#shtick marriage

[o4o41]

Females in media (Guilty franchises, Tropes vs Women)

We can create a list of women-actors trying to carry and make their characters interesting and fight for their characterisation (in other worse cases: franchises feeding to that progressive-now-feminism presentation (females showing strength, authority, being active and logical and **!!HAVING/showing AGENCY!!**, badassery, mechanic, crafts(wo)man, DIYer) only to steal that away with bringing back harmful and disappointing strawman tropes and ideas, like, later immediately making them sexy slaves; erase them or only just get them married and no further development or dreams from their part, past that.)

#women doing a good job while their female character has a lackluster portrayal.

[msnihilist]

"Timmy was so stressful he affected Cosmo and Wanda's marriage and they had to retire right after him to rekindle their love and stop being so awful towards each other." I'm throwing hammers at you. Setting you on fire, even.

[rozugold]

I’m a big fan of the stories of Persephone where she actually loves Hades and being queen of the underworld n all that BUT I’m also really liking the idea of an aggressively aro Kore being wild and free and doing everything she can to avoid being swallowed up by the ground…

[anotheruntitledsong]

i did like the hidden palace but (SPOILER if anyone hasn't read it?) i'm genuinely so annoyed at how Arbeely is handled like... I wish i could be sad but i'm just fucking irritated. I was overly invested in him and that's def why but i just feel like they did him dirty

[pussymasterdooku]

.

[dunmeshistash]

G'day, I hope you are doing well.

Ever since I finished the story of Dungeon Meshi (all supplementary material included) I've been writing down bullet points on characters in addition to in-depth synopses as a way to tidy up my rather busy mind. To this end I've also greatly enjoyed reading other folks' interpretations of particular characters, as it gives me further insight into aspects of that character I may have glossed over.

However, there's one character I'm struggling to write a cohesive synopsis about, that being none other than 'miss enigma' herself, Falin Touden. I get that her whole shtick is that she's kind of a mystery, but I find myself drawing a lot of blanks when it comes to her as a character, and while I have nailed down some important bullet points, there are a lot of different interpretations on her, all of which starkly contrast one another. Though perhaps it's just the wording. Hard to say.

It could very well be that I'm being too dense i.e. perceiving "Falin is willing to risk killing others to save her friends." and "Falin, in the heat of the moment, when faced with certain death, was willing to face the prospect of harming potential passersby in a final Hail Mary to get her friends to safety." as entirely different observations. I have a hard time with those kinds of things.

With this being a hub for all sorts of observations, interpretations and cool trivia, I was wondering if you'd perhaps be willing to share how you yourself perceive Falin as a character, so I can compare notes and perhaps gain a more proper understanding of her as a character as a result. I know this question is very broad and kind of vague, but if you could spare the time I'd be most grateful.

Other than that, I wish you an excellent day.

Hello!!! I love Falin!!!!!

She *is* a mystery, we mostly know Falin through the perception other characters have of her instead of a direct deep look onto who she is, which I find very interesting. I think the best post I've seen about her (which as usual I can't remember where edit: someone linked it thank uu) I think called her perceived altruism/love "selfish" and I've been thinking about that ever since.

In that sense the way she cares so much about the comfort of people around her might be a way to keep *her own* comfort because she doesn't want to see other people suffer.

This girly died and came back to life from bones and the first thoughts she has is that she caused trouble for her loved ones

She probably has felt this way since she was a child, "because of her" that her family was torn apart "because of her" that Laios left, her mom was sick, her father had to send her away. (wasn't actually her fault but she might think it is)

I imagine ever since then Falin has done her best to not cause trouble and to make the people she loves happy, everything we know about her and the things she was doing was always for the people she loved, that's why I enjoy the post canon comic where Toshiro asks her hand in marriage again so much. The first time she considers accepting just because "might as well" while for the second time she finally wants to live for herself.

I think Falin herself has lost who she "really is" by trying to accommodate everyone around her and that's probably part of why we ourselves don't really know her, so much so that the most cynical character is uncomfortable around her (probably cause he notices Falin is "hiding" something)

I think Falin is quite the melancholic character to be honest, someone who has lost herself in self sacrifice and who is only now learning how to live for herself doing what she wants.

Both the teleportation scene and the bit about healing show "cracks" in the selfless front she puts out tbh. By context I don't think what she did was only due to "desperation of the moment" she says out loud "Even if I end up hurting others I want you and my brother to live on". She weighted out how much suffering she might cause and decided she wanted to save them anyway, and I'm sure in that calculation she knew that they would suffer because of her sacrifice too.

Falin is saving them for herself, I'm not great with words so this is all over the place and maybe sounds a little negative about Falin but the thing is, you cannot live your life for other people, you can't sacrifice yourself for other people's happiness, you shouldn't erase your own presence so others are happier and I think Falin is starting to learn that by the end.

I'd probably keep rambling without getting anywhere and missing a lot of more meaningful moments but I'll stop here, if anyone has recs for Falin analysis please share!

[transingthoseformers]

Bayverse Megatron x Optimus would be way more funny if they got into Political marriage and both can't stand each other that they always try to kill each other in their sleep, while also making everyone uncomfortable with their own way of PDA... Oh, and Sentinel Prime is dead, so they are now playing detective with it, but they can't trust each other easily cause unreliable narrator shtick they're about to pull on each other also... Optimus knows who did it but doesn't have enough proof, just giving Megs a side eye and Megatron knows who did it, but pretends to act like he didn't know who did it. (It was Megatron who did it)

Oh interesting???

LOVE the idea of a megop political marriage

Plus a murder mystery?

HMMM IT'S ALMOST AS IF WE KNOW EXACTLY WHO DID IT /jk we do

[francesderwent]

been thinking about the whole “women in their thirties are refusing to get married and have kids because they’re selfish and ungodly and that’s what’s wrong with today’s society” shtick and what I think is this.

sometimes, women are single on purpose through their own choice. I’m one of them. I wasn’t in a relationship from the ages of twenty-two to thirty. I went on a very few first dates and even fewer second dates, and in every single one of those cases I was the one who said "thanks but I don't think we should pursue this any further", which isn't even to say anything about all the dates I turned down right off the bat and all the casual overtures I rebuffed. and those men weren't vicious monsters, they were all more or less basically decent. I could have married any one of them - even the ones I wouldn't go on first dates with. if I wanted to be married, I could have been. I chose not to be.

and it does have something to do with the fact that I was used to being single, but not in the sense of not having any room in my life for somebody else, not wanting to put in the work, not wanting to live for someone else. because anybody who's been single for a long time will tell you the only saving grace is filling your life with meaningful friendships and family relationships you can sacrifice for and be vulnerable in. a single life isn't necessarily a life where you're accountable to no one. sometimes it's a life where you're accountable to a whole lot of people, all at once, pulled in a lot of directions, trying to balance a lot of plates.

and the kicker is, when you have a life that's full like that, and you're used to it - when that's the firm status quo and you're not caught up in the rollercoaster of dating a lot and comparing new partners to old partners - then, when you do let a new person into your life, you can tell very quickly whether they make your life better or not. some people, you can comfortably date them and they're not going to make your life worse, but they don't add anything besides an excuse to get out to coffeeshops and restaurants and the movies. and some people, as soon as you start getting to know them, their influence starts creeping into the whole of your life because they make you want to be better all the time. I like to think the second kind of person would shine no matter when you met them, no matter what else was going on at the time. but in certain circumstances the first kind of person can shine, when they’re surrounded by a muddle of people who have made your life worse. so taking a step back from the muddle and being very careful who you let into your life in a big way isn't selfishness, or disrespect for marriage and family. it’s actually a kind of prudence.

I could've married any of those men who asked me out in my twenties. I chose not to, because they were just okay. and eventually, I met my current boyfriend, who makes me want to be a better daughter and sister, who encouraged me to stop bottling everything up and suffering in silence so that I could actually be emotionally vulnerable, not just with him but with my friends and family!, who has deepened my faith by showing me what agapic love looks like.

and I wasn't guaranteed any of that. when I was turning down dates and ending fledgling relationships, I had no way of knowing that this was even possible. but I think I made the right decision - and if he'd never turned up, I still think I would've made the right decision. Lizzie didn’t know that she would marry Mr Darcy, a man she loved and truly respected and admired, when she turned down Mr Collins. but she was right to turn down Mr Collins.

[sonicpilled]

i am glad sega is a company that does more for lgbt than just edit their logo with a rainbow. like they donate and raise money for charities and organizations and such. But i hate how so many people get all surprised when they do this like EVERY YEAR!!!!!! this is not new and it will never be new, theyve always supported the gays ever since gay marriage became legal!!!! and sonic fans i dont understand how you can be homophobic. like. how??? the main character HATES oppression, and his whole shtick is like "oh be free!! do whatever you want in life, cuz life is short!". its just so annoying. and sometimes i can understand some little kid that is homophobic because they just dont get things yet but an adult??? an full grown adult that does their taxes is upset about a blue hedgehog with a rainbow flag????? ough. its so annoying. also like recently i got a comment a post where i put that funny gay rights rainbow shadow meme and it was sayingb like "shadow would be homophobic/transphobic hes so edgy" and ermmm WRONG! 🤓☝️ i think i said this here before. if i did, then my deepest apologies. BUT for a character whos main story and issues was figuring out his identity and who he really was, his ass would be so fucking hypocritical if he hated trans/gay people. but yeah Every single year this happens and GOODDDD its so annoying thank u for reading my silly litle rant if u did

[borwski]

spymaster, becoming the doctor, and gardening – a little character study

anyone else obsessed with the master and margarita short story?? no?? just me?? oh well you’re getting a character analysis anyway, long rant about spymasters obsession with the doctor via mushrooms under the cut :3

tw for dissociation and substance induced hallucinations (weird ahh mushrooms as torture)

for those of you who haven’t read the master and margarita (i def recommend its super fun) it’s about what dhawan!master was doing during his 77 years on earth in that time skip during spyfall 2. he’s a mushroom farmer in russia, crazy hijinks and thoschei references ensue. maybe i’m going too deep into it but i really love the idea of him as a gardener and what that implies for everything we see in ttc/potd

i’d like to start with the fact that out of all the masters, dhawans is the one least confident in his identity. classic who masters and saxon held their title with pride with their “he’s the master and you will obey him” shtick. missy, even when she was debating her morality, never saw herself as anything other than missy. her title wasn’t being questioned, it was what she chose to do with it. meanwhile, spymaster just... loses himself after looking into the panopticon. he’s faced with the reality that the doctor is more important than he could ever be, and given that he sees his worth as interwoven with hers (the history between us, constantly refers back to their past/when they were equal), this makes him lose all sense of self. it used to be theta and koschei. the doctor and the master. now it’s just the timeless child and….. that’s it. there’s no significant place for him in her life. what’s he supposed to do now, when he’s based his whole history around her?

easy! fracture himself into different personalities, hide behind disguises (i mean, THREE disguises in one episode? calm down dude) in an attempt to hide his unimportance. while the timeless child is the story of child abuse and colonialism, a hurt the doctor will have to live with even if she can’t remember it, the master sees it as a triumph. he is lesser. she is the timeless child and she has existed forever and he is some dumb timelord who fell in love and meant nothing to her in the long-run. he feels like he’s not deserving of being in his own skin anymore so he hides behind whatever name and personality he can find.

but the thing about all his disguises is that they are so human. agent o, a shy little analyst at MI6 with the wide eyed stare and wits to be the doctor’s companion. rasputin, famous bachelor and a piece of history the doctor would notice. he says he despises humans but he dresses up as them because well, do you know who does love them? the doctor :(

which is why his name and intentions in the master and margarita are soooo so interesting to me. first off, his human alias is mikhail (“son of god”, writer of the og master and margarita) afanasyevich (“immortal”, also the og writer of master and margarita) gospodinov (roughly translated to “lord” and “master”). he steals a name, just like rasputin in potd, with a lot of weight on who he is right now. an emphasis on “immortal” “time lord” when hes dealing with the pressure of ttc. hes basically copying the doctor and making a title for himself like the ‘timeless child’ to feel equal again. it’s not the only time he copies the doctor either, hes basically working for “evil russian unit” in this short story. 

(remind you of anything?? yes im talking about the doctor-master. super cool foreshadowing on how hes been trying to become/be one with the doctor before potd)

and it’s literally in the text. the whole reason he spends months cultivating mushrooms for russia is to change history a bit so that jo grant’s marriage will be ruined. such a Doctor thing to do, kind of parallels clara and danny. to love a human is to be overly dramatic over them. the master, again, uses humans for his own benefit but has never been overly fond of them, with the exception of the doctors little companions. hes copying her again.

but the thing is, he keeps cultivating them. he gains a love for caring for them. mushrooms are just mushrooms until they arent. in a time where he thinks he’s the doctors opposite, he begins farming mushrooms bc of jo grant, a detail the doctor would remember just bc he misses her. he couldve spent his time escaping and getting back to his regular timeline to defeat the doctor, but he stayed. because of a human attachment. very doctor-y.

and if that bit of nostalgia wasn’t enough, he even hallucinates the third doctor in this. Which. okay. give me a non-thoschei explanation for this.

i just really like what that short story has to offer as far as the masters obsession with other people and his disguises go. and what it means for him to spend months of his live caring for something, like the doctor would, when all hes done before is kill. what does it mean for the champion of death to cultivate life :(

nyways, if you made it this far, i really hope you enjoyed !! i just love talking about spymaster can you tell lmfaooo and if you liked any of this id recommend reading the gardener by ritheh on ao3 which expands on his whole “killer heals for once” thing its soooo good <33 ok bye see u guys next time

[scolop98]

Turns out I have too many thoughts to put this in a comment and honestly it was a matter of time before I made a post about these two.

Okay so: AMC's Pantheon. Season one episode one. Cary and Renee are playing out their whole "pretending to be in an abusive relationship" shtick. We the audience find out that this is a ruse after their shouting match at dinner, when they meet up in the garage.

Everything about this exchange—their dialogue and poses, the smirk on Renee’s face, the casualness of it all—read like flirting to me. That, combined with the general reveal that they'd been faking an abusive marriage—not to mention how Renee immediately slides back into The Role after Cary leaves—had me HOOKED. AND it was our first hint that something was seriously and abnormally wrong (= very interesting) with Caspian's life/the Keyes family, so my initial interest in Caspian's subplot was heavily tied to Renee and Cary's dynamic.

Then we get to episodes two and three... and they absolutely hate each other.

(context: first video is after he shoves her to the ground in front of their "son" and his "girlfriend" in ep2. second video, from ep3, they are picking out the hammer that (spoilers) will be used to break her arm later that night)

Every interaction is clipped dialogue and frosty glares and the bare minimum effort spent to make sure you and your coworker aren't going to step on each other's toes. At least on Renee's side—sometimes Cary seems like he's trying to connect with Renee (ex: after they meet "Hannah" for the "first" time), and sometimes he just seems pissed at her (ex: buying out the hammer) (which is understandable, she's the worst. she is such an asshole and I love her for that)

And then we get to end of episode three: The Hammer Scene

Where Renee breaks her own arm because Cary is "too pussy to do it himself" (not an actual quote), and Cary breaks down in tears after leaving Caspian. When Cary shows that despite participating in this ethical nightmare, he's enough of a decent human being to not want to break his coworker's arm and also genuinely cares about the surrogate son he's raised for the last 17 years; and when Renee shows that she is 110% committed to whatever this still-ambiguous, evil-shadowy-tech-corp-backed Truman Show gambit is that she's dedicated the last 17 years of her life to.

Also relevant (to me specifically) is that this scene is sandwiched directly between David and Ellen's breakup scenes, which are some of my favorite moments in season one and the primary reason why David/Ellen is my favorite Pantheon ship. The contrast between David and Ellen's dynamic (we both agree it's healthier to not get back together, but that doesn't mean we can't still banter about old memories) & my reaction to them (WOW is it obvious these two used to be married, instant OTP) compared to Renee and Cary's power hour (i.e. performing the most jaw-dropping, unexpected plot twist in the show up to that point) did something irreversible to my brain chemistry and single-handedly kickstarted my interest in "incredibly divorced animated parents with convoluted relationship histories" ships.

In hindsight, the tone shift in Cary and Renee's interactions in the first three episodes was probably just bad continuity or one of those "characterization was not fully fleshed out when we made the first episode" situations. Aside from the first episode, literally all their scenes in season one make it obvious that Renee and Cary were in a purely professional fake marriage and were NOT friends. Renee can’t stand Cary, and he’s incredibly frustrated with her half the time. While their garage banter did an incredible job as a Reveal Scene, it's also a clear outlier in terms of how Renee and Cary's relationship is written.

I wasn’t really thinking about any of that during my first watch of Pantheon. I was thinking: "flirty coworkers in a morally fucked up job" + "clearly pissed at each other" = "hate-to-love-you ship dynamic," and then I was thinking "HOLY SHIT SHE JUST BROKE HER OWN ARM" and could not stop rotating this family in my mind. I did notice that the garage scene didn't match their later characterization, but instead of thinking about the bad writing I kept rotating the potential of that dynamic in my mind.

Later S1 developments such as "Renee sees Cary and shoots him on sight" and "now that I've put you in this hospital bed I will gloat about everything (I think) you've lost, and also we still have to pretend to be married," and "we are in different states and still jump at the first chance to throw each other under the bus, which unintentionally reads as obsession with each other" did nothing to dissuade this train of thought, mind you.

So to synthesize all this: Cary and Renee are very clearly not in any sort of romantic/sexual/emotional relationship. Renee dislikes Cary at best, and all of Cary's post-episode-one moments of concern/sympathy toward Renee can be framed through this flashback sequence:

Cary, exasperated: "And… we're gonna be working together for awhile […] Let's. Try and make it pleasant. Deal?"

Cary (reasonably) wants to get along with the coworker he's going to spend the next 17 years of his life with, even (especially) if she's an asshole.

But that plot-critical-but-OOC moment in episode one wired my brain to think about these two being close enough to banter, and through that filter their dynamic in the rest of the season looked a lot like those sexually-charged, obsessive mortal enemy dynamics that enemies-to-lovers and hero/villain shippers thrive on. Not to mention the fact that these two have lived the last 17 years in the same house and might've been sleeping in the same bed for several years to keep up appearances (I know that everyone's favorite fake-marriage duo don't sleep in the same room but TwiYor don't have to keep their fake marriage a secret from their child). It is very, very easy for me to imagine an AU where Cary and Renee would have hate sex sometimes, and I feel like it would have practically zero butterflies on the outcome of the plot. Or alternatively, imagine if they were genuinely in a relationship while raising Caspian and how insanely toxic it would be—especially since their platonic, professional canon relationship is already incredibly unbalanced in terms of emotional labour.

And the fact that one of their most emotionally charged, status quo-changing, plot-relevant scenes was paired and directly contrasted with the most emotionally charged, character arc-relevant scene of my favorite Pantheon ship (David x Ellen) in what rapidly became my favorite sequence of season? Meant I was constantly reminded of this ship (Cary x Renee) whenever I thought about why I loved this show.

Anyways that's how a tiny bit of inconsistent characterization in pantheon's first episode turned these awful fake parents into my second favorite Pantheon OTP - not in the sense of "I think these characters should be together," but more like a "can you imagine how much worse their lives would've been if they were in an on-and-off situationship at any point in the last 18 years" that I constantly rotated in my mind for weeks after finishing season one. I hope my first attempt at a proper tumblr analysis essay was coherent, I wrote it between midnight and 3 AM. As a bonus, have this edit of them that I made last summer for a "toxic/complicated/disorienting relationships" MEP

The song is Tainted Love, covered by Milky Chance and originally by Soft Cell

Also, to clear up any confusion: just because I think Renee is The Worst and an Awful Human Being does not mean I don't like her as a character. I like her character a lot more than Cary actually. She's not blorbo material but she IS "I love to hate this character" material. She's the centerpiece of the entire fucked up Keyes Family Dynamic! From an audience perspective, she acts as The Face of Logorhythm's clone plot, given how she has more screen time and direct interactions with Caspian than Cary or Julius Pope in S1, and she's so intricately tied to Caspian's "what the fuck is wrong with my life" investigations. She's an asshole, but she's a complex, interesting asshole with plot relevance, screen time, and more personality than Julius Pope, and I loved watching how she and Caspian play off each other and how that changes over time. also she's a fucked-up and evil woman and idk i find that compelling in a fictional character, sue me.

[impishjesters]

Mafia Boss Jax x Reader

warning(s): gun mentioned, stalking mentioned, domestic/soft Jax, marriage mentioned note(s): Honestly couldn't really see much worth tagging, it's all just stuff you'd expect to see mentioned in a mafia/gang headcanon... A/N: So I saw a fanart thingie (and I've had it on the brain anyway) and it made me thirsty for some mafia boss Jax and I just... I might have to write up a one-shot (or series) at some point but this was enough to quench my thirst...temporarily. I can definitely see myself building a universe around this idea though. I'm excited as you can tell because I just kept fuckin' going in writing this out... Also feast upon domestic Jax in the latter half, I got mushy...

Jax is a tricky boss, it’s hard to get a solid read on him, as an enemy or an ally. He’s almost always sporting a grin, making it difficult to gauge unless you can tell those smiles apart. If he’s frowning? Ha.

He’s that fine middle ground of laid-back yet strict. His word is law, get shit done and do it right and he doesn’t particularly care about the rest.

This person needs to be killed, but before that, they need to be tortured for information. How you torture or kill them doesn’t matter, you get that information or else.

Rabbits are his motif design, not originally by choice but it stuck. Purple rabbit head, his signature grin, it’s childish—which is why it’s perfect, only idiots see that childish design and think “Oh this will be easy” and then it’s fuckin not.

Working for him means nobody is an exception to his little pranks and fuckery. Nothin’ too bad—not intentionally anyways. Bunch of wackos with guns, who thought they’d get trigger-happy when startled?

If you work for him, chances are he finds you a fun target for his mischief.

He might seem buddy buddy with you, but remember he’s your boss. Chances are you are acquaintances at best, not friends. At least for now—who knows?

If you’re dating him, well howdy hey aren’t you a pretty little thing on his arm?

Just kidding, regardless of whether you work under him or not you are given standard gun training as protection for yourself and him, but mainly yourself.

He does like it when you are his date for any events, though he’ll never say it. Jax is the type to bring up an event and do the whole shtick of “guess I’ll need to find a date” sorta guy.

Back on the topic of dating him and gun training—on the off chance you are dating and don’t know about his little crew and lifestyle… What the fuck’s wrong with you? Are you that blind? His position isn’t some well-kept secret, well not to anyone who knows anything.

Jax is pretty straightforward about it, except with his track record of joking there’s like a 97% chance you thought he was kidding when he said he’s a mafia boss. Ha, surprise.

Now if the two of you are dating, and you aren’t part of his little world then he does do his best to keep you out of it. This means that there are periods when you won’t see him, whether it’s because he’s busy or for safety reasons.

You aren’t safe from spam texts, calls, and video chats though. Nah, that’s all fair game to him baby.

Oh, you got work in the morning? Tough, he’ll stay on the phone/video with you until you pass out—he might go a step further and stay on the call for hours even if you are unconscious.

He does it for one of three reasons…

One, it gives him fuel to use whatever shit you say or do in your sleep to tease you with later.

Two, your company, albeit silent and unaware that you’re keeping him company, makes him feel less alone. Moments like this are often when he’s not working and at home, alone. Hearing you breathe, babble, and shuffle around on speaker has him feeling less alone in that big home of his.

Three, it gives him some piece of mind that you are okay, he can see and hear you, and no guns or glass are breaking to be heard. You’re safe. Moments like this are usually after stressful events, whether it’s a job gone wrong, someone injured, etc.

Those calls usually last through the night into the morning and you wake up and see the call still on or see him on the screen. He’s never told you about why some calls continue into the morning, or rather why he’s still awake when he should’ve been sleeping. Though it doesn’t take a genius to figure out it’s not just him being a stalker, but something more serious—if the oddly sweet tone he uses when telling you good morning and asking how you slept is anything to go by.

That said, Jax is not a morning person—even to you. Though if he’s awake before you or has yet to sleep, he’s oddly tender and domestic when it’s just the two of you.

“How’d ya sleep, angel? Dream of me? Nah, don’t answer that, I know ya did.”

“Hey sleepyhead, got ya coffee and breakfast ready. No, I didn’t put anything suspicious in it. I’m wounded doll, ya think I’d put in all that effort to make you breakfast just to ruin it?”

Okay so he’s still a little shit, but he’s got an unspoken soft spot for you.

Speaking of soft spots, if he’s truly down bad for you then that means you are his weakness. He can’t have those—no he’s not gonna kill ya Christ calm down—that means you’re at risk of getting hurt if word gets out.

So if the two of you aren’t at that level yet and are still living apart, he tries hard to keep his distance to keep the attention off you.

But if you are living together? You’re still at risk but he’s got his security measures, and bodyguards galore—even if you don’t live together he always has someone watching you—sure it’s a little creepy but just don’t think about it alright?

I said don’t think about it.

Jax does yet doesn’t understand the line of stalking. To him he’s keeping you safe, to you it’s likely an invasion of your privacy—but if you are anything like me then as long as there’s no malicious intent he can do his own thing. I dunno bout you but I’d rather him have eyes on me than something bad happen to me.

While living together it doesn’t take a genius to tell you that Jax visibly relaxes in your presence, especially when he comes home and gets into bed with you. He’s such a domestic sucker deep down, but you don’t need words to see that.

Overall, I feel like Jax wouldn’t date you if he didn’t have serious feelings for you. His lifestyle isn’t for everyone and he doesn’t open up to just anyone, it could take years before he finally allows himself to even ask you out on a date before considering more. But once the two of you are together he sees the two of you in for the long run, he’ll probably be upfront about it and say if you aren’t in this for the long run and potential marriage then he can’t do it.

Your Jax’s ride or die, please allow him to be yours too.

[kerubimcrepin]

Wakfu OVA - Book 1, The Throne of Ice [PART 1]

"Finally, we have arrived to one of my most favorite parts of Wakfu... The OVAs!" <- If I said this, I would be locked up in a psyhiatric ward forever, however, there is some truth to that.

I am a big fan of uhh the bits of the second OVA that have Joris, Kerubim, and Atcham in them. Sadly, Book 1 is not that OVA. It will have Sipho posing as Joris, and, well... that's the next best thing, ain't it? At least we'll get to analyse if he's doing a good job or not.

Ecaflip demigod memory retention deniers will be like "Ush being a core member of a powerful cult at 9-10yo for multiple reincarnations is normal".

Anyway, group chats are real in this setting. And Harebourg is their discord mod I think.

Tot I'm begging you to elaborate on this, what do you MEAN by this, what do you—

STOP USING GRIMALKINE SISTERS BEING A PART OF THE BROTHERHOOD OF THE FORGOTTEN AS A FLEX ON THE HATERS! I'M SCARED!

Them in the Great Wave manga when they show up and say they're at fault for Jahash and Julith's whole shtick or whatever.

Ughh.

Le meilleur journal qu'il est -

boufboul

[cant make out the rest]

little text in the corner: fji de ij

Ngl considering the fact that the King of Bonta dies within the next two years, he might have a legitimate reason not to come: being in the process of dying.

They LOVE Joris in this kingdom.

I bet real Joris would like to remain silent because, uh., lying is bad? If he tries to say the situation isn't as shitty as it seems, it might seem condescending.

So, Sipho fails at being in-character moment counter: 1. Joris would not say shitfuck here.

Oh my god... His fangs... His blush... His eyes...

One of the things I really like about the OVAs are the changes to Joris's design. While yes, like most people I miss the finer details of the previous seasons — but his new design is more sleek, and a bit more... catlike. It takes a lot of inspiration from his Aux Tresors design.

It is not the intention of the authors, but the fact that he is drawn with a mouth makes sense on a character level: he is more understandable and human than he was in the first two seasons. While he used to be a mystery back then, now he is a friend to the Brotherhood of Tofu, — and, to us, the viewers, he's just a guy.

Anyway, there is a big question here — while it seems obvious that other nations are involved — Sadida wouldn't invite other politicians to this meeting, if them seizing the Eliatrope Dofus was a secret, — just how involved were other nations? Was it mainly a Bonta-Sadida project which they let others know about? Were others interested up until the moment the Dofus were stolen, and is it the reason nobody showed up?

It seems kinda too obvious to state, however: Guys, this confirms that Joris and Harebourg are enemies.

Though, let's be real, all three of the Crepin-Jurgens are kind of opposed to the Brotherhood of The Forgotten. The trio is very... god-neutral? The outlook those three have is more of optimistic-nihilism — "the gods suck sometimes, life does too, but whatever. I need to restock the store and eat a soup, why should I ruminate on this." instead of "WE NEED TO KILL AND DETHRONE GODS IMMEDIATELY", which... creates a bit of friction.

Something to note is that Joris and the Kingdom of Bonta were involved with hiding the Dofus.

So, the Dofus disappearing, the proposition, and the condition that Amalia should be accompanied only by the Brotherhood of Tofu, are already both a political incident in on themselves, and a bunch of red flags stacked together.

Just listen: the property of a nation (the Eliatropes), which was in custody of a different nation, and can be used to save a kingdom, was stolen by a different kingdom to unlawfully demand marriage and unification of two kingdoms.

If real Joris was here, I'm sure he would be quietly having a panic attack about the fact that there may be spies in Bonta, and that Harebourg was able to do this without, let's say, knocking him out after he got all the Dofus and stealing them.

So, Sipho fails at being in-character moment counter: 2. Joris would be having a quiet panic attack, and pointing out just how fucked this is. just how fucked this is.

Sipho fails at being in-character moment counter: 3. At this moment, real Joris would come in, and say "YUGO THIS IS FUCKED!! Anyway we are going to beat Harebourg to death when we get there. I didn't want to say anything objectionable because Amalia would be sad."

He already did that in the manga. When Amalia and Eva asked him about his real opinion on Jiva getting the six Dofus.

While I think that Joris is someone who very much believes that the leaders of this world make hard decisions — and for this reason he MUST keep doing war crimes in Waven times to keep Bonta afloat, he MUST keep eating pig people and using slave labour and making explosive devices out of crackler babies, because really, 90% of war criminals quit just before true peace and prosperity—-

But, Joris is canonically enough of a feminist to be 100% pro-"pregnant women on a ship during a dangerous adventure across the world", so I think that outweighs his sense of "greater good".

In my opinion, he is more likely to think "very evil of you Harebourg, to force a woman into a relationship using the lives of her subjects. You're SICK, you're SICK, you have NO sense of romance or how a person should be treated!" and say "ughh we need to beat him up for this, Yugo. This isn't a very good deal for the Sadida. He's holding them hostage, Yugo. My main concerns are definitely not the way Amalia is being treated as an object but the political implications of that, Yugo."

Sipho literally committing character assassination out here. I will count this as the 4th time he does that.

Adamai is still very pissed off about Joris not asking before taking the Dofus. I think Joris deserves this quip very much. I wish Joris could hear Adamai be a hater towards him.

Sipho fails at being in-character moment counter: 5.

At this moment, instead of ignoring Adamai and continuing to talk, real Joris would make a funny face that implied he is in mortal pain due to someone he likes making a snide remark about him.

He is shown to be very much ashamed and worried about the fallout this will bring to his relationship with Yugo and Adamai in OVA 2.

Huppermages already did this, and it kind of failed when Ogrest's Chaos hit.

[fortunatelylori]

A defense of Eloise Bridgerton and her friendship with Penelope Featherington

I should probably start this post by pointing out the fact that I’m not the biggest Eloise fan out there. In fact Eloise has consistently annoyed me for two seasons straight with her I’m “not like other girls” shtick and the writers using her as a prop for modern feminist talking points. 

Mostly what I disliked about Eloise was the bluntness and lack of charm used to put across the themes of women’s role in recency society and the lack of options for girls not interested in playing the marriage mart mind games. 

Jane Austen, for example, makes many of the same points regarding women in her novels but instead of beating us over the head with it, she uses wit, eloquence and wisdom to get her points across. 

But, above all, I disliked just how self involved Eloise was, what a major chip on her shoulder she had. She’s a privileged girl from an immensely powerful and rich family that spends her days whining and being dismissive of everyone around her. 

She spends most of season 1 picking fights with Daphne for no reason and the second season making fun of Colin and running around town like a chicken without a head not so much because she wants to find out who Lady Whistledown is but because she’s bored and wants something to do (something other than talking to men potentially interested in marrying her because she’s gay she’s not like other girls). 

Even as I’m writing this, I’m questioning whether I’m even the right person to defend Eloise because, as you can clearly tell, I don’t much care for her. But I do think Polin and Penelope fans are really misjudging Eloise and wanting to make her the villain of season 3 due to her resentment towards Penelope and her anger at the Polin engagement.

So I guess I have to be the hero without a cape in this instance. 

Here it goes …

It’s very easy to look at the friendship between Eloise and Penelope in season 1 and 2 and conclude that Eloise has always been a bad friend to Penelope. After all, almost every scene they have together is about Eloise, her interests and passions, her frustrations at the ton and the marriage mart, her inability to fit in with societal expectations, her quest to find out the identity of Lady Whistledown etc, etc. There’s almost never room for Penelope to even get a word in because Eloise talks and talks and keeps on talking. 

But I’d like to put forth another interpretation and say that perhaps this dynamic in the relationship isn’t all on Eloise. That it’s Penelope herself that prefers it that way. That she’d much rather talk about Eloise and her issues than to reveal anything truly meaningful or vulnerable about herself. 

A scene that supports this theory is the scene they have in season 2, episode 1: 

This is about as open and vulnerable Penelope ever is with Eloise and in this scene we can observe several things: 

Despite her being more open than usual, Penelope is still lying to Eloise. She talks about how she enjoys being a wallflower because she can have all the fun without the pressure that comes with being in the spotlight. In reality we know Penelope would love to be in the spotlight but is frightened of being rejected. She’s not having fun hugging the wall at all and yet she’s unable to share that with her friend. 

As soon as Penelope opens up, albeit only partially, Eloise is quick to notice that, despite pretending not to enjoy the balls and the marriage mart, Penelope actually likes all of these things. This shows not only that she knows Penelope pretty well (as well as Penelope herself will allow Eloise to know her) but that, despite disagreeing on the topic, she’s supportive of Penelope and listens to her. 

It’s also worth comparing the way Eloise behaves with Penelope vs. the way she behaves with Cressida in season 3. 

Cressida and Eloise’s relationship is much more balanced and equal because Cressida stands up for herself, pushes back at Eloise when she needs to (like explaining why she needs to marry Lord Debling despite not being compatible) or when Eloise accuses her of telling everyone about Colin helping Penelope find a husband. 

And Eloise learns to adjust. She becomes a more supportive friend, sharing her knowledge of birds so that Cressida can impress Lord Debling, making conversation with him when Cressida doesn’t know what to say and coming to her house to visit her and offer support. 

My point is: Eloise is not perfect. She’s self involved and dismissive of things she isn’t personally interested in but is willing to put in the work for a friend if said friend is honest with her about what they need from their friendship. 

Which leads us back to Penelope. Eloise is the most meaningful relationship in her life (Colin is as well but that’s a much more fraught relationship for Penelope because she wants to be lovers not friends) and yet she refuses to share the two most important aspects of her life with her friend: her love for Colin and her being Lady Whistledown. 

Let’s leave Colin to the side for now because Eloise being his sister complicates matters as far as Penelope telling her she’s in love with him. 

But why doesn’t she tell Eloise about Lady Whistledown? Particularly in season 1, when she’s just starting to write the scandal sheet. She has no idea where Lady Whistledown will even lead, if she’ll keep going etc. She’s basically doing it because she’s a writer and she wants to have fun talking about the society she knows so well. 

So why not share the fun with her friend? It’s pretty clear Eloise doesn’t even know Penelope is a writer and hasn’t seen anything she ever wrote before Lady Whistledown because, otherwise, she’d know it was Penelope doing it. 

Also let’s not forget that, in season 1, Eloise was Lady Whitledown’s number 1 fan. She can’t stop talking about how amazing and brilliant she is. 

And yet Penelope says nothing. She’d rather grin proudly behind Eloise’s back than go: “Actually this woman you like so much … I am she. She is me.”

She again fails to do it in season 2, despite knowing that Eloise helped her in escaping the queen’s men at the end of season 1. 

And then the worst part of their friendship begins as the pressure from the queen mounts and Eloise is more and more determined to find out the identity of Lady Whistledown. Penelope chooses to gaslight and manipulate Eloise for weeks.

It’s not just Eloise’s relationship with Theo and her attending political meetings that put her in harm’s way and eventually forces Lady Whistledown to write about her in order for the Queen to stop suspecting Eloise. It’s Penelope’s refusal to be honest with her friend. 

Penelope is so determined to keep Eloise in the dark that even at the end of season 2, when she walks into her bedroom and sees Eloise, she still tries to gaslight her one last time. 

Penelope: You’ve been reading too much Whistledown. Her voice is echoing in your head. 

Penelope is stuck in a pattern of toxic behavior because that’s what she’s learned to do from her family. She cannot be honest about Lady Whistledown or anything truly meaningful, despite how hard it is for her to remain isolated and in the shadows: 

Penelope: You have no idea how horrible it has felt to keep this from you! From everyone! For so long. 

It’s no wonder that, in their fight scene, Eloise tells her: 

Eloise: I do not even know you. 

That’s because Penelope herself has made it so that the people closest to her, Eloise and Colin, don’t actually know the real her. She’s given each of them what she thought they wanted and needed (she’s very similar to Colin in that way) but not enough of the real her.

So when the Lady Whistledown revelation happens, there’s nothing for Eloise to fall back on in order to try and understand Penelope. 

All of a sudden her best friend feels like a stranger. A stranger that has exposed her intimate affairs to the whole world and who tells her this: 

Penelope: At least I did something. All you ever do is talk about doing something. You have all of these great ambitions, these great plans but I am the one who actually did something great and you can’t stand it, can you? 

Now, because we, as the audience, are privy to Penelope’s inner world and we know just how riddled with low self-esteem she is and how she’s used to those closest to her being dismissive of her or her achievements, it’s easy for us to see that Penelope tells Eloise this in anger. Particularly after Eloise tells her:

Eloise: I look at you now and all I feel is pity for you. Sequestered here, in this very room, writing your secret little scandal sheet, tarnishing everyone in town all because you are too afraid to stand up for yourself in reality. You are something else, Penelope. An insipid wallflower, indeed. 

Eloise’s words hit too close to home. Too close to the reality of Penelope’s isolation and fear of being alone and abandoned so she hurts Eloise back the only way she can. By pointing to the fact that despite talking and talking endlessly about all the great things women, and she in particular, could be doing, Eloise isn’t actually doing anything. 

Basically, these two manage to hurt each other worse than anyone else could because they’re best friends, because they know each other and what makes the other one tick. 

But from Eloise’s perspective? In this moment, where she’s been betrayed by her best friend? Well, Penelope doesn’t feel like a friend at all. She feels like someone who got close to her only to exploit her so she could write a scandal sheet and make money off of her misery: 

Eloise: This was personal. 

Penelope: Eloise, I’m so sorry. I was only trying to protect you. 

Eloise: Is that what you were doing? By writing about me in your latest sheet? By telling the entire world about things I trusted you with? [...] The only person you were interested in saving was yourself. All so you could keep making money at the cost to everyone else. At a cost to Miss Thompson. To my brother. To my entire family. To your entire family. [...] All because of your self serving manipulations. 

Which brings us to Eloise’s reaction to the closeness between Colin and Penelope and the announcement of their engagement. 

To Eloise’s credit, since their fight, she’s tried her hardest to be an adult and not punish Penelope more than she needs to. She’s very hurt by what her friend did and she can’t trust her but she also doesn’t want to hurt Pen.

She’s kept the Lady Whistledown secret and refuses to tell Colin why their friendship fell apart because she doesn’t want Penelope to lose the one friend she still has. 

She also misses Penelope which is why she ends up telling Cressida about Colin helping her find a husband. She’s trying to figure out what’s going on with her friend and the only way Eloise knows how to figure stuff out is by talking … and talking … and talking … in full earshot of everyone at the ball. 

But despite all of this, as far as she knows, Penelope is still the girl that divulged her secrets, ruined Marina Thompson’s reputation and hurt Colin, not only by revealing Marina’s pregnancy but by taking cheap shots at him only weeks before her brother waltzes into the Bridgerton drawing room to announce he’s engaged to Penelope Featherington. 

What kind of sister would Eloise be if she wasn’t angry at Penelope for that? If she didn’t want Colin to find out the truth as soon as possible? 

Personally, I think she’s showing real restraint. She cares so much about Penelope that she’s not dragging her brother into the study the moment she hears the engagement news to tell him that he’s about to marry the dreaded Lady Whistledown. 

Which brings us back to my earlier point: Penelope never trusted Eloise enough to tell her she was in love with Colin. Maybe if Eloise knew that Penelope has had a crush on Colin since she was 10 years old, she might be able to understand this engagement better. 

But from her viewpoint, all she’s likely to see is that Colin is an impulsive romantic who once again has gotten engaged to a girl who is lying to him and using him to avoid social ostracization. 

I know that by the end of the season Eloise and Penelope will have mended their relationship and they will go back to being the besties we know they are.

But what I would love to see in part 2 of the season is Penelope actually being brave and honest with the two people that she loves most in the world. Not just about her being Lady Whistledown but about the reasons why she became Lady Whistledown. It’s only by her decision to be vulnerable and open that she can actually mend her relationship with Eloise. 

Friendships aren’t just about being there for your friend, about listening and giving them what you think they need but also about allowing your friend to be there for you. To allow them to truly know you: your fears, your sadness, your hopes and dreams. That’s the only way for a friendship to thrive.

[sgiandubh]

Have you seen the official Getty pictures of Sam and Eleanor from tonight and this below? I’m not sure how to best express my feelings but it’s making me question the special chemistry I thought S and C had and believing they are a couple. I’m trying not to be sad but I’m questioning everything I have believed.

https://twitter.com/cashmyeshaybabe/status/1719822928714596696?s=46&t=PwRUwYJkImTt7ctbAQQkKw

Thanks for a weary and distraught shipper.

(*Testing 1, 2. Testing 1, 2, 3. Can everyone hear me?*... is the Austen-esque style civilized enough for your crowd?!)

Dear Weary and Distraught Anon,

I have Reasons to believe you are neither Weary, nor Distraught (or a Shipper, for that matter), since you are making The Rounds in the Hope that you will Elicit a New Convert, or at least Stir Shite like it's God's Work. Let me, therefore, Inform you that @bat-cat-reader has Blocked you on the spot, which I believe prompted this Last Resort solution of turning to me.

I happen to share the Same Sentiments as you, Anon. I am also Weary of People Like You, immediately popping in our inboxes with your Puerile, huffing and puffing Fake Tantrums, every Single Time S or C get out of Their Bubble and have a public apparition. And I am also Distraught at the Very Thought that People Like You still think we are Candid enough to even consider your intellectually Precarious Arguments, even for a Single Second.

These are the Earth-Shattering pictures that ruined your Evening, Anon:

Exhibit 1: a bit of eye-candy for 'your tired, your poor, Your huddled masses'. Promo-shtick 101.

Exhibit 2, or as your Chief, the Dimwit would dementedly shout every time one of you, Anons, makes it alive back to Mordor: MARRIT! FUCKING! (I believe the Third Interjection in her Dedicated and Minimalistic Vocabulary was...MARRAPAZ? 🙄)

Ho-hum. He doesn't even touch Tomlinson in this second picture, Anon.

Have a chicle, Anon. Then, repeat after me:

Eleanor Tomlinson is C's Good Friend. C has publicly okayed the project on X when they started shooting the series.

Eleanor Tomlinson is MARRIT to Will Owen since 2022. Their first marriage anniversary was Paper.

Eleanor Tomlinson and Sam Heughan have On-screen Chemistry only. They do not have a Ten Year-long History of Innuendos and decently substantiated occurrences, allowing for a pretty Clear Theory of life/love status - unlike Those Other Two you are so readily doubting, Liar Anon.

When you are done repeating those, please write 120 times in a row the following:

I have the attention span of a Highland midge and the ferocity of a rattlesnake.

We're done now, Anon. Please pack your belongings hit the Copy/Paste buttons for a Fuming Anon to Dimwit citing All Subsequent Comments to this Post and kindly (but quickly) see Yerself Oot.

[sisaloofafump]

I am absolutely in love with Clark’s outfit in Action Comics #370

The story itself is… weird. But! It does have a bunch of other outfits that I found neat:

It's a canonical pre-crisis story that's a flashback to Kal's spaceship as a kid getting derailed and landing on a (red sun) planet. There he grows up as "Sonn" and through his presence, the world's technology evolves from the stone age, through the modern age, and into futuristic capabilities. He lives a full life, has a wife and son, and is president of the peaceful world. After wars break out and he is exiled, his son turns back time and sets the baby Kal back in his rocket on track to Earth.

I really like all the outfits in his marriage ceremony—especially the officiant's headdress and the bride's whole shtick.

His son's "eyepatch" is a misprint I believe but I am choosing to ignore that

Story's original art by Curt Swain & Jack Abel, with this fun cover by Neal Adams.