#she pretends she doesn't care at all

[saberkane]

it's 'looking through the pyrrha dve tag and feeling sad' hours

[jazillia007]

I can't stop thinking about how Penelope praised Colin's writing. And it was actually smut, personal smut.

But I think what makes it beautiful. Despite of the content, Penelope really loved his writing in itself. The man barely gets praised by anyone but her.

And to be praised by Penelope who is not only a avid reader but also writer, is the biggest praise you can get.

[lgbtlunaverse]

Half the internet talking about how we just need to be more niceys to men and misogyny is the fault of mean internet feminists and the other half going "Let's try seperatism again!" I'm so tired. I want to be in community with men, especially marginalized men whose political goals align with mine, while trusting that any critique of misogyny won't immediately turn them into fascists. Is that too much to ask?

[mc-critical]

Curious that in the wake of Süleiman's first campaign, both Hürrem and Hatice are scared of forever losing the people they've come to love and have latched onto in order to keep going and find new meaning for themselves after their seemingly dealbreaking past and recent losses, all the while Hafsa reveals her intention to marry both of them off all in the same episode, thus reinforcing the alienation they would feel in Süleiman and Ibrahim's absences and threatening to fully cement it, cutting them off from their actual loves and bringing misery to them both.

[heytheredeann]

“Yes, there is a place where someone loves you both before and after they learn what you are.” ― Neil Hilborn

[kandicon]

Actually I can't stop thinking about Tim gaining a bit of weight during her time as Persephone and it's killing me now

[divinekangaroo]

Was thinking while watching that scene where Pol tells Ada about her abortion.

Polly really doesn't take on the mum role in the family to my mind, or even the matriarch/aunt tbh. And I think, there was some summary somewhere that referred to her as the consigliere and while she does perform a certain bouncing-board, plan formation role with Tommy (and only with Tommy, and only with insight into certain parts of his plans; I'm struggling to think of times the others listen to her without Tommy backing her up, S3 as example of when they don't), her other behaviours in the family also mean this isn't her role at all.

She's the wild older sister who is loving and explosive and hurtful, and incredibly, incredibly fragile, afraid and she feels so very scared, vulnerable and alone, most of the time. She just wants all her loved ones to be happy and safe and in achieving that, Tommy is frequently as much of an obstacle as he is the vehicle to get her that. I do headcanon that Polly lives 99% of her life in fear and on that edge of breakdown, it's just that she's lived with it so long she probably doesn't even acknowledge it any more. Her reactivity is so high.

So yeah, it's no wonder Tommy sort of plays that joint patriarch-matriarch role (arranging marriages etc), because Polly is *not* playing the matriarch.

[thevoidstaredback]

Me: I'm gonna play you some music from the 2016 Broadway cast of The Hunchback of Notre Dame. I want you to guess how many songs I play; it's about 10 minutes of music

Mom: Alright

*~12 minutes later*

Me: Alright, how many songs?

Mom: 54

Me: Nope

Mom: Less?

Me: A lot less. I told you it's only 10ish minutes of music

Mom: 10?

Me: Nope

Mom: 7?

Me: Nu uh (how long does she think these songs are..?)

Mom: 3?

Me: No

Mom: How many?

Me: Four

Mom: ...really?

Me: I told you it's about 10 minutes of Broadway music! Topsy Truvy Part 1 is 2 minutes and 05 seconds; Rest and Recreation is 2 minutes, 55 seconds; Rhythm of the Tambourine is 2 minutes, 53; and Topsy Truvy Part 2 is 2.39. They all come one right after the other, separated by only a few lines of dialogue, I think (I've only ever listened to the Broadway soundtrack and seen the Disney movie, so don't quote me on that)

Mom: Cool

[spotaus]

Thinking about Orchid and her connection to my take on Gender (because this was meant to be about her and the Crew but it just devolved into a character analysis kinda??? More trauma-dumping maybe???) This is very much an oc/personal rant so feel free to ignore it 🫡

So, Orchid started off as a character I didn't really think much of (hear me out this is going to be relevant) because I wanted to add a 'girl' character but didn't know what to *do* with her, y'know? She was always going to be the strongest one there, she had the odds stacked in her favor with her parents. She was always going to be the gloomy side-character to match Reset's energy. But I think she's gone through every stage of Generic Woman I could possibly find.

At first she was angry and abrasive (think Fell!Sans) where every other word was a curse and she was likely to throw the first punch then laugh as she kicks her enemy while they're down. This was when Reset was a cartoonishly self-centered villain whose goal was simply to prove others wrong. Then Orchid became a sort of sisterly figure. This was short-lived, but she was the one comforting people who Reset would torment, but would ultimately follow his orders, because at this point he was actually a danger and sadistic. And then there was the phase where the story mellowed out and she became the token Goth Girl who, yes she was strong, but was heavy on the 'whatever' energy. Then there was her Era of deep self-loathing and anxiety about her worth that held her back and made her a much more timid and meek character who would only lash out on occasion.

Now, Orchid is the best of those iterations I've written yet. She's calm, level-headed, and a natural leader. Her father raised those traits into her. But she's very reactive, and can be silly, and when she's comfortable it's likely that air of importance transforms into something more comfortable and familiar. She laughs loudly and grins wide, she likes loud video-games but loves to read in the quiet. She's extremely disciplined, and normally no one can get through her tough exterior besides her best friend, Reset. She does what she does for her own enjoyment, sure, but she's thought of every angle and makes her choice to help Reset and control the others with her whole chest. She still worries she won't live up to her invisible expectations, and that and her loyalty are her two driving forces.

I know that Orchid is important to me because she's the longest-running female oc I've had. I have a rough relationship with womanhood/girlhood and I know looking back that Orchid recieved every ounce of my distaste for being a woman that I could shovel into her. That never made her less of a character, she was actually always one of my favorites, and rarely was she a 'punching bag oc'. I just... projected onto her a lot. And she's a good sign of how I've learned who I am. I've decided that my own femininity is something I could live without. I'd rather not associate myself with it, and I'd like to leave it in my past, focusing on a future where I'm not tied down with any gender roles or expectations. That won't happen, but I've come to terms with it myself. Orchid though? I figured out through her that I don't have to hate women characters. My own distaste for my circumstances doesn't mean I have to push it onto my characters (on God I've never expressed anything rude to actual people, that'd be rude as hell and uncalled for, but I have a bad habit of disliking fictional women in media). So, Orchid is a well-roubded character finally. She has motivations abd goals and a *lot* more depth than I ever expected her to. She's happy with being a woman, she's content. She's not treated differently for it in unfair ways by those she cares about, so she doesn't mind it. She likes to wear pretty outfits and lets Reset add bows to her ribbons. She doesn't let being a woman hold her back in the slightest.

So, yeah. Orchid is one of my babies. If I ever leave this Fandom behind for good, she's one that's coming with (Ichor, Orchid, and Pretender all have human designs I can use elsewhere lol-) but in the meantime I'll just rotate her around in my brain for a while longer.

If I'm right, she's been with me for nearly 5-6 years and I went through a *lot* with her as an outlet. So, she's kinda just like an old stuffed animal. A lil ripped, matted fur, maybe a stain or two, but there's a story there and that makes it important beyond belief.

[astralleywright]

the craziest part is that orym really does love imogen so much. he saw keyleth in her, he told her she could be like the person he admires and respects most in the world! and then told keyleth that any faith she had in him she could have in imogen! and its all still true!! he thinks she's their only hope!! ahhh!!!

[colorfuldream]

Okay so I've seen it a few times now and there are people who genuinely believe the Squid Sisters have the least content out of every group. I mean, I get forgetting Deep Cuts but the Squid Sisters do have as much as Off The Hook. Sure, OTH is starting to look like favorites now but the SS aren't left behind. Here's an itemized list:

They're in every main story mode. They have three whole games about them. The concept of story mode revolves around them. Just because they aren't proactive in them doesn't make it not count. Their quips and banter are what made us care and learn about them. It did flesh them out. They don't have to actively help to be main characters and receive development. The only game you could argue that is Splatoon 3 but it has a writing problem in general. It did close their story, subtle but interesting and well-written (for what Splatoon is), across the three games.

A short story. They're the only ones who have that. That has insane development, providing a lot of details about them. Like, that's a MAJOR thing that's lore-dumping so many things.

They're in almost every concert. They're in all but two concerts. They're canon too. This gives them a lot of presence in the franchise.

Lots of illustrations. Makes sense. Of course they are with how long they've been around. Still an important sign that they're a major part of the franchise (obviously, the main story is about them). It's always nice to see them in different situations anyways. They also get some lore out of them, fleshes them out and whatever. Which brings me to my next point.

Different outfits. It's not only giving us a sense of how they dress, but it's telling a story. Said it before but, for example, we know Marie likes dressing up for Story Mode and be a mentor of some sort. If you pull that string, you can get that she's someone who puts on a façade depending on the occasion and likes teaching/guiding people, her idea of mature and cool is a traditional outfit from her hometown.

Special Fest variants. Yes, they all do. However, the thing that differentiates them is that this is outside their game and, even though they were mostly reskins, they did get fully new outfits and hairstyles which neither other groups did.

Technically, they got a DLC. Even if it's the old hub and basically promo for Side Order.

They're in Smash Bros. That's not nothing. They're not spirits, they're full-on assist trophies. They better be in it honestly, but it's still something they have over the other two groups. It solidifies their status in the franchise.

Many songs, including remixes. Obviously, but they're also on the Splatfest list which never happened before outside of special events. They started it in Splatoon 2's Final Fest and started it in Splatoon 3's regular Fests. They're trend setters! Which leads me to...

Boss Fight. Final Boss, even. Callie started it. Literally. She fought us. The fact that she was The Final Boss™ puts her above the others. They wish they were her.

Solos. They did it first. They've also got not one but two mash-ups of their solos so it gotta count. I would argue that theirs are special too as they're meant to be solo pieces while the Anarchy Poisons are always put together be it on the soundtrack or the concerts. They were made to, and it's lovely, as Deep Cut's continuing the trend OTH's set: a united group that values each other and their work over fame. Their music is made to be together. Anarchy Rainbow and its Poisons is just that, something that's all of them, always. They were also fused in every live version, and the in-game live version, unlike Tide Goes Out and Bomb Rush Blush. These were forcefully mashed up as each sang over the other, desperately trying to drown out their will and win this fight. It's only now, years later, that they get an unexpected mash-up, joyful and harmonious —which in a way is a part of their story, them reclaiming this song as they bring their solos together. The Squid Sisters are working for themselves, they now do whatever they want with their careers and what they sing, how they sing, when they sing is up to them and only them.

They're the end credits of every game. Special mention to Splatoon 3 that just sacrifices its own idol group for them. Unlike Splatoon 2, Deep Cut was involved in Story Mode and for all the 10 minutes they spent in it, the end credits should have been theirs as they sure as hell didn't get a DLC. Their equivalent was a last minute addition at that, unceremoniously added later on without much spotlight. Jeez, they could have had a second collab song instead or something!

They've got the final battle song for every game. Makes sense because it's their story and their games, it's the culmination of their work every single time. Unlike the credits, they at least shared the spotlight with Deep Cut... Hey, if Marie's their boss, doesn't that make her a part of their group or vice-versa? She better be, she's the one handling their paperwork after all (poor woman, it's a mess too and they're not spending wisely. Shouldn't have been talking about becoming a manager, Marie, you're getting roped up in too much silliness and Callie won't help).

Participation in 2 Final Fests. By that, I mean actually having a team and representing it. Otherwise, they're involved in every Final Fest.

Merch. I mean why wouldn't they have some?? But it had to be added. Special note for the concert CD and special edition. I guess I'd put there the interview bit Marie conducted in Splatoon 3's soundtrack bonuses. That's another bit of trivia/insight on her work. The Nintendo Magazine interviews also count as they're relevant to their characters.

Their song is a major part of their world and franchise. Calamari Inkantation has a special place in the lore and the franchise. It's THE song but also THEIR song.

4 amiibos. They might not give their outfits (which I kinda like because I'm not fond of how they did it for the others) but they give out gear related to their story, the game, and that we should have gotten. At least they're fixing that flaw I guess.

Storyline during the Splatfests. Not sure if it should be added but it did culminate into long lasting conflict between the two of them and started their storyline. Since it's missing in Splatoon 3, I think it should be noted. It fleshes them out and makes them feel a bit more alive, like they're affected by the results.

Most of these could apply to Off The Hook too. My point is that the Squid Sisters haven't been neglected, not from Nintendo's point of view. They're more than included, arguably the stars of Splatoon 1 and 3. The thing is that Off The Hook is the fan favorite right now so most of our attention is on them, not the others. The Squid Sisters have also been so ingrained in the franchise that we're used to it. We readily accepted they would be the stars of Splatoon 3 because they took over most of Splatoon 2 until Octo Expansion. We assumed the other two groups would get DLCs, or that Deep Cut would be involved in OTH's like in the Main Story, only to realize that Nintendo didn't give a damn and gave the spotlight to OTH alone in an attempt to replicate what Splatoon 2 did. Obviously, once we got over Side Order, we kinda realized this was unfair and that there was favoritism. It didn't help that OTH was featured in regular battles and that Splatoon 2 and 3 handled Splatfests differently, with special events and work done to the idols. We've come a long way since the first game, which itself had changed plenty during its time, so it feels unfair that the Squid Sisters didn't benefit from what the others got or for as long. That doesn't mean they didn't get a lot and weren't the favorites for a long time.

Now, I'm gonna address the thing that made me write this in the first place:

They do have a story and development. Just because it wasn't in your face doesn't mean it didn't happen.

Up until Splatoon 3, the story wasn't as obvious as it could be when it came to the idols. Marina's background is clear-cut, because you cannot be too subtle about it, but apart from some big lines, it wasn't directly stated, nor was her development in Octo Expansion (it's heavily linked to Agent 8 and the Octavian but the fact that she comes to be comfortable in what species she is and overcomes her fear of being found out and rejected should count as a story). She's fascinating and it's important to the world.

But that doesn't leave the Squid Sisters flat and boring. They had an arc! Them slowly resenting each other because of their time as Splatcast anchors, because they were always pit against each other, because of the way being an idol works, is a story in itself. It was bad enough to get Callie to free Octavio, who's a terrible, dangerous person as far as she knew then, and go to the Octarians, poor, underground enemies. The Hypno-Shades are more like heavily suggesting you to obey, we know that Callie had some sort of free will to put glitter, of all things, into their ink. She also was fully conscious of her actions when freeing Octavio, and we know this guy isn't a mastermind and world class manipulator. Marie wasn't doing much better, working a lot and being stressed. Fame drove them apart and broke Callie down to the point of going to people who wanted hers dead. She freed a war criminal. Once Marie saved her, mostly from her own despair, they decided to do their own thing. They didn't need fame or their careers. Family was more important. Tidal Rush was their solos crashing against each other, not listening and trying to sing over the opponent, until Marie blasted on a song that meant the world to them. The hymn of sea kind. The song that they won that fateful contest with when they were young, the reason why their dream came true. The song that they sang when safinf their dear grandpa, powerful enough to make Octolings give up everything and try to join the surface. A beautiful memory. Something that was theirs. And so they sang. Together. "I remember everything!" The innocent days they practiced for the contest, the terrifying ride to Inkopolis, the nervousness of their first Splatcast. But they were together. She wasn't alone. Marie had always been on her side. Neither of them wanted this. If it had been up to them, nobody would have compared them to each other. They wouldn't have been choices for their last Splatfest. It's a certain kind of cruel to ask which of the two teenage girls was the better one. Callie wasn't angry at Marie, she was angry at the system. She felt awkward, self-conscious, worthless because of her status as a celebrity, because she as a person didn't matter. Her comfort? Who cares. Take the photos, sing the songs, be careful to be perfect. She was overworked, isolated, and the only person she could count on was put in the same position and told she was a competitor.

Fresh Start is the two of them reconnecting away from show business. Going back to their roots. They stop being idols afterwards, they don't sing much anymore. They get their own careers. Callie slowly finds the strength to be in the spotlight after so long and goes back to acting, unlike Marie this seems to be more of her thing. Marie keeps on with her podcast, now using it to hype Callie up. Splatoon 3 even shows us that Callie is some sort of spokesperson, announcing that an Inkopolis stage will undergo reconstruction. She's rebuilding her career on her own and making it her own. The Squid Sisters, while some of the most people in the world, weren't recognized in the Splatlands. Sure, Shiver and Frye probably didn't give a damn about Inkopolis musicians but Big Man is a fan, he's even showed them their music, and he still didn't recognize them. They're known for their music, their names possibly for themselves. Splatoon 3 is the only game not to give them a story, even its details don't imply much. But the previous two games did.

It's a story of two girls who got famous too soon, too suddenly, and got eaten by showbusiness. It's two young women taking their power back and breaking free from the idol life. It's a family that managed to heal from the damage fame caused over the years.

I dunno but I think it's beautiful and I'm a sucker for stories that criticize being an idol and family coming together. The Squid Sisters' entire thing was being idols, that's their entire concept, especially identical ones which is dehumanizing enough. It's fitting and not something you'd expect out of Splatoon of all places but it's the kind of franchise that gets surprisingly deep and dark in its smallest details.

No, they're not neglected or underdeveloped. Their story is there, just not as flashy as you'd expect. Their presence is something we're so used to that we don't clock it anymore, moreso when the other group gets attention too. Splatoon 3 didn't handle the writing well, as fun and silly as it gets, and it shows in a lot of ways. It's easy to go "so what was the point of the Squid Sisters being there?" when the story didn't bother doing anything with them for once but they weren't the only one neglected nor did they not get content in other ways!

[vaguely-concerned]

I've been trying to figure out a dynamic between neve and rye that I find more compelling, because right now there's not much of anything there for me to sink my little teeth into. but I think I've landed on something delicious with the idea that especially after minrathous gets fucked, rye looks at neve and sees myrna -- someone he feels he keeps letting down horribly no matter how hard he tries not to and can't quite achieve the approval of/connection with that he wishes so it's better to just pull away completely and disengage rather than stay in that unshifting shame. neve is (very understandably) measured and distant with him after what happened, and he's flashing back to his student days of myrna gazing at the perpetually hungover heartbroken heap of a person of him on the other side of her desk every time he missed the deadline of a paper or project like '...can we at least both agree that this is. a bit disappointing. especially considering your potential.' (and him all smudged black eyeshadow and numb ruefulness being like 'sure that's a very kind way to put it myrna thank you'.)

aside from the 'if I let him get too deeply into this he'll go the way of brom and it'll be all my fault (again)' element, neve thinks rye is dismissing her and her city/being a bit callous in the same way he was after varric's death (listen. how fucking wild must rook's reaction to losing a beloved mentor seem to the rest of the crew who aren't seeing the blood magic paper doll ghost varric the whole time, especially those who got to see them interact. you WOULD think 'there's something wrong with this guy. putting the job first is one thing just not seeming to react at all is another this is fucking freaky', wouldn't you, especially after seeing the warmth in that dynamic in action beforehand.) perfect storm of two people who grit their teeth and turn inwards in pain deciding that not talking about it is their best bet (NEWSFLASH: IT ISN'T) lmao

(rye spent his last year of watcher training on a mostly joyless bender and then got it together enough to finish the eternal orb project last moment in a fevered near-sleepless week instead of the half a year that was intended. emmrich is both astounded and distressed to hear this. "a week? but -- but that is an astounding accomplishment rook!! and also why in the maker's good light would you ever do that to yourself?" ("well you see there was no one to stop me from doing it like that but me. and under those conditions these things tend to happen".) rye was working through/looking up stuff around transitioning and doing every kind of OTHER high level watcher research through that whole time, but ultimately he's an excellent watcher and a terrible student, at least under traditional methods. adhd from here to the fucking moon. touched by something akin to divine inspiration in moments of high tension that pulls all the threads into one coherent unbreakable cord, a bit of a frayed mess in most other settings. in our world he'd be dropping out of a masters program at the very last hurdle in this moment maker bless and protect him)

[the-blossica-fan]

Apologies if the asks are too many ;-;

Semmelweis' recounting of her trip to Vienna (her. many, trips, at that, given the rougelike nature of it) has got to be something that entertains a lot of people in the suitcase

semmel casually mentioning the sheer amount of bombs she and disks she had in her bag in a few runs lol

Nono Don't apologize! I love them, they're so funny and I love to answer all of them (I also like when people ask me stuff) so you can ask me as many as you want, I love to answer them!

As for Semmelweis stories, that reminds me of Desert Flannel's story. It'd entertain a bunch of the kids and teens in the suitcase since they're funky, funny and varied.

"I have fought with critters wearing a mustache. Of course I won, they never stood a chance against me, though the things they left behind weren't of much interest" "WOAH"

She then shows some of the artifacts she got from Vienna and shows the ones before. Now out of these adventures, she doesn't find much use of them so she gives the most harmless yet interesting ones away and keeps the others.

Some of the older members would sit and listen as well, like Druvis and Tooth Fairy. (Shamane was there from the beginning)

And with that one line about the kids in the orphanage, I think Semmelweis would be more than happy to share her tales with the children. It's a good way to bond and to make the kids' unusual life in a suitcase more entertaining

[worstloki]

not a fan of people saying Odin and Loki are similar in a moral or decisive sense, particularly when it comes to Thor. that makes it sound like Loki doesn't know Thor or care about him beyond what he symbolises (regarding Asgard/the throne/family/worthiness), when that's a defining part of their relationship

[loving-jack-kelly]

reddit keeps sending me to a subreddit all about complaining abt taylor swift and like. i don't believe in ethical billionaires and i think she's not a good person and i disagree with a lot of her actions. but man you guys are not winning the "we are not misogynists" war when every other post is just "lol she sucks at singing and her clothes are ugly and i hate her hair and all she does is whine and complain" with no actual critique of like. her actions. the way she treats her fans. her constant money grabbing. her reliance on a thin shield of performative feminism without even the most basic speaking up to back it. her refusal to acknowledge genocide. her refusal to back down on her personal impact on climate change re her private jet usage. saying lol she's ugly is not the same as those things and you are not cool for saying it.

[majikuriboh]

Awww Megumi figured out Kirara's CT cuz Tsumiki talked about astronomy!!!!