#seriously that pissed me off so much

[m-o-z-a-i-k-a]

I talked to my roommate about how everyone judges me for the smallest signs of autism, like closing my ears in public and they went "yeah haha you have those moments where you get so frustrated because you can't do something that is so easy and I'm like 'oh sweet, summer child, all you have to do is x and then it wouldn't even be a problem'" and I'm like oh

oh

you're one of them, huh

[astxrope]

Me casually abt to loose my mind again abt how fandoms seem to hate but also want more ace/aro rep.

Like 'oh we need more ace/aro rep!' and then proceed to draw/write/say the dirtiest shit about them.

'ace people can still have s-x! aro people can still date!' shut up for two seconds please it's nkt about that it's about the blatant disregard of sexualities. I KNOW they are fictional charactersbut if you can't even tolerate someone who doesn't exist's orientation how tf are you going to react when you meet a ace/aro person irl?

And, of course, 90% of the people making those ship stuff AREN'T ACE/ARO.

You're nkt scared of aro/ace rep. You're just a wanke- (/ref)

[koobiie]

fanart for what may be my favorite fic of all time, Running Behind by @asidian! here's prompto enjoying all the foods from the fic beacuse he deserves it <3

[atypical-artisan]

Tbh there does come a point where jokes about hating a character become severely annoying instead of funny. That point is when the entire joke is "I hate this character"- that's just not funny bro 😭

[dazzle02]

Buck and Maddie's relationship is one of the most interesting on the show to me personally.

She was nine, she lost her brother and gained a new one and suddenly she's not just an older sister, she's a parent too. She's nine years old and someone's Mother. While not being allowed to properly grieve the brother she just lost. Not even allowed to acknowledge his existence.

And of course she did the best she could, but she was a child raising another child. No parent has all the answers, but especially not a CHILD who never asked to have this put on them. So she of course got things wrong. One that really sticks out is her explanation about their parents worry when Evan falls off his bike. She kinda put the idea in his head that getting hurt is what will get him that love he craves from their parents. And that was NOT her fault. She was 12. And also living in this abusive household. But she was the one that gave him the idea to continue hurting himself to get attention. And there are likely other things that he learned from her that weren't actually healthy, due to her being a child trying to learn about the world herself.

And when she left for Boston, that would definitely feel like a parental abandonment for Evan due to her being the only parental figure he ever really had. But it WASN'T. It was a 19 year old moving out and going to School, which is what a lot of people that age tend to do. But to Evan, it would feel like the only parent he's ever known leaving him. And logically he'd know that's not the case. She's NOT his mother, she's his sister and she's supposed to live her life and she never asked to raise a child at such a young age. He was NOT her responsibility. But emotionally? That's the start of his abandonment issues.

And it's why Maddie can be kinda overbearing with him at times too. (Especially after the lightning strike...) It was ingrained in her from the age of nine that he's her kid and she has to take care of him. So as soon as she sees him suffering in any way, those instincts come back full force. She's gotta take care of him, make sure he's not going to die while she's not looking. AND make it clear she's not leaving him again.

They've had to figure out how to go from the relationship they had as kids where she was more a parent than a sister, to a new one now that they're adults where they're siblings.

And that's gotta be tough. And I would love more of a focus on that really. Just them still kinda adjusting to having to have this new dynamic. Because logically they both are aware that Maddie having to raise Buck was messed up and unfair for them both. But it's also just what's normal to them.

And any time someone comes for Maddie about not being a good sister it makes my blood boil. SHE DOES HER BEST! She was a child raising a child, and she's now an adult who went through abuse for pretty much her entire life! First the neglect from her parents (plus the parentification) and then her marriage to Doug for like 15 years! Of course she's not perfect. And as much as they both love each other, they ARE BOTH part of each others traumas. For Maddie a big trauma for her was having to raise him, and for Buck a big trauma for him was her leaving. And they've managed to work through that for the most part. It's always going to be there, they're both very defining for each of them. For Maddie having to become a parent at such a young age made her feel as though she couldn't be a very good one due to not being a perfect parent AS A CHILD. And for Buck, Maddie leaving was definitely the start of his abandonment issues. And neither of them are at fault for that, but they both have these issues that are directly tied to each other. It all comes back to their parents though. If they'd just done their jobs as parents, things would be so different.

Some of this may not make much sense as it is very hot here right now and I am not thinking right. But you get what I mean, hopefully. 🤣

I would also like to add to Supernatural fans, you can not claim Dean Winchester is just the best brother in the world for raising Sam and then turn around and claim Maddie is a terrible sister. Especially as Dean could be very abusive at times...

[fairdale]

i think the one thing that has made me feel more frustrated in tsc saga is the whole gracelet thing. don't get me wrong, i get the point of the storyline, but i was soo angry that we only got glimpses of the real james for so long, of the one whose feelings weren't being manipulated and that had a mask convering his heart.

like, okay, we got to see that he was a good friend, a good son and a good brother, but it didn't show to what extent. it didn't allow us to know the depth of his feelings for cordelia, of how much he actually cared about his loved ones. of course, we knew, in a way. but it was so much more than that.

his heart was so much more alive than what the bracelet allowed him to be. he had a stronger character and strong beliefs.

what i'm trying to say is: fuck that fucking bracelet for robbing us of james herondale for that long.

[fruitless-vain]

I feel like it is potentially not the wildest idea that perhaps if you Hate Christmas and are going to be a Rude Ass Cunt for the entire evening it may be a good idea to not demand that the holiday happens at your house? Demanding that *you host* claiming that you *love hosting* and then, actually, getting mad at everyone for every little thing and overall just having an obnoxious attitude complaining left right and centre over any thing you can think of

You can just choose to not be a part of the holiday. You can be a grown ass adult and say “I don’t want to receive or give gifts this year” or “I’m not liking hosting so let’s do it elsewhere” or any number of potential communication tactics that aren’t Snapping At Everyone For Any Given Reason

You can just, yknow, not participate instead of actively ruining the evening for everyone you’re supposed to care about?

[certified3nakin]

Half the fandom after infantilizing MePhone4 the same way Cobs does, attacking anyone who doesn't see him as a child

(to be clear, I don't mind if someone headcanons MePhone4 as young. But I have a problem when people shut down others when it's very clearly up to interpretation.)

[moonlit-angel-serenity]

How does one murder a group that doesn’t have a physical body?

[dogjak]

do you ever look at your own fandom and just start bawling because who tf allowed these people to use cellular devices and not only that but also post their dogshit opinions with them

[bitchthefuck1]

One of the things that stands out the most to me about succession on the rewatch is how many hugely significant plot points only happen because at some point someone was feeling petty.

[lyril]

lumpus is a fascinating specimen glad theres other people also fond of him

HE SURE IS i will be honest i almost like him a Little Too Much because i Also live in my fantasy world of make believe where camp lazlo is a little more than a 6.4/10 show (I STILL LOVE YOU SWEETHEART!) and instead also includes all my insane 20k spiels of backstory stringing and talks about character writing but

(also. i do think it's funny how popular slinkman is in comparison, i love him just as much, but i actually see people mention really liking slinkman pretty frequently if someone happens to posts about camp lazlo which is GOOD because he DESERVES IT MAJORLY but the lumpus bug has Also caught me something awful even though i hate him and he sucks so i'm alone adrift in the world out here...)

edited this just for him

[supercantaloupe]

okay don giovanni review from last night. under the cut bc it's me. tldr the vocal performances were great, leporello carried the show, one of the most insane productions i've seen thus far but somehow in a new bizarre direction from normal. good snacks.

first of all i don't care how much wine you offer i think it's kind of ridiculous to charge $165 for a base ticket price for a performance that 1. isn't even in a concert hall or theater 2. is a concert performance rather than a staged performance (which was not advertised ahead of time) and 3. was not even a full production because they made the absolutely mind boggling decision to cut 100% of the recitative and replace it with Some Guy sitting on the stage narrating the plot between every 1-3 numbers

i did not pay that much gd bless. the student ticket was way cheaper.

the narration wasn't even good it was weirdly ungenerous to the women (like how do you even make elvira out be a "women, amirite" thing and also vaguely imply anna was into it in a production with zero acting? well they figured something out) and i don't think it even explained well enough what happens between each number to truly give a first time watcher a good idea of what's actually going on. not to mention that it absolutely kills any sense of momentum in the plot and makes the entire show drag like hell, because you have to wait between every single aria for either Some Guy to talk at you for three minutes straight, or wait awkwardly while people onstage walk off and people offstage walk on. it was so painfully clunky

they had a piano up there but since there was no recit it's not like she was accompanying much of anything. in practice what it ended up being used for was 1. the mandolin part for deh vieni (acceptable in the absence of a mandolin player; they were working with a limited chamber ensemble of musicians so i get it) 2. the party music at the end of act i (egregious fault imo because it absolutely kills the vibe of the scene and completely obfuscates the way the music is supposed to be adding to the tension and chaos with its different instrumental groups playing in different meters)

and 3. used to give singers their notes when the vocal line of their arias start on beat 1 measure 1, which they otherwise would have been able to get from the preceding recits (which is imo painfully amateurish for an ostensibly professional production)

all the numbers in act i were there although the narration was so bad i got jumpscared by fin ch'han dal vino because i forgot it was supposed to be there and thought we had skipped over that point in the plot. act ii had some really bizarre additional cuts made, notably they just entirely skipped over meta di voi and vedrai carino. it was like masetto and zerlina fuck off for the entirety of act ii save for, like, mille torbidi (they VERY briefly mentioned masetto getting beat up in the narration and i don't think they mentioned vedrai carino at all, they just skipped straight from deh vieni to sola sola. and also there was a painful awkward pause before deh vieni because i think the pianist forgot she was supposed to play there and the narrator jumped ahead to the next chunk of plot explanation too early). kept both dalla and tesoro (i'm fine with this ottavio was quite good though could've used a bit of ornamentation imo), kept mi tradi, kept non mi dir (more on that in a bit). no per queste which is probably a good thing not only for the show itself but also my head would have absolutely and irreversibly exploded if they had, probably

the whole thing kind of felt underrehearsed. like a quarter of the time it seemed like people didn't know what they were doing or had to be reminded where to be at that point in the show. and there were a few moments throughout where the orchestra struggled to keep up with the singers, but i really don't think they had much time to rehearse together, honestly.

and then, to my utter shock, the finale was actually really good?? like. insane compared to the rest of the show thus far. though it helps that 1. i absolutely love the harmonieband arrangements of cosa rara/i litiganti/non piu andrai, after possibly the draggiest non mi dir i've yet experienced it was like a breath of fresh air to hear that (and non mi dir was actually well performed i liked this anna but considering how much the Entire Show was dragging, the fact that they cut meta di voi and vedrai carino, AND the fact that they promised this act would be short, it felt crazy to me to keep it at that point.)

2. leporello and the don were by far the best performers of the night. so much so that i sought them out during the post show reception to tell them how great they were and enjoyed their performance. which i usually do not do, but in this like, high school recital ass production value. unbelievable relief that the final scene is dominated by the two actors in the show who most remembered that they can, and in fact Should, be acting. so much more movement and physicality and expression from those two compared to most everyone else. leporello especially, his actor apparently specializes in comedic bass roles and it shows, he was the standout all night

and 3. for the first time in the entire production they made an interesting decision regarding the physical space and staging! they had the commendatore sing from up on a balcony overlooking the audience in the foyer. the bar admittedly was set very low in the previous act and a half but the finale reminded me that i actually like this show again which is appreciated

though they then threw another curveball at me by Cutting the sextet at the end. which like didn't even piss me off at that point i was just baffled. like the don sinks down in agony and leporello sinks down whimpering in fear and the orchestra cuts off. and i'm expecting an awkward pause while they quietly get up and shuffle off so the rest of the cast can come back but nope. big orange title slate appears on the big screen behind them and the audience breaks into a roaring applause and the announcement of the wine and dessert reception. felt like i was in a fever dream

i will say the desserts were very nearly almost worth the bullshit that was the preceding show. they were so good. thank you austria for your dedication to pastry. and because i don't drink and couldn't appreciate the free wine offered i had to indulge in my own manner. spread contained chocolate oat bites (tasted as much like espresso powder as chocolate and coated in coconut, 4/10), almond sponge cake (classic, 7/10), cardamom apple bread pudding with caramel cream (not enough cardamom but otherwise very tasty and autumnal, 8.5/10) and honey cake (11/10. i don't know how they made this so good. i want more right now so much). i take both my mozart opera and my desserts very seriously.

anyway overall the production was. i would say frustrating. the singing quality was Really Good (leporello was the clear standout, probably followed by the don though i prefer my dons with a lighter voice but technically he was very good, then probably ottavio, then maybe masetto or anna. the commendatore was great but he's in it so little it's hard to compare)

i just wish they could have, like, actually done a full production. it would have been so great if they had gotten to tell the actual story and had been fully allowed to act. when there Was acting were the best moments of the show, and it's really unsurprising that most of that came from leporello, the absolute legend.

[0w0tsuki]

I looooove your title,it's so real,i'm transmasc multigender(genderfluid + bigender)and super femme and so many other tboys gets so upset when i say the fb slur is a tma slur so i don't wanna be called it and say it's not our word😭😭😭😭If f*mboys were oppressed the world would be a better,they're annoying and fragile as shit.Btw your post i liked is queued,i'm in post limit jail but i hope you're havin' a good day!!

Funny you mention how you have to tell trans boys it's not their word cause like. They're not the ones who created femboy culture. It was transphobic cis gays. Like the 3 words back then were Trap, Sissy and Femboy. While all 3 meant the same thing functionally they served different purposes. While both Trap and Sissy revolve around disgust and revulsion, the former being disgust over attraction to the transfeminine body, and the other disgust over being transfeminized themselves, they are both generous to the heterosexual narrative of those involved. Femboy on the other hand implies with the word itself attraction to men, they still see transfems as male, but they are comfortable with their attraction to the transfeminized bodies they assert masculinity onto. Dude's who would say "Traps are gay but so am I".

And as time moved forward and it stopped being cool to be the guy who wears plain white text "I'm not a bigot I just hate everyone equally" on black T-shirts as his go to wardrobe, a lot of these chuds decided it would be easier to reconcile with their internalized homophobia than their externalized transmisogyny, and started adopting Femboy terms.

But then again them knowing that would require them to actually come to terms with the history and origins of its use. And they hate that more than acknowledging the presence of the openly fascist Femboy communities that make up most of their presence on sites like Twitter and Reddit.

[im-still-watching-anime]

one piece is crazy fr like what do you mean you’re following up Everyone’s Dead™️ with Objectifying Women: The Arc™️

[faithfulcat111]

I still cannot fathom why so much of my silverware is missing. How do I only have three butter knives and three forks. I had 8 or 12 three years ago. I had at least 8 two months ago. How did so many go missing when I moved out?