#season two ep eight

[hellofunkytown]

“she said i could have anything i wanted, i was desperate- julie was dying”

“so you did it to save her? i think you did it for yourself”

funny how you’re going to do the exact same thing for sammy, dean

you’re going to sacrifice yourself for a way worse deal because you can’t stand losing your little brother, same as the guy who couldn’t stand to lose his wife

“you never actually considered making that deal, right?”

oh sammy, you already know the answer don’t you

[aperture-of-bullshit]

jentry chau vs the underworld was quite fun. Very stylish. It is unfortunately not the best paced. Episode ten reads like a season finale, and if it were the finale most of my issues would instantaneously disappear.

And so this may just be me tin hatting a bit, but I think the show may have been pitched with two seasons, but they were only given one. And the creative team had some reason to believe that they’d be extremely unlikely to get a season two (I simply couldn’t imagine why, what with the general state of the American animation industry)(this is the most sarcastic I’ve ever been in my life). And the result is they condensed their plans for season two into three episodes and tacked it onto the backend of season one.

The condensing not only removes some pretty pivotal character development scenes (Micheal learning and developing his visions, Micheal and Jentry’s relationship and breakup) but it also severely fucks with the pacing, because once again: Episode ten is a perfect season finale.

TL;DR go watch jentry chau, but be forewarned that the general state of the tv animation industry is looming and ever present.

[sammygender]

finished spn s9! two thoughts. one, that everyone who said i would want to kill the writers is absolutely right, absolutely fucking insane how much they make sam suffer and make dean worse. two, loved that season, insane how much they make sam suffer and make dean worse. shows gone totally off the rails but im so on board. we are so back. most enjoyable season since s5. well i liked s7 too but that was only because of sams arc

[medlabmech]

ALUCARD IS FUCKING BACK Y'ALL, HOLY FUCK THE HYPE!!!!!

NETFLIX I'M FUCKING KILLING YOU IF YOU DON'T GIVE NOCTURNE A SECOND SEASON

LESSSSSSS FUCKING GOOOOOOOOOOOOOO

[three--rings]

One thing I haven't seen a lot of talk about in the fandom so far is about the financials of this season.

It took us two whole months to get a confirmation of renewal from Max, and I talked at the time that I think there was probably a lot of heated negotiations going on at the time with contracts and that's why it took as long as it did.

I think we see a huge number of indications of the compromises that were made in order for S2 to be made. One obvious one that has been talked about is being making in in NZ instead of LA, to save $.

But there's also the eight episodes instead of ten. And then the cast aspect. One downside of moving overseas was having to fly out and house the cast, not just pay day wages.

We knew immediately about Guz Khan not coming back, losing Ivan as a character. At the time I was sad but I thought it had the air of a pretty harshly practical call. If you went through the main recurring cast and said okay which character will affect the fewest things, has the least character interactions of anyone? It would be Ivan. (With the only competition being The Swede IMO, but he's Stede's crew and therefore a little more central.)

And then this season started and we got first The Swede sidelined and taken out of major scenes. And then I noticed that different members of the crew were simply absent for long stretches, like Wee John isn't around for ep 5 at all. And then Buttons takes flight.

Lucius and Pete aren't at the party for most of it. Fang isn't in the torture scene. Roach and Fang aren't in the bar. Etc. SCHEDULING IS HAPPENING.

The new characters are almost entirely played by NZ local actors, which is great, but also...cheaper.

In other words there are big signs that they did everything possible to give us a giant cast of almost everyone we love from S1, and cool new characters, in the most economical way possible.

And I'm grateful for it. I'm grateful we got S2, and it looks great, and it's well written, I'm having a blast, and we get to spend more time with this awesome cast.

But I also kinda think it needs to be said that the cost-cutting shows. That it shouldn't have been only 8 episodes, the pacing is off. That we miss every time someone from the ensemble isn't on screen.

That despite what they've put on screen looking very good, there's far less costuming budget, there's less elaborate sets, and it's a little disappointing. And it's clear it's not a lack of will or talent or vision but blatantly lack of money.

Look, streaming networks want brilliant shows that people love (that will get them to subscribe) but they very don't want to pay anyone to make them. That's like, the whole moment we're having right now.

Max puts out promos about how great it is to not have unions messing shit up in NZ. Well I have friends who are union costumers in LA and guess what union costumers did amazing last season. This season, well, I guess Stede got three whole shirts, so that's cool.

So I dunno. It's just stuff I think about. I'm not trying to be negative about the show in any way. I'm extremely happy with this season; I love it more than well, possibly any show I've ever been in fandom for.

But I see you, Max. You're cheap. You weren't that cheap when you were called HBO.

[melrosing]

so stuff I’ve not liked about the finale and S2 more generally…. unfortunately it’s a lot and i'm thinking i might need to say this in several parts but first and foremost: the pacing really was shit and i don't just mean there weren't enough action scenes i mean the whole season they've had almost nothing to say about these characters and have just been making us think they do by having them repeat the same ham-fisted monologues about power and peace and the cost of war and whatever whilst moving at a glacial pace from one minor plot point to another and by the end of it most of these characters STILL haven't changed, and where they have it feels undeserved, and yes they really are at roughly the place they started so what have they even got to show for these eight hours of TV?? like damn

and I do get that the writer's strike has really effected them here and HBO hacking two eps off their season affected them too and that really can't be helped. but the pacing has been pretty poor from kick off and I can't just put it down to this being a more 'internal' season. i do not care about big battles. it's fine to have a season of a show that’s more about the characters’ interiority rather than plot action. that’s the exact reason why I like AFFC so much.

but these characters barely have interiority like idk what to say. some like Rhaenyra, Jace and Alicent have been spouting the same monologues every episode about wanting peace/wanting agency/wanting peace again etc etc, and the more interesting moments like Alicent's apparent suicide attempts, Rhaenyra's butchering of the dragonseeds etc... I mean where IS the interiority here?? unless they are spelling out a character's thoughts in the most literal way they can (as per Jace's diatribes about the dragonseeds), they leave their audience to do absolutely all the work by showing us nothing, and just leaving us to figure that the characters must be having some kind of thoughts but y'all can decide what they are.

and even Daemon, whose entire ARC was about his interiority.... like look I was so so ready to love this arc. i love fucked up little dream sequences. i love harrenhal. i was really enjoying the angle they took with alys. i was here for it. but now we've seen the whole of his S2 arc, im going to say yes, it was intended as a redemption adjacent kind of arc, and it isn't a very good one. Daemon has a handful of weird dreams, gets shouted at by some Riverlands folk, and he's a changed man.

consider the character everyone compares Daemon to (and who I'm always more than happy to talk about) and that's Jaime. and look at the sheer ground covered in ASOS: Jaime breaks out of a dungeon, Jaime meets a younger version of himself, Jaime gets his hand hacked off, Jaime reveals his anime villain backstory in the bath, Jaime deals with Roose Bolton, Jaime has a weird weirwood dream, Jaime fights a fucking bear - and at this point we're still only about halfway through.

now in contrast, what have they actually managed to do with Daemon this season. where has that finale moment with Rhaenyra been earned. this is not slow pacing for the sake of powerful character development, it's slow because they don't have anything else to say.

and also look at the state of characters like Aemond who seemed really promising in S1, yet in this season he barely reflects on the fact that he hadn't meant to kill Luke, and this war is an accident that he started, etc etc - he's just a killing machine lol. there were some nice touches in there, like i say i enjoyed Helaena telling Aemond how he'll die in the finale. but I no longer trust these writers to do anything with their more inspired ideas because they just consistently fail to do so.

look at Baela!!! like my god, has Baela had the opportunity to do anything except A) what she's told and B) counsel men on their feelings. she has like one moment looking at Daemon and you feel like the series is going to explore how complex it is to be Daemon Targaryen's daughter.... but my god they never do!! so where IS this interiority we've spent eight episodes on! what have they got to show for it!!

and i talked more weeks back about how frustrating i've found the writing of women more generally in this series and as of the finale I am finding it so egregious and so condescending. women want peace. women want to protect their children. women are tired of men. women are tired of war. women are trying to end this war peacefully. women are pacifists. women hate violence. and so on and so on and so on like jesus christ who am i even talking about here. even i don't know. it's so boring. it's so dry. and it requires female characters to always be the paragons of virtue, never do anything truly condemnable, never be unlikeable, never fucking anything except stand around saying how much they hate this. im bored of it and it makes me angry that they would do this in a series that specifically seeks to make everyone grey and everyone complex - they keep suggesting that might extend to the women before abruptly shutting it down again. see Alicent and Rhaenyra even STILL, after EVERYTHING, trying to peacefully shut down the war for the sake of love and friendship in the goddamn finale. I don't believe it anymore!! it's not cute! it's just dull!!!

and finally that just kind of brings me to how shortsighted a lot of the plot developments seem, when you see how the characters fail to reckon with their pasts or shit that just happened. Rhaenyra and Mysaria make out, and then that's never mentioned again and the tone never changes between them. Rhaenyra is done thinking about Luke. Helaena is done thinking about Jaehaerys. Aegon actually didn't mention Jaehaerys in the list of things he's 'lost' in that finale. Alicent's relationship w Viserys was just now condensed to 'we were fond of each other but he always liked your mum better'

like idk it's just. if this season's pacing is all about giving characters the chance to change and grow into the people they'll be when this war REALLY kicks off.... do it. write it. do not just write the same monologue a dozen times and hope it'll hit harder with each. doesn't work like that. sorry.

[whateverisbeautiful]

♥️Reveling in Richonne - TOWL

#59: The Eternal Love (1.06)

What The Ones Who Live made clear is that even before this world belongs to those who can fight, it really belongs to the ones who love. The ones who don’t let this world permanently change or destroy their ability to love. And so of course that means this world belongs to Richonne. 😌👌🏽

And Rick and Michonne’s indestructible everlasting love is at the foundation of this finale’s explosive final act 💥❤️...

The events of the bridge in season 9 and the devastating aftermath that kept Rick and Michonne apart for years have now led them to know that there are ways in which they won’t always be the ones who live. But even though they won’t literally live forever, they know their love will. Their love is eternal. 🥹

Just when all seems lost, Richonne sees Beale step out of the tent and they make a run for it. Michonne tells Rick to pull the flag down over them as she douses them in liquid to fend off the effects of the explosion.

Pearl is in shock seeing Walker Beale and before she can fully process it, the bombs and gas explode, instantly killing all those CRM higher-ups…except Pearl somehow. 🤔 Now, outside of plot armor, I'm not exactly sure of a plausible explanation for how Thorne survived this with how close and unprotected she was. But we move. 🤷🏽‍♀️

gif cred: @nerd4music

The base is smothered in that chlorine gas and the CRM soldiers have turned into walkers. Rick and Michonne are okay as they stay under the flag and are covered by the water. Pearl shows up with a mask still on the prowl and Rick tells Michonne that he’ll rush Pearl for her gas mask while Michonne grabs the other one.

Michonne asks, “Why you?” And Rick replies, “You’ve got the sword. We go?” And Michonne assents, saying, “We go.” It's a small thing, but I like how this moment always reminds me of their Say Yes scene when Rick tells Michonne he gave her eight walkers to take out because she has the sword.

Next, Rick and Pearl get into a fight and Pearl yells that he destroyed their chance and "destroyed the whole world." Which Pearl, ma'am, that's a little much. The CRM is not the world. As Rick passionately said in ep 1, this isn’t everything.

Pearl and Rick continue to fight and neither are holding back. Pearl starts to get the upper hand but then she grabs Rick’s hair and you already know how Rick feels when someone tries to touch something that belongs to Michonne - so he has to yeet her.

gif cred: @nerd4music

When he tosses Pearl, he gets surrounded by CRM walkers. There’s something symbolic about Rick being surrounded by these masked CRM walkers. They’re like the embodiment of the dead soldier Rick lived a long time as and how the CRM was constantly trying to consume him. They tried to turn him into just another lifeless member of their force and now they try to turn him into another lifeless delt. 

Pearl looks like she’s trying to aim her gun at Rick but then she joins the long list of people who learn the golden rule - never come for Rick in front of Michonne. You’ll get handled everytime. 💯 So sure enough, Michonne approaches and takes a swing at Pearl with Beale's sword.

I gotta hand it to Lesley having to take on a role where you go toe to toe with both Rick and Michonne. Thorne had to go at two heavy hitters back to back. 😅

gif cred: ricksmarlene/nerd4music

Now, Pearl's fight with Michonne goes a lil different because she doesn’t ever get the upper hand in this one.

Pearl says, “You were the one he was always trying to get to. How did you get to him?” I like that she says, always trying to get to. She knows Rick was real relentless in his pursuits to get to Michonne. 👌🏽

And then one thing Michonne is never afraid to do is tell you about yourself so, knowing what she knows about Pearl from Rick, Michonne says, “I didn’t give up. I didn’t give me up like you did.”

According to Richonne, there is always time to throw a little shade. And as Pearl has tried them both, not even poisonous gas was gonna stop Michonne from letting Pearl know...

But also, I like Michonne noting how she didn’t give up and didn’t give herself up because Michonne knows if you lose yourself you lose your way. She knows it from personal experience, as we saw at the start of her TWD journey.

It makes sense that Michonne was the only character in TOWL who refused to give herself up. Her briefly having to be Dana was like a more external version of the way the CRM internally makes everyone feel like they have to trade who they are to be what the CRM expects them to be.

While Michonne tried to play along to honor Rick’s request for five seconds, she ultimately decided that this place does not get to change her because what they make you is a cog in their machine and so detached from who you are at your core. Again, when you give in to that you lose yourself and then you lose your way.

And considering Michonne's way is meant to lead her back to her babies she was never going to let them take her from her. Then once she found her husband, she was also never going to let them take Rick from her again either.

Even when Michonne left that apartment in ep 4, while I think she was always going to make a choice that led her back to her kids, I don’t think Michonne would be able to live with just knowing Rick was out there externally and mentally imprisoned. So I think at some point she’d absolutely try to save him again. She’d have to. Saving him is saving her, it’s saving their family and it’s always been made clear that Michonne will never give up on her family. 

gif cred: @nerd4music

Determined to find Rick yet again during this fight with Pearl, Michonne yells “Where is he?” a couple times until Pearl finally tells her to turn around.

(Side note: I always feel like this whole exchange between Pearl and Michonne would have been the perfect organic opportunity to have Michonne declare she’s Michonne Grimes. Like if Pearl asked who she really is, after having asked her a similar question in the arena in ep 3, and Michonne said her name is Michonne Grimes...that would have had me turning up, ijs 🤩) 

Rick is struggling as the pile of CRM walkers grows and nearly overtakes him. Pearl fires shots at the walker that Michonne ducks behind. And then the way Michonne rises up when Pearl's murder attempts against her don’t work...it’s giving baddest chick in the game. 💅🏽

And Pearl seems to be realizing she’s come face to face with the baddest as she gets more desperate and says, “You don’t understand. In a dead world, love is dead.” Michonne shakes her head and says, “Love doesn’t die. Watch.” And then she grabs Beale’s sword and plunges it into Pearl as Pearl gets to learn this Dana lady is real good with a sword. 😋

Again, it’s quite ironic for Pearl to die by Beale’s sword. The sword she swore on and the symbol of the CRM philosophy she so badly wanted to believe in ended up being her demise.

And Rick had it right - he and Michonne really are the sword that kills and gives life. So much so that both Rick and Michonne used this same sword to take out two opponents within a short time span of each other. A couple that slays together stays together, it’s just the truth. 😌

gif cred: @nerd4music

Michonne repeats, “Love doesn’t die” and again I'll admit I wasn't crazy about the dialogue throughout this fight scene. It was a bit heavy-handed and I felt the 'love doesn’t die' sentiment could have perhaps been expressed with more subtlety and subtext but again...we move. Plus, Danai’s such a gifted actress that she makes that line work more than it would in lesser hands. 👌🏽

'Love doesn’t die' is clearly said one; because it’s one of the main messages of the show and two; because they want you to worry for a second if those are famous last words based on what happens next.

Cuz then Rick is swarmed by walkers with seemingly no way out and he has to use a grenade which leads to Michonne just seeing a big explosion.

In a moment that parallels Say Yes, Michonne drops her sword when she thinks she’s seen Rick explode. The moment also parallels Rick's last full TWD episode, as now Michonne has to think she's seen Rick blow up for the second time after he seemingly 'exploded' on that bridge. You just know that tragic bridge memory popped into Michonne's head after hearing the grenade. 😞

gif cred: nerd4music/michonnegrimes

I was thoroughly convinced that they were not going to have either Rick or Michonne die in a show called The Ones Who Live so I was positive Rick survived this explosion. Even tho, for just a split second there I did have to acknowledge this is the final episode and it’s a finale where Rick and Michonne aren’t as untouchable as previous finales so...maybe…but fortunately, the universe loves them some Richonne so Rick survives by covering himself in walker bodies. 

gif cred: @nerd4music

When Rick emerges, he immediately goes to Michonne and she runs to him and they embrace which is heartfelt. Especially because the last time something like this happened and it seemed Rick had blown up, they weren't able to run into each other's arms afterward and instead had to go years without seeing each other again. So you know it means a lot to them to be able to hold each other right now like they so longed to do that day on the bridge.

gif cred: @nerd4music

It's sweet that even amid these circumstances, Rick and Michonne still seek this moment of connection to let each other know they're glad they're okay. And there's big Say Yes vibes with this hug being similar to how they ran into each other's arms and embraced in 7.12, so you know I’m here for it. 🥰

As they make their way out, they stand over a wheezing Pearl and she expresses that she’s come to see that Okafor was right, but she adds, “You just have to hope Beale was wrong.” And then Pearl hands Rick the mask and it’s sorta like a final peace offering between them.

Rick silently takes the mask and then he and Michonne fight their way through walkers and make it to some upper ground. Again, the walkers have some practical use as Michonne uses them as a stepping stool. And it’s sweet seeing Rick urgently pull walkers away who are trying to grab at Michonne. 😊

gif cred: @coolpartytimefan

Rick gets one more signature him-against-the-horde moment as he shoots a bunch of walkers. It made me think about the many iconic Rick vs Everybody moments he's had over the years in TWD.

And, being the resilient man he is, of course, Rick Grimes is the one still standing after all those fights and faceoffs.

So then Rick makes it to the top of the platform as Michonne helps. Once they're finally out of the swarm, Rick and Michonne remove their masks and have a moment as they look at each other and look around at their plan being a success.

I love the little moment of Rick putting his arm around her and then Michonne putting her arm around him. 🥰That’s another thing about Richonne - they’re gonna make any moment a coupley moment. 👌🏽

gif cred: @taiturner

So as they zoom out and we get a shot reminiscent of the end of the TWD pilot ep, I love how in contrast to the pilot - Rick isn’t alone this time. 🥹 He found his other half in this crazy apocalypse and Michonne is by his side through it all. Including taking down the most powerful people in the most powerful military.

gif cred: @ricksmarlene

After looking around, Michonne and Rick start to hop from platform to platform to get up out of there. They did it, y’all. Mission accomplished. 🥳 As always, our beloved Richonne proved that they are...

And now, at long last it was finally time for Richonne to complete their ultimate mission and go home. 😭

And home isn’t just a place. For Rick and Michonne, most of all, home is their children. 👌🏽🥲

[lil-tachyon]

For the last couple weeks I've been drawing logos / designs for local-ish (mostly NJ, some PA and NY) bands as warmups in the morning. Here's what I've come up with! Massive post below the break explaining each logo + where to find each band and listen to their music.

Teenage Halloween- a staple of New Jersey basements for probably about a decade now and finally getting wider recognition in the last couple years. Pop punk / power pop with a killer horn section. First time I saw them was in New Brunswick playing with Walter Etc. and Blowout. They played a killer cover "Build Me Up Buttercup" and my wife got a black eye in the pit. Recommended tracks: "Brain Song," "666," "Clarity." Their first EP is on a separate bandcamp page btw, check it out here it's great.

Sweet Pill - They will call themselves a Philly band but in my heart they'll always be from Glassboro. Definitely one of the more recognizable names on this list. Emo revival - early stuff is more twinkly, more recent stuff is heavier. All of it's great. Recommended tracks "Nephew," "High Hopes."

Shark Club - Central Jersey's finest. I'm very biased because I actually know these dudes and they did the music for my wedding. Some of the best pop punk you'll hear and the nicest people you'll meet. Recommended tracks: "Game Theory," "Bill Murray," "Heavens to Betsy."

Rest Ashore - My favorite band for the last (oh God I'm old now) eight years. From gut-wrenching emo ballads to virtuoso math-rock instrumentals they do it all. One time I got to sing vocals on "Lucy's Theme" at a house show- thank you Erica! Recommended tracks: "Hjarta," "Chinese Opera," "Devotion," "Soyuz Sweetheart." Too many bangers to name honestly, just deep dive their discography.

Morus Alba - First band I ever went to see at a house show and still one of my absolute favorites. Their music feels like the bridge between the best pitchfork, /mu/ alt rock bands and high energy basement emo. I mean that as a compliment and I hope it comes off as one lol. I should note that since 2019 Morus Alba has morphed from a band into an experimental hip-hop project so later releases sound radically different and basically disconnected from the earlier stuff. Also my favorite release from them, Live at Isabelle's, has been scrubbed from the internet but if you'd like the files just email me. Recommended tracks: "Skyscraper," "Human Resources," "The Goodnight Waltz."

Have a Good Season - another Jersey mainstay that's still going strong. Emo revival in their earlier releases, now with more 70s power pop influences in their newer stuff. See them live, they put on a fantastic show and usually play some great covers in addition to their original music. HaGS guys if you're reading this, please put your version of "Since You've Been Gone" online, I'm begging you. Recommended tracks: "Joseph / Shel Silverstein," (you have to listen to them together for the drop, so good) , "Gum, "Gleaux / Scab." Also, frontman Nic Palermo interviewed me once.

Elephant Jake - If you see any of these bands live make it EJ, they put on such a damn good show. Electrifying indie punk from the Empire State. Recommended tracks: "F.D.C." "Sarah Moyer," "Goodness to Honest," and of course you gotta learn "Sebastien Bauer" for the singalongs.

Blind Lion - Sadly one of the greats that we lost along the way. Defunct since about 2017. I only got to see them once but it was a great performance. Alongside their own stuff they played some killer covers of "Bad Moon Rising" and "Moonage Daydream." I had trouble doing a logo design for them because I actually really like the composition, if not the "Ed Hardy-ness," of their existing logo so what you see here are two separate attempts, neither of which feels entirely satisfying to me. Frontperson Larry Flately currently plays in Nematode and also handled production of Bradley Gardens joke hiphop group The Breakfast Boiz under the moniker "DJ Ova EZ." Recommended tracks: "Brumous," "Dinner."

Fighting Seasons - A band that I sadly found out about too late (via a sticker under the bridge in my town which has since been painted over). 2010s pop punk that packs a helluva punch, especially considering that I'm pretty sure the members were high schoolers for most of the band's existence. I think some members may have gone on to form Sawce (FFO Chon, Polyphia, that type of music) but I can't remember where I read/heard that so ¯\_(ツ)_/¯. Recommended tracks: "Fighting Seasons," "Oil on Canvas"

Milkmen- Another fallen giant, officially disbanded in 2019. Like Morus Alba, they played the very first house show I attended and their few releases remain on constant rotation in my home. Used to put on a great show and were one of the bands I always thought would make it big until suddenly they weren't around anymore. Frontman Ben Thieberger contributed guitar and vocals to Covid quarantine project Kin if you're looking for a bit of an extra fix but beyond that I don't know what these guys are up to these days, sadly. Recommended tracks: "Ramus," "Johnny Dangerously," "how sieves catch breeze," "K.O.T.H."

Stand and Wave - New York (now Philly) pop punkers delivering instant dopamine hits with every track. Another great live act, see them with EJ if you can! They often play shows together. Recommended tracks: "Convos," "Mrs. Dash," "Splashton Kutcher," "Michael Collins."

My Chemical Romance - You know who they are. While I was drawing all these other logos I ran a poll on Patreon to decide which famous New Jersey band should also be graced with a drawing from me. MCR won the poll by a hefty margin so unfortunately you won't get to see me do an illegible black metal take on Hoboken's Yo La Tengo. I ended up doing two versions: the one with the halo is the first, the one with the bats was the second. I tried to do something kind of thin and elegant with the first one and I don't think it's terrible but I also wasn't quite satisfied with it. For the 2nd attempt I tried to lean into the kind of pulpy, almost horror punk aesthetic of early MCR and I think that one looks better even if it's less original.

Anyway if you took the time to read through all this, thank you very much! And please support these bands! Also If any of the links aren't working please let me know.

-Logan

[fannyyann]

Keeping up with the Florida Panthers (aka Sara Civian interviews Matthew)

EP Rinkside: What's something away from the rink that’s making you happy these days?

Matthew Tkachuk: I would say, just, I'm lucky at this time of year. Especially across the whole country, it seems like it's freezing everywhere. It's beautiful down in Florida. And we just moved into our new practice rink recently, so that's been awesome.

EP: There was a quote floating around from (head coach Paul Maurice) from before the nine-game win streak and before you started getting hot on the scoresheet. He said people are going to say “Matthew Tkachuk is back,” and he's going to say you never left. Did you see that?

MT: I did, yes.

EP: How did you feel about it, and what's your relationship with him like?

MT: Well, Paul's been a very important part of my last few years. He’s one of, if not the best, coaches that I've ever played with. He's been very important for my development, and I just think that he trusts my game, and I trust my game. I wouldn't say (the puck) was going in early, but I haven’t changed one thing, I'm still doing the exact same thing, it's just finding a little bit more success right now.

It’s been a great year for our team and as of late, it’s picking it up a little bit for myself. Hopefully, we can just keep trending into the second half of the year here.

EP: How important is that trust between a coach and a player and how is it developed?

MT: I just think that he's always given me the right leeway, but still expects me to play the right way. He knows that there's some parts of my game that (are unique) I need to maybe take a little bit more chances than the average player. He gives me full leeway to do that, but also expects me to work my butt off and to lead by example.

EP: We always talk about “buy-in,” it's kind of cliché at this point, and you guys obviously have that factor. But how does something like that start?

MT: I just think being so close to winning it all last year has made it very, very easy to come back this year and have that immediate buy-in from the guys wanting to win a championship here. So many returning guys who are so close and so upset with not finishing it off. There's a lot of motivation.

EP: Do you have a favourite moment from last season's run?

MT: I would say, probably all of the series-clinching wins, the series-winning goals. The overtime winner in Boston, the overtime winner in Toronto, the last second one at home against Carolina.

All three of those are by far the greatest goals I've ever been a part of.

EP: I feel like we're not as a society talking about Sam Bennett enough. Can you give us a little bit about what he's like off the ice and what it's like to play with him?

MT: He just plays so hard.

He was one of the first guys I met when coming to Calgary, and we've been so close ever since. I'm so happy that we got to play together again down here in Florida. He was the first guy I talked to when I got traded, and we've just been so close for eight-plus years now.

It’s so fun that we're able to play with each other still, we just have such great chemistry on and off the ice. He just plays so hard and he complements my game so well. And off the ice, we're just super close and have a great group of guys that pretty much do everything together away from the rink.

It makes it so much fun to come to the rink every day, work with them, and then when we leave the rink, do stuff together.

EP: If you became the commissioner of the league today, what's the first thing you'd change?

MT: Overtime until somebody scores. No shootouts. And no back-to-backs. I don't know if we need any more back-to-backs right now.

EP: Other than you, who has the best chirps in the league?

MT: I'd say the guy who chirps a lot on our team is Brandon Montour. He has some good ones. Nick Cousins has got some good ones. (Ryan) Lomberg, too. They all have some good ones.

EP: Best advice your dad ever gave you?

MT: Two things: Compete and be a good teammate.

EP: Last year you gained some recognition outside of the hockey world, and it kind of sparked, like, a debate about personality in the NHL. I've always wondered What you actually think about this whole conversation, like, do you like being kind of the personality guy in the NHL?

MT: Well, I’m never going to not be myself. I grew up with great parents that taught me great things and around a great family. I’ll carry that for the rest of my life. I’m not trying to do anything, and some guys are (quieter) and that’s OK. This is just how my personality is.

EP: Can you give me three words to describe the current Panthers?

MT: Oh, I would say very fast. So fast. Close – we’re a super close team.  I've never seen a team like this where, you know, we're going to dinner on the road and we're having, you know, 15 people reservations and everybody hanging out with each other. it's been awesome. Fast, close, and fun. Nobody has more fun than our team.

[lukiaxx]

List of byler-gates

I’m just bored, but read it anyways, it’s fun

there sooo many of them, and i’m still pretty lazy so this isn’t perfect, but just let’s start

Mikhailgate

This is practically anti byler theory, but nvm

So, Dimitri has a son named Mikhail, which is russian version of name Michael, Mike

So, people were just saying that instead of Mike, Will will end up with Mikhail(who’s technically Mike bc of the name, yk)

I think everyone was just joking, oh, good ol’ times

and willloveinterestgate is the same

Lettergate/Pocketgate

These theories aren’t the same one, but it’s basically the same concept, ig

The basic thing is, that Mike wrote a letter to Will(singed Love, Mike)

In pocketgate, Mike has the letter saved in his triangle pocket, bc in st, characters many times has letters, that were important to them, in their left pocket(above the heart), for example Hopper and El(Hopper’s heart-to-heart), Jonathan(acceptance letter to college) etc.

And he would just take it out in the middle of confession or sth

+the triangle always points to Will like an arrow

Lettergate is just basically the same, ok, idk how to describe it differently 

Twelvegate

Not exactly a byler, but theory, that Will was number twelve in HNL, and that he’s El’s actual twin

And from that, there’s theory that Will has powers, but wasn’t n. 012

Okay, back to byler

This is same as rainbowgate i think

Flickergate

This theory is very lovely! after Will tells Mike that rolled seven in s1, the light behind them flickers

and since ud is frozen on nov6 83, when you signal sth from ud, it should appear at nov6 83-s1

this connects to electricgate(i dunno if sth like this exist, but just keep reading), the electricity~are friends electric~will possibly having electric powers

so mike and will could go together in s5 to ud on a mission or sth, and kiss in wheelers garage, and that would make the light flicker(i’m so good at explaining things, right😐)

will and mike going to ud together is predicted by mike and will sitting on upside down couch in last ep. of s4

Birthdaygate/Memorygate

Soo, remember how they forgot Will’s birthday? what if all wills memories, that people reminded him of in the shed are gone? his birthday, building castle byers, meeting mike… and that’s why mike says that his life started the day he found her, bc he doesn’t remember meeting Will

for me, it’s really weird, they couldn’t just forget Will’s birthday, no, this ain’t it

Kiss at lovers lake

I’m not sure if this has a different name, but it’s that their first kiss will be near lovers lake

evidence: patrick(the kid who died at lovers lake), had a nickname “berlin wall” or sth(we saw this in the school newspaper), and it was devided to four, same as hawkins

and song heroes is abt couple who lived at different sides of berlin wall, and idk, it just connects, okay?

when will painted the map of hawkins while he was possessed, mike was holding blue and yellow meter

Eightfifteengate

Context: will left the wheelers at 8:15 in s1

in s1e1, time mark 8:15 is literally the shot where will disappears in the shead

i think there’s a season 2 soundtrack called eight fifteen

tw: time fuckery: while will was recording on halloween night, the time says 8:04 while he’s recording mike saying “did you agreed with this?”, but when joyce rewatches it, it show 8:15(byler)

“ it’s 8:15, you’re late”

btw, clocks and watches from hiroshima are stuck at 8:15

aaanywaaay, there’s just too much 8:15 things, aaah(this is just a few)

what it has to do with byler?

well, 15-8=….(wait for it)….seven. a byler number. it was a seven!

also, “the first lie”, when murray says this to jancy, the time mark is… guess what, 8:15

there’s this theory with the songs “the first lie” and “the first i love you”, and it just connects 

Motelgate

theory, that after mike’s “love” confession to el, they went to a motel for sleep, and mike and will had to share a bed, and we could possibly see flashbacks of it in s5, and it would kinda explain the two day skip

Colorgate

blue and yellow meet in the west, i’m sure you know this one, and there’s sooo many evidence in this

mattduffersbasementgate

It’s too late for this to be true, but the duffers are(/were) holding every cast member that ships byler in their basement, lol

bloopergate

Bloopers from byler scenes, basically, for example “not when i was the spy, oh fuck”, basically Finn and Noah being all giggly, i guess

bloopergate implies to every blooper, but why not to mention it

curtaingate

Sth like, that when there’s some fight happening between characters, if curtains are open, it means they’re open with their feeling and opposite 

Example: milkvan make out scene-closed, but you don’t love me fight-opened

Bonus: „ but they like the curtain. people like us are just trying to look behind the curtain”(my very bad quotation of murray, yk what i mean)

Also, Suzie had blue and yellow curtains, and they were opened

And, “and i love her and i can’t lose her again”? Also curtains closed, like wtf, this fandom is crazy

piggybackgate

El knows abt Mike and Will. she saw how they act around each other, she’ve heard will saying “you’re the heart” to mike, saw that mike has Will’s painting now

New Coke Theory

basically, old coca colla is mileven, new coke is byler. it contains some of the old ingredients(mike), and new ones too(will). not everyone likes(bc its gay ship). and when you look at scenes with can of new coke, it’s many times symbolizing byler vs. milkvan

one of my favorite new coke theory examples is this: in s3, after el gets attacked by the flesh monster, she tries to crash a can(but she doesn’t have her powers, so she can’t). this is a can of new coke(byler) and she can’t crush that/destroy it. and in this scene, we get a flashback to the lab, where she crushes aka destroys regular coke(mileven)

phonegate

mike and will not calling each other, bc of joyce’s telemarketer job(he won’t stop whining abt it)

————

i miss all these little silly theories abt literally everything

i hope the byler tag will be like this once again

maybe we could start naming our new theories “gate”s again

for example: heartfeltgat, strangerwritersgate, snowkissgate or sth

anyway, byee

[paradoxlemonade]

Informal interest check!

I've been wanting to run some kind of fandom event for Jukebox Nights for a while, and I think I've finally come up with an idea that I'm interested in pursuing.

[For reference, a Jukebox night is a concept from the hermitcraft fandom around season six-ish. An artist would take a song and make an illustration based on the lyrics! The pictures were usually square to look like an album cover, but that's not a hard rule.]

The concept I came up with: a sprint-style event where all participants pick a song (with no two participants picking the same song), and they make their Jukebox night illustration. Once they've finished their art, they can either be done or they can make another to aim for a higher victory tier.

The tiers (work in progress):

Hit Single: Make one jukebox night

The EP: make four jukebox nights

A full album: make eight jukebox nights

The prize for completing higher tiers would be bragging rights and your name on the event blog's Hall of Fame.

[insanityclause]

EXCLUSIVE: One year ago we told you that a second season of John le Carré adaptation The Night Manager was quietly being developed under the codename Steelworks.

Now, Deadline can reveal that the BBC and new co-pro partner Amazon have gone big on a supercharged two-season order of the thriller, with Tom Hiddleston returning to lead, Hugh Laurie coming back as EP and with a new director in I Hate Suzie’s Georgi Banks-Davies. A third season has also been greenlit. David Farr returns as writer and Stephen Garrett is showrunner.

The Night Manager Season 2 will begin filming later this year and will pick up with Hiddleston’s Jonathan Pine eight years after the explosive finale of Season 1, going beyond the original book, which was written by the celebrated British writer in 1993. Additional plot details are being kept under wraps and there is not yet confirmation as to whether EP Laurie’s Richard Roper, who was last seen in the back of a paddy wagon driven by arms buyers who were not best pleased with him, will return to star. Hiddleston will also EP and will discuss in more depth on tonight’s Jimmy Kimmel Live!

Produced by The Ink Factory in association with Character 7, Demarest Films and 127 Wall, and in co-production with Spanish partner Nostromo Pictures, The Night Manager Season 2 was sold to Amazon by Fifth Season. The first was co-produced with AMC.

New director Banks-Davies, a BAFTA-nominee who takes over from Susanne Bier, has credits including I Hate Suzie, Garfield and upcoming Netflix series Kaos.

The Night Manager Season 1 was a huge success, watched by millions and winning multiple BAFTAs, Emmys and Golden Globes including best actor for Hiddleston. Also starring Tom Hollander, Olivia Colman and Elizabeth Debicki, it followed Pine – who ran a luxury hotel in Cairo – as he attempted to infiltrate the inner circle of Roper’s crime syndicate after being hired by Foreign Office task force manager Angela Burr.

The first season was commissioned more than 10 years ago and the show has since been remade in India, lapping the UK version by swiftly having a Season 2 greenlit for Disney+ Hotstar in May last year.

Simon Cornwell and Stephen Cornwell, le Carré’s sons who run The Ink Factory, said Season 1 proved “a landmark moment for the golden era of television – uniting on-screen and behind-the-camera talent at the top of their game – and an audience reception which was beyond our wildest imagining.”

They added: “Revisiting the story of Pine also means going beyond the events of John le Carré’s original work: that is a decision we have not taken lightly, but his compelling characters and the vision David has for their next chapter were irresistible.”

Amazon MGM Studios Head of Television Vernon Sanders said: “We are elated to bring additional seasons of The Night Manager to our Prime Video customers. The combination of terrific source material, the wonderful team at The Ink Factory, a great writer in David Farr, an award-winning director in Georgi Banks-Davies, as well as the talented cast truly make the series the full package.”

Hiddleston said: “The first series of The Night Manager was one of the most creatively fulfilling projects I have ever worked on. The depth, range and complexity of Jonathan Pine was, and remains, a thrilling prospect.”

BBC content boss Charlotte Moore added: “After years of fervent speculation I’m incredibly excited to confirm that The Night Manager is returning to the BBC for two more series.”

The Night Manager series two is created and executive produced by Farr, based on the characters created by le Carré. Additional executive producers include Garrett for Character 7, Banks-Davies, Laurie and Hiddleston; Joe Tsai and Arthur Wang for 127 Wall; Stephen and Simon Cornwell, Michele Wolkoff, and Tessa Inkelaar for The Ink Factory; Adrián Guerra for Nostromo Pictures; William D. Johnson for Demarest Films, Nick Cornwell, Susanne Bier, Chris Rice for Fifth Season and Gaynor Holmes for the BBC.

[tizzyizzy]

Sorry, the whole "it was rushed because they only had 8 episodes" thing is bs.

They knew they only had eight 30 min eps from the start. Part of writing is choosing how to use your limited time/word count/page count properly. You figure out what the core of the story is. Then cut out what you don't need so the important bits have time to develop.

Off the top of my head? Ed's homicidal mania era was too intense and heavy to deal with properly. He already would have to atone for forced auto cannibalism, kidnapping, and marooning. No need to up the ante.

I liked Zheng and Archie, but did we really need two new love interests for a pair of characters already together? If you must, pick one relationship and develop it properly.

Izzy's arc of self-discovery was the best part of the season. It was also totally wasted when he was killed for Ed's growth. If Izzy's death is about Ed moving on and the death of Blackbeard, cut the arc of self-healing and gaining community separately from Ed. Replace it with an arc centering on their relationship instead. So when Izzy dies in Ed's arms, it is a culmination instead of a cheap death to make the audience sad and a completely illogical plot beat for Ed.

[roxxyhoney]

These first two episodes of season 2 of IWTV have only given 2 Loustat scenes and they have legit been AMAZING and HEART WRENCHING 😭😍

2x1: (ep eight)

2x2 (ep nine)

But can we get into what we’re probably getting in 2x3 (ep ten) after seeing the previews. And if so, I’M GOING TO SCREAM🥰

2x3 preview ♥️

[azaharinflames]

In truth, I would greatly appreciate your thoughts on how 8b will play out and what do you think will happen in the end regarding Tevan? 💔

Hi, Nonnie! Sorry for taking so long, half of it was because of the month I had, half of it is because well, I'm not sure?

There are two creatures inside of me: the realistic (and rather pessimistic) one and the slightly hopeful one.

For hopeful: I think bringing Tommy back is a very real possibility, based on the fact that a) the break-up was open-ended, and that was very much for a reason b) they made sure to show us Buck longing for Tommy and even cared to show Tommy is also thinking about Buck c) they also made sure Tommy was not painted in a bad light (something a lot of us feared he would be) and perhaps d) it would be extremely dumb to pass on a character/ship/storyline that very obviously brings in a lot of viewers and engagement, more so when we're talking about a show that is on its eight season and needs this engagement to keep going.

So. That being said. If they bring Tommy back, I'm one of those who believes it wouldn't be until the end of the season / one of the last few episodes. I think they'll take 8b to explore what Buck does, how he feels, and how he identifies (hopefully), and by the end he'll know and Tommy will be there. Kinda like they were the right person, the wrong time, but make it the right time this time.

Now, for realistic (pessimistic): This honestly is just me being that, pessimistic. And not trusting 911 a whole lot after what they did with 8a. This part of me already fears for the 'fling', and for the time jump, and for JLH saying Maddie needed the haircut she got (thank God the straight bob is gone, by the way) because of what will happen in the show. The hair is much longer than she had been rocking before, and unless Maddie gets extensions, this would mean the time jump is rather big. They can't go too big of a time jump because of Jee (because I doubt they'd change the actors for that), but there will be one. I personally think it'll be a natural time jump (809&10 take place right after, but my bet is that 811 will be in March of their timeline, so kinda like the hiatus).

That to say: I'm fully expecting for them to portray Buck as fully moved on by 810, and starting a new bachelor era come 811. Perhaps the fling is over in a couple eps, that's what I'm expecting, but perhaps he also moves on to someone new and Tommy is never mentioned again, and we see him appear in an Abby-like appearance at the end of Season 9, or 10. But that's just my pessimistic side talking.

In truth, it's hard to try to guess what will happen because 911 is just not caring that much lately. Like, sure, they sorta hinted at SLs that we'll see in 8b, but they also did that in 7b going into 8a, and look where that got us. So guessing is a bit useless, in my opinion.

Anyway. Sorry for the rant lmao. My inbox is open for ranting, venting, and giving opinions or confessions!

Take care <3

[chirigiri1012-inconsistent]

Purple is kinda overrated - an analysis/rant(?)

I was thinking about it a long time, and this post contains my thoughts over my whole existence in the fandom. If you don't agree on what i say - it's okay. Everyone has the right to express what they believe, if it's not harming anyone (and I'm obviously not doing it). I'd like to hear what the others think, so feel free to comment or smth.

----------------------------------------------------

I just can't stand people endlessly defending him, like he did nothing wrong. I don't suggest, that he can't be redeemed, and what he was doing was pure evil, but come on. He almost killed two guys back in the episode 10, and for what? There is, like, a thousand different ways to impress your dad, without dragging other people into this. Or without hurting anyone.

Actually, if Purple's father disappeared, then...why is he trying to get him back? Maybe i misunderstood, but if the source of the most of my problems just went gone, i would not give a damn about it. Why is he doing this? It's like recovering from a disease, and once you're fully healed, you try to get sick again.

Okay, season one wasn't that bad, because he apologised and everyone lived happily ever after, but then we have season 3. And Purple returns, and does THE EXACT SAME THING. He never learned anything from that encounter. Better - he now tries to do something even worse.

"But he's under MT's command!" - he never was forced to do it, let's be honest. He agreed to do this.

Episode 25 is Purple finally getting some karma. He finally learned, that he's not doing anything good. He finally gets what he deserves.

And then the narrative undergoes an 180 in ep 29.

I don't want to hate on this episode, it has amazing visuals and music (which i consider one of the best out of the whole season 3), but i need to say one thing. After all this mess Purple did, his backstory looks like an excuse. An excuse to feel sorry for him. Yes, he regretted everything. Yes, he apologised. In a youtuber way. I felt like i was watching a got talent show. I really want to feel sorry. But i just can't.

It might be surprising after all the ranting, but i don't have any problems with Purple getting a happy ending. He's not irredeemable, and he already got his karma, so it's enough for me to not have any complaints.

------------------------------------------------

Why is Purple overrated? Because people overly victimise him. They forget about all the evil stuff he did, or they excuse him. Let's remember, that he joined Mt and dragged Blue and Green into his plan all by himself. He could not do it, but he did (i already said, that it's kinda stupid but i won't repeat myself). He just could live his life after his dad left, just leaving the past behind.

And to settle thing up - i don't hate him. I think that Purple is pretty good in terms of character development and his story, but i consider some of his life choices stupid. That's all.

PS. Sorry for not posting, school for eight hours a day is sucking the inspiration out of me