#she’s an awful awful woman

[boxdstars]

can’t believe i never posted sith inquisitior amara for the 4th, shame on me

[thatdykepunkslut]

Taylors wift is just elon musk for horse girls and gays who are afraid of faggots

[hajihiko]

'Strong opinions about femininity and masculinity' moment

[ohrackham]

what was the point of lila thinking home was a feeling she didn't deserve and could never earn until she found diego. what was the point of them finding deep, meaningful love in each other. what was the point of lila opening her heart and confessing that all she really wanted was a family with him.

what was the point of developing diego and lila over two seasons, creating such a beautiful, chaotic bond, just to destroy it for no reason.

[bixels]

Bit of a weird question, but what is your overall least favorite thing about MLP? 

Sparity.

[itwasmagic]

I am what I am 'cause you trained me.       ☆ reblogs are encouraged!

[daisyswift3]

So I think I may have cracked the code. Listening to Clara Bow w this context in mind from the 4th, 9th, and 10th 🎃 messages makes the lyrics cut even deeper and explains the purpose of the anthology.

What Taylor is essentially saying is that above all else she is proud of her humanity. “Human. Human. Human.” “Flesh and blood.” Unlike some ppl in Hollywood like greedy big suits (cough SB^2 cough Big Machine cough) she’s managed to keep her humanity intact and didn’t let these negative experiences corrupt her or turn her bitter. She was able to find peace and courage in spite of it. And she’s saying I am abt to come out of the closet and while I am hopeful I’m also a little fearful. But isn’t that an amazing thing? Because being fearful, sad, furious, insecure, hopeful—these experiences are unique to humans! “Your heart beats red and hot and furious in your chest.”

“And most importantly, they will know about the human heart.” THIS is the purpose of the anthology. This is why she released 31 (13 backwards) songs for her fans to dissect and decode. Bc she wants them to understand that she’s not a god. She’s a flawed human just like the rest of us.

I think there’s a very good chance that THIS is what her movie is going to be about. Her journey out of the closet and all the hardship that came along w it and helping other ppl to understand the human heart. And I wouldn’t be surprised if there was a memoir that was released w it—“the professor said to write what you know.” And it makes sense too why the manuscript lyrics match perfectly w the all too well short film. Bc they’re talking abt the exact same thing!! She has a relationship w a much older man, experiences heartbreak, heals, and then writes abt it in a book—the story of us AKA the manuscript.

And this is why 🎃 kept referencing the story of us. I couldn't make sense of it a few months ago but now in hindsight it all makes perfect sense. Message in a bottle was probably a red tv vault track for this reason too. Bc the message in a bottle is the manuscript. The puzzle pieces really do all fall right into place.

[biggest-vi-defender]

not enough ppl talk abt vi and the visceral experience of having ur childhood and teenhood completely snatched away from you, and now you’re an adult who just has to live & deal w that fact.

[lonesomedreamer]

MAJEL BARRETT as Ruth Donaldson in The Lieutenant, “In the Highest Tradition” (1964)

I never bet on a sure thing. It takes all the fun out of it.

The Lieutenant was Gene Roddenberry’s first, short-lived television show.

[batcavescolony]

I feel like people aren't getting it. In. The. Books. Perseus. Jackson. Is. An. Unreliable. Narrator. This goes for everything he thinks. Percy loves his mother, so he writes her praises. In the show we get to see what Sally does from an outside POV not filtered through a child that idolizes his mother. It's not ooc for Sally to act like she does in the show. she's a single mother raising a neurodivergent, Demigod, and she's scared that when the Gods get to him they'll corrupt him. She's not suddenly a girl boss we're getting to see her for how she is.

[braxix]

Elrond: This is the first time in my entire life I've felt provoked to hit a woman.

Annatar: I'm a man you idiot!

Elrond: So I can hit you without feeling bad about it? Wonderful.

[yellowjackets-1996]

I REMEMBER THE SICKNESS WAS FOREVER.

[azuree1733]

Lestat 😼

[rontra]

as the holder of extremely niche isako lore it's really important to me that you know i didn't make this whole writer thing up. the p3 club book brings up that she's a writer as a hobby, specifically so that it can then say she hasn't had any particular success with it. her whole profile is so hilarious but this bit really gets me. mean to her

[demaparbat-hp]

Does Katara ever meet Hakoda and Sokka in your Half Blood AU?

Omg yes!!! That's basically the scene that gave birth to this entire AU, in fact. I love confrontations, family discord, and internal conflict in narrative, so most of my AUs have at least a little bit of that. I don't want to give too much away yet, but Katara, Sokka and Hakoda's encounters are Huge, Important Scenes in the HalfBlood AU.

Hakoda has no idea Kya was pregnant when he left her, so he doesn't know Katara is his daughter when he first meets her. Not for long, though. She looks a lot like Kya, and the necklace around her neck doesn't leave much room for denial once Hakoda notices it.

Sokka had been a part of his father's fleet for years at that point—he will be at least five years older than Katara, already a child when Hakoda met Kya. He will be the first to meet Katara, possibly while looking for a healer for the Southern warriors after a battle, or something like that. Katara would have been traveling with Zuko for a while now, and they're helping a group of refugees when Sokka comes along asking for help.

Sokka knew nothing about his father's lover. The only one aware was Bato, and he disapproved of it because he Hakoda's wife was his younger sister, so their relationship is strained and uneasy.

And Katara doesn't really want to have much to do with Hakoda at all. I'm toying with the idea of Hakoda trying to create a bond between them once he realizes she's his daughter, only to explode in his face once the truth comes out. Or, he could mention Kya early on, maybe whisper her name in astonishment when he notices Katara's resemblance, and she catches up pretty quickly.

Point is, Katara isn't happy, Hakoda is conflicted, and Sokka is facing a side of his father he never knew existed.

Sokka and Katara's relationship is surprisingly easy going, though. They have some issues, of course, especially at first, but they bond pretty quickly. They're nowhere near the relationship they had in canon, but they can get there with enough time.

[fantastic-mr-corvid]

u know wot im gonna talk about attack the block. its a movie made cause the director was fed up of seeing 'hoodie horror' and charecters like Moses[played by John Boyega in his first acting credit], black kids who got involved in bad stuff/expelled from school beeing shorthand for 'pure evil'

he went around interviewing kids to get the language right and meet people like moses. heres the full quote: "We did find some who were quite similar to Moses, who’d been excluded from school or got involved with bad stuff. And they’re not monsters. They’re very empathic, and when you spend a bit of time with them they’re normal and sweet, enthusiastic and bright. But they’ve just been cornered a bit by life, and I think that often the way they’re portrayed doesn’t help with that. Culturally, it makes the problem worse, not better." from an artical in the list

its fun its heartbreking its political its alien designs are awsome and it shows people and community with love that are so often treated like shit when portrayed.