#she's different from me in the thinking vs feeling aspect

[soaps-mohawk]

Have you ever thought about what Omega's personality type is? I kind of peg her as an INFP but I'd love to know your thoughts since you created her. I really can't place a type on any of the guys because their characters are so open to interpretation but I do think Gaz would probably be the closest personality type to her.

Okay, okay I finally took the test and answered things in the way I imagined the reader would as I characterize her (though I think this will vary depending on you the reader's perception of her) but you were very close, I got INFJ - T for her. Which I do agree with to a point. Of course, I did take into consideration that she's an omega and the way that affects her way of thinking when it comes to certain things.

Very much introverted, but most omegas are unless they're around people they know and are comfortable with. Part of that is just their natural wariness around others, especially alphas. I do think the reader in general though, aside from her being an omega, is more naturally introverted. We know she doesn't mind being alone and probably does appreciate time to herself to unwind, especially after being around the guys lol.

I could call her intuitive, since she does learn very quickly and picks up on patterns very easily, outside of her instincts helping her. She's good at piercing things together and noticing details on her own, and her instincts heighten that ability greatly in regards to things like noticing shifts in emotions due to subtle changes in scents. So again, influenced by her being an omega, but also her personality outside of her status.

Feeling very much so. Omegas are very sensitive to emotions and thrive in balanced and calm environments. They do get overwhelmed easily and they're naturally empathetic (which is why they're so easily overwhelmed and so sensitive to turmoil). The reader also is very sensitive and very much makes decisions based on her emotions. We see that with the cameras, while logically she should have told the guys immediately, hell she should have gone to Dr. Keller as soon as she noticed the door open and should not have entered the room alone in the first place. But she was so worried about how the pack would react and what might happen, so she acted on her emotions (and her trauma) and hid everything, despite her later realizing it was the wrong decision.

Judging I could see more based on omegas and their need for structure and stability. We know the reader is a bit chaotic herself, but omegas need stability in their packs and in their lives because they often get overwhelmed if there's any unpredictability in situations. This kind of plays back to the feeling part as well, as the empathy can cause instability and then their whole world can come crashing down.

The turbulent part definitely is mostly related to the omega status. Omegas, again, are very sensitive to high stress environments to the point they can shut down and distress as we've seen the reader nearly do a couple of times. Also the reader herself at least in the beginning had that drive to be the perfect omega and she was always paying close attention to details so she could better adapt to the members of the pack. Now that she's relaxed a bit with them, she cares less about being perfect, but that's something that was deeply ingrained in her and definitely lingers still in the back of her mind.

Again, this is how I picture the reader, it's not a strict answer that she can only be this. The way you might envision the reader might be totally different. Again, I am not an expert on Meyers-Briggs so this interpretation is based a lot on the things that were explained after taking the test and the little understanding I do have.

[krysmcscience]

Saw this prompt for incorrect OC quotes and couldn't resist with a bunch of my Breach goobers. Some of them would absolutely say these things word for word in canon if I gave them half the chance to, though. XD

They're in order of when they showed up in person - Qīng, Ghost, Red, Marisol, Shio, Cam, Daruk, Tawoos, and Alondra - as well as some important honorable mentions who have only been mentioned or gotten dialogue - Star, Blake, and Creation.

Star's design is a slight spoiler, I suppose, but it doesn't reveal if they're human or impostor, so it's all good. Creation's "design" also isn't a spoiler at all, because They can look however They want, LOL. As for Shio...some of you who have seen the body horror I've done of them may be wondering why they look so normal here, but I promise there are Reasons. :3c

In other news, will I be making a liar out of Shio in an upcoming Breach canon divergence? ..........Maybe~ >:3c

[quirkle2]

as a huge spyro year of the dragon fan i Hate the reignited trilogy they took all the charm and nostalgia out of it BUT ... spyro's walking/running animation ? they perfected that.

[a-wins-a-win]

ivy robinson is the prettiest boy and I mean that unironically in a gendered way

[anxious-witch]

I think the reason why there are so many amazing ships in Dead Boy Detectives is because the show manages to show different versions of love/lust/devotion through different relationships all characters have.

Like, love triangles have been doing the whole "a girl has to choose between two guys who each being out a different side of her" for over a decade in popular media, some more, some less successfully. But the pitfall they often fall into is that those differences seem very shallow and often ignore the other aspect of the main person who have to choose between the love interests.

Dead Boy Detectives makes sure to not do that.

When we look at how Charles is with Crystal vs how he is with Edwin, we can clearly see the difference. In the beginning of his and Crystal's dynamic, he is flirtier and puts more if a bravado, but he pretty quickly opens up to her. Because he sees that she very quickly sees past his facade he puts up with his constant happy-go-lucky persona. Only when he starts opening up to her and showing his emotions does their relationship progress. Because after David, Crystal needs someone who can be emotionally vulnerable with her and in turn, Charles offers her the same, and offers her a safe space.

In contrast, we see that Charles is more at ease around Edwin. They know each other deeply, and are also woven into each other at this point. It's easy, like breathing. One thing it doesn't do is challenge either of them from the status quo they have built over the years. But there is a sense of ease there, and such devotion. There is no question about what they would do for each other because the answer is everything.

That said, while they both bring out different sides of Charles, those sides of him feel intricately linked to one another! Which is why Crystal coming into the pictures begins changing Charles' relationship with Edwin as well! It brings to light things they have ignored. And in turn, Charles' clear and unwavering devotion and loyalty to Edwin prompts Crystal to learn it herself. To quote Jenny in ep 8, "you were about to leave and never see these boys again, but now you are going to save them"? And yes, she does exactly that.

This even has influence on Edwin and Crystal's rs directly, which I can't recall ever seeing in a love triangle before, at least not in a positive sense. But it's so clear that Charles loves both of them that the other learns to love them too, and they realize their own similarities through it, too!

As for Edwin and his many love interests, well. I know there has been a lot of debate, especially around Cat King vs Charles dyankics with Edwin, but the thing is-you are comparing apples ajd oranges here.

The Cat King is enamored, fascinated by Edwin, and yeah above all, attracted to him. This dynamic serves to challenge both of their characters' beliefs and shake up the power dynamics between them. Whenever you like the Cat King or not Edwin clearly reciprocates the attraction part, at the very least.

Charles loves Edwin and is devoted to him and Edwin to him turn, as discussed above. What is difficult about their relationship is that it became stagnant due to lack of communication, which is why they needed other relationships to shake up that dynamic.

But to address the most prominent comparison I saw, which is the Cat King saying he'll wait for Edwin vs Charles going to Hell to save him.

Both are types of devotion, is the thing. A profession of love, if you will. To this day, we consider Penelope a faithful, loving and devoted wife for waiting for Odyssey for 20 years. Cat King saying he'd wait for Edwin isn't any small confession, given he is aware it could take decades, if not more.

Don't get me wrong, Charles going to literal Hell to save Edwin and succeeding where Orpheus and Eurydice failed is an enormous success and a way to show you love someone. I am not minimalizing that at all.

I am just saying that, for who these characters are and given their rs with Edwin, they did exactly what they were supposed to. They expressed in which ways Edwin had influenced them and what they can offer him if that dynamic becomes romantic.

Cat King represents experience, patience. As an immortal he has all the time in the world to wait for Edwin to return from hell, because he believes Edwin is strong enough to return on his own.

Charles represents love that breaks all obstacles in their way. He goes to save Edwin because he believes Edwin deserves to be helped in the way he helps others. He deserves to be saved.

My point is, there is no better of worse way of loving someone. The character in the love triangle choose the person that better alignes with who they are and who they wish to be as a person. So yes, you are absolutely allowed to say "I think this character would choose person a because it alignes better with their character development" but comparing the two as one being superior is kinda pointless imo? Exploring different dynamic of a character is the goal here, right? Either through canon or fanon.

...I was gonna talk about Crystal/Niko and Edwin/Monty too but this post got away from me to uhh. Might do another one if anyone is interested but in their way! I adore the way DBDA explores different sides of characters while still making them feel like a fully rounded person and doesn't shy away from letting one rs influence other rs character has.

[ferie-anon]

🐚 Aspects & asteroid observations etc 🐚

🍵 I notice people with bella asteroid (695) in sagittarius tend to be known for their bigger figure and curvy for females, as sag rules the booty. Men with this placement could have broader shoulders and look athletic or look fit. Btw the bella asteroid (695) can show you where ur “beauty” is.

🍵 Bella asteroid in virgo tend to have an “earthly”/natural and warm beauty. Their skin could be tanned or just have a warm undertone. They could have big doe eyes, from the ones I’ve seen that has this placement.

Bella asteroid in libra or 7th house may be known for their harmonious facial features.

🍵 Moon in 9th/sag tend to space out at times I notice, or they don’t recall certain details/events at times if they don’t remember anything memorable of it.

🍵 Venus trine neptune falling for morally grey characters? 👀

🍵 Nymphe (875) in leo in conjunct the ascendant may have luscious and wavy hair or their hair is ethereal/pretty to others.

🍵 Jupiter conjunct asc = big chest + booty 👯‍♀️ tho I’m sure ppl alrdy know that 🧍‍♀️

Difference between pluto negatively aspecting ascendant vs positively aspecting:

Me having pluto square ascendant and ppl finding it a bit hard to approach irl becuz I look quiet and studious and isolated (pluto square asc ppl are private and keep to themselves)

While my friend has pluto sextile ascendant and people finding her interesting and easy to talk to, cuz shes kinda quiet but also wants to make friends/experience the fullest of life (pluto sextile asc makes them more comfortable and confident in their power and making them magnetic and able to understand others in a deeper and different way).

Also I have another friend who has pluto square asc and ppl think she’s judgy/intimidating or looks to be a critical person at first glance/impression, even tho shes actually chill and friendly. So sometimes they don’t approach at first till they find out shes nice actually.

Random moon sign analysis:

🍵 Interestingly I have two friends with moon in 9th house but they don’t act the same. One of them has virgo moon in 9th house at 15 degrees (gemini degree), and the other has gemini moon in 9th house at 19 degrees (libra degree). Both moon signs are in mutable signs and house(while the degrees are different), but I feel the degrees slightly change the way they process and interpret information. The one with the gemini degree in her moon in 9th tend to be a bit “scattered” and have random unusual but creative and funny ideas, whereas my friend with libra degree in her moon in 9th seems to be more calm and just going with the flow with her thinking and balanced with her side and processing what others are saying to add to it. Since libra degree is cardinal energy, so her process of thinking is more direct.

It could also be becuz the two moon signs are inherently different in their process since virgo moon is more practical but also tries to retain and have a lot going thru their head, while gemini moon’s brains easily access and connect a lot of things in their head at that moment or just intuitively/ gemini moons thinkings are less filled with overthinking as they are not focused on the effects but the "possibilities".

🖋️ Mars at 0 degrees would lash out or have a lot of anger in them. If u tick them off or they feel disrespected, their anger can be volatile or hurtful.

🖋️ Saturn in 4th house could indicate to a difficult childhood or a family life of feeling disconnected or alone at times. One of my friends has this in her natal chart and her family dynamics is complicated, as she feels distant with her father and step-mom, while her birth mother and grandma lives in another country and she feels closer with them.

🖋️ I notice if theres gemini in the big 3 and earth placements in the big 6 together, they may be interested in getting tattoos on their body. For eg. Taurus sun with gemini moon and venus, they may think of getting meaningful word tattoos on their neck. (Eg. Ricky from boys planet has a tattoo on his neck with the word rolemodel on it) meanwhile sung hanbin from boys planet has a word/quote tattoo on his inner part of his arm and he has a sun and moon tattoo around the center of his collarbone/chest (hanbin has a gemini sun pisces moon with taurus venus)

I just notice that if theres gemini and earth placements in there, they’re likely interested in getting tattoos over their upper body, like arm, neck, or back. I think the moon sign can heavily influence where they put the tattoos and wut type of tattoos. Pisces moon may be more visual and may have tattoos of objects that are symbolic to them. Gemini moon may tend to get a quote they find meaningful or a fancy word tattoo. Capricorn moon may have their tattoos around areas of their joints, area wheres theres bone structure to support like the back since capricorn rules the skeletal system.

[yelenaslyubov]

Twin Size Mattress (yelena belova university AU)

main masterlist || yelena belova || requests

a/n: heyyyy everyone! well i kept my promise one way or another and i finally have a piece written for you all! i’m sorry if it’s not up to par compared to my other stories, but it’s been a while and i feel a little rusty when it comes to this type of thing. i wanted to try something different for this time around and i think i accomplished that. also, let me know if you guys like the university AU aspect of this bc i might just be able to continue it a little bit (i say maybe loosely lol). in addition, i added a fun little moment of adding the outfits the characters would be wearing!! i hope you guys enjoy this new story and hopefully there will be more to come! it’s good to be back🥹🥹i hope to see more of you soon🫶

ˏˋ°•*⁀➷ pairing: yelena belova (AU) x reader

ˏˋ°•*⁀➷ warnings: MINORS DNI (18+) smut, fingering, oral, dom!reader, mentions of alcohol, language

ˏˋ°•*⁀➷ description: you and yelena have been going to college together for the past couple years. when a college football game commences, you and yelena spend the day together and finish it off with a bang

ˏˋ°•*⁀➷ word count: 3.7k

ˏˋ°•*⁀➷ yelena’s outfit

ˏˋ°•*⁀➷ reader’s outfit

//

The pressing weight of your backpack dug into your shoulders as you quickly made your way to Yale’s school of art. Though your major was in English, you had connections that allowed you to use the photography facilities located elsewhere. Your bag was full of books, film equipment, and the negatives that you were anxious to develop.

It was college game day, the Harvard vs. Yale game to be more specific, so shoving through blue and red crowds of students was at the bottom of your list. Your trip to the dark room had to be short because even though you hated the idea of all things sports, you felt that tradition outweighed your personal grievances.

As you shut the door to the room and found yourself alone with the quiet, red space, your mind seemed to lighten. The pictures you had brought with you made their way out of your bag and into the developing process. You went through the usual motions until you hung them up to dry. Before you were beautiful headshots and silhouettes of your roommate, Yelena.

While most were taken with the consent of Yelena, there were some too extraordinary to possibly miss out on. The red hues accentuated the curves you so desperately longed to stroke. Of course, this information was unbeknownst to her.

She was the reason why you were so anxious to develop the pictures. Looking through the lense that wonderful day made you so much more excited to see them all finished. The day had been an exciting one. During the summer before the two of you went back to school you had a day at the beach. The weather was perfect, and she was perfect. She wore this lilac swim set that complimented her blonde hair and summer kissed skin so well you thought you would never be able to tear your eyes away from her.

As you went through each picture of her smiling, laughing, and being her usual self you came across the pictures that you tried so hard not to take. Your desire got the better part of you at this moment. The pictures arose of her laying belly down on her towel, a perfect view of her toned back paired with her other curves you could barely speak of. It was hard not to think about that day without becoming wildly sad that she had no idea you liked her with everything inside you.

These few intimate pictures would go where the rest of them are; hidden away in your journal. It was easier this way because you didn’t want to ruin your friendship that you valued so much. But what if she felt the same? You pulled yourself out of your delusions or else you might start to have hope.

She must have read your mind because your phone started ringing and as you pulled it out of your bag, Yelena’s face was vibrating on your screen.

“Hello?” you answered

“Where are you? You better not still be in that stupid dark room!” The sound of massive crowds were loud on the other side of the phone, but your voice drowned out every noise that could be taking place.

“Ha, funny story…”

“Seriously! The game starts soon, y/n. Hurry!”

“You miss me or something, Belova?”

She chuckled once. “And if I did?”

There was silence on your end because your one moment of bravery was already spent, leaving you speechless. “Uhm I’ll start heading your way right now. I should only be about 15 minutes out.”

“Perfect, I’ll save you a seat!”

“Thanks, Lena. Love you, bye,” you said naturally.

It was only then did you realize the words that slipped out of your mouth. Love you, really? You hoped that she thought it wasn’t how you really meant it.

After your stupid mistake, you took your pictures, tucked them away in your journal, and took off out of the building. The day was sunny but the fall crisp in the air took the edge off of the heat from the sun. Even from far away you could hear the triumph of the marching band playing their game day songs. Though your dislike of sports was one thing, there was a certain feeling you got on days like this; the music, the people, the adrenaline, that really made you succumb to the American tradition.

Finding Yelena in the crowd would be the easy part, the hard part would be keeping your eyes off her the entire afternoon. Luckily, she generally picked the same area each game day to sit so it wouldn’t be an extreme challenge to spot her out.

Your suspicion came true when you saw her jumping up and down a few aisles up from the front towards the 40 yard line. She was dressed in her usual Yelena chic, but with a hint of school spirit. You smiled to yourself at her excitement for the game and waited to see if she noticed you walking up to greet her.

“You’re here!” she yelled. She shuffled through other people on her row and fell into your arms. The strong smell of her cologne filled your nose and warmed your heart. You hugged her tightly back and squeezed the leather jacket that was draped around her. “You almost missed the game,” she whined.

“Lena, kickoff hasn’t even started, but I see that hasn’t stopped you from starting early.” You eyed the cold beer she had in her Yale koozie.

“Oh hush and let me be. Now get in there so we can watch.” As you were sneaking past other students Yelena tapped you on the ass and giggled. This was nothing unusual for Yelena, but each time she did it, it made your cheeks glow red.

The two of you settled into your places in the stadium surrounded by a couple of your friends and watched the game begin. The first half of the game was intense with each team up and down on scores. When the buzzer sounded to notify it was halftime everyone seemed to sigh in relief. The crowds started to shuffle again to take a quick intermission before the second half.

“So y/n, what photos were you able to get this time?” Yelena asked.

It was the question you were avoiding answering. If you pulled out the few you wanted to show her, the rest you spent your time hiding would be exposed as well.

“Oh they weren’t anything important, just a couple rolls I hadn’t developed yet.” You tried to play it cool not to give it away.

“Everything of yours is important to me.” Her saying that just made it so much harder to keep them all a secret. “Come on, please show me.”

She gave you her best pouty face and it was so unfortunate that it worked. You rolled your eyes and tried to open the journal in your bag so you could find the pictures you wanted her to see. Once they were all collected you passed them over to her and her face lit up.

“The day at the beach! I remember these.” She flipped through them with a grin on her face. She laughed when the picture of you popped up with your pants soaking yet from the ocean waves. “You were so pissed.”

“Pissed is an understatement,” you added. She smiled up at you and your stomach was tied up in knots. You weren’t sure whether it was the dimples that just so sneakily showed up, her rosy lips, or the bright green eyes that you could finally see without her sunglasses getting in the way.

“These are so amazing— you’re amazing. I need copies of these,” she begged.

“Anything for you,” you smiled.

“Anything?” Yelena smirked.

Your cheeks darkened red. “Shut up.” You shoved her a little with your shoulder.

By the time you showed all your creations off to Yelena the second half of the game was in full swing.

The second was more intense than the first due to Yale being behind for most of the game. Yelena was starting to become too anxious for your liking, and you hoped for her sake that you guys could pull out the win. There was a minute left on the clock and Yelena practically had your arm in a chokehold.

“Fucking run the ball, jackass!” Yelena yelled.

“Hey now, you wanna simmer down a little for me?” you asked, hoping to calm her down a bit.

She chuckled a little and leaned into your arm more. “Sorry, sorry. Anything for you,” she mocked from your previous words.

She quickly turned her head back so she could enjoy the last minute of the game. Her grip only became tighter around your arm as the clock ticked down to the wire. The whistle sounded to indicate that Yale called for a timeout. They needed to sort out their plans if they were going to try and pull out this win. They were down 28-24 with only around 30 seconds to go.

Once they were back in the game the crowd went wild, Yelena included. Number 13 got a hold of the ball and ran all the way to the end zone for a touchdown. Yelena screamed like she never had before and threw her hands up in the air. You cheered along with her at your school’s win. Yelena jumped into your arms out of excitement and you held her tightly as you swept her up in the air.

“We did it, Lena!” you cheered.

She found her footing back on the ground and she grabbed your face and looked into your eyes. “We did it!” The pure shock on your face made her recoil back a bit which resulted in her having matching cheeks just like yourself. “Uh- I- I’m sorry.”

“No, no. You didn’t do anything wrong,” you smiled. “Let’s just get out of here before we’re all packed in.”

You said goodbye to your friends right before a Yelena grabbed your hand to lead you through the crowd. You knew it meant nothing, but having your hand in hers was a dream come true.

When you had made it out of the crowd, it seemed as though the two of you forgot you were still linked together. You quickly broke it off before she could say anything about it.

“So, are we going to keep walking with nowhere to go or are you taking me out?” Yelena smirked.

“Am I what?” you questioned.

“You really are worked up today.” Yelena laughed, but you knew it was true and you didn’t know how else to hide it.

“Why don’t we go back to my dorm? My roommate isn’t there like usual so we could watch a movie or something?”

“Do you have popcorn?” she asked and you nodded. “Then it’s a deal.”

The two of you talked and laughed on the walk to your dorm. Like usual, Yelena made it so difficult to not stare at her. She had such a unique confidence that drew you deeper and deeper into her presence. The way she carried herself was like no other.

When you made it into your room Yelena immediately started searching for your snacks that you kept in the drawers under your bed. You set your things down on your desk and sat down in your chair.

“Do you mind if I borrow some of your clothes?” Yelena asked.

“I don’t know why you even ask anymore, Lena. Your closet consists of half of my clothes anyway,” you laughed.

She rolled her eyes and started taking her clothes off to change. Trying not to watch her change was not easy to come by. You turned around in your chair and pretended to unload your back from the day. What Yelena didn’t know is that your mirror allowed the perfect angle to see different parts of her.

What really got you was the matching black bra and underwear that revealed itself as she took her clothes off. This surprise caused you to knock a few things off your desk in the process, one of them being your journal. Naturally, Yelena turned around to try and help.

“What did you do, get angry and throw things off the desk?” Yelena laughed. It was awful timing to have other pictures that Yelena did not see poking out of your journal. “What are these?”

“Oh, you don’t have to-”

“Y/n, what are these?”

“Just pictures…”

Yelena stared at you puzzlingly as she picked up the journal off the floor and opened it to reveal the hidden pictures inside. Her brows furrowed as she inspected each one in great detail.

“Y/n, these are…so beautiful.”

You stood there staring down at the pictures or anywhere else in the room, just so you didn’t have to look at her.

“Why didn’t you show me these?” Yelena’s voice was softer now, more gentle. “Y/n?”

“I-I don’t know… I guess I thought you would think it was weird,” you replied shyly.

“Why would it be weird?”

Shit. If you told her why then she would know how you felt, but if you say nothing at all that’s not any better. You were stuck.

“I don’t know…”

She searched your face from any indication of an explanation. There was so much happening that you almost forgot Yelena was half naked.

“These are beautiful.”

“Only because you’re in them,” you bravely said.

Yelena blushed, something you didn’t see very often. “Damn y/l/n, you sure do know the way to my heart.”

“I’m serious.” You felt like your world had stopped at the thought of where this was going. “You’re the most beautiful person I’ve ever seen, Yelena. How could I not take those pictures that day?”

Yelena was quiet now. You weren’t sure whether this was good or bad. You were tired of being subtle, especially now that you had her right where you wanted her.

“I don’t know what to say,” Yelena said. Her eyes were full of something you hadn’t seen before.

You looked at her for a moment trying to build up your confidence one last time because you knew if you didn’t then you would never be able to do this.

“For once Belova, I would love it if you said nothing at all.” You stepped closer so you could delicately slide your hands up behind her neck. She looked taken off guard, but she definitely was not fighting it. When Yelena took her hands and placed them around the straps of your overalls and pulled you closer so you were face to face, you knew she might’ve wanted this just as much as you.

“Just kiss me already,” she whispered close enough you could feel the breath on your lips. With her words you threw your lips against hers in a kiss that you waited much too long for. Your lips moved against hers as your hands were tangled in her blonde waves. Yelena pulled and grabbed at anything on you just to make you even closer to one another.

You shifted your position to try and push yourself against Yelena so that she may lean against the bed. You knew exactly what your intentions were as of now, but you were not sure how Yelena would feel about it.

The first brush of her tongue against yours sent shivers down your spine and you weren’t sure if she heard your quiet moan or not. You saved your restraint for so many months, so now there was nothing holding you back. Your lips traveled away from hers to down her soft neck. You placed rough and hungry kisses along the nape of her neck and you could tell just by her demeanor that she was having a hard time keeping quiet.

“Uhm, what about your roommate?” Yelena asked in between heavy breaths

“What about them?”

“What if they, you know, walk in?” You must have found a sweet spot on her neck because her question ended with a whine.

“They’re never here.”

“But what if-”

“Just shut up already,” you said.

You smiled against her lips as you threw her shoulders down on the bed as gently as you could. It was hard to take things slow when you had been craving exactly this for far too long.

As your hungry lips continued to move against Yelena’s, you found your fingers playing with the band of her underwear. Your fingers traced all along the skin that was covered.

“I want to see every part of you that was hiding in these photos,” you said. Your mind went back to the day you took those sexy pictures of her and it made you even more desperate for what was hiding beneath Yelena’s garments.

“I just need you to touch me,” Yelena said, breathless. “Please touch me.”

You were quick to pull down her panties to reveal a sight you never thought you would have the pleasure of seeing. Even the panties that brushed against her pussy made her wince in pleasure.

“Please,” begged Yelena.

After undressing her bottom, in one swift motion you unhooked her bra.

“You want me to touch you like this?”

You placed your lips around one of her nipples as you watched her head fall into the bed. Your tongue made its way to circle around her nipple, slowly building up her desire.

Without thinking, you slightly tugged on her nipple with your teeth. Yelena moaned just loud enough for you to hear. It was the most beautiful sound that you had been dying to hear since you met her.

You wanted to move on further.

“Or I could maybe touch you like this?”

Your hand was almost shaking as it made its way down to get center. Your fingers slowly but surely made small circles on her clit. Now, Yelena was panting with lust and trying to keep quiet despite what you wanted.

“Fuck, Lena. You’re so wet.” You couldn’t help yourself from pointing out the obvious. The wetness that covered her only made yours grow.

Yelena had her mouth covered now, most likely paranoid that others would hear her like she had said earlier.

“I want to hear you,” you demanded.

Yelena was moaning softly through her hand now, a reaction to your words.

“Be a good girl and take your hand away from your mouth. I want to hear you.”

She did as you wished and removed her hand. The hand that previously resided over her mouth was now gripped onto the bed.

You took a minute to admire her before moving on further. Her body was even more gorgeous than you could’ve ever imagined. Her toned arms that held on so tightly to the bed, her curves that wavered like the ocean down her body, and her perfectly kissed skin, just how you liked it.

“Maybe you want me to touch you… like this?”

You went even further and slowly slipped your fingers inside her pussy. As you sunk your fingers deep inside her, Yelena became even more worked up.

“Oh fuck,” she moaned. “Please keep going. It feels so good.”

Seeing Yelena drown in the pleasure of your fingers inside her was something you never thought you would live to see.

“You feel so good, baby.” Yelena seemed to like the name because she let out a long whine. “Good girl. Be louder for me.”

You loved the power you had over her in such a short amount of time.

The pace of your fingers stayed quite steady now. Yelena moaned with each stroke that went deeper in her pretty pussy. There was one more thing that you longed to do before she reached her limit.

“You want me to touch you like this, baby?”

Finally, with your fingers still keeping a rhythm inside her, you lowered yourself down on the bed so that you could taste her.

Your tongue made its way to make contact with her clit. Yelena was the loudest now, and with her noise came her restless body. Much like her, you were just as overcome with pleasure.

Her hips bucked into your face with each increasing second. Your tongue explored every single part of her, almost as if you would never get to do it again. Your fingers sped up now that you could tell she was getting closer.

“Holy fuck, right there,” Yelena moaned. “Keep going, I’m so close.”

“Good job, baby,” you murmured. “I want you to cum around my fingers.”

Your words only sped up the process more. Her hips moved even faster which made it hard for you to keep your pace. Your tongue and fingers moved rapidly as she started to reach the peak of her climax

“I’m gonna cum baby,” Yelena said breathlessly.

All at once, Yelena let out a loud stream of moans that you were sure echoed through the hall in your dorm. You didn’t care. You were happy to have her all to yourself, and now, everyone knew it too.

“Good girl, let it all out,” you praised her.

Yelena laid there on your bed to try and catch her breath. You couldn’t help but watch the result of your doings as she looked so worked up.

You took your last opportunity to soak her body in by kissing all the way up her thighs, stomach, chest, and face. Yelena seemed to be hiding her face a bit, most definitely different from her usual demeanor.

You moved her hand that shielded her face. “You okay?”

She gave a thumbs up

“Does that mean it felt okay?”

She had a surprised look on her face. “The entire hall heard me and you think it didn’t feel good?!”

You laughed. “Just checking.”

You both laid next to each other for a while in silence before Yelena spoke up.

“So…how long have you felt this way?”

“When did you start school here?”

“Uhm…two years ago?”

“Then two years.”

Yelena looked over at you. “Really?”

“Really,” you nodded. “How could I not, just look at you.” Yelena smiled at your words.

“Well, I’ve worked up an appetite after all that fun. What do you say we make some popcorn and watch a movie and pretend like no one heard all of that?”

“That sounds perfect to me.”

The two of you spent the rest of the night in each other’s company talking and reveling in the day’s events. You laid in bed thinking about how happy you were to have taken those pictures that day on the beach.

//

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[drenched-in-sunlight]

Your genuinely one of my favorite elden ring artists, what would you say is your favorite aspect of elden ring just in general

this might be a big revelation but i think my favourite part about Elden Ring is i... actually don't really like it until the DLC.

the way the base game presented a kinda basic and fragmented story, one i'd even say i were underwhelmed about. because i went in expecting Sekiro-level of character driven writing (they did promise that in an interview) and what i got... ehhhh. that's why my fanarts for the base game is literally just fluff pieces and shipping Malenia with another character altogether that isn't even in the game. meanwhile my AC6, Sekiro and Bloodborne art... i think you can tell i have a very deep emotional connection to those games from the kind of work im putting out for them. (hell, before the DLC i actually was thinking "well i'll probably only draw some general fanarts after the DLC then go back to draw more JJK stuffs lol" famous last words)

but holy mother of God the way the DLC completely blew everything tf up.

sorry Fromsoftware, i were not aware the Sekiro character-driven part is actually about the DLC. im sorry im still not familiar with your game yet 😭

(this turns into a mini rant so imma put it under cut OTL)

before, i were pretty "...." about Elden Ring female cast. i think Melina appears too little, i think NPCs like Fia and Roderika... i can't figure out the significance of them within the narrative at all. and it kinda upset me because it feels like they regress back to the helpless / fanservice maiden trope that was usually seen in DS franchise for no reason. i don't like how Rennala ends up as and i don't like not knowing why Radagon did that to her (which turns to me not liking the way it became a popular fanon that he actually loved her he was just bound by duty etc etc...i mean what?), i actually don't even really like how Malenia's barely-there story turns out (but that's a rant for another day).

as standalone characters, sure, i'd say they all have their own merits, but if they don't play any role within the narrative... what's the point then?

but all of that is because back then, we literally did not know what's Marika's deal either.

and so she became this cardboard that everyone pins all the crimes and bad things in the world on, which is... fine? makes sense. but the following line of reasoning that she did all that because she's just...like that drives me up the wall. if i want another "woman bad" story i'd just replay DS2 😭

and that line of thought also distance her from other characters in the game. those stories are not lining up, so we literally see no point in anything.

but by giving us Marika's story in the DLC they:

shine light on the possible division between two Numen factions (Anna & Jolan story + Sword of Light & Darkness // no one is left in Marika's home (those embraces Light/Gold/ Greater Will and its Stars children) vs the Numens in Eternal City (those embraces Dark/ Black Moon/ opposing GW and its children)

the discontent with the Moon and how there are those who will never accept it as being equal to the Stars

the other half situation

the Marika's eye colour possible reveal (link her to Roderika - Roderika as a reflection of the maiden Marika once was and probably still is deep down)

give Godwyn more agency in his ending (his personal knights are on a quest for Age of Duskborn) -> link Marika to Fia (Fia as a reflection of the mother Marika is)

draw direct parallel between Messmer - the child carrying Marika's vengeance for the past, to Melina - the child carrying Marika's hope for the future

Marika as a God full of human flaws >< Miquella as a God devoid of all human emotions. both are bad in different ways. but share a same gentle origin of a simple wish for a kinder world.

the DLC singlehandedly swipes clean every problem i have with the base game. like im actually in awe they managed to do that so efficiently 😭

all that is to say. my favourite aspect of all is truly how one's perspective of this one character could alter the entire story.

i still dislike the interpretation that Marika is cold and heartless or that's she's cruel for no reason, but at the same time, i can see how ppl viewing her that way affect how they see other events in the game. just like how my view of her changes my entire view of the story itself too. and i just love how the writers pull that off really skillfully. man. and i think that's sth so unique to videogame storytelling. it's amazing!

[fumifooms]

Namalin

Namari x Falin

Easy short rarepair spotlight post for prosperity~ This one I didn’t think of on my own for once, I don’t know if it’s just I forgot the decided-on ship name or what but I remember seeing really nice art and a couple posts about it that I can’t find again 💔 Namalin warrior you are out there and not forgotten ty for making me see the light

I like that Namari’s critical of Falin! I have a whole character analysis on Falin if you’re interested, but it’s generally well noticed that people around Falin idealize her a lot. Laios, Marcille and Toshiro all put her on a pedestral of ultimate goodness in the world, a saintess if nothing short of perfection. Sounds like Chilchuck felt sort of creeped out by her vibes, uncomfortable because he couldn’t read her, so unlike Namari it seems he preferred steering clear of her rather than debate opposed ideologies like he usually does. Makes sense if unlike Namari his issue is with her cryptic aura rather than the stances she does show. "… The dungeon is no place for soft hearts" my ultimate namalin scene <333 It’s fun because while this scene is there to show us a lot of things, mostly to establish Falin’s characters better as it’s the first flashback of her we get, the conflict in it is more than anything else Falin vs Namari in how they contrast and clash and approach situations differently. Namari wants security in swift effective violence and thinks Falin too soft for her own good when she prefers a pacifist approach and promotes compassion even for the "undeserving" in Namari’s eyes. Falin steps between the battle ready Namari and the ghost, fearless. Falin effortlessly gently exorcises the ghost without one step back, quickly. Falin proves someone wrong. Falin proves someone wrong.

I love thinking of Namari being surprised when she learns new aspects of Falin. I like Falin having the power to shape people’s views on her. With Falin ships the most fun part for me is usually that point where Falin/the relationship becomes a clean slate: the person realizes they haven’t been seeing all of her, realizes there’s more of her they hadn’t noticed or that she hadn’t shown, that there’s change, a shift in the views on each other and the dynamic a bit.

Namari often feels like an external view looking in to me… I need to make a proper analysis on her but like. I made a lamari post once (analytic more than personally invested rip sorry) and I go with the same Namari take here, I think she’s someone who tends to have an outsider view on people and relationships if that makes sense, she’s a coworker before anything else and she’s content staying at a distance, she’s not objective per se but she tries to keep feelings out of her choices and how she sees people (her lil arc on not staying to save Falin despite the existing camaderie but in the end asking to work for the Flokes more because she wants to stay with them). She’s serious no nonsense on the job but friendly off the job and likes having casual friends, but she’s not… She doesn’t really feel connected to the group. She’s so focused on doing her job, even if she does get impulsive and passionate and too assertive for her bosses’ tastes, so focused on working her reputation and life from the ground up that that professionalism and attitude limits her social life. It doesn’t help that her reputation makes her widely judged, so she probably enters social spaces on the derensive. The closest person she was to pre-canon as far as we knew was Chilchuck and even they have a very "coworker I get along with" dynamic more than friends, with a similar sense of boundaries, humor and world view. Also like canon says a few time, the party didn’t really try to get to know each other well pre-canon, didn’t hang out after work often no one knew where Marcille was from and no one thought that was weird (also how no one had the instinct to ask about Senshi’s past) etc, the notable exception is we’re shown Namari and Chilchuck hitting taverns together and having a grand time. Everyone’s fine with things as they are, they get along decent even if not everyone considers each other friends exactly. Where I’m getting at is that to me, it feels like she tries keeping emotional distance. Emotional distance from people in general being something which in my interpretation of Falin is also present, which would make it a theme and common thread interesting to explore imo. But yes like, Namari looking at Falin, and how everyone treats her, and being more skeptical, seeing her for what she is a little more, maybe even uncharitable. "Why is everyone treating her like she’s all that? She’s gentle sure but seems like a doormat to me" and then one day she comes running up with her mace ready to cave in someone’s face to protect Laios. So yeah… Keeping her distance but one day Falin offering her some gentleness that feels very too personal for someone who’s not used to being genuine and simply showing that they care… Them talking a bit which leaves her stumped and mindblown in a quiet way when Falin defies her expectations. Namari growing on Falin when she stays and decides to open herself up more, or when Falin ends up reading her really well like she’s shown to do with her parents and Marcille’s worries. She’s very attuned to worrying and why and when different people do it especially when it comes to when they worry for others, perhaps because she does a lot of that too, so I think she’d nail down how Namari does care for the rest of the party and it’d make Namari feel seen both in a warm validating way and in a scared naked way.

We see in the tentacles chapter that she’s someone’s who’s very protective and looks out for her peers in a tough love way. She’s overbearing but it’s because she wants everyone to have the best chances. I like that she’s very confrontational and somewhat pushy and rude, but it’s tough love, it’s protective care: asserting herself to better protect and defend. The opposite of Falin’s type of care, quiet and self-sacrificial devotion. They’re barbarian x healer but they’re also bodyguard x bodyguard in their attitude and role. … What I want for them is slow burn slice of life of being coworkers and slowly getting to know each other better, pretty fluffy, but god, put this way they’d have the potential to be such a hot layered mess of insanely mutually devoted codependence… Falin taking a hit for Namari and Namari being scarred by it forever, lots of arguments about it, my god.

I like that she’s the fighter to Falin’s healer. I looove thinking of scenes of Falin healing Namari, necessitating touch and like, a moment of slowing down and sitting together in silence, too intimate, the perfect opportunity to connect that neither truly want to take until one day they do. I love how onesided I imagine the relationship would be at first. Again, as per my interpretation of Falin, I think Namari would have all these little observations and opinions on Falin meanwhile Falin really doesn’t think of Namari much at first. So Namari thinks a lot about Falin and thinks she’s got her pinned down but hasn’t (not that she’s fully wrong, she’d have credit and confront Falin on some of her flaws like the doormat thing), while Falin is very passive about Namari and doesn’t think deeply about her or anything but she read Namari’s insecurities and logic well. Not unlike how Laios was the one who seemed to understand Namari’s way of care the best in the party in the tentacles episode, and how he was very understanding of her choice and reasons. In Falin’s case it’s more like, the objectivity of passivity… She cares about Namari less than Laios who generally seeks to form bonds, so her lack of investment allows her a neutral perspective. In that way another parallel with Namari that I’m drawing, except Namari lets feelings from her opinions seeps in more… Onesided beef my beloved. I’m going insane save me this post was a mistake. I think Falin takes the crumbs of friendship and love where she can without expecting or asking for anything more than what’s offered, and I think her relationship with Namari (or anyone really) would start out the way it did with Marcille: the other takes the initiative and they end up spending time together, Falin is friendly but unattached until the bond gets gradually and wordlessly strenghtened through regularly spending moments together. So! I think Namari would need to take a lot of the first steps, which since again she’s confrontational & argumentative and doesn’t hold herself back on that front that could spark a lot of conversations I think. Ooor since Falin cares about Namari less than Laios and Marcille she allows herself to be bolder herself lol. Or also circumstances force them to spend time together like dungeon party getting separated shenanigans.

I think their personalities match cutely, I think falin would try to protect namari like she does others but also Namari simply doesn’t need protection, just support. And I think they’re complementary in that way that Namari’s friendly but also won’t sugarcoat things, and I think if she takes an interest in Falin it could go from there and she could develop some understanding of her and idk like an intrigued crush….

Namari wants stability & security & to, like, not be judged and rejected and exiled lol, to find her nest her pack the place where she feels good and wanted in. I think having a fitting partner would help in that (similarly to how the found family with the Flokes seemed to. Oh another parallel, Falin’s top priority is protecting Laios her brother and what Namari are a family figure) and I think Falin would fulfill that cozy protection and that warm ‘being seen and not judged’ feeling. But also Namari would run up to her and yell about her trying to sacrifice herself ever.

Another fun thread to explore: post-canon guilt for not having gone to save her. Sure, they weren’t close, but they had some nice memories, didn’t they? Namari cares, and it stings despite herself when it feels like people think she doesn’t. Oh it wasn’t a lost cause after all, oh it’d have worked out, oh I could have stayed loyal and it wouldn’t have compromised myself in the end. Wanting to apologize to Falin, or just ahnging out with her and sharing a moment after she wakes up. And tangent but that’s interesting to think about… Narratively, I think the purpose of Namari and Toshiro in the story, beyond strenghtening the theme of "seek to understand what is different from you and promote unity despite them" and fleshing the cast and worldbuilding, is Toshiro’s purpose was being a foil & tool in Laios’ arc (trouble connecting with people) while Namari’s was being and a foil & tool in Marcille’s arc (standing up for ideals without being out of touch with harsh realities and needs). They are the conflict that push our protagonists to grow— and they explore different ways of dealing with a situation or topic, different ways of growing into themselves on that end: Laios needing to listen to others more and Toshiro needing to focus on voicing himself more to be able to connect, Marcille needing to learn ideals sometimes cost too much and Namari needing to internalize that ideals are sometimes worth risks (not only to be able to find a reasonable but fulfilling life balance, but also to get in touch with their compassion: Namari restricts her own too much and Marcille is too harsh on people she deems to be breaking values, like Namari not risking her life and career for a friend with no promise of success, or even like how Namari is harsh on Falin’s way of doing things : too gentle, too soft, too idealistic) (similarly to Chilchuck’s arc with Marcille too, and he also plays a hand in advancing that arc in the Namari chapters). We are getting far from namalin sorry ummm preview for future analyses like Toshiro’s contrasting approach to grief and accepting loss.

More post-canon namalin! Thinking about a timeline where… Namari is fond of Falin finding herself and going off to do her thing. "Finally!" she thinks. If she’s still for hire, maybe Falin would want her to come along, either as guide or bodyguard <3, she knows Namari has a lot of good avice on a lot of things to give, plus they’ve worked together before. She hires Namari and they travel for a bit. Travel would do Namari good too I think, even if her end goal is to settle and I think Falin’s would be too eventually. Seeing sights that light her wonder for the world and going places where people don’t know her story, don’t recognize her face or her name. Them, feeling free. Finding a companionship that feels uplifting instead of stifling or charged. Namari having been too in her head about reputation and social games and money that they hit the roads and spend time in nature and it’s like, woah. I’ve been living in a small world with made up rules.

Ahh yes romance, Namari and Falin kissing after 3 years of not really knowing each other despite seeing each other every day then 2 months of wanting to spend more and more time together until they’re an inseparable duo! Workwives. I want them to stand next to each other during campire time and Namari cracks little jokes and Namari laughs. I want Namari to gift Falin a bug caught in amber and for it to be their wedding/promised to each other thing.

TLDR

Rowdy but levelheaded barbarian x gentle healer that will also cave your face in with a mace I like it…… They’re an interesting duo of mixed stuff. Protection being your purpose and what you’re worth for, literally being a meat shield (Laios, Tansu), finding your individuality recognized and validated through a growing bond with the other. Sticking around as a love language. Also bug immortalized in amber and it being beautiful.

Nevermind this wasn’t short. Um! Anyways.

[zabiume]

Hello! I just wanted to ask if you think Orihime might have been a little too complex for the audience that bleach was aimed at? (teenage boys that is). I mainly interact with the bleach fandom on tiktok (the bleach tiktok fandom is horrendous but moving on) the opinion of Orihime is kind of mixed on tiktok, there's a big portion of people who love her, but there's also a big portion of people who hate her. Whenever I get into an argument about her and ask why people think her writing is bad, they always say stuff like; ''she's too emotional/she has too many emotions'' and I'm just like ??? How does that make her a bad character?? To be fair the bleach tiktok fandom has A LOT of internalized misogyny so it's not that suprising that they hate Orihime, but again I wanna hear your opinion because I do feel like people on tiktok trow around the good/bad writing a lot without even really knowing what it means.

this is an interesting question! my joke answer is that it should be illegal to hate orihime😂, but my serious answer is that i feel like there's a difference between enjoying something as an audience member vs enjoying something as a critical reader, so if we're talking about pure enjoyment, it's perfectly okay for people to have preferences and like/hate certain characters based on those preferences. enjoying something as an audience is subjective. for instance, i really can't stand the kuroko no basket movie as a critical reader but i do enjoy it a lot as someone who was there to have a good time! i liked seeing my favorite characters again, i liked seeing them bicker and interact. sometimes stories fulfill simple needs, like "woah! that was a cool fight!" or "some dude had an incredible entrance backed with an incredible OST" and your knee jerk response is to just enjoy it. i have lots of characters that i don't really care about, so it's not surprising to me that orihime is a character lots of people don't care about. it's not a big deal.

but i think critical reading is a little more nuanced than that, especially if we're talking about what "counts" as good writing/bad writing. i don't think there's one particular way to write a Good Female Character, and i think trying to make good female characters a monolith is very bad for writing in general. trying to make any identity a monolith while writing them is obviously bad, and having different kinds of characters is a better indicator of good writing to me, which i would argue that bleach does, to a certain extent. there are lots of female characters in bleach and they're all very different from each other, and we do get to see some interiority, however rich or poor. BUT, i also think it's important to note that kubo does draw women like a freak, and a lot of the fanservice leaves a bad taste in my mouth. it's good to view a series in its totality — what it does well, what's kind of shitty, etc etc. you can acknowledge some of the great character beats for a lot of these female characters but also acknowledge that the story is not free from the author's perception of the world, and of women in particular. yes, a lot of them are interesting and have engaging storylines, but sometimes they are here to be Sexy keeping a specific kind of reader in mind (male) and orihime is not free from that kind of depiction, though she is nowhere near the only bleach character to be a "victim" of that! even ignoring the fanservice aspects of it, we could always make an argument about certain storylines and have those criticisms be valid, but it's important to do that in good-faith, which is what i mean by seeing a story in its totality!

and this is where the point you bring up comes in, because i think a lot of fans don't account for their own internalized misogyny, and how much accountability they have as an audience in writing certain characters off, especially if they're pushing goal posts that they wouldn't for male characters. yes, it's important to be critical, but you have to be critical of the series in a way that suits the genre. bleach is a shonen, which is historically a genre that appeals to the lowest common denominator of people — which means it's not going to be a transcendent, transgressive indie work of art that has radical things to say about gender and society and capitalism or whatever. if you want that, you have to pick up a manga that does that and assess how effectively or ineffectively it achieves those goals. as it stands, i think it's cruel to expect things from a story that it never even set out to do.

i know this is getting long, but my point is that when i look at orihime, i'm not holding her to the same standards that i would a character from a shoujousei or a seinen. i'm looking at her in relation to other characters in bleach, and seeing how effectively or ineffectively she fulfills her role in the story. and, if i'm allowed to be controversial: i think she's an amazing character for what her role is supposed to be! she's a love interest in a shonen, which should have doomed her from the start, but nope! she's got great relationships with characters other than ichigo, she has flaws, she has a complex belief system that is taken seriously + sometimes challenged/sometimes validated by the narrative, some of the biggest themes in bleach like the rain or the heart are explained through her, she has at least one pivotal scene in every arc (even when the plot of that arc isn't centered around her), and we get such a rich view of her inner life in every chapter centered around her. we know so much about her — from silly things like what she likes to watch and eat, to major things, like who she want to be, what she believes in, what her fears are. we get to spend so much time with her. she gets to have an antagonistic relationship with a character without actually being a full-fledged fighter. even the most bitter of orihime haters i've seen have at least acknowledged how iconic her moral clash with ulquiorra was, and the scene where he accepts defeat in front of her (he WAS accepting defeat and telling her he was wrong btw; you can't take a non-romance moment, convert it into a romantic moment, and then cry about how orihime's plotlines are only ever centered on romance. YOU are doing that, not her!), is routinely seen as one of the most iconic bleach scenes of all time. speaking of iconic scenes, orihime is in some of the most memorable bleach fights even when she's not an active participant, and a lot of times, her presence leads to a major change in how the battle is going

[literally 3/4 of those fights have a major moment with her in it, and they're voted 1st, 3rd and 4th place. yes, those were ichigo's fights but his relationship with orihime is at least hinted at or mentioned in of THREE OF THEM]

it's also worth noting just how seriously the narrative takes her feelings. we see orihime happy, angry, sad, jealous and she's allowed to be it so openly and sincerely, even at the risk of ridicule. she's allowed to cheer people up, but she doesn't exist just to do that! there are so many scenes where she's in need of comforting, where she needs reassurance, and she gets to be a scared, insecure teenager just as much as ichigo does. she's bright and vivacious, she's defiant, she's loud, she's a dreamer and a yearner, she's lonely, she's emotional, and she's so, so warm and kind and human. like, i'll be honest, so many shonen fans seem to think girls can either be tomboys or shy/submissive, but they're the ones boxing characters into those stereotypes when they don't even fit (orihime ESPECIALLY doesn't fit into either category but i've seen so many people do that)

and like, yeah, kubo can be a weirdo, but he defended her, and he considered her important enough to acknowledge her growth, even when he was running short of time. and he could have so easily made orihime's envy of rukia this catty thing of like. oooh girls are falling over themselves for ichigo, they're FIGHTING for him, but he doesn't...do that. he allows orihime to be insecure without making her the butt of a joke, and he allows her the complexity her feelings deserve. and he gave rukia enough respect to have orihime want to be her friend, even as she navigated her complicated feelings about her.

and these are all OUTSIDE of her role as a love interest. as a love interest, she's basically perfect. she has meaningful and thematic parallels with ichigo, she has so many heartfelt moments with him, her confession is almost universally loved by normal people, and ichigo is so kind to her that you never feel like she picked someone who doesn't value her or respect her. these are definitely bare minimum things, but again, i'm judging it by shonen standards, and by shonen standards, she is very, very lucky. i can work with this much material, this is good enough for me, but if people's standards are higher then maybe it's not hitting for them idk! maybe their expectations for good writing were different! at the end of the day, i think it's a good thing for characters to be widely discussed because it just means there's a lot to talk about, and that's always a good thing, but let me just plug my favorite tweet to summarize my thoughts on the matter

[k-tarotz]

i’m wondering how ni-ki views iroha from illit? thanks!🤍

this one actually feels refreshing

two of wands, ace of swords reversed, the emperor, ten of wands reversed, eight of swords reversed

okay so please know I am being as nice about this as I can be. I do not have ill intentions, and Ni-Ki’s energy is quite laid back as well, not serious or mean, I am just a straightforward person that says it as it is. so please do not misunderstand me. 🫡

so, I genuinely do not keep up with illit so I do not know how old this lady is, but he seems to view her as a child. someone childish, in need of some growth. not that he looks down on her at all, but it’s that he recognises some patterns in her behaviour that teenagers usually do? though, he might view her behaviour as younger than her age. - I would tell you, but like.. I don’t know her age. Like 2-3 years younger? -

but like, there isn’t anything malicious in his energy. it’s just like when you grow up and realise how oblivious you were to the adults around you when you were a kid, you know?

although I do think he views her in a mostly positive light, I will tell the more negative aspect of his view because I like giving honest readings even if some people might not like the reading itself!

he wants to like her, he can’t. - in a platonic manner. his higherself is just highlighting this. -

although he views her as a bright, sweet and cute kid, he also views her as two faced. not based off of nothing though!

he knows her idol personality vs her idol personality, and he seems to view it as polar opposites. so if her fans like her, they are kind of deceived without knowing much of who she actually is behind cam.

ni-ki seems like the kind of person who has strong boundaries, but is always himself, even when it comes to showing who he is at cam. even when it comes to his idol image. in his eyes, if people misunderstand the kind of person he is it’s on them, it just means they are very different from him.

he is an observant person, so he noticed how was her behaviour can change at times. it’s not that he is hung up on this or that he is being ill towards her in this, it’s just that he could have a personal bias towards people like this because of his own experience! it’s the feeling of ‘oh, that reminds me of ____’, so there is a negative feeling based on association, but he doesn’t hate or dislike her, he knows it would be ridiculous to behave like that lol. his energy seems more to be cautious. he seems like a guy who tends to overthink things and be in his head a lot, won’t lie. - ironically this is bc of engenes. -

on another note, I do believe he has over seen her pretend to be sad or ‘a victim’ towards her members just to get attention even though she was completely fine. - his words not mine, don’t shoot the messenger!!! - I think he views this behaviour as childish, immature and overall disrespectful to the other person’s time.

his mentality seems like ‘I wouldn’t do that, so if someone does that there has got to be something bad about them.’ this boy overall seems to have a lot of trust issues that sometimes hold him back from accepting people for who they are. it’s like he constantly subconsciously looks for the bad in people in order to see if it’s worth his time? weighting pros and cons, regardless if he plans to befriend them or not. this could come from his own mental health issues to be honest, so if he sees anyone posses qualities he once had that he hates there is an immediate discomfort and dislike created in him. if someone tries too hard for attention he doesn’t like it because he simply thinks its dishonest. as a kid he might have been dishonest but he reflected and grew out of that.. so when he oversees her pretending to be sad just to occupy some of her members time and attention he could just view her as kind of putting on an act? I am trying to be respectful about this but to be honest he views it as incredibly fake.

regardless, the pros out weight the cons! because even if he sees the negative in people he sees the positive as well, his view isn’t black and white. he looks at her as a sweet, bright, pretty, hardworking and kind person.

perhaps he seems to like how nice she is to her fans? there is this desire to be as considerate or thoughtful as her, to connect with fans as easily as she does. he doesn’t seem envious at all, rather motivated to take steps forward to becoming kinder or more interactive with his own fans as well!

It’s just that he wishes to see more of those positive traits if that makes sense!

this view seems to be made all based on sudden encounters in the work place, not direct interactions! They don’t seem to be close at all to be honest with you here.

that’s all! and with this being said I don’t hate this girl at all, I don’t know her. her energy seems really kind, gentle and youthful! I also do not hate ni-ki either, I have seen this boy grow up and I would never suddenly send any hate to him looking at how much people love to do that. I just gave a honest reading is all.

sometimes people are not compatible at all personality wise even if they do respect each other sincerely. and that’s okay! my words could have just made this seems heavier than it is, his view doesn’t seem to be deep rooted 🫶🏻

– Candy

[dollopheadsandclotpoles]

Aight let's hear the thoughts on the difference between wicked the film and play lol 🙈 I saw the tags and I'm intrigued

Ok so disclaimer, it has been a long time since I watched the play or any of the bootlegs so I might be forgetting some details, but I did used to watch the bootlegs all the time and saw the play when I was in the US, and Wicked was even my foray into writing fanfiction so it's always had a very special place in my heart.

I will say to start that I really loved the movie and thought it was incredibly fun. I love that they adapted it in a way that embraced the spectacle potential of the stage play, and while there are obviously going to be some things I prefer from the stage play (as a long time fan of it), I still think it was an incredibly well done adaptation.

The one biggest difference though, I felt, was in the portrayal of Elphaba. Initially I couldn't really put my finger on what felt off about it aside from the fact that they had her crying a lot more than I remember. But after discussing the movie with some friends who had never seen the play, one girl said that she felt Elphaba's turn-around into risking it all for the Animals felt too sudden. That was kinda when it struck me — she wasn't as angry as she was in the original.

In the play, Elphaba is incredibly angry by the injustice of being treated like she's an outsider just for the way she looks, and when she sees the Animals being treated the same way, she feels an immediate kinship with them. The Elphaba of the play is angry yet resigned (her 'I'm Not That Girl' is more of a resigned 'this was bound to happen' vs. the sad realisation moment the movie made it out to be). She's sarcastic, she's loud. She first greets Fiyero by shouting at him and whacking him on the head with a book. She is hurt and sad also (of course) but it is buried so deep that it is only Glinda that actually sees it, making the Ozdust dance moment the impactful moment that it is.

I then came across a discussion on Reddit where someone was saying a similar thing — that Elphaba wasn't as angry as she was in the play. But someone else responded with the fact that 'it would have been hard to watch a 3 hour movie of someone being so angry.' Another commenter bemoaned the fact that they mellowed both the main characters down because they didn't want 'two unlikeable female leads.' And that kinda got me thinking about how they likely 'softened' her to make her more 'likeable' and that kinda felt off to me... because that kinda goes against the point? The female rage is a point of the story that struck a chord with me. It is a story that allows it's lead to be angry, JUSTIFIES it. There are angry men who have led countless movies and shows and who are celebrated and fawned over and embraced, but having an angry young woman in a lead role is risky? I never found Elphaba unlikeable and clearly neither did most of the other people who saw the play (would it be the success it was if they did?) but now that it's reaching a wider audience were they afraid making her too 'angry' would make fewer people root for her? I do think classifying Elphaba as an 'angry' character is a disservice to the nuanced nature of the character, but I did feel like the movie highlighted the sad/hurt aspects of her character more than they did the side that is angry at injustice, but still strangely idealistic and resigned, still believing till the very end that there is an easy solution and the Wizard can just 'fix' everything that's wrong. And so while I do love the adaptation, I feel a bit cheated that they gave us a version of Elphaba with some of her more sharpened edges sanded off, so to speak. I also think the reason her 'turn around' felt too abrupt was because we don't get to see her anger. If you don't see how angry she feels at the world, you don't understand how close to the surface this outburst was, just waiting to bubble out of her. You don't get to see why it was so easy to paint her as a 'Wicked Witch' for a moment of passion when she's been treated like crap her whole life and had to hide behind his anger in order to survive. You don't truly understand why she was willing to risk it all for the Animals because you don't understand how this is her moment of finally deciding to let her rage free and USE it to make the stand she's been wanting to make her whole life.

I still feel it was a brilliant adaptation, I just felt like I missed that aspect of it a lot and it made her character feel a little less nuanced to me. But I could be forgetting certain details, or remembering wrong, or just be plain off — happy to listen to opposing viewpoints.

[misscryptidart]

No but actually make me a WWDITS (union) writer because the relationship and social aspects of humans VS vampires is so fucking interesting.

Like, I know the meme of the Baron choose drama over violence in his confrontation with Guillermo, but the side conversation between the two, "vampire to vampire", immediately reads as a different level of intimacy and familiarity that the baron had not shown to Guillermo prior. The respect between the two, the frankness the Baron gives Guillermo, they are portrayed as equals. Perhaps not friends, but equals.

The relationship between familiar and vampire is also displayed in a new context. Nadja, as soon as she found out that Guillermo was turned, immediately began to correct Guillermo's behavior and teach him what little she could ("You can't treat your master like that. That connection is sacred. If he gets killed, you get killed. You treat him with respect."). Being a familiar is not only serving your master, but building that connection with your eventual sire. Its the time where the master is supposed to be preparing their familiar for the complex and nuanced life of vampirism, easing the transition for not only the new fledging but also the risk the sire is taking. To have another vampire, one who has not groomed and taken care of the familiar, turn them is a clear violation of the expectations of the master role. Nandor, by the social contracts of vampirism, was the one to "train" and "prepare" Guillermo for his introduction to the un-living. Derik took that connection and ruined it. No wonder he was so fucking pissed.

I think it lends itself well to the reality that vampires and humans are not equals. Humans live short lives and have a limited world experience, but they are dangerous and clever. Vampires have the gift of endless possibilities and power unlike any others, but they are reliant on the humans for food and must navigate a world that actively works against their nature. Of course they see humanity as "the others", ones who can't ever possibly understand what it means to be a vampire. Of course they are going to be incredibly cautious when allowing one into their world. The running gag of familiars never actually being turned makes a lot more sense when you put in the perspective that vampires are incredibly protective of themselves and those of their inner circle. It also explains why they are so willing to disregard or kill their familiars. They can't understand what it means to be a vampire. They will die anyways. Who cares?

The Staten Island Vampires stand out so distinctly because they choose to integrate themselves into human society earnestly, eager to explore and learn about their neighbors. Not in a malicious manner, such as a wolf in sheep's clothing, but as a genuine "Hey, I'm here. I want to experience this. I want to be apart of this."

Very rarely in vampire media, in my opinion, does it show the vampires attempting to live their lives interwoven with humanity like WWDITS does. Even Twilight, the most modern adaptation of a vampiric story, has the Cullen's act alien and disinterested in the world around them. But the Staten Island Vampires are involved! Laszlo hangs out with Sean with no intentions of feeding from him, Nandor goes to the gym and movies and actively seeks new friendships, Nadja connects with her roots and visits Little Antipaxos! They are people living in a world of other people, and the world feels so full because of that.

I love monsters and mythology and folklore and terrible little creatures so goddamn much

[gemsofthegalaxy]

Jinx vs Powder, which is it? - Discussing the Present Moment and lack of an "end state"

Upon watching Season 2 I was a bit conflicted on the idea of Powder vs Jinx, and in thinking about it, the conundrum reminded me of some gripes I've seen many people reference about the season as a whole, which I will get into as this analysis goes on. First off, though, I didn't know how to feel on the whole Powder vs Jinx idea. The show makes such a huge deal of it in Season 1 and it ends with the "resolution". it's Jinx. Powder is gone, fell down a well, the final time.

Only for this conflict to continue on in Season 2, be a constant push and pull when we felt like the question was answered already! Jinx is Jinx, walks through life a shell of a person for a bit, then Isha comes into her life and throws everything into question. She has something to care about, someone to love, which feels a little more like ol Powder, and then that increases again and again by the reemergence of Vander, who calls her Powder, on top of the fact that months after declaring each other "no longer sisters", Vi's back in her life and they're getting along again, just like that.

This, of course, gets ripped out from under her again in no time as well. Jinx drops to her lowest point, Vi tries to save her, she forsakes her and runs away and tells her not to worry about her anymore. She knows, now, there's no good version of her, everyone who gets close to her gets hurt or dies. This happens, again and again.

Then, Ekko comes back after a whole episode dedicated to him meeting AU Powder. Powder as she could have been, as we might even think we want her to be. A Powder with a loving family and a good measure less trauma in her life. In some ways, this might affirm the idea that this is Powder, and our Jinx is Jinx. But we also see that this version of Powder reignites Ekko's hope in our Jinx, even though we know the reason they're so different is she hasn't lived that same life.

So. Ekko convinces Jinx, somehow, they can always build something new. What he means is she can always try again. She said, hours ago, possibly not even, "there's no good version of me" and Ekko (even having not heard that) says "bullshit, I just saw a version of you that was good." And then there's another aspect to it, AU Silco's message: there's no greater power than to forgive. Ekko forgives Jinx, forgives himself for giving up on her, and wants her to forgive herself. Now, it might have been nice to see more of this conversation, but, I think we can infer that all the lessons Ekko took from the AU verse were things he would at least start trying to instill upon Jinx. To plant the seed, if you will, that she can forgive herself, she can build something new, she can be whoever she damn well wants to be. Powder, Jinx- does it really even matter? What she calls herself is beside the point. What matters is what she's doing now, and what she ends up doing is joining Ekko in the fight.

I watched a great video essay that dissected a bit of Ekko's character and one of the reasons he's so good-hearted is that he is present-focused. In fact, he's one of the only characters who is present-focused and remains so most of the time. Powder/Jinx, and Vi, they're stuck in the past. Viktor and Jayce are trying to force the future to come towards them, Silco's also obsessed with making a future dream happen while allowing his past to harden him to all connection outside of Jinx, Heimerdinger is so far in the future he can't understand the day-to-day issues small or large that humans face. Ekko cares about what is happening now. He's a man of action. And his power, his z-drive, also exemplifies how things can change, moment-to-moment, he goes back in time briefly so he can make the best of the exact present he's in and get it right.

Which actually speaks to something bigger in Season 2 I've seen people have gripes about, how some conflicts get resolved very easily between characters with a lot of tension between them, mostly Cait and Vi, and how longstanding political issues get dropped for bigger political plots. I've talked about why Vi reacts how she does to Cait in the prison cell scene, but I haven't touched on when they meet at the commune, but I think it also sort of fits well into the theme of present-focused = morally good. Cait has been on a descent into worse behaviour, but, she's been waffling too. She doesn't fully trust Ambessa or know where she lies on matters. So, the moment she sees Vi again, she's given a new option, a new out, and she makes use of it rather than mince words about who did what or why. I don't necessarily think this is a bad thing, and Vi, as someone who appreciates action and is protective, would also probably see this favourably (although, they do get around to arguing a bit more later, which I think is fitting)

Now, I understand why people are frustrated that the Piltover vs Zaun conflict takes a backseat. It's something that I do think could have been handled better, but, I also feel like I understand a bit what they were going for here. Yes, they've been embroiled in this conflict for a long time, but right now, in this moment, if they don't stand together they're that much more likely to lose. You can't fight for the existence of a nation that was wiped off the very map by an outside force.

Again, being present-focused and dealing with what is happening now is the only way to deal with Noxus marching on them. They cannot continue to worry about locking Jinx up or striking a deal for independence, again, there's not gonna be a nation of Zaun if Noxus takes over, either. I get why this is frustrating, but, I think it's realistic and I don't think it's counter to the story they've been telling, especially not in Season 2.

The whole Jinx vs Powder thing doesn't get to be tied up with a little bow on it, because Powder will always, always, always be what Jinx was named as a baby, and she will never not have been a child called Powder with the same blue hair she has now. There's no version of her (in Arcane, anyway) who wasn't insecure and brainy as a child and didn't go through some heartbreaking stuff. Silco told her to let Powder die, because he let his former self die and it made him stronger- but did he really? He still wistfully sits at Vander's statue, pours out a drink for him, and laments over fatherhood. Does that sound like a man who has left Vander in the past? As well, he's still desperately afraid of losing Jinx, showing there's something of the humanity left that he clings to. If Silco was alive to meet Vander's new form, surely they would have had words, even for all Silco said he was a changed man. Maybe they would have even had the power to forgive, AU Silco did.

The thing is, for as long as Jinx is alive, she will be inventing herself every day, for the rest of her life, she doesn't just get to decide she's "done" now. We are all the sum of everything we've ever done + what we decide to do in this moment. We all carry our histories into what we do next. There's no final state of being a person who's still alive and breathing, things will always change, new experiences will happen and shape us or give us new ideas or affirm our previous thoughts. This is also true on a societal level, no country or city or town stays completely static, there is no Done, the world just keeps on turning and things will develop, systems will rise and fall and be torn down and be built up.

As long as we're alive, there's always a chance to build something new.

[the1northlanderprincess]

It has become apparent that we're in that typical late season stage of panic and/or negativity surrounding our somewhat unique ship. I don't want to see us or this tag spiral so out of control that it causes major divisiveness. I know we've seen a "breakup" already before the feelings were revealed to be subtly romantic, but we're just about to get into the real meat of it. I want us to be excited.

Okay, now, I want to address the subject of the whole "Haladriel is toxic" thing, which @deus-sema discussed in her post. Are they? Sure, to an extent. I mean, the dude impersonated her brother AND tried to brush it off like he wasn't. And the recent obsession on his end certainly isn't healthy. But I've seen so much worse. I think for the majority of their interactions, though, has been positive. There was a lot of trust, happiness, and support. You had some small arguments sprinkled in, but they were pushing one another to try to make the other better. You need that in a relationship.

If anything, it's just a plain ol' forbidden romance; they're haunted, as others have iterated. There is no way they can be together in a balanced, honest manner, and they can't handle it. Sauron and Galadriel are both highly intellectual immortals, above common Men. Although, you could argue that they each display human characteristics from time to time (Sauron especially). However, you can also argue that there is very much a nature vs. nurture aspect present. It's safe to guess that Galadriel grew up in a loving environment, whereas Sauron was likely surrounded by cruelty and harsh discipline. He probably knew nothing of what real love was like.

However, after recently rewatching season 1 Haladriel for the first time, I was able to view their scenes in a different light. The finale, in particular, had my attention. Before the confrontation, Halbrand tells Gal how much it meant to him that she stuck up for him and empowered him. He was so grateful, he wanted to do the same for her (and I think that was genuine). He got a glimpse of true friendship and compassion, and he wanted to revel in it...and her.

That brings me to the hand-wringing over the finale, about whether or not it's going to be a redux of 1x08. I paid special attention to the raft scene. After they were arguing over semantics and the like, it came down to them, hilariously, screaming at each other and Sauron disappearing. In all honesty, not a lot of stuff happened between them. That needs to change. The two have exchanged how they feel around one another, but they really need to address the hurt and why it hurts.

If that beautiful shot of Dark Prince Halbrand is anything to go by, I conclude that when their swordfight ends, they will come to some sort of complex, uneasy truce, beginning with Gal showing Annatar the ring.

[notedchampagne]

it's after halloween but trick or treat anyway here you go:

flattenings of john as a character, specifically the "deadbeat dad" accusations or referring to alecto's creation as "male gaze-y." he is a demonstrably involved and gentle parent the instant he learns he's got a kid; the issue is not that he's a deadbeat so much as that he set up a society where parenthood and authority are positions of naturalized abuse. Like, he's doing everything right on the surface, it's just that you can't be a good parent and also a god-emperor. You can't help your kid connect with her culture and ancestry when you killed all her ancestors and erased their culture; you can't let your kid inherit what you have when you're never going to die and she's already dead; you can't give her what she wants and have that be healthy when what she wants is a position in the army you run. but fuck if he's not trying to. from a surface level view, he's doing everything right! and calling alecto barbie male gaze-y eliminates the role of larger systems in literally everything john has ever done. is it not so much more satisfying for it to be a completely innocuous and even childish act that still ends up defiling a woman's body because the defilement of women's bodies is so baked into everything that an act as simple as "taking comfort in childhood toys when you're stressed" has the potential to be harmful? He's fucked up, for sure, but like. damn if the ways he's fucked up in canon aren't way more interesting than half the takes.

okay so tridentariicest totally has textual backing and i love that folks explore that, but i also feel like the sexual element of their whole deal is given way too much spotlight. what about all the other totally horrifying aspects of their relationship? there's so many good god diversify it a bit.

kiriona meta that either makes her out to be completely different or completely the same as gideon. this side of her always existed and she is fundamentally changed. if i talk about this too much longer i will write an essay because every time i think about kiriona for a second too long an essay happens but moral of the story she's one of those Characters I'm Correct About and i am sososotired.

buddy youve already written an essay lmfao anyway treat: i like hearing peoples opinions. ive already mentioned my opinions on kiriona and john before (TLDR this has always been gideon and people change/imperialism misogyny and classism is baked into the society john grew up in and it continues to exist as he made this new society). tcest grosses me out on a general level but it Is there in tlt and it annoys me when people boil it down to "oh isnt it so problematic when twins kiss are you offended" instead of exploring how the third house encouraged codependency and fused identity, coronas desperation to be needed vs ianthes desperation to be acknowledged and seen blahblahblah theres just more interesting ways you could explore text within a series about the horrors and unhealthiness of love instead of jacking into a sock about it