#see no evil 2006

[mixreality]

They are best friends

[minilev]

See No Evil (2006)

[tomatoart]

_(>u<)/🩷\(O_ō)_

[fanofspooky]

Scream Queen - Mia Farrow

[tumblasha]

the way i adore wilhelmina slater, she's a trans ally! she performs in drag shows occasionally!! sure she's a bully and a little evil, but i can look away

[pinkpinkmermayyy]

out of all of these disney villains which one is lightning the most like? doing this for potential au hehe

@y7kierre @orchestra-of-demonic-screeching @kaderp

also if yall have any other ideas LEMME KNOW! (Also also please reblog for bigger sample size)

[splatteronmywalls]

[robocops-a-christ-allegory]

oh batman just had to be involved in graduation day. Whatever.

[saleensundria9]

That moment when you really like a niche game and want someone to talk to about the game that isn't related to you so you resort to looking through abandoned gamefaqs, ign posts, abandoned reddit threads, searching the game title up in every platform in desperation and finding NOTHING...

[coddda]

Light's relationship with his father is such a heartbreaking multi-faceted tragedy to me I hate it so so so much.

Soichiro loves his son so much, and while he's certainly not a perfect father I know that he cares deeply about Light. He wants to prove Light's innocence so badly but he can't let go of the underlying doubt that he might really be Kira and it gnaws at him. He does not know that from the very beginning he was being used by Light, whether it was to obtain information about the investigation, or to get to L, or to strengthen the foundations of his own lie that he wasn't Kira, this entire time he was simply another resource. He'll hang onto this doubt for years, even after L is dead, even if he doesn't express it in the latter half of the series, until he himself is on his deathbed, with what he believes to be undeniable proof that Light isn't Kira. (It's a lie, of course.) He dies happy, but it's on the foundations of blissful ignorance. His own son brought him here, brought him to the point where he had to sacrifice half of his own remaining life span, to his own death march, and was still trying to use him even now to kill someone else, but he doesn't know that. Soichiro said that what was evil was the power to kill others, and that whoever used it was cursed. Light was that cursed man, of course, and he tried to bring that curse onto Soichiro too by making him kill in his last moments. Soichiro was happy regardless, because he didn't know. He'll never know. (In the manga/anime at least. More on that later).

Light loves his father but it's not enough to turn him away from the terrible decisions he's made, if anything it only fuels them. His idea of "justice" is a twisted model of what he parroted from Soichiro, and he uses his father as another pawn (and a powerful one at that) in his plans. If he can prove that Kira is justice then perhaps his father will no longer call Kira, and therefore Light, evil, so he just needs to ensure that Kira becomes justice, right? It's Light's own actions that land his own father in the hospital for a stress-induced heart attack and yet he says only a few minutes later that he's the happiest he's ever been in his entire life. Even after Soichiro denounces Kira by calling him evil, even after he calls the Death Note's power evil, even after he unknowingly tells Light that he is cursed. When Soichiro dies Light is too deep in his own plans to actually properly process the fact that his own father is dying past what it means for his goals, but at the same time he still cares enough that after the fact he'll genuinely cry, only to brush it all away later. (Personally, I don't have a single doubt in my mind that Light's crying in that scene was genuine and I Will die on this hill). Soichiro had unknowingly denounced Light one last time just before his death, openly relieved that he "wasn't Kira after all", which also reveals that he has had doubts about Light this entire time, even after L died. By the time he's caught at the Yellow Box Warehouse Light will have denounced his father too, seeing him as someone who was made to be a fool, someone who was naive, even, too earnest for his own good. He won't realize that part of this description of his father might have applied to Light himself, back when this all started. Light takes after his father so much in so many ways already, so why not in this way too?

Ough. And honestly the other adaptations never miss out on this tragedy either, and I love them for that. (spoilers for the musical and 2006 live action movies I guess?)

In the musical we see Soichiro express his doubts and conflicts about who to believe, Light or L, if the son he raised really is a murderer, if everything he knows about him is just a lie. Like, there's an entire song about this, and you can tell how torn he is about it all, how badly he wants Light to be innocent but about how he also needs to face the truth no matter what it is, but at the end of it all he doesn't even get the answers he wants. At the end of the musical the only thing he finds is two corpses, Light's and L's, with no answers. No last words, no closure, only dead ends and a dead son and a grieving daughter. It's so awful I hate it here.

And the live action movie is fucking Insane. Like, wow. Okay. (Spoiler for the ending of Death Note The Last Name I guess) In the 2006 movies/novels Light writes Soichiro's name in the Death Note himself, and it's such an inconcievable move that it leaves even Misa shocked; Light tries to make Soichiro give him the Death Note for the last part of his plans, seeing his death as a "necessary sacrifice" (insert tangent essay about why I think 2006 live action movie Light is actually the most "coldhearted" Light Yagami, despite how infamous anime Light is). It doesn't work, and Soichiro does end up finding out that Light is Kira this time, and they have a confrontation, but he doesn't even sound truly hateful towards Light for it. He Never seems to outright hate Light for it, even after Light calls the whole confrontation a waste of time and instead tries to continue killing with the piece of the notebook in his watch, even after he tries to get Ryuk to kill everyone. When Ryuk inevitably writes Light's name and he collapses, Soichiro still reaches out for him and holds onto him as he's dying. Light literally dies in Soichiro's arms, still looking for the validation that he was right, that this wasn't all for nothing, that he was doing the good thing, trying to make Soichiro understand that he was trying to enact justice based on what he learned from him in the first place. Soichiro not only learns but sees for himself what his son has become, and Light dies in his arms leaving no closure for either of them. Soichiro will announce Light's death in L Change the WorLd on the news without saying his name, saying instead that it is only Kira who is dead, even though he and Light are one in the same. Sachiko and Sayu will never get to know the full truth about what happened to Light, instead Soichiro will lie and instead tell them: "Light was killed by Kira."

And then holy Shit the jdrama. If I write about it here this post is gonna literally double in length and also I don't really wanna spoil it but. Man. Man. If you watched it you know. Holy Shit dude I Cried.

It's the fact that, canonically, Soichiro will die oblivious to what Light has done, but even in the instances where he does find out, it doesn't make it any better, and it doesn't make him love Light any less, it just gives him more to grieve.

It's the fact that there isn't a single universe where Light doesn't use his father for his own gain, whether to gain information, or to try and control him with the Death Note, or make him write in the Death Note himself, and not a single time will he realize just how far he's strayed from Soichiro's ideals, and not a single time will he not forsake him for it by the end of the story.

It's the fact that, despite everything, Light will always refers to Soichiro as "dad/my dad" (informal) rather than "father/my father", even after he has been "denounced" (and this is true in every language that Death Note has been translated in, as far as I could find. Man, isn't that so cool! :) <- Through tears).

Anyways that's what I've been thinking of how's your guys' days going

[keepthedelta]

Can I ask why you like Fernando? Is it the chaos?

you can't deny that the chaos is entertaining lol. some of it is that 2006 was the first year of f1 that i watched live, and fernando was both the reigning world champion and that year's champion, and it was through watching him that i really fell in love with the sport (i had watched some of the older seasons but there's something different about watching it live imo). i also met him that year and he was very nice to me so i can't deny that's a part of it. but mostly i find him fascinating.

fernando is such a contradiction. he is incredibly open about the fact that he is actually incredibly private. for as long as he's raced, he's been open about the fact that who he is on the track and in front of the camera, camp and evil and scheming etc., is not who he is in private. and everyone who's close to him, pedro de la rosa, carlos sainz (both of them), mark webber, they all say that outside of f1 fernando is completely different to the personality you see on track. he's quiet and a bit shy, nothing like the shakespearean villain he is for the cameras.

he keeps his two lives incredibly separate. his family rarely come to races (although that might be because he's superstitious and has said that they brought him bad luck) but he's incredibly close to them outside of work. for all the bridges he's burned and relationships he's damaged in his professional life, he's able to maintain good relationships in his personal life. some of his friends from when he was a child are still close friends with him now. he's on good terms with most of his exes, even his ex-wife (and he actually dates women his own age which is nice).

there's a clip of him from the last season of dts, where he says that in racing, in f1, there are good guys and bad guys, and he is on the dark side, and i think that's one of the things that makes fernando so interesting. he understands the genre. one of the fundamental facets of the theatre and acting in general is the suspension of belief. when you go to see a play or a musical or a film you accept the terms of that universe. in the theatre it's fine that people break into song to express themselves, even though it would be insane to do that in real life. you accept that those four people moving a puppet are a lion or a tiger or a dragon. that wicker basket that was a wardrobe? it's a carriage now, or a seat on a train. and you accept it because that's part of the genre.

fernando alonso is a piece of theatre and fernando is character, actor and director all at once. he understands that it is a performance, and that if you perform well enough, if you are engaging enough, funny enough, talented enough, you don't have to be the hero. you can be ruthless and cruel and manipulative, you can cheat and lie and then lie about cheating, but if you have the audience on side, you can get away with anything. everyone loves a good villain after all.

and i think that understanding is why fernando does what he does. he doesn't think anything of blackmailing and psychologically torturing his boss and then showing up at mclaren again less than a decade later because to him it's part of the show. and because he's as talented as he is people beg him to do just that.

he is a fiction and yet completely real. he lies all the time, but is so honest about the fact that he lies. there is no one else like him

[sayruq]

Here's another update because the situation is changing again.

The fighting continues

Things are clearly not going well for the Israelis because they've trotted out the widely unpopular president of the Palestinian Authority to try and weaken support for Hamas among Palestinians and the global South.

For a while there, it seemed Israel was truly preparing for the ground invasion of Gaza it has been promising since Operation Al Aqsa Flood started

Israel has even come up with a plan for the tunnels of Gaza that the Palestinian resistance was planning on using and it's predictably evil and, by their own admission, unlikely to truly work

Israel and Hezbollah have been increasingly tussling over the past day and a half. Remember Hezbollah has said if there's a ground operation in Gaza, it will officially join the war (unofficially, it's been supporting Palestine by bombing military targets in northern and southern Israel)

Israel is understandable worried about Hezbollah. After all, they were humiliated in 2006 when they invaded Lebanon. They were so humiliated, they don't really mess with Hezbollah (prior to this war that is). They bomb Syria, assassinate Iranian officials, bomb the Egyptian border but they largely leave Lebanon alone.

In fact, they're so worried about facing Hamas in Gaza with Hezbollah and possibly Iran coming in that the inevitable Gaza ground operation started to get hiccups

Ah yes, clouds.

But that's not the real reason. Rumours have been circulating that there has desertions in the army, enough people are leaving that the top Israeli military officials are having trouble with their plans. Morale is also very low which is part of the reason they're attacking Gaza so heavily. It's a depraved and desperate attempt to project strength to their soldiers and the settlers

There is also the fact that Hezbollah is nothing to sneer at

The situation is simply not looking good for Israel at all and America is rightly worried

America has tried helping it out by convincing Iran to back down

I bet both America and Israel regret all those assassinations.

So, what now? It should be obvious that a ground of invasion of Gaza is unlikely to happen

Israel situation is so humbling, it is putting out statements like this. Imagine Israel saying this 2 weeks ago

Surely without a ground invasion, Iran and Hezbollah will also back down? Nope, the red line has shifted and now Israel has to stop its bombardment of Gaza or face a regional war

Israel now has a choice to make that will decide the future of the settler colony

Of course when Israel inevitably backs down, it'll try to frame it as though it was because the West pressured them to, out of concern for Palestinians. Nevermind Biden outrightly lying about seeing pictures of the 40 beheaded babies and this

and also nevermind that the entire western media has been calling for genocide against Palestinians. Nevermind the EU's first act when the war broke out was to cut off aid to Palestine.

Needless to say the rest of the world will know what caused Israel to back down.

Palestine.

Palestinians have dealt a huge blow, not just to Israel but also the US and the EU who have lost a lot of credibility by publicly calling for and materially supporting genocide in Gaza.

Best believe the global South has been watching this closely.

[chaos-has-theories]

(AN: if u don’t know who she is get da hell out of here!)

Hi my name is Ebony Dark’ness Dementia Raven Way

I have long ebony black hair with purple streaks and red tips that reaches my mid-back

and icy blue eyes like limpid tears

It was snowing and raining so there was no sun, which I was very happy about.

(that’s how I got my name)

“VAMPIRE POTTER, YOU MOTHERFUCKER!” I yelled.

“Hajimemashite gurl.” she said happily (she spex Japanese so do i. dat menz ‘how do u do’ in japanese)

“Tara, I see drak times are near. You see, you must go back in time.”

(geddit skull koz im goffik n I like deth)

“U must go back in time and sedouce him. It is the only way. If he is still evil then you must kill him."

She Walks in Beauty (1814) / My Immortal (2006)

[dangermousie]

2024 kdrama post

We are already in December and nothing new I am likely to be interested in is gonna drop before the end of the year - and if it does it will run into 2025 so I can address it in my 2025 kdrama post, unless we are all ruled by lizard aliens by then.

Normally I list all the dramas made this year that I watch, thoughts on them, blah blah but this year I disliked most of the kdramas I tried (it was the worst kdrama year for me since 2006 when I first started!) and I don't want to make a giant negative post, so I am going to only mostly talk about the kdramas I enjoyed in some capacity.

From least to most:

Love Your Enemy - I don't really like it tbh, but it's here for nostalgia over JJH.

Tell Me You Love Me - good and quiet but suffers in comparison to the original and that FL actress is just not my cup of tea.

Connection - Ji Sung gives a powerhouse performance in a very solid crime drama; it's not higher because it's just not my genre.

The Midnight Shop - it was nice seeing Joo Won in not a disaster of a drama. It wasn't as engrossing as it could have been but I did like both the mains and rooted for them.

Knight Flower - was I emotionally involved? Nah. Was I entertained? Yeah.

The Judge From Hell - "was I emotionally involved? Nah. Was I entertained? Yeah." Redux.

Queen of Tears - honestly, it should probably be in the below category but I enjoyed myself for the first half so much, I am willing to pretend the nonsense disaster plots and character interactions of second half were not as bad as they were.

My Demon - sucker for supernatural romance fantasy done right (to me it was, I know some people didn't like it.)

Goryeo Khitan War - I put it on my 2023 list too so it's double dipping but whatever. This is just a grand old school sageuk and I adored every moment.

Lovely Runner - normally youth dramas bore me but this one was so sweet, so lovely, so pitch perfect.

Black Out - did not really feel like a kdrama at all, more like a prestige BBC production, but I loved it anyway, as bleak and harrowing as it was.

When the Phone Rings - my current obsession, old school melo the way they haven't made in years.

The sad thing is, a number of these dramas started airing in 2023 and/or beginning of the year. Most of this year has been the Sahara.

Dramas which I enjoyed off the start and then fell off the cliff into what the hell land: Captivating the King (wonderful first 4-5 episodes, OK few following, stupid as hell the rest - solid acting brought down by a ridiculous script), The Story of Park's Marriage Contract (great first two eps and then downhill rapidly with each following episode), Love Song For Illusion (first ep not bad, second ep tolerable, after that with each ep, my ff fingers got twitchier and twitchier.)

OTP of the year: Duh, Baek Sa Eon x Hong Hui Joo, When the Phone Rings, have you seen this tumblr lately?

Trend I wish would die: 8 ep kdramas, 12 ep kdramas. Bring back freaking 16 ep as a minimum standard. Also pls get Disney and Netlfix out of kdrama world while we are on impossible wishes.

Genre I need less of: romcoms; Genre I need more of: proper sageuk.

Worst waste of my eyeballs: The Impossible Heir.

Most boobs per minute: Queen Woo.

Best non-2024 kdrama I watched this year: Beyond Evil. A total masterpiece.

And that's a wrap!

(My cdrama post is gonna be insane in comparison to this.)

[book--brackets]

The Scholomance by Naomi Novik (2020-2022)

A Deadly Education is set at Scholomance, a school for the magically gifted where failure means certain death (for real) — until one girl, El, begins to unlock its many secrets. There are no teachers, no holidays, and no friendships, save strategic ones. Survival is more important than any letter grade, for the school won’t allow its students to leave until they graduate… or die! The rules are deceptively simple: Don’t walk the halls alone. And beware of the monsters who lurk everywhere. El is uniquely prepared for the school’s dangers. She may be without allies, but she possesses a dark power strong enough to level mountains and wipe out millions. It would be easy enough for El to defeat the monsters that prowl the school. The problem? Her powerful dark magic might also kill all the other students.

Fablehaven by Brandon Mull (2006-2010)

For centuries, mystical creatures of all description were gathered to a hidden refuge called Fablehaven to prevent their extinction. The sanctuary is one of the last strongholds of true magic. Enchanting? Absolutely. Exciting? You bet. Safe? Well, actually, quite the opposite...

 Kendra and her brother, Seth, have no idea their grandfather is the current caretaker of Fablehaven. Inside the gated woods, ancient laws keep order among greedy trolls, mischievous satyrs, plotting witches, spiteful imps, and jealous fairies. However, when the rules get broken, powerful forces of evil are unleashed, forcing Kendra and Seth to face the greatest challenge of their lives, to save their family, Fablehaven, and perhaps even the world.

Ranger's Apprentice by John Flanagan (2004-2011)

They have always scared him in the past--the Rangers, with their dark cloaksand shadowy ways. The villagers believe the Rangers practice magic that makes them invisible to ordinary people. And now 15-year-old Will, always small for his age, has been chosen as a Ranger's apprentice. What he doesn't yet realize is that the Rangers are the protectors of the kingdom. Highly trained in the skills of battle and surveillance, they fight the battles before the battles reach the people. And as Will is about to learn, there is a large battle brewing. The exiled Morgarath, Lord of the Mountains of Rain and Night, is gathering his forces for an attack on the kingdom. This time, he will not be denied. . . . 

Ruby Red Trilogy by Kerstin Geir (2009-2010)

Sixteen-year-old Gwen lives with her extended - and rather eccentric - family in an exclusive London neighborhood. In spite of her ancestors' peculiar history, she's had a relatively normal life so far. The time-traveling gene that runs like a secret thread through the female half of the family is supposed to have skipped over Gwen, so she hasn't been introduced to "the mysteries," and can spend her time hanging out with her best friend, Lesley. It comes as an unwelcome surprise when she starts taking sudden, uncontrolled leaps into the past.

She's totally unprepared for time travel, not to mention all that comes with it: fancy clothes, archaic manners, a mysterious secret society, and Gideon, her time-traveling counterpart. He's obnoxious, a know-it-all, and possibly the best-looking guy she's seen in any century...

The Books of Bayern by Shannon Hale (2003-2009)

She was born with her eyes closed and a word on her tongue, a word she could not taste.

Her name was Anidori-Kiladra Talianna Isilee, Crown Princess of Kildenree, and she spent the first years of her life listening to her aunt’s stories and learning the language of the birds, especially the swans. And when she was older, she watched as a colt was born, and she heard the first word on his tongue, his name, Falada.

Hex Hall by Rachel Hawkins (2010-2013)

Three years ago, Sophie Mercer discovered that she was a witch. It's gotten her into a few scrapes. Her non-gifted mother has been as supportive as possible, consulting Sophie's estranged father—an elusive European warlock—only when necessary. But when Sophie attracts too much human attention for a prom-night spell gone horribly wrong, it's her dad who decides her punishment: exile to Hex Hall, an isolated reform school for wayward Prodigium, a.k.a. witches, faeries, and shapeshifters. 

By the end of her first day among fellow freak-teens, Sophie has quite a scorecard: three powerful enemies who look like supermodels, a futile crush on a gorgeous warlock, a creepy tag-along ghost, and a new roommate who happens to be the most hated person and only vampire student on campus. Worse, Sophie soon learns that a mysterious predator has been attacking students, and her only friend is the number-one suspect. 

As a series of blood-curdling mysteries starts to converge, Sophie prepares for the biggest threat of all: an ancient secret society determined to destroy all Prodigium, especially her.

Fables by Bill Willingham (2002-2015)

When a savage creature known only as the Adversary conquered the fabled lands of legends and fairy tales, all of the infamous inhabitants of folklore were forced into exile. Disguised among the ""mundys,"" their name for normal citizens of modern-day New York, these magical characters created their own secret society that they call Fabletown.

From their exclusive luxury apartment buildings on Manhattan's Upper West Side, these creatures of legend must fight for their survival in the new world.

Dragonriders of Pern by Anne McCaffrey (1968-2018)

On a beautiful world called Pern, an ancient way of life is about to come under attack from a myth that is all too real. Lessa is an outcast survivor--her parents murdered, her birthright stolen--a strong young woman who has never stopped dreaming of revenge. But when an ancient threat to Pern reemerges, Lessa will rise--upon the back of a great dragon with whom she shares a telepathic bond more intimate than any human connection. Together, dragon and rider will fly . . . and Pern will be changed forever.

Thursday Next by Jasper Fforde (2001-present)

England is a virtual police state where an aunt can get lost (literally) in a Wordsworth poem and forging Byronic verse is a punishable offense. All this is business as usual for Thursday Next, renowned Special Operative in literary detection. But when someone begins kidnapping characters from works of literature and plucks Jane Eyre from the pages of Bront 's novel, Thursday is faced with the challenge of her career.

The Locked Tomb by Tamsyn Muir (2019-present)

The Emperor needs necromancers.

The Ninth Necromancer needs a swordswoman.

Gideon has a sword, some dirty magazines, and no more time for undead nonsense.

Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won't set her free without a service.

Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will be become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon's sword, Harrow will fail, and the Ninth House will die.

Of course, some things are better left dead.

[moonshynecybin]

the way Marc’s diplopia issues in MotoGP could translate so well into concussions episodes in a hockey AU (just like Sid…)

the head injury of it allllll.... its crazy because motogp injury is USUALLY (not always) caused by incidental contact or a personal fuck up. "racing is a contact sport rubbing is racing" okayyyyy but not like hockey lol. in motogp you USUALLY arent making contact on purpose (no one crashes for fun) and when you DO make contact it is almost ALWAYS on the limit. while often hockey injury (ESPECIALLY HEAD INJURY) is caused by a hit. could be a dirty hit could be a clean one, but usually its cuz a guy decided to hit you very hard with his body personally. theres a lot more.... agency in the injury? which feels bad bc not everyone is running around concussing people but i think its fair to say theres more interpersonal violence with INTENT to be violent even if its like. a fairly innocent shove on the forecheck. touching people on purpose. cause and effect. you are injured because of someone. thats comparatively rare in motogp

all this to say. known injury weirdo vale (and i hesitate to mention this but part of the reason he is that way is BECUASE he was involved in a tragic accident that injured another person). in a contact sport. vs marc. famously most injured man alive including in his head. in another sport that LOVES to ignore concussions. add famous rivalry. add playoff hockey hit lenience. and i can see marc (head already fragile/diplopia'd up when he was in juniors) falling weird when vale is trying to muscle him in the corners and getting his noggin absolutely scrambled. and now we have to deal with vale as CAUSER of marc injury. where he's out for months. in a dark room. doing his eye exercises and cuddling shira and MAYBE it was during the playoffs so alex had to convince marc not to try and get on the fucking ice and vale is in the same city all the time feeling like his heart is getting pulled out through his SPINE because its one guy to convince yourself a rival is evil it is ANOTHERRRR for injury weirdo to actually and for real hurt someone he loves. like if you look at them in motogp thats not vale's bag at all during the marc years. even with him being a criminal against sete in 2006 he never pulls that shit out post sepang 2011. and i think if he managed to actually INJURE marc. well i think he might feel so bad he shows the fuck up at this door

so its. hushed tense voices in the hall (alex and vale). vale climbing into bed with him in the dark. holding ice over his forehead. playing cards to keep him occupied and off his phone. reminding him to do his eye exercises. taking him to appointments contacting the diplopia specialist... and marc is brain foggy and confused and needs comfort and just WANTS IT so badly that he doesnt question it too much... lets himself take a little... and vale is there... like truly vale LOVES to take care of people, acts of service is his love language, and he is. FANTASTICALLY guilty. so hes trying to fix it anyway he can. but then the playoff series passes. and marc gets a little bit better. and there isnt a REASON for him to be there. and marc might be edging on asking him wtf hes doing there in the first place. and one day marc rolls over and vale is GONE.... because hes like okay. well marc is better now so i should go WALLOW in my GUILT. which of course to vale looks like pretending it never effected him at all while being secretly very kind about the whole thing. because he SUCKS !