#she doesn't speak about that day

[vaguely-concerned]

fun detail I only put into context after seeing the post-fade jail romance scenes with all the companions: lucanis is the only one where rook is surprised when they realize he's there as he starts talking, because they didn't hear him come in haha. (Bellara and Neve knock before entering, like relatively normal people fhsda. Harding's scene starts in medias res but from the staging my vibe is that she and Rook entered the room together. Taash walks into the room ahead of Rook. Davrin comes in through a door left open for him -- Rook is standing with their back turned but they clearly expected him, they just smile a bit and don't seem surprised. Emmrich of course takes you to the Grand Necropolis for the top goth hookup since Mary Shelly fucked on her parents' graves, the man quite simply never misses.)

lucanis has also closed the door behind him without rook noticing. old assassin habits die hard I suppose lol. he totally still accidentally jumpscares the others without meaning to all the time because he moves around quietly when he doesn't think about it, I know this in my heart. I wonder if he was just... looking at them for a while before he spoke up.

[boarloved-art]

ig ooomfie said i should draw xuanli and i kinda went crazy abt them whoopsydoodle

[thechy-fychannel]

y'all ever think abt how it was julie having the affair and it is even said multiple times that she was the one who left him, yet wilson was still the one who left their home and moved in with house. like. he couldn't bear to stay in their home alone. he immediately ran to house and stayed on his couch for weeks. suffered through his pranks and his laziness and his manipulation. telling him he wants him gone while sabotaging his attempts to leave. and he only left once he got a girlfriend again.

[bluerosefox]

The (Not) Normal One...

So

I LOVE the stories where Danny is deaged and later found by one of the bats and taken in as a son or he's Bruce's bio son and is either Damian's twin or half brother or little/big brother BUT I don't see a lot of reborn/reincarnated Danny into the batfamily (I can think of two but one of them he is Dick's son?clone?somewhat clone? And the other is an amazing story where Danny is reborn as Jazz and Jason's kid and I love it to bits)

So let's change that a bit and have some fun.

Here's the idea

Danny, either from finally aging to his death (it was slow and long aging but he is still partly human too don't forget that) or dying at the hands of GIW (or by his parents if we go the Bad!Fentons route), is reborn into the batfamily.

He could either be Bruce and Selina's kid after they finally tie the knot, or be a one more attempt by Ra's or Talia to get the heir they want but is immediately found out when Tim notices certain labs active and they find baby Danny. OR Danny can be an oops baby to Bruce's one night stands OR one of the batboys baby. EITHER WAY, Danny is reborn into the family from the start.

And he has his memories. (He has little hints of his powers btw, they dont fully come in until his 14th bday)

And his new family all swear to give him a proper and happy childhood (as best as they can seeing how it's Gotham)

Only I want Danny milking being a baby then toddler/kid and later a teen for all its worth. He's going to enjoy this new life with everything he gots.

Like imagine the chaos and shenanigans he gets into as a toddler. He's the king of hide-and-seek. He uses his tears to get away from whoever annoys him. He's mastered the puppy dog look to get away with things (it holds no effect on Alfred though, man is immune to all tricks).

But then of course there's the... odd things that happen around him. Sometimes they catch him talking to no one. Sometimes they spot a ball or a toy rolling to Danny despite him not touching it. Sometimes they think they see or hear someone in the room with Danny only to go busting in to find nothing. (One time someone busted his nursery door down they heard on his baby/toddler monitor the distorted voice of a woman singing him a lullaby (it was Martha who was soothing him to sleep after a tiny nightmare, boy was Bruce not ready for one of his kids to hum the tune in the morning)).

Danny asking for an extra drink and the newspaper after Bruce is done before he runs off to one of the many sitting rooms the manor has. There he leaves the drink and the newspaper near a chair, hops into another chair nearby and chats to someone (they all think its his imaginary friend but that honestly doesn't explain why the drink seems to slowly disappear without anyone touching it. (btw its Thomas, Danny is talking to they like chatting in the morning)

OR when Danny gives hints to cases his family is working on, how he knows? No one knows. Sometimes they chalk it up to a kid randomly saying stuff or seeing it from a different simple outlook but sometimes it seems a little too on the nose and they think Danny might know about their night jobs... (He does know, but he gets some info from Lady Gotham who visits him and gives him little hints to pass onto her fav Knights)

Basically what I want is a reborn Danny trying to get a decent childhood/teenage years before his powers kick in full swing, his family trying the same but they got no idea about the powers (maybe), and ghosts like to visit Danny. The shenanigans that follow will be amazing.

[feroluce]

Thinking today of henghill on some cold planet, one like Jarilo-VI or wherever, and Dan Heng getting his tongue stuck on some metal part of Boothill's VSKJSNSJD

Like Dan Heng is stuck to his neck, so Boothill has to pick him up and carry him to try to sneak them around to somewhere warm to thaw his tongue out. Don't worry, poor Dan Heng is just tired, that's why he's carrying him like this, no no he's fine don'tlookthatcloselybye!!

(Also Boothill is carrying Dan Heng bridal style. Obviously.)

And now, I get to show you all @hydrachea 's newest blessing upon this ship, because she took that and RAN WITH IT-

Crying imagining Dan Heng still stuck and trying to throttle Boothill to keep him from talking anymore JSJIZJSKKE

[svnflowermoon]

y'all go from being feminists to tearing these women down within seconds oh my god it's 2024 can we please stop viciously tearing one woman down to bring another up i don't care what side you take but saying vile shit about either woman and their music is disgusting, please grow up

[allthegothihopgirls]

i love all the new-age queer pop girls who do charity work by making Actually gay music that sounds like it was ripped straight from 2012, to compensate for how straight-dominated the music scene was during that time.

[vampirehizzies]

its the same story every damn time though, like no matter how impractical it is there's still always that same devastating and tragic scenario where they couldn't save their district partner and by snow's logic it shouldn't matter since in this dog-eat-dog world of the hunger games alliances/caring about another person is impossible. yet again and again you see some kid always watching someone he knew from home die and how it hurts him. and you see this pattern from three (probably more) different districts over 74 years - treech and lamina, haymitch and maysilee, cato and clove.

[iwillstealyourpotatoes]

have you guys ever had your cat give you a look like you've betrayed them and their bloodline because. i have

[rainingmbappe]

As an indian, we stay winning cause ambika mod played emma so stay mad you racists

[marshmellowtea]

a lot of post-coup fan content seems to revolve around chris's relationship to robert and/or trevor which makes sense but i'm chrissandra-pilled so i can't stop thinking about that particular betrayal, especially with my headcanons for them.......chris has only recently started hesitantly letting her back in, he thinks that for sure she will back him up here, only for his heart to sink when he learns she was on board with this too.........she knows what robert's like, just as much as he does, so it hurts that she'd willingly go along with him, that she'd choose him over chris, especially knowing how much directing means to him..........

when he asks she tries to brush it off with well, we just need a change, that's all, i thought maybe we could give him a shot but the damage is done, she's just fed into his fears that she's never actually respected or liked him and this whole time she's been thinking of him of, at best, someone to laugh at behind his back, that what they're doing here at cornley isn't real, that it's just a stepping stone in her journey to stardom........sandra doesn't mean all that, of course, she's just frustrated with how badly their plays go like the rest of them, but with this one gesture she's awakened chris's trust and abandonment issues that led to the bitterness and resentment that nearly caused him to leave them the first time around, except this time he's internalized it into a quiet self hatred and a begrudging acceptance that no one at cornley actually likes him, and she's horrified by the thought that she helped contribute to that......

[ganymedesclock]

So that #Syrin the Dread Blade tag, thats a new one. Seems like a interesting character, a sentient sword, how did Tyler happen upon them? What does the sword look like, and does it have any special magical abilities? How do they like the other members of the party? Do they actually speak or do they have a telepathic voice?

Technically it's just a tagging misconception; I haven't tagged Syrin reliably before because his nature as a sword does mean he's kind of attached to Taylor. But he is his own dude!

A short primer: magic items in this setting tend towards a level of awareness. Magic is essentially what souls are made of, ergo, if you stuff enough magic in anything, it starts to have a soul, and behaves accordingly. Entities as fully developed and chatty as Syrin are rare; far more common is that magic items tend to feel just a little bit haunted, inclined towards some things and away from others. It's a bit creepy if you're not used to it; enchantments are commonplace and widely accessible, so that 'not being used to it' is more a statement on if the individual is used to handling a particular thing.

Syrin himself is the ostensible opus of the previous Lord of Darkness, a Dark Sword that was meant to contest and cancel out the legendary sword of light wielded by the hero. Ostensibly, because for unknown reasons Syrin was left in storage the eve of the fateful battle. Being groomed exclusively for this purpose by someone he regarded as a father and then abandoned for ten years definitely wasn't traumatic or terrifying for someone with the cognitive level of a child, we promise. Especially since Syrin needs to eat.

Syrin's construction, and what leads Taylor to point out he's a bit like a 'needle', is a crystal-bladed thrusting sword with a hollow core. Despite its delicate looks, the blade is actually both quite sharp and highly durable; the thin tube at the center being essentially his mouth, by which he is supposed to drink blood. His victims', if he can get it, or, failing that, magically drawn from his host. As a result his blade itself ranges from grayish translucence to dark red if he's gorged to fullness.

From there, he has the power to generate and shape a kind of magical flesh, allowing him to weave more elaborate forms around his core body, the sword.

As you can guess, this gives Syrin a somewhat unpleasant and brutish first impression on people, as he has no verbal filters, was raised by a would-be conqueror of the world, and is dependent on blood and thus interested in more fights than not. I've described him before as like a preteen on xbox live who talks up a nasty game mostly out of loneliness and a need to be liked, where you can tell the kid themselves is not as bad as the people who taught them all those words and that they were "funny".

Deep down (and not all that deep, like I said, no filters), Syrin is a vulnerable child who was groomed to do violence and got no experience with it until strangers came to loot the dangerous ruins he was held in, at which point he did what you'd expect a strong but sheltered child to do faced with a home intruder, and killed/devoured that individual in a panic. His first kill being no glorious conflict or victory approved by his father, but essentially a desperate scramble in the dark with himself on the edge of fatal starvation messed him up even more than ten years of silence.

Enter Taylor and party, who happen to pass through those same environments. Syrin makes an attempt to body-snatch Taylor that fails due to the latter's particular properties, and Taylor, being both a good-hearted person and a stubborn busybody, feels obligated to bring this chatterbox with them and attempt to bully him into developing some sense of tact while Syrin attempts to Corrupt His New Wielder To Violence.

This doesn't work because Syrin has no real ideas how to go about corrupting someone besides loudly telling them to stab things more, while Taylor is an apprentice surgeon and mortician who is a lot more desensitized to bodies and their workings such that if they have a weapon, they'll at least consider it as a solution to most problems. So the punchline is that Syrin is more often thrown/flabbergasted by Taylor than vice versa, while the latter just sees him as a sort of annoying kid who's easily talked into almost anything as long as you compliment him first.

[gingermintpepper]

On that trojan war au thing you're writing. 1. What are the tags for it, cause I'm super interested! And would love to read what you have so far! 2. "And Odysseus is a much grimmer darker man due to his home being one of the places that were first swallowed up by Erebus" - I wanna know more about this. Please tell me more.

Oh , wow, I'm so flattered! I'm very happy it sounds appealing to you <33 This work is a huge passion project of mine so I'm always glad to talk more and more about it, especially since there are many aspects occurring in the background (such as the alternate fates of the main players of the Trojan Conflict) which I cannot properly cover or even explain within the events of the novel itself.

That said: 1) If you mean tags as in ao3 - unfortunately, this work isn't on ao3 my friend :( As I said above, these are elements and concepts in the greek mythology based-fantasy novel I'm currently writing (the concept of which I outlined here in the introductory post of my novel concept!) As for wanting to read whatever writing I currently have available: I currently have three fics available on ao3 that are written in my Pursuing Daybreak verse!

The Prince and Princess series deal with a young Apollo and Artemis and the many consequences they face after Apollo has slain Python. The two works uploaded right now are Exeunt Phoebus Apollo which covers the murder trial of Python and Manent Apanchomene Artemis which covers the intense feelings of helplessness and alienation Artemis experiences after Apollo returns from his banishment and is completely changed. Both of these have themes of family, grief and relationship exploration at their heart.

The third bit of writing I have up is quite outdated but does cover the immediate aftermath of Hyacinthus' death. It's called A Petal Falleth and features Apollo making one of those Big Silly Decisions that have completely unintended but extremely important consequences: namely, instead of the larkspurs being made of Hyacinthus' spilt blood, Apollo anchors the boy's soul to the flowers so Thanatos wouldn't take him. Like the Dawn is also set in this world but because it is nsfw in nature, I wouldn't recommend it as easily as the other three bits of writing. If you don't mind the whole naked men thing though, I'd definitely suggest reading Like the Dawn for a better idea of what my current writing is like (along with eventually getting to see characters like Hector, Andromache and Cassandra/Helenus) Like the Dawn's themes are also different to the other three works with it focusing more on the power dynamics of a god/mortal relationship, exploring masculinity and masculine sexuality and self discovery.

The running theme here, of course, is that all of these bits of writing are centered on Apollo/Artemis or Hyacinth because my novel itself is centered around them. There are, of course, other important characters and figures like Eros, Psyche, Penthesilea and Iaso (one of Asclepius' daughters) but while there is the definite presence of characters from the Trojan War they most certainly aren't at the center of the novel (and the ones that are aren't the Greeks but rather the Trojans i.e Hector, Alexander, Andromache, Cassandra, Helenus, Aeneas, so on and so forth.)

2) The basis of the apocalypse in my work is cosmological! Due to Apollo's err-- untimely departure, there's no longer anyone maintaining the axis of the heavens or the navel of the earth. Because of this, Erebus - whose darkness is usually kept firmly in the spaces between the realms - begins to spill out into both the heavens and the earth. The beasts of Erebus (referring primarily to the Seven Curses - Old Age, Misery, Deceit, Violence etc etc) consume, torment and destroy whatever is inside of Erebus' darkness and Ithaca, as one of the islands on the far edge of the world, was one of the very first places that were devoured in this manner. Odysseus was visiting the Argives at the time for a festival and had left the pregnant Penelope at home since he didn't want her to suffer through the voyage in discomfort. He only finds out about the destruction of Ithaca after it had already been consumed when Athena personally interrupts a feast to warn both him and Diomedes. Needless to say, Odysseus, like everyone else, assumes that everyone on Ithaca has died and thusly is a very, very different man in terms of humour and comport. A part of him still stubbornly clings to the belief that Penelope managed to escape - that she was smart and resourceful enough to see the end approaching and do her best to escape - but that doesn't stop him from being dour for the majority of the time. Diomedes does his best to keep his spirits up in the meantime. Without him around, Odysseus is something of a black hole when it comes to the oppressiveness of his discontent though he does manage to lighten up when in the company of Helen, Clytemnestra and even Menelaus on occasion.

[the-busy-ghost]

Me normally: Let people love what they love

Me, after a Test Match Special commentator expresses their belief that the new All Creatures Great and Small is somehow "better" than the 1978 version: This is pure insanity and TMS can no longer be trusted on anything, how can they even be trusted to know about cricket, do they have no TASTE

[t4tadrienette]

Sometimes having northern Italian friends is a bit draining because they don't get it™️

[cherry-treelane]

his hand on her arm/back is the cutest thing ever and yes i will be taking this two second interaction and obsessing over it