wedding ring collection, and the pointed ‘V’ design brings a fresh, modern twist to traditional wedding rings, while still maintaining elegance. 

Why: The chevron design draws attention, and creates an eye-catching silhouette when stacked with other rings. 

Best paired with a solitaire engagement ring, or other straight bands, to create contrast and dimension in your stack. 

Twisted rope band

A twisted rope band brings a rustic, vintage-inspired look. This diamond-stacked wedding ring has a delicate twist of metal, which symbolises the intertwining of two lives, adding a subtle texture to your set. The ring works as a minimalist piece on its own or as part of a larger stack. 

Why: The intricate twist offers a unique texture, and symbolises unity, making it a sentimental and stylish addition. 

Best paired with Plain metal bands, or a pave-set diamond ring to create a texture contrast. 

Pave diamond band

This stackable wedding ring features tiny diamonds that are set together closely, creating the illusion of a continuous line of sparkle. This style is ideal for adding some glamour to the stack, as it reflects light beautifully and adds an elegant shimmer without overpowering other rings. 

Why: The delicate sparkle of the pave setting is perfect for adding understated elegance to your stack, thus complementing both bold and minimal designs. 

Best paired with simple solitaire rings, eternity bands, or plain metal bands, for a balanced look. 

Coloured gemstone band:

Perfect if you want to add a pop of colour to your wedding ring stack, a coloured gemstone band makes for a stunning choice. Sapphires, emeralds or rubies can create a vibrant contrast against traditional diamonds and metal bands, adding personality and meaning to your diamond-stacked wedding ring. 

Why: Adding a splash of colour makes your ring stack unique and allows you to incorporate birthstones, favourite colours, or sentimental stones. 

Best paired with diamond eternity bands, or white gold rings, for a striking contrast between colour and sparkle. 

Bezel set band:

This offers a sleek and secure design, with each diamond or gemstone, encased in a metal frame. This setting style is practical and elegant ensuring that your stones are protected while still maintaining a refined appearance. 

Why: The bezel setting provides a modern and minimalistic look and keeps stones safe from everyday wear and tear. 

Best paired with thin bands or channel-set diamond rings for a modern, stacked look. 

Mixed metal bands

Mixed stackable wedding rings bring versatility and contrast to your collection. Whether you combine yellow gold, white gold or rose gold bands, the mix of metal tones creates a stylish, contemporary look that stands out. This trend is perfect for those who want to switch up their style and combine different textures and colours. 

Why: Mixing metals allows you to break the rules and create a bold, personalised stack that matches any jewellery you wear. 

Best paired with thin, plain metal bands, or rings with subtle gemstones to keep the focus on the contrast of colours. 

Now that you want to get all these collections of diamond-stacked wedding rings, just head to Finerock.com! Here, you will get a wide range of stackable wedding rings, within your budget, in designs that define your personal style! 

Don’t stop, just Finerock!

[micro-expressions]

Check out this listing I just added to my Poshmark closet: “Lucinda” Gold Link/Snake Chain Anklets/Bracelets.

[donnacorless]

Check out this listing I just added to my Poshmark closet: Karis Mojave Green Turquoise Ring in Platinum Bond Brass Size 7 NWT.

[wjdexclusives]

0.10CTW Real Diamond 14K Real Gold Chevron Band Ring

https://www.wjdexclusives.com/product/rings/0-10ctw-real-diamond-14k-real-gold-chevron-band-ring/

0.10CTW Real Diamond 14K Real Gold Chevron Band Ring

A stunning chevron-shaped band in radiant 14K yellow gold. This piece is elegantly set with shimmering diamonds, making it ideal for stacking or as a unique statement ring. A classic and versatile addition to your jewelry collection.

Note: Made-to-order (ships in 4 business days).

Product Specifics All specifications are approximate and may vary for the same model.

Weight

4g

Metal

Yellow Gold

Metal Purity

14K

Finish

High Polished

Ring Style

Band

Main Stone

Natural Diamond

Carat

0.10Ctw

Creation

Natural

Treatment

Not Enhanced

Clarity

SI1-SI2

Color

G-H

Cut

Round

Setting

Prong

3rd Party Appraisal

Available for Purchase

Style ID: 13018 ZF-L (internal use only): WJDOVN-51249

[swarishjewels]

How to Stack 925 Silver Rings for a Statement Look

Stacking rings has become a popular trend in jewelry fashion, allowing you to express your unique style and creativity. 925 silver rings are perfect for stacking due to their versatility, affordability, and timeless appeal. Whether you prefer a minimalist look or a bold statement, here’s a guide on how to stack 925 silver rings for a stunning effect.

Why Choose 925 Silver Rings?

925 silver, also known as sterling silver, is made of 92.5% pure silver and 7.5% other metals, usually copper. This combination gives the rings durability while maintaining the beautiful, shiny appearance of silver. Here’s why 925 silver rings are ideal for stacking:

Affordability: 925 silver is more affordable than gold or platinum, allowing you to buy multiple rings without breaking the bank.

Durability: The added metals in 925 silver make it strong enough to withstand daily wear.

Versatility: 925 silver complements any outfit and can be mixed with other metals and gemstones.

Tips for Stacking 925 Silver Rings

1. Start with a Base Ring

Choose a base ring that stands out, such as a statement piece with a unique design or a gemstone. This ring will serve as the focal point of your stack. Place it on your ring finger or middle finger for maximum impact.

2. Mix and Match Designs

Combine different ring styles to create a visually interesting stack. Here are some ideas:

Plain Bands: Simple silver bands add elegance and can be used to separate more intricate rings.

Textured Rings: Rings with hammered, braided, or twisted designs add texture and depth.

Gemstone Rings: Add a pop of color with rings featuring gemstones. Mix different stones or stick to a single color scheme.

3. Vary Ring Widths

Mixing rings of different widths creates a balanced look. Pair thin bands with wider rings to avoid a cluttered appearance. For example, you can stack two thin bands on either side of a thicker statement ring.

4. Experiment with Shapes

Incorporate rings of different shapes to add dimension to your stack. Consider rings with unique shapes, such as chevrons, zigzags, or geometric patterns. These shapes can create a dynamic and eye-catching look.

5. Balance Proportions

Ensure your stack is balanced by distributing rings evenly across your fingers. Avoid overcrowding one finger while leaving others bare. Try stacking rings on both hands for a symmetrical look.

6. Incorporate Different Finishes

Mix rings with various finishes to create contrast. Combine polished rings with matte or oxidized ones for a striking effect. Patinated rings can add a vintage or antique touch to your stack.

7. Play with Ring Placement

Don’t limit yourself to traditional ring placements. Try wearing midi rings (rings worn above the knuckle) or thumb rings to add more layers to your stack. This adds interest and helps distribute rings evenly across your hand.

How to Style Stacked Rings

1. Casual Look

For a casual, everyday look, stick to a few simple rings. Choose plain bands and thin rings for a minimalist vibe. This style is perfect for daily wear and can easily be paired with any outfit.

2. Boho-Chic

Achieve a boho-chic look by mixing various textures and designs. Combine rings with nature-inspired motifs, such as leaves or feathers, with gemstone rings in earthy tones. This style works well with relaxed, bohemian outfits.

3. Elegant Evening

For an elegant evening look, opt for more sophisticated rings. Choose rings with gemstones, intricate designs, or sparkling details. Stack them on your ring finger for a refined and glamorous appearance.

4. Edgy Style

Create an edgy look by incorporating rings with bold designs, such as skulls, spikes, or geometric shapes. Pair these with oxidized or patinated rings for a grunge-inspired stack. This style pairs well with leather jackets and other edgy fashion pieces.

Caring for Your 925 Silver Rings

To keep your stacked rings looking their best, follow these care tips:

Clean Regularly: Use a soft cloth to polish your rings and remove any tarnish. You can also use a silver cleaning solution for a deeper clean.

Store Properly: Store your rings in a jewelry box or pouch to prevent scratching and tarnishing. Keep them in a cool, dry place away from direct sunlight.

Avoid Harsh Chemicals: Remove your rings when using cleaning products, swimming in chlorinated water, or applying lotions and perfumes.

Conclusion

Stacking 925 silver rings allows you to create a personalized and stylish look that can be adapted for any occasion. By mixing different designs, widths, and finishes, you can achieve a unique and eye-catching stack. Remember to balance your rings across your fingers and experiment with placements to find the perfect combination. With proper care, your 925 silver rings will continue to shine and enhance your style for years to come.

[rosecjewelsshop]

Lab Grown Blue Sapphire and Diamond Heart Wedding Ring Set

Combining romance and sophistication, our Wedding Ring Set features a captivating Heart Shape Lab Created Blue Sapphire at its core, beautifully accompanied by a dainty Diamond halo and side stones. This Bridal Set also have a chevron band ring decorated with Round Shape created blue sapphire.

[missradiantjewels]