#set after episode 2 of season 3

[bluewindfall]

parabola

Yukio flips a page in his textbook, listening to the soft scratches of Shiemi’s pencil across paper. 

The mid-afternoon sun flows over the interior of the shop like a layer of swaying silk, warming the wood of the table. It’s quiet, with only the flourishing houseplants in their company. The room smells fragrant, filled with the scent of a jasmine plant blooming on the counter. 

He’s fortunate enough to have two hours of spare time today, working through a worksheet of derivatives to the side as he answers occasional questions from Shiemi. Perhaps it’s a welcome distraction. 

Small tremors run through the table as Shiemi erases a row of equations. 

Yukio lifts his eyes cautiously. 

The delicate red tassel on Shiemi’s hair clip sways when she tilts her head. Her lips have pressed together in concentration, pulling into a puzzled frown as her pencil traces along the curve of the parabola Yukio penned in her notes. When she flips back to another page, a pleased smile lifts her cheeks. A minute later, she moves diligently onto the next problem. 

She’s been working hard and has grown so much in the past few months. All she needs is a bit more confidence in herself.

As Shiemi rests her chin on her hand, a few strands of her hair slip from behind her ear. Several red spots of petechiae peek out from under her collar, like pinpricks, left behind from the grip of Mayuko’s hair. They’ll fade in a few days. Even so, it must have been painful.

Yukio flips another page, running his thumb along the waxy texture of the paper of his textbook without reading any of the print. “Yesterday,” he begins, “I was really impressed by you and Kamiki-san.” 

Shiemi’s eyes meet his, just a shade brighter than the mellow green of the aloe sitting behind her. “Really?” 

To read more on Ao3 :)

[dyleeart]

How s4ep11 should have ended

[hesgomorrah]

we need to make suggesting someone skip the first three seasons of mash as taboo as suggesting someone skip the ninth doctor

[vintage-bentley]

The more I think about the GO movie, the more I’m excited for it. Am I disappointed that so much screen time is being cut? Yes. But am I also excited for the possibility of a steadily moving plot that doesn’t have a bunch of jarring interruptions that are just there to fill the time? Yes! The plot that season 2 set up suits a movie format, because it demands that all of the focus be devoted to it instead of a bunch of side plots.

[spacedlexi]

is anybody else out there still creating twdg fanworks 😭📢 where is everyone please dont say reddit i cant go back there

[opqrstuv04]

Finally done with 11 and the Ponds. Thank GOD

[spuffybot]

Someone asked me why Buffy is my favorite show and I had to stop myself from writing more than this but this is what I said…

1. Despite its complicated history (the creator turned out to be an abusive asshole) it’s one of the first mainstream successful examples of smart feminist genre tv and it laid the groundwork for everything that has happened since.

2. The show is brilliantly written and uses metaphor so successfully they teach college classes on it. Every episode / monster / dilemma Buffy and her friends face are a parallel for the real life struggles of teenagers.

3. Sarah Michelle Gellars performance across the 7 seasons of the show is a masterclass in acting.

4. It featured one of the first truly fleshed out lesbian relationships on network tv in the US and THE first wlw kiss between committed partners on prime time network TV. I remember the news covering it right after it aired.

5. Season 6 is to date the best depiction of depression I’ve ever seen in any media ever. It’s unflinching, raw, uncomfortable and hard to watch. And having that to watch when I was 13 was really crucial.

6. The way the show built pop culture references into its DNA had such a cultural impact that it’s responsible for turning “google” into a verb.

7. The makeup, fashion, and hair was simultaneously trend setting and a deliberate part of the story telling. You know what’s happening with certain characters based on the colors they are wearing for example.

8. The musical episode was one of the most successful musical episodes of a tv show at the time and it started a trend that tv shows still follow today.

[space-blue]

Fixing Vander and Silco's story (a bit)

Using canon events! Sadly we can't actually fix it, but I hope this makes it a little better. I make my own edit proposal at the end that changes the bar scene to include Felicia without issues.

They meet in the mines, and meet Felicia and her partner there too. They end up together somehow (I think we can put the brotherly allegations to rest now, eh?) and one of them (or both) inherit/buy a bar.

Although Vander is the barman, there is no indication Silco doesn't own or co-own the place. After all he comes to take it eventually as his own, and he's still not bartending. That's just not his gig.

It's implied that Vander and Silco made it, as in, got away from the mines, while Felicia clearly didn't, as she comes home to both her daughters with mining gear and gloves.

So despite Vander and Silco building the Lanes together, the mines aren't closed, and the work "isn't done".

Felicia says they've done it, and Vander is happy to celebrate their success. Meanwhile, Silco has his "NoZ" Nation of Zaun book in which he's scribbling, still planning.

Vander's first memory that Viktor sees even has Silco holding that book.

Later, in season 1 episode 3, we see that Vander tells Silco that he had Vander's respect, the Lanes' respect, but it "was never enough".

There's also this fakeout moment in the memory at the bar, where Vander says they're done, and Silco replies with "You're gravely mistaken". And I thought he was going to go all zealous and say "We'll only be done when we have the Nation of Zaun", but no, he claims he's Bozo 1.

And imo, he is probably right. He calls out Vander in act 1 saying "I trusted you and you betrayed me", and Vander does not contest this. It makes the most in character sense as well that Silco is the brains of the operation while Vander is the brawn.

And we can conclude that Silco's goals were always "bigger" and that the Lanes were indeed not enough.

Years pass, during which we can only assume Silco keeps building his Nation of Zaun and Vander happily bartends and manages the Lanes with Silco. Felicia keeps working the mines and raises Vi, then Powder.

Vi is at least 11, if not more, by the time she's on the bridge. This is just consistent with her model, but also to make her 18+ by the time of act 2.

It's a long ass time for Vander and Silco to be running a bar and the Lanes together. Even assuming Vi is more 8 or 9yo, Vander and Silco spend all that time being together.

Sadly, their models aren't aged very well.

We are also forced here to make some unfortunate assumptions.

It's not a problem, IMO, for Silco to know Felicia and be close to her. It's a problem for him to not be close to Vi and Powder too. Close enough to recognise them at least.

It's easy to say, "Well, Felicia went back to the mines and raised her kids and wasn't super involved with Vander and Silco, who lived much higher up in their bar." Adult friendships and all that.

IT MAKES SENSE, but then it makes zero sense that Vander would murder his life's partner, a man he's been with 10 years at MINIMUM (fuck knows how long they were together while in the mines), over the death of a friend in a revolt they allegedly BOTH participated in.

The memories also imply that Silco is responsible somehow, for throwing a molotov. And yet the molotov doesn't kill the enforcer.

But Vander is shown in the opening of Act 1 season 1 pummeling one to death himself, long after the rest of the revolt has died down. That enforcer wasn't getting back up lol

So whatever we pick, because the writers made Felicia and Silco close, they create a plot hole either way.

Either Vander is whacko and murders his husband over a dead friend at a revolt he set up (since he repeatedly apologises for what he did, and claims he "lost his head after she died" and had that guilt on his hands too)

Or Silco and Vi and Powder spend ALL of season 1 acting like they don't know each other at all. Then Silco takes in Powder and somehow never comments on the fact he was friends with her mom.

Everything being triggered by Felicia's death also means that Vander's emotional thematic moment dropping the gauntlets after seeing what his violence led to is then followed up by a horrible attempted murder on the love of his life, which is... you know. Bad writing.

So I propose that they indeed drift apart. Silco knows of Felicia's kids, and they hangout a bit, but they aren't that close. She's busy mining and being a mom, and Silco is busy making the safe Zaun he promised to deliver.

The creation of that Zaun leads them to act out revolts and uprisings. Vander is happy to follow. He's angry, like he tells Vi. And this manifests in violence. Silco points his violence. It's how they create the Lanes and the moniker of Hound of the Underground. A hound usually has a master, after all.

Vander is Silco's hound, and I think, in Vander's mind this absolves him of some of the consequences of his actions.

So when his friend dies on the Bridge, even if they haven't been that close in a while, well, it's easy to put the blame on Silco.

Since we're following the new canon timeline... we'll have to have him go back with the girls, ready to turn a new leaf.

I think the best way here is to have him either dropping them at an orphanage, or back at their home (trusting Vi to look after Powder for a while) or with friends.

That way, Vi and Powder aren't immediately in Silco's legs back at the drop.

Then Vander and Silco take part in the "clean up" at the bridge. They go get bodies, and since they have no real estate in the fissures, they commit them to the sea (we have canon monsters in there, so I'm sure it all gets gobbled up).

That way, we explain why Vander is weirdly shaved, and why Silco and him are at in the Pilt: they just commited the bodies of the fallen to the waters.

There may have been many others, but Silco and Vander stay there, in the shallows, as they talk.

Vander is done. He doesn't want more of this. He thinks Silco went too far with pushing this one to the bridge. Piltover got defensive and they lost too many people.

Silco doesn't get it. Where he goes, so does Vander, but Vander is his own man, he decided to come too, and he killed enforcers too. Felicia's death is tragic, but as he later will tell Renni about the death of her son: at least she died fighting for the cause, and not some petty infighting, or worse, an accident at the shitty mines.

Vander, the Hound, is not only mad with grief, he refuses to carry the blame of his own actions. It's a character flaw and that's fine! The angry man channels that anger with violence, the only way he knows how.

Silco is probably shocked, and may not say the right things to calm Vander down.

Silco is under the assumption that Vander BELIEVES IN HIS DREAM. That he's a true believer of the Nation of Zaun, like Sevika turns out to be. A true believer would understand sacrifice. A true believer would understand too, that stopping now, after Felicia's death, would make THAT VERY DEATH POINTLESS.

So maybe he screams at Vander! What do you MEAN abandoning the fight? What do you mean, being content with the Lanes? How dare you? You'd make her sacrifice meaningless! You'd make Felicia die a pointless death!

And Vander would bellow that it's over. No more death. No more bloodshed. He rescued her kids from that bridge, and they don't deserve to die too, they don't deserve to see more death.

And Silco screams back that it's their job to create Zaun so these children won't have to see more death. Vander is just delaying the struggle.

And then, perhaps, Silco may even mock him. Say that Vander can't change like that. That he's not that sort of person, to just hang up his gauntlets and go peaceful. That Felicia's blood is on his hands too, and that the only way out is through more blood, more sacrifice.

It would be a horrible point to make, if then Vander truly loses it. Silco runs, and Vander's hound comes out, just grabbing Silco and trying to drown him.

It would be poetic, because then Vander goes home in shame. Gets his arm patched up, hides the scar under a brace, collects the kids and tries to pretend like HE CAN BE THAT MAN. Even though he surrendered his gauntlets and metaphorical violence, and tries to lean into the bartender chill persona, there's what he did to Silco.

And later he'll tell Vander "I'll show you what you really are". Because Silco knows that Vander's promises of being a peaceful good dad are flimsy at best.

Anyway, Vander goes home, and eventually the impact of what he's done really hits him. He's single now, and with kids, and the Lanes to run, and nobody knows where Silco is.

Vander slowly realises Silco was right about one thing. Just because Vander followed, doesn't mean he wasn't behind that event on the bridge. Becoming the solo leader of the Lanes has to have hammered that home for him. Suddenly so much responsibility thrust on him.

So Felicia's death was on him too, and his actions against Silco are the proof that he is indeed the sort of man Silco said he was. At any rate, surrendering violence as his first reaction to any trigger will take a lot of work.

He goes to their old hideout and leaves a letter for Silco.

In the happy AU, Silco finds it, and returns to Vander BEFORE ever meeting Singed. There is no glowing eye, no shimmer, and no cannery.

In our AU, Silco never finds the letter. He finds Singed instead. Starts helping him develop shimmer.

I've been thinking that since the goal of shimmer is a form of "keeping alive" and also "bringing back to life", then it's possible that Silco's glowing eye is a byproduct of shimmer experimentation.

And that the only way to keep it alive and function is more shimmer injections. It would otherwise be grey and dead like in the Nice AU.

So Singed is also a factor here. He gives our Silco a real way to deal scary violence to Piltover. And this changes our Silco. He's more radicalised, and more opposed to Vander, having discovered that Vander works with Grayson to keep Zaun under Piltover's boot (basically making sure the boot stays, but doesn't press down too hard).

Vander is, as always, the enforcer of the status quo.

And though this works for them timeline wise, it sadly doesn't change the fact that Silco should know who Vander's kids are.

Vi and Jinx can be excused for not recognising him, what with him being one of their mom's adult friends, and scarred. But Silco doesn't have that luxury. His great friend Felicia had two very distinctive kids, ONE OF WHICH VANDER FUCKING NAMED! And her death triggered his husband so badly he tried to kill Silco over it. If anything, Silco would be hyper-aware of Felicia's kids.

And no amount of alternate fix-its changes that. It's permanent damage to season 1's Silco.

I feel like we can fix Vander's side of things by inventing an entire scene at the Pilt as I did above, but we can't fix 10 years of knowing your friend's kids and then a lifetime of acting like you don't know them.

I think it also cheapens the found family aspect of both Vander and Silco's adoption. You're left to wonder if they took in the girls only because they were friends with the mom.

Silco's adoption of Jinx and co-dependence with her was great because it spoke of the similar shape of their traumas, and how unexpected their bond seemed.

But now it's redolent of friendly obligation. And lies.

How would I fix it by keeping Felicia in the picture?

I would fully remove Felicia's one-on-one with the boys. That night at the bar? It's a party. Young Sevika is here too!

Felicia and many others are there, all congratulating Vander and Silco over the creation of the Lanes. Eventually Silco tires of the social niceties and goes to write in his notebook at the bar. Or maybe there's a montage of the night as the crowds thin.

In the end, Silco is writing, and Vander is still socialising. He talks to 3 people--Felicia, her husband, and a random person. They thank him for all his work. They've done it! And the conditions in the mines are so much better now thanks to XYZ!

Vander is beaming, he's just so pleased. It's clear for him this is the end goal. Felicia asks him, pointing to Silco, if he's okay.

Vander laughs, says Silco is fine, but he's already got his head back in the clouds. You see, Silco doesn't just want the Lanes, he dreams of a free Nation of Zaun.

The other 2 laugh, but Felicia sobers up. She rubs her belly, thoughtful. Then she says "Sounds like a dream worth fighting for."

I don't think she even needs to say anything about being pregnant, but she could go on with something like "I'm expecting. A girl, I think. I know. And I would love if she could grow in a safe city. I'm so scared she'll have to live the way I did, growing up.'

And Vander smiles sadly and tells her, 'We've gotten this far, and we're not going back. We'll make Zaun safe for your kiddo, I promise you that.'

And that's it.

Vander knows OF Felicia. She is a community member. He knows her enough, maybe from Lanes meetings, that eventually he can recognise her children. But they're not friends, and SILCO definitely isn't friends.

And the disagreement after the bridge is fully about where to go from then on, and Vander deciding he wants to run the Lanes and keep them safe, that what they have now is good enough, while Silco wants "more".

That disagreement can turn nasty, and the fact Vander tried to drown Silco becomes a statement about how violent and temperamental he is as "The Hound of the Underground". Something he'll regret soon enough and spend the next few years working hard to try and change.

What do you think?

[workingwhileidream]

Okay Burrow's End had me thinking some thoughts... So here are my favorite Dimension 20 moments that rotate like a rotisserie chicken in my brain (in no particular order other than the order I thought if them).

- Riz goes into the butthole of the Corn Ooze Monster (Fantasy High). The first absolutely insane shenanigans move anyone makes on D20, setting the tone the show will have forever.

- Raphaniel kills Queen Pamelia (Ravening War). I think I saw Brennan's soul leave his body briefly when he got that How Do You Want To Do This from Matt. Time was an absolute flat circle that day.

- Hank convinces Brennan to let him role savvy instead of sneak (Mentopolis). Hank is one of the most famous content creators, having him on the show was phenomenal to begin with. Then right out of the gate, he pulls this move in his first episode. And it just works. Hilarious, instantly iconic.

- Jet Dies (A Crown of Candy). When Lapin dies, it is shocking but I wasn't attached to him as a character. Lapin was a bit antagonistic and his death happens early in the season. On the other hand, Jet is instantly likeable. Emily and Siobhan are amazing as siblings, their performances this campaign are some of my favorites. I have siblings and I am very close to them, so this hit me like a ton of bricks.

- The entire epilogue of Burrow's End. "Are you pitching and Air Bud ending?" is one of the instant hall of fame quotes from this show. I started crying I was laughing so hard.

- Ylfa's bottleneck and the TPK (Neverafter). There are so many close calls for total party kills in Dimension 20 history, but this is where it finally happens and it's only 3 episodes in. I was on edge, expecting another TPK at any turn, for the rest of the campaign.

- 3 nat one initiative rolls for the battle that literally opens the season (A Starstruck Odyssey). The beginning of a new season is always full of excitement. This season was extra special, having everyone back in the dome after the pandemic and the season being based off Brennan's Mom's comics. The zoom energy is still in the air and I still think about this season opener a lot.

- Mother Timothy Goose breaks Snow White's concentration with a cantrip (Neverafter). Only Ally Beardsley could and we all damn well know it. Still didn't stop me from being so far in disbelief that all I could do is laugh.

- Hob's "You will never know another lonely day" speech to Rue (A Court of Fey and Flowers). I will still cry about this if I think about it for too long. Rue and Hob's romance is the heart of this season to me. I won't be over it ever.

- Gertrude convinces Nyruth to give the Questing Queens very powerful boons after the Queens tried to rob them only a few hours earlier (Dungeons and Drag Queens). The fact that this season exists drives a level of serotonin into my brain that is unimaginable. This is the definition of a big swing and when Bob rolls well, Brennan has no other choice than to honor it. This is one of the moments I have made a meme of. I cannot wait for season 2.

- Wuuvy shows up to the duel and she did not come to play (A Court of Fey and Flowers). Aabria has talked about how Wuuvy is one of her favorite NPCs and I feel the same. Wuuvy and Rue's relationship has such a great arc and this moment is so pivotal.

- Fabian's no good very bad day (Fantasy High Sophomore Year). An iconic moment in D20 history that was truly wild to watch live. For everything to go so fantastically bad for Fabian and Lou was unprecedented. There is a reason why people still talk about this moment to this day.

- Amathar survives being pushed off the castle (A Crown of Candy). Brennan tried to kill Lou so many times in this campaign. I really thought Brennan had gotten him with this one, my stomach sunk. But Lou pulls it out and Amathar lives once again.

- Pib plays "Smoke on the Water" (Neverafter). "I stepped out to play 'Smoke on the Water' " is also a hall of fame quote to me. This list could be all Pib moments if I'm being honest, he's my favorite Zac character. And the fact that Zac doesn't roll well makes this moment funnier to me.

- Buddy Bear gets planted with the All Blossom (Dungeons and Drag Queens). Jujubee and Brennan owe me a therapy session for this one. I sobbed. My cat is my baby and I will be ruined the day she leaves me, so I get it. I really do.

- "Eat your dice, Brennan" (Fantasy High Sophomore Year). A great bit made physically possible by Siobhan. I hope Siobhan gives him gummy dice or something like that so that Brennan can continue to eat his dice for Junior Year.

- Orange Top Hat Fairy (Neverafter). It's a horror season and the cast is doing bits about how hot a mini is the entire finale and the Adventuring Party that followed. I felt the stress and off the walls energy through the screen. The Smooth Criminal pin was the first piece of Dimension 20 merch I bought.

- Viola's epic takedown of Phoebe (Burrow's End). Watching Rashawn absolutely crush it her first time in the dome was amazing. I loved Viola from the jump, her arc was so satisfying and fun to watch. Also the idea of a tiny stoat kicking a gun just the right way to get it to fire is hilarious. No notes other than please have Rashawn come back on every season she possibly can.

- Evan Kelmp warns the Rosemont student not to duel him (Misfits and Magic). Brennan's deadpan warning matched with the reactions of the other players and Aabria really make this scene. An underrated Brennan moment for sure.

- Stacey Fakename turns out to be real (Mentopolis). This was such a good reoccurring bit, so to have Stacey be real at the end of the story was too funny. In a season of bits, tropes, and puns - this one has the most payoff to me and is definitely my favorite.

[abadbadbrujah]

Jane Espenson writing the majority of Spike episodes where he shows positive character growth, the fact that Spike is the antithsis of Angel and that Joss Wheadon hated his popularity can not be by coincidence.

I know I'm connecting a lot of dots with this one (that have probably been connected before), but she quiet literally wrote the episode where he is reintroduced in season 4 with "Harsh Light of Day", where he becomes part of the Scoobies with "Pangs", "Doomed" and "A New Man".

Then later on in Season 5 saved his character with the masterful "Intervention" where in the same episode she writes Spike creating the sexbot he also shows his worth by being tortured (where we see him being penetrated) and not breaking.

In the season 6 episode she wrote "After Life" where we see Spike's trauma of Buffy dying and how he is literally the only Scoobie to be able to look after her after being resurrected, as he himself has gone through the trauma of dying then digging out of his own grave. Also in this episode we see that he has now taken the mantel of Dawn's supernatural protector, out of surviors guilt from the events of the season 5 finale, and then later on how those events have haunted him every night. Jane then wrote Spike to be the only person in Doublemeat Palace to offer Buffy a way out of working there.

Season 7 Jane co-wrote the highly acclaimed "Conversations with Dead People" then "Sleeper" and "First Date" where we see Spike's fall to The First and where he killed people, but also where we see how he has risen in Buffy's eye's to being trustworthy in "First Date".

With all this being said you can probably understand now why I'd say a lot of Spike nuance is credited to Jane Espenson. To quote James in the SDCC 2012 Buffy panel "Joss would come up to me about 3 episodes in to every season and say he has no idea what to do with me", so this meant the other writers (mostly Jane) to take over with writing Spike. So you can see why it's not too far fethced to say she is the reason behind his popularity as she set a lot of the ground work after s2, outside of James's himself giving a masterful preformance. Later on in the SDCC 2012 Buffy Panel she says "we knew we had this amazingly verstial character largely because we had this amazingly verstial actor, we knew whatever we put infront of James he could do..." this shows that she felt comfortable making Spike into whatever she wanted.

For my last point, there's a lot of examples here that the fandom loves to highlight Spike's being Angel's opposite, like how Spike's treament of a Minor having a crush on him compared to the soul having Angel's. Spike's complete polar opposite on how he see's love as something postive to protect, where as Angelus's use of love as a tool to torture someone with. William loved and respected women where as Liam only used the ones around him.

This all leads me to the conclusion that Spike was more popular than Angel mostly because of Jane's input and groundwork on the character after season 2, and we all know how Joss felt about Spike's popularity and there's no way Jane didn't make all his postive traits the opposite of Angel by coincidence.

Thank you Jane for creating what I believe to be one of the best characters in media history and for being the original Spike girlie.

[stormythalamus]

agatha finale rant

so I’ve been seeing a lot of people complaining about the finale of Agatha and I wanted to give my two cents on their main points: 

1. “they used agatha’s show as a way to promote a man!!” well yes! that’s how marvel tv works im afraid. or any tv, really. wandavision was used to introduce agatha and monica, which led to their projects in the mcu (aaa, marvels). agatha introduced billy, leading to his future in visionquest or his solo series, which will introduce tommy and vision, which will lead to children’s crusade to reintroduce wanda. this is common for any tv show, but especially a big, connected franchise like marvel. i find it so concerning that even after all the promotion that showed us billy and agatha as co-leads, people were STILL shocked when the finale sets up a future story centered around him. like i hate to break it to yall but marvel wants money. and more shows means more money.

2. “they killed off a lesbian woman and not the gay man!” first of all, in the comics, agatha is a spirit guide for the scarlet witch. this form is her most comic accurate yet. also, did yall really think that was an unfair ending? or an ending PERIOD? all her death made me think of was the possibilities for the future with both billy AND rio. and again; rio was promoted as the ‘antagonist’ to agatha since the beginning. i don’t know how people went into this excepting a happily ever after for these two. they were always depicted as tragic lovers, and i honestly think the kiss of death was beautiful and poetic. i also don’t think this is the last we’re seeing of rio. and, as a side note, homophobia is still not okay! it doesn’t matter if you’re also gay; lesbians can be homophobic towards gay men, and gay men can be lesbophobic towards lesbians. and i’ve seen wayyyy too much of both in this fanbase. you can criticize characters and critique actors without bringing up their sexuality. we have enough incel homophobes doing that for us

3. if you’re still complaining about wanda not coming back i have no hope for you

4. this show, since day ZERO, was promoted as a show with billy and agatha as coleads. while i wish we had more backstory for how agatha and rio met, the salem flashbacks involving nicholas, the road scheme, and the song were much more important to the show. the parallels between nicky and billy were explored throughout the season a lot more than agatha and rios story (whether or not you like it, it’s still true (i personally wish we had a bit more on how they met 😭))

5. sending hate to actors about things their characters did is STILL not okay! and never will be!

6. this might be a hot take but if you’re only watching a show for a ship and don’t care about the story at all your opinion is irrelevant to me. like people who started watching after it was revealed in the show that agatha and rio were lovers (because, correct me if i’m wrong, this was never revealed before the episodes dropped) have no right to be upset when the show focuses on other things. and this is coming from a MASSIVE fan of agathario. and a lesbian. i loved the fact that i was watching characters who just happened to be lesbians have their own story. yes, i wish there was more agathario in the flashbacks. but i’m really not upset at all by what we got. and don’t get me wrong, people have every right to be disappointed, but they don’t have the right to hate on the creators and actors of the show. that’s not cool.

this is way longer than i thought it was gonna be 😭😭 hope everyone enjoyed the finale

[antivivziepopparade]

All of the proof that we have that Vivziepop is abusive. (So far....)

While you support this post please go ahead and support my channel to see more about Vivziepop's abusive behavior. Thanks!

1. She rushes her employees.

Season 1 was made in 2020. While Season 2 was made in 2021 while being released with MULTIPLE EPISODES only ONE year later.

That's-

INSANE!

-and im about to tell you why:

The average cartoon needs almost ONE WHOLE YEAR to produce one episode. And this is what we see in MAINSTREAM shows.

Meanwhile, Helluva Boss took only one year (and a half) to make MULTIPLE ENTIRE EPISODES that last over 20 minutes. The longest waiting time for an episode being 8 months. Not even a year, and we get multiple episodes off the drawing board.

You can even see here that it's taken only three years to make 16 episodes. When this is an indie studio, so this should have taken so much longer to make. Yet for some reason, it took only a few years for us to get full seasons. In 2021, we got over 4 episodes alone. Have you ever wondered why these episodes come out so fast while other shows take a lot longer to get new seasons? That's an easy question to ask... Spindlehorse...

Is being ABUSED.

And I have the proof to show.

2. The pay controversy.

Spindlehorse's payment has been under controversy for providing the lowest pay possible to those that work at the studio.

One piece of evidence was given by Adam himself (albeit unintentionally) by saying this:

This kind of pay is highly unstable! And before you say "But he didn't force them to be there-"

LOOK.

The employees themselves admitted that they had no choice. People had no choice and Vivienne Medrano took advantage of that for her own selfish desires. This is disgusting treatment of a studio as small as Spindlehorse. Or any studio for that matter.

Hell! chaifootsteps said once that once Zeurel released that he was paying his animators too low, he deleted one of the tweets showing the low pay and decided to do something to give his employees better wages. Meanwhile, Chimera Bunny pays even less than Viv does and just because paying your workers low is normal in the animation industry- plot twist: Doesn't make it ok!

People have suffered so much in this industry, it's why "New Deal for Animation" exists. The only reason you haven't seen many Vivziepop workers having protests and speaking out is because Vivziepop says things like this behind people's backs if they "dare" do anything she doesn't like:

So that explains as to why so many people remain as "anon" or say nothing at all because they got cold feet. Vivienne's terrible!

Especially since even her top employees have admitted to not being paid enough despite Adam's "I pay them to stay if they make us the most mon-ey!" claims from the article:

Also this:

This is how she speaks about her own employees:

"YOU DONT LIKE HOW I TREAT YOU?! FUCK OFF!"

Straight up abuse.

Also, wasn't Walt Disney known for abusing his employees?

To the point where people had an entire protest in 1914 about it?

Wow... such a healthy workplace treatment comparison. Doesn't make Vivziepop look more like a jerk.... at all! /s

3. She bullies kids/laughed at a sa victim that was sa'ed by her friends. As one kid was bullied into a panic attack (I know them personally) back in about 2020 and Viv decided to vague post about them behind their back even after they apologized.

For someone who's so focused on "forgiving despite cancel culture" she sure likes to blame and harass people for disliking even ONE thing about her show or herself. One thing- and you're harassed over making a meme about a cartoon with fictional characters (What Froot Did that set Vivziepop and Gumball off.)

Secondly, one of her friends sexually harassed a minor.

And instead of acknowledging the sa, Vivziepop wrote this:

She ended up calling it a "joke" and made fun of the victim involved.

This is outright abusive behavior that should not be tolerated.

Children don't deserve to be traumatized this way. Especially over something as simple as making memes about a cartoon (negative or not) or simply telling someone to stop fetishizing abuse.

More on this in this video made by Gummypop:

AAAAAAAAAAAAAAAAAAAAAAAAAAND-

That's all that I have for now!

Will likely be updating this post in the future. Goodbye!

EDIT:

More evidence of Vivziepop using abusive language and slander against her employees behind their back. Claims of them being a "stalker" (like she did to Kedi and also its clear that she told her employees to say that Kaz was a "stalker" otherwise how else would they be saying these things after she fired them.) along with using abusive language such as "CUNT!" to prefer to Kaz this way in a professional setting I cannot. 💀

More evidence of Vivziepop harassing a kid:

ANOTHER edit:

More evidence, she's burning them the HELL out!

Yet ANOTHER edit:

More evidence of Spindlehorse being abusive:

EDIT:

Even MORE evidence:

The fact that the story AND the storyboards AND the animating for season one's episodes were all done in one year is just so crazy to me like... WHAT?! Either way, this post will continue to extend the more that I find evidence. So remember to look forward to that one!

EDIT:

Sadly no, as animation abuse is so common that the police dont even see it as an issue. The last time I tried to call the police on her they needed a location. The problem? There is no location of Spindlehorse since it's a "private" studio. So because of that viv gets away with abuse despite the obvious implications of her behavior and how many people came out with allegations towards her.

[sourcherryandsprinkles]

hiii omg istg your modern jace works have been living in my mind RENT FREE THEY'RE SO DAMN GOOD but like a modern college jace bringing reader to meet rhaenyra and his brothers for the first time would be soooo cute, like i feel like joffery would LOVE that his big bro had a gf and would like pull her to colour with him and do stuff like that and rhaenyra would love her like a daughter, luke would LOVE embarrassing himm <3

Season 2 is premiering right now, but I have to wait until 10pm to watch since I don't have access to HBO Max... Please come to my ask and send me requests/let's talk about the new episode!! I will be opening them after I watch and giving my thoughts on the episode every weeks 🐉⚔️🖤

Thank you  so much for the love for modern!Jace. I really enjoy writing about him. This one was challenging to write as there was a lot of people to write about. I hope you like it!!

my taglists are here + you can send requests here at any time

—

When Jacaerys came home for Thanksgiving, he didn’t tell his family about you. You had only been dating for a couple of weeks and were still getting to know each other. It was too soon to announce that he had someone in his life. But a mother's instinct never fails to recognize the smile on her son’s face whenever he looks at his phone or the hushed phone call she had heard when she walked by Jace’s bedroom. 

Although she wanted to know everything about Jace’s new girlfriend, Rhaenyra respected her son’s privacy and let him tell her in his own time. That was until Luke spilled the beans after coming across a picture on social media where Jace was holding and kissing a girl’s cheek.  

In typical brothers behavior, Jace sent a lot of middle finger emojis to Luke for spilling to their mother. 

After a long phone call with her, a date was set. Joffrey’s birthday was coming up, so Rhaenyra saw it as a good opportunity to meet you. And Joffrey would love for his big brother to be there on his seventh birthday since he missed it last year. 

‘’Mom, we’re home!’’ Jace called as he opened the door of his childhood house, carrying small bags for your weekend stay. 

The sound of footsteps on the second floor filled the small entryway as Jace dropped the bags with a thud, making you jump. You took a deep breath, your nerves getting the best of you.

‘’It’s going to be fine. They’re gonna love you,’’ Jace reassured you, kissing your temple sweetly before an overexcited Joffrey came down the stairs. ‘’Here’s the birthday boy!’’ 

Joffrey hugged Jace, happy that he was home. It must not be easy for him to not see Jace everyday anymore. 

More footsteps came from the back of the house as Rhaenyra, with a blond toddler in her arms, came to greet you. Her warm smile was welcoming. You couldn't help but notice how Jace's features mirrored hers. Except for the hair and eyes. He must have gotten them from his father. 

‘’Hi. It’s lovely to meet you,’’ she said, her voice kind and genuine. ‘’I would give you a hug, but I’m worried Viserys is going to try to pull on your hair… He picked up this bad habit last week and we’re working on it.’’ 

You smiled, feeling a bit more at ease. ‘’No worries, it’s nice to meet you too, Mrs. Targaryen,’’ you replied, glancing at the curious toddler who was eyeing you with fascination. 

‘’Please, call me Rhaenyra.’’

Joffrey tugged at your and Jace’s sleeves, his eyes wide with excitement. ‘’Come, I want to show you my birthday cake. There’s a big dragon on it.’’ 

Rhaenyra was quick to correct the young boy, laughing dryly. ‘’There is no birthday cake in this house.’’ 

You chuckled politely, figuring out that Joffrey must have seen the cake by accident and Rhaenyra was trying to keep it a surprise. 

‘’Jace told me you have a massive dragon collection,’’ you said, driving the young boy’s attention to something else than the birthday cake. ‘’Is that true?’’ 

Joffrey grinned and began to tell you all about his dragons. He fetched some from the playing room and brought them over to show you on the couch, giving you all sorts of information about dragons. There was one of every color and size. Some had horns and a threatening stare, while others looked simply beautiful. 

While you were occupied with Joffrey, Jace went upstairs to drop your bags in his bedroom. When it came back, he watched the two of you from the corner, finding it sweet how quick Joffrey took a liking to you. He was usually shy around new people. 

‘’Where’s Luke and Aegon?’’ 

Rhaenyra set Viserys down on the floor so he could play with his blocks, and shook her head. ‘’I don’t know. Probably upstairs. Aegon is with Daemon in the backyard. Since we cleaned the old playset, he always wants to go outside.’’ 

Leaning over the banister, Jace called out to Luke.  ‘’Luke! Come here, you little shi—’’ 

‘’Language,’’ Rhaenyra scolded, her eyes pointing at Joffrey and Viserys. 

He apologized and you bit back a smile. He truly was a mama’s boy.

You didn’t meet Aegon and Daemon — Jace’s step father — until dinner. The latter looked intimidating, but he kindly smiled at you as you shook his hand. As he was helping his wife getting the food on the table, she gave him a subtle nod of approval, silently telling him that she liked you.

‘’I told you my mom would like you,’’ Jace said, pulling you with him in the hallway while the younger ones were being bathed and put to bed. His arms were around you, chasing your worries away.

You took a deep breath, feeling the tension leave your body as you smiled up at him. ‘’Now I know where you got your kindness and charm from.’’ 

‘’You think I’m charming?’’ 

Rolling your eyes, you tried to get away, but Jace didn’t let you. 

‘’Joffrey is very fond of you too,’’ he continued, his eyes sparkling with amazement. ‘’I’ve never seen him so at ease with someone he doesn’t know.’’ 

‘’He gave me a full lesson about dragons. He is so sweet.’’ 

Hearing this made Jace happy. For him, family was very important, so it meant a lot to him that you were getting along with his family. 

His gaze softened, his eyes locking onto yours before leaning down to kiss you. Your fingers gripped the fabric of his zip-up hoodie, kissing him back until  a loud, exaggerated gagging sound broke through the moment. 

You both turned to see Luke standing at the end of the hallway, a mischievous grin plastered on his face. 

‘’Do you want to see Jace as a baby?’’ Luke asked with gleeful enthusiasm. ‘’He had chubby cheeks…like Theodore from Alvin and the Chipmunks.’’

Jace groaned in embarrassment and you chuckled, imagining baby Jace with chubby cheeks. ‘’I’d love to see those photos,’’ you teased, nudging Jace playfully.

But Luke wasn't done. ‘’Do you know why there is no school picture of him in fifth grade?’’ he continued, leaning against the wall, clearly relishing the moment. ‘’There was this guy at school who was bullying me and Jace decided to put his big brother pants on and take him on a fight. This guy was two inches taller than him and much bigger, so Jace lost and fell, which knocked his front tooth out the night before picture day at school.’’

You laughed, picturing a brave little Jace standing up for his brother. ‘’You’ve always been protective, I see,’’ you said, turning to Jace.  A small smile tugged at his lips. ‘’Okay. Luke, that’s enough,’’ Jace decided, taking you away from him before more embarrassing stories could come out of his brother’s mouth.

—

House of the dragon taglist: @khaleesihavilliard @domoron @ididliquorice @lover-of-helios @lover-of-helios @shine101 @tanyaherondale @mikariell95 @serrendiipty @lantsovheiress @gilliananderfuckme @shine101 @tetgod @clayzayden@memeorydotcom @tnu-ree @futuregws @blackravena @winxschester @mysteriouslydelightfulchaos @xxlaynaxx @secretsthathauntus @pilarxxxaguayo @emmavan39 @stargaryenx @erylilly @bbblackmamba @rainedrop97 @dreamer087 @gothicgay14 @ashlatano7567 @superkittywonderland @justaproudslytherpuff @evesolstice @buckysmainhxe @padfootsvixen @scarletmeii @evesolstice @dkathl @kaywsworld @tetgod @padfootsvixen @domoron  @weird-addiction @angeliod @xjennyx2 @adaydreamaway08  @mymultiveres  @secretsthathauntus  @puffycreamcakes @thirsty4nonlivingmen @naty-1001 @katiepie67 @moshpot24x @hc-geralt-23 @lovelynerdytraveler @saturn-sas  @zgzgh @sssjuico10 @tabloidteen @timetoten @deekaag @wondxrgurl @aerangi @strmborns @astridyoo15 @daemonslittlebitch @queenbeestuffs @severewobblerlightdragon @agentstarkid @msliz @vane1999-blog @fairyfolkloresposts @todaywasafairytale07 @otomaniac @zgzgzh @thebeardedmoon @golden-library @kikyrizuki @hnslchw @camy85 @winxschester @armstrongscommentsection @withfireandbl00d @randomstory56 @JudgmentDays-Girl @darylandbethfanforever9 @darylandbethfanforever9 @aegonswife @dakotapaigelove @jays-bullshit

All and more taglist: @kenqki @hawkegfs @gillybear17 @black-rose-29 @fudge13 @cece05 @laylasbunbunny @gemofthenight @beautyb1ade  @mellabella101 @vxnity713  @bisexualgirlsblog @queenofslytherin889 @thatbxtchesblog @softb-tterfly @ethanlandrycanbreakmyheart  @xyzstar  @graceberman3   @mikeyspinkcup @jackierose902109 @daisydark @laurasdrey @mischieftom @fanatic4niall @peterholland04 @idkwhattonamethisblogs  @lexasaurs634  @notasadgirlipromise @zoeynicolas @thejuleshypothesis @multi-fandom-bi-bitch @lexasaurs634  @notasadgirlipromise @thejuleshypothesis  @katherinejess  @rafesgirlstuff   @lafleshlumpeater @iamluminosity  @Anouknani-2305 @books0fever @papichulo120627 @qardasngan @ghostlyvoidydragon @M0rgans1nterlud3 @dahlia-blossom21

[entertaining-two]

Upon yet another re watch, episode one really is wild because I feel like we all forgot how much of a little romantic dork Colin was for the first two seasons. Like this man was still the younger brother of his two older brothers, he was seen as immature, kiddish, and too young to really be a man.

His whole journey season 1 is setting up how he wants a romantic connection but is deceived for his naivety in this situation despite warning.

His journey season 2 is to try and become a man, having traveled, trying to gain purpose and prospects through investing and being a protector to the feathering tons he feels noble. Yet he still wonders what the point of it all is: ie, he’s missing the heart of his purpose which is to love someone undyingly.

Season 3 everyone is so shocked when he shows up, looking older, looking and acting confidence and suave and flirtatious something he NEVER was before. They are shocked and also not mocking him for his travels and he knows now not to even divulge his passion for it because he knows while his family loves him, they do not truly care for the inner workings of his mind. Leaving him still missing something. That something is a true partner.

I just feel like we all really truly forgot how Colin was never the one to be smooth, the one to know the exact thing to say and when, or even the confident hot one. The man spent hours talking about plants he saw traveling to his ex’s husband for gods sake like this man is not suave he is dorky and adorable. He had always been dorky younger brother of the two catches in the Bridgerton house. Forgotten amongst the diamond of the season, the viscount, and the flirtatious artist. Who was he? He had no clue.

He wandered and came back a new person hoping people would now accept him and clearly he feels it has worked because everyone praises him for it! So when his facade starts to crumble around Pen, and when she throws back at him that he has put on this mask of a person, and tells him she just wants the true man she loves, for once Colin is feeling seen for who he actually is. I think that is why he kisses her so aggressively after the “I love you!” Statement by the modiste. He’s seen, and loved. Now he just had to figure out how to accept the lady Whistledown stuff.

All I’m saying is people don’t get Colin and I will die on the hill that he deserves more praise. He’s far more complex than people give credit and I love his character.

[thenightling]

For those keeping score here are all the TV shows based on the work of Neil Gaiman from the last ten years. Lucifer - Loosely based on the version of Lucifer who quits ruling Hell and opens a piano bar, from The Sandman comics by Neil Gaiman. Originally aired on Fox and then moved to Netflix for seasons 4 through 6. Neil Gaiman also got to play God in a bonus episode for season 3. The full series can be watched on Netflix. And is available on DVD. The plot deals with Lucifer, the ruler of Hell, up and quitting and moving to Earth where he opens a night club called Lux and takes up playing piano. In the TV series he befriends (and eventually falls in love with) a woman homicide detective named Chloe Decker.

_______________________ American Gods - Based on the novel by Neil Gaiman. Aired on Starz. The plot deals with a man called Shadow Moon who gets dragged into the strange world of Old and New Gods vying for power.

________________ Anansi Boys - Originally written by Neil Gaiman as a spin-off of American Gods, the TV series version was filmed for Amazon Prime and is currently in post-production (Not yet released.) The plot deals with the sons of Anansi, the African trickster Spider-God.

__________________ Good Omens - Showrun by Neil Gaiman and based on the novel by Neil Gaiman and Terry Pratchett. Also Neil Gaiman has a small cameo in the first season. Available now on Amazon Prime. Seasons 1 and 2 are complete. Season 3 has not yet started filming and will very likely be the final season. Season 1 is currently available on DVD. The plot deals with two "differently competent" entities, an Angel and a Demon, who have come to love life on Earth and each other. And now must work together to prevent the apocalypse.

______________________________ The Sandman - First episode was co-written by Neil Gaiman, based on the stories and original characters created by Neil Gaiman with a few borrowed DC comics characters. Currently on Netflix. Season 2 is in production now. Neil Gaiman also voiced a ghostly bird in the bonus episode segment Dream of a Thousand Cats. Season 1 will be available on DVD and Blu Ray at the end of this month. The plot deals with Morpheus, the King of Dreams, who accidentally gets summoned and captured by occultists who had been trying to capture The Grim Reaper. After over a hundred and six years in captivity Morpheus finally escapes and has to track down his tools which had been taken from him when he was captured. He also comes to realize he had made many terrible mistakes in the past and struggles to set those wrongs right.

_________________________________________ The Dead Boy Detectives - First official spin-off of The Sandman. The Dead Boy Detectives were originally planned as an HBO Max series (now just Max) but moved to Netflix after the success of the first season of The Sandman. Based on characters who first appeared in Neil Gaiman's The Sandman: Season of Mists, Neil Gaiman is involved in the production. The plot is a pair of ghost teenagers decide to become detectives and are really bad at it. These two characters made a previous appearance in Doom Patrol on Max (Formerly HBO Max) but had been played by different actors.

[bekolxeram]

I'm late to the party I know, but I need to learn how to make gifs first. I actually find the Bucktommy dinner scene a bit awkward, but not because they "lack chemistry" or the "flirting is problematic". It's not supposed to be just a cute bonus scene, it's engineered to stuff as much information as possible into mere 55 seconds. Here is my read on it:

The good old always at the hospital joke, probably just Tommy trying to lighten the mood after such a hectic day for the 118, but mainly a set up for the next part.

Buck does not see the humor in it, he seems upset.

Tommy has apparently gotten to know Buck enough at the stage to immediately clock it, and under all the dark humor and sarcasm, he does actually care about Buck's feelings.

The scene of Buck and Eddie in the hospital room with Bobby ends up on the cutting room floor, we've only got that one shot of teary eyed Buck when he breaks the news to Eddie at his house, so this is the first time in the episode Buck gets to express his fear of losing Bobby, his father figure.

And here we are, controversial moment number 1. There isn't much context attached to this line, so viewers interpret it differently. I'm in the minority camp that thinks Tommy is being serious here, Lou's delivery makes it seem like Tommy says this out of concern. I believe it's a call back to this line from the medal ceremony:

Here Buck is talking about Phillip the same way Tommy and Chimney (possibly Hen too) talk about Gerrard: like he's dead. Tommy is probably wondering if Phillip is another Gerrard situation, and he invites Buck to talk about it if he wishes to.

Buck gives a humorous but one word answer, so Tommy gets that he doesn't want to get too deep into it.

From this line on, it's a set up for the Gerrard reign of terror in S8. Tommy reiterates the jealousy he mentioned in 7x04, that he wants to become a part of the 118 family, which he only had a little taste of before he left to become a pilot.

Tommy backstory crumb. Buck and Phillip at least see each other at family functions, Tommy doesn't have a relationship with his dad at all. Judging by the medal ceremony, he doesn't seem to have any family left.

It confirms Gerrard as the anti-Christ anti-Bobby. Buck becomes the person he is because of Bobby, while Tommy behaved the way he did in the 3 begin episodes because of Gerrard. It acknowledges Tommy's toxic ways back in the days, but as we can see by the time Bobby became captain of the 118, Tommy was already on friendly terms with Chimney and Hen, we might have a chance to see the transformation in between next season. I've heard that season 7 is supposed to be a soft relaunch of the entire series, so maybe Gerrard is a good plot device to make new viewers understand the positive influence Bobby has on the firefam.

Classic deadpan humor from Tommy, Buck gets the message that he wants to keep the conversation lighthearted.

Now Buck has the power to decide which direction he's leading the conversation into, and he gives us controversial moment number 2, he brings up daddy issues and makes it horny. Look at his smirky face, he's definitely not trying to have a serious chat about father complex. He's the one who starts flirting, not Tommy, and it shows us unlike the nervous fumbling at the beginning of their relationship, Buck is now comfortable enough to initiate flirting.

Tommy can't say no to that face, so he flirts back, but it can also be interpreted as him being in denial of his obvious daddy issues. More conflict and angst for S8?

More flirting. Boy's got rizz towards all genders. He basically admits he might have "daddy issues" in a sexual connotation.

Now comes THE controversial moment of the scene, if not the episode. I've seen people online bashing Tommy for "making it sexual" (Buck did), "interrupting a meaningful conversation to satisfy his daddy kink" (no one is actually talking about any kink), or even "exploiting Buck's trauma to put him in an inferior role in a dom/sub relationship" (What? That's not what d/s is about).

I raise you the point that the word "daddy" is no longer some kind of kink exclusive lingo. This word has entered the popular zeitgeist the last couple years, and now it basically just means a sexy older man. I bet the daddy kink thing doesn't even cross the mind of most of the GA, they just take it as Tommy hoping Buck find this older man sexy. I think we might have collectively read too many smutty fanfics, that's why we all immediately jumped to the very extreme of the kinkiness spectrum when it comes to this scene.

Conclusion, the dialog in this scene may not sound natural, but that's not the point. This scene is in fact, an infodump. Kudos to the actors for making it cute.