#should i tag spoilers for like. ramble in tags??

[astranauticus]

todays orv mood: standing at the water dispenser under my dorm building waiting for my instant noodles to cook just pacing in circles and swearing

[k3n-dyll]

Here's your reminder that Sevika's name in itself is crucial to her character in the sense that it's a Hindu name (it has more than one root, of course, but from what I know - it's mainly popular in Hindi-speaking countries, correct me if I'm wrong) that means 'Servant'/'Servant of God' and until the very end when she got a seat on the council, she was always playing that role. A loyal servant to someone else as well as, in a way a loyal servant of Zaun itself.

I think part of that is why I find her getting a seat on the council so bittersweet, like I'm happy she's alive and I'm happy that Zaun has representation in powerful places now - but all those snotty looks she got? They're not gonna take her seriously or listen to anything she has to say, not to mention I feel like that isn't what her character would have wanted anyway. It feels so much more likely that she didn't want to be stuffed in a room with a bunch of people who look down on her and would have rather gone back to Zaun to rebuild as an independent place completely free of Piltover's influence

[sugarcarnation]

love love love how similar these two panels are. makes me insane

[fumifooms]

"Marchil? I guess I can see it on Chilchuck’s end, but what about Marcille’s? What makes you think she could develop feelings for him?" I’m glad you asked!

The first thing to note is that she does think highly of him

In the page on the right, literally defending his virtues and literally comparing him to Dalclan. And oh…

She does love a brooding mysterious guy who closes himself to love. But surely, Chilchuck isn’t her type at all, right? He’s not princely or knightly at all. In apperances certainly not, both looks wise and demeanor wise, but then that’s why she seeks to know him on a deeper level, to not only look shallowly.

And hmm. Chilchuck really is quite selfless isn’t he? Always looking out for others, and saving specifically her often, always making sure himself and, staying in or even running towards danger for her sometimes. Modesty is often considered heroic…

And can we talk about that drowning one… You can definitely frame the special attention as him knowing she tends to hesitate or be clumsy, and then his insistance on pulling her out of danger that she’s the healer aka the most important to keep alive, but. From the one who says that he just keeps his ass out of fights and won’t help this is a lot of risk to take, and he does die trying to pull her to safety in the dungeon rabbits chapter. And the drowning bit??? That’s when the dungeon collapses. The only reason they DON’T die of drowning here is that the water then gives way to outside. There was NO hope of pulling her to safety here and resurrections would likely not work either, he truly preferred to die with her than try to survive himself.

Sit your ass back DOWN you are in no state, self-sacrifical hero much damn

And Marcille definitely noticed this imo, after all she loves learning all she can about him, remembering things like how he hates waiting on people too. She pays attention to him and what he does and what he says. This to say that it’s notable, whatever reason for it you may think (though we know by this point at least she was already aware he was an adult though it wasn’t internalized), out of everyone it’s Chilchuck’s bed that she wants to sleep in during the Golden Kingdom stay. He’s safe and comforting to her: dependable, the defining trait in her view of him as is shown by the relationship chart in the Adventurer’s Bible.

^ Lending handkerchiefs is a romance trope btw and handkerchiefs have irl history of being used for courting. Especially in old English literature and plays like Shakespeare’s Othello, and personally I do see a lot of Shakespeare in Dalclan (nobility political drama with some romance). There’s how his cowl is a dearly beloved souvenir from his family too, there’s a lot of aesthetic tropes you can apply to him.

All this to say you can 100% romanticize Chilchuck into a princely noble guy if you try and that’s exactly what Marcille does with the wife roleplay. She doesn’t need much in the first place, she latches onto crumbs and makes aesthetic narratives out of details, give her an inch she’ll take a mile.

But what’s interesting about the shift throughout the arc of her and his relationship is that she starts out idealizing him into a little angel of a kid (shapeshifter), and she ends it idealizing him as a virtuous husband and family man instead.

And what’s doubly interesting is that in the former, she’s actively warping who he is personality and demeanor wise to fit the aesthetic, he doesn’t have that bitter pride of not asking for help and the edges have been smoothened. But what she does during the wife roleplay is something else, she acknowledges the flaws and just… Accepts them, rolls with them. She’s aware of his flaws and implements them into the narrative, but the reason why his wife left doesn’t capitalize on them even, rather Chil is chilblivious and his wife loves him very much still, she’s just testing him after having had a night of feeling out of place at his side.

And this is what separates the idealization vs romanticization, she’s not twisting him into someone else she’s just uplifting what he is and focusing on the good sides.

Marcille: "he has a shitty personality sometimes but if he was my husband I’d still cherish him" "If I were your wife I’d be overjoyed to go out with you and would get myself prettied up while you complain about me taking a long time, your friends would tell me that I’m nice and that’d make me happy, but I’d also be sad because you wouldn’t tell me that you love me enough"

He’s angry and his wife left him, he’s *flawed*, but he’s still worth hyping up, still worth having his own romance story, still has a shot of winning back his beloved. She sees him for what he is, human and real and not a carefully scripted character that fits an aesthetic, and she thinks it’s still worthy of love and admiration and fighting for

And what’s funny too is that you might expect her to cool down on him once she learns more about him but actually she only gets increasingly into his business. You tell her your age and next thing you know you promise to introduce her to your family. Give her an inch she takes a mile. And too the thing is, Senshi is equally mysterious but she doesn’t pester him like at all, asks him ONCE about his succubus and he doesn’t even answer and that’s like… It. With Chilchuck it starts off innocently enough with her wanting to know his age, hometown, the stuff she mentions having asked pre-canon. But it just keeps and keeps going and escalating. Think she’ll be satisfied now knowing you have a wife and kids, maybe she’s disillusioned now? Wrong! She wants to know their names and ages and occupations and hey how did you propose to your wife? Do you think she’ll stop after meeting them? What’s next? What will she want to know next????

She’s… Like it’s not a reach that Marcille is all over him. Like it doesn’t mean it’s romantic but she just is. She is not normal about him idk. Can you not ask him about what tongue technique he used when first kissing his wife, give the man breathing room

Marcille could literally go "if I was Chilchuck’s wife" having deeply pondered and thought out the hypothetical and people would still ask where anyone sees any romantic potential between them. Oh wait

There’s a platonic explanation for everything (almost?) in Dungeon Meshi don’t say I’m saying otherwise, but it’s definitely not like there’s nothing here to read into lol

Going off a bit more under read bc it’s my fave topic

Marcille has a whole theme with the charming prince trope with her idealization and storybook motif and Chil is kinda the "Well someone perfect like that isn’t very realistic and romance is usually more complex and that’s ok and good and flawed people can still be ✨virtuous✨" catalyst

Do you see do you see she starts canon thinking the most romantic thing is a prince charming but her arc in the end has her romanticizing an average, flawed, real and realistic family man, who’s on the poorer side and is on the verge of divorce. And that’s what he needed, too, seeing the positive of himself and the situation instead of focusing on the negative is explicitly what inspires him to hope that he might be able to reconcile with his wife, gives him the courage and self-esteem to shoot his shot.

He IS a prince figure instead that now it’s not about idealizing the grand and overt it’s about romanticizing the small things in real life!! About finding joy and beauty in things that seem normal or mundane and uplifting them to make the world feel kinder!!!!

He’s the devoted virtuous man that she wantsss not the storybook prince that’s unrealistic and could crumble like a script at any time. He’s the perfect example of a flawed realistic but virtuous & devoted & loving man. Far from a prince charming, but not fully detached from it either. Something worth fighting for despite the flawed cracks. Like literally, flawed romance being worth fighting for is literally the finale of Chilchuck and Marcille’s arc on the matter, where their separate arcs and issues intersect at the most crucial moment.

Marcille is important to Chil’s arc not only because of her optimism, but also because of her interest and knowledge in romance & matters of the heart, and that’s what he needs to both open his heart up to hope and to try to reconcile with his wife, like idk sounds gay

Their arc together is literally learning to 1) see each other for how they are and not undermining their qualities capacities etc etc while still not leaving flaws unchecked either and 2) opening up to people. Marcille LITERALLY makes Chil open his heart up to hope like idk man. What do you want from me. He’s literally the guy helping her through deconstructing novels and fantasy and rose tinted glasses and like. Deconstructing the prince charming figure into something more real but still romantically beautiful like KUI KUI STOOOOP STOP I’M ALREADY HOOKED I’M ALREADY-

 Ok fine that’s me reading into the tropes too much forgive me for being storybook brained but like. Speaking his heart out to a lone woman on a balcony, Romeo and Juliette shit, asking if she, too, doesn’t want to meet his family, madly blushing. And like she’s learned with Chilchuck it’s all in the little things, all the implications he cannot speak aloud. She does reciprocate, does blush madly back, and the first thing she does is shower him in flowers and jewelry and what in her heart is coded as romantic gifts

A lady, stashed away in a high tower by her lonesome, waiting for someone to call out to her from below… Romeo courting type shit with an offer, a heartfelt spiel, implicit confession from underneath her balcony. Offering him flowers because he succeeded in calling out to her heart…….. And they have to climb to her too…. Crazy

Doesn’t it sound like a proposal. One that’s both so storybook-like and not, contrastedly real and grounded, all about the implications rather than in your face grand gestures, "Don’t you want to meet my family?". They literally have an arc about the topic of romance and this is the climax/pinnacle of it like god?? This is @ the woman who said "Chilchuck is a shy/bashful man so I know he wouldn’t tell me he loves me, but…" btw

To quote a friend, truly the shiny secret unlockable dating sim capture target : THE DUNGEON LORD BIT WAS SO FUNNY BECAUSE HE KNEW SHE'D TAKE IT HOOK LINE AND SINKER HES THE ONE WHO GOT HER TO TURN AROUND COMPLETELY SHES LIKE. WIDE EYED FLAG RAISED???? FLAG RAISED WITH CHILCHUCK 👀👀👀‼️👀👀‼️👀

And the way that this is the culmination of their arc together… Like people are not ready for the ‘Chil calling out to dunlord Marcille on the balcony has Romeo and Juliette romance novels imagery’ take. Or the ‘their arc is about growing to see beauty even in the non-idealized, in the flawed and in the real’ take which makes it so so perfect if she were to lower her ideal from a charming elven prince to a virtuous halfling man (which she does end up romanticizing)

So there, you got to witness in real time what happens when I think about marchil for longer than 2 minutes, there are so many layers it’s a deranged rabbithole. I saw the necronomicon of subtext and it’s driving me to madness with forbidden knowledge that no one else sees

……. Like what if I told you she implicitly picked Chilchuck over a "unrealistic prince charming who’s actually disingenuous" much earlier in the story already. If she was given the choice to think through going with a guy that seems perfect and chivalrous like her succubus she’d pick Chilchuck over the other actually. If I sound insane rn tune in for my full analysis on them coming this month hopefully thank youu. Interwoven arcs of fantasy vs reality and idealization vs pessimism I love youuu

So now you know the general thesis of my planned analysis about the importance of the prince charming figure in Marcille and Chilchuck’s arc, where she romanticizes things to a sometimes worrying degree or idealize people into something easy and digestible and poetic (like Chil being a kid, and then him being a virtuous ✨✨✨husband), and how she needs to value aesthetics less and actual acts and facts more, be more grounded (like seeing people for what they are flaws and all, and accepting that people need money and not pulling through on principles of honor or unity shouldn’t get Namari shamed) and a part of that is accepting that Chilchuck is BOTH flawed and virtuous, a loving husband that still has shitty moods and fumbled his marriage so bad etc etc. So it’s like, her image of perfect prince charming that will whisk you away on an ethereal romance -> realistic flawed middle aged dad with personality issues and a failing marriage but he still is worthy of love and having his cute grand romance story and his happy ending. Ik I keep repeating the same point through this but I need it to be burned into everyone’s brains it has its grip on me I can’t do this. They are so special……

[thingscanalwaysgetworse]

love that it's called nerdy PRUDES must die but everyone that died was unashamedly horny

Edit: Please read the tags

[luck-of-the-drawings]

OOH YEAH BABY ITS THE SURGERY EPISODE BABY!!! ME AND THE HOMIES NEED SOME NEW FACES FOR OUR NEW PLAN, AND WHO BETTER TO GET THE JOB DONE THAN THE TWO MOST EVIL PEOPLE WE'VE EVER HAD THE MISFORTUNE OF HAVING OUR LIVES VIOLATED BY? I MEAN IT WOULD BE FUNNY. IT WOULD BE FUNNY.

[meamiki]

a star being appeared in your apartment, wdyd?

(aka loop getting reverse isekaied into the modern office au)

also there are some scattered mumblings on loop in this AU under the cut actually in an rb now link right here if anyone's interested (spoilers for all of ISAT, including 2hats!)

[sparkles-rule-4eva]

OKAY TIME TO LOSE MARBLES FELLAS

Something about the new trailer of Shadow Generations has really given a harsh reminder (albeit also a cool one) about the reality of who and what Shadow the Hedgehog is. How he was made. What he's literally, physically made of. What kind of freakish powers lay deep within him because of how he was created. And it's. Freaking. AWESOME!!!

This post wouldn't be complete without screenshots from the trailer!

First off, OOF. Watching Black Doom seemingly trigger Shadow's *cough* special abilities, was terrifying. It looks horribly painful for Shadow. He was mostly clutching his head but grabbed at his chest/stomach as well at one point. Makes me wonder if he even knew about these kinds of powers he literally had inside him. 😬🔥 Also, did y'all see the words "colony Ark" appear across the screen briefly?! It's in the first screenshot I have there!! 💥💥

OOOHOOOHOOOO LOOK AT THIS DUUUUDE THE BRIGHT RED GLOWING SINGULAR EYE JUST BEFORE HE LUNGES!!! I WANNA MAKE A DRAMATIC SILHOUETTE REDRAW OF THIS!!!

Why is he so dark and edgy and cool and alndckalnfkwaldmal HE HAS THE FIERCEST EXPRESSIONS AND THE INTENSITY IN HIS EYES ESPECIALLY RIGHT BEFORE HE KICKS THE VIEWER HALFWAY ACROSS THE WORLD HAHAHAHAAAAAA THE ULTIMATE LIFEFORM 🔥🔥🔥❤️🖤

*slams piano into ocean* WHY!!! IS!! HE!! SO!! FREAKING!! COOL!!!!???? 🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥

I'm about as normal about Shadow with wings as I was back when we first found out - that is to say I'm not normal about it in the slightest. I'VE BEEN WAITING SO LONG TO BE ABLE TO REDRAW IT!!!! HE LOOKS SO EXTRA COOL WITH THEM ESPECIALLY SINCE THEY'RE NOT PRETTY WINGS IN THE SLIGHTEST. THEY'RE TWISTED AND DARK AND ARE JUST TERRIFYING BUT THAT'S WHY THEY'RE COOL 💥💥💥💥

LOOK AT THIS!!! SHADOW BRAINROT IS REAL AKSMCMSKDNCMKASNFNMAKWNDMXKAWNNFMSWKNDND

🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥💥💥💥💥💥💥💥💥💥💥💥💥🖤❤️🖤❤️🖤❤️🖤❤️🖤❤️🖤❤️

[wormandzeewriting]

Endure.

I know you're tired. I know it hurts.

The cracked skull, the goggles,

Her missing anchor.

I know. I know the grief will be hard.

Living will be hard. I know this to be true.

But- Hey, no. Look at me.

Wipe your eyes, look at me.

I'm asking you to endure.

I'm asking you to endure the memories,

To endure the aching in your scars.

The pounding in your head,

The ink staining your clothes.

I'm asking you to be strong, for me.

For her memory. Just her memory.

Look at me. Please, look at me.

Wipe your eyes.

It will be hard without her.

I know, I know. It will be hard to go on.

It will be hard to find purpose.

But we have to.

And- No, look at me. Please.

Believe me, I know. I know you're a monster.

But that doesn't change anything now.

We just need to keep going.

Wipe your eyes. Take my hand.

I'm not asking you to be strong.

I'm asking you to keep living.

Keep remembering, keep growing.

Keep enduring.

It hurts like nothing before, I know.

Stand with me. Walk. Breath, slowly.

Come inside. We have much to do.

[mettywiththenotes]

One thing I will say upon looking back at it and with the redraw is that I don't think it's a "lack of reaction" and just more of an emptiness. It's not that he doesn't care, but instead he feels a sort of emptiness or hollowness in what has happened. Because he failed to save someone who needed it, he failed to do the one thing he promised he would try to do. And while Tomura has done many bad things, there is still a disappointment and dissatisfaction in knowing that he couldn't do the one thing a hero, in his mind, should be able to do. Whether he saved his heart or not, Izuku himself may feel that being unable to physically get Tomura out of there - like he has done with his other saves - means he not only failed Tomura but himself as a hero

And meanwhile Tomura is smiling faintly. Something about Izuku's possible emptiness in his reaction and Tomura smiling all the way until his death. And though he's smiling, it feels sad as well. I wonder if there was some small part of him that really thought something could change. Or he's touched (idk if that's the word but maybe something similar to it) that Izuku at least tried to connect to him, unlike the rest of the heroes

[razzafrazzle]

another character from die as lovers may, my funney vampire story... had this design bouncing around in my brain for years honestly

[image description: a reference image for an original character named dr. pranali guin, a fat, older dark-skinned woman that has black hair with a white streak pulled into an updo. she is wearing a tight white dress with a cropped black jacket and an orange ribbon around her neck. next to her are blurbs stating that she is 55, that her pronouns are she/her, that she is an aroace woman, and the following: "acclaimed sexologist who is rather humorless. incredibly suspicious of rowan, but isn't quite sure why. not as stern as she looks. has really bad eyesight, but refuses to wear glasses out of spite. loves melodramatic soap operas and keeps a journal detailing every plot point in them. probably autistic." end id]

[grapemoon]

A few details about Undertale that I really like:

Napstablook is over 100 years old. They don’t recognize the King or (former) Queen.

Napstablook either has never seen Toriel in the Ruins, or just doesn’t care that she’s there.

Papyrus is really strong. REALLY strong. He’s just way too nice to even capture you.

The fact that its like. A plot twist on BOTH of the human’s identities. The kid you named was actually Chara, and the one you played as was actually Frisk, and neither of them were actually the “players self inserts” that people thought they were.

Flowey trapped himself in a time loop of his own making, and then got bored of it even though he could’ve just. Stopped resetting ? Unless I’m missing something here this is very funny to me.

Just how many characters are mentioned, but never seen.

How every time a character says something meta that implies they know they’re in a game, it can always be turned into something else, making it very vague. I like vague.

The sign on the Librarby.

In the Genocide route, you’re so far gone that Asgore, a monster that’s been alive for over 100 years with six human SOULs in the very next room, is unable to recognize Frisk as anything human.

Flowey is still Asriel under all that, and while he has indeed gone through a LOT of shit, you can still see that when he’s suddenly so terrified of the person he’s convinced himself is Chara that he feels fear for the first time in who-knows-how-long, after pretty much convincing himself he couldn’t feel anything.

The changes in the Neutral endings!!!!!! I love how many different variations of it there are it’s the best hehehehoo!

The Papyrus phone calls… they’re so hectic and there’s sooo much dialogue it’s amazing

This is moreso speculation than anything concrete, but I really like to think about why Flowey thought Frisk was Chara. Had it really been so long that he’d forgotten them? It’s understandable in Pacifist since he was reeeally going through some shit AND Frisk was wearing all of their stuff, but in Genocide he sees them kill everyone and goes “!!!! Chara!” which. Huh ? I personally like to think he spent so long in that little self-imposed time loop of his that he forgot about how Chara actually was, and deluded himself into believing into them being a bad person, just like he felt he was now, simply based on their last moments alone. Kinda fucked up huh?

[fumifooms]

Do you think Kui retconned Kabru and Rin as a couple? It seems so strange how Kabru treats her if he views her as a sister

Rin & Kabru relationship analysis

Skip to the keep reading cut if you only want my Kabru & Rin thoughts. Tldr of the preamble is that I don't think Kui retconned anything but I don't think Kabru and Rin were ever meant to end up as a couple, but that doesn't mean that there's no way anything deeper or more complex is happening here. Under the keep reading is my pretty full analysis of Rin & Kabru, which I'll still cover in my full Kabru party analysis eventually.

1) People do debate about wether or not Kui changed her approach to a lot of her characters halfway through the story, Kabru, Thistle and Chilchuck to name the biggest ones. I've heard it be an explanation for the shapeshifters even, that it's a meta joke on how characters' old behavior and appearances have now become out of character. I personally believe nothing has been retconned, that all the characters are coherent and, perhaps more importantly, that regardless of later intent the early writing makes the characters more interesting and layered. Not that the idea of there being or needing retcons has no merit at all, for example forest goblins are in-world common knowledge to be found on the second floor, but we also learn later that goblins is a slur against half-foots, and knowing Dunmeshi's philosophy about humanoid monsters it's odd that they never ever come up again if they exist. The anime -and iirc adventurer's bible- kept there being goblins on the second floor of the dungeon, so much like Thistle's early appearance I have to believe it's a part of canon that's not meant to be retconned, ie that's canon and accepted as such, with some degree of intent. We do know that the climax of the manga was going to happen differently with what Kui was planning in the earlier manga days, with demon king dunlord Laios, too. Regardless of all this, for better or worse we hae what we have now and we must take it all into account as the whole picture of the work's story, world and cast- starting to pick and choose what's actually canon from the canon story is just giving up and letting the world burn lol.

2) Kui is fearless when it comes to presenting us with complex layered relationships without feeling the need to explain themselves or offering full closure. Marcille canonically sees Falin as a friend. Laios' succubus was undebatably Marcille. Mickbell sees Kuro as family. Were the touden parents bad parents? Is Maizuru? Is Milsiril? Ambiguity in Dunmeshi's case is a feature and not a bug, and perhaps this short story of Kui's shows why she prefers not to cast moral judgement as a narrator on various acts and characters. There's this very neutral approach to her writing where the cast does its own thing and she just tells us what happens, and as I said closure isn't a given. I've talked about the matter of wether or not Chilchuck's wife accepts him back before, something that bothers and lingers for a lot of readers, but an example that haunts me is Mickbell and Kuro. It's explicitly stated that Mickbell continues to "still being worked hard by Mickbell" after canon, and though we have one hint of how it might get better with Kuro learning common slowly but surely, there's no 1) conclusions as to what their relationship is exactly and 2) discouraging or encouraging framing for it, there's chiding but ultimately wether the relationship is more healthy than it is unhealthy and more salvageable than unsalvageable and worth it isn't answered. What happens will happen, and we just have to come to an answer that satisfies us on our own :') Or hey, how Falin only starts finding herself at the post-canon! It offers a nice end to her arc in canon of having a very malleable unpresent identity, but it starts another of self-exploration growth that is left open-ended. So, it's not because a relationship feels wrong or unfinished that it wasn't well-written or intended.

3) Kui doesn't lie but characters can. Characters can be unaware of things or even wrong, even with their own feelings, like Chilchuck saying he doesn't care about the party etc etc, or more widely Marcille thinking orcs are scum, or people at large in Dunmeshi believing in a modified truth of history, a version of it without the demon. These can be wrong objectively, but furthermore they can be disproved by the text, the way that Dunmeshi shows us orcs can be communicated with and peaceful etc etc and every character's racism ends up narratively or implicitly discouraged and disproven, kobolds included. The story is told by us through the characters and their actions, so it's their flawed perspective and incomplete information we have.

So, okay. Relationships are very complex but Kui doesn't tell lies, there's no info or moments that really have been retconned. The reader is left to make their own interpretation of canon.

... OKAY LAST TANGENT but we have to acknowledge something about canon quick too: This is gonna sounds ironic considering what I said earlier but while all extras are made to be in-character they're not all canon to the storyline, so to speak. There are sort of three types of extra comics context I can think of, there are comics set in pre or post canon, like one about the way Marcille was welcomed into Laios' party, or Falin's answer to Toshiro's proposal, which we have no reason to not believed happened in the canon timeline. Daydream Hours extras are exceptions because they're usually looser than Adventurer's bible extras, for example the comic about Milsiril visiting Kabru has a "what if" phrasing to the blurb. Then there are extras set vaguely in time that if during canon could simply happen off-screen, like Chilchuck's extra about hearing the party members going to the bathroom, a lot of monster tidbits also fit into this, which again I have no reason to assume hasn't happened. But now we get to the last type, the one set at a precise moment in canon that is impossible. My go-to example is the tidbit about werewolves, it's set during the Laios vs Lycion fight with Kabru present, and those chapters in the story had quite tight plotting, it makes no sense to consider that extra within the reality of that moment, it breaks the tone and story continuity and timespan of the scene, it can't be canon to the canon storyline. This is to say that again, although in every extra the lore is correct and characters are in-character, some extras are not "canon" to the story's timeline and can't have happened. And since it happened with one extra, that didn't have anybdisclaimer of being different than any other, it does put other extras' canonity into question a bit too. Ultimately, what we get in the actual manga is above everything else in both relevance and credibility. This is about extra comics, but I don't call into question all the extra info through text we get in character blurbs and about the Dunmeshi world within the Adventurer's Bible at all, especially since it was spexifically made to inform us more about canon. This is all just something to keep in mind, when talking about Dunmeshi canon.

Okay, now. In terms of rin & Kabru's relationship, as for what we see of their relationship...

The quickest summary of how they see each other:

Rin's line reflects how she follows him out of worry, thinking that his ambitious manipulating ways will fail him and get him in trouble eventually, and how that worry is out of care and love. Kabru's line... Is more ambiguous, but we'll get into it.

We don't see Kabru and Rin interact a ton, but we do see her bring her up or think of her unprompted this time, which reveals a bit of how he sees her/feels about her and what his priorities are.

He "wants to help her get away somehow", and this out of what? Duty? Charity? Care? The companionship they once shared? Sympathy, knowing how it feels like to be under inadequate care by elves? Kabru is empathetic and wants good for people, cares about people and community, is rather concerned by the greater good instead of individualistic gain etc etc, so this attention isn't necessarily uncharacteristic on its own.

What makes their bond unique is the history between them.

It's implied they spent a lot of time together growing up, which led to Rin wanting to stick with him. Perhaps as some trauma-fueled-bond hero, but in her own words mostly because she's worried he'll get into trouble if he's left alone. She expicitly loves him romantically, started presumably before canon and presumably hasn't stopped by the end of it either.

We see his priorities here. It's notable that besides Rin being the sort of by default second most important kabru party character, she's also the one he thinks of first, understandably since he knows her best. Like above, he speaks very matter-of-factly and coldly about it though, and he seems surprisingly apathetic. It's not the thought of hostages that drives him to eat those monsters and keep strong, it's the thought of learning the mystery of dungeons and how to prevent Utaya tragedies

This moment below may seem like nothing, but it's also pretty telling of their dynamic:

Rin in the moment negatively assumes he's only frivolously interested in Namari, and although Kabru doesn't shut it down instantly with a "this isn't about personal interest" he does imply clearly with "friends" that his intent isn't to woo her (the fantranslation uses the word lovers instead iirc, so the original japanese word might be more revealing. Considering how Kabru sometimes teases Rin and provokes her jealousy on purpose like with the mermaids, it's not impossible the word was an euphemism). Rin ambiguously disbelieves this and/or disapproves. It does feel like Kabru keeps this sort of persona air when answering her, so it's not entirely hard to understand- it's true he was keeping his real reasons and intent secret: only later on does he give his party the "Laios party" spiel and mention Namari was part of it.

This can also be seen as an example of the chaperone "big sister" effect of her nagging, and of her recurring bad faith towards him. Rin chastises Kabru for behavior and stances that are understandable, like telling him he shouldn't just smile and gloss things over when being belittled, but she does have the habit of being easily jealous and lashing out because of it. But again, if you see it from her stance, your childhood friend always thinks he an handle everything alone and acts like he has the fate of the world resting solely on his shoulders, and he keeps shutting you out and leaving you to guess for his intentions, and being someone under his leadership on top of a friend makes this more alarming and frustrating. Loving him as you do, knowing him for as long as you have, you'd wish Kabru was open with you and that'd create frustration.

Yet despite everything there's trust here. There's familiarity and a degree of comfort, even when Kabru always refuses to fully open up. A promise from Kabru means something to her, it's worth something, she does trust his word and morals even when she knows he can be dishonest. She's used to Kabru, and through thick and thin she wants to be there to support him in his goals and look after him.

But below, his priorities are reaffirmed. He literally pushes her out of his way in that first page, to get to laios who represents his goals, and then figuratively by brushing her off. I think it's very interesting that the look her gives her feels alike to the look he gives Laios shortly before, those sort of empty eyes. They make me think it's his mask-on "business mode" look, and when it's a matter of business things have gotten serious and he will not entertain irrelevant matters. Like Rin's feelings. My first instinct's always been that his look at her meant a resounding "shut up", but it's true it could also easily be a "come on, catch up", especially since he goes on to explain that they mustn't have meant harm in the first place.

It's not only the look that's cold though, because you'll remember, "catching the culprits" was the promise Kabru made to her, the one she trusted that made her agree to their party's plan at all in the first place. Even though the phrasing wasn't precise on that front, by giving up on confronting or punishing Laios' party at all he's breaking his promise, and doing so very dismissively.

It's the distance of it, in how cold he is to her, how distant from him and pushed away by him she feels. It seems to say that yes, the teases he does are meaningless bones he throws at her, the moments they share are below him and below his goals, this is what's important to him and this is how Kabru wants to treat her when push comes to shove. With harsh chiding of his own and then calm explanations, as if while she's heartfelt with him he's indifferent with her.

Although, like how in the end he doesn't want to kill Laios despite it being the safe choice, there's much to say on wether or not he would actually throw her under the bus in the end even if cornered. He always steels himself for the worst, but he's also more talk than bite when it comes to truly being effortlessly ruthless and he prefers to find peaceful and humane solutions. In the end though, the hostage situation more or less tips the scale both ways, even if it'd be easy to say he was simply hiding his concern.

Okay and now to quicken things up this is where I start dividing interpretations as "good faith" as in believing Kabru's explanation that he has a strictly sisterly attachment to her, vs "bad faith" where there is potential for considering romantic interest on his end.

To start with the least questionable:

"We're talking about how cute your smile is, Rin." Good faith: He's complimenting his friend, wants her to not feel insecure, wants her to feel more confident and likeable desirable, because he's nice or because he cares about her. It does make her happy in the end, after all. Knowing it would, he might even have said it just to demonstrate his point to Mickbell with her reaction. Bad faith: You know she likes you, isn't this weird to go out of your way to say? He's not lying exactly, but they were moreso talking about her attitude around smiling, and he could just as easily have deflected or said "Oh, nothing much". Bringing up her appearance or how cute she is could also have made her self-conscious, she's not really the kind that likes public attention- but he knows her the best and it shows, after all. In the end, it doesn't sound like something you'd just tell someone you know pines after you that you want to turn down or discourage from pursuing you.

"When she furrows her brows, I assume she's smiling inside" is also weird to me. Sure she does have this weird situation with emoting going on, but claiming Rin is never angry is factually wrong and always dismissing that anger feels belittling. But this approach to reading Rin and interacting with her would explain why he always teases her, I suppose.

But this is kinda what I mean when I say they are close, in a way, the way he knows how she is with smiling, the way he's comfortable saying things like this to her despite not being someone you just have to interact with occasionally. There IS familiarity there IS intimacy, it's just odd and inconsistently applied.

Kissing her: Good faith: This is an urgent dangerous situation and kissing her is the quickest and most direct way to shut her up, which in his situation he does not have the luxury of time or ressources to think through solutions better. We don't fully know the details of incantation magic's workings, had he slapped his hand over her mouth maybe her lips could have continued moving and chanting so she could have still finished her spell, compared to kissing where it stop both lip movement and sounds from coming out. Plus, kissing her has the added effect of heavily shocking her. In a 'what if' bluray bonus comic Kabru's party faces shapeshifters and he suggests everyone get naked as a quick solution, so it is implied there too that physical intimacy and privacy aren't something he puts above practicality. Bad faith: Gag her. Hell, shove your finger down her throat. 'Master of human anatomy and psychology' here decided he had no other choice than kissing her. In that 'what if' extra I mentioned, Kabru did find another much less practical way to deal with the shapeshifters and went through with that instead, knowing no one would be happy getting naked. Also "It's too bad she looks like a monster", hello what? Neutral: Perhaps he chose, because either way in any case he did choose to, to kiss her precisely because he's mr. master of psychology, because knowing it was Rin he decided kissing was the best approach specifically because it's her, knowing it'd shock her etc etc, regardless of it being tactful or not or if it'd hurt her or even encourage her love for him.

"It's too bad she looks like a monster." Good faith: It's a neutral enough statement that he could mean a couple of different things with it, including wishing he could see her reaction better or speak with her more easily. If we go with the "I wish I wasn't kissing her as a fishman" angle, well, he really hates monsters to a traumatized degree so pseudoincest may be preferrable over monsterfucking. Fair enough. Bad faith: The fantranslation translates it as "it's a shame" instead of "it's too bad", which does lend itself to a less neutral reading, but wether that's reliable and telling or not would depend on the original japanese sentence of course. He could have meant "I wish she looked like anything else but a monster", but "I wish she (at least?) looked like herself when I kissed her" is the most direct interpretation, and then, well. That's pretty damning. To me it sort of feels odd that'd have been the phrasing if that was the case, especially since Kabru especially has noticeable reactions to monsters like shaking, horrified faces and dramatic thoughts. This is his internal thoughts and "Too bad she looks like a monster" feels very casual- the same type of casual that he has when deflecting not being interested in Namari to Rin, aka him being more playful. "I wish she looked like herself when I had to kiss her", like man. Okay. There's a lot of leeway you can give him but it's still odd.

Good faith: ??? I do struggle with this one. A friend of mine has the interpretation that this is an epic own of sorts, that by "always like this" Kabru meant "unable for me to hear you" so he likes not hearing what she says. Reardless, wether his assumption is accurate or not, Kabru is taunting/teasing when he says "look at me, not the mermaids", to what could have very well been just Rin noticing his staring and telling him to focus, and "You'd be cute if you were always like this", and like always he's very casual as he does it, says it like it's nothing, so it could mean nothing deeper. Bad faith: Why do you have to say any of this, what do you think it accomplishes, this counts as flirting in most books. It doesn't make her mood better, it doesn't shut her up, so I can only imagine Kabru simply enjoys doing this, it entertains him for one reason or another. Why do you keep calling her cute why is this a pattern that is forming. Neutral: Presumably, Rin is also unable to hear him since they all wear the earplugs. This would mean that beyond his gesturing, his words aren't meant for her to actually hear.

So.

My honest reaction:

Kabru what is this............. Huh. Kabru. What do you mean

The issue

It's less intimidating when analyzing each piece of interaction one by one to slowly form a wider picture, but it's still quite the puzzle. Because ultimately, what he feels for her aside, he is both pushing her away and encouraging her crush on him. He is both keeping her out and leading her on. He is both trying to keep a distance and throwing her bones to latch onto. And huh. Why though.

He's too socially savvy not to know Rin likes him right? Right? He even teases her about being jealous. He has to. He hassss to. And then obviously he has no intent of reciprocating. Especially since he's a huge flirt with anyone and Rin makes it clear she feels jealous.

Then, it feels kinda cruel...? You don't have to flirt, or taunt her because you know she likes you, and blow her off like that without ever having a serious talk. And like I said, shove your finger in there instead of kissing her. Did he do it because he prefers her being kissed over her puking? Was it out of pity? Throwing her crumbs of attention? Is him wanting her out of the elves' grasp just pity? Is it soooo easy for Kabru to tease her and kiss her despite having no feelings of his own, borderline mocking how deeply she loes him and what it means to her? Is doing all this "for her sake" too, like bringing her along was? Just. Free Rin. Free Rin of this.

In the end, what side of "does Kabru like Rin or not" you fall on pretty much depends on wether you favor a consistent "good faith" reading or a consistent "bad faith" reading, which impression you got while reading. But I hope I was able to show that both sides have reasons to think it and both are coherent interpretations of canon, neither are just being dense or difficult for the sake of it. A Kabru interpretation differs almost person to person. Personally I think the ambiguity itself is telling, which is why I usually land with a weird ambiguous situationship characterisation with them, they're a third secret thing and Kabru's feelings for her are complicated imo. He doesn't love her but he doesn't not love her etc. Dungeon Meshi largely lets the reader come up with their own interpretations of details, Kui herself said interpreting characters however is readers' freedom, and the story also avoids romance in general.

Although, there's debate as to wether he even leads her on at all, and personally I think it's pretty undeniable regardless of his intent, if anything even just going by effect.

All I can safely say is that this is not the behavior of someone smartly turning someone down.

Potential 'why's

BUT you could almost say he's purposefully trying to hurt her by being jokingly flirty and casual about it all, which could be to push her away and discourage her from pursuing him, wether it be for her sake or his own. It is a ship post, but I explore this stance a bit in my previous kabrin post if you're interested and unafraid of shippy brainstorming.

Or, inversely, maybe to him leading her on is a way to spare her feelings. Maybe he feels guilty about her liking him, or maybe he feels like he has to repay her somehow. Where his behavior when teasing her in early canon is rather provoking, most often I'd call his demeanor towards her placating if anything. We do see that Kabru prefers letting people down easy, except when shit is serious in the dungeon I guess, and he tries not to rattle people.

Personally, my favorite niche reading is I think it's his way of avoiding confrontation. He doesn't want to lose her, so he gives her just enough hope to hold onto so she'll keep following him, unknowing that Rin follows him out of a sense of duty of her own rather than romantic hope, because he always underestimates people's like of him like Laios does, assumes that people like him less than they seem because even when they do it's a version of him that's tailored to be likable. So he does this to keep the status quo going and keep her interested without having to reciprocate or commit.

I do think he also takes her for granted a bit. "Whenever she frowns I imagine it's a smile instead" what are you talking about. Like I said earlier, it feels weirdly dismissive and belittling to treat her anger as if it was something else, even assuming it to be joy- and there's merit to calling the anger Rin often shows a misdirected feeling, because yes, it's out of worry and care and love and she has a hard time emoting outside of a harsh-seeming scope etc, but is this what's going on here? His words leave me equally intrigued and concerned.

And like, her caring anger coupled by her nagging and scolding and looking after him unconditionally, I'm sure she does frustrate him sometimes and makes her feel stifled especially with his background at Milsiril's, making the big sister comparison understandable... ... BUT THEN WHY LEAD HER ON.

What he could feel

Okay so first of. "She sort of feels like how it'd be like to have a big sister" and "I see her as a sister, i strictly see her as if we shared family ties and she was the blood of my blood" are different. Kabru being like "Man, I wished she looked like herself when I had to kiss her" does not feel like a brother-sister thing to me, personally.

But hey, going with the opposite angle too- "She's like a sister to me" can be an easy shorthand to say "I care about you but i don't see you romantically or sexually at all" and it can be "you are deeply important to me and our bond would remain no matter the distance or time we are apart" and even "I can't imagine my life without you (no romo)". In many languages like french, the word soulmate instead literally translates as 'sister soul', as in a twin soul etc etc- a husband and a wife too are family. This is to say that both familial love and romantic love can run very deep, with a similar intensity just in a different nature, platonic or romantic. Kabru doesn't necessarily feel very strongly towards Rin even with the sister angle, but what i'm saying is that if it isn't just a catchphrase to let Rin down easy, wether something he would tell Rin or just something he tells himself, then it's not entirely out of the question Kabru would mix up the nature of that affection he feels for her. Maybe being childhood friends, he thinks it makes sense for it to be what he feels for her. I don't think this is necessarily farfetched because we see that Kabru neglects his own needs heavily for the sake of his goals, he doesn't recognizes or acknowledges his needs for social connections or things like sleeping, cooking and keeping his living quarters orderly. I think it's in character for him to dismiss outright that he could be in love with someone, and even for him to suppress it, because he can't let anything be more important to him than preventing more Utaya tragedies. If you subscribe to the idea that Kabru wanted to be Laios' friend at the back of his mind, this is in line with that.

Regardless of the "truth"/intent, I agree Kabru treating 'his sister' Rin the way he did in canon is really mega major weirdo of him though.

He sees her as a sister, or he believes he does. With a romantic angle, it could mean: Denial, repression, having a bond that feels as deep and immutable. Leading her on because: wanting her near but still pushing her away, being interested and scared to admit it, thinking he shouldn't let himself have this, not interested but still wanting the safety net of her.

Again with my own interpretation, I think he loves her the way one loves a safety net. What I and others may mean when we say that we think Kabru doesn't love her but he also doesn't not love her. I think this is why he's both taking her for granted and caring, dismissive and considerate, her "brother figure" but also the guy who will flirt with her without a second thought. A safety net the way one is comforted by a big sister mayhaps, who's disapproving yet always unconditionally there to help. But family and comfort are so closely tied together, it's unsurprising they get entangled sometimes, a lot of behaviors can be seen as both romantic and familial and it's just a matter of the facts and perspective because in the end what they are both is loving- and canonically, Rin loves Kabru romantically and Kabru cares for Rin like a sister.

Conclusion

I've said before that I think you can call them each other's best friend and that that's sad, and I stand by it. I think it's easy to argue that Rin is the one who knows Kabru best currently in his life, and the reverse is true for Kabru knowing Rin best. It's lonely, for both of them I think, Rin's kind of tough love is not working for him and Kabru is not filling Rin's emotional needs.

The reason why Kabru might feel like he has to get Rin out of the elves' grasp is because she has no one else, at least no one else that was deemed important enough to have been referred to or implied at all. And Rin calls him out for his shallow behavior and his unhealthy habits. They're close enough and weirding others around them enough that people like Mickbell notice when they heatedly do their song and dance and argue but hey, this is just another monday, and how Mickbell asumes she cleans his place up for him because that's what intuitively makes the most sense- it's the first thought, the most intuitive. Rin would do anything for Kabru and devotes herself to helping him, after all.

Reminder that this is the guy we're talking about:

I think her concern is worried tbh, he doesn't know what a DUST CLOTH is and he's pretty unhealthy, forgetting to eat and drinking to go to sleep, overworking himself. He'd easily work himself into an early grave. He neglects himself. I've said before in my Kuro x Kabru post that I think Kabru focuses so much on the bigger picture and saving the world that he forgets that he himself is important too, that he's truly special to some people, that he's even some people's hero, not just the world's, and I think to a degree it's good that Kabru has someone there to ground him and scold him when he's being thoughtless or overthinking, to try to show him that he's loved and valued, in her own way which he claims to understand so well like he does her smiles.

Kabru's a character where fan interpretations especially differ, he's hard to read when it comes to the details, so his relationship with Rin is very much a grey zone, especially when trying to precisely pin it down. I think though that it is a mistake to say that Rin isn't special to him in some shape or form.

I talk about human connections as a big theme of Dunmeshi sometimes, as this thing everyone needs but may deny themselves or deny that they do need and want, and Kabru and Rin are part of that theme, to me.

Post-canon, Rin and Kabru continue to see each other, presumably semi-regularly, which is an implication from an extra that we don't get with the other Kabru party members. They stay in touch, because what tied them together was never work but a personal tie.

This ask took long af to write up but it's gonna make my Kabru party analysis easier later yay. Little preview of the chart i made.

I'll remind that Mickbell and Kuro's relationship is also stated to be of a familial nature. Contradictions aren't always mistakes, people are made of them! Just like how ambiguity can be a narrative tool, complexity and dissonance can be a feature and not a bug.

[dbphantom]

does a magical girl transformation sequence but at the end I just look like this:

[cutie-patootie-monster]

am I the only one who liked five and lila?

[sweeneydino]

Rip 2003 Zog, you will be missed 😔

Kind of sad that they found this dude suffering, helped him breath, pretty much adopted him, and supported him in the short time he was with them,

And just for the Shredder to take him away.

The fact that Mikey keeps naming the triceratops they meet in the past after him brings a whole nother level of depression.

So anyway, that's why I hate 2012 Zog-

/j