#satrapi

[aitan]

Considero questa insistenza sull'indagare per vilipendio il leader dei Placebo (per aver definito il Presidente Giorgia Meloni fascista, razzista e nazista) alla stregua dei reati di opinione che hanno ripetutamente portato nelle patrie galere egiziane Patrick Zaki.

Poi, magari, se davvero il cantante britannico sarà incriminato, il Presidente Giorgia gli concederà pure la grazia, mostrando al mondo intero tutta la sua superiore benevolenza. Come fanno i satrapi che hanno tutti i diritti sulla libertà dei cittadini, anche su quelli di un'altra nazione.

( (( parola di aitan )) )

[labibliotecadescorzo]

Pollo con ciruelas, de Marjane Satrapi (2004)

[vernicosa]

[amayikes]

I think the one thing we should learn from rednote is the value of person-to-person connection. The american government censors tiktok out of sinophobia, the chinese government censors lgbt content out of homophobia, and the one thing I can think of is let's all bond over how shitty governments are.

Time to quote Persepolis again.

[artistesfrancophones]

G1 - Video des œuvres

Voir les œuvres d'art plus importants de Marjane Satrapi

[detournementsmineurs]

"Je ne Serais pas Arrivée Là, Si..." spectacle écrit par Annick Cojean et mis en sciène par Anne Bouvier avec Anne Parillaud et Laura Laune au Théâtre Antoine, Paris, avril 2024.

[pantheonbooks]

“I realized then that I didn’t understand anything. I read all the books I could.” —The Complete Persepolis, Marjane Satrapi

A chronicle of the Iranian Revolution, a feminist manifesto, and a coming-of-age story in one, Persepolis has simultaneously become a classroom staple and a hot-button banned book, both lauded and challenged for its unflinching look at Iran’s history and the universal trials of growing up.

[bellucci-daily]

Monica Bellucci as Giovanna Bianchi in Paris Paradis, dir. Marjane Satrapi.

[firstfullmoon]

“[...] she gave a single, long, full-throated howl, as if she wanted to rid herself at once of all the cries that pain had stored up in her.”

— Albert Camus, The First Man, trans. David Hapgood

“I jerked huffing in air to holler, but the scream got stuck, just added itself onto the large round scream that all my life had been assembling in my chest. It felt like a huge lump of cold clay. Someday I was gonna holler so long, glass would shatter and walls explode.”

— Mary Karr, Lit: A Memoir

“She’s going to scream, I thought. And it’ll be something real. Something we have to chain up in the backyard and feed with bloody steaks.”

— Tiffany McDaniel, Betty

— Marjane Satrapi, Persepolis

[sicknessinmotion]

the child you never got to be

ocean vuong // nicole eisenman // donte collins // marjane satrapi // @promqueendyke // liv ullmann // jenny slate.

[luvinaeverdene]

Persepolis (2007) Directed by Marjane Satrapi & Vincent Paronnaud

[ruthey97]

[jasper-rolls]

Persepolis / 2007 / dir. Marjane Satrapi & Vincent Paronnaud

"Where are you coming from?" "Iran."

[asoftepiloguemylove]

i never grew up with you and you're not my waiting room

Marjane Satrapi Persepolis: The Story of a Childhood / unknown / Clementine von Radics / Clementine von Radics / image (unknown) quote (Richard Siken Crush) / Louise Glück from Unpainted Door, "Poems 1962-2012" / unknown / image (unknown) quote (Phoebe Bridgers Moon Song)

i. Marjane Satrapi, Persepolis: The Story of a Childhood

[ "What is childhood like? It's a little like dying, a little like being born. Which is to say, it's nothing you can remember, but you know there was blood." ]

ii. unknown

[ Floating cutout of a wolf on a black background. Text surrounds the image. "NOTHING WILL BE LEFT OF ME / BUT A MEMORY / BUT EVEN THAT WILL DIE OFF TOO" ]

iii. Clementine von Radics

[ "Every time a man yells / you are seven years old again / and he is packing that suitcase / once more. Picking you up by the neck, / teaching you obedience. To be soft, / like the belly of a fish / exposed to a knife." ]

iv. Clementine von Radics

[ "When I imagine myself I am barely there." ]

v. Richard Siken, Crush

[ The background image is of two black men standing face to face. The man of the left holds the back of the man on the right's head. They are posed intimately with their foreheads touching. The words are cut out like a collage and placed in the middle of the image. "he / touches / you, / like a / prayer / for which / no / words / exist, / and you / feel / your heart / taking / root / in your / body, / like / you've / discovered / something / you didn't / even / have / a name / for." ]

vi. Louise Glück, Unpainted Door

[ Screenshot of a tumblr post from @/weltenwellen "I remember my childhood as a long wish to be elsewhere." Louise Glück from "Unpainted Door", Poems 1962-2012 ]

vii. unknown

[ "You can never leave home. / You take it with you no matter where you go. Home is between your teeth, under your fingernails, in the hair follicles, in your smile, in the ride of your hips, in the passage of your breasts." ]

viii. Phoebe Bridgers, Moon Song

[ Edited collage. The background image is of a teenage boy laying on a pile of books while his dog lays with it's chin on his neck. The words are cut on paper at the top and bottom of the image. There are silver stars sporadically placed on the image. "so i will wait for the next time you want me / like a dog with a bird at your door" ]

[artistesfrancophones]

G1 - Marjane Satrapi - œuvres d'art

Persépolis:

Cette image est un extrait du film « Persépolis » dans lequel le personnage principal parle à Dieu. Ici nous pouvons voir un homme et une fille, l’homme est plus grand que la fille et elle est dans la main de l’homme et il la voit. Dieu est tout blanc avec long cheveux et une barbe éminente et aussi il est ancien. La fille par contraire a des vêtements noirs autant que ses courts cheveux. Et elle n’utilisé pas sa robe usuelle.

L’image transmit tranquillité et sécurité de part des deux personnages, l’homme avec une regard tranquille et la fille avec une regard coureuse. Nous interprétons que l’homme admire la fille et elle paraître délicate et vulnérable.  

Nous pensons que l’artiste veut exprimer l’homme qui est Dieu, représente une figure de support et consolation, ne seulement pas par la protagoniste (la fille) mais aussi pour les gens.  

[allegedly-human-uwu]