#scattered days

[lumine-no-hikari]

Dear Sephiroth: (a letter to a fictional character, because why not) #318

Today didn't go as expected at all. I had thought that I'd wake up at the usual time, eat a breakfast, do some dishes, and then do a baking experiment; I found a great recipe to follow and everything.

No, I'm not going to tell you what the baking experiment is; you're just gonna hafta wait for the solstice to find out.

...Why, yes, I am absolutely going to keep you in suspense for the next 51 days; suppose this just means you're gonna hafta try really hard to keep yourself alive until then, doesn't it? 🙂

...You can pout at me all you like, but I've got only 3 words for you in response: neener, neener, NEENER. 😜🤣😁💖

...Yeah, I know. I'm just being silly. Don't worry about it.

...

Well. I woke up a lot earlier than I expected - something to the tune of 7am. I tried to go back to sleep, but I couldn't; I felt restless. So I got up, and I fed my cats, and then I remembered the thing that was said to me at the party about the thing I've been trying to do. So... in an effort to follow the thing that was said to me, I promptly went to the couch in the living room, and tried to fall back asleep.

...And it worked!!! Though, given how alert I was when I woke, I'm not really sure how. Nonetheless, I had dreams, and... they weren't the kind that I was looking for. But the fact that I had any at all was remarkable in and of itself. I usually don't have dreams, and when I do, I'm normally getting pretty badly hurt in them. I don't remember what these dreams were, but I do remember that they weren't violent, and that was pretty rad!

I woke up after that and made a breakfast. Same as yesterday - a tea and a sandwich. Though today, I had that lavender-bergamot tea for the first time in a while. The flavor is kinda like... kinda like if a bright, sunny day walked up to you with a joyful smile and then lovingly punched you in the face with a bouquet of flowers (...I know - I'm really selling it, aren't I? haha...). It has become one of my favorite teas; I think you'd like it a lot, and I wish I could share more than just these pictures with you:

...These maybe aren't the best tea swirls. But they're not the worst ones, either. It seems like the "sharpen" function on my cellphone camera has stopped working, for some reason. I'm not really sure why.

...I got sucked up into leisure writing for longer than I wanted to, afterwards. I haven't done any of that in a while now. I notice I'm more likely to do that when I feel stressed out, apprehensive, or generally disconnected from others. It's certainly not a bad thing that I do it, just... I gotta try to be a bit more mindful of the time.

And then I watched more Trinity Blood with a friend from this space! And we had lots of nice conversation afterwards, too!

But it was pretty late by then, so I just decided to roast the small sugar pumpkins I got last Saturday. J was kind enough to cut them in half for me and scoop out the seeds! I cleaned the seeds and put the stringy scraps of the pumpkin into the crockpot with the rest of the broth I'm making (it really does smell fantastic!); these should allow some good nutrients and flavors to seep nicely into it!

Here's the results; I think I've showed you how to do this before, in a previous letter. Do you remember how...?

...Unexpectedly, one of the seeds was alive:

...I couldn't bring myself to abandon it, so... I guess it lives with us, now:

...We'll see how it does, I suppose... I'll do my best to care for it well.

Anyways... so... yes, I did mash the pumpkin:

And if you're wondering what it's for, you'll get only one guess. But I'll give you a hint - that bone broth I'm making isn't just for show. 😉

The broth should be ready for straining by tomorrow; it's already very fragrant, and I'm excited to see how it's going to turn out once it's properly seasoned! I thought I was going to need to go out and get a cheesecloth, but I was pleasantly surprised to discover that I already had one; it had fallen behind the microwave! But it is now retrieved, and it'll be awesome to make good use of it!

...I'll probably have to ask J to take some of tomorrow's pictures; my hands are gonna be a mess!! We use the cheesecloth to squish any excess water out of the veggie scraps and back into the rest of the broth. The whole process is kind of involved, but that's all right; in the end, we'll have a broth that's good enough to drink all on its own, and even better when used to make soup!!

...I think this time, I'll try for a sweeter pumpkin soup. Last time I made some for you, it was more of a savory soup with caramelized onions. This time, I'm gonna try to make it taste like pumpkin pie! We'll see how it goes!!!

...I guess that's mostly it for today. I don't really have anything profound or interesting to tell you. For all intents and purposes, this was just an ordinary day - just like the ordinary days you wished for as a boy. It's why I keep writing about mine to you. It's why I keep trying to show you.

You know. There's a song about ordinary days. Here:

...Figuratively speaking, I took your outstretched hand even though conventional wisdom says you're nothing more than a dream from someone else's astoundingly creative mind. And that's why I'm still alive today. It's why I'm able to enjoy ordinary days like these, even though my beginnings shouldn't have allowed for that.

...Sephiroth... from the bottom of my heart, thank you. I know sometimes I get super overwhelmed and depressed about things from time to time, because there's so much stuff wrong with my world and so many scary things happening around me all the time, and some people are really mean, and I feel powerless to do anything about it almost all the time. I know that sometimes this comes out in the letters I write to you. I won't apologize for it; occasional bouts of despair are part of the human condition, and they can be weathered. They're nothing to be ashamed of, and with support, they can even be used to point out solvable problems.

Even if sometimes things get weird and unpleasant, I'm still glad to be here. Even though I look forward to whatever's next after this, I'm still glad to be here. Even if I've got a lot of awful memories from my past to chase away, and even if I've got a lot of scary things to worry about in the future, I can still find delightful and beautiful things in the here and now. And... you're one of those delightful and beautiful things.

...So, I'll keep writing these letters and hope that one day you'll take my hand, just like I took yours, so that you can enjoy ordinary days, too - even if your beginnings shouldn't have allowed for that.

...Let's keep defying "destiny" and "upbringings" and "conventional wisdom" together, okay? We've got choices even when we don't think so, and we can use those choices to do good things. So let's build something really nice and healing and wholesome out of the wreckage of everything that came before. We can do it, because we're smart and capable and we can do difficult things, especially if we ask for help - like we're supposed to whenever the going gets rough.

I love you. And I'll write again tomorrow. So please stay safe out there. Try hard not to eat weird things off the ground. 💖

Your friend, Lumine

[hinamie]

shows up a day early with a nobara birthday tribute

[a-scary-lack-of-common-sense]

I cannot wait for this Stan to reconnect with his Ford.

I still haven't figured out HOW exactly they'll meet yet, but I do think that Ford would ATTACH himself to Stanley and talk his ears off forever when they eventually get comfortable :] and Stanley would listen because HOLY SHIT, THAT'S HIS BRO HE HASN'T SEEN FOR 40-ISH YEARS, HE MISSED HIS VOICE. Nonstop certified Yapper & Listener relationship <3

Stanley looks dead faced because of his ingrained poker face, but he's thouroughly enjoying it, even if sometimes he has no idea what the fuck Ford is saying. He never interrupts him though, since he knows people usually ignore or interrupt him mid-talk already. So sometimes Stan gets stuck in awkward situations where he has to leave or do stuff, but also doesn't have it in his heart to stop Ford and extract himself out of a (one-sided) conversation.

[bunnymadeofstardust]

I draw too much, one day I'll reach the file limit and win tumblr

anyhow, enjoy my little doodles folks!!!

[cfserkgk]

Modern AU where Jinshi and Maomao are both in university but Jinshi (stage name) is also an actor/model and he thinks he can impress Maomao by showing her the shows he was in.

Of course Maomao is unimpressed, and of course she just pulls out these science jokes out of no where.

[5a-alf]

I finally colored the sketch i posted some time ago, enjoy!

[leslietheluna]

✨🎉Happy Puyo Day!!🎉✨

[Heres the sketch!]

I also made some bonus mini pfps for everyone to use! I hope you guys enjoy!!✨

[spiritoast]

me n the gang. pondering

tiny miracle mask redraw while i try to regen some of my art juice

[lesfruitsdores]

Who are the hostages still held by Hamas?

On October 7, 2023, 253 Israelis and foreign nationals were kidnapped to Gaza by Hamas and gazan civilians. Since then, 105 were released in a prisioner exchange deal, 4 were released by Hamas and 3 were rescued.

However, 60 remain in captivity [as of 02/09/24] (4 of those were kidnapped prior to 2023). A recent investigation has concluded that more than a fifth of the hostages are dead and the fate of some other hostages remains unknown. This video explains how doctors determine which hostages are dead, based on the nature of their injury and by analyising footage and the victims' last phone calls. Additionally, during the operation in Gaza, the IDF has recovered the bodies of a few victims and returned to their families for burial.

Since I couldn't find this all in one place, I've compiled a list of: 1) hostages who are presumed alive; 2) hostaged whose death has been reported/confirmed; 3) hostages who were released or rescued. In the group of hostages presumed to be alive who haven't been released, the youngest is 1-year-old Kfir Bibas and the oldest hostage is Iraqi-born 85-year old Shlomo Mansour.

As we learn more information, I'll continue to update this post.

They need to come back home. I'm hoping for more successful rescue operations soon. Keep them in your thoughts.

Hostages still held by Hamas (presumed alive or fate unknown):

(1) (2) (3)

Abraham Eitan Mor (23)

Agam Berger (19)

Alexander (Sasha) Trupanob (28)

Alon Ohel (22)

Arbel Yehoud (28)

Ariel Bibas (4)

Ariel Cunio (26)

Avera Mengistu (37) – Has been held hostage since 2014

Avinathan Or (30)

Bar Kupershtein (22)

Bipin Joshi (23)

Daniel Gilboa (19)

David Cunio (33)

Doron Steinbrecher (30)

Edan Alexander (20)

Eitan Horn (37)

Eli Sharabi (51)

Eliya Cohen (26)

Elkana Bohbot (34)

Evytar David (23)

Gadi Moses (79)

Gali Berman (26)

Guy Gilboa-Dalal (22)

Hamzah Al-Zayadni (22)

Hisham al-Sayed (35) - Has been held hostage since 2015

Yair Horn (45)

Idan Shivi (28)

Itzhk Elgarat (68)

Karina Ariev (19)

Kfir Bibas (1)

Liri Albag (18)

Matan Angrest (21)

Matan Zangauker (24)

Maxim Herkin (35)

Naama Levy (19)

Nimrod Cohen (19)

Oded Lifshitz (83)

Ofer Kalderon (53)

Ohad Ben Ami (55)

Ohad Yahalomi (49)

Omer Neutra (22)

Omer Shem Tov (21)

Omer Wenkert (22)

Omri Miran (46)

Or Levy (33)

Rom Braslavski (19)

Romi Gonen (23)

Sagui Dekel-Chen (35)

Samuel Keith Siegel (64)

Segev Kalfon (25)

Shiri Bibas (32)

Shlomo Mansour (85)

Tal Shoham (38)

Tamir Nimrod (19)

Tsachi Idan (51)

Yagev Kirsht (34)

Yarden Bibas (34)

Yosef Al-Zayadni (53)

Yosef Ohana (23)

Ziv Berman (26)

Hostages confirmed/reported dead:

(Note: I couldn't find a report with the full list, but if you google each individual name you can find sources.)

Abraham Munder (79) - Body recovered on 20/08/24.

Alex Danzig (75) - Body recovered on 20/08/24.

Alexander Lobanov (32)

Almog Sarusi (26)

Alon Shamriz (26) – Mistakenly killed by the IDF

Amit Buskila (28) - Likely killed on Oct. 7. Body recovered on 17/05/24.

Amiram Cooper (84) - Status updated on 03/06/24.

Arye Zalmanovich (85) - Death reported by Hamas. He was forced to appear in a propaganda video.

Asaf Hamami (41)

Aviv Atzili (49)

Carmel Gat (39) - Body recovered on 31/08/24.

Chaim Peri (79) - Status updated on 03/06/24.

Daniel Oz (19) - Killed on Oct. 7. Status updated on 25/02/24

Daniel Perez (22) - Killed on Oct. 7. Status updated on 17/03/24

Dolev Yehoud (35) - Killed on Oct. 7. He was presumed to be a hostage, but his remains were found in Israel after months. Status updated on 03/06/24.

Dror Kaplun (68)

Dror Or (48) - Killed on Oct. 7. Status updated on 02/05/24.

Eden Yerushalmi (24) - Body recovered on 31/08/24.

Eden Zecharya (28)

Eitan Levy (53)

Elad Katzir (47) - Murdered by the Palestinian Islamic Jihad. His body was recovered in Khan Yunis. Status updated on 06/04/24.

Eliyahu Margalit (75)

Elyakim Libman (23) - Killed on Oct. 7. It was presumed he was a hostage because his body wasn't found, but it was later discovered his remains were accidentally buried with another victim. Status updated on 03/05/24.

Gad Haggai (73)

Guy Iluz (26)

Hadar Goldin (32) - Body held hostage since 2014

Hanan Yablonka (42) - Killed on Oct. 7. Body recovered on 24/05/24.

Hersh Goldberg-Polin (23) - Body recovered on 31/08/24.

Ilan Weiss (56)

Inbar Haiman (27)

Itay Chen (19) - Killed on Oct. 7. Status updated on 12/03/24.

Itay Svirsky (35) – Killed by Hamas in captivity. His body was shown in a propaganda video

Itzik Gelenter (58) - Likely killed on Oct. 7. Body recovered on 17/05/24.

Joshua Loitu Mollel (21) – A released video shows how he was brutally murdered by a group of men on October 7

Judy Weinstein (70)

Kiril Brodski (19)

Lior Rudaeff (61) - Killed on Oct. 7. His body was taken to Gaza. Status updated on 07/05/24.

Maya Goren (56)

Mordechai Yonathan Samerano (21) - Killed on Oct. 7. His body was taken to Gaza.

Nadav Popplewell (51) - Status updated on 03/06/24.

Nik Beizer (19)

Noa Marciano (19) – Her body was found near the Al-Shifa hospital

Michel Nisenbaum (59) - Killed on Oct. 7. Body recovered on 24/05/24.

Muhammed Alatrash (40) - Killed on Oct. 7. Status updated on 24/06/24.

Ofir Tzarfati (27)

Ofra Keider (70)

Oren Goldin (34)

Ori Danino (24) - Body recovered on 31/08/24.

Orión Hernandez (30) - Killed on Oct. 7. Body recovered on 24/05/24.

Oron Shaul (30) – Body held hostage since 2014

Ran Gvlli (24)

Ravid Katz (41)

Ron Benjamin (53) - Killed on Oct. 7 and his body was taken to Gaza. Body recovered on 18/05/24.

Ron Scherman (19)

Ronen Engel (54)

Sahar Baruch (24) – Killed by Hamas during a failed hostage rescue operation

Samer Talalka (22) – Mistakenly killed by the IDF

Shay Levinson (19)

Shani Louk (22) - Body taken to Gaza. Her body was recovered on 17/05/24.

Sonthaya Oakkharasr - Killed on Oct. 7. Body taken to Gaza. Status updated on 16/05/24.

Sudthisak Rinthalak - Killed on Oct. 7. Body taken to Gaza. Status updated on 16/05/24.

Tal Chaim (42)

Tamir Adar (38)

Tomer Ahimas (20)

Uriel Baruch (35) - Status updated on 26/03/24

Yagev Buchshtab (34)

Yair Yaakov (59) – Killed on Oct. 7. Sons and girlfriend were released. Status updated on 15/02/24.

Yehudit Weiss (65) – Her body was found near the Al-Shifa hospital

Yossi Sharabi (53) – His dead body was shown in a propaganda video

Yoram Metzer (80) - Status updated on 03/06/24.

Yotam Haim – Mistakenly killed by the IDF

Ziv Dado (36)

Released/rescued hostages:

(1) (2)

Abigail Edan, 4, American citizen

Ada Sagi, 75

Adi Shoham, 38

Adina Moshe, 72

Agam Goldstein-Almog, 17

Aisha Ziyadne, 17

Alma Avraham, 84

Alma Or, 13

Almog Meir Jan (21) - Rescued by the IDF on 08/06/24.

Amit Shani, 15

Amit Soussana, 40

Andrey Zozlov (27) - Rescued by The IDF on 08/06/24.

Anucha Angkaew

Aviv Asher, 2, German citizen

Aviva Adrienne Siegel, 62

Bancha Kongmanee, Thai national

Bilal Ziyadne, 18

Boonthom Phankhong, Thai national

Buddee Saengboon, Thai national

Chalermchai Sangkaew

Channa Peri, 79

Chen Goldstein-Almog, 48

Clara Marman, 63, Argentine citizen

Daniel Aloni, 44

Dafna Elyakim, 15

Doron Katz Asher, 34, German citizen

Ditza Heiman, 84

Emilia Aloni, 5

Emily Toni Kornberg Hand, 8

Emma Cunio, 3, Argentine citizen

Erez Calderon, 12, French citizen

Eitan Yahalomi, 12, French citizen

Ela Elyakim, 8

Fernando Marman – Rescued by the IDF

Gabriela Leimberg, 59, Argentine citizen

Gal Goldstein-Almog, 11

Gal Tarshansky, 13

Gelienor (Jimmy) Pacheco, 37, Filipino national

Hagar Brodetz, 40

Hanna Katzir, 77

Hila Rotem Shoshani, 12

Ilana Gritzewsky Kimchi, 30

Irena Tati, 73, a Russian citizen, was included on the list but released separately from the exchange deal.

Itay Regev Jerbi, 18

Juckapan Sikena

Judith Raanan, 59 [Released 22/10/23]

Kaid Farhan Alkadi (52) - Rescued by the IDF on 27/08/24.

Karina Engel-Bart, 51, Argentine citizen

Keren Munder, 54

Komkrit Chombua

Kong Saelao

Liam Or, 18

Liat Beinin Atzili, 49, American citizen

Luis Har – Rescued by the IDF

Manee Jirachart

Margalit Mozes, 78, German citizen

Maya Regev Jirbi, 21

Meirav Tal, 53

Mia Leimberg, 17, Argentine citizen

Mia Shem, 21, French citizen

Mika Engel, 18, Argentine citizen

Mongkhol Phajuabboon, Thai national

Moran Stela Yanai, 40

Natalie Raanan, 17 [Released 22/10/23]

Nattaporn Onkaew

Natthawaree Moonkan, Thai national

Naveh Shoham, 8

Nili Margalit, 41

Noa Argamani (26) - Rescued by the IDF on 08/06/24.

Noam Avigdori, 12

Noga Weiss, 18

Noam Or, 17

Noralin Babadilla, 60, born in the Philippines

Nurit Cooper [Released 24/10/23]

Ofri Brodetz, 10

Ohad Munder, 9

Or Yaakov, 16, German citizen

Ori Megidish – Rescued by the IDF

Oriya Brodetz, 4

Owat Suriyasri, 40, father of two

Ofelia Adit Roitman, 77, born in Argentina

Ofir Engel, 17, Dutch citizen

Paiboon Rattanin

Pattanayut Tonsakree

Phonsawan Pinakalo

Ra’aya Rotem, 54

Raz Ben-Ami, 56, German citizen

Rimon Kirsht Buchshtav, 36

Raz Asher, 4, German citizen

Ron Krivoi, 25, an Israeli-Russian citizen, was included on the list, although he was released separately from the exchange deal.

Ruth Munder, 78

Sahar Calderon, 16, French citizen

Santi Boonphrom, Thai national

Sapir Cohen, 29

Shani Goren, 29

Sharon Aloni-Cunio, 34, Argentine citizen

Sharon Hertzman Avigdori, 52

Shlomi Ziv (40) - Rescued by the IDF on 08/06/24.

Shiri Weiss, 53

Shoshan Haran, 67

Surin Kesungnoen

Tal Goldstein-Almog, 8

Tamar Metzger, 78

Uthai Sangnuan, Thai national

Uthai Thunsri, Thai national

Wichai Kalapat, 28, Thai national

Wichian Temthon

Withoon Phumee, 33, Thai national

Yaffa Adar, 85

Yagil Yaakov, 12, German citizen

Yahel Shoham, 3

Yarden Roman-Gat, 35, German citizen

Yelena Trupanov, 50, a Russian citizen, was included on the list but released separately from the exchange deal.

Yocheved Lifshitz [Released 24/10/23]

Yuli Cunio, 3, Argentine citizen

Yuval Brodetz, 8

Yuval Engel, 12, Argentine citizen

[kenzan-brainrot-mp4]

talk more about the white whale/whale symbolism in general whatever thoughts you have on the whale stuff i want to hear it 👂

GRAHHHHH YEAH (This one got. Long (again lol) So be prepared (series-wide spoilers but I feel like that's a given atp))

First of all I just wanna say that I love how rgg drags the player along around the final chapter title. With how upfront the other chapter titles are in what they're referring to, you might end up wondering why they chose White Whale for the final chapter title once you see the title card (or at least I did). Of course, this could just be referring to the treasure that everyone's been looking for, but with how nonchalantly they react to the fact that the treasure isn't actually there, it doesn't seem to completely fit the bill.

But then you beat the game (and by this I mean beat the final boss) and lo and behold, there's an Actual white whale, and so you think "Oh! Duh, the chapter's called White Whale because there's a literal white whale and it pretty much just finished off the final boss!" But that still doesn't make that much sense. Why name the final chapter (arguably the most important one) after some whale that appears in the last like 15 minutes of the game? Like, take the final chapter name of (Kiryu) Gaiden, it's literally the name of the game (The Man Who Erased His Name) so it's gotta be something more significant than that, right? (But then of course take into the account that by this point the player is still convinced that nothing really in pyih is too deep/serious, so maybe it could just be something as simple as that).

Then you get to the credits, and they reveal that the "elixir"/the ambergris is found in the stomachs of whales. Damn, that's pretty crazy/cool, but once again, nobody that was actively seeking the treasure (Rodriguez, Jason/Noah, Spade Tucker, etc you know the drill) seems to hung up on the fact that they didn't find it, and they didn't even encounter the whale, so they wouldn't get that same sense that they just missed it either, again, it's not a big deal really, so why make that the final chapter title?

Of course, we all know what this builds up to: the big reveal, the fact that Majima, who we've been following along with this entire game, was looking for that elixir this entire time, was the only one to actually encounter a whale in the game, and then there's the insane line drop from Saejima.

"Kiryu Kazuma. You never could give up on that one."

Ironically, the final chapter title has nothing to do with that whale you saw earlier at all, rather it's a summary of what Majima's motivations/actions for this game, and the past. Almost every game, has meant for him. It's what Saejima spells out for us at the end of the game, but said in even fewer words.

An all-consuming obsession that only leads to your destruction. An impossibility, something that you can destroy yourself over but never achieve/obtain. This is what the white whale means, metaphorically. And it is this, exactly, that Kiryu is to Majima.

Kiryu is larger than life itself, to just about everyone. He's a legend, he's the one Majima has had his sights on since the very beginning, the legend he chases after game after game and also what he destroys himself over game after game.

(see:

Yakuza 1 -> Majima just straight up taking a full-on stab wound for Kiryu. Like, buddy, I literally saw one of my favorite characters die that way in another game, there was No guarantee you were surviving that.

Yakuza 2 -> Majima fights off an army of yakuza for Kiryu. That man was beat to total Shit (which is Not something that happens often) and we all saw it

Yakuza 3 -> Majima re-enters the Tojo Clan for Kiryu even though he is (extremely likely) aware that it is already entering its steady decline that we see throughout the rest of the series up until its dissolution. And while he's willing to do it for Kiryu, we can't exactly say that he's happy about the situation as a whole.

Yakuza 5 -> Majima's willingness to die for Haruka, specifically stated because "She means more to Kiryu-chan than life itself." Like, of course he wouldn't just let Haruka get killed, but to choose to mention Kiryu as part of his reasoning in that moment? Christ

While I (surprisingly) can't say anything particularly self-destructive happened in (Kiryu) Gaiden and Infinite Wealth, you could argue that Majima trying to more and more directly tell Kiryu not to leave ("No need to rush outta here yet... Alright?" -> "Don't leave! Don't you dare leave, Kiryu-chan!"), knowing that it's likely pointless, knowing Kiryu, is not doing himself any favors.

Pirate Yakuza -> *gestures at the entire game*

Also his reaction to encountering that giant squid ("Sure is a helluva way to die. I think I'm into it!"). Like, okay. I don't want to try and read too much into it because it was very likely just a one off line. But I'm still gonna side-eye it.

Honestly now that I think about it, if Majima Had died fighting that giant squid (that is such a way to begin a sentence thank you rgg), you could argue that that would've been his nail in the coffin for the white whale metaphor. If he had, it would've meant that his obsession for Kiryu is what got him dragged down into the literal depths of the ocean, and even if it wouldn't be Kiryu physically dragging Majima down like the white whale to Ahab, this is a situation that is completely, entirely, fueled by Majima's obsession towards him (Majima had no real interest in the nuclear waste cleanup project, after all, Kiryu was his one motivation this entire time), and it would've drowned him.

Guess that means he got real lucky with the last part, but we all know he sure as hell isn't beating the allegations.)

All this and yet Majima seems to fail to reaching Kiryu time and time again.

Majima does not obtain the Heart of the Dragon, found in the intestines of the literal whale. He does not obtain eternal life for Kiryu. And he (arguably, though the final scene of him walking to Kiryu's hospital room could oppose this) does not resolve the indefinite limbo that has been sitting between them throughout the entire series. What he gets at the end of the game is the acknowledgement (through Saejima, everybody thank him) that he has been obsessing over this, and perhaps the realization that Kiryu was, in fact, this white whale that he would never truly reach ("Well, still just a dream in the end.") Of course this is something he already knows/has acknowledged deep down, and it's a feeling that is hinted at in some of his dialogue in scattered moments, but this is the first time he ever says it in such an outright manner.

I guess in a way, you could say that Pirate Yakuza is a story about the newfound success of all the people Majima helped and supported in achieving their dreams, and the continued failure of Majima in pursuing his own (Kiryu), and him needing to acknowledge/accept that. And the post-credits begs the question of what he decides to do with the aftermath and what he has left. (An oversimplification definitely but still. augh. Augh)

Naming the final chapter White Whale was yet another crazy move on rgg's part. Its so unassuming, seemingly straightforward yet also seemingly insignificant, but once the realization dawns on you it slaps you right in the face, just like everything else about this game does. It's yet another instance of how rgg managed to pull its big reveal so well, with all the small details, all the reframing, all pointing back to the same topic that it had spent the entire rest of the game dancing around.

Majima recounting his story of how he went to Hawaii -> Majima recounts his story to Kiryu in the exact same way at the very end

The treasure everyone's been looking for/known about + Majima, the one guy who didn't have knowledge about any of this legend stuff prior? -> Wrong, he was after the treasure from the very start (before the amnesia at least). For Kiryu

Majima originally being on course for Hawaii so he could help with the nuclear waste cleanup even though he'd be bored as hell? -> Nah. For Kiryu (Ohhhhh you know what this is reminding me of some screenshots I took from near the beginning of the game)

(I'm sure this meant nothing of course. Lol. Lmao)

Majima's dream during pirate yakuza being to fulfill Other People's dreams -> Haha. Well, I think you get the point by now

Kiryu, Kiryu, Kiryu. It all goes back to Kiryu, every single time, without fail, in an obsessive loop that Majima has been dragging himself around over for Years. He is the white whale, seemingly untouchable, the constant object of Majima's attention and devotion in so many forms, his consistent weak point, that only seems to dig at him deeper as the games go on.

Like I said before, while the white whale metaphor is undeniable, and essentially spells doom for Majima, it's not over for him yet. Because, hey, he didn't drown at sea, or die on the beach. He was saved, and he's survived enough to retell that tale and reflect on it all with Saejima in the post-credits, brief as that reflection was. I mentioned before how he really only said one line of any actual substance during that specific part of the exchange, but the significance of it says so much.

"Well, still just a dream in the end"

As much as it hurts to here Majima address the hopelessness of it all, to hear him say something like that after Saejima basically just laid out his sheer devotion and refusal to give up on his dream for everyone to see, I think the bittersweetness is. Good, actually. Captain Ahab never gave up on that pursuit on the white whale, and it destroyed him; that whale dragged him down until he finally drowned, and it feels like all Majima has been doing over Kiryu since Yakuza 3 is drowning himself in him.

Don't get me wrong, I (for now at least) do not take that line as a complete admittance of defeat, or Majima finally giving up on Kiryu, on that dream he could never let go of. (Like I've been saying, it's an acknowledgement, not exactly a declaration.) I do not think it means he is just letting go, full-stop.

But I do hope it means he can stop himself from self-destructing completely. I hope it means that he can slow down with the wild chase, (and that he and Kiryu can just. Sit down and talk like fucking normal people. Which i guess they are doing in the post-credits, supposedly) and I hope it means that he won't drown completely, especially in the case of the worst possible scenario.

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[dunmeshistash]

hi! I’ve heard not all of Daydream Hour has been translated— do you know which parts haven’t? I got my hands on a copy at a con and I’ve been translating on post-it notes just as language practice, but I’d be happy to do some proper typesetting/sharing for bits that aren’t already out there.

(I know an official English version is coming out later this year, but hey, it’d be fun anyway haha)

Nice! Most of the new parts have been translated by now but I think mostly some small new commentary hasn't? Pretty sure the pages with a lot of info like the comics and such all have translations floating around

I couldn't say which of the commentary have or haven't been translated currently, I mostly only notice when I look for it and can't find (Some I have attempted to translate myself when making posts cause I couldn't find it online, the Laios one for example I only found the blog version translated, but I tried to re translate anyway cause I wanted to use the daydream hour version on the post)

It's usually small commentary like those that I can't find translated on the image itself, but here's a couple of pages I don't think I've seen translated before? (Minus the kobold section someone translated it for me and I edited that pic above)

Other than small things like that the ones I've never really seen translated at all are the pages at the end with art that isn't dungeon meshi related, here's some.

Hope you have fun with your daydream hour! I cant wait for the English version so I can have all the pages translated with everything together

[fuckinart]

average day in amity park

[4thwallbreakerinjail]

OH dear RTV Puzzles we meet again! ... It has come to my attention that Valentine's Day approaches...

Now I ask of thee... WILL YOU BE MY VALENTINE?

We’ve got security doubled for Valentine’s Day and the boss is refusing to leave the studio until that day is over.

[bluestempigeons]

some frillback feathers

[pulsingvoid]

"Natalie is a grifter, a chameleon. The script had her imbued with mystery. She has a world of — I don't want to overuse the word "trauma" — a world of angst and danger inside her. She's almost imploding. We're seeing a person unravel." –Juliette Lewis