#nakshatra observations
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venussaidso ยท 2 months ago
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Sun Dominant Themes โ€” ๐๐š๐ค๐ฌ๐ก๐š๐ญ๐ซ๐š ๐Ž๐›๐ฌ๐ž๐ซ๐ฏ๐š๐ญ๐ข๐จ๐ง ๐’๐ž๐ซ๐ข๐ž๐ฌ (part 1) ๐จ๐Ÿ ๐ฉ๐š๐ซ๐ญ ๐Ÿ”
Understanding why planets exalt in certain nakshatras, and houses, will give you an even better foundation for all nakshatra lords. For example, Venus loves being in Revati because this is where it can be unrestricted and as flourishing in its themes as it desires to be, since Revati is peak freedom and transcendence; Ketu loves being in Jyestha because this Scorpio nakshatra continuously releases so much heat which allows it to function at its highest level; and Sun is its best version when it is in Ashwini, because this Aries nakshatra allows the Sun to be as hyper-independent and selfish as it desires to be, and Ashwini being Ketu helps one attract resources to further advance oneself โ€” a theme I am seeing in all the Sun nakshatras.
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The symbol of Krittika nakshatra is a sharp knife, and its deity is the fire god, Agni. This emphasizes the heat in Krittika which is connected to its transformative nature. This is seen in the refinement of blades, where the beginning stages involve forging โ€“ the process of heating and shaping of the metal โ€“ and then heat treating. Resources are used with precision in Krittika, anything unnecessary being cut away as resources are channelled with focus so that one rises to the top. The ruling deity of Uttara Phalguni nakshatra is Aryaman, the guardian of social contracts and hospitality. Aryaman is a solar deity, giving more emphasis to the life-giving heat and brightness of this Sun nakshatra. With Uttara Phalguni, resources are built and sustained through agreements, partnerships and community. Creating mutual connections and valuing generosity will lead to later pleasures, as this nakshatra is symbolized by the back legs of a cot and the word Uttara in Sanskrit can mean "latter," "subsequent," or "final." Uttara Ashada is ruled by the Vishwadevas, the universal gods, this indicating the superior, hyper-independence and highly resourceful nature of this nakshatra. This enables mastery in resource mobilization and strategic planning.
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Uttara Ashada Sun Orlando Bloom portrays the character Will Turner in Pirates of the Carribean, who starts out as an accomplished blacksmith by trade โ€“ his fantastic swordsmanship a product of his work with tangible resources like metal and tools, demonstrating his ability to make effective use of his environment.
The agency of the self and one's independence is due to the aftermath of the Ugra nakshatras having burned away previous barriers & roots, killing off enemies in order to pour into the world through love, beauty and creativity (Venus themes). This propels Sun nakshatras to be unbound, having them focus on making anything into a useful resource, so that one's inner solar light aligns with their material plane. This is interestingly explored in films through the so-called "American Dream".
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The "American Dream" refers to the belief that anyone, regardless of their socio-economic status and background, can achieve their dreams and make a better life for themselves in a society where upward mobility is accessible to all. The core ideals of this belief are explored in the film The Pursuit of Happyness, starring Uttara Phalguni Sun Will Smith who plays a struggling salesman rising from poverty to attaining professional success as a stockbroker โ€” his character being driven by persistent effort, ambition, and belief in upward mobility.
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The theme of the human spirit's resilience in the pursuit of personal dreams is also seen in the film Forrest Gump, starring Uttara Phalguni ASC Tom Hanks who plays a low IQ man who goes through many challenges and still never gave up on his dreams.
Sun nakshatras are more commonly associated with strong themes of ambition, leadership and success.
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Aja Naomi King has Uttara Ashada Sun and Uttara Phalguni Moon, making her a dominant fire rashi native. She portrays the character Michaela Pratt in How To Get Away With Murder. She is a young woman who is an ambitious overachiever, possessing an intense fire in her and is relentless in chasing after her goals with focused determination.
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The character Paris Geller from Gilmore Girls, portrayed by Uttara Ashada Moon native Liza Weil, is known for her relentless ambition, being an aggressive perfectionist, and possessing a fear of failure which mirrors Michaela Prattโ€™s personality, often the cause of her clashing with others.
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Sun natives are able to sacrifice and delay gratification for their goals. The elephant tusk of Uttara Ashada represents enduring strength, the nakshatra also being in the first section of the Capricorn rashi (Saturn supporting themes of endurance and delays). Uttara Phalguni's symbol is a bed or hammock, which represents the rest after hard work and generosity, completing the journey from Purva Phalguni in this final stage. And Krittika being the blade, or razor, signifies it as a cutting force able to slice through obstacles, fuelled by a desire to execute excellence.
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Daniel Plainview in There Will Be Blood exemplifies the darker, more ruthless and capitalistic side of this "American Dream" โ€” operating more Ketuvian as he is portrayed by Ashwini Moon native Daniel Day Lewis, drawing parallels with Ashwini Moon Christian Bale in American Psycho (further emphasizing why the Sun exalts in Ashwini, as Ashwini possesses this pure, ungovernable and all-consuming masculine energy which can become self-building).
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The book Oil! follows the son of an independent oilman who initially idolizes his father's rise to power which has a rags-to-riches quality to it. The book highlights the nefarious strategies that oilmen employ through the main character's sympathy towards the underdog people (oilfield workers), a solar theme which will support further points I'll be touching on. But this corruption of the self from accumulating so much intoxicating power is definitely the darker side of Sun nakshatras.
The character Plainview uses oil as a lucrative resource and leverages it to build his empire, also coming from humble beginnings. He embodies this 'self-made', hyper-independent archetype in which hard work highlights one's determination and ability to turn opportunities into wealth. But the writer of the film, and the author of the novel Oil!, shine light on the emptiness and loneliness of this accumulation.
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In the story, The Great Gatsby, the character Jay Gatsby initially comes from a poor background, and he meets a high-status woman who he falls in love with. She becomes one of the reasons for his drive, shaping his desire to escape poverty and become successful.
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Uttara Phalguni's ability to outwardly evolve to positions of power and have access to things which are symbolic of pleasure and luxury emphasizes the inward radiance and resilience they possess to overcome challenges.
There is a Solar archetype which possesses a type of independence and a resourcefulness that doesn't translate into dominance, but rather into strictly following one's own path of righteousness โ€” remaining strong willed no matter the people one is surrounded by. And there is a level of generosity and duty to this archetype, as Surya, the Hindu Sun god, embodies Dharma (which is related to duty, righteousness and upholding truth).
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Will Turner fully embodies this archetype. Even when he's surrounded by pirates, and learns of his familial background of piracy, he stubbornly sticks to what he believes is right. His character has consistently been a strong moral compass in the franchise, upholding righteousness and truth โ€” pointing to the higher leadership and moral integrity important in Uttara Ashada, as this nakshatra is ruled by the Vishwadevas, who are believed to reward those who follow moral principles and righteous paths.
Being burdened with so much duty, Surya (the Sun god) has to endure distant relationships with his close familial bonds. Will Turner mirrors this exactly, his duty as the Captain of the Flying Dutchman (a powerful evolution of his character as he initially started as a humble blacksmith) binds him to a duty higher than his mortal life. Because of this, he could only see his son and wife every once a decade, much like how Surya cannot be close to his sons and spouses.
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A lot of sacrifices that they endure include cutting away human attachments, although this archetype is moreso explored from the hyper-independent lens in Claire Nakti's Sun Dominant Men video, as they voluntarily become absent fathers/deadbeats from their inherent selfishness โ€” very much opposing the ideals of many Sun gods, but a correct negative manifestation nonetheless.
All Sun gods support this solar archetype of justice, leadership and source of nourishment. Helio, in Greek mythology, personifies the Sun, bringing light to the world, also regarded as the god of sight. Surya is a source of vitality and justice. Ran, the Egyptian Sun god, serves as a great protector, encompassing intense sun rays which ward off evil.
Characters which embody this protective, superior force are often played by Ketu and Sun nakshatra natives (and as Ketu nakshatras are seen as dominant forces in nature, we see how Sun nakshatras adapt in isolation, and become dominant as well, using tools and resources to remain resilient). Claire Nakti already explored this with Mula's connection to Hercules, while I connect the nakshatra Uttara Ashada to characters such as Robin Hood & Tarzan. Just as the Sun gods symbolize aย life-giving energy which keeps stability in the universe, George of the Jungle and Tarzan are characters who both protect the jungle and its inhabitants from poachers and other humans with bad intentions โ€” their presence alone warding off evil. Both characters serve as guardians to ensure harmony in the jungle.
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The elephant tusk (of Uttara Ashada) often signifies, in many cultures, the protection of wildlife, especially from those who want to exploit and dominate nature. It also symbolizes a tool for survival, and it is associated with higher stature and power. This theme of one being the source of life and resources is seen in Robin Hood, a character which has Uttara Ashada influence. Robin Hood is known for safeguarding the well-being of his community, ensuring that their nourishment and dignity is preserved as he distributes wealth from the rich to the poor.
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The bridge between Purva Ashada and Uttara Ashada could be represented by the purpose of Sagittarius โ€” the archer aiming straight for victory. Uttara Ashada can be the release of the arrow, the culmination of focus to execute the final victory, as its stars lie close and pointing to the Galactic Center (signifying the bullseye). Uttara Ashada carries the final stage of the archer's triumph, embodying this legacy after the swift release of the arrow.
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Much like Tarzan and George, Robin Hood lives in nature. Sun makes one completely self-sufficient, free from societal and religious roots which holds one back from finding their true essence. And the forest or woods represent a place one can explore their true selves and burn away what's false. The dominance of the Sun is seen in these characters' ability to comfortably live in such a place full of hidden threats like wild animals, bandits, or poachers. While for Ketu this theme signifies their huntress and taming power over the wild, for Sun it signifies their radical freedom and adaptability. Living in the forest, Robin Hood represents the figure of the outsider.
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In the 2011 film Red Riding Hood, the character Peter is a woodcutter who embodies the archetype of the lone wolf. He is portrayed by Krittika Moon & Uttara Ashada ASC native Shiloh Fernandez. He knows the forest very well, and is often associated with the pure, wild aspects of it. He is very much like George of the Jungle, in that his love interest is also played by a Magha native, which I found this Sun-Ketu association very interesting.
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His free nature and rough exterior (representative of his authenticity, making him a misfit in society) is what misleads the viewers into thinking that he is the werewolf that's been killing the townsfolk, but the truly animalistic and consuming force of the story is the character played by Ashwini Moon Billy Burke.
This lone wolf archetype supports their ability in being resourceful within their surroundings, often seen in survival stories in which the Solar native is stranded and is literally isolated from civilization.
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Blue Lagoon (1980) is a survival film about two children living on an island after a shipwreck. Krittika Moon Christopher Atkins plays Richard, who becomes deeply attuned to the rhythms of the island, learning how to make use of the natural resources for their survival.
In the film Mad Max: Fury Road, Uttara Phalguni Sun Tom Hardy embodies this lone wolf archetype through the character Max. The story has a hyper-patriarchal system which is built around the hoarding of resources and exploitation of others. Max is completely removed from this society, prioritizing his own survival and maintaining his autonomy above all else.
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His detachment makes him representative of someone who can solely rely on their resourcefulness and sharp instincts. This film is great as it stars two Phalguni natives; the character Furiosa being portrayed by likely Purva Phalguni ASC native Charlize Theron. Her warriorship is based around seeking a better future for the feminine, which is marked by love and autonomy.
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Furiosa, being Venus and an Ugra nakshatra, represents the fight for liberation and happiness, particularly on the freedom of Immortan Joeโ€™s enslaved women, and her own freedom from such a restrictive society unfit for the feminine. The women's rejection of the patriarchy mirrors Maxโ€™s independence outside the system. Initially, he aligns with her merely out of necessity as she and the wives possess resources beneficial for his survival. But he treats them as equals, recognizing their autonomy and agency. Max's collaboration with them emphasizes Uttara Phalguniโ€™s purpose of creating alliances and partnerships for higher purposes, supporting the journey that started from Purva Phalguni nakshatra.
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After aiding Furiosa, Max returns to his hyper-independent lifestyle; burning the attachments he formed with the women, and returning to his path that is away from the society.
This ability to survive by oneself, to reshape one's environment, mobilizing resources even in barren circumstances, is a theme for Sun nakshatras โ€” further exaggerating this lone wolf, mysterious archetype (as seen with Max in Mad Max: Fury Road and Peter in Red Riding Hood).
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The Sun is the natural giver of light and energy, but it does not receive light in return. Solar natives, often being so self-sufficient, give to others but rarely lean on them for much support. The character Elliot Alderson from Mr. Robot is a hacker, his final achievement towards the end of the series making him a modern day Robin Hood. His mission to expose corruption and empower the oppressed is akin to the Sun being a source of illumination, Krittika especially being known to cut away illusion. He is played by Krittika Sun Rami Malek.
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Elliot remains emotionally isolated, as he has noticed that anyone who gets too close to him burns in the end โ€” very similar to how the Sun god, Surya, burns and shines too brightly that his wife, Samjna, runs away from him. Elliot's solitary nature makes him feel extreme loneliness, but he maintains a distance from others, his hyper-independence stemming from his traumatic past and his mistrust of others.
There's a genre of film which explores the cause of such imbalanced independence, much like how Max's reason for burning attachments being due to trauma and previous lose. Christmas Carol movies often have Sun natives casted in them, portraying characters that possess a level of misanthropy and selfishness which drive them into further isolation.
The famous character, Ebenezer Scrooge, is a miserly, bitter, and cold-hearted old man who despises Christmas as it is associated with things of generosity and happiness. His name has literally become synonymous with selfishness, cynicism, greed and a lack of compassion. Ebenezer leads a solitary life, being estranged from family and detached from community due to his cold demeanour and focus on material gain. A Christmas Carol is a tale of Scrooge's redemption through three spirits, who highlight moments of lost joy, compassion, and the choices that led to his current misery and his future lonely funeral.
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After his epiphanies, thanks to the spirits who took him on a journey of rediscovery, his redemption is seen when he wakes up on Christmas morning being transformed into a generous, joyful person โ€” helping the community and reconnecting with his family. His renewed sense of compassion from being such a mean, wicked old man could be interpreted as the Sun burning away negativity to rekindle the warmth and generosity that the Scrooge has repossessed within himself. This tale is retold in the 2008 Barbie in a Christmas Carol, in which the character Eden Starling is a glamourous singer who is extremely self-centered and arrogant. She does not believe in Christmas and even refuses her employees from celebrating it.
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She is voiced by Uttara Phalguni Sun and Uttara Ashada Moon native Morwenna Banks. Much like the timeless festive tale, three ghosts visit her on Christmas Eve, taking her on a journey through her Past, Present and Future. This leading her to have epiphanies regarding how much of her light had been dimmed and how lonely her future will be. These scrooge characters were once so brilliant and bright, but their inner light became eclipsed by bitterness, lose, or regret, leading to a life devoid of merriness โ€” and being cold and frosty towards others.
Lifeโ€™s challenges, such as betrayal, lose or disillusionment, leads these solar natives to retreat into isolation and despair. In the film Jingle Jangle, the character Jeronicus is a vibrant inventor, radiating so much brilliance and inspiring those around him.
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Though not as cruel as Scrooge was, his arc still mirrors the Christmas Carol tale, in that his light becomes renewed. His young and redeemed older self both embody the festive spirit and joy of Christmas, acting as conduits for the magic, wonder, and generosity for the season.
The transformative journeys of these solar characters also extend to the Grinch, from the 2000 film How the Grinch Stole Christmas, the character portrayed by Uttara Ashada Sun native Jim Carrey. The tale was originally created by Uttara Phalguni Moon native Dr Seuss, first published in 1955.
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The Grinch absolutely despises Christmas, much like Scrooge, being deeply consumed by resentment and envy while he isolates himself from the joyous Whoville community. His redemption is seen in him integrating himself into the community with newfound warmth, after experiencing an epiphany through a little girlโ€™s unwavering joy and forgiveness. He returns the gifts he has stolen, realizing that Christmas is about love, not material possessions.
There are solar symbolisms in Christmas traditions, besides the gift-giving and festive feasting. These traditions can be traced back to ancient winter solstice celebrations, which made the symbolic rebirth of the sun, as the daylight hours began to increase after the winter solstice.
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In 2018's The Nutcracker and the Four Realms, the character Clara, portrayed by Krittika ASC Mackenzie Foy, experiences a journey which can be symbolic of the winter solstice. The story begins with Clara in a dark emotional space following the death of her mother, this darkness being much like the world descending into the longest night at the winter solstice. But Clara seeks the key to her motherโ€™s gift, which signifies as a source of life, fertility, and illumination that unlocks potential โ€” the gift quite literally being a golden egg. Clara and her companion must retrieve the key and restore harmony to the unstable magical land. This theme of restoration, new hope, and redemption in a lot of these scrooge films, is symbolic to the Sunโ€™s rebirth during the solstice โ€” the return of life.
The practice of illuminating the Christmas tree with lights and ornaments mirrors the Sun's return, symbolizing a brighter future with the coming year. The infectious joy and generous acts during this festive season reflect the gratitude for the life-sustaining force that the Sun is, and the light for new hope it represents, as it promises abundance for the year ahead. The twin deities of Ashwini nakshatra are associated with rejuvenation, new beginnings, and vitality; this resonates with solar qualities, further explaining why Sun feels naturally at home in Ashwini. The Ashwini Kumaras are divine healers who bring restoration and renewal, just as the Sun sustains all living beings with its energy.
The character Robin Hood, much like the Sun, is a symbol of hope for the downtrodden, fighting off the darkness of evil and corruption. He sustains the spirit of his people by redistributing wealth and restoring their faith in justice, consistently being a force of resistance. The Sun serves as a profound symbol of redemption, perfectly embodying the cycle of renewal and the promise of transformation on earth. Its daily rise eliminates darkness, rejuvenating life and reinstituting balance in nature after its lengthy absence. Sun illuminates the paths which signify growth, healing, and change. The very pure symbolism of the Sun makes it an enduring metaphor for hope, forgiveness, and the power to provide. Robin Hood's actions literally restore the imbalance, which was created by corruption and darkness, giving the poor a chance to continue building their lives. Robin Hood stands as a symbol of light against injustice, signifying a timeless reminder that even in the face of darkness, renewal and justice are always within reach. The character Elliot Alderson is also the perfect representation of this, for anyone who has watched Mr. Robot (the only series I'd happily recommend to anyone โ€” it's very dark though).
Merry belated Christmas! ๐ŸŽ„
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natalyarose ยท 8 months ago
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๐“ฃ๐“ช๐”‚๐“ต๐“ธ๐“ป ๐“ข๐”€๐“ฒ๐“ฏ๐“ฝ'๐“ผ ๐“Ÿ๐“ต๐“ช๐“ฌ๐“ฎ๐“ถ๐“ฎ๐“ท๐“ฝ๐“ผ ? //๐’ฑ๐‘’๐’น๐’พ๐’ธ ๐’ถ๐“ˆ๐“‰๐“‡๐‘œ๐“๐‘œ๐‘”๐“Ž ๐’ถ๐“ƒ๐’ถ๐“๐“Ž๐“ˆ๐’พ๐“ˆ ๐Ÿชท
Hey โ™ก ! I'd been stuck on what to write about for a while, but I felt drawn to doing an analysis on Taylor Swift.
As always, I have no interest in forcing others to use the Ayanamsa I use or anything like that, I just love being able to share my thoughts & observations :)
Taylor Swift being Mula Sun rather than Jyeshta Sun in Mid-Mula Galactic Center Ayanamsa made a loottt of sense to me, and in this post I'm going to talk about that & her other major chart placements. I hope whoever reads this enjoys/learns something new :) ๐Ÿฉท
I'll note that I am by no means a Taylor Swift expert, I don't really listen to Taylor but I do find her interesting and really appreciate what she has done for the culture as an artist!
Let's get into it-
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๐’ฏ๐’ถ๐“Ž๐“๐‘œ๐“‡'๐“ˆ ๐น๐“Š๐“๐“ ๐‘€๐‘œ๐‘œ๐“ƒ ๐’ž๐’ฝ๐’ถ๐“‡๐“‰ ๐ŸŒ•
First of all, this makes Taylor Swift a full moon child (Mula ย ๐ŸŒž, Ardra ๐ŸŒ™).
Obviously not every Full Moon child will end up Taylor Swift level famous, but being born on a Full Moon gives a certain 'luminosity' to the person and the life they are leading. In a Full Moon chart, you'll find that the moon's placement in the chart is especially emphasised energetically, perhaps even seemingly 'outshining' the Sun at times (we marvel at the Full Moon, but the Sun shines the same every day).
Not only this, but it's also that Full Moon charts give the native an Earth sign (not commonly used in nor Vedic or Tropical astrology, see my post on Earth signs here) that is the same as their Moon sign. Earth is always 180ยฐ opposite the Sun, so if the Moon is opposite the Sun as it is on a Full Moon, 'Earth' is conjunct Moon.
Full Moon natives tend to be very likeable to to the masses. They possess a polarity- and that polarity makes them NOT overly polarising. I mean, they are polarising in the way the exuberant shine of the Full Moon is, but they are not as likely to have very strong opinions or ideals one way or the other and are somewhat balanced since they deeply understand & live in two contrasting worlds. Full Moon babies tend to come across mostly pleasant and well-rounded, yet magnetic and powerful like the Full Moon.
New Moon babies can be more likely to be polarising because they are embodying one energy so strongly and adamantly with no energetic association with dual energies (unless they do have the opposing sign somewhere else in the chart).
I definitely think Taylor being born on a Full Moon really accentuates her Ardra Moon's influence, which is why her Sun's influence sometimes feels almost a little overshadowed. The associations with fame, illusion, 'trends', etc. we see in the realm of Rahu Nakshatras very much overwhelms her image & identity. She possesses the ethereal, soft quality we often see in Rahu Nakshatras (and Saturn Nakshatras, which I'll talk about later). Taylor's Mula Sun is still very much there and a huge part of her identity as you'll further see.
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๐‘€๐“Š๐“๐’ถ + ๐‘€๐‘œ๐“ƒ๐‘’๐“Ž๐“Ž/๐ต๐’พ๐“๐“๐’พ๐‘œ๐“ƒ๐’ถ๐’พ๐“‡๐‘’ ๐’ฎ๐“‰๐’ถ๐“‰๐“Š๐“ˆ
Honestly I never quite understood Taylor Swift being Jyeshta. I always keep an open mind for the wide range of ways Nakshatras can manifest, but she really lacks the intensity we usually see with Jyeshta. The sharp tongue, the overt emotional intensity, the playful Mercurial sexuality, not to mention wheree are the Jyeshta owl-esque/occult inspired energies? *not to knock her songwriting or suggest it isn't intense or emotionally intense enough, but she has been known for being consistently very 'vanilla' in her disposition emotionally, artistically, etc which is part of her wide-spread and consistent appeal as an artist. Jyeshta energy can feel very much emotionally like a loose cannon, very explosive & potentially contorversial
Of course, depending on the rest of the chart; not every Jyeshta native will be directly interested in dark topics or the esoteric (or necessarily sexual), but you'll notice almost all prominent Jyeshta women have something in their look & persona that gives an aura of mystery or 'witchiness'- or overt seductiveness/taboo. We don't see this kinda energy with Taylor. This is not to say Taylor has no sex appeal or something like that but it's more that her image generally is not associated with sex appeal/scandal in the way we often see with Jyeshta and other Mercurial women). If you know Jyeshta's mythology with Lord Indra and his uh- scandals, you know what I'm getting at here.
(Kim Kardashian, Britney Spears, Niki Minaj are just a few Jyeshta natives we see in the media who in part are known for the way their seductive qualities meld into their art/image & bring about controversy/make them come across less family friendly).
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When I saw Taylor is Mula Sun in Mid-Mula Galactic Center; it clicked... A lot of people attribute Taylor's billionaire status to Jyeshta, but here's the thing. While Jyeshta can absolutely signify growing incredibly rich and successful by means of sheer independence and the raw 'hustle', Mula & Ketu nakshatras in general can also signify extreme, absurd levels of wealth.
Jyeshta & Mula are both manifestations of Alakshmi and can both yield similar results pertaining to extreme loss & extreme gains.
We often see Jyeshta natives really struggling to get to the top, all alone with a complete lack of nourishment and support. Or, being in a situation where they are the 'black sheep'. Now, we can only judge Taylor's internal life to an extent, but from what is publicly known, she was very well supported by her father in getting into the industry and has been consistently backed up and invested in by others in order to be in her position. She's come from pre-existing wealth into more wealth; which you'll see as we go on can be a very Ketuvian theme.
Of course, Ketu represents the void; so people often associate it with poverty and having nothing. Especially Mula, it's deity being Niriti, Goddess of Destruction. However, sometimes the 'void', is like a void of wealth where this person just magnetises money. An endless depositor for others' wealth. Another popular figure who is extremely wealthy; Donald Trump, is taken to be a Jyeshta native but is Mula in Mid-Mula Galactic Center. There is a reason the word 'moola' is slang for money ๐Ÿ’ธ
With the Goddess Niriti, it is said that in her most 'exalted state', she is blonde, wearing a gold outfit & sitting on a golden throne. Not only does this hint to Mula's connection to wealth, but this explains how Ketuvians; particularly Mula sometimes gives very light hair & features though it more famously gives very dark features.
Ketu natives can embody the archetype of being a little tone deaf/unaware socially, especially when it comes to money/class in the case that they are born into it. 'Daddy's money' sort of vibe. I have no gripe with Taylor about this personally. Everyone is born into different circumstances and that's okay- however a lot of people do accuse her of being tone deaf in this way.
๐’ฆ๐‘’๐“‰๐“Š๐“‹๐’พ๐’ถ๐“ƒ ๐’ข๐’พ๐“‡๐“๐“ˆ ๐’ท๐‘’๐’พ๐“ƒ๐‘” '๐’ท๐‘œ๐‘œ๐“€๐’พ๐“ˆ๐’ฝ'
It's been talked about in the Vedic astrology community how Ketu influence can give women a 'bookish' quality... sort of innocent and lost in her books, a little 'nerdy' and perceptive, socially retreated/introverted. While Rahu is a bit more loose, free 'off with the fairies'; Ketu is uptight, down to Earth, controlled.
Taylor embodies both, being Ardra Moon & Mula Sun. I definitely feel like this more innocent, 'nerdy' image is a big part of Taylor's brand and appeal. Yes, she is beautiful, but she's got this sweet image of being somehow a little quirky, relatable, down to earth, quiet, etc. despite the reality of her lifestyle of mass fame & wealth.
With Taylor, we observe a similar persona to what we see with figures such as Emma Watson (Mula Moon). Both are known to be 'good girls' in a media landscape where being a 'bad example' is more popular. Both emanate this energy to the public of being sweet and to themself, once again very down to earth despite the wealth and lifestyle they have. Interestingly, I've definitely noticed even in real life too that Ketu Nakshatras lovee their big, warm, dark coats. Perhaps it feels like they're all safe and cozy in 'the void' lol.
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๐’ฏ๐’ถ๐“Ž๐“๐‘œ๐“‡'๐“ˆ ๐’œ๐“‡๐“‰๐’พ๐“ˆ๐“‰๐’พ๐’ธ ๐ผ๐“ƒ๐’ป๐“๐“Š๐‘’๐“ƒ๐’ธ๐‘’๐“ˆ + ๐‘œ๐“‰๐’ฝ๐‘’๐“‡ ๐’ธ๐‘œ๐“ƒ๐“ƒ๐‘’๐’ธ๐“‰๐’พ๐‘œ๐“ƒ๐“ˆ
In her early days (I don't know much about Taylor Swift offhand, but I be doing my due research for this post lol), Taylor talks about one of her inspirations being country artist, LeAnn Rimes (Mula Moon, Magha Sun).
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In one of Taylor's very early demo mixtapes from when she was young, she covered LeAnn's song, 'One Way Ticket'. It's also worth noting that she covers Dolly Parton who is Magha Moon, Ketu in Mula; so another Ketu native. (ETA- this post inspired me to go down a rabbit hole and I discovered a strong pattern of Ketu influenced women in country music!)
As touched on earlier, we can see the pattern of Ketu natives and their very light features- we talk a lot about Ketu giving dark, intense features which can be true; but it can also swing the opposite way and give very light features. Either way, genetically Ketuvians pull from an extreme.
Taylor does have Ardra Moon of course, and Rahu can also contribute to light features but I do think Rahu similarly to Ketu (its counterpart), can pull from either significantly light or dark genetics.
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It's no surprise to me that Ketu nakshatras have a connection to country music, seeing as Ketu tends to represent a more 'stripped down', raw element of reality as opposed to the vibrance & stimulatory qualities of Rahu.
I can definitely see Taylor's grapple between embodying Mula's very authentic, down to Earth energy & Ardra's sparkly, controversial, stormy energy.. A part of her enjoys sticking to her roots and romanticising Ketuvian simplicity & rawness, but a part of her wants to and does play into Rahu's energy of embodying the 'popstar' image.
Another interesting connection- I always thought Taylor Swift and Avril Lavigne looked (mildly) similar. Decided to check it out- Taylor & Avril Lavigne performed 'Complicated' together in 2021. Avril Lavigne has Mars in Mula ruling her chart (Avril is Chitra Ascendant in Mid-Mula Galactic Center- which makes a world more sense than Hasta)
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// Side note- Michelle Tratchenberg, Chitra Sun & Avril Lavigne lol
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๐‘€๐“Š๐“๐’ถ = ๐‘…๐‘œ๐‘œ๐“‰๐“ˆ
Mula's major translation & association, is to the word/symbol 'root(s)'. Mula's purpose is related to getting to the core, to the deepest truth of a situation and directly relates to trees and their roots reaching deep into the earth. Especially in Taylor's Folklore/Evermore era, we are seeing a lot of this tree & root symbolism. The big coat in true Ketuvian style, lots of black and white (Ketu natives loovee black and white imagery). Come to think of it, this reminds me of how in country music (we earlier noted how country music has significant connections with Ketu) features a lot of songs about trying to find the truth of a crime, of a husband cheating, etc.
From one of Taylor's songs, 'no body, no crime':
Este's a friend of mine We meet up every Tuesday night for dinner and a glass of wine Este's been losing sleep Her husband's acting different and it smells like infidelity
'And I noticed when I passed his house his truck has got some brand new tires And his mistress moved in Sleeps in Este's bed and everything No, there ain't no doubt Somebody's gotta catch him out'
I think this song is one of my favourites I've heard from her! I love the slight edge to it ๐Ÿฅ€ it does also feel it's tapping into her Sidereal (and Tropical actually??) Scorpio rising.
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I was shook when I came across Taylor's song & music video, 'Out of the Woods'. As if the name isn't Mula enough (the woods, trees, trying to find the truth/clarity in darkness), the music video is like a perfect, beautiful artistic accumulation of her Mula Moon & Ardra Sun. The beautiful pastel blue dress, the magical sparkles, the wolves & the storm is all Ardra/Rahuvian related symbolism, but then we have the roots coming out of the Earth almost threatening to grab her, the trees, etc.
(apologies for the low brightness images, it's a very visually dark, cinematic style video).
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I've noticed many pieces of art/literature, etc. where Mula natives are threatened to be consumed by the literal roots of the Earth-
Emma Watson, Mula Moon as Hermione being taken over by the 'Devil's Snare' The Rock, Mula Moon in the movie 'Jungle Cruise' being consumed by the roots of the earth
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๐’ฏ๐’ถ๐“Ž๐“๐‘œ๐“‡'๐“ˆ ๐’œ๐“ƒ๐“Š๐“‡๐’ถ๐’น๐’ฝ๐’ถ ๐’œ๐“ˆ๐’ธ๐‘’๐“ƒ๐’น๐’ถ๐“ƒ๐“‰
Now, the very only thing that confused me about Taylor not being Jyeshta Sun, was that she always did appear very deer-like to me (Jyeshta being the deer yoni). Her most widely accepted birth time (5:17am) puts Taylor as Vishakha ascendant in Lahiri.
If we consider that this would mean she shares an ascendant with slightly edgier/offbeat personalities such as Lana Del Rey, Melanie Martinez, or Marina Diamandis and that Vishakha is considered an 'outcast' Nakshatra, this doesn't make much sense for Taylor. Not to say that Taylor hasn't ever endured feeling left out or anything like that, but she is known to have a very 'clean', palatable and widely appreciated image that has contributed to her major popularity.
However in Mid-Mula Galactic Center, Taylor Swift is Anuradha ascendant, hence the deer-like appearance as Anuradha is the other deer-yoni Nakshatra. Being a Saturnian ascendant explains Taylor's clean, controlled more 'responsible' image. She also has the very symmetrical face & slim, taller build that is typical of Saturnian Nakshatras. Also, a very strong cupids bow that is typical of Saturn influence!
Model Emily Ratajkowski known for her naturally slim build, Uttabhadrapada Moon & Taylor, Anuradha Ascendant
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Similarly to Rahuvian Nakshatras, Saturnian Nakshatras are known to give an ethereal, angelic appearance and demeanour at times.
This also means that Taylor is both a Sidereal & Tropical Scorpio rising. I noticed people speculating that she may not be a Scorpio rising and moreso fits having a Capricorn rising since she is very 'proper' and methodical like Capricorn. I believe this is because people's main association with Scorpio rising is pulling from Swati & Vishakha energies, since only a very small portion of Anuradha falls into Tropical Scorpio.
Anuradha is a Nakshatra associated with a certain tenderness, a softness- especially being not only the deer yoni, but the female deer yoni (the doe). Anuradha Nakshatra is often considered a Nakshatra related to love & the trials and tribulations that it takes to find the one you love or to make a relationship work.
Due to the mythology (Vedic Gods Varuna & Mitra, (Anuradha's deity) both loving the same woman), Anuradha natives can often live through love triangle situations. Taylor has a trilogy of songs in her album 'Folklore' named 'Teenage Love Triangle' detailing a love triangle between two boys and a girl told from each person's perspective.
Most of Taylor's songs are about love in general and especially in earlier days when she was newer to the scene, they were regarded as somewhat 'mushy' and overdone, but there were many who appreciated the vulnerability on the topic of love in her songs.
One more thing I'd touch on in relation to her Anuradha ascendant, is the way that Taylor Swift has a strong audience of people, often young girls who are Christian or otherwise religious. Saturn can definitely relate to religion in itself, but it's also that the Saturnian 'straight', good girl image makes Taylor very palatable and non-controversial to idolise for those who adhere to very religious lifestyles/have parents who impose it upon them.
However, it is Taylor's Ardra Moon (and perhaps her Mars in the 1st) that does add a wild-child, slightly more flashy and risque element to Taylor's demeanour. As mentioned in the beginning of this write up, having a Full Moon & embodying both elements of a polarity helps her to be universally liked. I definitely think that Taylor's Mula Sun & Anuradha ascendant are how she manages to come across and be perceived as very once again, very down to earth, relatable and almost 'quaint' despite being one of the biggest stars we know of this in this time era.
EDITED TO ADD- I just wanted to note that Taylor has Ketu in Ashlesha ruling her Mula Sun, which explains some of her Mercurial qualities, penchant for writing, etc. As an artist & a Ketuvian, Ketu is going to naturally be a very prominent placement for her.
Also, I think this absolutely gorgeous early picture of Taylor holding the flower in the water is very Anuradha. One of Anuradha's symbols is the lotus flower, symbolising purity & stability amongst chaos/adversity, and external impurities. Yes, she is holding a flower but I love it because it's like in this image, she IS the lotus! ๐Ÿค
๐Ÿชท โ™ก ๐Ÿชท โ™ก ๐Ÿชท
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Thankyou for your time reading this piece, & I hope this (very long) analysis was interesting to someone :) ๐Ÿฉท
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conceptionsofconciousness ยท 4 months ago
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People of Ashlesha Nakshatra are easily distinguished by their strikingly prominent eyes. Their large, bold, piercing gaze captivates those around them, showcasing a profound connection to their surroundings. This intense focus is reflected in their deep-set eyes, which, while appearing concentrated and attentive, can also stir feelings of unease in others.
More posts on Ashlesha Nakshatra
Nakshatra Notes Masterpost (Link collection of all 27 Nakshatras)
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marsprincess889 ยท 3 months ago
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I have a few posts in my drafts that are not finished. I have no idea which ones I'll finish/write first, but I thought why not know my followers' opinions anyways๐Ÿ˜ฉ
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moonkissedvisions ยท 1 year ago
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I need to say Claire Nakti was so on point on her video about Saturn nakshatra men. My uncle is Anuradha sun and rising and he is antivax, a hippie, an anarchist, lives in nature far from the city, and he only has one neighbor where he lives. He told me that when he was young he had problems with the police because of PRANKS he made in public, like throwing water and fruit peels at people, threatening his neighbors with killing them over the phone, calling designing companies and asking for dirty designs, spitting on people's heads from his balcony, and even shooting people (not with a real gun lol). One day he made his school close for a day or more by blocking the school door locks with construction materials, and he even encouraged me to do the same while I'm young, so I planned on doing that my whole life but never did. ๐Ÿ’€ He is such a believer in the power of mantras and words and he painted a lot of Buddhist images that I have at home. But the most shocking thing is that I'm a witness of one time that he said with a really intense voice: "I wish that guy's wall would fall for being so dirty and a bad father, I'm gonna fucking throw his wall with a rope". (The guy was his neighbor and I don't even remember why he hated that wall lol, but there was a reason) and I kid you not, after less than 2 hours, we heard a noise, AND the morning after, we saw that wall COLLAPSED. It was one of the most unbelievable things as a 7 year old and I get tears in my eyes when I remember it. I won't ever forget about that time and how after it happened he told me that words and intentions are powerful, and I can use them to get the things that I want. I was a kid but i didn't forget anything about spending holidays with him because of all of this. He was definitely a problematic and intense person tho, my mom couldn't stand him, but talking to him is fun.
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spiritualflackboard ยท 2 months ago
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I present to you my roman empire and my eternal obsession...
Celebrities who look alike
1. Angelina Jolie and Christopher Walken, the Revati natives
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04.06.1975 - 09:09 AM, Los Angeles, California
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31.03.1943 - unknown birth time, New York City
Angelina is Revati Moon and Christopher has Sun in Revati. Revati natives have a heart-shaped, defined lip line and protruding "fishy" eyes (just look at them, they're mesmerizing)
Source: Claire Nakti (check out her TikTok and YouTube)
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They also share the Rohini Nakshatra (Angelina has her Sun in Rohini and Christopher has his Saturn in Rohini)
Rohini natives have wide-set eyes, distinctive eye look, short and strong jawline.
We don't know Christopher Walken's Lagna but maybe someone can guess it? Let me know ๐Ÿค”
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seriallover ยท 6 months ago
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If you want to enhance your seductive energy, try dressing according to your nakshatra color.
Not only will it make you look better, but it may also align with your personality traits and bring you more luck and success.โœจ
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If you don't know the colors of the nakshatras, I have made a table.
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stellarsecrets86 ยท 1 month ago
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Vedic Astrology Observations(Future Spouse Edition)
(For entertainment purposes only. Have fun๐Ÿ’š)
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[These are my learnings I have learned through charts and from different astrologers. I applied these techniques over over in different charts and it works beautifully.
Though astrology throws up some pretty interesting perspectives, I think it's basically a tool of self-reflection and guidance rather than stating what will definitely happen. I hope you find these insights interesting and relatable!]
Other posts you might like:
Masterlist
๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น
๐Ÿ’๐Ÿ’๐Ÿ’๐Ÿ’๐Ÿ’๐Ÿ’๐Ÿ’๐Ÿ’๐Ÿ’๐Ÿ’๐Ÿ’๐Ÿ’๐Ÿ’๐Ÿ’๐Ÿ’๐Ÿ’
โ˜…โ˜… Most stable and long lasting marriage indicitaor I have seen in compatibility is if your atmakaraka (the planet with the highest degree) & your spouse's darakarka (the planet with the lowest degree) or vice versa are the same planet.
Ex: Your atmakaraka is Moon and your spouse's darakaraka is Moon or vice versa.
The most famous ones would be Tom Hanks and Rita Wilson (Venus). They have been together for 37 years.
โ˜…โ˜… If your dk planet is in Mrigashira nakshatra, your spouse could be sensitive to smells.
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โ˜…โ˜… Look at you Jupiter's nakshatra lord in navamsa(D9 chart), the sign it is in birth chart ( D1 chart) can be in your husband's big 3.
โ˜…โ˜… I have seen a lot of actress 's husband has their Venus in Hasta or Chitra nakshatra.
โ˜…โ˜… Again if If your 7th lord or jupitet is in mrigashira nakshatra, your spouse can have scars on their face.
โ˜…โ˜… If your dk planet is in your 1st house, your spouse can be a lot like you.
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โ˜…โ˜… To see if you have past life connection with your spouse, look if your 7th lord or dk planet is in Rahu ruled nakshatras or conjunct Rahu.
โ˜…โ˜… If your 7th lord is in 2nd or 8th, your spouse can be very rich.
โ˜…โ˜… If you want to know the core nature of your spouse check out the nakshatra of your 7th lord and dk planet in your d9 chart.
โ˜…โ˜… Sounds cliche but Ketu in the 7th house of navamsa, you choose him/her as your spouse in every lifetime.
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โ˜…โ˜… If you are married or in a relationship, check if your Venus is in conjunction or trine with your person's Mars/Rahu or vice versa. It shows you guys were together in past life.
โ˜…โ˜… If you have Venus Mars conjunction in your d1 chart, your have past life connection with your spouse.
โ˜…โ˜… Venus in Mrigashira nakshtra, your spouse can look like a Deer.
โ˜…โ˜… 7th lord in Punarvasu, your spouse is a Phoenix. No one can defeate them, they can push him/her in their edges, they will come back stronger.
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โ˜…โ˜… Venus in Chitra nakshatra attracts artistic spouse.
โ˜…โ˜… Venus or 7th lord in Ashlesa, spouse can have piercing eyes.
โ˜…โ˜… If your 7th lord is in 3rd house of d1 or d9 Chart, your spouse can be a good singer, negative planet denotes they can be argumentative.
โ˜…โ˜… If the nakshatra lord of your dk planet is in the 8th house of d9 chart, you spouse can be very sexy or get sexualize a lot.
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starsandsuch ยท 3 months ago
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Nakshatras I associate with fame:
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Disclaimer: In this post I seek to reveal Nakshatras that bestow fame yet arenโ€™t usually talked about when it comes to โ€œfameโ€ Nakshatras. We already know the more obvious Nakshatras that bestow fame like Dhanishta, Magha, Aqua/Leo etc but the following naks are ones that I see in the charts of many famous people , influencers and public figures. Sun, Moon, Ascendant or Atmakaraka Planet.
Vishaka -usually popular in the music industry. They accumulate a lot of power and achieve a lot in the public eye. They are polarizing figures -ppl either love them or hate them, but they gain even more fame from having haters than lovers.
Revati - they gain popularity easily and it tends to be long lasting for them. Theyโ€™ll have a lot of followers on social media and people fawn over everything they do. Like โ€œomg she wore army pants and flip flops, so I bought army pants and flip flopsโ€. They are excellent socialites as well-they know a lot of people.
Punarvasu - they have a global appeal. Theyโ€™ll be famous where theyโ€™re from but also in different countries and cities, worldwide. I notice these natives pictures/content gets reposted on social media a lot. Theyโ€™ll be popular IRL and online. Many Punarvasus will have a famous spouse/parter and gain fame bc of them.
Ashlesha - there is almost always a current social trend that traces back its origins to an Ashlesha native. Which I talk about in this post about mercury naks. They are always trending on social media, even the most followed people on IG -Cristiano Ronaldo and Kylie Jenner- both are Ashlesha natives. People circulate Ashleshaโ€™s images a lot online, and even if they donโ€™t post frequently a lot of people obsess over their content/images that are years old. They have many โ€œcopycatsโ€ as well. Hence why certain trends can started by them, but often they might not receive credit for said trends. Marilyn Monroe had Ashlesha Asc and in present day people are still circulating her images and copying her look, decades after her death.
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Pushya - this is one of the top socialite Nakshatras. Theyโ€™re good at being all things it all people, theyโ€™re public image is just naturally likable. They have a balanced reputation that is favored by many demographics. They tend to be the โ€œcash cowโ€ for their family, record label, franchise etc so they have big machines/teams of people behind them that prolong and maintain their fame.
Swati - another top socialite Nakshatra. Over the course of their life they accumulate so many different social connections, that they are just undeniably popular. They are great at manipulating their public image to attract bigger audiences. They are polarizing figures, that tend to profit from having haters.
Purva Phalguni - if anyone was destined to gain fame at some point in their life, itโ€™s purva phalguni. These natives will gain worldwide fame very quickly, even at a young age. They โ€œblow upโ€ over night, and people canโ€™t get enough of their theatrics. They love performing and out of all the Nakshatras listed here , I feel like they enjoy + desire fame the most. Theyโ€™re someone that may be disliked in personal relationships but the public loves them + their image.
Purva Ashadha - they are talented at being theatrical and interesting. Their image in the public eye is a glamorous one. People consider them โ€œgoalsโ€ a lot of the time, so frequently they have a cult like following.
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Related posts:
Leo Nakshatras and fame
Mercury Nakshatras and manipulation
Fame indicators in Astrology
What would make you famous based on your birth chart?
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roxyyastro ยท 3 months ago
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Physical appearance based on nakshatras.. (can be also used to see future spouse appearance)
{if you want to know the physical appearance of future spouse. Find your darakaraka nakshatra and the nakshatra which is placed in 7th house lord.}
1. Ashwini: Slim face, pointed nose, large eyes, athletic build.
2. Bharani: Round face, curved nose, thick lips, sensual appearance.
3. Krittika: Triangular face, sharp features, piercing eyes, strong jawline.
4. Rohini: Oval face, beautiful eyes, full lips, attractive smile.
5. Mrigashira: Long face, straight nose, expressive eyes, energetic appearance.
6. Ardra: Round face, flat nose, thick lips, emotional expression.
7. Punarvasu: Heart-shaped face, pointed chin, large eyes, charming smile.
8. Pushya: Round face, short nose, full lips, gentle appearance.
9. Ashlesha: Long face, curved nose, piercing eyes, intense expression.
10. Magha: Square face, strong features, regal appearance, authoritative presence.
11. Purva Phalguni: Heart-shaped face, beautiful eyes, attractive smile, charming personality.
12. Uttara Phalguni: Oval face, straight nose, expressive eyes, balanced features.
13. Hasta: Long face, pointed chin, clever eyes, agile appearance.
14. Chitra: Triangular face, sharp features, creative eyes, artistic appearance.
15. Swati: Long face, curved nose, gentle eyes, graceful appearance.
16. Vishaka: Oval face, strong features, adventurous eyes, bold appearance.
17. Anuradha: Heart-shaped face, beautiful eyes, sensitive expression, emotional appearance.
18. Jyestha: Square face, strong features, confident eyes, authoritative presence.
19. Mula: Triangular face, sharp features, intense eyes, penetrating gaze.
20. Purva Ashadha: Oval face, gentle features, beautiful eyes, charming smile.
21. Uttara Ashadha: Long face, strong features, ambitious eyes, disciplined appearance.
22. Shravana: Heart-shaped face, pointed chin, intelligent eyes, wise expression.
23. Dhanishta: Square face, strong features, confident eyes, charismatic presence.
24. Shatabhisha: Oval face, gentle features, mystical eyes, spiritual appearance.
25. Purva Bhadrapada: Triangular face, sharp features
Here are the remaining two Nakshatras:
26. Uttara Bhadrapada: Long face, strong features, intense eyes, passionate expression, adventurous appearance.
27. Revati: Heart-shaped face, beautiful eyes, charming smile, gentle features, dreamy expression.
All rights reserved @roxyyastro
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invenusworld ยท 4 months ago
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some astro notes on the EYES
- pisces, especially revati nakshatra can either have very expressive eyes or a blank stare; a gaze that's here, but "not here," a far-off look
- a strong influence of pitta - firey, hot planets like the sun & mars, malefic planets in fire signs can lead to "discolored" eyes that are not a bright white but may have an off-white or yellowish tint
- the whiteness of the eyes is associated with femininity, which corresponds with the water and earth element. kapha tends to give bright white eyes
๏ฟผ- ardra nakshatra's deity is rudra, the terrifying form of lord shiva, who is said to have red eyes in some depictions
ardra natives are associated with red eyes and can have a wild, fierce look about them.
ardra is also associated with red eyes via its crying symbolism
& being a rahuvian nakshatra, is inclined to smoke ๐ŸŒฟ
- leo rising can potentially bestow "yellow eyes," more prominently in males
- scorpio risings are said to have "power in their eyes," meaning they are very observant and see what people are doing. their eyes can be commanding & intimidating, as well as alluring, scorpio being a water sign
scorpio risings can be observant in a psychological sense, such as a observing body language and trying to gauge emotions and intentions from that, or studying micro facial expressions; observant in the occult sense of observing dreams, astrological studies, etc.
- rahu's nakshatras (ardra, swati, shatabisha) are extremely observant of their surroundings and the physical world they are placed in. immersed in the sights, sounds, smells of their environment, often leading to big, childlike eyes - full of wonder, soaking in the sights & sounds of the world
- the fire element represents vision, so afflictions to the fire signs may afflict the eyesight, depending on planetary conditions
- ashlesha natives have alluring, cat-like eyes that pull you in. eye makeup such as kohl or kajal and mascara can enhance this quality
- chitra natives can have big eyes that tend to narrow significantly when they smile, as well as rohini
- revati, bharani, krittika and venusian natives are good at acting with their eyes. they can excel at dance and can express different emotions with their eyes
- bharani natives can make excellent actors and performers due to being able to cry on command, & how dramatically they can express different emotions and invoke different emotions and reactions in audiences
bharani natives are also prone to crying and may often burst out in tears, though they may not like to show this aspect of themselves
bharani is associated with childbirth and babies who are prone to crying to express emotion.
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venussaidso ยท 4 months ago
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๐’๐œ๐ก๐ž๐ฆ๐ข๐ง๐ , ๐ž๐ฏ๐ข๐ฅ, ๐ฆ๐š๐ง๐ข๐ฉ๐ฎ๐ฅ๐š๐ญ๐ข๐ฏ๐ž, ๐ฉ๐จ๐ฐ๐ž๐ซ-๐๐ซ๐ข๐ฏ๐ž๐ง ๐š๐ง๐ ๐ก๐จ๐ญ.
Kathryn Merteuil from Cruel Intentions is portrayed by Ketu natives. Sarah Michelle Gellar, Amy Adams, and now Sarah Catherine Hook.
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Characters that I randomly thought would be Kathryn Merteuil's daughters, just so happen to be played by Ketuvians; particularly known for having manipulative, cunning, power-driven personalities.
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This relentless pursuit for power and control extends to other Ketu characters. I have explored this theme already in my Ketu Dominant Themes post, I just didn't use female characters as my examples.
Cersei Lannister is an extreme version of this archetype, set in this non-modern, brutal world in Game of Thrones, known for her psychopathy.
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Being extremely ruthless and cunning, with a thirst for power and control and an unchecked ambition, it doesn't come as a surprise that she is portrayed by a fire sign native Lena Headey (Venus nakshatras share these themes, as well).
Reminded me of Cate Blanchett's character from Cinderella, Lady Tremaine, who has a desire for control and maintaining power. She is absolutely heartless and cruel.
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The same actress also played Hela who driven by power, is absolutely cunning and even more ruthless, possessing this superiority complex.
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Having this deep desire to dominate and conquer, it comes as no surprise that the actress has an Aries stellium; proving it true that the rashi comes first, as the signs alone can be known for these negative, power-seeking traits. These fiery traits in the Ketu section are specifically exaggerated. The Ketu rulership seems to not only exaggerate the traits of the fire rashis, but darken them too. Technically; Ashwini is Dark!Aries, Magha is basically Dark!Leo and Mula is just Dark!Sagittarius lmaoo.
Just shortly describing Hela's Ashwini traits, I thought of Azula, who is voiced by Magha Sun Grey DeLisle.
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Having a fiery determination and borderline exaggerated Leo traits; much like Hela, she is obsessed with being domineering. Known for being cunning, extremely ruthless and driven by power and control.
Another Hela-type character is the formidable antagonist, Artemisia, played by double Ketu native Eva Green in 300: Rise of an Empire.
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Similar to Azula, she is driven by vengeance and is relentless about it. She is extremely strategic and power-hungry, seeking dominance over others and causing destruction.
Both Magha ASC Eva Green and Magha Moon Katie McGrath played the character Morgana, though with different arcs.
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Eva Green's version of the character is more overtly power-driven and manipulative, as she has a double whammy effect of the Ketu nakshatras. While Katie McGrath's portrayal is her journey to villainy as she grows a thirst for vengeance and power, becoming a formidable force in the series.
Madison Montgomery from AHS: Coven! Played by Mula native Emma Roberts, she is undeniably ruthless and chaotic.
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She seeks power & status in the witch world, being cunning, mean-spirited and manipulative.
In the same season, AHS: Coven, we also have the ruthless and powerful, vengeful witch Marie Laveau played by Magha Sun Angela Bassett. She means to assert her place in the world, embodying LEGACY (Magha nakshatra nod, much like Azula who strongly represents legacy and her ancestors).
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And alongside her is Ashwini native Jessica Lange playing Fiona Goode, another ruthless, cunning Ketuvian/Fire sign character obsessed with power, youth and maintaining superiority over others.
Speaking of power-hungry witches; Ashwini Moon native Kathryn Hahn plays Agatha Harkness, who has a lust for power and control, finding herself completely fixated on Scarlet Witch's powers and wanting to gain control over such an immense force to master it within herself.
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Magha Moon Helena Bonham Carter played the Queen of Hearts in Alice in Wonderland, the character having a very fiery temper and an obsession with control. The Leo characteristics being exaggerated by the nodal rulership, she has an oversized ego and an extreme sense of self-importance, ready to inflict punishment on those who slight her.
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A far lighter, less sinister, version of this Ketu archetype, is the Evil Queen in Mirror Mirror, played by Magha Moon Julia Roberts.
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She still fits this highly manipulative, power-hungry archetype, her motivations rooted in status and control over the kingdom.
These characters thriving on power and control speaks to the emptiness and wounds they hold within. People who naturally possess power do not seek it, yet it seems to be a theme for these Ketuvians to be hungry for it. As if there's a beast inside of them that wants to suck things in and conquer, which makes sense for the Ketu x Jupiter polarity as Jupiter has excess to give out and Ketu wants to possess it (as I've talked about Ketu constantly absorbing things & people intentionally or not). The more cunning portrayals show how these characters live through their domineering force, deliberately using it to pull things under their control; ready to combat any outside forces that mean to take away their status and things that signify power to them. This combativeness is specifically shown in Ashwini Moon Blair Waldolf who becomes very combative when threatened. I believe people forget that Ketu alone is different from Ketu nakshatras. The fire signs will always remind you that they're fire signs, that's why observations like "Ketu nakshatra people have zero ambition and only seek spirituality and they represent nothing" is a completely one-sided statement and a disregard to how the houses and signs ruling these nakshatras operate. If this observation were the case, then I wonder what the Ketu gold-digging archetype implies if not everything I talked about.
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natalyarose ยท 6 months ago
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Is it just me, or is the manic pixie dream girl trope so solar Nakshatra women-coded?! They bring a fresh breath of air into relationships with their radiant energy, inspire and motivate others, and value their independence and freedom. Most of the actresses in these roles have Sun Nakshatra influence in Vault of the Heavens.
hey! ๐Ÿ’• yeah I definitely see that, for suree, that makes sense a lot of them are Sun dominant! Tbh I don't know many movies and actresses but I think from what I know Zooey Deschanel kinda fits the vibe and she's Uttarashadha? Blake Lively as Serena van der Woodsen sort of fits the trope at times in the show (she's not got Solar Nakshatras, but she's Purvaphalguni + Magha so Sidereal Leo)
I also feel like I can see many different energetic expressions of that vibe too. I think it's a trope that's harder than others to pin down to one planetary influence since the basis of the trope has a lot to do with the way the respective man/other people in general are stereotyping the girl if that makes sense?? Like it's not so much about the girl herself, it's about the whimsy and energy she brings to others around her. I can definitely see this being a Solar thing too though; Solar women do have this effortless luminosity and energy that intrigues people. ๐ŸŒž
The thing is that the 'manic pixie dream girl' can be anywhere from a more edgy, abrasive, pink hair, wild-child type of girl (I see Jupiterian, nodal, Martian and sometimes even Solar women with this kinda archetype) to a more gentle, whimsical, childlike, 'quaint', sweet but spontaneous personality that forces people to think differently (possibly lunar, mercurial, etc). It's like, the manic-pixie-dream-girl concept isn't about the nature of the girl herself though there are qualities associated with it; it's got more to do with the fact that she IS that character in relation to some guy if you know what I mean?
Maybe it'd also be interesting to look at what planetary type in men is prone to perceiving girls as mpdgs' ๐Ÿค”
That being said, you're definitely onto something with Solar women; I think it'd be cool for you or anyone who's interested to study the trope and do a lil astrological survey :P ๐ŸŒผ
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conceptionsofconciousness ยท 3 months ago
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Those of Vishakha Nakshatra might often find themselves excessively critical of their own abilities, frequently experiencing feelings of personal inadequacy. They can be unsatisfied with their progress and always strive for more, leading to a sense of malcontent about their results. This internal motivation for success can lead Vishakha Nakshatra people to accomplish remarkable feats, yet it may also lead to excessive self-criticism and a tendency to judge themselves harshly.
More posts on Vishakha Nakshatra
Nakshatra Notes Masterpost (Link collection of all 27 Nakshatras)
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marsprincess889 ยท 3 months ago
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How women influenced by different planets act in one-on-one relationships
Platonic, familial and/or romantic. Based on my own observations and traditional associations๐Ÿ’• planetary influence is present when a native has one or more nakshatras ruled by that planet in their big three(moon, ascendant, sun). If that or any other planet is conjunct sun, moon or ascendant in the chart, then it also adds its influence, but to a much lesser degree. I'd advise to read for your moon, but as always, use discernment and and do not take this information at face value.
Sun women
Krittika, Uttara Phalguni, Uttara Ashadha
The women ruled by the Sun are often seen as confident, self-possesed, bright, expressive and measured.
The Sun is well-known to be a masculine planet, that does not make sun-ruled women any less worthy in their femininity.
Sun women might be surrounded by a lot of male energy in younger years. It could have been positive or negative but all in all, they're familiar and quite comfortable with it. I don't mean they were plagued by admirers, I moreso mean they had a father figure, uncles, brothers/male cousins(usually older), male friends around them. I might be wrong but I've seen this so much in real life and in art. If that's not the case, then they can fit in and hold their own in a group of men. It's true that they're not phased by trying to be more masculine themselves(like jupiter women do sometimes) or to completely lean into traditional femininity(like moon women). They usually get love and support from men that have doubted them at first.
That leaves sun girls with an abundance of masculine energy absorbed in themselves. In one-on-one relationships they enjoy a level of independence but they value loyalty immensely. They build relationships on certain rules that come from their personal values. They look for a partner in crime and an understanding confidante more than anything else.
That's why saturn-ruled people are best for them, along with other sun-ruled individuals. Ruled by the planet of dedication and longevity, Saturn dominants understand their detachment and fixed nature, and provide the cold, hard structure for their self-expression.
Their energy is not for abuse though. They are more vulnerable and sensitive than most realize. As they are women influenced by a very masculine planet, they might feel like they're giving too much sometimes, like they're being taken for granted. As Saturn is the planet that never takes anything for granted and works for its rewards, it is not going to discard Sun's warm and "life-giving" nature. Moreover, it is going to appreciate it, respect it and try to keep up with it as best as it can. Saturn's cool and careful nature is soothing to Sun women, making them feel safe to lean into their individuality with more confidence while prividing the essential balance for a full existence.
Moon women
Rohini, Hasta, Shravana
Moon women have a simplicity about them. Traditionally a feminine planet, moon is considered to be a soft, smooth and nurturing influence.
Moon women are easy to recognize. Moon is probably the most dependant planet. They are passive in their demeanor and easily absorb influence. They often have a group of people around them, if not a group, then at least or not two, just because. That can be explained by moon's receptive but also giving nature, that gives back the smoothed, mixed essence of what it has recieved that is easily digestible. But they don't have that energy within them. They can be very accomodating while not initiating anything at all. If they do initiate, it's something similar to what the other person has initiated.
So moon thrives on dependancy. They might enjoy groups, because that way their passivity and receptivity is not held against them, and they might feel like they contribute more that way. In one-on-one relationships, they are very easy and simple, but might become stressed and on edge. Moon rules masses and the subconcious, so they need an energetically abundant planet that does not mind being drained.
Moon is, in its essence, is vampiric, so they like Sun people. They might be quite comfortable around Jupiter people, and sometimes, with Venus people(the Shravana- Purva Ashadha pairing works particularly well).
Mercury women
Ashlesha, Jyeshta, Revati
Mercury is the planet of integration and manipulation, and women ruled by it are often multi-faceted, containing the potential for adapting and the willingness to to often do so.
Mercury can be described as the "hermaphrodite" sometimes, especially Revati nakshatra. Due to this highly analytical and adaptible nature, mercury women have the ability to morph themselves into different roles, depending on who they are interacting with. Their feminine energy is based on receiving and then skillfully using whatever is given to it. Mercury is the planet that is quite different in all three of its nakshatra stages. Ashlesha, Jyeshta and Revati all have different feminine qualities, due to the three stages that they wrap up being different from each other. Venus nakshatras are different from each other too, but to a lesser degree. What all mercury nakshatras do have in common is sensitivity and skill. They change and adapt to various envirmonments, and their resourcefulness is seemingly limitless.
In one-on-one relationships they need people who can handle that "manipulative" and "nervous" nature. All yoni consorts of mercury nakshatras(Punarvasu, Anuradha, Bharani) have a theme of passivity, they all want and need that "manipulative" energy. Similarly, Mercury women themselves can thrive with people who are energetically stable/abundant but want to move and adapt. Since Mercury women have a need for stimulation and variety, they maintain relationships with people who they don't find boring AND can provide loyalty. There is no single planetary energy that is generally compatible with Mercury people, but Venus and Mercury are traditionally friends, and Venus also heals Mercury. The best example of this is Revati and Bharani(elephant yonis), but other combinations can be compatible too(except Ashlesha and Purva Phalguni, due to them being enemy yonis).
Venus women
Bharani, Purva Phalguni, Purva Ashadha
Venus_ the planet of beauty, sensuality and love is a well-known feminine force that is almost synonymous with the word.
Venus women are, before anything, choosy and exclusive. Their taste is very specific and particular, and whatever is "theirs", is theirs completely. Despite the outward serenity and composure, their internal nature is very fierce and even ruthless. That discriminating nature extends to everything in their life, where they have to be clear about the dividing lines of everything that they deem worthy, and everything else that they don't. There is also an inner drive to attain what they want/need/desire/love.
Their views on one-on-one relationships are unique, and they have very high standards, along with an attentive and giving nature. A lot of those relationships might have left them dissapointed. They seek a balanced give and take in any 1-1 bond. They might even blame themselves for not choosing correctly, since they're already very careful. They mainly want loyalty and support. As always, those relationships have to fulfill their personal desires. Someone considerate, attentive, and skilled is best for them.
There is no single planet type that will fulfill all three Venus nakshatras and most of their natives, but generally, Mercury people have what it takes to impress and keep them. They share a discriminating nature, but while Venus women are energetically abundant, loving and often passive(on 1-1), Mercury is actively "manipulative" and morphing into whatever Venus desires. The best version of this is Bharani and Revati(elephant yonis). Purva Phalguni feels best with Magha(rat yonis) and most likely will not get along with Mercurial Ashlesha(enemy cat yoni). Purva Ashadha is best with Shravana(vanar yonis). All Venusian lunar mansions are best with their uniquely preffered nakshatras. Besides them, they might form friendships with Ketu, Sun, Jupiter or Saturn nakshatras (with the exlusion of Purva Ashadha- Krittika/Pushya, Bharani-P.Bhadrapada and Purva Phalguni-Punarvasu pairs).
Mars women
Mrigashira, Chitra, Dhanishta
Mars_ the warrior planet that grants protection has been a symbol of masculinity since ancient times. That coorelation, although undeniable, does not exactly encompass the whole essence of that force, especially while considering women influenced by it.
Mars rules the energetic output_ how we spend our energy and life force. In many ways, Mars women, being the passive/feminine vessels for that triggering energy, are expressive and engaging. But unlike Mercury, that expression is geared towards the physical body. Unlike Venus, they do not have any inner discriminatory preferences that might make them that choosy. Their expression is very outward and shown on the surface, so while they can be confrontational or agitating with how they behave, they do it for protection, because that it their only mechanism of doing so.
Their heated but inwardly quite gentle nature can make them susceptible to unnecessary drainage. That's why they're another planet type that needs a giving person in 1-1 relationships. With them, that person has to not only give, but have a true consideration of their sensitivity.
Jupiter people are famously best for these women. Jupiter natives can give their excess energy to them and ensure that their vulnerabilities are not abused. The two latter Mars nakshatras both have Jupiter nakshatras as yoni consorts and Mrigashira's yoni consort is Rohini_ a fixed but soft-natured nakshatra.
Jupiter women
Punarvasu, Vishakha, Purva Bhadrapada
Women ruled by the great benefic, the planet of greatness, plenty and godhood can be big personalities. Jupiter has seemingly infinite energy that wants to give without end, and often, they do.
Jupiter women have a very enthusiastic, almost aggressive niceness about them. They might have been surrounded and influenced by male energy since their early life like Sun women, but their true feminine power comes from being open while giving and receiving, especially when around individuals who they think need their "help" the most.
Jupiter women are the one planet type that feel the best in groups, even moreso than lunar women, and unlike them, since Jupiter wants to give to all, they might feel very uncomfortable in 1-1 relationships. That being said, they're not exactly opposed to the idea of it.
They will feel best with heated and draining planets, especially Mars. Mars can take Jupiter's abundant energy and use it to build and protect. They're famously a good pair, but other planet types can be just as compatible with Jupiter. Ketu people also have a desire to take Jupiter's energy but unlike Mars, they won't drain it to use it outwardly, instead, they'll absorb the energy completely and integrate it into their spiritual essence. The exception would be Punarvasu(Cat yoni) and Magha(Rat yoni), because of enmity between yoni animals.
Besides them, Punarvasu nakshatra in particular will get along with Ashleshas, a Mercury nakshatra, due to them being yoni consorts (cat yonis).
Saturn women
Pushya, Anuradha, Uttara Bhadrapada
The cold planet of control and restraint is a passive but tough and unbreakable force. Saturn women find their femininity in stillness and silent, but resilient passivity.
Their strength is tested and it gains more layers through time. This kind of energy might become impossible to intimidate, so many might feel that Saturn women are never phased by life in general. More reactive or moldable people might distance themselves from them, even though on paper Saturn women are easy to like.
They find too much flux and chaos unbearable. Saturn's femininity is all about limiting and crystalizing whatever it receives, so the more stable that energy, the better Saturn women might manage in binding it, even though they can restrain and control any type of energy, no matter how messy.
Saturn ruled women might have dealt with a harsh, limiting, authoritative feminine energy in their younger years. They have learned how to manage themselves in various complicated situations. What they seek in 1-1 relationships is trust and loyalty, not too unlike Sun women. Saturn people are best with Sun people. Sun's warm influence will give their structure a heart and a "purpose". Sun is the planet that seeks out the cold, restraining influence of Saturn that matches its own stability and self-possession.
Since these women are the feminine variation of Saturnian energy, they might be extremely passive and unwilling to start anything themselves, but after they have something to hold onto, they can become actively bossy.
The similarly cold but also adaptable and changeable nature of Mercury might also be an easy and natural match for Saturn women. This pairing might be best in platonic or familial relationships, but the Anuradha-Jyeshta pair(rabbit yonis) is perfect in romantic couples too.
Rahu women
Ardra, Swati, Shatabhisha.
The north node of the moon, the dragon's/serpent's head is a shadow planet and only one half of the opposition that makes up the destiny of a person. The nodes are dependant on each other, and both of them are dependant on the moon. Even this fact gives them a very different kind of quality and essence. So, women ruled by them are a distinctive and very draining group of force.
Rahu women are the personifications of the illusion. For them it is easy to see and identify, to box and to define and label. They are adaptable, responsive, cerebral. There is a certain numb neutrality about them. They are very aware of and immersed in the material world. They can often become bored or overwhelmed by it. It is not unknown that Rahu ruled individuals might be prone to nervousness and anxiety.
Rahu women are easily susceptible to all kinds of influences, just because they absorb and then project everything around them. They can adopt behaviors from other people without noticing, but unlike Moon women(who also do this) they do not give anything back to anyone in particular, they just take it into their illusion and show it to everyone.
That is why they can be quite comfortable within groups. With personal, 1-1 relationships, difficulties can arise. They need a very particular kind of person that can handle their tense and sometimes chaotic nature and can direct their "hyper" essence towards something stable.
Ketu is the other half of Rahu and the only planet that can calm it down. The immovable and hot nature of its opposite shadow planet can help Rahu get out of the head stop its often actively paranoid behavior. Ketu can provide the spiritual substance for Rahu's material manifestations and can match its cold, active and outwardly discharging energy with its own heated, passive and absorbing essence. Obviously, the two pairs of them are yoni consorts, with Ardra(dog yoni) and Shatabhisha(Horse yoni) having Mula and Ashwini as yoni consorts, respectively. Swati can also easily get along with Ketu people, but Ashwini(enemy yoni) might be the exception. For Swati, the best match is its own yoni consort(buffalo yoni)_ Hasta, a very earthy nakshatra.
Besides Ketu, Rahu people can be very drawn to Sun people. Mythologically, Rahu always seeks to eclipse the Sun_ another discharging and active planet, the one that it wants to imitate. If, for example, a Rahu person also has a Ketu influence, due to already having that Rahu-Ketu balance, they might prefer Sun individuals who emanate that warm light from within themselves. In platonic relationships, Rahu people might find kinship with Jupiter individuals with whom they share an adaptible and "airy" nature, but can give their abundant energy to draining and discharing Rahu.
Ketu women
Ashwini, Magha, Mula
The other half of the dragon, the tail/body of the serpent, the absorbing shadow that rules over the past of the person. Also a shadow planet that drains and depletes, Ketu is the "conquerer" that establishes the very essence of a person or a thing. It is where an individual can find their true power, but also where there is a potential for great danger.
Ketu women are a very raw example of femininity. Their basic nature and behavior is the representation of femininity in possibly its simplest light. They absorb everything around them and instead of doing anything at all, they integrate it into their internal selves. Their power is their passivity. Their energy resembles a black hole_ a seemingly endless void that never seems to be satisfied.
They too have a numbness in them, but unlike Rahu, Ketu women might become overwhelmed with their own stagnant and heavy energy, struggling to properly express or define what they are, feel and know. Rahu can become confused from too much information, Ketu can become confused from a lack of it. In the end, they both might feel like they are missing whatever the other is/has. There is also a blindness to both of them, where each sees only their opposite side. But Ketu knows what it knows, and unlike Rahu, it does have stability. The danger with them is stubbornness, the inability to be moved by the outside.
Ultimately, Rahu people are the best match for them. Ketu women can be overly passive* and unresponsive in most 1-1 relationships. They can "hide" and assimilate better in groups but with just one another person they can become extremely disinterested, if the other is not on par with them. Rahu can break its stagnancy and help Ketu women to push their energy outwards.
Besides Rahu individuals, Ketu women might be compatible with Jupiter people, since they have an abundance of excess energy that can give to Ketu's hungry and absorbing nature. Ketu also heals Jupiter. Another dynamic that is possibly compatible for them is with Mars-ruled individuals, due to Mars and Ketu being similar in nature, but this might work best in platonic relationships.
*the passivity of Ketu is not displayed in an obvious way, at least, not all the time. By passivity I meant that it's very hard for them look outside of what they know and have decided. Their behavior might actually look very expressive and reactive, especially Ashwini's and Mula's. Ketu is the conqueror because it simply goes and acts without thinking. It's pure instinct. What it lacks though is the rational mind and awareness. In real life natives, this can manifest as willful or unintentional "ignorance", or simply intense self-focus that does not really allow outside input. With Ashwini, getting their way is a matter of protection, existence and survival, and their "ignorance" is the most unintentional out of all Ketu nakshatras. With Magha, it's about their sense of self-worth and influence. With Mula, it's about their core beliefs and an establishment of the ultimate truth. I think Ashwinis are mostly unintentional, Maghas don't even care to even look at that, and Mulas are aware of their "ignorance" but recognize the necessity of self-focus for their own basic sanity.
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cutiepieloves131 ยท 4 months ago
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Sidereal Indicators of being alluring, magnetic, & seductive
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โ—ฆโ€โ—ฆ ๐‘จ๐’”๐’‰๐’˜๐’Š๐’๐’Š, ๐‘ด๐’‚๐’ˆ๐’‰๐’‚, & ๐‘ด๐’–๐’๐’‚ ๐‘บ๐’–๐’/๐‘ด๐’๐’๐’/๐‘จ๐’”๐’„๐’†๐’๐’…๐’‚๐’๐’• ๐’‰๐’‚๐’—๐’† ๐’‚ ๐’…๐’‚๐’“๐’Œ ๐’‚๐’๐’๐’–๐’“๐’† ๐’‚๐’๐’… ๐’‚๐’•๐’•๐’“๐’‚๐’„๐’•๐’Š๐’—๐’†๐’๐’†๐’”๐’”, ๐’๐’Š๐’Œ๐’† ๐’‚ ๐’ƒ๐’๐’‚๐’„๐’Œ ๐’‰๐’๐’๐’† ๐’‘๐’๐’”๐’”๐’†๐’”๐’”๐’Š๐’๐’ˆ ๐’•๐’‰๐’† ๐’‚๐’ƒ๐’Š๐’๐’Š๐’•๐’š ๐’•๐’ ๐’‘๐’๐’˜๐’†๐’“๐’‡๐’–๐’๐’๐’š ๐’‘๐’–๐’๐’ ๐’‚๐’๐’š๐’•๐’‰๐’Š๐’๐’ˆ, ๐’•๐’‰๐’†๐’š ๐’‚๐’๐’”๐’ ๐’‘๐’๐’”๐’”๐’†๐’”๐’” ๐’•๐’‰๐’‚๐’• ๐’‘๐’๐’˜๐’†๐’“ ๐’•๐’๐’. ๐‘ป๐’‰๐’†๐’“๐’†'๐’” ๐’๐’ ๐’†๐’”๐’„๐’‚๐’‘๐’Š๐’๐’ˆ ๐’ƒ๐’–๐’• ๐’š๐’๐’–'๐’๐’ ๐’…๐’†๐’†๐’‘๐’๐’š ๐’†๐’๐’‹๐’๐’š ๐’Š๐’•.
โ—ฆโ€โ—ฆ ๐‘น๐’๐’‰๐’Š๐’๐’Š ๐‘บ๐’–๐’/๐‘ด๐’๐’๐’/๐‘จ๐’”๐’„๐’†๐’๐’…๐’‚๐’๐’• ๐’ƒ๐’†๐’‚๐’–๐’•๐’Š๐’†๐’” ๐’‚๐’“๐’† ๐’๐’‚๐’•๐’–๐’“๐’‚๐’๐’๐’š ๐’”๐’†๐’…๐’–๐’„๐’•๐’Š๐’—๐’† ๐’‚๐’๐’… ๐’‚๐’๐’๐’–๐’“๐’Š๐’๐’ˆ, ๐’•๐’‰๐’†๐’š ๐’‰๐’‚๐’—๐’† ๐’•๐’‰๐’† ๐’‘๐’๐’˜๐’†๐’“ ๐’๐’‡ ๐’‚๐’•๐’•๐’“๐’‚๐’„๐’•๐’Š๐’๐’ ๐’‚๐’๐’… ๐’Œ๐’๐’๐’˜ ๐’‰๐’๐’˜ ๐’•๐’ ๐’„๐’‚๐’‘๐’•๐’Š๐’—๐’‚๐’•๐’† ๐’‚๐’ ๐’‚๐’–๐’…๐’Š๐’†๐’๐’„๐’† ๐’˜๐’Š๐’•๐’‰ ๐’•๐’‰๐’†๐’Š๐’“ ๐’Š๐’“๐’“๐’†๐’”๐’Š๐’”๐’•๐’Š๐’ƒ๐’๐’† ๐’„๐’‰๐’‚๐’“๐’Ž๐’Š๐’๐’ˆ๐’๐’†๐’”๐’”. ๐‘ป๐’‰๐’†๐’š'๐’“๐’† ๐’•๐’‰๐’† ๐’†๐’‘๐’Š๐’•๐’๐’Ž๐’† ๐’๐’‡ ๐’Ž๐’‚๐’ˆ๐’๐’†๐’•๐’Š๐’”๐’Ž.
โ—ฆโ€โ—ฆ ๐‘จ๐’”๐’‰๐’๐’†๐’”๐’‰๐’‚ ๐‘บ๐’–๐’/๐‘ด๐’๐’๐’/๐‘จ๐’”๐’„๐’†๐’๐’…๐’‚๐’๐’• ๐’˜๐’๐’Ž๐’†๐’ ๐’‚๐’“๐’† ๐’•๐’‰๐’† ๐’•๐’“๐’–๐’† ๐’”๐’†๐’…๐’–๐’„๐’•๐’“๐’†๐’”๐’”๐’†๐’”, ๐’•๐’‰๐’†๐’š ๐’‰๐’‚๐’—๐’† ๐’†๐’๐’•๐’Š๐’„๐’Š๐’๐’ˆ ๐’‚๐’๐’… ๐’†๐’๐’•๐’‰๐’“๐’‚๐’๐’๐’Š๐’๐’ˆ ๐’’๐’–๐’‚๐’๐’Š๐’•๐’Š๐’†๐’” ๐’‚๐’ƒ๐’๐’–๐’• ๐’•๐’‰๐’†๐’Ž ๐’•๐’‰๐’‚๐’•'๐’๐’ ๐’‰๐’‚๐’—๐’† ๐’‘๐’†๐’๐’‘๐’๐’† ๐’„๐’‚๐’‘๐’•๐’Š๐’—๐’‚๐’•๐’†๐’… ๐’‚๐’๐’… ๐’‰๐’š๐’‘๐’๐’๐’•๐’Š๐’›๐’†๐’… ๐’Š๐’ ๐’”๐’†๐’„๐’๐’๐’…๐’” ๐’Ž๐’‚๐’Œ๐’Š๐’๐’ˆ ๐’Š๐’• ๐’๐’†๐’‚๐’“ ๐’Š๐’Ž๐’‘๐’๐’”๐’”๐’Š๐’ƒ๐’๐’† ๐’•๐’ ๐’“๐’†๐’”๐’Š๐’”๐’•.
โ—ฆโ€โ—ฆ ๐‘ช๐’‰๐’Š๐’•๐’“๐’‚ ๐‘บ๐’–๐’/๐‘ด๐’๐’๐’/๐‘จ๐’”๐’„๐’†๐’๐’…๐’‚๐’๐’• ๐’๐’‚๐’•๐’Š๐’—๐’†๐’” ๐’•๐’†๐’๐’… ๐’•๐’ ๐’†๐’‚๐’”๐’Š๐’๐’š ๐’๐’๐’›๐’† ๐’”๐’†๐’™ ๐’‚๐’‘๐’‘๐’†๐’‚๐’, ๐’•๐’‰๐’†๐’Š๐’“ ๐’ˆ๐’‚๐’›๐’†๐’” ๐’‚๐’“๐’† ๐’ƒ๐’๐’๐’… ๐’‚๐’๐’… ๐’…๐’๐’Ž๐’Š๐’๐’‚๐’•๐’Š๐’๐’ˆ, ๐’‚ ๐’๐’๐’• ๐’๐’‡ ๐’•๐’‰๐’†๐’Ž ๐’˜๐’Š๐’๐’ ๐’๐’Š๐’ˆ๐’‰๐’• ๐’–๐’‘ ๐’‚๐’ ๐’†๐’๐’•๐’Š๐’“๐’† ๐’“๐’๐’๐’Ž ๐’‚๐’๐’… ๐’๐’–๐’•๐’”๐’‰๐’Š๐’๐’† ๐’†๐’—๐’†๐’“๐’š๐’๐’๐’† ๐’Š๐’ ๐’•๐’‰๐’† ๐’“๐’๐’๐’Ž, ๐’ƒ๐’‚๐’”๐’Š๐’„๐’‚๐’๐’๐’š ๐’•๐’‰๐’†๐’š'๐’“๐’† ๐’•๐’‰๐’† ๐’…๐’‚๐’›๐’›๐’๐’Š๐’๐’ˆ ๐’•๐’Š๐’ˆ๐’†๐’“๐’†๐’”๐’”๐’†๐’” ๐’‚๐’๐’… ๐’ˆ๐’†๐’Ž๐’”.
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โ—ฆโ€โ—ฆ ๐‘ท๐’–๐’“๐’—๐’‚ ๐‘ท๐’‰๐’‚๐’๐’ˆ๐’–๐’๐’Š ๐‘บ๐’–๐’/๐‘ด๐’๐’๐’/๐‘จ๐’”๐’„๐’†๐’๐’…๐’‚๐’๐’• ๐’‰๐’†๐’‚๐’—๐’Š๐’๐’š ๐’„๐’‚๐’“๐’“๐’š ๐’”๐’–๐’๐’•๐’“๐’Š๐’๐’†๐’”๐’” ๐’Š๐’ ๐’•๐’‰๐’† ๐’‡๐’‚๐’„๐’† ๐’‚๐’๐’… ๐’ƒ๐’๐’…๐’š ๐’„๐’‚๐’‘๐’‚๐’ƒ๐’๐’† ๐’๐’‡ ๐’„๐’‚๐’•๐’„๐’‰๐’Š๐’๐’ˆ ๐’๐’๐’๐’๐’๐’Œ๐’†๐’“๐’” ๐’†๐’š๐’†๐’” ๐’˜๐’Š๐’•๐’‰๐’๐’–๐’• ๐’†๐’—๐’†๐’ ๐’•๐’“๐’š๐’Š๐’๐’ˆ. ๐‘ป๐’‰๐’†๐’Š๐’“ ๐’”๐’†๐’๐’”๐’–๐’๐’–๐’” ๐’‚๐’๐’… ๐’‘๐’‚๐’”๐’”๐’Š๐’๐’๐’‚๐’•๐’† ๐’๐’‚๐’•๐’–๐’“๐’† ๐’‰๐’‚๐’” ๐’†๐’—๐’†๐’“๐’š๐’ƒ๐’๐’…๐’š ๐’Š๐’ ๐’‚ ๐’Ž๐’‚๐’”๐’”๐’Š๐’—๐’† ๐’„๐’‰๐’๐’Œ๐’†๐’‰๐’๐’๐’….
โ—ฆโ€โ—ฆ ๐‘ฝ๐’Š๐’”๐’‰๐’‚๐’Œ๐’‰๐’‚ ๐‘บ๐’–๐’/๐‘ด๐’๐’๐’/๐‘จ๐’”๐’„๐’†๐’๐’…๐’‚๐’๐’• ๐’‹๐’–๐’”๐’• ๐’๐’Š๐’Œ๐’† ๐’•๐’‰๐’† ๐’š๐’๐’๐’Š ๐’‚๐’๐’Š๐’Ž๐’‚๐’ ๐’˜๐’‰๐’Š๐’„๐’‰ ๐’Š๐’” ๐’•๐’‰๐’† ๐’Ž๐’‚๐’๐’† ๐’•๐’Š๐’ˆ๐’†๐’“ ๐’•๐’†๐’๐’… ๐’•๐’ ๐’…๐’Š๐’”๐’‘๐’๐’‚๐’š ๐’‡๐’Š๐’†๐’“๐’„๐’†๐’๐’†๐’”๐’” ๐’•๐’‰๐’‚๐’•'๐’” ๐’—๐’†๐’“๐’š ๐’•๐’‚๐’๐’•๐’‚๐’๐’Š๐’›๐’Š๐’๐’ˆ, ๐’•๐’‰๐’†๐’š ๐’…๐’๐’'๐’• ๐’‰๐’‚๐’—๐’† ๐’•๐’ ๐’…๐’ ๐’‚๐’๐’š๐’•๐’‰๐’Š๐’๐’ˆ ๐’•๐’ ๐’‚๐’•๐’•๐’“๐’‚๐’„๐’• ๐’‚๐’๐’š๐’๐’๐’†'๐’” ๐’‚๐’•๐’•๐’†๐’๐’•๐’Š๐’๐’ ๐’•๐’‰๐’†๐’Š๐’“ ๐’…๐’๐’Ž๐’Š๐’๐’‚๐’๐’• ๐’๐’‚๐’•๐’–๐’“๐’† ๐’‚๐’๐’… ๐’˜๐’‚๐’๐’Œ ๐’‚๐’๐’๐’๐’† ๐’Š๐’” ๐’—๐’†๐’“๐’š ๐’†๐’๐’•๐’“๐’‚๐’๐’„๐’Š๐’๐’ˆ.
โ—ฆโ€โ—ฆ ๐‘ฑ๐’š๐’†๐’”๐’•๐’‰๐’‚ ๐‘บ๐’–๐’/๐‘ด๐’๐’๐’/๐‘จ๐’”๐’„๐’†๐’๐’…๐’‚๐’๐’• ๐’‚๐’“๐’† ๐’ƒ๐’๐’†๐’”๐’”๐’†๐’… ๐’˜๐’Š๐’•๐’‰ ๐’–๐’๐’…๐’†๐’๐’Š๐’‚๐’ƒ๐’๐’† ๐’‚๐’‘๐’‘๐’†๐’‚๐’, ๐’Š๐’•'๐’” ๐’‚๐’๐’Ž๐’๐’”๐’• ๐’๐’Š๐’Œ๐’† ๐’Š๐’๐’•๐’†๐’๐’”๐’† ๐’‚๐’๐’… ๐’ƒ๐’†๐’˜๐’Š๐’•๐’„๐’‰๐’Š๐’๐’ˆ, ๐’•๐’‰๐’†๐’Š๐’“ ๐’ˆ๐’‚๐’›๐’† ๐’•๐’๐’ ๐’Š๐’” ๐’Š๐’๐’•๐’Š๐’Ž๐’Š๐’…๐’‚๐’•๐’Š๐’๐’ˆ ๐’‚๐’๐’… ๐’…๐’“๐’‚๐’˜๐’Š๐’๐’ˆ ๐’‘๐’๐’˜๐’†๐’“ ๐’‚๐’„๐’•๐’Š๐’๐’ˆ ๐’‚๐’” ๐’‚ ๐’Ž๐’‚๐’ˆ๐’๐’†๐’•๐’Š๐’„ ๐’‡๐’‚๐’„๐’•๐’๐’“. ๐‘บ๐’๐’Ž๐’† ๐’Ž๐’๐’…๐’†๐’๐’” ๐’‰๐’‚๐’—๐’† ๐’•๐’‰๐’Š๐’” ๐’‘๐’๐’‚๐’„๐’†๐’Ž๐’†๐’๐’• ๐’Š๐’ ๐‘ฉ๐’Š๐’ˆ ๐Ÿ‘.
โ—ฆโ€โ—ฆ ๐‘ท๐’–๐’“๐’—๐’‚ ๐‘จ๐’”๐’‰๐’‚๐’…๐’‰๐’‚ ๐‘บ๐’–๐’/๐‘ด๐’๐’๐’/๐‘จ๐’”๐’„๐’†๐’๐’…๐’‚๐’๐’• ๐’˜๐’๐’Ž๐’†๐’ ๐’‚๐’“๐’† ๐’“๐’†๐’Ž๐’Š๐’๐’†๐’”๐’„๐’†๐’๐’• ๐’๐’‡ ๐‘จ๐’‘๐’‰๐’“๐’๐’…๐’‰๐’Š๐’•๐’† ๐’Š๐’๐’—๐’๐’Œ๐’Š๐’๐’ˆ ๐’๐’๐’—๐’† ๐’‚๐’๐’… ๐’…๐’†๐’”๐’Š๐’“๐’† ๐’˜๐’Š๐’•๐’‰๐’Š๐’ ๐’•๐’‰๐’๐’”๐’† ๐’•๐’‰๐’†๐’š ๐’„๐’๐’Ž๐’† ๐’‚๐’„๐’“๐’๐’”๐’”, ๐’Š๐’•'๐’” ๐’‚ ๐’ˆ๐’Š๐’‡๐’• ๐’•๐’‰๐’‚๐’• ๐’Ž๐’‚๐’๐’š ๐’๐’‡ ๐’•๐’‰๐’†๐’Ž ๐’‘๐’๐’”๐’”๐’†๐’”๐’” ๐’ƒ๐’š ๐’๐’‚๐’•๐’–๐’“๐’† ๐’‚๐’๐’๐’๐’ˆ ๐’˜๐’Š๐’•๐’‰ ๐’”๐’†๐’…๐’–๐’„๐’Š๐’๐’ˆ ๐’‚๐’๐’… ๐’‚๐’•๐’•๐’“๐’‚๐’„๐’•๐’Š๐’๐’ˆ ๐’˜๐’‚๐’๐’…๐’†๐’“๐’Š๐’๐’ˆ ๐’†๐’š๐’†๐’”.
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โ—ฆโ€โ—ฆ ๐‘ท๐’–๐’“๐’—๐’‚ ๐‘ฉ๐’‰๐’‚๐’…๐’“๐’‚๐’‘๐’…๐’‚ ๐‘บ๐’–๐’/๐‘ด๐’๐’๐’/๐‘จ๐’”๐’„๐’†๐’๐’…๐’‚๐’๐’• ๐’Š๐’” ๐’•๐’‰๐’† ๐’–๐’๐’•๐’Š๐’Ž๐’‚๐’•๐’† ๐’‡๐’†๐’Ž๐’Ž๐’† ๐’‡๐’‚๐’•๐’‚๐’๐’†๐’” ๐’๐’‡ ๐’•๐’‰๐’† ๐’ƒ๐’–๐’๐’„๐’‰ ๐’Œ๐’๐’๐’˜๐’Š๐’๐’ˆ ๐’†๐’™๐’‚๐’„๐’•๐’๐’š ๐’‰๐’๐’˜ ๐’•๐’ ๐’‘๐’๐’†๐’‚๐’”๐’† ๐’•๐’‰๐’† ๐’ƒ๐’๐’…๐’Š๐’๐’š ๐’”๐’†๐’๐’”๐’†๐’” ๐’•๐’‰๐’†๐’Š๐’“ ๐’†๐’”๐’”๐’†๐’๐’„๐’† ๐’Š๐’” ๐’…๐’‚๐’๐’ˆ๐’†๐’“๐’๐’–๐’” ๐’‚๐’๐’… ๐’Ž๐’†๐’๐’‚๐’„๐’Š๐’๐’ˆ, ๐’š๐’๐’– ๐’‰๐’‚๐’—๐’† ๐’•๐’ ๐’‚๐’—๐’๐’Š๐’… ๐’Š๐’• ๐’ƒ๐’–๐’• ๐’š๐’๐’–'๐’๐’ ๐’‚๐’๐’˜๐’‚๐’š๐’” ๐’‡๐’Š๐’๐’… ๐’š๐’๐’–๐’“๐’”๐’†๐’๐’‡ ๐’„๐’๐’Ž๐’Š๐’๐’ˆ ๐’ƒ๐’‚๐’„๐’Œ ๐’‡๐’๐’“ ๐’Ž๐’๐’“๐’†.
โ—ฆโ€โ—ฆ ๐‘น๐’†๐’—๐’‚๐’•๐’Š ๐‘บ๐’–๐’/๐‘ด๐’๐’๐’/๐‘จ๐’”๐’„๐’†๐’๐’…๐’‚๐’๐’• ๐’Ž๐’Š๐’ˆ๐’‰๐’• ๐’•๐’“๐’Š๐’„๐’Œ ๐’š๐’๐’– ๐’Š๐’๐’•๐’ ๐’•๐’‰๐’Š๐’๐’Œ๐’Š๐’๐’ˆ ๐’•๐’‰๐’‚๐’• ๐’•๐’‰๐’†๐’š'๐’“๐’† ๐’”๐’˜๐’†๐’†๐’• ๐’‚๐’๐’… ๐’Š๐’๐’๐’๐’„๐’†๐’๐’•, ๐’๐’๐’๐’š ๐’Š๐’‡ ๐’š๐’๐’– ๐’Œ๐’๐’†๐’˜ ๐’•๐’‰๐’‚๐’• ๐’…๐’†๐’†๐’‘ ๐’…๐’๐’˜๐’ ๐’•๐’‰๐’†๐’”๐’† ๐’๐’‚๐’•๐’Š๐’—๐’†๐’” ๐’‚๐’“๐’† ๐’„๐’๐’Ž๐’‘๐’๐’†๐’•๐’†๐’๐’š ๐’”๐’‘๐’†๐’๐’๐’ƒ๐’Š๐’๐’…๐’Š๐’๐’ˆ ๐’…๐’๐’๐’๐’Š๐’†๐’”, ๐’•๐’‰๐’†๐’š ๐’“๐’†๐’Ž๐’Š๐’๐’… ๐’Ž๐’† ๐’†๐’๐’•๐’Š๐’“๐’†๐’๐’š ๐’๐’‡ ๐’‚ ๐’”๐’Š๐’“๐’†๐’ ๐’‚๐’ƒ๐’๐’† ๐’•๐’ ๐’…๐’“๐’‚๐’˜ ๐’˜๐’Š๐’•๐’‰ ๐’•๐’‰๐’†๐’Š๐’“ ๐’„๐’‚๐’‘๐’•๐’Š๐’—๐’‚๐’•๐’Š๐’๐’ˆ ๐’”๐’Š๐’๐’ˆ๐’Š๐’๐’ˆ ๐’ƒ๐’–๐’• ๐’‘๐’“๐’†๐’”๐’†๐’๐’„๐’† ๐’•๐’๐’.
โ—ฆโ€โ—ฆ ๐‘ซ๐’‰๐’‚๐’๐’Š๐’”๐’•๐’‰๐’‚ ๐‘บ๐’–๐’/๐‘ด๐’๐’๐’/๐‘จ๐’”๐’„๐’†๐’๐’…๐’‚๐’๐’• ๐’๐’๐’• ๐’๐’๐’๐’š ๐’…๐’๐’'๐’• ๐’‚ ๐’•๐’๐’ ๐’๐’‡ ๐’•๐’‰๐’†๐’Ž ๐’‰๐’‚๐’—๐’† ๐’”๐’•๐’‚๐’“ ๐’‘๐’๐’˜๐’†๐’“ ๐’ƒ๐’–๐’• ๐’„๐’‰๐’‚๐’“๐’Š๐’”๐’Ž๐’‚ ๐’‚๐’” ๐’˜๐’†๐’๐’, ๐’•๐’‰๐’†๐’š'๐’“๐’† ๐’”๐’•๐’–๐’๐’๐’Š๐’๐’ˆ ๐’๐’Š๐’๐’๐’†๐’”๐’”๐’†๐’” ๐’‚๐’๐’… ๐’๐’†๐’‚๐’…๐’†๐’“๐’” ๐’‚๐’Ž๐’๐’๐’ˆ๐’”๐’• ๐’ƒ๐’š๐’”๐’•๐’‚๐’๐’…๐’†๐’“๐’” ๐’˜๐’Š๐’•๐’‰ ๐’”๐’๐’Ž๐’† ๐’„๐’๐’‘๐’š๐’Š๐’๐’ˆ ๐’•๐’‰๐’†๐’Ž. ๐‘ป๐’‰๐’†๐’Š๐’“ ๐’๐’Š๐’๐’-๐’๐’Š๐’Œ๐’† ๐’†๐’š๐’†๐’” ๐’Ž๐’‚๐’Š๐’๐’•๐’‚๐’Š๐’ ๐’‚ ๐’‰๐’–๐’ˆ๐’† ๐’‚๐’Ž๐’๐’–๐’๐’• ๐’๐’‡ ๐’”๐’•๐’“๐’†๐’๐’ˆ๐’•๐’‰ ๐’‚๐’๐’… ๐’”๐’†๐’…๐’–๐’„๐’•๐’Š๐’—๐’†๐’๐’†๐’”๐’”.
โ—ฆโ€โ—ฆ ๐‘ฒ๐’†๐’•๐’– ๐’Š๐’ ๐Ÿ๐’”๐’• ๐‘ฏ๐’๐’–๐’”๐’† ๐’ˆ๐’“๐’‚๐’๐’•๐’” ๐’๐’‚๐’•๐’Š๐’—๐’†๐’” ๐’˜๐’Š๐’•๐’‰ ๐’ˆ๐’๐’•๐’‰๐’Š๐’„ ๐’‚๐’๐’… ๐’„๐’๐’Ž๐’‘๐’†๐’๐’๐’Š๐’๐’ˆ ๐’†๐’๐’†๐’“๐’ˆ๐’Š๐’†๐’”, ๐’•๐’‰๐’†๐’Š๐’“ ๐’ƒ๐’†๐’‚๐’–๐’•๐’š ๐’‚๐’๐’… ๐’๐’—๐’†๐’“๐’‚๐’๐’ ๐’‚๐’–๐’“๐’‚ ๐’Š๐’” ๐’‚๐’ƒ๐’”๐’๐’๐’–๐’•๐’†๐’๐’š ๐’•๐’“๐’‚๐’๐’„๐’†-๐’Š๐’๐’…๐’–๐’„๐’Š๐’๐’ˆ ๐’‚๐’๐’… ๐’Š๐’๐’•๐’๐’™๐’Š๐’„๐’‚๐’•๐’Š๐’„๐’‚๐’•๐’Š๐’๐’ˆ. ๐‘ป๐’‰๐’†๐’Š๐’“ ๐’Ž๐’š๐’”๐’•๐’Š๐’‡๐’š๐’Š๐’๐’ˆ ๐’‚๐’๐’… ๐’†๐’๐’Š๐’ˆ๐’Ž๐’‚๐’•๐’Š๐’„ ๐’‘๐’†๐’“๐’”๐’๐’๐’‚๐’๐’Š๐’•๐’Š๐’†๐’” ๐’˜๐’Š๐’๐’ ๐’๐’†๐’‚๐’—๐’† ๐’‚๐’๐’š๐’๐’๐’† ๐’Š๐’๐’•๐’“๐’Š๐’ˆ๐’–๐’†๐’….
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โ—ฆโ€โ—ฆ ๐‘ท๐’๐’–๐’•๐’ ๐’Š๐’ ๐Ÿ๐’”๐’• ๐‘ฏ๐’๐’–๐’”๐’† ๐’‘๐’†๐’๐’‘๐’๐’† ๐’‚๐’“๐’† ๐’Ž๐’š๐’”๐’•๐’†๐’“๐’Š๐’๐’–๐’”, ๐’‚๐’๐’… ๐’Ž๐’‚๐’ˆ๐’๐’†๐’•๐’Š๐’„ ๐’•๐’‰๐’†๐’š ๐’Œ๐’๐’๐’˜ ๐’‰๐’๐’˜ ๐’•๐’ ๐’‘๐’†๐’“๐’‡๐’๐’“๐’Ž ๐’‚ ๐’”๐’‰๐’๐’˜ ๐’Š๐’ ๐’‡๐’“๐’๐’๐’• ๐’๐’‡ ๐’…๐’๐’›๐’†๐’๐’” ๐’˜๐’Š๐’•๐’‰ ๐’ƒ๐’†๐’ˆ๐’–๐’Š๐’๐’Š๐’๐’ˆ ๐’‚๐’๐’… ๐’“๐’Š๐’—๐’†๐’•๐’Š๐’๐’ˆ ๐’Ž๐’‚๐’๐’๐’†๐’“๐’Š๐’”๐’Ž๐’”. ๐‘ฐ๐’•'๐’๐’ ๐’ƒ๐’† ๐’”๐’๐’Ž๐’†๐’•๐’‰๐’Š๐’๐’ˆ ๐’•๐’‰๐’‚๐’• ๏ฟฝ๏ฟฝ๐’๐’–'๐’๐’ ๐’๐’†๐’—๐’†๐’“ ๐’†๐’—๐’†๐’“ ๐’˜๐’‚๐’๐’• ๐’•๐’ ๐’‡๐’๐’“๐’ˆ๐’†๐’•.
โ—ฆโ€โ—ฆ ๐‘ป๐’‚๐’–๐’“๐’–๐’” ๐‘จ๐’“๐’–๐’…๐’‰๐’‚ ๐‘ณ๐’‚๐’ˆ๐’๐’‚ ๐’„๐’‚๐’ ๐’Ž๐’‚๐’Œ๐’† ๐’๐’•๐’‰๐’†๐’“๐’” ๐’‘๐’†๐’“๐’„๐’†๐’Š๐’—๐’† ๐’•๐’‰๐’†๐’Ž ๐’‚๐’” ๐’”๐’†๐’๐’”๐’–๐’‚๐’, ๐’…๐’†๐’”๐’Š๐’“๐’‚๐’ƒ๐’๐’†, ๐’‚๐’๐’… ๐’‘๐’“๐’†๐’‘๐’๐’”๐’”๐’†๐’”๐’”๐’Š๐’๐’ˆ.
โ—ฆโ€โ—ฆ ๐‘ณ๐’†๐’ ๐‘จ๐’“๐’–๐’…๐’‰๐’‚ ๐‘ณ๐’‚๐’ˆ๐’๐’‚ ๐’‚๐’“๐’† ๐’•๐’š๐’‘๐’Š๐’„๐’‚๐’๐’๐’š ๐’‘๐’†๐’“๐’„๐’†๐’Š๐’—๐’†๐’… ๐’‚๐’” ๐’„๐’‰๐’‚๐’“๐’Š๐’”๐’Ž๐’‚๐’•๐’Š๐’„, ๐’†๐’™๐’’๐’–๐’Š๐’”๐’Š๐’•๐’†, ๐’‚๐’๐’… ๐’“๐’‚๐’…๐’Š๐’‚๐’๐’•.
โ—ฆโ€โ—ฆ ๐‘บ๐’„๐’๐’“๐’‘๐’Š๐’ ๐‘จ๐’“๐’–๐’…๐’‰๐’‚ ๐‘ณ๐’‚๐’ˆ๐’๐’‚ ๐’Š๐’ ๐’†๐’š๐’†๐’” ๐’๐’‡ ๐’‘๐’†๐’๐’‘๐’๐’† ๐’‚๐’“๐’† ๐’‘๐’†๐’“๐’„๐’†๐’Š๐’—๐’†๐’… ๐’•๐’ ๐’ƒ๐’† ๐’…๐’‚๐’“๐’Œ, ๐’Ž๐’‚๐’ˆ๐’๐’†๐’•๐’Š๐’›๐’Š๐’๐’ˆ, ๐’‚๐’๐’… ๐’‰๐’š๐’‘๐’๐’๐’•๐’Š๐’„.
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