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buddiebeginz · 5 months

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Since I'm still seeing posts where people are saying Buck wanted Tommy's attention in 7x04 I thought I would do a break down of the episode. Cause the entire thing was about how Buck wanted Eddie's attention full stop and I'm baffled that some of you missed that it wasn't exactly subtle:

This is going to be a long post with gifs so I'll put it under the cut

First there was the mansion call. (I know some might say this scene is different because it was meant to be a part of episode 7x05. Doesn't matter they changed the order so it's canon for this ep and so Buck's behavior in it is relevant).

Buck trying to get Eddie's attention with the random facts he knows and also because he knows no one listens and appreciates that stuff about him like Eddie:

Buck glued to Eddie's side the whole call.

Buck also not showing any interest in the ladies from the Bachelor while he's standing with Eddie.

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Then you have the scene at the hanger:

Here's the thing I do believe Buck has an attraction to Tommy and is interested in him but the main draw Buck has to Tommy is because of the multiple similarities Tommy has to Eddie. The show was practically putting a neon sign above Eddie and Tommy multiple times saying that Tommy is a mirror of Eddie.

I'd also like to point out that maybe it was just me but Tommy didn't seem all that interested in Buck throughout this scene or really any scene until the last one. Now yeah he could have been being cautious because he didn't know if Buck was into guys but I honestly got the vibe he was into Eddie. I can't help but wonder if he was trying to get with Eddie and then maybe in Vegas Eddie told him he was straight (not that he is) or maybe Eddie just told him he has a beard girlfriend. No one can convince me otherwise that Tommy doesn't think there's something between Eddie and Buck. I 100% believe all Eddie did was talk about Buck when they hung out and Buck did the same thing right up until Tommy kissed him. That whole "my attention" line was very telling. Tommy you're gonna get your heart broken but I get it dude Buck is hot.

So anyway Buck goes for a tour and unsurprisingly he brings up Eddie before Eddie ever shows up. And while yeah it's him responding to Tommy saying he was in the army it just feels like a partner moment. Like yeah no way my boyfriend was in the army. Buck talking about Eddie is as second nature as someone talking about their spouse. They're such an integrated part of their life that they don't even realize how much they talk about each other. It'll be interesting to see if Buck does the same thing when he's on his date with Tommy too.

Then Eddie shows up and if you watch Buck the whole scene once Eddie arrives he's almost exclusively watching Eddie.

(watching Eddie walk away)

Here's the difference btw in one of the few times he looks at tommy (when Tommy speaks) after Eddie show up 👇

Then at the end you have Buck make this face:

Which I think isn't so much about feeling left out as it is seeing how happy Eddie is and knowing he's not the one making him happy. Although I don't think Buck is consciously processing all of that right now but I definitely think that was a big part of it.

I think in this whole scene what's going on in Buck's head is this: 1. surprise that Eddie is there because he didn't expect him 2. Why didn't Eddie tell me he was hanging out with Tommy (I usually know everything going on with Eddie). 3. Trying to understand what he's feeling when he sees Eddie and Tommy together. 4. Feeling confused about everything. 5. Jealous that Eddie is going off with someone who isn't him but not really understanding that's what it is.

I get some people might watch that scene and say well Buck was essentially asking Tommy out on a date and then Eddie showed up an took off with him so he must be jealous that Eddie is getting to spend time with Tommy. Buck obviously has an attraction to Tommy but the person he really wants and wants to spend time with is Eddie this is further highlighted by the next scene we see them in when Buck keeps getting more and more upset over hearing about how Eddie is doing things he enjoys with someone who isn't Buck. But also in how Buck acted while at the at the hanger. He wasn't focused on Tommy. I mean have you ever been crushing on someone when they're in the room it's like no one else is. The person who Buck couldn't take his eyes off of was Eddie.

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Next we have the sewer rescue scene with Ravi. (We really need more Ravi and Buddie scenes btw I love them together) We have Buddie working together as per usual. Highlighting like in the Bachelor scene how well they work together which they always do.

You have Buck telling the story from the pilot about when he saved that baby in the wall and Eddie smiling fondly like a typical spouse who has heard that story a million times.

While they're working Buck is spending the whole call trying to find out what Eddie was up to when he went to Vegas.

Buck is asking a million questions which implies that Eddie hasn't told him yet about the trip. This goes back to the helicopter scene where Buck didn't know Eddie was spending time with Tommy and is really starting to feel left out. Again this isn't really about Tommy or Buck feeling like he's missing out on spending time with Tommy it's Buck feeling like he's missing out on Eddie's life.

Buck calls out the similarities between Eddie and Tommy

Although he's still clueless that this is what is primarily causing him to be drawn to Tommy. More than anything this was for the audience to again say in case you didn't catch it by now Tommy is like Eddie. They want to keep reminding us of this before the kiss so we know Buck is going to date someone who is like his best friend.

Also want to point out that while Buck is talking about Tommy to Eddie the camera shakes at points so we feel Buck's nerves. He's nervous to hear what Eddie has to say about Tommy.

Also the whole conversation about "naked men pummeling each other" and Eddie saying that he was wrestling with Tommy. Like I'm sorry but not one ounce of that convo felt heterosexual.

I've seen someone say that Buck's jealousy must have been about Tommy because Buck isn't even interested in the things Eddie and Tommy were doing together like Muay Thai and basketball etc but you can hear/see Buck getting more and more hurt as he and Eddie talk because Eddie is sharing parts of himself with someone else.

I feel like there's multiple reasons why Eddie and Buck haven't been spending as much time together. I mean yeah Eddie made a new friend but for the longest time it's been BuckandEddie like peas in a pod in work and outside. But I think the end of season six played a role in some of that changing

At the end of last season they were both dating someone else and they had both gone through some major trauma with Buck literally dying for 3+ minutes. We know that seriously affected Buck but the show didn't touch on how I know it must have affected Eddie. If you watch the scene (from 7x01) where Buck talks to Chris and we see Eddie's reaction in the hall when Chris talks about how everyone leaves. I can't help but think Buck's brush with death made Eddie think of Shannon and how scared he is to lose another person he loves or worse put Chris through that.

Not to mention what Buck said in the cemetery how he felt like Natalia this woman he had known for less than a minute saw him better than anyone. I feel like all of that combined made Eddie distance himself a little even if he wasn't doing it totally consciously.

There's also the fact that I think Buck has kind of taken Eddie for granted a little. We find out later in the ep that Eddie had asked Buck to play basketball with him many times but he'd always turned him down. I also got the impression in this ep that Eddie has all these hobbies that he was sharing with Tommy when he would have rather been doing them with Buck (he was so excited when Buck showed up on the basketball court).

And I'm not saying Buck doesn't love Eddie or hasn't tried hard to be there for Eddie and Chris over the years but it's something that happens in relationships sometimes. You think the person is always going to be there and you get distracted with life stuff.

This combined with things Oliver has been saying in interviews about how Buck is going to have to put in work for his next relationship. How Buck has always gotten whatever person he wanted mostly and I can't help but wonder if that's going to play a role in how Buddie is developed. Is Buck going to have to prove to Eddie how much he means to him?

This part of the scene if no other really lets you know it's about Eddie and not Tommy. We can see how Buck is looking at Eddie when he says I do I really do and we feel all these intense emotions from him more than would make sense for the brief amount of time he's known Tommy. He's clearly thinking of when he met Eddie.

These are really just the baby steps of Buck recognizing how deeply he feels for Eddie. Because right here he's thinking that he thought their connection and place in each other's lives was special and unique to every one else they knew but then he hears Eddie talk like that and thinks maybe he was the only one who felt that way. Maybe he's easily replaced in Eddie's life.

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So Buck goes to talk about his feelings on everything with Maddie. Tbh I wasn't thrilled with how they did the Buck and Maddie scenes in this ep. Though I do think we're going to get more of a heart to heart with the two of them in future eps when Buck officially comes out. I just feel like Buck needed someone to really listen to him and Maddie was a little dismissive both times he talked to her. I also really want someone to try to ask Buck about his feelings for Eddie.

It's kind of crazy to me how no one in the 118 has ever really brought up the fact of how close Buck and Eddie are. Maddie has said the whole "boy crush" thing and that elf mistook them for being married but what I mean is you know the 118 sees how they are. Look at when Eddie was shot. It was assumed automatically that Buck was going to be the one to talk to Chris because they knew how close Buck and Eddie are and how they're essentially raising Chris together. This is how people talk about someone's spouse not just their friend.

Back to the convo with Maddie

Buck is complaining to Maddie about Eddie and Tommy. His feelings in that scene don't come across like he's unaware of some attraction he has to Tommy or like he's trying to hide feelings for him. He comes across as hurt, and frustrated, and confused that this new person has moved in on his place in Eddie and Chris' life.

Again I'm not saying Buck doesn't have an attraction to Tommy but I do think Tommy is a distraction more than anything. I think Buck is focusing on him rather than looking at the entire situation. Instead of asking himself why does it matter if your friend has a new friend? Why does it matter if Eddie spends time with new people? Why does it matter if Eddie shares parts of himself with someone else parts he might not be sharing with you?

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Then of course there's the gym scene at the firehouse. I've seen people say Buck thought Eddie was on the phone with Tommy. And maybe he did. But you expect me to believe he was upset and jealous over Tommy and because Eddie was getting to talk to him and his way of dealing with that was to try and get Eddie's attention through lifting weights and pointing his dick at him. o_o

Literally sitting up in the middle of lifting weights so he can see if Eddie is looking over at him.

Nothing about this scene is telling the audience that Buck is thinking about Tommy. It's saying he wants Eddie's attention.

This scene is actually very similar to what happened at the hanger

Buck saw Eddie looking incredibly happy and he wasn't the one making him happy. Eddie also wasn't sharing what's been going on in his life with Buck. Buck felt shut out and ignored from the one person who he's been the closet with for years. Even when they've had girlfriends it's clear Buck and Eddie have been close and connected in ways they never were with anyone else. Buck is scared he's losing that.

If the show wanted us to believe that the scene was about Buck and Tommy and Buck's growing attraction to Tommy there are so many different things they could have done to highlight that. Have Tommy ask Eddie about Buck (if that even was who Eddie was talking to) and have Eddie tell Buck he was talking to Tommy maybe direct a question from Tommy to Buck. They also at the least could have said that's who Eddie was talking to and they didn't even do that. They could have had Buck ask Eddie hey is that Tommy? But they didn't because the scene wasn't really about Tommy it's about Buck's feelings for Eddie that he still hasn't fully come to terms with yet.

Buck buys a basketball literally has it sent to the firehouse so Eddie can see him with it and hopefully ask him to go play basketball with him. Because remember he's feeling left out of Eddie's life. It's not like he asked Tommy to play basketball or asks Eddie if he can go with him to the court in hopes of seeing Tommy. No he wants Eddie to invite him. He wants to know Eddie wants him there.

Watch how Buck acts even when he's opening the basketball. He's trying to do it quickly and even while he's doing that he's looking over to Eddie to try and get his attention.

Also someone on twitter pointed out that in season 3 it was shown in Buck's loft that he already had a ball. My head canon is that he still has that ball and the lunatic that he is he just bought a whole new one and had it sent to the firehouse so eddie would see him with it. 🤦‍♀️

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Next is the infamous basketball court scene where I knew the minute I heard "basketball beard" and playing with the boys and other Top Gun references that canon bi Buck was a go.

Similar to the hanger scene Buck's attention is almost exclusively on Eddie through the whole scene.

Oh I'd also like to point out that both times that Eddie was with Tommy in this ep he was wearing sunglasses particularly when the two of them were side by side. I feel like it's the shows way of saying that Buck is not seeing Eddie right now and he's not connecting with his true feelings for Eddie.

I know Oliver is good at basketball but I couldn't help but laugh when they included that shot of him spinning the ball. Like we're meant to believe Buck doesn't play how did he learn to do that 🤦‍♀️

If the basketball scene had really been about Buck wanting Tommy's attention or being jealous that Eddie was getting Tommy's attention Buck wouldn't have been spending the entire time trying to get Eddie's attention. He also would have been competing with Eddie for Tommy's attention and he wasn't he was trying to get Eddie to notice him because he felt like all Eddie was doing was focusing on Tommy.

You can watch Buck get progressively more upset through the game as he feels like Eddie is competing against him and partnering with someone else when for so long that's been his role on and off the court. It's been Buddie against the world.

Also there's a moment when Buck runs into Tommy but the show never plays it as some kind of moment between the two. I mean they had more of a moment on the boat after the cruise ship when Buck patted Tommy's shoulder. But like according to some this is supposed to be the episode Buck is all into Tommy but that's just not present most of the episode.

Buck immediately knows he's fucked up after Eddie is hurt. I've seen people say why wasn't he running to help him but I've been in a similar situation like that where you're so stunned that you did something to cause someone you cared about to be hurt you can't even move.

Then as soon as Buck wants to try and help Tommy swoops in and says he'll take Eddie to the hospital. Taking care of Eddie has been Buck's job for a long long time. Think about how he saved Eddie during the shooting and took care of him and Chris. Also he took care of them during Eddie's mental health crisis. Buck is feeling like Eddie doesn't need him anymore.

Here's another thing I want to bring up about the basketball scene. Like I keep saying people have said that a lot of Buck's motivations in this ep were about Tommy. I'm sorry but you don't have those kind of strong emotions over someone you just met. Even if his emotions were that he had a crush on Tommy and felt like Eddie was taking all Tommy's time away. If Buck behaved that way from a simple crush on a guy he barely knew I would think he'd lost his mind. No he reacted the way he did because all of these feelings (that he's just now scratching the surface of dealing with) are connected to Eddie someone who means everything to him.

Remember too that Oliver said in his interviews that Buck doesn't even know why he's jealous or who or what it's about. Which is why I think even by the end of the episode when Buck thinks he's figured some things out there's still a lot he's missing.

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The second Maddie scene

I definitely agree with what others have said that unfortunately Maddie's words here only served to further confuse Buck. What he was feeling was not just being left out and excluded from this friend but mostly jealous over a man he loves being all excited to spend so much time with someone else. Buck was jealous and scared of someone taking his place in Eddie's life and doesn't really know how to process that.

Oh and for people who say he wasn't jealous over Eddie he literally says he was to Maddie.

Buck admits he was trying to get Eddie's attention which like I said in the basketball scene you can see because Eddie is all Buck is focused on.

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Then of course we have the end scene with Buck and Tommy.

First we get the opening shot where Buck answers the door. And before he even answers we the audience are made to think it's going to be Eddie and made to think Buck also thinks it's going to be Eddie. Because all of the tension that's been between them in the ep hasn't been resolved and Buck hasn't talked about how he's been feeling to Eddie at all. So we're left waiting for that resolution.

Instead however when Buck opens the door it's Tommy

One thing I didn't mention earlier was that the show has made it a point to have Tommy only call Buck Evan. I've seen a number of theories people have for why this is, personally I think it's a reminder to the audience that Tommy for all his similarities isn't Eddie. Like they give us all these signs that say look Eddie and Tommy are so much the same but everytime you hear Tommy say Evan so casually like that you remember they're different.

Eddie who knows the real Buck only ever calls him that and it's only on the rare serious occasion does he use Buck's real name. Maddie is similar. It's like when Ana called Eddie Edmundo. These people have an idea of who Buck and Eddie are but they they don't know all the little intricate pieces that's something Buck and Eddie only have with one another.

So Buck is smiling and laughing (somewhat out of embarrassment for how he behaved on the basketball court) but watch his body language at even the mention of someone replacing him in Eddie's life:

I find it extremely foreshadowing of what's to come with Buddie that the show chose to have Tommy and Buck spend most of the time before their first kiss even right down to the seconds before it talking about Eddie and even talked about him afterwards. I mean if you didn't want your audience shipping a ship or giving them hope it was going to happen would you do that?

Buck not only talks about Eddie before the kiss he talks about how great he is and brings up memories of their past. Almost like someone talking about an ex they're still in love with. Like you're trying to move on but you can't help what your heart wants.

Like I said above I fully believe that when Tommy said "my attention" he knew that Buck is all about Eddie. Buck's response being "I guess" is even more telling because it shows his confusion. I definitely think that when Buck and Tommy break up (or however far they get in their dating) that we'll get some kind of confirmation that Tommy always knew Buck and Eddie were in love.

I think a lot of the stuff Buck talks about in this scene is him trying in the moment to make sense of the confusing way he's been feeling. I do think he's attracted to and likes Tommy but there is also a whole host of other feelings he has that really were the main motivating factors into why he acted the way he did in this episode.

The last time Buck was with someone and there was an I love you it was with Taylor and it was like Buck just went along in that relationship because he felt like he was supposed to. Buck and Eddie are similar in that way. They have this amazing love and bond with one another but there's a reason besides the fact that they're both guys that they keep avoiding really confronting their feelings. They're scared. They're scared to loose what they have. They're scared to change it. They're scared of fucking it up like they believe they have their past relationships. Scared of so many things. So they just kind of side step it at every turn.

The show mentioning Eddie right before the scene ends is one of the biggest indicators that this is all leading to Buddie.

If the episode was really just a misdirect where Buck was really into Tommy all along they wouldn't have made the last scene so Eddie heavy and especially not the last bit of dialogue about Eddie. The last few lines are what you're leaving the audience with until the next episode and the words they left us with are about Eddie (and Buck) so we're meant to focus on them.

If you read all this thank you ❤️. This post took me forever (which would be why it's getting posted a full week after the ep >_< ) please reblog if you like it. Can't wait for the ep tonight.

#buddie #911 meta #911 7x04 #911!#long post #911 s7 #buddie s7 #b*ck t*mmy for bl

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daniwib · 5 months

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Eddie chose their bachelor party outfits

Buck explains that it was an 80’s themed party and that he was dressed as Crocket and Eddie as Tubbs, then Eddie corrects him and says HE is Crockett and Buck is Tubbs.

We all know Buck’s pop culture knowledge is lacking and the fact that he got their character names mixed up and Eddie corrects him tells me that Eddie chose them. Why is this interesting?

Because Crocket and Tubbs are the guys from Miami Vice. If you don’t know it we’ll forgive you since it aired from 1984 – 1989, before a lot of you were probably born or old enough to be watching it. Before either Buck or Eddie were born too, by the way (and Christ don’t I feel old since I was in high school when it ended).

So, Eddie choosing to go as Sonny Crockett is FASCINATING to me. Quoting heavily from this article:

“Sonny struggles with depression, gets attached easily and just as easily hurt and makes dad jokes. Sonny is prickly, vulnerable, and deeply sad. I would also argue that he’s pretty heavily queercoded, and I don’t think it’s entirely unintentional.”

Sound somewhat familiar at all?

Interestingly, the penultimate episode of season 1 is titled Evan. Why is that interesting, you ask? As this article says, “Oh, you know, it’s then the moment Sonny’s possible bisexuality starts to seem like an intentional implication rather than an accident of incautious scripting”…

There’s a lot more to Miami Vice of course, and my memory of it is filtered through 30 years of life so it’s not perfect. You can find out more for yourselves if you want. I just find it very interesting that it’s Eddie who went as Crockett instead of Buck.

Interesting and exciting when we view it through the lens of Buddie possibly going canon in the future.

Why did you choose to be Crockett, Eddie? What is your subconscious telling you that you aren’t ready to hear yet Mr Diaz ‘who freaked out that your girlfriend was a Catholic nun’, hmmm?

I wonder…

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stagefoureddiediaz · 6 months

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Costume Meta 7x01

Aaaaaaannnnd we're back!!

OMG I cannot tell you how good it feels to be back writing costume meta - I have missed it so very much and this first episode has given me lots and lots to talk about so lets crack on with it shall we!

Where to start?! Firstly - Its amazing to have Alayna Bell-Price back in the driving seat and she is a genius because she knows the characters better than anyone and I have to say from my perspective there is a pretty clear difference between this episodes costumes and the ones from season 6 - not that s6's costumes were bad, just that you could see the shift of having a designer who didn't know the characters to the same level. I’m going to go in order of character appearance in a non uniform capacity for this one I think so we’re going to jump around from character to character a bit. There is no Maddie or Hen this week, as we don't see them out of uniform, but every one else is accounted for and I've included Norman and Lola as they've got a multi episode arc and their costumes are interesting and playing into a colour theme!

putting it below the cut as its a long post and I on't want to overtake everyones dashes! Enjoy!

We start off with Athena in this pale pink high neck ribbed sweater with large bell sleeves. I've spoken a fair amount about pale pink over the last couple of seasons of costume metas and how, in clothes its representative of childish and immature behaviours or thoughts. That holds true here - the pale pink is playing into Athena's childhood - when she developed her fear of cruise ships - its creating a connection between her childhood experiences and the woman sitting in Franks office.

We get a flashback that shows her in yellow and orange - the yellow for communication and the orange for transformation. A literal moment where we see Athena transform from the innocence of youth to her developing anxiety and fear around cruise ships. Its really clever visual storytelling connecting adult with child and shows us her fear is genuine and founded in something that she may not have been able to articualte fully as a child, but she can as an adult, even if she doesn't actually articulate it to Bobby.

Our next non uniform costume is Chimney. The lighting is really low in this scene, so it's kind of hard to be 100% sure of the colouring, but he seems to be wearing either a dark navy or black button up shirt under a dark green and black bomber jacket. The use of really dark green in combination with black, Back is a colour that can be about hiding ones vulnerabilities - concealment and masking, but it is also a colour associated with magic (generally dark magic) as well as pessimism. The green is growth and renewal, and the hope for a better future. to use them in combination i this way is playing on Chimneys insecurites and fears, his desire to keep the 'magic' alive in his relationship with Maddie, but it also speaks to his growth, that he goes home and talks to her about it (even if he does come up with an insane plan to 'date forever').

Eddie in the locker room - aside from being shirtless for much of it and pulling some epically good faces - was a super interesting costume choice. Especially the use of his watch! first though - Denim shirt time! We don't actually see Eddie in a denim shirt all that often and we've seen him in the super washed out one far more than dark denim shirts. I've been laughing a little bit at a few people (on twitter mostly) claiming its the same shirt he was wearing at the hospital during and after Bucks coma and it being a play on bringing Buck back to life. While I like the theory, its actually a very different shirt - the one in the hospital was black with a grey wash out and was made of velveteen - so different colour and fabric.

This shirt, is however one we have actually seen Eddie wear before and its far more telling than if it were the hospital shirt. You need to bear in mind that this scene is about Buck and Eddies respective girlfriends (or lack there of) and the fact that Christopher has a girlfriend now as well. This shirt is the same shirt Edie was wearing when he (re)introduced Ana to Chris in 4x08 (breaking point my beloved! the gift that keeps on giving!) and this puts a conversation about Marisol and things going well with her into the same category as Ana - suggesting she is ultimately destined for the same fate as Ana. the other thing that plays into this narrative is the use of the watch.

Eddie does not put the Christopher watch on until after he has found out that Buck has broken up with Natalia - so during the entire conversation about their respective girlfriends, he is only holding the Christopher watch, rather than wearing it.

In the picture below from 4x08 you can see that Eddie is wearing his black 'work' watch rather than the brown strapped 'Christopher' watch. Remember that the first time we see the Christopher watch is when he goes for his first date with Ana in Jinx, so he already has this watch and in theory should be wearing it in this scene. The fact he isn't is pretty telling and I'll go into that a bit more later when we get to Chris's (and Eddies) date scene.

Then we have Buck in his outfit of many colours! The white trainers, continue to play into my theory of Buck wearing them when he is in key points on his journey to discover his self - her it is about showing his growth - that he ended the relationship with Natalia - this is a massive thing when we saw how long it took for him to end things with Taylor - The man who clings is growing and getting out before it drags him down!

The jacket is similar in style to many of the ones we've seen him wearing in season 5 and 6, but this one is much brighter and more colourful. I know I go on about white meaning bad things for Buck, but that isn't relevant here - the white bad things happen to Buck theory is much more about t-shirts, jumpers and shirts rather than jackets - its an under-layer rather than a top layer that = danger. So i'm not thinking of its relevance here for this scene. What I am going to say is that this (according to my spreadsheet!) is the first time we've seen Buck in a white jacket of any description. To me, it's playing into the idea of purity and rebirth which is what white is often associated with. This plays into the comment Eddie makes welcoming Buck back to 'the land of the living' but also implies that Buck is starting a new chapter and making a fresh start - the check patterning suggests it might not all be plain sailing though.

The check pattern is an interesting one, obviously check pattern theory comes into play here, but whether its only in relation to the reveal that he split with Natalia, or if its also foreshadowing Buck getting himself into danger/trouble down the line, remains to be seen.

I'm going to quote myself again because I did predict that this scene may be about his relationship with Natalia when we got the stills dropped - the costume department never let us down!

The only thing I can do is scream into the void about check theory because check does't bode well for people - they always end up in the middle of the drama (see my check theory posts linked on my pinned post for more) and while they come out the other side (99% of the time) Buck in check for that scene in 6x18 pretty much doomed his relationship with Natalia (its specific to her and not C&K's baby as Buck wasn't wearing it when he delivered it!) and as that shirt in the still is very un Buck like, has not only yellow ochre in it, but also its a white base (and we all know buck in white is a bad sign!!) and its check patterned - my theory is that this scene is connected to Natalia in some way - either Buck is not being true to him self in more than one way - that things are going to/have come to a head for their relationship (my kingdom for a reverse of Buck to Eddie about Ana in 5x03!!!) and lead to a pretty big change in some way (fingers crossed for Buck to end it and then finally break down and deal with his trauma!!!) Some other things about that shirt - the colour combination - the green blue and yellow ochre are giving me call backs to coma Buck (another reason I think it might be connected to Bucks unresolved trauma around his death and Eddies absense in his dream)

In the quote above, I was also referring to the blue and white check pattern shirt he was wearing when he and Natalia got together, but there was also the fact that in the balcony scene at the end of 6x18, we also saw her in one of Bucks white shirts. I wrote in my 6x18 meta about how those two things combined didn't bode well for that relationship going forward, and thats what leaves me unsure about the check pattern on this white jacket being purely about something that has already happened. If I put my Buddie goggles on, I would perhaps suggest that the troubled times ahead may be more connected to Buck and Eddies relationship, and this would fit in with a couple of the things Oliver and Ryan have said. The thing with check theory though, is that generally speaking if it's on one of the mains, they come out the other side of the dram/trauma stronger than before. So if it is connected to Buck and Eddies relationship, then we can expect it to be in an even stronger position on the other side of whatever goes down (and at this point you can't strengthen their relationship any further and keep them as just friends imo!)

Chimneys forever dating proposal to Maddie, connects with his outfit when he's talking to Hen - it's the same jeans and black shirt, so the meanings of black, can be continued on into this scene - the idea of magic and hiding his vulnerabilities. The addition of the jacket with this brickwork pattern in its weave is a fun choice, it's playing into the idea of building something, but also plays into the idea that Chimney has his walls up - again fitting in with the black meaning of hiding his vulnerabilities - because instead of expressing his fears to Maddie ad then them talking it thorough, he comes up with his insane forever dating concept. the fact that much of this scene is a contrasting parallel with the scene from season 1 when he is pretending to be someone else entirely for Tatiana all ties in perfectly with this costume. The fact that he reverts to wearing blue (ran out of picture spaces so I couldn't include one) later on - when he's realised his plan isn't realistic, talks to Maddie and they end up back on the same page is really good to see - the blue being a signature Chimney colour and is indicative of him being true to himself.

Bobbys blue suit and blue check patterned shirt. The brightness of the blue is a really important choice - it's the only time we see him this brightly coloured on the cruise until he ends up in the bright red at the end. This is important because this is the moment when he's still all excited and hopeful for his honeymoon cruise - everything is good in Bobby's world at this moment in time - the check pattern is telling us that it's not going to stay that way for long. From her on out we see the colours of Bobby's costumes slowly beginning to dull and take on a washed out tone, but here in this moment all is good.

Athena's bright yellow dress is all about making her stand out - communicating with the audience, she is the brightest person in the room (in more ways than one!!). The thing with yellow, apart from the communication aspect, is that it can also be a symbol of anxiety and fear, so this dress plays rather nicely into the theme of Athenas fear of being on that ship.

The colour does have other good traits too - its fresh and bright and is a colour of happiness in its more jewel like tones and I think we can see all of these meanings in these scenes - Athena might be anxious about being on the ship, but she is also happy and enjoying herself with Bobby in that moment.

Lola and Norman. Lola is the one we need to focus on in her very bright very check patterned Victoria Beckham dress. Obviously the check pattern plays into check pattern theory, but the red also acts like a neon sign to the audience - highlighting that Lola is in danger - the ga won't pick up on check theory, although they might connect the dots about the fact this check patterning looks very like a cage - foreshadowing her being held captive later on, but also as a nod to the fact she was incarcerated previously.

The red is also a nod towards romance and love - playing into the rekindling of their relationship and romance in the aftermath of the freeway 'see me Norman' incident.

Ok so Christophers date night and by extension Eddies date night! This is where this meta is goingto get a bit messy and I'm goingto jump around a bit becasue I need to talk about the way colour theory is at play in all the scenes in Christophers bedroom, so we're going to talk about Christophers bedroom as one big thing rather than the two separate scenes that it actually is. They are extensions of one another and build on so much of the groundwork we've already seen in previous seasons.

Chris in plaid check yellow and red check plays perfectly into check pattern theory - it’s a signifier that something is about to go down with him - namely that the fact he’s dating multiple girls at the same time.

He’s also wearing a white shirt which is not a colour we see on him all that often - in fact, the only times we’ve seen him in a completely white shirt is with his suit in 5x01 when suit shopping and again in 6x08 for his school dance. He did wear a white vest when dressed as wolverine for halloween So as you can see its not a common colour for him, but the times have seen him wear it as a solid colour have been connected to school/girls and dating (i’m including the suit shopping in this because Ana was there and it was kind of a Eddie and Ana date of sorts - in that it was suppose to be for this Christening - meet the family - date type thing).

The most interesting thing is the plaid hooded shirt though. It was such an interesting choice to go with for a couple of reasons. the colour way is especially loud - we tend to see Chris wearing greens and blues and greys, with the odd other colour thrown in occasionally. So red and yellow are not common colours for him to be wearing.

On the red front we see him in it a couple of times - the adapted skateboarding scene and the scene in 4x10 when he joins Eddie and Ana on the sofa - getting in the way of their date night. We do also see him wear red in Christmas related episodes (so I don’t tend to count them in the same way as the Christmas colour theming will nearly always override any other colour theming intention - the use of stripes or check or other patterning is more important in those episodes!).

On the yellow front things are even more clear cut - the Tsunami arc, the aftermath of him falling off the skateboard, Mays graduation party and 5x03’s Eddie Ana break up! These (apart from the tsunami shirt) were all bright almost neon yellow.

This new plaid shirt is more into the yellow ochre part of the yellow spectrum, therefore tying much more to the tsunami arc, which is actually really fitting if you think about it in a little more detail - its a connection, not only to Buck, but also to loss and grief. Eddie might have been using his secret weapon (Chris) to get Buck out of his moping (read mourning) over not being able to go back to work, but Christopher is also still grieving the loss of his mother at that point as well, so its not just about cheering Buck up, its also about giving Chris a chance to do something fun and distract him from his own grief. That is why the use of yellow then ties in so nicely with its use on Chris now.

The other thing that really grabbed my attention about this shirt though is the fact that the two times we’ve seen Buck have a conversation with Chris in his bedroom, he has sat in the same spot and has been wearing one of those two colours - post shooting in maroon and this episode in the yellow ochre - if you watch those two scenes side by side, you see that they’ve used almost identical camera angles as well to film Buck.

I've spoken a lot about the use of maroon as a colour connected to parenthood - especially fatherhood , which is how its intended to be read on Buck - connecting to Eddie and his being shot, pushing Buck into a parental role in Eddies absence.

That alone is a pretty loud reference to Christophers connection and relationship to Buck, but then we have the yellow ochre of it all.

I feel a little bit insane about how close my prediction was on what the Buck Christopher scene was going to be about - this is from the meta I wrote when t he stills dropped;

Whatever this scene transpires being about, based on what we've seen with Buck wearing yellow ochre, we can assume its going to continue to play into this idea of Buck not being fully truthful with people and fitting into the role he thinks people want him to pay rather than being true to himself. I do want to add to this theory by looking at Christophers shirt as well. The grey/ yellow combination is a bit reminiscent of Breaking point (the episode that really is the gift that keeps on giving) because we get Chris in grey and Eddie in tan - that is yellowish toned whilst not actually being yellow There isn't a good screenshot of them together, but the placing of Chris and Buck in the new one has echoes of Eddie and Chris in that scene (one that is interestingly enough playing into the idea of changing family dynamics, but also the moment before and the one that happens afterwards at Bucks loft, directly placing Buck into a parental role (as an aside the idea of Buck being a miracle worker plays into the theme of Eddie looking for magic, just saying!))

Indirectly this scene was about Buck not being true to himself with people and fitting into whatever role he thinks people want him to fit into, only this wasn't an active situation - this was a scene where Buck could draw on his experience of having done that in the past to help Christopher - the line from Eddie 'you didn't end up being like you' is such a call to this and actually shows how valuable Bucks own experiences and learnings are in helping Chris (we've all been joking about Eddie choosing Buck to help him with this Chris's issue, but in actual fact he was the perfect person for the job - not just because of his being a 'reformed player', but also because of his relationship with death and the death of a loved one where you are reliant on others for their memories of a person rather than having your own)

The thing with the Yellow ochre (this meta here that i've already quoted from above is the place to go if you'd like more detail on its use on Buck more widely) isn't just its about it's connection to Buck, his place in Christopher's life and more loosely to the will of it all, (the fact that Buck and Eddie are both wearing the same colour ways as in the hospital bed will reveal scene and are both on the same sides of the screen in both scenes is a stroke of genius and is meant to connect these two scenes together) its also its connection to Shannon.

The first time we meet Shannon, she sits on Christophers bed in more or less the same position as we see Buck and Eddie sit, and looks at where Christopher has been positioned in all these conversations, and she is wearing a burnt orange top thats pretty close to the dark yellow ochre we see Buck wearing. Shannon wears a lot of yellow - as in it there are only a couple of times we don't see her wearing something yellow or with yellow in it and those are key scenes (which I will talk about later on).

Shannons appearance in Christophers room to read the letter she wrote him had her in this black top with a floral patterning on it. She was also wearing green trousers (which can be seen in the still below but aren't actually seen during the scene.

I actually really loved the green trousers and black top as a choice because the top is very Shannon - it sits perfectly with the floral patterns we saw her wearing when she was still alive. The green trousers are a bit of a departure for her, but I think its very intentional for two reasons .

The first is that they are very much in the Eddie trousers wheelhouse, especially in combination with black - he wears green khaki trousers a lot. The inference being that the black and green combination is an echo of Eddie.

The second ties to Christopher. Green is also a colour we've seen on Christopher a lot, it's probably the colour we see him in most. It's being used as a reflection of the fact he is growing and transitioning from child to teenager. But having it here in this scene - on Shannon connects a Christopher growing up without his mom.

Both of these combined really connect into Shannon in this scene, tying the three of them together and on Eddies efforts to keep her alive for Christopher - the underlying implication that his growth into who he is so far is as much to do with Shannon as it is to do with Eddie.

Her necklaces were not identical to the ones we saw her in in season 2, but that's most likely because they don't have them any longer, so they've replicated them as best as they can. The other little nod that I enjoyed is the brown bracelets on her right wrist - the same place Eddie wears his brown strapped Christopher watch!

But the top they have her in plays into a couple of other things - the prominent yellow flowers make an obvious connection to Buck from the previous scene, but they also tie into the 'I want a divorce' scene from 2x17 where she is wearing a dark blue dress with bright yellow ochre flowers all over it. the dress is not especially close to the top in the wider sense - blue dress with white squares v black top with florals in a variety of colours, but the yellow flowers are the prominent aspect of both items of clothing and play into the yellow theme connected to Shannon and then to Buck.

This is espeically relevant when you remember that Eddie is in a black suit in that scene and he's wearing black when he gives the letter to Christopher.

The black for this sequence of scenes is such a poignant choice - its Eddie mourning all over again, not for his loss, but for Christophers loss. I did find it telling that again in this scene, we have the absence of the Christopher watch. Eddie has very rarely not been wearing a watch in his scenes, so the times when we don't see him wearing one are very telling.

For me, in this sequence of scenes, it's about the fact that they are not about Eddies relationship with Christopher, but about Shannons relationship with Christopher. The watch is much more about Eddie and Christopher, so to have it absent from this story arc makes total sense and is symbolic of Eddie being a good father

Then we have Christophers grey shirt - I said when we first got the stills from that scene, how it was likely to be connected to complex family relationships - a la when we’ve seen Buck wearing his grey shirt. And what do you know - the scene was about complex family dynamics/ relationships.

It wasn’t perhaps in the manner I was expecting, but that series of scenes played with the full scope of Chris’s complex family relationships - from the relationship he has with Buck -not only as Christophers friend, but also as more or less Eddies co-parent (the way Eddie asked for Bucks help screamed co-parent rather than friend imo - that whole burnt out car scene was two co-parents discussing their child!) to the relationship he has with his dad - which is a pretty great relationship, but it is a complex one.

The relationship he has with his mom - or the fact he feels he doesn’t have a relationship with her despite Eddies best efforts, because as he grows up she feels further and further away.

Eddies 'date' night with Marisol. Again I ran out of pictures (30 is not enough!) so you're going to have to use your imagination or go back and rewatch the scene for yourselves, but trust me when I say that Eddie is wearing the same shirt he was wearing for this date night as he was in 4x10 - when Christopher interrupts because he can't sleep!

It's also a similar tee to the one Eddie wears when he has his breakdown and trashes his room (that one was more green when this one is much browner). Its slouchy and has cut and stretched raw edges at the sleeves and on the pocket - in the same way his breakdown shirt did. there is an element of being in familiar surroundings and being comfortable at home, but stretched out raw edges and Eddie generally tend to mean not so great things.

Of course there is the element of his parenting skills being tested by Christophers having more than one girlfriend, but if that where the only reason, then it would've made more sense to have him in that shirt when he's listening in to Chris talking to Buck, rather than when he's on a date with a new girlfriend.

This is especially true as the screen time for that tee has more connection with Marisol than it does with Chris. Combined with the fact that once again, like in the locker room scene, he is not wearing his Christopher watch in this scene and that speaks volumes.

If we are to read the scene as being about Christopher soley, he should be wearing his watch because that watch is a physical embodiment of the importance of Christopher in Eddies life - that he puts Christopher first in all things.

Got to say I was a bit shocked to see Marisol in his bright magenta silk spaghetti strap top when you consider the costumes we saw her in last season - mostly dressed down, t-shirts, jumpers and dungarees so this is a complete 180 for her character.

There are a few interesting things connected to her outfit, firstly it low key ties into Natalia - we saw Natalia in a red version of this top for her first proper onscreen date with Buck (when they go to the badge and ladder joint) so there is an interesting low key parallel to draw there. There is also the fact that her bracelet is a chain one - much like we've seen on all of Buck and Eddies previous girlfriends - although those have been necklaces, so I'm undecided if this chain bracelet is paying into the same trope as those.

Then there is the pink of it all.

You see Eddie and Pink on his girlfriends doesn't bode well for Marisol.

Both Shannon and Ana wore pink. Ana wore it a lot - there are two examples below, but generally speaking its her most commonly worn colour - including on her first date with Eddie in Jinx.

The first example below is from the first time we see her in the Diaz house. the shades are different, but the fact that the first time we see both characters in the Diaz house they're both wearing pink, speaks volumes.

The other key use of Pink is when Shannon is at the beach with Eddie and Christopher and she tells Eddie she's pregnant - Eddie takes it as the sign he has been looking for - the chance to effectively start over with their marriage, but this is the beginning of the end for their relationship, even if she hadn't died a short while later. She is wearing pale pink in that scene and it's the only time we see her wear the colour in the show.

The fact we can also contrast the use of pink with when Buck wears it is telling in its own right - we see the relationship between Buck and Eddie strengthening when Buck wears pink - May's graduation party, the tsunami, the Hildy coffee machine - all moments (big and small) that show the development of various aspects of their relationship and its ability to endure.

Essentially all this use of pink on the women he has had previous relationships with, doesn't bode well for Marisol and the longevity of her relationship with Eddie. How quickly it will end I can't say, just that it will end.

I spoke earlier in this post about colour theming for the episode and this is where I talk about it!

Pink - and in particular the very bright pinks we saw scattered across the episode. Marisol above wearing it, isn't just about connecting her to Ana in costume terms (especially as at this point that costume is a departure of her costumes from s6) it also connects her to the other characters we see wearing bright pink in this episode - Lola and Norman.

At this point in time I'm not sure if we're going to see it play out as a theme across the season, but its use in this episode was very loud on characters that are going to be around for more than 1 episode. It suggests that there is some underlying theme that connects them (by this I don't mean that they're gonna meet and hang out I mean that personality traits are going to be similar)

Magenta and bright pink in colour theory means a few different things, and like with all colours, has positive and negative traits. Generally speaking its a loud and brash colour thats designed to stand out and draw attention to it's wearer.

Things that are considered positive traits for this shade of pink are; intensity, acceptance, kindness and it's supportive and uplifting nature. It's connected to naive love (as in lust rather than the passionate and enduring love of red) can also be considered a nurturing colour.

Negative traits are; intensity, volatility, arrogant and impatient, irritability and irritating and frustration. it is also said to be a stress inducing colour and is said to be overly emotional.

Theres a clear and fairly loud connection between Lola and Norman getting into danger - Lola is in magenta trousers when she is kidnaped. Norman also has bright magenta flowers on his shirt at this point as well. My guess at this point is that we're supposed to lean into the stress inducing element, and also the irritating nature of the colour (On Athenas part at the very least!) and we'll see if those are the themes that play out for Marisol as well down the line.

Norman is in bright pink when he's lying and claiming she's unwell from being outside or too long. We also see that he is wearing pink in the ditsy print shirt later on (again I ran out of picture spaces!)

Athena's black top in this scene is much like the use of Chimney in black in his scenes. It's all about power and authority but it's also about her hiding her vulnerabilities. The other thing it does is creates a huge contrast with Bobby and all of the other passengers - she is the only one in black in the scene and it contrasts her with the underlying white of Bobbys shirt - juxtaposing them and visually putting them at odd with one another.

Like I said above about him becoming increasingly pale - here we see Bobby in a sea-foam green shirt - its the palest and washed out colour we've seen him in on this cruise (grey pyjama shirt not being included as its blink and you miss it and a pyjama tee!!!). Sea-foam green doesn't really play into the traditional meanings of green - there is still the element of renewal about it (the sea washes the sand etc)but its mostly a self-conscious and uncertain colour - both things that perfectly sum up how Bobby is feeling in this moment.

The other fun thing about this outfit is the palm tree shorts the patterns Bobby has worn in relation to this cruise, up to this point (and that includes the shirts from season 6) have all been tropical themed but on his shirts, the fact that they've now slipped down onto his shorts is a visual representation of him becoming increasingly dissatisfied with the way his honeymoon is going - that the tropical vacation vibes are slipping away.

Athenas red and white shirt, in my opinion is showing her cross purposes - its the duality of investigating and being on a cruise in a shirt. The bright red ties into the red and blue first responder colour way the show uses (for obvious reasons) while the white and the palm fronds, the lei flowers and the watery theming of the pattern fit into the troipical cruise they're on.

Bobbys red shirt contrasts with the lavender that we see on Athena - its not a colour we see on Bobby all that often and that makes its use all the more important. Especially considering the entire cruise thus far we've seen him in blues and greens - especially pale closer to pastel tones.

This red is bright snd bold and unlike his usual choices. Red is a colour of cross meaning - there is obviously the connection with love and the heart, which is absolutely at play her - his love for Athena is spurring him on and is part of what is pushing him in to investigator Bobby mode - and its representation of love is what is going to be the key player in the up coming episodes on the ship - when he is looking for Athena during the evacuation etc. But the other meaning of red is war, courage and anger and that is very much present here in this episode, and will (i'm assuming) be later on in 7x02 and 3.

The other thing I think its worth pointing out at this point (which is pure conjecture on my part at this moment in time but that I think will become relevant in the next two episodes rather than this one) is the foreshadowed parallel with Buck in season 5 when he broke down Eddies door. The bright red we saw him wearing then was an uncommon colour for him, in the same way it is for Bobby here. It's paralleling the way Buck was prepared to go into battle for Eddie, with the way Bobby is prepared to do so for Athena - going to war for your closest person, your loved one and doing what you need to do to save them.

Putting Athena in lavender the moment she gets to go into cop mode was a choice that had me giggling! Lavender is a colour of relaxation and order so for her to start wearing it the moment she gets to start being a cop again - speaks volumes for her state of being - it shows that her fear of being on the cruise ship and of being alone with bobby, has been overridden by her need to do her job and start investigating things. Its the perfect colour for this moment and for the impeding trouble brewing on the ship - Athena will bring order to things as order has been restored to her inner world.

Hopefully you've enjoyed this little canter through the costumes of 7x01 we're back in business and I can't wait to read your comments in the tags and comments 🥰

Tagging for those who've asked to be tagged - drop me a comment on this post if you'd like to be added to the list for the next meta 😎

@theladyyavilee @mistmarauder @xxfiction-is-my-realityxx @mandzuking17 @spotsandsocks @loveyou2thecore @wanderingwomanwondering @oneawkwardcookie @leothil @copyninjabuckley @nathleigh @shammers86 @crazyfangirlallert @missmagooglie @inandoutoffocus @katyobsesses @radiation-run @gayandbifiremenofmine @lemotmo @bi-moonlight @satvojihusana @crazyaboutotps @princesschez75 @mongreloer @alliaskisthepossibilityoflove @sherlocking-out-loud

#911 abc #I hope you enjoy!#its good to be back #I can't remember my costume tags 😂#911 costume meta #season 7 #s7 costumes #7x01 #Kym costume meta #Kym colour theory #911 costumes #long post #the costume department never fails #still feeling feral about so much of the stuff I got right and the new stufff I've spotted

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raayllum · 1 month

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Rayla as Callum's Deepest Truth - what does that mean? :: Or Truth in S6

Season six of The Dragon Prince talks a lot about truth.

It's a sentiment at least mentioned in almost every episode, and in a show featuring secrets, unreliable narrators, and characters routinely keeping information from or divulging information to one another, it's an accordingly complicated concept for both the characters and the show's broader narrative.

Thereby, we're going to start with the most straight forward associations in the season, beginning with Callum's plot line in 6x06 and the scene itself, and then work backwards through the various other aspects that contribute to both initial and more layered readings of the concept that we can extrapolate from other aspects / relationships the season explores through truth.

Let's begin.

Truth as Light and Love

The first and simplest readings of Rayla as Callum's Truth is that she is Light ("How do I find this light?" / "the one deep truth so bright it can fill the darkness") and Love. This isn't really a stretch, given that seeing and embracing Star Rayla causes a bright light to shine literally in canon, and successfully fill the hole in Callum's spirit with light and purify him of darkness. This also pulls on the most straight forward associations from Rayla and light in prior seasons.

We see this reflected in Janai and Amaya's blessing of the sun at their wedding—a request for "love and light"—and in their discussions with one another in 6x02. Amaya assures her that Janai can still fix what is broken for her people (put a pin that idea of broken + fixing for later) so long as she doesn't try to do it alone. Janai affirms this through her understanding of "The King with 1000 Eyes" story, stating that much like in the tale's pair of lovers, Amaya is also:

While this doesn't necessitate the idea of Truth as being romantic love for an individual, this line is one of the biggest reasons going into 6x06 that I thought maybe Rayla would end up being his Deepest Truth. This is also partially because they refer back to the idea of light and fixing, directly stating that "there is a way to fix it" through the star-light ritual, and we see this idea again with Rayla in 6x09 with Runaan.

Rayla was always set up to be Callum's alternative path in opposition to Aaravos as well (though again, we'll get to that specific path motif more later) through the framing of light. It's unsurprising then that in opposition to both metaphorical and literal darkness

we get Rayla and his love for her being a literal light.

These are the most straight forward, positive sides of Truth that we see, and the ones I think (mostly) that 6x06 plays most overtly, though there are others as well that we'll get to in a second. This is also the most straightforward the series has been about 'darkness = bad' and 'light = good' as well, even if there are always exceptions to every rule (which we'll get to later as well).

Light and love and Rayla can fix what is broken. She can save you. She can restore you. Her, and your love for her, leads you out of the darkness. Mends you. Makes you whole again.

That's some powerful stuff, especially as a basic surface level reading. (For a less than surface level one with this similar theme of broken and fixing, you can read this meta regarding Leola and Rayla.)

With that under our belts, I want to take this basis of "the Truth (Rayla) as love and light" to explore how it leads naturally into the final Rayla and Callum scene of the episode, featuring

Truth as Clarity

We've gone over light, and we'll go over purpose, but for now I want to talk about the idea of truth as clarity. To have clarity is to have a better sense of the reality of things, a founded understanding of a situation or person. The Celestial elves seek clarity through the "true light of the heavens." The clarity Callum receives in realizing and finding that Rayla is his one truth causes him to finally take the next step and begin their relationship fully again by kissing her, and by confessing his love to her.

Clarity is also derived from the basis of knowing, however—"Hold to what you've always known [...] the answer in your heart is clear / I am near, my love is here"—of knowing that is the truth. Of seeing clearly, of seeing someone, truly for who they are and loving them.

RAYLA: Why didn't you tell me? CALLUM: Cause I know you, Rayla. If I'd told you, you would've refused to go, because you never do anything for yourself.

He loves her because he knows her ("That's what makes her a hero. That's what makes her Rayla" / "She's not 'the elf'. She's Rayla") and he knows her because he loves her, because he understands her ("And I understand why you couldn't tell me") through love. His trial and Truth gave him the clarity to express it, and the purpose to do so in many ways. It's also a positive grasp of purpose, since Viren ("I have power, purpose, and I intend to use both of them") and Aaravos ("I chose to live, and my life took on new purpose") become dark, twisted, and self destructive. Loving each other makes Callum and Rayla mutually better, and it's something both are finally able to whole heartedly embrace. To love is simply to know this.

Between this, and Viren's whole assessment that "The path of freedom is the path of truth," what could possibly be bad potentially about Rayla being Callum's one Truth, or the truth in general? Well...

Truth as A Weapon / a Burden

I actually wrote a meta all about this theme in Arc 2 for season 4 and season 5 before S6 called "Knowledge as a Burden" that I recommend reading if you haven't already. However, it's not necessary as this section is about how the Truth or 'Knowledge' can be a burden and a weapon depending on what the truth is, and how the information is presented. And this eventually does make its way back to the more positive outcome of Rayla being Callum's truth, so we'll circle our way back around.

With all that in mind, let's start with the most obvious. In 6x06, "Moment of Truth," both Callum and Viren wrestle with the results of previous actions due to dark magic. In one timeline, Callum learns the truth about the pearl and spirals into self-despair; in the other, ultimately canon timeline, this truth is withheld from him, allowing him to maintain the courage and strength he needs to go through the star-light ritual ceremony. By withholding the truth, he's given clarity, light, and purpose, which we went over in the previous section.

Alternatively, Viren's arc in this episode leans more heavily onto the concept that giving Soren the letter would be shifting a burden to his son.

Are you providing clarity, light, and purpose, or are you shifting a burden to someone who needs all their strength?

Both these plot lines ultimately end in different ways. By sharing the truth, Callum and Rayla reconcile, and by withholding the truth, Viren spares his son more pain, and they don't ultimately reconcile. I'll definitely talk about Viren and Soren's arc together in S6 someday in a proper meta, so I don't want to touch on it too much here, but it is noteworthy because it reaffirms the concept in this season that sometimes, knowing the truth can make things worse, not better, and cause more pain, not less.

We see this in how Callum's dark magic use weighs on him heavily in 6x03, leading to an argument between him and Rayla, and that learning he did dark magic causes Rayla to respond differently to his request to kill him; whereas before she steadfastly refused, here she agrees because she can see the risk and concerns are more prominent. This doesn't of course make their bond better (although it doesn't worsen it, either), but their literal ship does catch on fire and sink when she demands that he sacrifice her, and promises to sacrifice him, so... It's not good, either, even if it's ultimately good that Callum shared it with her for his own sake.

Where we see the Truth most weaponized in the season, however, in moving away from 'the truth as light' is with Aaravos himself.

AARAVOS: Good, good. You've played your part well. Before you perish, would you like a reward, a small mercy perhaps? The mercy of truth. The answer to the mystery that has haunted you for a thousand years. What happened to your beloved mate that disappeared? SOL REGEM: Tell me, betrayer. What became of Aithne Solaire? AARAVOS: I should warn you, sometimes the line between mercy and cruelty can be thin. [...] It was you. You killed her. Go on, breathe deep. I know you can smell the truth from a lie, and this is a deep, dark truth. In your fury, you buried her alive.

This is, of course, a move Aaravos used before ("Arrogant, just like your grandmother. Would you like to know the truth of her fate before you meet yours? I swallowed her") with Khessa back in season three. This is also something he utilizes as a manipulation tactic with others, knowing the importance of withholding the truth until it is beneficial for you to reveal it ("Careful, if you tell the truth you will lose her") and Aaravos' own belief that "[he] never lies" which Claudia reaffirms in 6x01: "Aaravos wasn't lying."

Of course, just because something is true according to him and his worldview or vantage point doesn't mean that it is deeply, objectively true, but that's another matter.

What matters here for the sake of this meta is that the truth isn't always good. The truth can be withheld to protect others (2x03, 6x06), to protect yourself (although sometimes misguided), and to manipulate and control other people (Viren orchestrating the war in S2 and S3, Aaravos routinely, etc). The "mercy of truth" is sometimes not mercy at all, but cruelty, showcased in Aaravos revealing something he knew would devastate and harm an already dying dragon/enemy.

The truth can be cruel. The truth can be deep and dark, too, not just light and lifting burdens. Knowledge can be an terrible burden. The truth can be awful.

So can love.

So can your path.

Truth as a Path (Freedom)

VIREN: Despite all this, I am changed. I woke up feeling free for the first time in a very long time. I know I have led my sweet, brilliant daughter down the wrong path. I have led you by the hand and I have led you by my example. Perhaps now if I walk the path of freedom, you will find your path someday, too. CLAUDIA: What do you mean 'path of freedom'? VIREN: The path of freedom is the path of truth. I must face my truth... in Katolis.

The path motif was something touched on sparingly in the first three seasons, largely in response to actual, literal paths the characters were taking. However, beginning more overtly in season four and bolstered by season five, Arc 2 has steadily turned it into one of the most consistent motifs that runs throughout season six. What is created, then, is a set of binary paths. There is the Path of Freedom—moving away from the Cycle and a narrative of strength, away from trying to replicate or get back to the past and moving towards the future instead, away from Aaravos and dark magic—and the 'wrong, dark' Path of Fate that moves in opposition to it.

This is most directly stated in Viren's final dream with his past self:

PRESENT VIREN: The path of fate is already chosen. Every step I took, I took because I had to. YOUNG VIREN: No. That can't be true. No matter where you are on the path, no matter what you've done before, every step forward is a choice. I am free, and so are you.

reaffirmed in Viren's decision at the end of 5x09:

VIREN: No. I won't do it. I finally see the truth. I find myself here at these horrifying crossroads because I have followed a dark path. And worst of all, I have led my beloved daughter done this path. No more dark magic! Never again! I am done with it — and I am done with you!

and in Callum's conversation with Rayla in 4x07:

CALLUM: What if I'm on a path of darkness? RAYLA: Then take a different path, dummy!

All of this was just some of the set up that has routinely put Rayla and Aaravos in direct opposition of each other for Callum's fate. There are framing things like her and the mirror being two very overt paths stretching out before Callum when she comes back, and Rayla being what pulls his attention away from the mirror, but 4x07 made it in The Text by having her represent and literally remind Callum he always has choices: "No one can control you or make your choices for you" (which is partially pressed on in his assessment in "I didn't have a choice" in 6x03, but again: meta for another day). Rayla always represented freedom (his wings, agency) and light (all previous framing) and she still does so in being his Truth. Rayla is his Light, reminder of his freedom, and brings all those things into being his Truth; it is a beautiful culmination (for now) of Callum's choice to move away from dark magic and Aaravos' control by literally embracing his love for Rayla and all she represents in his life. (And yeah you've probably already noticed the snag here, but I'm gonna get to that in a sec.)

This connection between Truth and Path is affirmed in Terry's talk with Claudia in 6x04, in which they discuss:

CLAUDIA: Maybe I should be walking a different path, too. But Aaravos helped us. He followed through on everything he said he was going to do to save my Dad, and I promised to help free him. So should I quit dark magic? Please, Terry, tell me what to do. TERRY: Claudia, I can't. Only you can see your own deep truth. Only you can decide the path you're going to walk. You won't be alone. [...] But you have to choose the way. What do you need to find your truth?

So on top of being Light and Love, and Rayla being Callum's One Truth equalling the Path of Freedom, Rayla is just Callum's chosen Path. He chooses the Path of light, love, freedom — all good things through the embodiment of her and their relationship, much the way Callum has been her guiding star in pulling her away from her dark and self-destructive paths (going after Viren) and making measured choices (coming back in 4x09, realizing she can't/shouldn't separate Lain and Tiadrin, etc).

Okay great, awesome! Sounds like Callum has done what he needs to do, he's rid himself of the taint of dark magic and Aaravos' control by proxy. His love for Rayla got him through it. She's his path. She's his truth.

What could possibly be wrong with that?

The Truth is Everything

After season four aired, I wrote a meta about how Aaravos (Fate) and Rayla (Freedom) represented Callum's two paths going forward into S5 and beyond. Much of what was in that meta has already been touched on here, given that S6 evolved this dichotomy and this motif in largely the ways I thought it ultimately would.

However, in that past meta, I also posited that these two paths would ultimately not be as separate as they might appear, and would converge. Part of this was because S4 emphasized the importance of not treating dualities as binaries, but in reconciling them ("Now you're back. That's kind of good, and it's kind of bad" / "How can I have that and the life I want with you? [...] Just have two cakes" / "We have to hold pain and love in our hearts at the same time"). Specifically, that Rayla would be what leads Callum into getting closer to Aaravos and playing into his clutches, which 5x08, 6x03—and indeed the upped stakes for dark magic use ("if you ever use it again, the darkness and corruption will overwhelm you") coming off 6x06—feel like natural steps forward.

Because while the light, and Truth, and Rayla, is usually a Good Thing in Callum's life, as Soren points out, it isn't always.

After all, Callum only did dark magic—both times—because of Rayla.

CALLUM: I did one spell. One. I had to, to save my friends. (5x08)

CALLUM: I did it for you! Finnegrin was going to kill you. I didn't have a choice, because... I would do anything for you. (6x03)

His love for Rayla has already been his path to darkness and Aaravos just as much as it's been his path out of darkness to light and freedom away from Aaravos. Aaravos has both dark and light; so does Rayla as a literal Moonshadow elf, and her dual swords, and her juxtaposition of immense mercy and obsessive violence. He is "destined to play into [Aaravos'] hands," with Aaravos' scheme for Callum still clearly ongoing, given that Aaravos is out and the cube is still in play.

They also wouldn't 1) bring up the possession related promise and 2) have Rayla actually agree to it and then 3) have her affirm that Runaan taught her to never break her promises all in the same season if it wasn't going to come back into play, and the only way Aaravos can possess Callum again is if he does dark magic again. (I'll do a separate meta sometime after this regarding how S6 evolves the possession plotline in about every episode Callum and Rayla are mutually in, later, too.)

Just as Rayla was the reason Callum ever did dark magic or successfully got the cube in the first place, she will almost surely, inevitably, be the reason he does dark magic — breaking his promise, and opening up room for her to break her own.

RAYLA: Listen to me. If you ever have to choose between me or the greater good, do the right thing. Make the sacrifice.

Callum will choose Rayla every time, whether that leads to saving or destroying himself.

She is His Path, singular—the path of fate and free will, to light and to darkness, to destruction and salvation. The various dualities in their relationship will all be reconciled and brought to complete fruition.

And that's everything.

#rayllum #tdp meta #tdp #the dragon prince #s6 #multi #arc 2 #light and darkness motif #theme: truth #devil and the lovers #s7 #predictions #analysis series #analysis #personal fave

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randomfoggytiger · 2 days

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"My Touchstone": the Turning Point

Dedicated to the anon who asked:

I would love to hear your thoughts on how the “touchstone” conversation changed Mulder and Scully’s relationship. Was it this scene that propelled them into a romantic relationship?

To answer that question, I have to back up a bit to Fight the Future. Actually, let's back up even further-- to the cancer arc-- so we can get a clearer picture of the relationship between these two Avoidants (post here.)

FORWARD AND BACKWARD

Mulder realizes the extent of his feelings for Scully in Memento Mori.

I posit Scully's already known her feelings since at least early Season 2; but her temperament leads her to suppress, rather than express, emotional wants or needs. Never Again (posts here and here) was the result of both Season 3's on-and-off jealousy and Mulder's avoidance of a normal life (Home, post here) and search for his tragic soulmate (The Field Where I Died.) Because of this, Scully tries to pinpoint and grapple with her "endless line", realizing-- too late-- that she wanted recognition (and more) from Mulder (as spelled out in the script, here.) Mulder realizes this, too, and lets the matter drop.

For Scully, it's advantageous to keep everything unsaid, largely because Mulder isn't ready... for anything, really (as discussed in the Home post linked above, and demonstrated by this clip.) Everything he's been drawn to or attracted by has an ephemeral, fleeting resemblance to some other normalcy he craves (post here)-- but has never, ever lasted. Except Scully.

So, Mulder realizes his feelings, Scully escapes cancer by the skin of her teeth, and we arrive at Detour... where he runs from the motel, chasing after his monster case.

Some read this moment as Mulder realizing and dodging Scully's intentions, others that he was completely blind to her intentions. I file it as the latter; but we also have ample evidence of Mulder noticing Scully's actions briefly before losing focus in favor of another tantalizing mystery (ex. the beginning of The Unnatural.) He misses the forest for the trees in his personal life-- or rather, he doesn't see the value in fixating on it beyond a few superficial check-ins here and there (we'll get to that.) Scully's always by his side, they have the work, he wants answers, why change? It's the same question he asks her in other contexts (ex. "Why now? Why Boggs?" in Beyond the Sea.)

Season 5 continues. It's a rough year for Mulder (post here.) And for Scully: The End is another episode on a pile of episodes where she feels she's "failed" Mulder, leading to her dispirited goodbye in FTF.

Thus, we arrive at Fight the Future: the moment that forces Mulder to make a confession or lose Scully. To him, her importance was never in question; but the hard part is admitting how broken he feels without her. He was afraid to do more in their partnership because... what would happen if things changed? His fear is rooted in the "What if?", and holds him back from a course of action. Scully's fear is rooted in "Did I choose right?", and manifests after she decides on a course of action (A Christmas Carol's doubts after joining the FBI, Never Again after four years in, all things after the Season of Secret Sex, etc.)

Despite the good that came from his hallway, Mulder's greatest fear is realized when Scully nearly dies after he confesses he needs her. This kicks him into retreat mode (post here)-- "go be a doctor", he tells her. It's Scully who says, "I can't", and clings to his hand, who refuses to give up. That is important, because it's another example of how reliant on Scully Mulder is, to the detriment of his own growth, at times.

Mulder takes her words to mean that Scully is unflinchingly by his side-- which is true. What isn't is his next assumption: that they're on the same page.

They're not, really.

THE IMPORTANCE OF SEASON 6

In The Beginning, Scully hasn't felt the need to change-- she's a scientist, she needs proof-- but she hasn't confronted and overcome her unnecessary doubts, either. Mulder, meanwhile, demonstrates he hasn't changed, either-- and, more importantly, how far removed he is still if from a functioning relationship... as Scully suspected. Hurt that she didn't back him up before their superiors-- which resulted in them losing the files-- he hides behind frustration and anger. Scully feels rejected, and lo and behold! Diana appears; and wins back some ground with Mulder while Scully loses Gibson Praise. By the end of the episode, Mulder doesn't want to cosign to Scully's theory because her science, he thinks, betrayed them before. And lo and behold! It kind of did. But it didn't this time, when it's too late.

Where does that place them early Season 6? As an enclosed unit, with Mulder pillaging the basement-- without consulting Diana-- and sneaking off on his own or taking Scully with him on his misadventures. For all that could be wrong between them, a lot is still right; and both put in the effort to include and watch out for the each other.

Then Two Fathers and One Son (posts here, here, and here) shakes them apart: Mulder doesn't want to believe yet another ally is using and manipulating him; but gives in and goes to investigate Diana when Scully threatens to walk if he doesn't listen to her. He's speared in the Achilles Heel, however-- fatalism in the face of the inevitable-- and almost gives up completely before Scully yells him back from the brink. This happens again in Amor Fati; but he finally learns his lesson there. Scully is visibly angry with him at the end of the episode... and then we have the next few episodes as if nothing happened.

Agua Mala completely resolves their festering from One Son (yes, it's a blink-and-you'll-miss-it resolution; and, yes, I need to sit down and write that out sometime) and propels them into their old-- dare I say, lighthearted-- routine and banter (i.e. Monday, Arcadia, etc.)

An important side note: To accurately place where Mulder and Scully were romantically during this period, we have to figure out if there was lingering tension post One Son. The facts simply don't support that narrative. We see in Arcadia that Scully was enjoying herself at first-- only brushing Mulder off initially when he used her as part of his schmaltzy facade (during their arrival)-- until her partner began poking at her, too (posts here), to maintain distance between them (post here.) We see in Alpha (posts here) that their banter was fun and lighthearted until she found out Mulder kept information relevant to that case from her; and that that information was yet another woman he wanted her to trust without question because he did. (Regardless, she still looked out for his best interests and sympathized with him after Karin's death.) We are shown in Milagro (posts here) that her tops are dropping lower and lower in an unconscious desire to grab Mulder's attention; but more importantly, that Mulder still hasn't considered her in all the ways Dana Katherine Scully exists. Yet, tension only arises when Scully feels overlooked, not displaced-- a creeping of her old assumptions and Mulder's missed signals in Never Again 2.0, not a minimization of her value ala One Son. We see in The Unnatural that she's survived Padgett and is setting subtlety aside for the first time in their relationship; so no tension there at all.

In short, we see Scully moving on and wanting Mulder to move on with her, too... and Mulder either not getting the hint outright (the beginning of Arcadia and Milagro), or getting distracted by the next shiny case instead, despite her efforts (Alpha, The Unnatural.)

The Unnatural: stage one of Mulder's mature development (and you can thank David Duchovny for each of these stages, by the way.) I.e. Detour with unmistakably romantic overtures, in case Mulder missed them the first time (which seems to be a pattern for Scully: near death, survival, resolution, and overtures.) Mulder would have to be thick to miss her obvious flirting, but he still loses himself in another x-file and runs off to badger Arthur Dales about it-- meaning, at this point, Scully has his attention, but not his full attention. Scully takes this as a matter of course-- because that's how Mulder's been from Season 1 (i.e. The Jersey Devil's "Unlike you, Mulder, I would like to have a life"/"I have a life.") However, Mulder finally learns "the mystery of the heart"; and decides to test this out with Scully on the baseball field. It's a small, small, small step because he's not used to this "normal", this appreciation for small, perhaps insignificant things. More to the point, he's probably afraid to do more-- was afraid she wouldn't even show up, per his expression; and will be afraid to follow-up, per his actions in Amor Fati and Millennium. But he did it; and Scully knew what Mulder was meaning to demonstrate ("Shut up, Mulder, I'm playing baseball.), as Duchovny intended.

So, where does that take us? The IVF arc, of course (post here.) It's a failure, splat (or not a part of some fans' canon); and that keeps up moving rapidly along to the next beat in their relationship.

Field Trip. Oh, boy. Field Trip: the episode that prepares both agents for the foundational upheaval of the Biogenesis-Amor Fati arc. Scully can't solely rely on her pat scientific rationalizations; and Mulder doesn't trust her blind loyalty and belief. And both are undeniably coded as a couple throughout their "trip." The main takeaway from this experience is that they doubt themselves more than they doubt each other; and their doubts in each other pale in comparison to their unshakeable trust.

MY TOUCHSTONE

That leads us neatly to Biogenesis-Amor Fati... which we shall mostly skip for brevity's sake, as this arc accomplishes very little (despite its exorbitant screen time.)

Diana shows up, but has to admit Mulder has been asking for Scully "since last night." The barb doesn't land for Scully (while the implication highly amuses Skinner, post here); and after their resolution in Season 6-- Milagro and The Unnatural and the IVF arc and, most recently, Field Trip-- she remains unshaken in her conviction of Mulder's loyalty. She flies to Africa, touches the baby-restorer ship, and accomplishes... very little before flying back and finding out Tena has turned her son over to CSM.

Mulder, meanwhile, is stuck in dreamland. @cecilysass wrote an incredible post on the topic here; and @jaspertedd and @deathsbestgirl's theories-- that Mulder's dreams are influenced by those around him (post here)-- are interesting and pertinent additions. If true, that speaks to a deeper hole in Mulder's psyche he's yet to repair: doubting himself so much so that the influence of others takes precedence over his conscience. We've seen that before many times (one of which is Diana's manipulation in One Son, another of which was CSM's temptation in Redux II); but in each case, it was Scully-- a stronger moral barometer-- that kept him back or influenced his courage in the right direction. Mulder doesn't need to borrow her conscience, just her strength to act on his own.

"You were my constant, my touchstone"/"And you are mine" speaks volumes about where these characters are.

Mulder needed to accurately see that a life, a world where he was handed all his answers and given atonement for all his trespasses was empty and shallow without Scully. He needed, further, to shake off that side of himself that would rather wallow than fight, that put Scully in a position, over and over again, to save his life (Demons) or to talk him back from the edge (The Ghosts That Stole Christmas, though a mirage, was based in a truth.) For Mulder, Amor Fati is the crest of a long, arduous hill that took him decades to climb; and now tips him down, at last, towards maturity, self-actualization, and closure.

Scully needed to come to a different, frightening realization: that the cornerstones of her beliefs might be built on lies, too. She needed to open her mind to possibilities that challenged or even betrayed her beliefs-- to overcome the fear inside that was still inflicting self-doubt. For Scully, Amor Fati was the beginning of the end of her security in "the facts"-- but one that gave her the opportunity to step away from "the tried and true" in order to find herself: her intuition, and her happiness.

"You were my constant, my touchstone"/"And you are mine" is the verbalization of their mutual revelations.

THE END FOR MULDER, THE BEGINNING FOR SCULLY

Amor Fati, for Mulder, was a Part 2 to Redux II and a do-over for One Son: he was confronted by his conscience and learned, once again, to stand by it. But not alone, not yet. For Scully, it was the beginning of her journey, one that culminates in all things (post here.) Her relationship struggles aren't rooted in an upfront fear about moving forward in a relationship-- only what comes after, a pattern in all her relationships and major life decisions (post here.)

Yet, Mulder doesn't make a move in his hallway-- doesn't even try-- after his touchstone speech. Why?

Because Scully was overwhelmed and conflicted and needed space to work through her (Diana-adjacent) guilt-- the same feelings he'd battled with throughout Season 4 and 5: failing and failing and failing. With a little space and a little time for him to recover and a little case thrown in to get her back on track (Hungry), their equilibrium is reestablished.

And that leads us to Millennium and the Season of Secret Sex.

It's Mulder who initiated his confession in Fight the Future, it's Mulder who invited her to play ball under the stars, and it's Mulder who affirmed she was his touchstone; so, it's Mulder who initiates their first kiss. Scully continues to hold herself in a waiting position-- standing at attention, Starbuck-style, until her captain makes the first move (something that all things shifts, as well)-- but all bets are off when he does. Mulder's first step initiates all her ensuing ones: jealously knocking into him in and playing with his tie in Rush, teasing about all being "right with the world" when they (hypothetically) return home in The Goldberg Variation, and each and every fond ribbing she tosses his way. There's a resolution between the two that isn't shaken until En Ami's trickery (which... was a topic all its own, post here) and all things's doubts.

Then we arrive at Closure. This episode is the resolution to Mulder's character arc-- not only because he found his sister and, effectively, laid her to rest, but because he learned to trust to her happy ending without needing Scully to believe him. For the first time, he exercises a "conscience", if you will, separately from Scully-- she is his touchstone, still, but not his whole being. A monumental change from Redux II and Folie a Deux and Fight the Future: then, it was "I knew you'd tell me if I was making a mistake" and "no one else" on earth believes him and "I don't want to do this alone. I don't even know if I can." Now, she remains his touchstone, his realignment; but he can stand on his own two feet without curling into whatever shape will earn him love from others.

all things is to Scully what Closure was to Mulder. Her touchstone claimed her as his in Amor Fati; and Scully thought this meant Mulder promised to always be there when she navigated strange waters... and then he ditches her for crop circles in England. Mulder doesn't understand why she's making a big deal of weekend work now instead of every weekend before; and the two separate in not bad but not great spirits (ala Never Again.) Feeling adrift, Scully runs into Daniel Waterston, and we know what happens from there. In short, all things forces Scully to have distance from Mulder's influence-- as Amor Fati had forced him from her-- in order to choose, with a clear conscience, if this path, this touchstone, is the right one for her. all things finally sets her free from her inhibitions: she guides Mulder back to their apartment and lets him ramble on and on without feeling displaced or devalued by his split focus.

Scully wouldn't be driven to this crossroads and its resolution had not Mulder calmed her self-reproach and claimed her as his "touchstone", allowing her to come back to and lean on that truth in her darkest hours. As we know, she's always relied on Mulder's strength-- Irresistible, Memento Mori, Elegy, etc.-- but had yet to rely on her own. all things, finally, guides her into her own strength and abilities.

COULD A RELATIONSHIP BETWEEN THEM HAVE WORKED BEFORE?

Realistically, anything can work with enough dedication and elbow grease (from both parties.) But, actually factually, the reciprocity needed for an intimate relationship wouldn't have been equal until after Mulder's return from "another life, another world." While they loved each other, Mulder's mercurial ways would wear on Scully's security, and Scully's sudden doubts and distance would dig Mulder's insecurities deeper in.

Mulder, the FBI profiler, was more strongly aware of this than Scully; while Scully, the scientific medical doctor, was more alertly aware of Mulder's constant retreat and instability than her own conflicting, distancing, brewing emotions. He had to learn to stand on his own two feet: a man who railed against the sky and stood up to his superiors and welcomed an existence as a pariah; and who would crumble the instant love was offered then revoked. She had to learn to trust her own instincts: a woman who rigidly tried to rein in her insecurities through facts and detached logical thinking; and who would implode with doubt the instant someone she respected or trusted questioned her decisions or intuition.

Could it or would it have worked? Yes, I think so. But Mulder and Scully were, I believe, happiest to begin a relationship when they did, on their own terms. They needed to be each other's touchstone first, not his "one-in-five-billion" or her "strength."

Partners, in all things.

CONCLUSION

"My touchstone" was the awakening for both: of how far Mulder had come, and much farther Scully had to go. Moreover, it solidified the nature of their relationship: unshakeable reliance and dependable trust, even if the whole world was (is) falling apart.

In short, Anon? Yes.

Thanks for reading~

Enjoy!

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