#seen a lot of jokes about this

[iamnotshazam]

so estinien seems nervous of smaller people that get up in his business, like two certain lalafell, and also the mamool ja kids reaching up, it freaks him out (but they just want piggyback rides, estinien, give them high jump piggyback rides please.) anyone ever think of why? maybe it's the ancient dragon still haunting his memories? cause estinien has no reason to fear things that much smaller than him, not more than other threats.

but nidhogg on the other hand had his shit absolutely wrecked multiple times by things one tenth his size. haldrath. later generations of azure dragoons. estinien himself kills nidhogg. so nidhogg gets himself a new body, one of the freaky little elezen bugs. the one that did him in, in fact. he reforms his old body and keeps estinien's form as a backup. the problem is clearly that they are more maneuverable than him and he loses track of them. not anymore! now he can jump around like a crazed flea with the rest of those scary little bastards now-

the WoL proceeds to tear him a new asshole in every shape he's got. the small creatures are just Inherently Dangerous. and if the WoL is a lalafell it just shows even smaller things means the danger is more concentrated. estinien has the hand me down equivalent of nidhogg's ptsd from getting bit by little yippy dogs down the street over and over

[randomfandomss]

[futuristichedge]

If you are a fan of anybody's work, whether it be art, writing, music, translating, editing, videos, etc- it is incredibly important that you share that you enjoy their work.

It could be a comment, a tag, an anonymous ask saying thank you or something about their most recent piece you enjoy, anything. Creation is more often than not a social thing, and a little note or comment really goes a long way. People are sharing a little piece of themself every day, here on the internet!

So if you don't mind a little challenge, on the next piece of art* you see that you find personally impactful, leave a little tag or comment saying something about how much it means to you.

*this includes writing, music, edits, jokes, anything that has undergone the act of being created by a person

[makiswirl]

can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest

like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!

[bitchthefuck1]

It's kind of funny that Kendall and Shiv are both equally delusional about their ability to charm people for business and somehow think they can do it even though they choke almost every single time, whereas it's like the one thing Roman is consistently good at despite being the "least legitimate" option.

I think part of this comes down to the fact that Shiv and Kendall both have very clear ideas of the versions of themselves they're trying to be and the images they're trying to project, and they're trying so hard to be seen that way that they end up coming off as a little desperate and off-putting. Meanwhile Roman "knows" that there's something wrong with him and he's worthless, so he doesn't get sucked into the trap of trying to force people to see his idea of himself and instead molds himself into whatever he thinks the other person wants from him because that's the only way he can compensate for "being him," which works very well in the short term but also means he's the least capable of maintaining any relationship for very long because he has no sense of self.

[utilitycaster]

Talking as players outside the game is an incredibly important part of having good PC/PC D&D relationships, and obviously the characters involved in the relationship talking to each other in meaningful ways is crucial, but I think the importance of talking in-game in depth to other people is really underrated, in that it not only tells the other player what your character is feeling without having to reveal it in-game to them, but also serves to engage other characters in the story and deepen those platonic bonds to the point where they might even serve as confidants or wingmen. To give a bunch of examples and what they achieved:

Vax telling Gilmore he didn't want to string him along made it clear out of game that his feelings towards Keyleth were his priority, even though it happened where the other characters were not able to hear.

Similarly, Vex giving her blessing eventually after her initial resistance signaled to Liam that this would not be a major break between the twins.

Vax asking Vex what she intended to do about her feelings for Percy served not only as an opportunity for her to voice them to someone; it also serves as a big green light for Taliesin as Percy to kiss Vex later that episode (which he had already from Vex's resurrection ritual, but it underscores it).

Pike talking about Scanlan with Keyleth and Vex allows her to make it clear that she does ultimately like a lot of things about him despite sometimes being annoyed, and her talking to him through her earring while Scanlan is very much not there but Sam is at the table also serves as this kind of green light.

Jester asking Veth about kissing in relationship to Fjord lets Travis know where Jester is at and invests Veth in-game in the relationship.

Caleb asking Jester if she's "sweet on [Fjord]" lets her openly reassess her feelings after an intense arc and also indicates in-game that Caleb has noticed.

Beau waiting to hear the sound of thunder signals to Ashley (who was not at the table but who was presumably staying updated on events) that Beau has feelings for Yasha; it also allows those playing Yasha (often Matt for pure RP and Travis in combat) to return that flirting, since the baseline was already established.

Possibly the most obvious example, but Beau and Fjord's conversation on Rumblecusp not only clarifies to the whole table where everyone is (opening the door, for example, for the scenes in the beer garden a few episodes later of Caleb having Fjord and Jester dance together and Caduceus encouraging Yasha to pursue Beau) but very much serves as a green light to Ashley and Laura respectively. This is then mirrored by them talking after Beau has asked Yasha on a date and Fjord and Jester have kissed, and everyone involved can "debrief" with their partners not present in-game.

As mentioned, this is mostly about PC/PC relationships because PC/NPC is an inherently different dynamic mechanically though still should be a conversation, but Veth describing Yeza and Jester asking Caleb about his feelings about Essek both give Matt clues for playing these NPCs and how things might be received.

FRIDA mentioning their crush on FCG to Deanna means it's not a complete surprise to Sam, since it is a very sudden relationship, and lets him prepare and decide how FCG would feel in the moment, and also establishes how Deanna will feel about it.

Similarly in the C3 Uthodurn arc, Fearne going to Chetney about Deanna is an incredibly good move from Ashley (to the point that talking about this is what led me to write this whole post). It lets Travis play out where Chetney is. It lets Aabria therefore hear not only where Chetney is, but also know that Fearne is potentially interested. It establishes a ton of the dynamics for a relationship that out of game everyone knows will not have a full campaign to play out since one of the characters involved is a guest. And finally, it signals to Christian as FRIDA what the situation is in case Deanna confides in them.

[valewritessss]

This fandom is so nit-picky that I’ve seen more criticism on every little thing about wottg (a book that came out 2 days ago) than people saying things they liked about it

Edit: someone has already gotten mad so I repeat this is a joke and not that deep❤️

[juney-blues]

meat roxy is so funny because that whole thing is indicative of how homestuck is such a deeply transfem story that if you try picking a random character out of a hat to make transmasculine it's basically a coin flip as to whether you're overwriting a transfem narrative of some kind (and it's extra funny because the writers just so happened to roll Snake Eyes, Two Ones, critical failure, and did it to the character with perhaps the most blatant transfem coding of all time that just so happens to beautifully enhance her entire arc)

[aardvaark]

im so glad that we never get a clear picture of sophie’s background in leverage & i hope we never do. however i also really like making up various, often conflicting backstories for her in my head. perhaps they’re all backstories for an alias of hers, ones she laid to rest back in season two.

[morelikebaldursgay]

Every time I struggle to understand how Gale is so arrogant and so low-self esteem at the same time I just think back to myself in middle school. Like yes his character is well-developed and multidimensional but also it is fundamentally neurodivergent mentally ill gifted kid who thinks they are so much better and smarter than everyone and everything would work better if they were in charge but also thinks that they are the worst person alive.

[authenticcadence18]

Candace’s dairy allergy is brought up a few times in the show but we also see her eating a grilled cheese and moon ice cream so I’m guessing it’s mild or she grew out of it?

But a Candace with a severe dairy allergy would be so fascinating, and so telling as to why she is the way she is. Severe allergies are physically, mentally, and socially draining. Candace already feels lesser than. I can imagine her struggling to fit in at restaurants and getting so anxious over what she can and can’t eat, watching her family and peers eating things she can’t have, trying so hard to just accept and be positive but being jaded and jealous regardless.

like. it fits her character so well. where is my Candace is allergic to dairy which makes her feel isolated and exacerbates her pre-existing anxiety and low self image storyline.

[samglyph]

I truly believe Will Wood is an incredible musician and songwriter and is one of the top lyricists in the last decade both in and outside of the genres that he chooses to play in with absolutely zero irony. I also believe that you can only fully understand that if you’ve either had a pet die before listening to his music or you have a history of drug abuse and mental health crises. Or you’re trans.

[kagoutiss]

green beetle black beetle

[boxheadpaint]

ahhh I forgot about ableism. I forgot about that

[muchmossymess]

uh oh guys, hot take alert:

i think revali may have invented hand held aerial archery HEAR ME OUT- (this is a long one boys)

okay. evidence one: why the fuck would a rito shoot like that. like, it makes nearly zero sense, it would be such a hindrance to their flight and their main stake is that they can be higher than you can shoot whilst still pinging you... which revali has overcome with his gale

evidence two: tulin and the concept arts. obviously rito style archery would be held in their talons. before totk came out idk if anyone had really thought about it too much, but the developers had, as you can see in concept art (from the creating a champion book). and like, its logical, powerful, and allows for peak maneuverability. also, when in flight revali (and teba) holds his bow in his talons before switching to his wings. surely its easier to keep it in your wing (obvi ignoring the effects to flight but hes doing that anyway firing the damn thing) rather than switch back and forth- unless you were taught that way, because why would you hold it elsewhere, you need it in your talons to shoot.

evidence three: we dont see any other rito do it (...kind of). throughout botw and totk, we never see another rito flying with a bow in their hands. in totk, its mostly tulin, who holds it in his talons, but in botw the big one is teba. during the medoh quest, he actually gives *link* his bow, and therefore does no shooting in the sky. teba and harth had both tried to take on medoh before, but we never see this, and while they holds their bows in their hands *on the ground,* we dont see it.

...except for aoc (uh, spoilers?). there are two times we see a rito other than revali hold their bow in their hand for aerial archery. but it is not with any rito soldiers, either during cutscenes (the bows are only on their backs) or gameplay (they swoop down, and then hand hold bows on ground. they arent seen flying at all but thats prolly for the same reasons as botw: its very hard to code that (and so they write the lore around that fact)). the first time we actually see another rito do this, we dont see it. Its teba, as he comes thru the portal, but all we see is the arrow shot, and then him freeze frame with the bow in one wing. we dont see the bow in his hand for the rest of the fight. the second time we actually see him fighting like this, it *is* in the air, but its noticeably different to revali.

hes a lot slower, it clearly takes a LOT more effort to shoot the bow, and he only pulls off one arrow at a time. its canon that revalis bow is heavier/harder to draw, and he manages to effortlessly stream arrows whilst fucking floating midair. i think teba, forever a revali fanboy, heard of how the champion mastered his own style of archery and sought to teach himself, but lacked one key thing: revalis mastery of wind.

evidence three point five: revali could easily use his powers to hold him in the air longer/slow his descent long enough for him to fire his shots. it makes sense, really. if he can use his gale to propel him, he can sit on the updraft for a hot sec, or even curve the path to carry him along while he lines up the shot. this would mean he wouldnt need to flap as much as other rito, who would obviously need to keep flying

evidence four: revalis fighting style and his needs. revali works with non rito, obviously. he needs to be able to communicate with them on the battlefield, and they wont understand the muffled chirps if he holds his string in his beak, so he needs his mouth free to speak hylian. also, revalis main tactic is fly up with gale, shoot, fall, either shoot more or use velocity and weight to knock around opponents, and then fly back up. he often needs both feet planted firmly on the ground to get a good hold of his gale, something that is harder to do if you have a bow in the way.

also, take for example the kick he delivers link in their fight (aoc). that would possibly damage the bow, or give the opponent a chance to grab his weapon, if he held it in his talons. and to switch from feet to back is a risky maneuver during freefall, and could lose precious seconds, and then when you get back in the air you need to get it off your back again. its much easier to keep the bow loosely in your wing the whole time, meaning your free to attack melee, land and rise all while not wasting a single moment getting your next shot lined up.

so yeah, i think the rito used the talon grip for aerial archery, and would often use the hand held method on the ground for a variety of reasons (more powerful shots?, easier in some situations like hunting), but revali was perhaps the first to use hand held aerial, another reason he was one of the greatest archers ever.