#shorter my beloved

[turnedinto-themoon]

banana fish rlly did a number on me cause there’s no reason Alicia keys singing about New York should make me hysterical

[actualaster]

Everybody always talks about "oops the fic was longer than it was meant to be"

But shoutout to my fellow "can't/can rarely write a multichap/anything longer than 5k or so max, often way less" writers who just can't seen to stop their fic from being shorter than intended.

Anyway longform and shortform writing are different skillsets and while fandom often only cares about, appreciates, and praises the former, I always love you, fellow shorter fic writers. A drabble is a challenge, and not every story needs to be 30k+. Shorter fics are amazing.

[muirmarie]

jim being canonically the shortest one of the triumvirate is genuinely so important to me lmao, like yesssssss, let that beefy babe be shorter than both his boyfriends!!!!

[largerfries]

Sharing clothes

[confusedhostage]

Dev art of Scooby Doo gang

from their newsletter - thought others might want to see it if unsubscribed. (I find the matchups funny) - Art by Abby Howard of Black Tabby Games.

[bloodydeanwinchester]

🩸Bloody Dean Every Episode🩸 ↳ 4x01 || Lazarus Rising Part 1

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[littl3d0ll-art]

They got on those Bishop Stompers

[hetagrammy]

Of her many children, Lady Eigyr kept her only daughter and youngest son with her most often at court. The daughter was obvious, but the son, some whispered, was because she intended for him to be her heir at court if he could not be her heir of Storm's End... a notion rarely shared in the company of Lord Alasdair.

[anubiarts]

beach line

[outfoxt]

Another Käärijä Research Project

aka: käärijä style-shifting project

as a preface, here are my (non) qualifications for this project and the circumstances under which it happened:

I am a linguistics student, and this past semester I took a course on sociolinguistics. the goal of this project was to become familiar with the concept of and analyze style-shifting (it's more commonly known as code-switching online but theres a difference and this is style-shifting), specifically by analyzing the speech of one person. We had the option to study oprah or to have someone else approved by my prof, so you know I had to ask my prof if I could study jere. This project is solely my intellectual property; even though I had a tutor help me a lot, everything written in this paper and on this post was my work alone.

now, on to the actual findings! the full paper and transcripts will be linked at the end :D

the actual variables (words or sounds) that I studied were the pronunciation of r, and use of the word "the".

to make things a lot easier from the get-go, i'm going to introduce you all to one of my favorite websites, ipachart.com (the international phonetic alphabet [ipa] chart is a big chart with an entry for every sound that exists in a language. this handy dandy website has an audio recording for each one of those sounds).

go to this website, and then scroll down to the table. go to the column labeled "post alveolar" and then click on ɾ and ɹ. those are the sounds i studied in this paper! ɾ is the finnish r and ɹ is the american r :)

so basically what i did to find instances of my variable was i just looked up a bunch of esc interviews and listened out for use of the different r sounds. i also transcribed the entire dinner date live because i love torture apparently :) the specific interviews and lives/stories are in the bibliography of the paper :p

after i transcribed all the interviews and lives/stories i went through and highlighted every instance of the r sound. then i calculated the ratios of ɾ to ɹ based on the context they were spoken in. the two contexts i looked for were formal contexts (sit-down interviews) and informal contexts (literally anything else).

i found that jere uses ɹ WAY more often in formal contexts than he does in informal contexts, and the same in reverse with ɾ.

i then went back to the transcripts and looked for all instances of the word "the". i also looked for instances where i thought it should be present, but was omitted. i calculated the ratio of present vs omitted "the"s in formal vs informal contexts and made some charts.

the graph with the smaller black section is "use of 'the' in formal settings" and the one with the smaller green section is "use of 'the' in informal settings" (the images are transparent, sorry)

i found that jere uses "the" WAY more often when in formal settings! there were also some instances where he added a "the" where it was unnecessary, which is studied at length in this wonderful paper by @alien-girl-21

something i also noticed that i elected not to study because this paper took enough energy on its own was that in formal contexts, whenever the "or" sound came in the middle or at the end of a word, jere wouldn't pronounce the r. it stuck out to me mostly because i heard words like "performance" turning into "perfomance", which i thought was an interesting quirk.

unfortunately i was somewhat limited by both my brainpower and capacity to do more work on this paper in the relatively short timeframe i was given (2 weeks) and the fact that i was given a 5 page MAX for this paper (not including a bibliography). i had a lot of fun doing this though and am definitely planning on studying jere for for academic credit again in the future if given the chance!

also i would like it to be known that i spent an hour searching for that 5 second clip of the urheilucast where jere said that he used to sell kitchens and understands english better than he can speak it.

link to a google drive folder with the actual paper i wrote and the transcripts of the interviews with notation:

please feel free to send me asks and dms with questions or comments about this paper! i absolutely love rambling about linguistics :3!!

[rocksanddeadflowers]

I believe in short Marius. I also believe in physical touch love language Marius. So now I believe he does the "smell my shirt" thing to give forehead kisses. He's done it to the entire crew (+Lyfrassir) at least once.

[themintman]

Nurm after a long, hard day of being the most stunning guy I have ever and will ever draw. WHY is he so pretty

[callofloony]

Shortie. (König)

—————

Tags: fluff, no smut, drabble, no use of y/n or you pronouns but can be read as self-insert, they/them used for königs partner

A/N: (The author of this post is a minor and does not write smut, 18+/nsfw accounts dni.) Not a fic nor a oneshot, just some könig thoughts,,, i rarely write for him unless i get a request so this one’s special (kinda)!! Happy readings <3

~ Writing under the cut. ~

—————

So here’s what I’m thinking.

If König had a shorter partner, you know damn well he’d be teasing the fuck out of them, right? He’d put his lover in air jail for minor discrepancies just because he thinks watching them complain is hilarious. He’d throw them over his shoulder when they’re working to show off his height and strength (and to drag them to bed). He’d take objects on high shelves and pretend to help by grabbing them before putting them higher up. The whole shabang.

Now if König had a taller partner (what is this bitch eating), all of that is completely out the window. Especially if his partner is taller, and stronger than him.

Because of his height, he never gets to experience all that cutsie couple shit that I just listed before. He’s always the one grabbing things from high shelves, he’s the one throwing people over his shoulder than the one being thrown, and he’s always just been the tall one all his life.

While I doubt he minds it, he would definitely wonder what it would be like for his roles to be reversed for once.

Now he has that chance.

Considering his partners hight, I imagine they’d find/build a place that’s fully accommodated to them. They can fit through doors and don’t have to crouch in the shower, their head isn’t centimeters away from dragging across the ceiling, they have a huge room and a huge bed.

And suddenly, everything in his partner’s space is huge to him.

He can barely reach the ceiling even when his arm is fully extended, he’s starting to struggle with grabbing things from the top shelf, and he looks like a child when laying in the middle of his lover’s bed.

He feels small.

And he loves it.

He now gets to request things from the top shelf, he gets dragged into bed by his partner, he gets damn near crushed by their weight while cuddling.

And he loves every second of it.

He’s so used to being big and taking up too much space all the time, which definitely doesn’t help with his anxiety at all. Now he’s in a space where the damn couch takes up more room than he does.

He likes being the tall partner, but he also loves being the short one for a change.

—————

A/N: Bwaagg!! I haven’t written for myself in a while, it’s kinda freeing honestly 🙏 thanks for reading!

[ibeewashere]

So basically. jonmartin i think

[beanghostprincess]

Sometimes I feel like Shuggy is a sort of Lusopp gone wrong, especially with the w7 fight hilighting Usopp's insecurities and how Buggy may have felt some insecurities as well towards Shanks..

I am not gonna write a long text about this because I am busy however, I have so many thoughts about this. I've been having this exact same thought for a long time, because I was like "wow Luffy doesn't usually explain what happened to people. In general. He doesn't stay in the past. But if Shanks asked about their journey and his rough times, maybe he'd end up telling him about Usopp and Water 7. And Shanks would relate to it to a personal level so damn hard- At least he'd be proud Luffy was able to deal with it". And after this thought, I just can't unsee it.

Buggy and Usopp are really similar. They both have those "fake it til you make it" type of "coward" personalities and they wish to be more than what they're seen as, because they feel like everyone shines brighter than them. I think the main difference here is that Usopp has a crew that supports him and his environment is wayyy healthier than Buggy's. He can grow as a person with them and learn to be braver and stronger and not compare himself to others. Be his own person and grow to the point of accepting himself. The whole thing about Usopp's journey is a personal thing, because his crew already knows what he's capable of, he just wants to prove it to himself. Buggy, on the other hand, doesn't have the luck to be surrounded by people that genuinely believe in him. Like, okay, he has followers and subordinates that always keep treating him like a king, but they don't make him feel like one because he just keeps on pretending instead of trying to grow as a pirate accept himself. Which is understandable because why the hell would he do that if there's no point to do it? He gave up on his dream and now he's just doing the "fake it til you make it" to survive. With chapter 1082 (Y'all really should tell me to shut up about that chapter. It's just... I just miss Buggy and Cross Guild I really need another chapter about them) I think we could have a lot of character development for Buggy because he now has decided to follow his dream after all these years. It's basically the same story as Usopp's, except that it has taken him years to do this because his insecurities are tied to a relationship that doesn't have any closure.

Shuggy really is a Lusopp gone wrong, and it makes me so sad but it's just another great way of showing parallelisms between Shanks and Luffy and how the new generation is doing things differently (and better).

Usopp left the crew using the death of Merry as an excuse to cover the real reason (feeling completely insecure as he's surrounded by people stronger than him and he doesn't feel like he belongs with them) and Buggy left Shanks using the excuse of having been tricked into eating a Devil Fruit and losing the map to cover the fact that he did it because... Not exactly because he felt insecure being in Shanks' shadow. See? This is the main difference between the two. Buggy didn't leave Shanks because of feeling insecure (although, yes, it's a really important point of the story and it's pretty much crucial to their relationship and his decision to leave Shanks), he left because he trusted him to follow Roger's steps but he didn't. He gave up on his dream to trust Shanks instead and that's what Shanks does? Throw their dream away?

Lusopp's thing is more about Usopp's personal growth, but the whole deal with Shuggy's relationship is a bit more messed up because it's full of miscommunication, mourning and insecurities and it's a thing they have to deal with together.

But yeah, what I'm trying to say is that their relationships are pretty similar and I really, really want Shuggy to have closure because otherwise I will forever be sad.