#season 3 was good and CANON stay mad

[incorrectsibunaquotes]

KT was really annoying I didn’t like her sorry

Why are you apologizing to me? I’m sorry that you’ve got no taste and you suffer from thinly veiled racism disease

[th30sstuff]

Since you guys(2 people) liked that and I'm a validation seeker

OBEY ME TICKLISH RANKING FROM MOST TO LEAST

#1 Luke

He's a child, I feel like if you try you can tickle even his shoulders, he's extremely ticklish and is the kind of kid that falls on the floor and starts rolling around trying to escape.

#2 Satan

Just like Luke but not so extreme, grown ass man would start kicking giggling, he would try to threat whoever is doing this at first but if you don't feel intimidated and keeps going is not going to take long before he's either begging for mercy or in his demon form depending on how much he cares for your health

#3 Asmodeus

Fucking look at him.

#4 Mammon

Probably just ticklish at very specific spots but once you find them he melts completely, probably lasts the least before he's yelling between giggles for you to stop and run to the bathroom immediately before he pisses himself

#5 Simeon

He's canonically ticklish because season 4 but I think if he was actually THAT ticklish he wouldn't wear THOSE OUTFITS?!?!? COME ON THOSE ARE MADE FOR TICKLING!!! Also, I think he's good controlling his laughter in this situation.

#6 Levi

He's hard to tickle specially because he stops it quickly when you see it coming, the thing is, you have to do it when he least expects it l8ke when he's playing a game because HE WON'T TRY TO STOP YOU!!! HE JUST STOPS WORKING AND HAS NO IDEA WHAT TO DO

#7 Beel and Belphie

They are the same amount of ticklish, it's not THAT BAD but they are still ticklish.

Beel probably thinks it's nice when people do it because I feel like because both are the youngests they are constantly tickled by their brothers so Beel sees it as affectionate.

Belphie on the other hand probably would be "haha ok" in a second and suddenly he flips a switch and is pushing you away from him with a pout.(WAKE HIM UP WITH TICKLES!!!!)

#8 Lucifer

I DIDN'T WANT HIM TO BE THE LEAST OF THE BROTHERS BUT😭

Still ticklish but just like Levi he would stop by grabbing the wrist of whoever is trying's wrist and glaring with a stern "Don't."

BUT JUST LIKE LEVI, get him when he least expects it, when he's refusing to leave his office for the third meal in a row, when you're cuddling, WAKE HIM UP WITH TICKLES!! I need this tired grown as man ruined trying to save his pride while he obviously can't.

He'd probably scold you with empty words because he's too embarrassed to think but just give him a few kisses or ego strokes and he's sighing exasperated because what else is he going to do anyways, it's not like he can stay mad forever about something like this.

#9 Solomon

Bro is not ticklish, like he feels something if you try but he's not giggling and pissing his pants, he'd probably chuckle a little at the attempt anyways.

#10 Diavolo

Ok so hear me out,

In my head, the royal family has genetically terrible instincts.

But Diavolo is so fucking playful affection deprived that he'd be EUPHORIC that you'd try to tickle him like "OMG ARE WE THAT CLOSE OF FRIENDS??? THAT'S SO SWEET" and would start laughing specially because of it. (Do it right after a meeting and watch the entire council, I mean the brothers, stare at you with terror because WHAT IS WRONG WITH YOU)

#11 Barbatos

Don't try, it's just going to be awkward, he'll stare at your soul while not changing his expression at all.

He'd be confused at first, then notice what's happening and around after ten seconds he'd just politely "Could you please stop? I'm quite busy."

PS: I HAD NO IDEA WHERE TO PUT THE UNDATABLES I AM SO SORRY, PLEASE FEEL FREE TO SHARE YOUR HCS ABOUT THEM

[kerubimcrepin]

LIVEBLOG: Wakfu Season 4, Episode 2 [PART 1]

I miss the grittier, browner Bonta of older seasons...

Agardoes what Jorisn't.

(totally not a joke I've been making for months now)

Moooooom Yugo was MEAN to me. Ngl Qilby was so good in this season, his interactions with Eliatrope are filled to the brim with insane implications.

Even more movie asset reusage. Ughh. The tavern Kerubim talked to Bakara at would NOT still be standing. It's canonically underwater and underground and shit. Like the rest of Dofus era Bonta.

Kettle insulting a pan for being on fire.

Ush will only have the right to insult him if he can stop fucking cats. <3

Both of these are also asset reusages but I'm too lazy to track down from where. The woman is from Aux Tresors, and the man is from Wakfu season 2, is all I can tell without further inspection.

I'm sure there's more stuff I missed, but I'm already annoyed enough that they decided to cut costs at every single corner even without looking further into it...

He's still a catfucker. Sad, oh well.

My beautiful wife.

[start talking shit about Ush as loud as possible the second he is in a hearing distance, in an exaggerated, expository way]

This is some school locker bully behavior, made funnier by the fact that the person actually doing all the bullying is Ush.

The way Atch starts staring here, and Ush immediately says "not here to fight, lol" just confirms the fact that this conversation is 90% all about letting Ush know he is not welcome <3

Something that makes me extremely mentally ill is about to happen, chat.

When it's Wakfu cast, who are Joris's friends whom he wants to impress, it's all "Papa... you're being awfully selfish for not letting us go and fight together with you :))"

But when it's Ush, it's immediately "whether my little Jojo is home or not depends entirely on what the fuck you want from him." as if Joris isn't a 600yo politician and kind of should hear whatever Ush has to tell him, and as if there aren't huge eyes in the sky that he was interested in.

Conspiracy theory: one of the reasons Joris is still single (besides the aromanticism, horrible personality, misantrophy, 20 psychiatric disorders, not wanting to be in relationships—) is that 99% of people who have ever had a crush on Joris were afraid of disappearing under mysterious circumstances.

Kerubim's little mad, unamused look...

I want to point out, once again, that when you actually pay attention to the OVAs and this moment, Atcham and Kerubim always kinda... act like Joris is a child.

Joris expressed that the eyes in the sky concern him? They try to stop Ush from talking to him outright. Because they don't like Ush, because they don't want Joris to investigate this, and because they want him to stay home.

Joris expressed that he doesn't want them to fight Ush together with him because he doesn't want to see them hurt? They don't give a shit, and try to express that in the softest way possible that won't embarrass Joris in front of his friends.

It feels like a mix of holding Joris on a leash, but also trying to wrap him in a cotton wool. Sometimes it helps Joris, sometimes it's just patronizing.

Ngl they do have good reasons to protect their [checks notes] 600-year-old ambassador from this guy.

You have no idea what this moment means to us, Atcham fans. All three of us.

Kerubim's expression..... probably gauging how likely it is that Atcham might start screaming or clawing at something.

Words can't express how much of a Gift this entire scene is.

Atcham looks like he's about to lose his anger management badge. Kerubim looks like he's scared that Ush is going to die or kill Atcham in self-defense.

HE'S SO SCANDALIZED.

The anger management classes + not wanting to be arrested?

KERUBIM SO UNAMUSED.

Kerubim is probably so used to seeing Atcham freak the fuck out about things. It's his brother's special charm.

[wipes tear] He's learned to love the bomb.

...sorry for making references to the band glass animals. it will happen again,. if you dislike that maybe you should learn to love the bomb too.

[justherefortua]

rewrite while changing as little as possible

this is my crack at tweaking some things while mostly working within the bounds of canon, with only 6 episodes, keeping most of the scenes, setting, side characters the same… What would you have changed about my or the original plot’s plan?

Spoilers for all of season 4 under the cut

- first of all. squids. tentacles. body horror with the black goo thingy. fleshy goo monster. decaying the earth. eating the earth up. The antagonist of this season should be THE HORROR, the extra-dimensional creature inside of Ben Hargreeves. This will save money on reshooting cgi scenes plus make it specific to both sparrow and umbrella ben for a Ben-centric season, rather than anyone with Marigold + Jennifer destroys the world

- Maybe it’s made of Durango or something, the antithesis of the Marigold, but Ben’s power is to keep it sealed, and occasionally hold power over it. Maybe it is Durango. Whatever it is, it was made when Abigail made the Marigold, and it seeks to consume and make everyone like it. It exists across all the timelines and over the seasons has become smarter and smarter. Not even Reginald and Abigail can understand or control it—maybe it destroyed their original planet, and snuck into the Reginald marigold release thing and got into Ben somehow. To tie in Season 3, The Hotel Oblivion was maybe built to nerf it/hold it? (I heard this was true in the comics since the hotel was used to keep villians? This could be hearsay, haven’t confirmed.) When Hotel Oblivion got used with the reset button, the protections went too which is why the Horror has more influence and was able to alter the new timeline to have the Keepers and Jennifer to set up the conditions for the Cleanse aka its takeover of the world and all the timelines.

- Jennifer as an agent of the Horror, unknowing or innocent maybe. Or knowing—she already wasn’t normal in that tv squid moment and in the shipping container and as a girl being Truman Showed by everyone else around her. A culmination of everything it’s learned about human nature, a lure of sorts for Ben and the rest of the Academy who generally like to save people. An eldritch horror of a regular girl? That would be so cool, just a normal girl with a normal life until it all turns upside down with the introduction of Hargreeves and Marigold and all that stuff. The acting direction could be good to have her be just a little bit off…

- instead of just Five and Lila, EVERYBODY should get in that subway. The subway is so cool. The other timelines are so cool. No one would be mad at a montage if it’s a family bonding montage. It leaves imagination for the family to grow closer together over a short period of screen time. This could be a whole season in itself and would honestly be a wonderful callback to other seasons and possibilities for the final season.

- AT MINIMUM, I think just adding Diego to the getting-lost-in-the-subway-for-seven-years plot would be amazing. He wants to live larger than life, be cool and rugged, and gets monkey’s pawed. Yeah you’re child-free with your wife doing cool action macho survival things every day but guess what? Subway Rats. He and Lila could hit rock bottom, let out all their anger, and then progressively make up over that 7 year montage and resolve to appreciate their kids, the in-laws, and the life they’ve built together. Alternatively, they could decide that their relationship really doesn’t work out and split up. Either way, it’ll be a mutual decision.

- As for Five, he won’t be going through an apocalypse alone and that is interesting in itself. He could bond more with Diego, find himself losing hope and finding it again, suffer complete burnout but be supported, finally work through Apocalypse-Commission-Handler trauma with Diego and Lila. Face the same choice of going back to The Cleanse (of course Diego and Lila are going back for their kids) or staying in safe Strawberry Land away from everything or until everything ends, true retirement. In the end, I think he chooses family.

- For Lila, I think she’s pretty good and principled towards her family aside from THE THING in the scenes we see her in, I’d like to know more about her family, her relationship with her kids, and develop her relationships with the siblings more as well. We got some moments with Allison as fellow moms, but what about Luther, Ben, and Viktor? I think she needs more specificity on how jarring the switch from assassin life is to family life is. Maybe she can open up in that 7 year montage somehow.

- In at least one of the numerous moments that Klaus died and could have went to the void. A moment with Umbrella Ben is all I ask, acknowledging that Klaus is with Allison and Claire now but also seeing how Klaus has essentially locked himself in and is very afraid of the world. 😭 he’d be so proud of Klaus though. ):: i know he’d punch Quinn in the face so hard 🙏 I’ll leave the aus where he’s totally back for the other than very close to canon rewrites

- Because I actually liked the Five Restaurant scene, I think it would be really meaningful for all those Fives to see a complete whole family and band together to help our Five and our family. Bonus if some of the Fives get hugs and tears and breakdowns because of the horrible apocalypses their siblings and families had to go through.

- this is just an overall thing but I think to help their motivation to save Ben everyone should at least elaborate on their past relationship with him, get to know Sparrow Ben as somebody other than a snarky guy, or make an appeal to him at the end when they’re trying to negotiate, even if it is a mix of Umbrella Ben nostalgia… ok this is getting into wishful thinking territory but i think it would have helped LMAO

- Methinks. I actually liked Luther a lot this season, with the stripper job he seems passionate enough about (yeah my man! own that!) and the run down Hargreeves Boy Home he lives in. (he never left the house… 😭) I feel he should have been given more to do. Maybe bonded with Derek and the non-Keeper people in the CIA, i bet they wouldn’t turn down someone with his powers. Maybe followed Klaus along and absolutely tear the motorcycle bike gang to bits for their not safe or consensual sex work shenanigans in comparison to his job. Maybe bond with Diego’s kids since he and Sloane never got to have kids themselves, a parallel he sets up first episode. Actually help Lila with childcare since she seems to be struggling;;

- Viktor and Reginald were fun. You could also add Luther here and it’d be fun too since they’d both advocate for Ben—Luther in particular was the most inclined to accepting Sparrow Ben.

- actually, Luther and Abigail bonding (she’s very nice and he likes validation) and pulling off a double cross with the Gene skinsuit thing would be a good idea until she double crosses him again with helping along the Cleanse instead of trying to stop it. Betrayed by your dad and your mom YAY

- I realize I didn’t suggest stuff for Allison but I liked her this season with Klaus and Claire, all she needed was to get more one on one scenes with siblings or lila, and that pretty much goes for every sibling i just need them hanging out with other siblings ❤️ actually ideally Sparrow Ben I feel like she’d call him out on stuff and be the one to level with when it came to big mistakes, lashing out, being selfish—and afterwards trying to say sorry and be better moving forward. Maybe she rumors him to stop seeing Jennifer to give more plot room for the siblings while keeping the “I can’t stop thinking about you let’s MERGE” idea but he finds a loophole like the sneaky little weasel guy he is (i love him) or Allison let’s it go in order to let him help her when she’s in danger or something idk

- I also like the keepers, very fun seeing everyday people and places repurposed to just have a bunch of guns. Gene and Jean were great, and Sy, guy pretending to be Jennifer’s dad. Fake Jennifer? Amazing. Bud I loved, what a guy!

- I realize I didn’t suggest stuff for Allison but I liked her this season with Klaus and Claire, all she needed was to get more one on one scenes with siblings or lila, and that pretty much goes for every sibling i just need them hanging out with other siblings ❤️ actually ideally Sparrow Ben I feel like she’d call him out on stuff and be the one to level with when it came to big mistakes, lashing out, being selfish—and afterwards trying to say sorry and be better moving forward. Maybe she rumors him to stop seeing Jennifer to give more plot room for the siblings while keeping the “I can’t stop thinking about you let’s MERGE” idea but he finds a loophole like the sneaky little weasel guy he is (i love him) or Allison let’s it go in order to let him help her when she’s in danger or something idk

- The Cleanse. Sparrow Ben and Jennifer have morphed into Goop Monster. The horror has almost won. It is all powerful, it has taken over everything else. It is just the Hargreeves and them in the former wreckage of the mansion, filling with goop. It fills with goop up to their necks and gets into their brains. All it needs is their Marigold, but they have to give it willingly. Taunt all of them with visions of their birth parents, the normal lives they could’ve had but even better, Luther with Sloane and dog and kids, Diego with Lila and his kids, Allison with Claire and Ray and her hairstylist crew, Klaus with Dave, Five with Delores, Viktor with Sissy and Harlan.

- Instead, family chooses their siblings and also the world. They use their powers at the same time and hold hands with Viktor or something at the center because he deserves to save the world instead of end it, combining Marigold or something in a blast that whites out the screen and presumably saves the world.

- Same sequence of the alternate timelines being destroyed. Same park scenes with all the cameos from previous seasons and the post credit marigold sprouting, except Sparrow Ben and Jennifer are also walking in the park at the end because they are technically also victims of the Hargreeves and the original Marigold fiasco. Boom. They sacrificed themselves. 🙏 RIP the end

OPTIONAL SELF-INDULGENT ALIVE ENDING (because I want them to be happy)

- Umbrella Ben and the family in the void and they get a tearful reunion and group hug.

- Klaus and Little Girl on Bike have some banter before she’s like fine. An exception for you all. She holds out the marigolds since her whole thing is flowers in her bike basket. Klaus gets to save the family yaaay

- Replace the marigold cutscene with a scene of all of them joining the family reunion in the park with Lila’s family and the kids

- Open ending to if they find those perfect lives or not in the reconstructed timeline, (Sloane Sissy Dave Ray etc) but at least they are together 👍

Things That Should Be More Well Thought Out And Go Through Sensitivity Readers And Be Addressed But I Dont Feel Personally Qualified to Address:

- luther and allison after that scene in s3. also the murder stuff but mostly that. delicately executed apology instead of willfully ignoring it

- klaus after suffering very bad relapse and sex trafficking during his arc and also being buried alive🙏 thats a lot.. to handle

- I feel adding Diego to the 7-years-montage plot would make it so that he and others appreciated a healthy weight for him in comparison to going through malnourishment to at least divert the fatphobic jokes a bit?? idk or we could just cut those jokes in general there’s nothing wrong with having a dad bod

- probably other stuff but thats the big ones that stood out to me

[steviewashere]

hello!! steddie and 38 for the kiss prompt?? 💕

Hey, hey! <3 As a heads up, you might hate me for this. Everybody might hate me for this, lol. But here we go <3

Number 38: "Because they're running out of time."

CW: Eddie Munson Nearly Dies Here Tags: Season 4, Canon Divergence, Childhood Friends Steddie, Friends to Strangers to Friends?, Eddie Munson Loves Steve Harrington, Steve Harrington Loves Eddie Munson, Love Confession, Near Death

🕰️—————🕰️ When they structured the plan to go back into the Upside Down, Nancy had suggested that Eddie and Dustin team up for the demobats. Now, Steve loves Nancy—not in that way—but he thought that that was one of the dumbest things he’d ever heard come from her mouth. And she’s incredibly intelligent, like mad scientist level intelligent, surpassing everybody on this earth kind of intelligent.

“Dustin should go with Lucas and Max,” he argued, “and I’ll stay with Eddie.”

The room had fallen silent. Until, Robin piped up, “But we’re going to need your pitching arm, Steve. That—We need somebody to throw the molotov cocktails.”

He scoffed. “No, you don’t. Robs, you used to play softball before getting on the soccer team. You two will be perfectly fine without me. And, besides, if things go haywire—Abort. Walkie on your channel, and we’ll fucking take our losses and replan all this bullshit.”

While the room had erupted into an intense argumentative cadence, Steve held his ground. Looked to Eddie. To his panicked eyes that had not once calmed since they met—again.

Steve knew what he was getting into when they found Eddie. They hadn’t been friendly and sweet on each other since middle school. Since being little kids, but that didn’t mean Steve wouldn’t at least try again. That he wouldn’t put up a fight and demand to be put in Eddie’s corner. So he held onto this, held out on this change in plans, because Eddie looked back on the sofa. He looked to Steve with something like…longing. Like he wanted to reach out and take Steve’s hand. And if the room hadn’t been full of people that just wouldn’t understand, Steve would’ve taken the plunge. He would’ve indulged.

He should’ve indulged, now that he’s kneeled on the ground in a pile of limp demobat bodies. Eddie is in his arms, blood soaked and babbling. And Steve wishes they could start again.

“Keep looking at me, Eds,” he pleads, “look at me and…and tell me one of your stories. You’re good at that. Can you do that?”

For a moment, Eddie’s breath catches. And in those grave seconds, Steve thinks it's over. He brings his hand, which was laying over Eddie’s waist, and places it on his chest. On Eddie’s slow beating heart and his rattling lungs. And he presses. As if, by his touch alone, Eddie would continue to live.

Steve wants him to live. Wants to get him out of here. Get him to safety and hold him and clean his hair and go swimming in Lover’s Lake like they did as kids over the summer. Take Eddie by the hand and go hiking through the woods, turn over every rotting branch to look at worms, and be gifted with rocks Eddie deems cool enough. Ride their bikes until their legs ache and their stomachs are sick and they’re craving lemonade and cookies. Wants to love on him forever because he was a fool; gave it all up for…what…popularity?

Eddie gasps wetly. Coughs up blood from the back of his throat, it drips sluggishly down his chin. Instinctively, Steve cradles his jaw and wipes it all away. Until it’s tacky and red on his own skin. Then, Eddie’s eyes sweep over to him. He blinks. Cries silently. And states, quiet enough for only mice to hear, “���86 is going to be my year, Stevie.”

“Yeah?” Steve prods, breathless and on the verge of crying himself. He thumbs at Eddie’s tears. “Tell me, Eds. Tell me how it’s gonna be your year.”

Another rattling, wet breath. “Graduate,” Eddie mutters, “and…and play with the band. I was—G’nna go to y’r house. Give…Give you a sunflower. You…My S’v’ie likes flowers.” He stares up at Steve, but Steve doesn’t feel very looked at. Like maybe Eddie’s seeing something beyond him, above him. He bites his lip and cradles Eddie’s jaw again.

“I do,” Steve whispers, “I loved when you gave me flowers, Eds.”

He sniffs and tries not to think about the dried petals of flowers he kept over the years. Ones that he stashed away in old books given to him by Wayne. That reside in his dresser drawers and in a cardboard box in his closet. Tries not to think about taking Eddie home with him, after all this is over, and showing him all the things he kept.

How, in moments where Steve felt lost, he pulled out the rocks and books and other trinkets, and wondered. Where Eddie was. What he was doing. Why he forced himself away from the only friend, sans Robin, that felt real.

“S’eve?” Eddie weakly calls.

He only hums, pressing his thumb deep into the going cold skin of Eddie’s right cheek.

Eddie reaches a clumsy hand up to Steve’s face, but doesn’t quite reach. So Steve ducks closer. Lets Eddie pull him in towards his face. Wipe away his own tears. Caress the few moles by his ear.

“I love you,” Eddie breathes. Inhales with a gurgle and Steve sobs in turn. “Love you, S’eve. Wanted…Been wantin’ you for forever.”

“Eds…”

In one fell swoop, Eddie pulls Steve in all the way. Noses along Steve’s. Then, with the strength of a newborn deer, he presses his lips to Steve’s. They’re slick with blood and drying tears. Chapped, split at the corners. He moves slowly while Steve tries not to devour. Eddie’s hand drapes over the back of Steve’s neck, neither grasping nor safe anymore. But he kisses. Like…

Like it’s the last time he’ll ever do it.

Maybe it is, Steve realizes in those few seconds. Because Eddie’s breath grows shallower, raspier between them. He gurgles blood into Steve’s mouth. And that’s tasted on Steve’s tongue, metallic and sweet and harmful. Maybe it doesn’t need to be.

Steve forces them apart. Lets Eddie try and drag him back, but doesn’t go back to that kiss. “Save…Save it, Eds,” Steve begs, “Save it for when we’re home and—I can show you how much I love you, too, okay? Can you—“

“Can’t,” Eddie slurs, “I…S’v’ie.”

He presses another soft kiss, this time to Steve’s thumb, where it’s still close to the split corner of his mouth. But he doesn’t look back.

“S’v’ie, love you.”

“I love you, too, Eds,” Steve murmurs meekly. “I’ll take you home, okay? I can—“ He takes a sharp gasp, sobbing through an exhale. “—Kiss me tonight. You stay with me and kiss me,” his voice wavers, “kiss me like we were never apart.”

“‘M’kay.”

“Okay, Eds,” Steve sighs, crying softly, “okay.”

Though it pulls on all his injuries, Steve hefts them up off the ground. Grimaces at Eddie’s pained yelp. And moves one foot after the other. They can’t be running out of time, Steve tries to digest.

Because he just got his boy back. They can’t be. I can’t be, Steve believes, hefting Eddie’s nearly limp body through the portal. I won’t.

🕰️—————🕰️ Kiss Ask Game <3

[cal-daisies-and-briars]

THE canon-divergent stories! One choice makes a big difference - those damn butterflies and their effects!

🚨🚨🚨🚨🚨🚨🚨🚨🚨🚨🚨🚨🚨🚨🚨🚨🚨🚨🚨🚨🚨🚨🚨🚨🚨 (eddies reckoning with his past while he and buck are planning for the future! I love it!!)

🔼🔼🔼🔼🔼🔼🔼🔼🔼 (oh boy its getting messy! Bring on the DRAMA!)

- PCA <3

Yay!

75 for 🚨 (Yessssss <3 Thank you!)

---

 “Thank you. I appreciate that.”

Ramon opens his mouth to say something else, but is cut off by the sound of the front door opening. Eddie’s body goes a bit rigid. They’re home early. Eddie hadn’t… Well, he’s not sure he’s ready for this. 

“I can go,” Ramon offers. He can clearly read the look on Eddie’s face. “If that would make it easier for you.”

Eddie doesn’t know. He isn’t sure. His father made this big gesture and said all the right things and is trying and it seems sort of bad faith of him to kick him out without saying hello to Christopher and Buck. He’s just… He’s just scared. And he’s going to be scared until he gets it over with, he thinks. 

“No,” Eddie shakes his head. “Stay. It’s okay.”

Ramon takes a deep breath. “Thank you, son.”

Eddie stands up and Ramon follows suit. He leads his father towards the front entryway. 

“DAD!” Chris calls before he sees them. “The zoo was so crowded so we came home!” 

“Thank you, season’s passes,” Buck tacks on. 

When Eddie and Ramon step into the front hall, in view of Chris and Buck, Buck sort of freezes. He remembers Ramon from the funeral, clearly. From the fight Eddie had with his parents at the funeral. His expression tightens and he clasps a protective hand over Christopher’s shoulder. 

Chris looks back at Buck, then at Eddie and Ramon. 

“What’s going on?” He asks. 

“Chris,” Eddie says. “I don’t know if you remember my father?”

Chris narrows his eyes. He leans back against Buck just a tiny bit, nervous. “Uh, maybe a little?”

“Hi, Christopher,” Ramon says. Eddie can hear emotion thick in his voice. “It’s very good to see you.”

“Hi,” Christopher replies. 

“Everything okay here?” Buck asks. He’s looking directly at Eddie, intensity in his eyes, even though his voice is neutral. 

Eddie nods. He gives Buck what he hopes is a disarming smile, though he knows he still probably looks anxious.

“Yep,” he says. “Dad flew in to catch up, because it’s been a while.”

Buck raises an eyebrow. “Oh. Are you staying for dinner, Ramon?”

Ramon looks at Eddie. 

Eddie nods.

“The right answer is, only if Buck is cooking,” Christopher says.

“Hey!” Eddie complains. 

Christopher laughs.

Ramon smiles at the two of them. “I would like that. Thank you.”

Buck smiles, capitulating any past resentment. “Alright, then. Hope you like lasagna.”

v.

Eddie proposes in April. 

It’s a warm spring day. Bright and sunny. Everything goes according to Eddie’s plan, which of course includes Chris. It’s simple but heartfelt. The two of them asking Buck to legally and permanently be their family. 

“Are you sure?” Buck practically blubbers as Eddie slides the ring onto his finger. 

“Easiest decision of my life,” Eddie tells him.

---

27 for 🔼:

---

He’s not just going to suddenly spill over with self-acceptance. 

“Good,” Shannon replies. 

“But I’m not… I can’t…” Eddie sighs. “I can’t do anything about the way I feel about him, okay? I’m not going to.”

Shannon nods. 

“Eddie, I won’t either. Okay? I made a mistake today. I’m so sorry, I did. But it won’t happen again.”

He offers her a forgiving smile. 

“It’s really fine, Shan. I’m not mad.”

“You can be,” Shannon says. “For, like, several reasons.”

“But I’m not,” Eddie replies. “It’s not even… I mean, I just hope you two sort it out. I like that you’re friends.”

“You do?” She asks. 

He nods. “Yeah. It feels right.”

[anthonysalazar]

rating the (canon) buffyverse ships based on how much i like them

angel + buffy (7/10) i think it's okay for what it is, but buffy clearly outgrows him in the end but omg that i will always remember you episode on ats is so tragic and made me appreciate them sm more

spike + buffy (9/10) OMG THE SCENE OF THEM IN SEASON 7 WHERE SPIKE SAYS HE LOVES HER NOT BECAUSE OF WHAT SHE DOES OR BECAUSE HE'S GETTING ANYTHING IN RETURN BUT BECAUSE OF WHO SHE IS AND WHAT SHE IS IS SO. i love them together omg.

riley + buffy (6/10) i don't like hate them? riley had sm potential as a character and as a boyfriend but good lord did they handle him badly. they could've made him a cute golden retriever boyfriend for buffy but instead they made him toxic masculinity TM. season 4 riley is enjoyable though, just once you get to season 5 he becomes annoying and pretty unbearable

willow + oz (8/10) SO CUTE!! i will always be mad that they wrote willow as a complete lesbian, as i know sexuality is fluid but her romance with both oz and tara read more as a bisexual woman rather than a lesbian. i wish oz had stayed on the show longer though as he was amazing, not just as willow's love interest. i love you forever oz

willow + tara (9/10)

i love them so so so so much my fav sapphic lovers. tara is my favorite buffyverse character besides buffy herself and seeing her character growth that came from willow's open support and friendship that blossomed into a romance was one of the greatest romance arcs on television i love them sm. willow's magic addiction is weird though in season 6 and weighs on their relationship a bit but in the end i love them

willow + kennedy (1/10) ew. i don't have to explain myself just ew.

willow + xander (1/10) no. no no no no no.

xander + cordelia (3/10) ew no, i will forever hate xander harris and pairing my girl cordy with him will forever make me mad AND THEN HE CHEATS ON HER???? vile.

xander + anya (6/10) i actually don't hate them sometimes, but it infuriated how often he undermined her when she was one of the most knowledgeable characters in the buffyverse on history with magic and etc. their little arc during once more with feeling made me like them a lot more though

spike + anya (5/10) i don't take it seriously as a ship but it was so funny when it did happen and i love it for that

cordelia + angel (8/10) SUCH A BETTER PAIRING FOR THESE CHARACTERS THEY SHOULD'VE BEEN THE ENDGAME!

giles + jenny (9/10) SO CUTE. THE TRAGEDY OMG I SOBBED SO HARD WHEN JENNY DIED I MISS YOU SM. the pining, the difference in technology vs physical information, etc. their dynamic was adorable and i'll always miss her sm

buffy + robin (4/10) very short lived and fizzled out so fast that it barely counts, i like robin alot though and wish he was given more to do as i found him interesting

drusilla + spike (7/10) i kinda love their devotion to each other even if it was extremely unhealthy, aesthetically also a very sexy ship and i love them for that

angel + darla (8/10) darla is one of the most underrated buffyverse characters and her arc in ats made her so so so fascinating that i am partially giving it such a high score because of my fascination with darla

fred + gunn (9/10) so cute!! i love them so much and it was so wholesome

fred + wesley (6/10) good amount of pining i guess? i don't have much to say about it but it was enjoyable enough

doyle + cordelia (7/10) so cute also!! i wish doyle had stayed around longer as i loved him lots

wesley + cordelia (3/10) ew ew ew ew ew ew ew ew ew. SHE WAS IN HIGH SCHOOL DUDE IDC SO GROSS

wesley + lilah (7/10) in terms of functionality, not the best, BUT in terms of my fascination, very very high up omg

harmony + spike (4/10) also kinda a crack ship but it was funny while it lasted, harm deserved better though

(i think i covered them all but if there's more i'll update this)

[tryingmy-positivelybest]

Rebels rewatch liveblog: Season 1, Episode 4: “Fighter Flight”

I love how Ezra immediately tries to flirt with Sabine - it’s very realistic for a 15 yo boy. I like that they just ended up as friends/siblings though, it shows both of their character development and maturity

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Thank god Chopper never met the 501st because his little shit instincts would have overdeveloped

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Kothal on Lothal? How on earth did they get that?

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We really don’t give a lot of credit to Hera, she deserves more 😭😭

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Okay but why does the Empire need meilooruns?

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Usually when characters speak to themselves it sounds odd and sort of like a video game, but in Rebels they do a good job of making it sound natural

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Zeb’s insistence that Ezra and him need to be even makes me wonder if the Lasats had a life-debt culture? It’s canon in other cultures such as gungans, so it wouldn’t be that much of a stretch…

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I love Hera and Sabine’s dynamic

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“THE KIDS”?? “THE KIDS”?? You are correct sir, you and Hera and the exhausted parents, Zeb is the older brother, Sabine is the cooler older sister that everyone is intimidated by, and Ezra is the disaster youngest who’s the parents favorite and no one can stay mad at. (Honorable mention: Vodka uncle Chopper)

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Rebels s1 shows the Empires day to day, which I love. Sort of like Andor but with much lower stakes - of course they’re taking farms, of course they’re buying meilooruns at a local market.

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I love the reference to a new hope ❤️❤️

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Ezra’s absurdly powerful for someone who’s only trained with the force for like?? a week?? Like he’s already sensing obstacles and pushing buttons. Speaking of, i think that it would have been interesting to explore the idea of Ezra using the force before he met the Ghost crew - not knowing what it is, just knowing that it helps to convince storekeepers to give him food

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“You did all this for fruit” stormtrooper you will always be famous

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Ezra it’s YOUR backpack 1. Why do you not know what’s in it?? And 2. Why do you have a WRENCH?

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Brother brother bonding time by killing stormtroopers and hiding stolen vehicles <3

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Zeb trying to show that he cares by giving Ezra the helmet, only for Ezra to dismiss it is so sad, but it probably speaks volumes for the social skills that Ezra couldn’t develop on the streets (he took it tho <33)

[thestupidhelmet]

How Hyde Is a Good Friend to Eric

Season 1:

Hyde tries to help writing Eric's term paper while Eric is busy with his grandmother's visit. ("Sunday, Bloody Sunday" [1x10])

Hyde chooses to stay in Point Place in large part because Eric doesn't want him to leave. ("Punk Chick" [1x22])

After a drunk Eric is knocked unconscious by one punch at a bar, Hyde initiates defending his honor by getting into a bar fight with Eric's assailant and his buddies. ("Grandma's Dead" [1x23])

When Eric wants to bounce a bowling ball on the living room floor, Hyde tries to dissuade him. ("The Good Son" [1x25])

Hyde takes responsibility for the television Eric breaks, risking homelessness by doing so because Red might kick him out of the house while Eric's potential punishment would be far less severe. ("The Good Son")

Season 2:

Hyde helps Eric wrangle a high Red and get Eric's car back, which Red sold. ("Garage Sale" [2x01])

To open Red's eyes about who Laurie truly is and to get Eric vengeance on the years of Laurie getting away with bullying him, Hyde supports and encourages Eric to reveal the truth about Laurie sleeping with her college professor. ("Laurie and the Professor" [2x04])

Hyde defuses Donna's anger at Eric and feelings of betrayal by talking with her and giving her a different perspective. ("Van Stock" [2x06])

Throughout the season, Hyde doesn't burn Eric about Kelso sleeping with Laurie and tries to convince Kelso to end his affair with her. (Note: Eric's claim in season 7 that Hyde relentlessly burned him about Kelso and Laurie is a retcon that has no evidence whatsoever on the show. The retcon was written for that episode's punchline and contradicts all the episodes and seasons before it.)

Season 3:

To protect Eric from Red's wrath, Hyde tells Eric not to confess to smoking pot, too, despite that Hyde is now homeless because Red kicked him out of the house. ("Reefer Madness" [3x01])

Hyde holds Eric's hand while Leo tattoos Eric's butt. ("Eric's Drunken Tattoo" [3x22])

Season 4

Hyde takes the lead on trying to lift Eric's spirits and doesn't let Kelso or Fez abandon Eric when Eric first rejects their help. Hyde gives up only when Eric becomes a little hostile and makes clear his grief has too strong a hold on him that day. ("Eric's Depression" [4x02])

Hyde breaks up with his girlfriend, Jill, to be more available to Eric. He also lies that she broke up with him so that Eric won't feel pitied. ("The Third Wheel" [4x11])

Hyde supports Eric when Eric learns Donna's going on a date with Casey Kelso. ("Donna Dates a Kelso" [4x16])

Origin Story: In first grade, Hyde becomes Eric's protector from bullies, starting with Donna. ("Class Picture" [4x20]) (Yes, it's a total retcon that Donna bullied Eric when they were young, and I don't accept it as canon. But Hyde absolutely would become Eric's protector. He still is during the time of the show.)

Hyde stays up all night pulling the fire alarm at the Le Motel to stop Donna from having sex with Casey. He does this for Eric and Donna, out of his friendship with and protectiveness of both of them. ("Eric's False Alarm" [4x25])

Season 5

Hyde buys Eric a plane ticket to California (albeit with Eric's money) so he can reconcile with Donna and covers for him to Red and Kitty the whole time Eric's gone. ("Going to California" [5x01])

Hyde advises Eric against making the same mistake that broke up Eric and Donna in season 3. Although Hyde fortunately turns out to be wrong about the outcome, his heart is in the right place: friendship. ("Hot Dog" [5x07])

After season 5, Hyde and Eric's storylines don't focus on their friendship, but their friendship is ever-present. They both demonstrate their love for and support of each other in short scenes and a few lines of dialogue.

[tanoraqui]

hey!! i love your blog so much your takes are *chefs kiss*

i saw an Amazing post a few months ago where someone laid out a really cool plan for a silmarillion tv show and i cant find it again. it haunts my every waking moment. i think i saw it on your blog so i figured id ask if you knew it.

Either way, have a great day!

(note: I got this ask several thousand years ago, and am answering it now because I asked my roommates if I should write something serious tonight, or something ridiculous, or read a book; and they said ridiculous.) (note 2: I wrote the above several days ago. I'm posting at 6.5k words) (note 3: I'm going to pretend this is a deliberately timed gift to @thelordofgifs for their latest fic updates, which were bullet points of heartfelt and sober compelling canon divergence. this...is bullet points of [heartfelt? compelling?] lunacy. I hope you might enjoy it.)

Are you thinking of this, the "Supernatural but make it Silmarillion lore, and also women" show of my dreams? (Me, approaching the Tolkien estate with an offer for the rights to the Silmarillion: I swear, I will ONLY show the First Age in limited flashbacks. Everything else will be the characters as they are at least 10,000 years later, maybe even with an active framing device to identify them as modern interpretations of the characters...")

Oh huh, I forgot I thought a bunch more about that "teeechnically-not-AU" and never added it to that post. Regardless of whether it's the show you were thinking of, dear Anon:

one of the protagonists is definitely the reincarnation of Fëanor. Her name is Seraphina, which translates to something like "fiery divine being", bc her mom had a good sense of these things. They don't know this at first

her slightly older twin sister is Martha, named after their grandmother but it does mean the feminine of "master", because I spent at least an hour trying to translate any name Turin ever had into something reasonably modern and this is the best I could do (they also don't know about this reincarnation at first, ofc)

their father was killed by some sort of monster when they were babies so their mother took up monster-hunting ranging, etc. etc.

(the underground community of modern monster-hunters are called Rangers, in reference to the roaming heroes of old)

Seraphina, the Wild One(TM), ran away to go to college, where she double-majored in astrophysics and mechanical engineering and double-minored in linguistics and metallurgical engineering, and wrote an art history thesis. Martha, the Dutiful One(TM), stayed with their mother and kept ranging. They reunite when Martha shows up on Phina's doorstep because "Mom went on a hunting trip and hasn't been home in a few days", etc. etc.

the Bobby-style substitute parent should really, to (kind of) round this out, be a dwarf or hobbit. The full "Team Free Will" should represent all peoples of Arda... But I'm not making up OCs right now (yet)

a unifying legend of the Ranger community is that their unofficial network has been supported and guided for millennia by their cousins, the peredhel, Elrohir and Elladan, who quite simply never Chose and have been wandering the earth, saving people and hunting things, ever since their sister died. They don't NEED to Choose until they die, technically!

This is, in fact, true - or, it was. Until about 25 years ago, when [flips a coin] Elrohir married our heroes' mother, settled down into peaceful domesticity, and a few years later died dramatically to buy [throws a dart at a wheel of names] Laura and their children time to escape the whatever.

Laura knew about his profession and that he was older than he looked, but not his whole deal. She found that out later while vengefully hunting monsters...and never told her daughters.

The plot of Season 1 involves unravelling this mystery, including at some point meeting their elusive uncle Elladan (who has maybe gone a little mad with the sudden death of his twin? That'd be a fun season antagonist/arc/theme...dealing with grief...very topical!)

By the end of s1, all of the above have probably had a nice closure-giving(-ish) confrontation/conversation with Elrohir's ghost - who's been waiting in Mandos for his wife and/or brother despite Mandos's INCREASINGLY strident blandishments to stop acting like a cat in a doorway and choose - and Laura and Elladan are both dead in suitably dramatic circumstances.

...or, Elladan is. Apparently John Winchester didn't die until s2e1! So, what happens is:

- (earlier in the s1 finale episode, Laura, noticed something once or twice which her daughters didn't - saw a curl of smoke, seemed to be examining a McGuffin extra closely...)

- Laura has been mildly injured, and someone needs to guard a McGuffin or maybe a random innocent civilian caught up in this, so she stays behind while Phina and Martha go off to deal with whatever the actual big bad of the season is. Maybe a cult trying to sacrifice half-elves for some reason? Directed, though not personally managed, by whatever killed Elrohir in the first place, which is...I gotta figure an OC balrog? Like, not one of the big ones from canon. We'll just call her (Laura's) Bane henceforth.

- not long later, while Phina and Martha are fistbumping in the remains of the cult's hideout Seraphina maybe have used chemical explosives), or maybe discretely looting Elladan's body for useful weapons laying their uncle to rest, the scene cuts back to Laura

- she's pacing, patrolling. Ready for a fight. She senses something and goes even tenser, drawing her ancient sword. It glows softly blue - but this is no orc. Heavy footsteps, flickering shadows and firelight, maybe the sound of wings. We do not see the enemy, just a middle-aged woman in improvised combat gear with a pistol in one hand and a Gondolin-made sword in the other, and a look of iron determination and defiance. She pulls off the bandage on her arm, revealing that she'd faked her injury so the girls would leave her behind.

- "I knew it was you," she greets her old enemy, unflinching, as a faint reprise rings unnoticed in the Great Music. She moves to attack, met by a whip-crack and a flash of fire, and cut to black.

Season 2 starts where s1 ended, for Martha and Seraphina. They're almost back at their car (the beloved 1967 Chevy Shadowfax). Note: few times in s1, Phina has had strange visions or nightmares, never anything prophetic but once a good clue to defeating the MotW...

She reels with the force and horror of this one. Darkness, utter and choking, pierced eventually by a single desperate torch. A dark and empty hall where there should be life and light. Flickering firelight reveals blood on the floor...

She gasps, "Mom," and demands that Martha drive, drive, fucking drive faster already -

They're too late, of course. Laura is long-since dead.

...so, back to Monster of the Week, with additional focus on tracking down the Bane!

Seraphina's strange dreams and visions get more frequent, more memorable. Sometimes they're peaceful, full of beautiful Light. More often they're dark, or at least, dim - climbing strange, starlit mountains (finding a cousin of aconite which turns out to also be useful for defeating werewolves). Choking grief as her hand brushes the air just above a vibrant tapestry, too afraid to ruin it with touch. Fire in her throat as she shouts world-shaking words in a language she doesn't remember (she repeats them a moment later, fending off a corrupted wind-spirit, and it flinches even before Phina feels a burst of vicious, raging, burning strength.)

Seraphina is curious as hell and keeps pushing herself to learn more, see more. Do more. It's not just visions, eventually - she starts to read minds, here and there. She's always been a fidgeter, happiest with some petty creative task of wire and beads or yarn in her hands, but now she can swear that sometimes her craft supplies sing at times, directly surpassing her ears, and she can make things with quality, with power. A new-knitted scarf is sturdy as a gorget. Glass beads glow. The more Phina does, the more she's frustrated rather than satisfied - she knows she's missing something, and she HATES being ignorant. Being wrong.

Martha, always the responsible one, especially feeling the need to be so now that their mom has died, wishes she would stop. Wishes she wouldn't put herself, put both of them, in danger like this. Martha is literally game to fight an orc with her fists one on one, any day of the week; she's no stranger to a quick temper and impulsive action. But she grew up! Why can't her sister!

(Martha: [venting the above to a stranger in a bar or something. Meanwhile, Seraphina has found an medieval Songbook and is trying to, like, apply principals of Elvencraft to chemical engineering. more arguing ensues.])

Toward the end of the season, there's, idk, several murders at the site of a geothermal drilling experiment in the North Sea, and oh shit, Bane is trying to get something that came out of that drill shaft! Violent interrogation of some evil minions reveals that it's no less precious thing than a Silmaril! Our heroes read about those recently in some ancient tome! (Phina got a headache so bad, and a sense of being aflame, that she passed out.)

In the third-to-last episode of the season, they hunt the Silmaril to the unlucky random research facility to which it's been taken. Mundane authorities and/or scientists are already coveting it as a potential energy source, adding extra mooks...who mostly just die when Laura's Bane arrives. But our girls get to it just slightly faster. The jewel is in a jead-lined box. Phina has been increasingly consumed by single-minded focus on getting this thing; even as the Ban storms in all fire and darkness, she's furiously picking the lock. She flings back the lid; we see a shining gold-white jewel - and the Light consumes the screen.

The second-to-last episode starts with pure Light - then it fades to simple Mingling, as the Noldor hold a funeral for Miriel. They had rites for the fallen in their starlit home of old, when they knew no return. They are having a modified version now, knowing that in her weariness she will, at least, take a very long time; in the hope that it will help those who loved her move through their grief.

- young Fëanor (age 5ish), tears running down his cheeks, whispers to his father that he is sorry, so sorry he killed her. Finwë denies it fiercely, lovingly, and holds him tight. Indis approaches, seeking to offer comfort; Finwë sees her over Fëanor's head and, gratefully, shakes his head. She retreats.

- but in the next memory, it is Fëanor (age 10ish) who watches Finwë and Indis, as they move joyously in unison around their wedding dance floor. Someone says something to him, he responds bitterly.

- (I'm not sure exactly what narrative of Fëanor's life I want to construct here, but assume subsequent memories/short scenes include: dislike of half-siblings (ft. fear of loss/abandonment masked as superiority complex), finding genuine joy and contentment in craft, exploration, and Nerdanel & their children; Melkor & rising tensions with Fingolfin, the Silmarils, the sword Incident, banishment (ft. savage dislike of Valar), Finwë's death (the same memory that struck when Laura died!), the Oath, Alqualondë, the theft and burning of the ships...and Amrod...and shortly thereafter, Fëanor himself, in a rush that only wasn't suicide because he really thought he could bust in and kill a Vala right up until he realized he absolutely could not do that.)

- (very fast final montage of key events post death, only snapshots, maybe styled as tapestry seen from Vairë's Halls? Fingolfin, crowned, raising Maedhros from a bow and embracing him; the glorious hosts and castles of the Noldor, Dagor Bragollach, Fingolfin's death, Doriath & Celegorm, Caranthir, Curufin's deaths, Sirion & Amras's death (both with the Silmaril evading them in the background), Morgoth's defeat by Host of the West with Eärendil shining far overhead, the final attack/theft, Maedhros's death, Maglor flinging the third into the sea and collapsing)

- camera close on Seraphina's face as she opens her eyes. They are shining with Light. She says, "Fuck."

FINAL EPISODE OF S2 STARTS WITH:

- a few second earlier: Martha sees from across the room as Phina opens the box and a joyous Light shines forth, and her sister collapses. The Silmaril falls and rolls.

- Martha doesn't have time to see where it rolls, because she has to fight the monster that killed both her parents. We've seen Laura's Bane in the shape of a woman with cavern-black hair and fiery eyes a few times before, and when it killed Laura and Elrohir, we glimpsed much more. But 2 episodes ago was the first time we saw it in all its terrible, burning darkness. The building is falling apart around it. There were a couple security guards and a scientist here; they're dead within moments.

- like her mother, Martha started out with a gun and a sword. She quickly gives up on the gun - it IS a special magic gun, but she's just better with a sword. She's snarking at the monster as she fights, because this is a gritty urban fantasy show so she's going to die, but by Eru she's going to die with sarcasm on her lips.

- the Bane's whip finally catches her around the wrist. It's not clear if it's the pain of the break or the burn that makes her drop her sword. The Balrog steps over it and grabs her by the throat. Darkness enwraps her, the searing, choking claws and the all-encompassing wings and the swallowing of her vision -

- Light pierces it like a blade. The Balrog falls back, dropping Martha to the floor.

- there stands her sister, Silmaril raised, almost glowing herself with its Light. Her eyes blaze with the particularly fiery Light that was always Fëanor's.

- Power in her voice, in English she says, "I am Seraphina Elrohiel [cool epithet she's picked up as a hunter]"; in the most traditional lisping Quenya she adds, "and I am Fëanáro Finwë-Curufinwë." English again: "I wrought this jewel five ages of the world ago…and to be honest, I don't really know what I can do with it now."

- - (the soundtrack crescendos, the Music crescendos; unseen, all around Arda and beyond, beings tuned into the Great Song of Ëa know that Fëanor once again holds a Silmaril, and go oh, shit, fuck!!)

- she smiles, fey and burning. "Do you think it's a good idea to stay and find out?"

- Laura's Bane flees with a snarl.

- Martha gets to her knees, and no further. She's panting, still catching her breath, bleeding and bruised and burned, and staring up at her incandescent sister(?).

- Seraphina (who is, has always been, Fëanáro Curufinwë) stays standing and glaring for a moment more, making sure the enemy has truly gone. Then -

- - [note: it came up, in their hasty recent recent research into the Silmarils while chasing them, that they are blessed such that evil hands can't touch them. they'd hoped this would be protection against the Bane, if they got there too late to stop it]

- - [note: in the very very brief memory-views of Maedhros and Maglor's last moments, it was clear that their grips on the Silmarils were agony]

- Phina falls to her knees, Silmaril dropping from her hand without protest. Once again it rolls offscreen, glow faded but still bright. All force of presence gone, she cradles her burned hand and sobs in agony and irreparable loss, not to mention the sheer overwhelming experience of everything.

- older sister instincts (again: despite the fact that they're twins) gets Martha moving when nothing else did. Still not actually sure what just happened, she crawls forward and hugs her sister.

...then they get out of there. Martha picks the Silmaril up carefully with a piece of cloth and puts it back in the lead-lined box, and Phina carries the box. For the rest of the episode, they hunt down Laura's Bane before it can escape them utterly - unless it tries to come back and get the Silmaril while they're still off-balance, which is entirely possible! Either way, they kill it so dead!

Season ends with the two of them sitting in a dingy motel room, or maybe back in the Shadowfax [car], staring at the Silmaril box. Martha says, "So...what do we do with this?" Phina says, "We find out what the hell happened to the other two!"

IN SEASON THREE...

...I stop having particularly coherent ideas for what happens, is what happens in season three

honestly, I was originally conceiving of this as 5 seasons a la Supernatural didn't it have a great show finale in 2010? so great. thank goodness they didn't make 10 more seasons for some canonically godforsaken reason. But Fëanor retrieving even just one Silmaril would so kick off an s4 level of divine intervention and incipient apocalypse...

I dunno, or maybe they CAN have a full season of Monster of the Week plus arcing plot which is half standard hunting, half various supernatural entities tracking them down either to steal the Silmaril or to kill Fëanor (again) for her many crimes?

They retrieve 1 Silmaril that season, while evading, idk, I guess Sauron is our Lilith equivalent... And it WOULD be fun to have s4 start with Martha kicking open Mandos's doors (she's holding 2 Silmarils; she can kick open whatever doors she wants) and demanding her obnoxious sister back...

(We COULD do a thing where the Valar deliberately put Fëanor back asap, but lbr they...would probably rather not, even if they need her alive to do certain things. On the other hand, if they did, what a fun conflict for her! On the third hand, SOMEONE has to Lúthien the other's Beren at least once - not that Martha is singing. She's going more for the 'threatens Ainur with swords' side of her heritage.)

(That WOULD create a fun 'Martha has been doing increasingly badass and angsty shit offscreen (while Seraphina was dead)' scenario that could lead smoothly into some flashbacks about what Martha was doing before the show started - namely, increasingly badass (and angsty) shit while Seraphina was in college...)

Because in terms of focus, the first 2 seasons are a little more about Seraphina. Having not Ranged for a while, she's more the audience's pov character to start, and then the big plotty drama is focussed on her in s2...and in s3, as they hunt the next Silmaril and she adjusts to being... That is, Fëanor adjusts to being...

She was Fëanor for a MUCH longer time than she's been Seraphina, but she's been Seraphina more recently and kinda more...vividly? She hasn't fully processed being Fëanor. Her hröa is human (and female-shaped and human-female-gendered, and elves don't define gender the same way and don't have gendered pronouns at all, so she's sticking with 'she/her' and it's not a big deal), and her fëa has been acting human, so her memory capacity is still mostly human, as are her reflexes, her need for sleep, etc... She's getting better, but it takes time.

But boy has this enhanced ALL of Seraphina's natural attention-seeking, forward-leaping, fight-starting, prideful, self-centered Protagonist(TM) behavior!

Which is driving Martha CRAZY, all the moreso because there's reason for it now. Aside from the fact that even with no memory of her past life, Seraphina was always brilliant, while Martha was just...normal at best. Clumsy and un-witty except with a weapon in her hand. Prone to sulking and shyness. Downright unlucky, while the universe seems to shower blessings on her sister.

Even when Fëanor is trying not to start a fight, she's so condescending. to her sister who is a mere mortal Man. Having been one for 25-odd years - still being one, in fact - Fëanor has lost much of her suspicion of Man as an usurping species (it was never really about Men anyway). But she's SO condescending.

(Martha IS her sister, still. Martha can hold the Silmaril without the Oath pushing Seraphina to burning wrath, because she is Fëanor's kin.)

(Though "Fëanor's kin" was only ever a stand-in for, roughly, "people Fëanor could trust to temporarily hold a Silmaril because he knew they'd give it back to him instantly if he asked." So, as the rift deepens between then, as she grows paranoid again...)

...returning to the point above: as Seraphëanor steps up as Person Who Can Explain Advanced Supernatural Shit, audience pov connects a little more with Martha. Also because Fëanor's radius of destruction is really fun to watch from the outside.

Yeah...Seraphina gets pretty high up her own ass over the course of s3, then dies, maybe heroically or maybe as foolishly as last time, then post-season hiatus smash cut to Martha kicking in Mandos's front door and dragging her back to life... I do love that.

SEASON FOUR...

After the shock wears of, the classic Fëanorian paranoia isn't helped by the fact that Martha IS keeping secrets. What she's been doing, who she's been doing it with...(some Maia, maybe even an Úmaia?) Though Arda's mythology doesn't have the same Heaven/Hell dichotomy as Earthly Christianity, so alaos we can't have the sexy sexy s4 thing of an angel on one sister's shoulder and a devil on the other's...

But basically I think s3 has to have been somewhat of a tragedy, as Túrin (unknowing) and Fëanor (just bad at this) played out their old tragedies in tandem. Rashness was often the undoing of both. Leaping to conclusions, action or both, though usually in opposite directions. With maybe a dash of parallels with ancient (ie, Second Age) Elf vs Man conflict - Martha is increasingly down on herself, but also, jealous of Seraphina's Protagonist Energy and increasingly ready to do some violence about it.

And none of that resolves in s3! Seraphina just gets killed!

So in s4, they have to figure it out. Seraphina needs to learn some sort of (gasp) humility, and how to let grievances (and loved ones) go. Martha needs to learn how to cope with regret and grief with means other than changing her name and moving to a different city.

(She's already starting, though! This time, she asked "what would Seraphina do', then broke into Mandos and demanded solutions!)

(...and Mandos, perhaps, was very ready to refuse until he got a good look at her fëa, silently went 'huh' in recognition, and waved them out.)

Then Martha starts having strange dreams and visions - maybe after they fight an ancient dragon? or maybe she already was, in the s3-s4 gap (after fighting an ancient dragon with her new Maia friend?)

Seraphina is initially PSYCHED about this- twinnies for real!! But they get some entity to look at Martha's fëa and they confirm that she's 100% a Man.

Monster of the Week episodes are still the main focus btw. Vampires and werewolves, cursed magical objects, rogue petty nature maiar, peacekeeping between factions of non-humans still dwelling secretly here and there... Though perhaps the masquerade is starting to fracture?

And, of course, some (other?) Maia has shown up and informed them that Sauron is embodied again and trying to complete a ritual to break a hole in the envelope of the world to let Melkor back in, which our heroes must stop!

Also, definitely need to get the 3rd Silmaril back this season. They got the one in the earth and the one in the sea...

- so, a fan favorite recurring character [a/n: IT'S MY IMAGINARY TV, I CAN IMAGINE THE FANDOM'S REACTIONS, TOO, AND ALSO TBH I'M CERTAIN I COULD DELIBERATELY CRAFT A FAN FAVORITE CHARACTER] is the twins' Uncle Earl, who isn't technically their uncle but rather an old family friend of their mother's. He is, in short, kind of an old kook. Some flavor of Southern - I'll flip a coin and say Louisianan? Lives on a houseboat, refuses to go ashore unless absolutely necessary because "the feds'll get me." Visiting nieces means there's someone else to go get groceries and gasoline (necessary, but he doesn't trust most delivery services or modern technology, either), so they've possibly never seen him set foot on land except maybe once on an isolated beach in rural Oregon. Fought in Korea. Has probably looked grizzled since age 12. Eats mostly fish, talks to birds, talks back to the radio.

- to be clear, this guy is not filling the Bobby 'faux-parent' role. ...okay maybe he is a little, emotionally. But he's not involved in "the family business." In terms of SPN characters, he's roughly Garth - appears once a season or so, is a delight for 1 episode, then we part ways. He calls Martha in s1 because there's been some "weird deaths" in the port he's in right now, and he knows they deal with "this sort of thing" but he can't get ahold of Laura. There's a mention of him in s2, that they called to tell him Laura had died. In s3, they need to lay low for a while so they join him on his boat for a few weeks, go stir-crazy and end up fighting a sea monster.

- Idk if he calls them again in s4 or they're trying to lie low again or they just run into him by chance...but they're dealing with MotW murders in some swampy Florida shore-town and on his ship (The Flower) when something much bigger than a swamp monster catches up with them. Say, Sauron sent an unstoppable Carcharoth-sized wolf monster, or maybe a super-vampire (some aerial combat would be fun), or just some Úmaia miniboss that a season or two would've been a season-climax boss fight...

- they're moored up when it arrives. Phina curses, Martha shouts for Earl to drive, drive the boat out as far and fast as he can! Earl was half-asleep at the table; he starts awake demanding if it's the feds?! Phina leaps to the wheel herself and slams the gas, while Martha grabs the old shotgun off the wall and fires at the giant shadowy wolf-monster.

They leave it howling on the pier. They'll have to go back and face it eventually, but they're not ready right now. Maybe they can even re-land far upshore, and it'll have lost their scent again...

- the giant shadow-wolf finishes howling starts chasing them running on the water

- Martha curses, and shouts Phina to drive faster. Earl (looking over Martha's shoulder, also cursed, almost impressed, at the sight of the wolf) tells her to give him the wheel. Phina shoves him away and shouts back as she yanks the wheel that they need to turn back, they can't win this fight on the water -

- the wolf is snapping at the Flower's keel. Phina curses in Valarian and yells at Earl to take the wheel and steer them back to land, while she runs back to help Martha fight the wolf.

- Earl flips a red lever in the [boat mechanics] cabinet under the wheel which we've probably seen before (Seraphina fixed something in s1), labeled "High Octane" and shouts, "Hold on, girls!" He slams the throttle again and the whole houseboat hydroplanes. The wolf falls overboard; Phina goes with it but Martha grabs her.

- the wolf gets to its feet on the water, and starts chasing them again

- "Confession time, girls!" Uncle Earl calls, steering the boat beyond full throttle while Martha and Phina get to their feet. "I did befriend your ma's dad while he was fighting in Korea. He whispered to the stars at night, when he felt lost." Adjusts a standing spyglass, tugs a string a couple times to turn on the lanterns on the prow and above the steering console, dons his navy blue-and-gold captain's hat. "I thought I couldn't have been happier to guide him home - then Elrohir met his Laura, and they fell in love. And had the two of you!"

- "Do you have a point?" Phina shrieks. She's scrambling to get her jacket out of her bag under one of the seats, because her Silmarils are in its pockets and the shadow-wolf is gaining. Martha, shooting at the wolf again, glances back, maybe having noticed that the old anecdote is phrased differently than before. Old Uncle Earl is standing unusually straight, his grizzled-gray hair gold-ish in the warm lantern light.

- "Yes!" he calls, jerking the boat away from the wolf again. Some of his Louisiana accent has fallen away, too. "Don't lose your wits - and keep holding on to something!"

- he tugs the light-cord again and the yellowy lantern-case above the wheel opens, and the light that shines forth is far brighter and paler. Its source falls into his hand as the lantern shakes with the Flower's speed, and he sets it on the brim of his hat - the illusion of which fades, leaving only the golden band on his brow with the Silmaril set upon, and Eärendil standing as tall, young, and golden-haired as when he first sailed the sacred seas. He gives the wheel another stern yank and the ship's prow rises even higher - and keeps rising, with the rest of the Flower in tow - the Foamflower, Vingilotë, every plank now aglow.

- "Also," he admits, looking over his shoulder to make sure neither of the twins has fallen off (again), "I'm your great-grandfather. I really am sorry to have - hey!"

- that's for Seraphina, who is Fëanor, Oath blazing in her heart, regaining her balance, sprinting up the deck and lunging with wrath in her eyes for the Silmaril.

- Eärendil dodges smoothly, while still keeping one hand on the wheel. "I said," he says reprovingly - while Martha bodily tackles her sister to the floor - "keep your wits Fëanáro. I'm here to help, as I ever have been for the people of Arda."

- the girls wrestle on the deck for a few more seconds before Seraphina calms down. It helps that they realize the wolf had grown giant wings of shadow and is chasing them aloft as well.

- btw: late in s4, the dwarvish researcher who's Bobby's fill-in and/or Martha's probably-trustworthy Maia friend should really be present as well for all of the above, but this ain't really about them. So I think they're just kinda. awkwardly Present for this family not-reunion. helping fight the wolf & all that.

- (Eärendil doesn't actually give back the Silmaril. But he lets Seraphina hold it for a few minutes, during which she is more at peace than she has been in millennia, and promises to let her have it again if/when she really needs it, if it isn't more urgently needed elsewhere. This is, more or less, satisfying to the Oath: as discussed "Fëanor's kin" was only ever shorthand for "people whom Fëanor could trust to hold a Silmaril without ever withholding it from him.")

Eeexcept it turns out that even Eärendil doesn't know that the Valar DO want Morgoth back, because they're kinda totally down to have Dagor Dagorath and reboot the world. Look it'll be great - Túrin - that's you, Martha - will help Eonwë and Tulkas slay him, then Fëanor will break the Silmarils, releasing the Light so that Eru can use it to Remake the world, Unmarred this time - Hey, where are you Children going? Stop stabbing people! Stab only the people we tell you to stab!

(Ulmo, ever wise, offscreen: When has that EVER worked? Especially with Fëanáro and his kin?)

Yeah, there's a scene very much like the end of SPN s4, wherein Martha gets grabbed by the celestial "good guys" and they admit that this is all kinda set-up but don't worry - here's your destined fuckoff-huge black sword, just wait a few minutes for your "sister" to once again achieve an evil end that's the exact opposite of what she intended; and then Martha has to convince the Maia she's been befriending all season to help her escape and go rescue Seraphina before she jumpstarts the apocalypse...

(Nb: Martha was already trying to stop Sauron from freeing Morgoth when the season started - she broke Seraphina out of Mandos party bc she loved and missed her sister, partly because she needed a Silmaril expert. But she's grown skeptical of the task somehow, while Seraphina - perhaps because Seraphina - has gotten vengefully obsessed with it. As Fëanor is wont to do. Hell, she has even more reason than she used to - she knows what Sauron did to her grandson.)

So, y'know

They do, of course, accidentally free Morgoth.

On the plus side, in the process, they get to jointly murder the SHIT out of Sauron, who was the REAL mastermind behind much of Laura's Bane's actions (and, honestly? Might've been the real one who killed Laura, and only set it up to look like a Balrog. Flames and shadows both can have many masters!)

SEASON FIVE, THE FINAL SEASON DEFINITELY FOLLOWED BY NO FURTHER SEASONS despite the temptation of a terrible sexy humanoid Ungoliant

I only have 3 ideas for season 5:

1. They go to Valinor at some point, of course. Perhaps to rally aid? The first elf they find, they introduce themselves grandly, Fëanor and Túrin Turambar here seeking allies to fight Morgoth! and the elf says blankly, "I have never heard of either of you." *squints* "You're Men, you say? Lord Ulmo keeps a Man on Tol Eressëa, I think. You could go to him?" But after that, as a running joke all episode, every other elf they meet recognizes Fëanor on sight (she has a very distinctive fëa) and immediately punches her in the face...and every other elf recognizes Tùrin on sight and all but tackle-hugs Martha while shouting joyfully that they never expected to see him again. Some (Beleg) actually do tackle-hug her (and nearly gets stabbed again) (#worthit).

2. To everyone's surprise, including the other Valar, Morgoth started his war upon creation subtly when he returned...but doesn't remain subtle for long, nor do those opposing him. By the end of the season, the masquerade that non-human sentient peoples and various other supernatural beings still live in Arda is all but shattered.

3. Then it's THOROUGHLY shattered in the finale. I don't know if the general human populace participates in the final battle - though I am SO weak for a moment when, like, the regular-ass armed forces, who are not necessarily allies to the heroes, show up to help fight a massive superhuman threat. When the SHIELD helicarrier shows up to evacuate civilians in Age of Ultron, when UNIT does pretty much anything in Doctor Who...I love it when the best protections & warriors the mundane human race could pull together also show the fuck up and help save the day because damnit, this is their planet too. ...Which is, in fact, very on-theme for Tolkien. So yes, actually, this definitely happens. Probably there's some conflict with US military forces mid-season, our heroes have to talk (fight & escape) their way out of being arrested for blowing up a national landmark while fighting a balrog, and the general in charge whom they'd half-convinced returns in the finale with a battalion to slam some missiles into Morgoth...

oh, and 4: Ar-Pharazón et al totally do come back from the dead. Probably on Morgoth's side lbr. They get a twisted undead immortality wherein they cannot die, just go on fighting for the dark lord to whom they once turned in jealous worship...

More importantly...

Okay, I really don't know exactly how the Dagor Dagorath goes. We're following the version that Eärendil will chase Morgoth from the skies; Tulkas, Eonwë and Túrin will fight him upon the field and Túrin will avenge his House and all the Race of Men by slaying him; and Fëanor will break the Silmarils and Yavanna will use their Light to remake the Trees, and the lands will be leveled or in some cases raised from the depths, and everyone will live happily ever after except possibly Men who aren't mentioned beyond Túrin.

This is what the Valar expect to happen (though they don't actually know-know Eru's plans.)

What happens instead is...

Most of the Morgoth-defeating does go exactly like that. Except probably they don't kill him for good - they CAN'T, because the Marring of the world is part of what Morgoth is, and the only way to undo him completely is to remake the world completely.

Which maybe could be done, by Eru if no one else, if He were beseeched? Which might be done with the strength of the Silmarils, their Light released?

And Seraphina does break the Silmarils. That's important for her - giving up her Protagonist role, just as slaying Morgoth - embracing her Protagonist role - is important for Martha.

...but I don't think they give the Light back to Yavanna. No offense to the Trees, but they never illuminated most of Arda anyway, and the world is round now anyway - and making it flat again would fuck it up - and we have, like, electrical lights, now.

Hell, maybe Seraphina is ready to give up the Light... Her instinct is to hold it back, to follow her own novel plans with it, but, oh, to regain what was lost! And she has come around on...some of the Valar. Selectively. Yavanna's one of the okay ones.

- but Martha, half-dead from the battle, drops to her knees beside her and catches her hands before she can loose the Light upward unto the grasp of the Tree-Queen.

- "Together?" Martha says (Túrin Turambar, ever the greatest Men had to offer - bull-headed, loyal, brave, unafraid of death, loving and losing and loving again).

- Seraphina's trembling lips curve into a fierce grin (Fëanäro Curufinwë, ever the greatest Elves had to offer - brilliant in mind and spirit, devoted, ever seeking to preserve and glorify the beauty of the world, and eventually learning some wisdom about letting go).

- "Together," she agrees.

- together, they hold the Light that once shone in the Trees, the Lamps, and the Flame Eternal of Creation itself; and as they release it, reach for the Great Music of Ëa that is deep in both their blood - for they are the daughters of Elrohir, son of Elrond, son of Elwing daughter of Dior son of Lúthien Tinúviel, daughter of Melian the Maia; and indeed, even before that, they are both trueborn Children of Eru, are they not? - and eschew utterly the Choice of the Peredhel by leaving the world round but Un-Sundering the Sea, that the kindred might still live apart, if they wished it - the Elder in their land undying, the Younger in their realms of quick and sometimes joyful, often savage change - but that they might visit one another, at least, as they pleased.

(I mean, wasn't the false division of siblings the whole problem from the start?)

Random Additional Features of this Show/AU/Thing

All elf and ainu side characters, canonical and not, will be cast gender-blindly, and characters referred to with the understanding that elvish personal pronouns don't necessarily correlate with physical phenotype, but Ainur do generally try to match local standards of gender assignment. Dwarves will all use he/him (and have beards!) even when fairly clearly female.

I have no idea what Martha is doing for gender once she remembers being Túrin. With all the time Túrin spent with Elves, she probably rolls pretty smoothly with being she/her now, though it's weird. Her memories definitely integrate more easily than Fëanor/Seraphina's, though, as much because she's the same kind of being both times as because there's less of them.

Both protagonists are definitely bisexual. Martha has a range of love interests; it's a running joke (at first) that Seraphina has a total Thing for redheads. Any kind of redhead. But especially creative ones - any kind of art or invention.

The role of Gabriel WILL be played by Maglor, albeit with a different death (don't worry, he'll be back for the finale) and much more...gloominess. And angst. Okay, and maybe his first appearance, in s1 or 2, IS cursing them - not knowing who they are - into a musical episode. (A WOMAN HAS NEEDS; THE WOMAN IS ME.)

When Martha meets Fingolfin and/or any of Fëanor's other siblings, probably in s5 but maybe s4, they immediately Vibe completely. It's the shared experience of growing up with Fëanor for a sibling. Needless to say, Seraphina Hates This.

Their chief researcher friend is a dwarf, who is also on the young-ish side I think, and a woman (he/him).

There's gotta be a notable hobbit on the Team before the end, too...but overall, hobbits remain symbolically representative of the Civilians in this war story.

Durin is alive again somewhere. Durin usually reincarnates in time to guide his people through particularly difficult times - or, to try. Their dwarf friend - what the hell, I'll just call him Bobby - tries SO hard to be Cool about meeting him, and fails SO hard.

I generally prefer to judge and characterize the Valar and associated Maiar as fallible to the point of clumsiness or negligence but basically wise and thoroughly benevolent...but I AM willing to throw some of them under the characterization bus for ease of making conflict in this hypothetical CW show.

...I probably have many more random thoughts but it's 3am and I want to post this whole insane thing. Feel free to ask me questions if you have them! And/or petition both the Tolkien estate and a major TV network for the rights, money, and support to help me make the terrible but wonderful show we deserve!

[spaceorphan18]

You may have answered this a hundred times before, if so, point me to your previous answers! How would you have improved Kurt’s story in canon? What are the major things you would have changed, and some of the niggles and minor things that drive you mad?

Hi! You know - I don't mind getting these kinds of questions again. My answers tend to change as the years pass.

I'm not sure if there's anything major I'd change? I don't mind the overall structure of his story (@snarkyhag - omg, I used the word 'structure' for the first time in forever, feels nice, lol.) But Glee has very jaggedy story telling, in that it does highs and lows but doesn't do details or in-betweens very well.

I think his arcs in Season 1 and 2 are pretty well done, and despite me always wanting /more/ - the show was about an ensemble, and he did relatively well. I really have no complaints there.

In Season 3, I would have liked his story to be less attached to Rachel and more on an individual path. Everything that happens in his story line (that isn't related to Blaine) is a consequence or set up of Rachel's story line, and it's maddening. I don't mind that he doesn't get into NYADA -- I wish he would have stayed out, tbh, but the narrative around him getting or not getting in should have been devoid of what Rachel's story needed to be.

I also wish he and Blaine had had more intimate moments -- I don't mean, necessarily, kissing/sex/romance -- but more moments where the two of them are just them together, in a more relaxed way. Hard to do in a school setting, sure, but things like the missing Box Scene from the Christmas episode sprinkled in more often would have been nice.

Of course - I would have loved so much more in Season 4. More fall out from the Break Up. More of Kurt exploring New York City. It would have been nice to see Adam developed as a real relationship for Kurt. Just seeing more of how he felt, and how he was struggling with moving, and being in a new city, and leaving friends and family, and missing Blaine, etc, etc. There's such a rich story there -- but the show, ultimately, was about a high school glee club, not up and coming college kids, and of course, Kurt's story still ended up tied in to Rachel's. (Of course - on the flip side Season 4 gives us such rich material to fanfic around -- so much good fic arose out of this era.)

Season 5 is hard to articulate - there is such a complex variety of things going on - with Finn's Death, the engagement, and all of Rachel and Santana. I wish Kurt would have more of his own individual story line. I know he got the band and Elliott - but what does he really want to do with his life? Again, I do wish we had Glee - the College Years for the full season.

I love the NYC arc - and the exploration of the Klaine dynamic, but I would have seen more the highs there, too. I realize TV needs conflict, and the writers knew where they were going with the story, but I don't think the June story line necessarily worked now that I'm this far out, and I would have liked to see them more navigate the ins and outs of a relationship.

Season 6 I would change less than you think. My biggest thing is that I'd rewrite the entire Klaine part of the Wedding episode. Kurt needs a catalyst (probably the one thing that still bugs me the most) to run back - the writing is just awkward.

But also - Kurt and Blaine don't get a single, private conversation between getting back together and the locker scene in Dreams Come True. I realize it's more about the show winding down - and that scene is essentially their 'happily ever after' moment, but it would have been nice for the show let Kurt (and Blaine) reflect on marriage and taking that next step. But also, having a conversation about how their lives are moving forward when back in New York.

The epilogue was nice, but I would have moved it farther than five years -- and I'm somewhat indifferent about them having kids, but twenty-six feels young for them being dads.

Idk, those are the major things. There are episode to episode minor-ish things, too, I guess. Like why did Kurt give back the tape in Michael? Why did he have to be a jerk to Quinn in On My Way? Stuff like that where I don't agree on the writers' charactierizations.

Thanks for the question, Nonny! It was nice to get back into writing meta!

[lilislegacy]

YES YES YES i agree w everything

pen and colin are 100% my faves but there are some things that i was like ????? why???? and this season was so good it made me wanna bawl my eyes out, like i cant physically take this anymore

but PLEASE i need to know what you think about the queer storylines!!! like bi ben is canon?? and MICHAELA!!! also creloise?? like im actually gonna die and i cant wait for next season 😭😭😭

thanks for the ask @guacala!

spoilers ahead

i know, colin and pen were SO cute. in the books i’m pretty sure colin stays by her side even when he’s mad at her about whistledown, so i didn’t like how distant he was in the show. he’s supposed to be more “im so angry but im also so in love with you” but in the show he was more “im so angry and i don’t know if i want you anymore” which wasn’t my fav, but they were still adorable. although him leaving her in the street, alone, at night, after he found out her secret was the most out of character thing i’ve ever seen. colin would never. that choice was not thought through. but when they fought and yelled at each other in the street and then got spicy immediately after??? i was LIVING for that

the queer storylines are certainly interesting. i’m here for it for my baby boy benedict. he’s always been a little fruity. i’m not surprised in the slightest. but for francesca… idk. it’s not that i’m opposed to it, but the way they’re handling it is soooo odd

i’m definitely excited to see how everything goes down in season 4. just a short speedy 2-3 year wait 🫡

[sitp-recs]

HP Rec Fest, Day 27

Omg day 27 already?! I can’t believe this fest is almost done :( today’s prompt for @hprecfest is fun but also challenging for those (like me) who read way more canon-based fic than AUs. But I do love a good challenge so I decided to go full non-magical AU instead of picking a “Draco in the Muggle World” AU. And since I’ve been sick in bed with a lot of time in my hands I thought why not rec 2 Drarry fics + 1 rare pair. As you’ll see I love rivals to lovers a normal amount so that naturally makes Sports AU my absolute obsession jam. I’m so happy to include in one single post an old fave, a recent fave and my favourite rare pair. Run don’t walk!

Day 27) a Muggle-AU fic:

Drarry

🏒 Mad Blood Stirring by provocative_envy (E, 3k)

It's not like they've been angrily hooking up on the sly since meeting at a Juniors skills camp in fucking Manitoba four years ago, except that's exactly what they've been doing. ALTERNATIVELY: Draco and Harry really need to talk about their feelings.

fucking finally, the perfect excuse to cheekily include my fave sports/non-magical AUs and scream non-stop about them! I couldn’t care less for hockey, and yet I’ve reread this classic more times than I care to admit. this is superb rivals with benefits to lovers (my fave!), super hot and hilariously chaotic as all Drarry things should be. PE nails both characters in a non-magical setting perfectly - their voices are a delight and the constant flirting bickering made me lol every 3 seconds. they are so deliciously crazy for each other I could stay in this verse forever just watching them pine, play & fuck throughout the season - make sure to go check the FlintWood piece here, it’s equally brilliant! def a classic sports AU to reread over and over.

🚣‍♀️ Our Objective Remains Unchanged by @citrusses (E, 46k)

Harry Potter, returning member of the Oxford University Boat Club, has two goals for the spring of 2005: beat Cambridge, and beat Draco Malfoy. Perhaps not in that order.

an instant 2023 fave, this is the rowing AU I did not know I needed but boy, am I happy it found me 🙏🏼 citrus got me shooketh from beginning to end, I am awed by the world building and the whole Oxford way of life especially the classism aspect and the training ethos. everything is so vivid and refreshing and unlike anything I’ve seen in the fandom so far. the fic incorporates many canon elements and balances dialogue, world building and character development flawlessly. being in Harry’s head is an emotional ride, he’s a wonderful and relatable character and I just wanted him to be happy so badly. Draco’s arc is equally moving (I was screaming at his reappearance) and this is peak rivals to lovers!!! I was very invested in the competition and the romance is so so lovely and real. I felt incredibly sad and lost when I finished this fic because I wanted to stay in this universe forever. fun, inventive, sophisticated and surprising in the best ways, go read it now

Rare pair

Shut Up and Kiss Me by @unmistakablyoatmeal (Harry/Teddy, E, 7.7k)

There's a reason Harry walks an extra ten blocks to go to the shops and it has nothing to do with onions.

smitten Harry my beloved!!!! I’m so weak for this ship and this shop AU is the cutest thing you’ll read today, I love swooning Harry daydreaming about Teddy and being an absolute dork around him. it’s so funny (and mildly embarrassing) to watch him pine over this cool, charming, and confident young Teddy who’s not afraid to get what he wants 🌝 the clubbing scene deserves special kudos for its depiction of ageism in queer spaces and how older folks sometimes struggle to fit in. for all their differences I love how Harry and Teddy instantly click, the casual-not-so-casual flirting flows smoothly between them until the UST breaks with deliciously hot smut as per sdk’s usual. a sweet AU to check before the year ends!

[lighttailoring]

Mr Cereal Korn + 5, 7, 8, 21 for the character ask game!

5. What's the first song that comes to mind when you think about them?

Roman by Eugene McGuinness!

This song was taken off Spotify for some unfathomable reason so it's not on my playlist any more but to me this is Syril's Song and nothing can change my mind. Every lyric just fits. Also Eugene McGuinness should have been a megastar of the 00s indie-pop scene & not a day goes by when I'm not mad about him staying as obscure as he did

7. What's something the fandom does when it comes to this character that you like?

I love how we all collectively latched onto him being *canonically 35 years old* in Season One. He's our washed up emotionally stunted millennial baby man and that's final <3

8. What's something the fandom does when it comes to this character that you despise?

I know I have ranted to you about this before (sorry) but I hate the "incel" stuff. Syril is an entirely different flavour of freak. He doesn't hit any of the beats of an "incel" character (like say Xander from Buffy). He's like, the absolute opposite of someone who's constantly trying to get laid - he is SO fucking uptight he's practically snapping in two. I can kind of see him as maybe one of those "nofap" idiots but again I think his motivations would be *so* much more unhinged than wanting to Attract High Value Women. He's like... a priest, to me. One of those ones who loves Jesus a little *too* much. Like, I'm a keero through and through but even when he's creeping around outside Dedra's work I genuinely don't think he understands what's driving that behaviour because he's always denied himself in service of being a Good Boy and that's SO MUCH MORE JUICY than him just being some 4chan guy.

21. If you're a fic writer and have written for this character, what's your favorite thing to do when you're writing for this character? What's something you don't like?

I love to Put Him In Stressful Situations. Like I have a great deal of affection for him but writing him in total despair and forced to make impossible choices is very fun for me. I don't like to deliberately make him look stupid (he can of course make a fool of himself). Like the previous question - it's so much more fun, personally, for me to put him in the spiritual equivalent of predicament bondage than just to point and laugh at him.

[kennys-parka-jacket]

Kenny for that ask game! And all of the questions, or how ever many you feel like answering.

This took me, like, an hour and a hslf to type.

1. Why do you like or dislike this character?

On surface level he's really cute and silly. Then you realize he's perverse and swears like a sailor. Then you learn he's a loyal friend, good at emotional support, and will do anything for the people he loves.

He's also pretty versatile. He can be a beautiful princess, a batman-esque vigilante, an eccentric mad scientist, a whitetrash redneck, a talented opera singer, a skilled musician, etc. He can do anything!! (Except sew and cook apparently XD)

2. Favorite canon thing about this character?

How he broke the cycle of abuse that's been going on for generations in his family. Also, despite arguably having the worst home life, he never let himself become villian-like like some other characters in this series.

3. Least favorite canon thing about this character?

His tendency to be ignored by the writers. From being 'permanently' killed off to being reduced to a background character for a few seasons to just kinda being forgotten about halfway through some episodes.

4. If you could put this character in any other media, be it a book, a movie, anything, what would you put them in?

Sanrio, any animated run. I just think it'd be funny if this little orange nugget was running around the hello kitty universe being his usual R-rated self and every line of dialogue slipping past the censors.

5. What's the first song that comes to mind when you think about them?

Promotion Man by Merzbow. Same reason as All Star, despite the pain of existence he stays silly!! But in a much more noisy and industrial kinda way. Also I think Kenny would listen to harsh noise. (Tumblr wont let me link it :( )

6. What's something you have in common with this character?

Already answered.

7. What's something the fandom does when it comes to this character that you like?

In fan art he's often smiling when no one else is. Not in a way that feels like his happiness comes at the expense of others, but moreso he just has a different mindset. Or perhaps he's just high among his sober friends; which, given how he acts in canon sometimes, might be possible.

8. What's something the fandom does when it comes to this character that you despise?

When fans portray him as a casual sexual predator and it gets played off as just him being a flirt. The second half of that is the important part.

9. Could you be roommates with this character?

That's a big fat NOPE lol. He's messy as hell, cant cook, and, with his luck, he'd probably die every other week. Sorry, but there's no way no how it would ever happen.

10. Could you be best friends with this character?

Probably, yeah. Kenny gets along with pretty much everyone and I get along with most people too. I see no reason why we couldn't be friends.

11. Would you date this character?

He's 10 XD. But if you mean when he's around my age, still likely no. Reasons I'd rather not get into.

12. What's a headcanon you have for this character?

Some items he never leaves home without: a loaded handgun, drugs of some kind, 20+ dollars in loose change, the same phone that he's been using for the past five years.

13. What's an emoji, an emoticon and/or any symbol that reminds you of this character or you think the character would use a lot?

🧡😸🍊 reminds me of him

🌮😏🤘 IIRC canonically those are his most used emojis

14. Assign a fashion aesthetic to this character.

You know those shirts they sell at Spencers? Yeah.

15. What's your favorite ship for this character? (Doesn't matter if it's canon or not.)

In no particular order:

- Kenrietta. lady who's goth throughout x guy who's secretly goth but looks like the sunniest guy alive. They compliment each other nicely but also lend some funny contrast.

-Kammy/Kentam. The two poorest people in town, match each other's energy and craving for physical affection, are fiercely loyal to each other.

-Stenny. Sooo much angst and hurt/comfort.

16. What's your least favorite ship for this character?

Tbh never been extremely fond of that trope where his partner acts like they dislike him. But whatever, it just isnt my cup of tea.

17. What's a ship for this character you don't hate but it's not your favorite that you're fine with?

This is such an oddly specific question lol. Anyway, i enjoy him and craig, but a lot of content for them feels rather one sided. With that said, they absolutely deserve their reputation as one of the most popular ships in this fandom's history.

18. How about a relationship they have in canon with another character that you admire?

Basically the plot of season 24 is that everybody loves him even when no one likes each other. I strive to have that kind of relationship one day XD.

19. How about a relationship they have in canon that you don't like?

I dont know WHAT is going on between him and his grandpa, but something aint right.

20. Which other character is the ideal best friend for this character, the amount of screentime they share doesn't matter?

Everybody because everyone loves him.

21. If you're a fic writer and have written for this character, what's your favorite thing to do when you're writing for this character? What's something you don't like?

Already answered.

22. If you're a fic reader, what's something you like in fics when it comes to this character? Something you don't like?

Love how people write about his demise; everyone does it differently and it's epic each time.

Ngl it's pretty funny when fans write about him doing sex work sometimes. It's often comical how much he's willing to do for so little in return. Homeboy's seriously risking jailtime for a buck fifty.

23. Favorite picture of this character?

24. What other character from another fandom of yours that reminds you of them?

His muffled speech kinda reminds me of Coco from FHFIF. Also Rada from Chowder.

25. What was your first impression of this character? How about now?

First impression: the cutest little tangerine in the whole wide world.

Now: I would protect you with my life. I'm gonna go buy another pair of socks with your face on it.

[darkpoisonouslove]

1, 8, 19, 22?

Thanks! I'm just worried about this because I'm so rusty when it comes to the OUAT fandom but let's see.

1. the character everyone gets wrong

You know what? I'm gonna come out and say it - Facilier. The sheer amount of people I saw hemming and hawing about whether or not he was good for Regina because "he's a villain" and "has some hidden agenda" is absolutely appalling. Like, wtf do you mean is he good for her? He's literally the best! He is the only person on the show that's consistently put Regina over himself and his own wants. Like, I know he didn't have a lot of time to mess up but honestly, I don't think that even the writers understood him. He was giving off such strong Rumplestiltskin 2.0 vibes, which is the reason why I think the fandom had this reaction to him, and the writers really kind of went that way when he was even killed by Wish Rumple for wanting the dagger. It was a total waste of a perfectly good, intriguing character, not to mention husband material. Facilier deserved better treatment by everyone. Shadow Queen also deserved better!

8. common fandom opinion that everyone is wrong about

Oh, god, I have no idea what's common.

Oh... Oh, fuck, now I wish I hadn't thought about this but...

People hating on season 7, usually without even having seen it. I think season 7 is my favorite season. There were plot lines that were unnecessary or got derailed or just didn't go anywhere but there was so much fresh stuff in there as well.

Usually, people don't even want to give it a chance because most of the og cast isn't even in there and I understand that because I hate big changes in my shows as well but the truth is that the writers had no idea what to do with the og cast since around the end of season 3 and they were clearly unwilling to spin a different angle to these characters and they were bringing in a new set of characters every half season. It only made sense to get more new characters and let them stay for a longer time.

Really, Henry, Ella and Lucy are precious, Wish Killian and Alice are one of the best parent-child relationships on the show, Alice and Robin are perfect and I think that Lady Tremaine and Gothel are some of the most ruthless villains of the show. There's a lot of raw emotion and fun twists and even if it doesn't end up being people's favorite, I think they should at least give it a chance.

19. you're mad/ashamed/horrified you actually kind of like...

I'm kinda mad that I was into the Cruella x Isaac clusterfuck of a relationship (if it can even be called that). On the one hand, they are not compatible at all. But on the other hand, he is so much of a slimy worm that he somehow manages to match her in horribleness and villainy; he's just on the other side of the spectrum, the pathetic wet cat side. There were clearly feelings. Extremely fucked up feelings. It really is like you're preparing to watch a car crash in slow motion but then you end up being ran over by the car instead, which is a perfect description for them. And that leads me to the fact, that her signature car was actually his first? Oh... oh, I hate the writers for this. Now I'm sold and there's no getting out.

22. your favorite part of canon that everyone else ignores

I guess the tension between Regina x Rumple. Now this is kind of the opposite of question #8 in that the majority of the fandom is correct that s6 Golden Queen was a mistake and, frankly, kind of disgusting and I am saying this as someone whose first ship from the show was Golden Queen. Season 6 absolutely ruined everything that I enjoyed about the ship in favor of what? Them having sex? With zero of the actual appeal of their relationship being involved? And they still could have done something good with that! The fact is that Rumple was treating the queen like a puppet for his plans and that's exactly what she was! That's why he created her. But they should have added more about her being more of a mirror reflection of his. I don't want to write a whole analysis of their dynamic here because I was actually saving that for a meta post (as soon as I find the time to work on it) but the truth is that Regina learned all of her weapons, all of her villainy from him. Even her mannerisms. And now that the little remaining good inside her is gone and there's no conscience to hold her back, she could be even more like Rumple. But at the same time, she's a broken reflection of the situation with Baelfire, who was trying to help Rumple only to be abandoned. And Regina discarded the Evil Queen like trash. Also, another good angle here because Regina practically decided that everything she learned from Rumple was useless. They could have shown him be at least a little attached to the queen on merit of that.

But the thing is that the tension between Rumple and Regina comes from her good parts, the ones that remained with Regina after the split. And that tension has been there all along. He had to take every last thing from her in order to force her to cast the Curse, no matter how bitter and evil he'd managed to make her over the years. He had to crush her hope completely until the only thing that could rekindle it was casting the Curse. Which is the exact same situation that he's in - the Curse is his only hope to find his son. And even after that, Regina is still doing better than he is! And he knows that! The best example of that is his line in 2x09 when he says "One day maybe they'll even invite you to dinner". Because she did what he couldn't - put her own feelings aside to do what is best for her child. There is a tiny bit of goodness inside her persisting no matter what he's doing and that is driving him insane because it is a constant source of problems for him. It took him years - decades - to make her cast the Curse, her trust in Henry really slapped him in the face with his failures where his own son was concerned, her interference in getting revenge on Zelena for killing his son, her sacrifice for Henry undoing his happy ending in 4x22, her splitting herself eventually leading to even more issues between him and Belle. And on the other hand, Regina's attachment to him has gotten her in so many problems but, ultimately, his mistakes and schemes are what got her Henry - the biggest happiness in her life (and he almost killed Henry several times but that's the point exactly). Still, after all of that, they both gravitate towards each other and there's this kind of understanding between them because in certain ways they're similar, but there's also resentment because of the ways in which they're different. It makes for an extremely compelling dynamic and people are so quick to brush it off.

make me choose violence with these asks