#s1 and s3 were both boring. just boring
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magicandmaybe · 8 months ago
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sorry guys but bridgerton s3 was so weird????
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dezmolad · 4 months ago
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EARTHSPARK S3: review??? (SPOILERS!)
this weekend I watched earthspark and I have to say something or I'll explode. This won't be a review as much as just some loose thoughts trying to summarise what this series had became.
STARSCREAM I hate what happened with starscream. I wrote an analysis of how this character got absolutely massacred in S2 (you can check it out here). To summarise: In S1 he was such a great character, shown so intriguing with both his not perfect character and his history of being abused. In S2 they made him the villain in an absolutely shallow way, in the final episode writing him in a way that makes him irredeemable. And I thought thats the worst u can do. And then S3 happened, when he appears for one scene to be shown as funny for "being crazy" (WHICH IS ABSOLUTELY DISGUSTING WHEN U REMEMBER S1 WHEN HE WAS A VICTIM OF ABUSE THAT NOONE BELIEVED. IS THIS REALLY A GOOD IDEA TO PORTRAY HIM AS HAHA CRAZY GUY). It's absolutely heartbreaking to watch that scene. Starscream gets electrocuted by the very person he opened up to in S1, he was in isolation for all of the S3, he went insane bc of that, and still at the end we drag him to autobot jail. what is this.
PROWL I have no idea how such an intriguing and complicated character from idw that was clearly an inspiration inspired such a dull and shallow character. His process of learning about respect for human allies and terrans is shown so poorely and never feels like being actually resolved, I won't even talk about this. I admire how they did two things I thought were impossible. I thought it's impossible to make IDW inspired Prowl in this show a good guy (I genuinely thought he's going to be the bad antagonist). I thought it's impossible to ignore his weird and complicated relationship with Tarantulas, in a show that had Tarantulas in S1, was created with Nick Roche as character designed and was inspired by The Sins Of The Wreckers specifically in specific places. They did both of those things and it worked out horribly, congrats.
CONCLUSION I can't understand what happened with this season. it's visible there was some cuts, it looks rushed, it lacks any substance, and Quintessons at the end... didn't help the case let's just say. But that isn't my bigest problem. I feel devastated by what happened to the ideals of the show. in S1 we had decepticons in cages, and figuring out it's not actually a good solution. In S2 we saw decepticon as boring usual villains. But in S3 we have decepticons in one big cage again. But this time there is no consideration, there is no doubt. Even if under Shockwave they just want to go home. They should all be kept imprisoned. No matter if they mean no harm, no matter if, like Starscream, they suffered enough. And there is nothing to figure out, that's just how the world works. After all, they are decepticons, right. yes I'm bitter, S1 was just very important to me and seeing what happened to ES is just sad.
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youryurigoddess · 10 months ago
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Maggie’s pendants and good omens
Yes, you’ve read it right. This post is going to deal with some literal good omens, not just title drop! But first things first, let’s take a closer look at the topic of this analysis.
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A toucan
The top necklace is a lovely design involving a crowned toucan — believed to be a messenger of gods able to travel between the spiritual and the physical world, often associated with rain and rainbow (a Christian symbol of divine love, grace, and mercy, a reminder of the covenant between God and humanity to spare the latter from future trials like the Flood) — encircled by a gold band (a symbol of infinity, eternal love and promise) spun by a small butterfly (a symbol of transformation, hope, and rebirth). All three symbols combined seem to deliver a divine message of hope for rebirth, possibly resurrection, and the eternal life. Very fitting in the context of the Second Coming.
The fact that toucans were revered by the native South Americans as rainbringers strengthens the symbolic meaning of another type of bird we can spot on Maggie’s clothes in the very first episode, as her character introduction — a swallow. Swallows flying low are also believed to be harbingers of rain and bad weather. If you see one close to Earth or a building, it means that there’s a storm — or a certain biblical tempest — on the horizon.
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In Ancient Greece and Rome swallows were representing Aphrodite, goddess of love. In Christianity they were considered to be of God and symbolized hope, awakening, and revival of life as messengers of spring and protectors from winter colds. Also helped Jesus on the Cross — according to a Christian legend, a group of swallows was supposed to take out the thorns from the Crown of Thorns and alleviate His Passion on the Cross. Humans banding together in the name of good have been a big theme in the series ever since The Them made an appearance, and from what we already know about the unpublished Good Omens sequel, we can assume that Jesus is going to take the spotlight in the upcoming season.
Maggie definitely attracts sudden inexplicable weather changes, like a thunderstorm with weirdly localized lightning strikes or a sudden downpour. And we’re still waiting for some vavooming (and the following happy ending) to happen in S3.
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A heart with an eye
Now, the more nuanced clue hidden in the bottom necklace. I know that some of us were trying to tackle the concept of Maggie’s eye in a heart pendant suggesting her Masonic connotations, but this symbol (or the Eye of Providence in general) isn’t strictly Masonic, it isn’t even limited only to Judeo-Christian art. And while it is used a lot in Christian iconography, we should focus on a very specific example of it already referenced in the show.
Buckle up, we’re making a parachute dive into S1.
It seems like our old friend, Agnes Nutter, still has our backs.
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Prophecy 4020:
Let the wheel of fate turne, let harts enjoin, there are othere fyres than mine; when the whirl wynd whirls, reach oute one to another.
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If you look closely at the bottom right corner of this frame, you will see that as an illustration for the above prophecy the production team chose a 1611 engraving titled The Minde should have a fixed Eye On Objects, that are plac’d on High first found in Gabriel Rollenhagen’s Nucleus emblematum selectissimorum.
In 1635 it was published in A Collection of Emblemes, Ancient and Moderne Quickened With Metrical Illustrations, both Morall and Divine, Etc by George Wither with the accompanying hymn:
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A Heart, which bore the figure of an Eye
Wide open to the Sunne; by some, was us'd,
When in an Emblem, they would signifie
A Minde, which on Celestiall Matters mus'd:
Implying, by the same, that there is nought
Which in this lower Orbe, our Eyes can see,
So fit an Object for a manly thought,
As those things, which in Heav'n above us be.
God, gave Mankinde (above all other Creatures)
A lovely Forme, and upward-looking Eye,
(Among the rest of his peculiar Features)
That he might lift his Countenance on high:
And (having view'd the Beauty, which appeares
Within the outward Sights circumference)
That he might elevate above the Sphæres,
The piercing Eye, of his Intelligence.
Then, higher, and still higher strive to raise
His Contemplations Eyes, till they ascend
To gaine a glimpse of those eternall Rayes,
To which all undepraved Spirits tend.
For, 'tis the proper nature of the Minde
(Till fleshly Thoughts corrupt it) to despise
Those Lusts whereto the Body stands inclin'd;
And labour alwayes, upward to arise.
Some, therefore, thought those Goblins which appeare
To haunt old Graves and Tombes, are Soules of such,
Who to these loathsome places doomed were,
Because, they doted on the Flesh too much.
But, sure we are, well-minded Men shall goe
To live above, when others bide below.
And hey, guess what 4020, i.e., the number of the prophecy, symbolizes in Strong’s Concordance? Periergazomai, a Greek word meaning “to waste one's labor about something” — to meddle, going beyond proper boundaries (where a person doesn't belong); to fixate on what others are doing, instead of doing what the person himself is supposed to do.
It appears only once in the Bible:
2 Thessalonians 3:11: We hear that some among you are idle and disruptive. They are not busy; they are busybodies. Such people we command and urge in the Lord Jesus Christ to settle down and earn the food they eat. And as for you, brothers and sisters, never tire of doing what is good.
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To make things slightly more interesting, in the Hebrew version of Strong’s Concordance 4020 has another meaning — migbaloth, meaning “twisted things, i.e. cords”. Which doesn’t make much sense until we read the actual passage:
Exodus 28:24 and two chains of pure gold, twisted like cords; and you shall attach the corded chains to the settings.
And compare it to the most recent post on the topic published directly by Word of God:
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What if all these clues didn’t apply to Maggie and Nina, but Aziraphale and Crowley instead? What if Maggie served as a messenger — consciously or not — just like the toucan, delivering the prophecy to those who need it most?
“When the tempest comes and darkness and great storms, and the dead will leave their graves and walk the Earth once more and there will be great lamentations for the end is near, don’t lose hope, hold hands and look up.”
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Basically what Aziraphale and Crowley already did when they performed the 25 Lazarii miracle, only with no interference from Gabriel this time around.
And, if both Strong’s Concordance and Maggie’s personal addition to her second pendant are to be believed, with a wedding band somehow involved in the process.
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hugmekenobi · 9 months ago
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S3: The Bad Batch (6)
Chapter Six: Infiltration
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Gif by @timetodiverge
Hunter x femaleJedi!reader
Series Summary: Ever since Eriadu, Clone Force 99 had been a fractured squad. Months have passed but you're finally back with the Batch but Omega is still out there and you won't stop until you find her again.
Chapter Summary: A reunion with Rex unveils some more intel
Masterlist for S1 and S2
<Previous Chapter
Genre: Friends (idiots) to Lovers (we're in the lovers stage now)
Chapter Warnings: Canon-typical violence, light spice (making out, dirty talk, teasing touches, praise, nickname 'sweetheart'), I make up Fireball lore, brief call back to Order 66, general threatening atmosphere, I also dance around the M-count stuff (please be nice and just accept it lol), suggestions of misuse of the Force for interrogation purposes, brief mention of food and referenced character deaths
Word Count: 4.3K
Author's notes: Don't get excited about CX-2 because I still haven't thought about a way around his fate in S3 finale and my current plan is probably going to be very boring lol. Also Ch7 is out too!
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The meeting between Senator Chuchi and Senator Singh had started promising until a rather crude assassination attempt disrupted matters.
Unfortunately, Greer had fallen victim to the black armoured assassin– the grim silver lining being that he was the only casualty and they’d managed to capture the shadow clone sent after the senators.
--
As the ship flew through hyperspace, Rex and Howzer stared at the unconscious assassin- both of them wondering how such a change was possible. There was a distinct different to the clones that had remained loyal to the Empire and these shadow clones.
“Think he’ll cooperate?” Howzer asked apprehensively.
“I wouldn’t count on it, but we have to try.” Rex replied.
“We recovered this from his gear.” Howzer pulled out the puck. “It’s a data puck. Highly encrypted.”
“Have Fireball find out what’s on it when we get back to base camp.”
--
Teth
Rex stepped into the interrogation room to join the two other clones already in there and he saw that the clone assassin still unconscious. “Did you extract the device?”
Howzer handed it to him, “The electro capsule was implanted in one of his teeth. Just like you said. His identifying number’s been wiped too.” Howzer stared on the clone, “What exactly did the Empire do to him?”
No sooner had Howzer finished his sentence, did the clone open his eyes.
Rex knelt in front of him, “What’s your name, trooper?” He was met with stony silence, so he tried a different approach. “Listen, no matter what they did to you, no matter what you’ve done, you’re still a clone. Still one of us. I can help you, but we need answers.” Again, he was met with no reply, and he got the sinking feeling that whatever the Empire had done to him couldn’t be easily undone.
--
Tantiss
Scorch entered the communications office to stand in front of the holographic image of CX-2.
“Why have I been activated?” Came the modulated voice that had an air of contempt to it.
“One of the other operatives has gone dark. His internal homing device remains intact. So, we know he’s alive.”
“My orders?”
“He’s been compromised. Track him down and neutralize him.”
--
“We know there are others like you. Where are you based? Coruscant? Daro?” Rex asked. They’d been at this for hours now and all they’d gotten out of the clone was a series of hateful glares. “Tantiss?” That finally got a different reaction, the clone’s eye’s widening gave him away. “Oh, yeah, we know about Tantiss. And the clones imprisoned there. Were you one of them? Tell us where it is.” He said, more force behind his words now but again, the clone stayed quiet.
Rex shared a glance with Howzer who jutted his head and the two of them came together closer by the door.
“You need to push him harder.” Howzer stated in a hushed voice.
It had been what he’d been hoping to avoid but it was looking like all other alternatives were ineffective. Rex sighed but before he could do anything else, the door whirred open, and Fireball called his name.
“Rex.”
Rex and Howzer left the clone in the room with Nemec and met up with Fireball.
“The data puck was a target register.” Fireball revealed.
“Who was he after?” Howzer asked.
“Senator Singh. But that wasn’t the only person on his list.” He activated the device and showed the first image.
Rex saw the slight unease in Fireballs face as he changed to the next image and noticed a distinct sinking feeling in his stomach as he recognised the two targets. “Contact Echo and Hunter. We need to let them know.”
Fireball nodded and went of to do just that.
“We should bring them here.” Howzer insisted.
“No. No. I- I don’t want to involve them in this.”
“It’s too late for that.” Howzer said simply. “Crosshair is with them. This is our chance to question him.”
“Echo’s already done that.”
“But we haven’t. He knows more than he’s saying. If you want to locate Tantiss, then we need him to talk.” He moved away from him.
Rex thought through Howzer’s words and whilst he didn’t want to drag you all into this, he had to admit that Howzer was right.
Howzer paused after a couple of paces and turned around. “Rex.”
Rex angled himself to face him.
“You’ve talked about the kid before, but the woman, who is she?”
--
Strong hands gripped your hips as they backed you into the wall of the Marauder and an agreeable groan left your throat at the enthusiastic insistence of the man currently kissing you with such fervour and hunger, it made your head spin. You attempted to weave your fingers in his dark locks, but you didn’t get very far.
Not breaking away from you, Hunter gathered your wrists in one of his own hands and raised your arms above your head. His hold was strong as pressed them into the metal wall, not to hurt but to send the message that that’s precisely where you were going to keep them for this time alone that the two of you had managed to coordinate for yourselves.
You were utterly powerless to resist- not that you wanted to. You had to pull away for air eventually, but Hunter never faltered, he just turned his attentions to the rest of you and your body arched into him to rid yourselves of any offensive gaps between you.
Hunter pressed doting kisses to the skin of your neck, teeth scraping along your pulse point. “What do you want, sweetheart?” He murmured seductively.
Breathless whimpers were the only noises that came from your mouth. You were overwhelmed by him, by the feeling of his body pushing against yours, by the sensation of his touch, by his lips. Words were hopeless a hopeless venture with him against you like this.
Hunter grinned against your skin before he kissed the hollow of your throat. He pushed his thigh between your legs and relished in the soft moan that left your lips. He trailed his lips across your jaw as he rasped, “Tell me what you want.” He kissed the sensitive spot behind your ear.
Your entire body was pliant against him, and you couldn’t fathom one single word of basic due to his ministrations.
Hunter continued what he was doing, and he moved to the underside of your jaw, “Do you want my fingers?” He hovered his lips a mere few inches from yours before whispering in a low voice, “Do you want my mouth?”
And when he felt your pulse quicken at that last one, he brought his lips back to yours and kissed you deeply, teasingly. “You want my mouth, sweetheart?” He uttered softly against your lips whilst simultaneously applying more pressure between your legs with this. He swallowed your moan with another kiss before he started to lower himself to his knees.
Your hands scrambled for purchase against the wall, and you just about managed a nod as he mouthed his way down your still clothed body. You inhaled shakily as you felt his gloved hands dip under your layers stroke against the bare skin of your stomach before they suggestively toyed with the waistband of your leggings. “Yes, that’s what I want.” You panted, the dark lust you saw behind his brown eyes had you weak at the knees.
Hunter smirked up at you. “Good girl.” With that he properly took a hold of the waistband and got ready to pull them down.
And then the most objectionable and devastating of sounds materialised around you and the delicious anticipation of what was about to happen instantly evaporated as reality came crashing down around you.
Hunter paused what he was about to do and exhaled a deeply dissatisfied sigh as he readjusted your clothing.
“And I want that to be a software glitch and not our comms going off.” You grumbled; the words punctuated by you lightly banging the back of your head against the wall in annoyance.
“Hunter, (Y/N), do either of you copy?”
Hunter hung his head in his own disappointment before he stood up tall. He kissed your cheek before pressing his comm, “Yeah, we copy, Echo.” He confirmed.
“What’s going on?” You asked as both you and Hunter slipped back into your squad roles.
“Rex got in touch. We need go. Now.”
You two grabbed your gear and hurried out the Marauder to head for Echo’s ship.
--
“So, where exactly are we headed?” Hunter asked Echo as the ship travelled through hyperspace.
“It’s a base of sorts.”
“I thought your rendezvous with Gregor was top priority.”
“Yeah, well, I’ll pick him up after dropping you lot off.”
“Any idea why Rex wants us there so urgently?” You asked as you rubbed Batcher’s belly. The hound’s demands of attention were the distraction you needed from the growing nerves surrounding going to a base made entirely up of clones and although you knew they had no loyalty to the Empire, you weren’t sure how far that sentiment would extend with regards to you.
“He didn’t say. But it must be important.”
Hunter pondered over this for a moment before he caught movement out of the corner of his eye. He glanced around his chair and thoughtfully observed Crosshair and Omega- who had a toothpick of her own- and she was mirroring the way Crosshair was using it. The behaviour was typically exhibited by her when she felt particularly close to someone or looked up to them in some way. Clearly their experience in Tantiss had it had brought them close in ways he hadn’t considered or in ways they- particularly Crosshair- were yet to fully realise.
You and Wrecker had been paying Batcher some attention, but you stopped as you noticed the way Hunter had looked between Crosshair and Omega. You saw what he saw but as you reached into the Force around him to get a gauge of his feelings, it wasn’t jealousy or hurt behind his eyes, it was more contemplative. She’ll have to learn to be a moody teenager from someone. You smiled over at him as he half-turned to face you.
You felt a wet nose nudge your palm and you went back to petting Batcher.
--
Teth
Rex and Howzer watched as the ship landed. Once the doors opened, they went to meet up with the oncoming group.
“They don’t look happy to see us.” Wrecker said. “Just like old times, huh?” He remarked cheerfully with a nudge to Crosshair’s back.
“Are you alright?” Echo asked as he saw you had yet to follow the others out.
“Yup.” You answered distantly as your hand subconsciously came to unclip and reclip your lightsaber to your belt.
Echo picked up on your tense fidgeting. “Rex assured me that it wouldn’t be an issue.”
“I know, I know.” You inhaled a calming breath and jogged to catch up with the group.
--
“Thanks for coming.” Rex said as Hunter’s squad came to a halt in front of him. He then nodded at you and Omega.
You had heard the hushed whispers and murmurs from the surrounding clones as you’d approached the rest of the group and you saw the brief moment of shock that flashed across the features of the clone next to Rex. “They already knew before I walked out here.” You guessed, their reactions and shared looks told you that it wasn’t just because they only just noticed the lightsaber on your belt.
“I, uh, filled a few of them in before your arrival. Word travels fast but some of them still didn’t believe it and, well, some of us knew already. I’ve been to quite a few Outer Rim planets… you haven’t exactly been laying low in recent months.” Rex replied, glancing curiously as you.
You sighed, “Fair point. It’s certainly been an… interesting time.”
“There’s nothing to worry about.” Rex reassured you. “We all have that past to contend with.”
“Well, that’s comforting I suppose.” You said lightly before you fell into place beside Hunter.
“It’s good to see you, Rex.” Hunter said sincerely.
“Wish I felt the same.”
You all glanced to the hostile voice of the clone beside Rex who was glaring at Crosshair.
“I have unfinished business with this one.” Howzer stated as he kept his sights firmly on Crosshair. “Remember me?”
Crosshair just stared at him blankly.
“Surprised I’m alive? Most of my squad from Ryloth is dead because of you.” Howzer spat.
“Easy Howzer.” Rex cautioned. “I know you two have history. But we’re all on the same side now.”
Howzer only released a doubtful scoff, but he eased off.
“Why’d you call us here, Captain?” Hunter asked.
“We have something to show you. Follow me.” He led the way to the base.
You got ready to follow behind, but Echo’s voice made you and Wrecker pause.
“Omega!”
Omega turned and ran back to the ship.
“I was planning on giving you this after I made a few more modifications. But, uh, now’s as good a time as any.”
Omega released an excited gasp as she examined the weapon. “An energy crossbow. Where did you get it?” She eagerly took it from him.
Echo laughed, “Well, I’ve made a few interesting contacts across the galaxy.”
She activated it and the green glow of energy hummed strongly before she turned it off. “It’s perfect. Thank you, Echo.”
“Well, I won’t be gone long. You better head inside and, uh, keep them in line.”
They shared in a salute before Omega dashed off the ship to rejoin you and Wrecker and the three of you made your own way to the building.
--
“Your numbers are growing.” Hunter commented as he saw the clones in the room.
“Well, we need all the help we can get. Once we find the exact coordinates of the Tantiss Base, we have to hit it hard if we’re gonna pull our brothers out of there.” Rex said, coming to a stop by the centre console. “I have questions about the facility but that’s not the only reason why I sent for you.” He picked up the puck and chucked it to Hunter. “We recovered a target list from an Imperial operative. And both of them are on it.”
“Not a surprise. You’ve got a Jedi and someone who escaped Imperial custody.” Crosshair replied, sounding bored as he put a toothpick between his lips.
“So did you. But you’re not on the list.” Howzer retorted.
“Guess I’m not as valuable to them.”
“Or you’re feeding them information.” Howzer accused.
Hunter frowned at that and came to his brother’s defence. “You’re gonna have to back down, Captain.” He warned sternly.
“You expect us to believe he was held on Tantiss for months, but he doesn’t know how to get back there?” Howzer said angrily.
Crosshair removed his toothpick and faced up against Howzer. “Whether you believe me or not, it’s the truth.” He waited for his words to sink in before speaking again, “But I’m not loyal to the Empire any longer.”
That wasn’t enough for Howzer. “Your squad may trust you. But I don’t.”
Any further argument was cut short as the doors whirred open again and they all looked to see you, Wrecker and Omega come in.
You almost ran into the clone that was exiting at the same time and your eyes widened as you saw his face. “Fireball?!” You gasped as you recognised the clone that had been your trusty second in command of the battalion you had been assigned during the war.
“General?” Fireball replied, completely stunned as he instinctively straightened his posture. When he’d seen your holo-image, part of him still couldn’t believe it. Even with Rex’s confirmation, he still had his doubts but that all vanished that very second as he heard your voice. As he saw your face. As you were standing in front of him. It really was you.
You couldn’t help it; you gave him a quick hug. “It’s been years! I’d heard Master Tobar Ka-Teen took over from me…” You trailed off and cursed yourself as you realised the added effect of your words and you immediately became apologetic. “Fireball-”
“About that day… I did- and Order 66- I couldn’t- And I know if it had been you, I know I wouldn’t have been able to resist-” He stuttered.
You placed a hand on his shoulder. “It wasn’t your fault, Fireball. I’m not holding anything against you.”
Fireball released a sigh of relief before he said, “There’s something else you need to know, General.” He jutted his head over to the others before he headed out the room.
You then saw the way Rex, Hunter, Crosshair and Howzer were all glancing between you and Omega. You felt the tension in the Force around them as you approached. “What’s going on?”
“The Empire’s targeting you-” Crosshair started to say.
Wrecker let out a dry chuckle. “No surprise there.”
“Yeah, we already knew that.” You replied with an unconcerned shrug.
“And Omega… again.” Crosshair added.
That got your attention and achieved a sufficient amount of worry. You came to stand just beside Wrecker and behind the young girl. Your voice was serious as you asked, “Do we know why?”
“Not yet.” Rex answered before he addressed Omega, “Why were they after you before?”
“To force Nala Se to cooperate and conduct certain experiments.”
“Which were what?”
“She was working on something involving M-Count? I don’t know what that means, but they were taking blood samples from everyone, even me.”
“They were looking at your M-count?” You repeated. You thought through the possibilities but dismissed the main one that ran through your head because surely you would’ve sensed if she had that particular potential. You racked your brain for other theories but came up empty.
“Uh huh.” Omega glanced up at you curiously.
Her inquisitive look matched the expression the rest of them were giving you. “I know how it can be significant, but I have no idea as to how it would relate to her or any clone that matter.” You admitted ruefully.
Rex took a knee in front of Omega. “What else can you tell us?”
“When we escaped, there wasn’t enough time to free the other clones. We have to find a way to get them out.” She said resolutely.
Rex rested a hand on her shoulder. “We will.”
The door opened again, and Fireball re-entered holding a bowl of food. “Chow time!” He announced. “Gregor’s recipe, with a few spicy modifications.”
“Oh, now you’re talking.” Wrecker said eagerly, leading the way as he, Batcher and Omega went to the table.
You watched them go with a small smile before Crosshair’s voice brought you back to the discussion at hand.
“Wait. There’s more you should know.” He paused for a second as he readied himself for what he was about to say. “Not all of the clones on Tantiss are prisoners. Some are loyal to the Empire. There is a division of clones trained as specialised operatives and initiated into a secret deep cover program run by Hemlock.” His voice grew quieter as he recalled the time spent in that room. “Their identities are erased. They undergo conditioning. The few that make it through come out different.”
“If the program’s so secretive, how do you know about it?” Howzer questioned suspiciously.
“Because they tried to make me into one of them.”
“Tried?”
“It didn’t work. Being defective is in my nature.” He finished his explanation.
“You’ve encountered one before. The assassin on Coruscant.” Hunter said.
“We’ve known they existed but never knew exactly what they were.” Rex said cagily.
It wasn’t just their visual mannerisms that gave them away, you felt the evasiveness around them. “What aren’t you telling us?”
Rex hesitated a moment before he said, “We captured one. I’ve tried questioning him, but he hasn’t been very cooperative.”
“This is where you come in.” Howzer said to you.
You noticed the grimace on Rex’s face and regarded the clone captain warily. “What do you expect me to do about it?”
“Well, you’re a Jedi, aren’t you?”
You gave a single slow nod of your head as you awaited further information.
“You’ve got certain… skillsets.” He took half a step closer to you. “Ones of persuasion that we don’t have.”
You realised what he was getting at. You shook your head. “That only works on the weak-minded and from what Crosshair just described, he’s anything but. No clone is.”
“You could make it work though if you really had to. You could get him to say what we needed him to.”
“Captain-” You objected as you sensed his growing desperation- it was rolling off him in waves.
“But could you do it?” He took another step towards you.
“Doing so verges on torture, Captain.” You attempted to explain. You felt Hunter gravitate closer to you in response to Howzer’s movement.
“But could you do it?” He asked again.
You remembered the last time three Jedi tried that- against Cad Bane of all people- and the impact had nearly been disastrous. You held his stare with a strong one of your own and spoke steadily and with plenty of conviction behind your words. “One, I don’t have that kind of power.”
“But-”
“Two, even if I wanted to, it could destroy his mind and you get nothing.”
“The time for debate is long gone. We need the information.” Howzer insisted. “It’s a risk-”
Further debate was silenced as Crosshair interrupted, traces of panic in his voice. “You have one here? Alive?”
Rex nodded.
“Impossible. The Empire would be on top of us already. They have ways of tracking their operatives.”
“We scanned him. He’s clear.” Howzer said.
“It’s not the kind of tracker your scans would pick up.” Crosshair asserted. “Hemlock’s smarter than that.”
“Where’s the operative? Show us.” Hunter requested.
--
Sneaking into the base had been all to easy and as he scanned the room ahead with the scope of his sniper rifle, he saw the other two targets in the room, but they weren’t his first priority. He’d bide his time with them. He retreated back outside.
First, he had to give Scorch the news about the targets and his location for the Recovery Strike Team.
Then there was the other operative to take care of.
Then he could get his hands on the next set of targets that were so easily within his grasp.
--
The five of you stood in the interrogation room and studied the cuffed clone in front of you.
You weren’t sure if it was solely because of the look of pure disgust he gave you as you walked in, but there was disturbance in the Force that you couldn’t just dismiss. Your guard was up.
Crosshair inhaled a sharp breath as the clone then looked directly at him, “We need to leave. Now.”
You glanced at Crosshair and saw a level of fear you’d never witnessed from the clone before. It sent a chill down your spine.
“If you want answers so badly, why aren’t you asking him?” The clone sneered as he looked at the familiar clone ahead of him. “Right, brother?”
“He’s lying.” Crosshair shifted uncomfortably as all of your eyes fixed on him.
The dark, menacing voice of the operative spoke up again. “You’re right about one thing. They are coming for all of you.”
An explosion suddenly rang outside.
“Comms are down.” Rex said as he attempted to check in with those patrolling the perimeter. Another dark chuckle from the assassin clone told him their time was up. “We move out. Now!”
Howzer opened the door but just as he went to press the button, you sensed what was about to come.
“Rex!” You shoved him down just as the shots fired and dove to cover but you couldn’t stop them as they hit the operative in the centre of his chest. You tugged your coverings up just as the others put on their helmets.
“We’ve got a shooter out here!” Wrecker yelled as he put his helmet on and provided a round of cover fire for you all to get out of that room and to better cover.
“Shots coming from the back of the room!” Omega yelled from her position.
“Nemec, we need to get comms online” Rex said.
Nemec went to the centre console at a crouch, but a shot made contact with the exposed wire and all he saw was the light of an explosion as his body was flung backwards into a crate. He struggled to get back up as he fought for consciousness.
“Backup plan. Into the command post!” Rex ordered before looking at Wrecker and Omega. “I’ll cover you!” He timed it out. “Go!” He stood up and fired on the assailant as he helped Nemec to his feet.
You began running with the others but paused as you realised Fireball had split off from the rest of you. You saw him grab a flamethrower and run directly towards the attacker. “Fireball!” You yelled in warning, but Hunter pulled your arm to get you to follow the rest of them back to the room.
Rex could only watch in dismay as Fireball took a shot to the shoulder and crashed into a crate of grenades, but the flamethrower was still activated.
The resulting series of violent explosions had the roof of the base collapsing and Rex was left with no choice but to sprint back to the room. He dived through the entrance just as it was completely blocked by rubble, and it was then he felt a stray piece of rock collide against his helmet and black spots clouded his vision.
--
The Recovery Strike Team entered the planet’s atmosphere.
“Commander, we’ve lost contact with the operative.”
“Prepare to land and set blasters to stun. Our orders are to retrieve the targets alive.”
Next Chapter>
Tagging: @noeasyisnoisy, @arctrooper69, @dominoeffectsworld, @andreaaxy, @notgonnaedit, @nightmonkeysstuff
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pepstarvanmoon · 28 days ago
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I really wonder what GAs think about Mike’s overall storyline in S3 and how it extended into S4.
When I first started S3 (I didn’t start shipping Byler until the rain fight and didn’t go deeper into the fandom until after finishing S4), I didn’t really care about what Mike had going on.
He was being a typical teen with their frustrating and dismissive ways, but I wasn’t really bothered by it? I didn’t really care until it started to feel sort of shoved in my face? Like being late to the theater, ditching Dustin on his first day back, everything with Hopper tbh, lying to El, advice from Lucas, not playing DnD to look for gifts at the mall, the break up, not playing DnD (again) to wallow in self-pity and to be gross boys lol (part of that scene is just so El and Will can react to Mike being gross like why).
By the time we got to “they’re conspiring against me!” I started rolling my eyes every time Microbial’s relationship issues became the focus of a scene. It was starting to piss off other characters, too, so I felt kinda justified in how little I cared.
Then the store scene where they’re patching up El’s leg and Mike struggles (badly) not to SAY “I love you” to her face, but to somehow get her to say it for him? (Like some weird school lesson trying to get students to find the answer without outright saying it like it’s a curse or something. This show has never needed I love you’s to convey that a couple is in love, so this whole thing felt unnecessary to me my first watch). I remember sitting there wondering why I should gaf about this plotline at all. It was so drawn out for what felt like no reason, and it didn’t seem to be going anywhere? “I know that I…” Are you sure you know, Mike? Like say it or move on.
Correct me if I’m wrong, but it really had no impact until they force you to remember it during the move out scene where El says she loves him too (weird btw seeing as we got the “I love her and I can’t lose her again!” BEFORE the “you’ve never heard that term…?” I guess it was to have a ‘funny’ scene after that first encounter with ther meat flayer? Idk maybe I need to rewatch S3)
I guess they left it open ended after that uncomfortable kiss scene because it’s clearly still an issue in S4, but in my initial watch, more than it not making sense to me, I just sort of found it boring? It might’ve just been my bias because I started to enjoy Will and El’s characters more than Mike’s at the time, and Madraosis’ constant (and minuscule) problems were making them both miserable. To have it pick up again in S4 annoyed me because the S3 finale made it seem like their relationship was okay, but… did they really resolve anything?
Honestly, my biggest gripe was it being included at all. It felt unnecessary and boring at the time, but if they’re gonna keep pushing Mike’s inability to say “I love you” and function normally while in a relationship after all that bs in S3, it better be for a decent reason. It was no longer as cut and dry as I thought when I watched S4, and it’s difficult to grasp that a lot of people watching the show still think this way.
I mean, just imagine Nancy spending a whole chunk of S2 trying to convince/tell Steve she loves him and treating Jonathan like an afterthought before they get together that SAME season (like a romantic and less traumatizing spin on what happened with Barb (RIP), where they clearly demonstrated how bad it was that Nancy was getting swept up in her relationship with Steve).
Nancy getting back with Steve at the end of S1 was annoying for a lot of people, but more of an “eh, whatever” until they started having problems again in S2. Why is it literally the same storyline?? It’s pretty blatant, too. I hardly see any GA really questioning it, and if they do it’s always chalked up to bad writing (which… yeah). If it’s not because Mike and El are having legitimate problems, or about Will’s confirmed feelings, then what do the Duffer’s want me to think?
(first post but I've been lurking here so long it doesn't feel like it.)
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agenericplaceholdername · 2 months ago
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Thoughts on the January Set Wave
(purely from the perspective of someone who just watches the show)
I have no idea what "Dragon Spinjitzu" is, and I assume it will be just a gimmick thing that has few (if any) show implications. This is for two reasons: 1) "dragon spinjitzu" from the name alone sounds like dragons doing spinjitzu, which is already a thing, and 2) both Ras and Arin are doing it, despite them not being on the side of dragons
Sora might learn Spinjitzu in S3 (she was already going down that path in S2), but the set proves nothing (Arin had a Rising Dragon set this year, and never learned Rising Dragon)
The show might focus more on Zane, or it might not. The box art for DRS1 included Arin and Jiro, but the more (narratively) important human and dragon combination that season would be Sora and Riyu. S2P1 had Kai and Egalt, but while Egalt was an important character, it's hard to argue S2P1 was about Kai. He certainly got some cool moments and was banished at the end, but the plot didn't center around him nor did he receive major character development. S2P2 had Lloyd and the Source Dragon of Motion, both of whom were involved with that part's main plot. There are leaks indicating that he'll have more focus (and the return of PIXAL does help in that regard) but the sets alone don't prove anything
PIXAL and Morro will almost certainly return in S3 BUT that doesn't mean they'll be back in S3P1. The Master Lloyd minifigure and updated Euphrasia design debuted in a March 2024 set, but only appeared in S2P2. That being said, unlike Wu or Merge Suit Jay (who appeared in DRS1 sets but didn't appear physically in the show), neither character is part of the main team, so I doubt they'd make minifigures if they weren't gonna appear in the show -- and it's more likely than not they'll be in S3P1
The Morro appearance presumably means we'll learn what the status of the Departed Realm is
Drix is apparently male -- and is the Master of Swarm. This confirms that the FF have elemental powers in the present day, reinforcing the question as to why Nokt never used his in the ToS. Hoping there's a reason
The Forbidden Five will play a major role in S3 (nothing to be surprised about)
Jordana doesn't appear in any of these sets. Maybe she will in the spring wave (has this been leaked already?) but even if not, that doesn't preclude her show appearance. Zeatrix appeared in S2P2 without being in any sets, for example, and I doubt Drix and Nokt will be the only FF members to appear in S3. That being said, I am less inclined to think she will play a major role given her absence here
The dark purple storm design doesn't match with any of the source dragons, unlike the red fire design in S2 (Motion) or the lightning in S1 (Energy, although given that Jiro is a blue energy dragon, the lightning being blue might make this a Jiro reference). Presumably this is to represent "Thunderfang"
Dragonians are this year's villain faction -- which probably means the FF have abandoned the Wolf Clan
Jay is now "Rogue," so presumably a completely independent force nonaligned with the Ninja, Ras/Arin, or the FF. (Jordana is probably nonaligned, although expressly opposed to the FF)
Sora and Wyldfyre don't have new suits, but Arin does. This has no real story implication (aside from Arin getting a suit to show he's with Ras now) but it's disappointing nonetheless. Not only do suits help establish a season's visual identity, but since the Ninja (especially now) basically never wear anything other than their suit, it can get boring to look at the same outfit (it helps that both are solid designs -- although Sora in DRS1 and Wyldfyre in DRS2P2 don't really match). There's also the concern that either the designers don't care as much about the new Ninja or that they're selling less, which is sad
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faelorelia · 1 year ago
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Deciphering the Will-El-Mike Love Triangle: A Personal Perspective
I stopped liking Mileven as a couple way before I started shipping Byler, and the reason had nothing to do with Will, actually.
As someone who appreciates both El’s and Mike’s characters, I firmly believe they were always meant to be friends. They care deeply about each other, but their relationship has felt forced for a very long time. The main reason I stopped liking them as a couple is that I didn’t like how Mike treated El at the beginning of S3, which led El to “dump his ass.” Subconsciously, Mike believed he knew what was better for her and, without realizing it, hindered her from developing her own personality. Also, he wasn’t always good to her in S1 when he used her to find Will and snapped at her a few times. Don’t get me wrong – Mike is not a bad person, and he did many good things for El, but they simply didn’t seem to work as a couple. All they did when things went well was kiss and make out. They didn’t have any common interests or things to talk about, only the Upside Down-related adventures. This is one of the reasons I find their couple boring: when physical attraction is the only thing keeping you romantically interested in someone, it won’t last.
I watched all four seasons as a GA member, and my opinion is based on what I saw from this show. I didn’t even think about Will when considering El and Mike initially – this is just something I noticed when watching the show. Yes, I suspected Will had feelings for Mike since S3 came out but didn’t think they could possibly be reciprocated at that time. My initial thought was, “Aww, poor Will, I feel bad for him.” This thought only strengthened after watching S4. My love for Will as a character grew, and I felt a protective instinct towards him (much like Joyce, haha), but he is not the reason I think Mileven doesn’t work. Observing El and Mike’s relationship in S4 only made me like them as a couple even less. I don’t think Mike was scared of saying “I love you” just because he felt worthless and was afraid of losing her. I think there’s something deeper than that. Otherwise, why did the season finish with El being annoyed at him after his “brilliant��� monologue? And let's not forget the reason why Mike finally said he loved El and who pushed him to do that.
I also believe that both El and Mike are incredible characters and their own heroes, but they just don’t bring out the best in each other. El does need someone to care for her and make her feel loved, but she needs a familial kind of love much more than a romantic one. And she has always needed people who would love her no matter what and wouldn’t make her feel like she can only be loved if she’s a “superhero.” She needs someone who would love her regardless of whether she has her powers or not. And she needs someone with whom she would still be independent and her own person. And I don’t think Mike is right for her in this respect.
Likewise, I don’t think El can give Mike what he needs. He doesn’t just want someone to kiss and make out with; he needs more than that. He needs someone who would share his hobbies and interests; someone who would understand him without saying a word; someone who is simply there for him and is always willing to support him; someone who makes him feel loved no matter what. I don’t think that El and Mike can love each other romantically under any circumstances. I think they started a relationship with their ideal images of each other in mind but later struggled because they felt they both didn’t live up to each other’s perfect images of themselves. And that’s what makes this relationship doomed to fail.
And then, you know what happened? It suddenly dawned on me, shedding light on many things I hadn’t quite understood at the beginning. It was that kind of moment when you think, “Oh, so that’s why! It has always been there but it took me so long to figure it out!”
There is exactly the kind of person in the series that can make Mike feel loved the way he wants to. The character that shares his interests and hobbies and is always there for him. The one that loves Mike unconditionally and is always ready to sacrifice his own feelings just to make his love feel better about himself, feel worthy and needed. This character has been there all along, and this character’s name is – you guessed it right – Will. And I wouldn’t be saying all of this if I believed Mike was totally straight, and could never love Will the way the latter loves him.
From the very first season, the show makes it clear that Mike and Will’s relationship is not the same as the one boys their age usually have (compare it to Lucas and Dustin’s, for example). We are both told and shown that Mike cares about Will much deeper than anyone else in their circle of friends, and he’s the one who was losing his mind, thinking he had lost Will but nevertheless never stopped looking. Mike is someone who’s always been ready to do anything for Will, to be there for him when he had nightmares and was possessed, and bike to him through the storm just to apologize for hurting his feelings. Mike has always cared about Will very deeply, and even though with time the societal pressures forced him to set some boundaries of what is allowed between two male friends, Mike often “slipped” and demonstrated his gentleness and attentiveness towards Will. The way he often looks at Will and the things he says to him when they’re alone make me believe he has feelings for him even more. He may not fully realize them yet, he may be confused about those feelings, and he may certainly convince the GA that he’s straight, but those feelings are there and just haven’t come out yet. He needs time to understand himself better and feel ready to acknowledge his feelings.
And returning to El, I strongly believe that her arc is leaning towards independence. She desperately needs to break free from everything and everyone that has been holding her back, to start living for herself at last and become her own person. This is how she can finally get her happy ending. And I think that Mike-friend can help her achieve that much better than Mike-boyfriend. As Max implied, El needs to discover herself without thinking about what her loved ones want her to be, and this is the right way for her character to develop. El is amazing and deserves happiness, as do Will and Mike.
Please note that this is my personal opinion and the impression I got from watching the show. You’re completely free to disagree with me and have a totally different perspective. If you ship Mileven or dislike Byler, simply move on. I’m sharing my thoughts here for those who I know will support them, and I’m not here to engage in ship wars. I’m not going to interact with you if you’re here to spit bile and troll those who don’t have the same opinion as you. Anyway, thanks for coming to my TED talk. :)
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sarahivess · 2 years ago
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60 questions to ask the Duffers if Byler isn’t endgame
Thank you @merth-or-nothin for the help!
1. Why emphasize so much on the strong “Friends don’t lie” in the very first episode of the show, showing Will couldn’t even lie to Mike, only for him to lie to Mike for the first time in the second to last episode of the second to last season?
2. Why did Mike and El such a short build up before getting together? If they were meant to be endgame, why not build them slowly, so the audience could be invested in the development of the relationship?
3. Why were Mike and El separated every single season?
4. Why do Mike and El fight so much when they’re together? They barely have any cute scenes at all when they’re dating.
5. Why did El refer to Mike as "her first boyfriend?"
6. If she was meant to only date (then marry) Mike, why draw attention to the fact that he's the only boy she's dated?
7. What was the purpose of El asking Mike if he'd be like her brother in s1? Why give them a familial association?
8. In season 4, why is it revealed that Will is in love with Mike as Mike's relationship with El is eroding?
9. Why make a point to show the audience Will loves Mike the way he wants to be loved, while El makes him feel like a random nerd?
10. Why have Will in the background of every single Mileven scene (except for their bedroom fight) in the entire S4, making the audience to root for Will?
11. Why have Will love Mike at all?
12. Why bring Will into Mike and El's relationship? If Mike doesn't feel the same way, it's a waste narratively and it's anticlimactic.
13. Why did Mike change so much between seasons 2-3 without any perticular reason? And no, it wasn’t just puberty. That change made Mike go from being one of the most loved characters to one of the most hated ones.
14. Why frame Mike and Eleven’s relationship in S3 as unserious and unhealthy?
15. Why make everyone go against their relationship and why break them up as early as in the beginning of the second episode of S3?
16. Why empathize so much on El in EP3 and her independence, making us (the audience) feel genuinely happy when she breaks up with Mike and frame the breakup scene with light-hearted humor and comedy?
17. Why make Will and Mike’s first fight scene in the show dark and angsty? And making it a huge contrast to Mike and El’s comedic breakup scene.
18. Why make Max say “he’ll come crawling in no time begging for forgiveness” to El, which was true, but he didn’t come crawling back to El. He went to Will’s house, begging for forgiveness.
19. Why spend SO MUCH time on the Byler scenes and putting so much effort in them so they’ll look intimate? It’s such a contrast to Steve and Dustin’s scenes for example which is almost always comedic.
20. Why have so MANY Byler scenes at all?
21. Why have “tender emotional music” in almost all of the Byler scenes in S4?
22. Why make Will even confess behind El’s name instead of just confess himself and having Mike rejecting him right away? Why drag it out all the way to the very final season?
23. Why spend an entire day filming the van scene if it wasn’t that important anyway? If Will is just ending up getting rejected anyway?
24. Why the whole painting plot?
25. Why so many parallels with Jopper, Jancy and Lumax?
26. Why the very same soundtrack when they became friends again as when Lucas and Max became friends “On the bus”?
27. Why is Finn describing Mike’s story arc for both season 3 and season 4 as “Mike is trying to be a normal teenager”, “Mike is trying to be as normal as possible” and “He’s trying to keep on a normal path” why so much focus on Mike trying to be normal?
28. Why spending two seasons on Mike trying to say the word “love” to his girlfriend? Isn’t that a kinda boring arc for someone who’s just having bad self esteem because of his parents loveless marriage?
29. Why does the whole cast and even the Duffers always so secretive and giddy and smiley every time Byler gets brought up if it’s just another sad tragic unrequited love story?
30. Why having Will say “I’m not gonna fall in love” with such a heartbreaking tone and then end up making him not get the boy he’s in love with and has been since the very beginning?
31. Why put so much effort in the set design to queer code Mike (as in rainbows, shirtless men, monsters with muscles, the word BOY in the bg, multiple closet imagery, even a big sign towards the closet saying “One way” if it meant nothing or was just weird coincidence’s?
32. Why the triple take? What was the point of that?
33. Why filming and editing the last scene of S3 emphasizing that Mike is going to miss Will more than El? (Him looking back at Will’s house, then it cuts to Will, then it cuts back to Mike who walks up to his mom and hugs her with a heartbroken look on his face)
34. Why make El say in the letter “I think there’s someone Will likes, cause he has been acting weird” but all we see in s4 is Mike acting weird?
35. Why make Mike being able to hug everyone except for Will, when he could hug him just perfectly in s3?
36. Why make Mike treat Will differently than his other friends?
37. Why make Mike and Dustin have the same look on their faces as they watch Will and Max dance with other people and then after that Mike looks upset until El shows up?
38. Why is The Duffers so “hushy hushy” about Byler at all? If it was obvious it’s unrequited why not just clear that shit up because they KNOW they’ll get a lot of backlash if it turns out it was a big queer bait all along.
39. Why start to build up and hint at Will’s love for Mike from the very first episode and make it canon in the second to last season?
40. Why so many coded talks which easily could be interpreted differently? Like Karen’s “I want you to know you can talk to me, I don’t want you to feel like you have to hide anything from me”, Ted’s “See what happens?” About Will’s disappearance (as in see what happens if you’re queer? You get abducted, killed etc) and Ted’s “our son with a girl?”
41. Why make Mike NOD in the scene when Will talks about how difficult it can be to open up about something the other person may not like to hear?
42. Why make Will having to remind Mike of the painting and his coded speech before Mike can say it? Why could he only say it the moment El was about to die?
43. Why make it look like Mike doesn’t want to kiss El by removing her hands away from him (3.01) and not reciprocating, not kissing back with eyes wide open looking confused in 3.08? Why frame him like he isn’t interested in girls at all? (Princess Daphne, Phoebe Cates, Max etc.)
44. Why never show us Mike’s pov?
45. Why SO MUCH effort in flashbacks during the entire S4 except for the monologue when El only remembered one single moment with Mike? Why did she had so many with Max but only one with Mike?
46. The ending scene in S4. WHY put them in couples when they could just have made them stand together all of them instead?
47. Why does it look like El isn’t talking to Mike at the end of S4? Why does she look annoyed at first and THEN sad when she finds the bottle under her bed which reminds her of Max?
48. Why SO MUCH yellow and blue coding when it comes to Will and Mike? Even their colors of their clothes are almost always blue and yellow as well.
49. Why make Mike nervous every time Will is close to him in S4 or accidentally touches him?
50. Why make Mike say “we’re friends” to Will twice when both him, Will and the audience clearly knows that already?
51. Why associate the word “crazy” with “love” and then make the “crazy together” scene?
52. Why having Mike saying “it was the best thing I’ve ever done” about meeting Will but then having him say his life didn’t start until he met El?
53. Why did Mike’s words work for Will in S2 (making him being able to communicate) but didn’t for El (not until she looked over at Max)?
54. Why write the lines for Will “We could just play DnD for the rest of our lives” and “Not possible” about him joining another party?
55. Why make Mike look at Will’s lips so much? Why the flirtiness in the bedroom scenes in S4? They could easily have remade those scenes if that wasn’t intentional.
56. Why all the classic romantic interruptions in season 4 which we’ve seen plenty of times in the show between “more than friends”-couples earlier?
57. Why make such a HUGE contrast between El’s reaction to being without Mike and Will being without Mike in S3? (El did a high five with Max while Will cried and destroyed Castle Byers)
58. Why make Mike say “Hawkins isn’t the same without you” to only WILL and not to El? Why does Mike not have any problems opening up to Will but only to El?
59. Why couldn’t Mike say the full reason why he and El had their fight in 4.03?
60. Why have so much hints and clues in the show that Byler is endgame so it’s possible to make 300+ pages slideshows, hours of long videos with proof of Mike being gay, if everything is just unintentional or “made up”?
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puellaphantasia · 6 months ago
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Oddity found this JCA meme on Deviantart, time to cringe like it's 2010. Elaborations on some of the questions under the cut
2). It would literally be easier to list the characters I don't like than my favorites, I do genuinely love most of the cast, they're all really fun and bounce off each other so well.
3). I appreciate that the Ice Crew has fans, but I just couldn't stand them, they were poor replacements for the Enforcers.
Oddity and I both are both of the opinion that the Ben-Shui monks are kinda creepy, not sure I can elaborate they just...ew
I don't remember liking Paco when I watched this as a kid, he didn't grow on me on a rewatch as an adult, and I'm not sure I'll learn to like him in my reboot fanfic- but my god I'm going to try.
Viper...I genuinely forgot she existed. Even when I did a second rewatch with Oddity there was a whole episode that I remembered seeing in my initial rewatch that I completely forgot Viper was in. I wish I liked her more than I do, but she's just really boring.
4) Again, it'd be much easier to list characters I don't like than ones I do. I would have put Tarakudo on the favorites list, because I remember really liking him as a kid, but when I did my rewatch he didn't hold up as well as I remembered so he didn't quite make it to the favorites list even though I still like him.
6) Seasons 2-4 are the whole reason to watch JCA, honestly. S1 was a good foundation, but it didn't really start to shine until s2, but even then, I have to admit the Demon Sorcerers arc got pretty reputative and the non plot episodes sort of dragged on. There's very few episodes outside of s5 I didn't like, so I wouldn't say skip 'em but I think they could have been interlaced in the Demon arc a little better
S3 gets a bad rep in the fandom, and I get the complaint of it just being the Talisman Hunt 2.0 but honestly the character interactions are at their best in this season, several of the Nobel animals themselves have such fun personalities. I wish that s3 had it's own Mcguffin to collect that I could buy replicas of on Etsy, but it's not a big complaint to me compared to just how fun s3 is
S4 had the best individual episodes. I think more could have been done with Tarakudo interacting with the other characters, he was a little passive until the final episode and that's why he didn't make the favorites list, but the new types of Shadow Khan, their powers and the different situations the masks created were some of the best scenarios in the whole series.
8) Mei Xing and a cast of other OCs will be appearing in my fanfic Jackie Chan Adventures ↺ -wink wink-
9) I didn't actually create Mei Xing to ship with Tso Lan, it's just something that ended up happening while I was planning out her part in the story. It's just really funny to me that after I decided this aspect I looked to see if there was other Tso Lan/OC pairings, and saw two others who were also named Mei- I swear this wasn't done on purpose.
10) Just for the record, I also considered drawing the scene where Daolon and Uncle froze each other while Big Jade was fighting the Ogre, that scene just sticks out to me as one of the funniest in the show because of how they were both that stupid. I love them. They need to kiss.
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avelera · 2 years ago
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OK, so, I have now seen Good Omens Season 2 and had a moment to muster my thoughts after binging it.
SPOILERS below the cut, if that needed saying.
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Let's start with the good.
Loved that Beelz/Gabriel became canon. What can I say? I love stories about immortals falling in love over the course of several meetings at a pub ;)
John Hamm in general was fabulous
I cackled at the fact we were getting an actual fem Aziraphale/Crowley, human coffee shop AU running parallel with the absolute fanficciest of justifications that Aziraphale and Crowley HAD to make them fall in love in order to *mumble mumble* something plot whatever, lol
I loved the bits of lore flashbacks we got about Aziraphale and Crowley first meeting when they were both angels and I found the whole Job encounter overall charming.
I was deeply fascinated by the fact that Crowley consistently performed selfless angelic acts while Aziraphale consistently needed to learn and grow around doing the right thing. Even to the end he remained, for the most part, a good little soldier. Aziraphale thinks the system can be fixed. Crowley "knows" that it can't. Presumably, Crowley is right. More on that later.
Muriel was adorable
Loved that we got the kiss. Also, huge shoutout to the fandom that I genuinely went in unspoiled on that front after the whole trailer debacle. I SUSPECTED based on the reactions that the spoiler was a kiss, but I was able to successfully forget all about it so I genuinely gasped when they kissed.
I'm not really all that bummed by the ending. It's so obviously a "temporary breakup so we come back together stronger" moment so I was largely unbothered. I actually want MORE angst, not less, in fic after that, please and thank you.
Unpopular opinion praise for S2, but I'm glad we didn't get more of The Them, or Madame Tracy (though the recasting of the actress in another role puzzled me?) or Anathema/Newt, or any of the non Aziraphale/Crowley, Heaven/Hell stuff. I found all those plotlines hugely boring and I'm glad the story moved on from them.
Did I mention I adored Gabriel/Beelz? Loved that plotline. Might rewatch that bit again just for that. I SORT of suspected it was happening but was still delighted by the confirmation. I couldn't BELIEVE this minor ship got made canon, but along the way I was sort of side-eying Beelz's reactions through the lens of, "Wait, what if Beelz is WORRIED for Gabriel?" and it worked very well so I was tentatively *glad* for the shippers who might view it that way and NEVER guessed they'd make it canon this season with more than a few tidbits for those shippers to cling to. Wow. Whole-ass parallel instead of what Aziraphale and Crowley COULD be if they actually 1) communicated and 2) understood each other's values and valued the same things.
Truly, it was a love letter to the fandom I found that to be very sweet as a choice made by Tumblr Girlie Neil Gaiman.
H'ok, now let's get into the negative. To be clear, I enjoyed the season! A lot of room is left to explore stuff in Season 3! And I'm not a deep Good Omens fandom person, I didn't read much fic after S1 dropped, I was more of a book fandom fic person for it. So my level of investment isn't such that I'm *crushed* by any of this, these are just more things I found a bit "meh"?
I really thought we were heading to a side-swap story about Aziraphale and Crowley and I was little bummed it didn't happen, though there's still room for the possibility in S3. The whole "maybe I did the good thing and you did the bad" taken to the max. I really wanted the angst of them finding each other only to end up on opposite sides again and opposite-OPPOSITE sides of where they'd been and been comfortable up to this point. I really wanted to see IMPACT and SUFFERING and DISCOMFORT and... idk, more drama? Than we got?
Like, there were SO MANY references to Crowley being selfless and doing the RIGHT angelic thing while Aziraphale did a lot of HORRIFYING things, including all the mind-fuckery stuff he did around the ball, totally insensitive to the needs and wants of the humans involved, only seeing them as tools, that REALLY made me wonder if we were getting a swap by the end.
The fact we saw SO MANY ominous references to Aziraphale FALLING because he was tempted by Crowley, over and over, because he questioned God, over and over? I thought something would come of that! I thought Crowley would get through to Aziraphale just in time to have Aziraphale fall and for Crowley to do something truly angelic, to have Aziraphale get through to HIM at the same time so they'd swap sides officially, against their will, the same way Crowley never meant to fall. It seemed like falling was something that COULD HAPPEN TO YOU AGAINST YOUR WILL and I wanted REDEMPTION to work the same way, AGAINST Crowley's will. I wanted them to get absolutely FUCKED by the moment they finally got through to each other and swapped philosophies.
So that was a bummer. Could still happen in S3 but...? I'd be a bit surprised at this point given I think it will instead focus on (*sigh*) averting the Apocalypse again.
I thought the pacing was fucking atrocious. There was so much dead time. So many scenes that were simply *not* needed and didn't add anything. So much meandering script with darlings that desperately needed to be killed for the sake of a snappier story. So much that felt like padding. With a better editor and 2 fewer episodes, I think it would have been a much tighter, better, fast paced show.
S2 recalled with a problem I have with Neil's writing in general - he's a short story writer/comic issue writer at heart. I, personally, am a long-form novel writer. Neil is not great at writing novels, he's a novella/anthology/short story person and it shows when he so often, so consistently, fails to pull a long-form story together in a satisfying way (to me, and this is just my subjective opinion).
It shows up in so many ways with how, in my opinion, S2 seemed to flounder with how to fill 6 episodes. The flashback to the Resurrectionist stuff could have been half as long and I found much of the writing pretty awful and cliche in it.
I liked Aziraphale learning that morality is complex, truly, but that was all I really liked of that bit of flashback and it could have been much shorter. I found everything around Elspeth exasperating and on the nose. It was a short story straight out of a random issue of "The Sandman" and sometimes it really feels like Neil has never managed to break out of the same stories, plots, and themes, with a dash of horror as he did from that era. He's always, always, still just writing either 1) fanfic of another person or mythology's work or 2) an original Sandman short stories/issues with no long-form plot. In his defense, they're always COOL and have an interesting VISUAL or IDEA but these stories aren't very... good? Writing? Or rather, he tends to just do the same things over and over again. Nifty idea that don't actually really *gel* into anything more complex than a single storyline?
I felt the same way about the Nazi Zombie plotline. I found that entire story beat EXCEEDINGLY tedious and pointless except to fill airtime, not to mention a bit gross to watch. I found the Magician Aziraphale plotline in general EXCEEDINGLY pointless and tedious to sit through. I thought it added absolutely nothing and was incredibly dull for 99% of the story.
Everything with Shax was exceedingly tedious and boring to me. The fight in the bookshop felt nonsensical and poorly choreographed. That needed to be a 2x speed to feel any sense of peril or urgency at all, and not knowing where it was going, or if anyone was actually really threatened at all just robbed it of any real sense of tension.
There was just... zero sense in general of important stakes in the Shax storyline or really in the season because there was no Apocalypse to build towards, no event that we knew about to worry about.
The world wasn't ending. Shax didn't seem empowered to actually do anything or hurt anyone. They were just a random action plot for... reasons? To make the climax in the bookshop come together so we could have a Jane Austen ball at the same time as 69 demons (heh) invading? There were so many logical leaps there to make that happen and the pacing/editing being garbage just... robbed it of any feeling of importance except as a time waster of a plotline. The actress is great and all but dear lord was that plotline dull.
A lot of the flashbacks in general just felt like... padding. Yes, we got a bit more Aziraphale and Crowley but they never quite... worked for me in those. It was always pointless STUFF they were doing rather than anything that contributed to the plot or even to my sense of them being in love or working towards becoming a couple! They were just... there, a lot of the time, sitting next to each other.
Some of the script pauses were SO BIZARRE. Like as if they'd just written the script and not realized how bloody often Crowley is given NOTHING TO DO in the background so he just... stands there, waiting for his next line, or taking a nap, or observing random stuff. David Tenant in the Resurrectionist bit with all his theatrics felt, again, pointless and tedious but also the best the poor guy could fucking do to fill out this incredibly boring story with any sort of entertainment. Bless them, the actors worked their ASSES off to get some fun and excitement into huge swathes of this script.
Maggie and Nina's relationship was cute but ENTIRELY pulled off by the actresses, the story was again, incredibly tedious and pointless otherwise, as many coffee shop AUs are in my opinion. Their personal charm elevated the material but it all felt like more stalling tactics with a wink-and-a-nod at fic writers, with this entire season was stretched out to justify, presumably, Aziraphale being in Heaven after being promoted to Archangel while Crowley is on Earth and they're fighting.
Quite frankly, if the "real" sequel, which Pratchett co-wrote, just opens with Aziraphale thinking Heaven's shown up to destroy him, only to promote him on the spot, basically the last scene of S2, you actually don't need 99% of this season at all to get there. In fact, it's a pretty fun comedy beat to do quickly. Basically, "Oh shit, the cops!" then "Actually, we're here to promote you!" and boom, we've reached the same spot as we got to after 6 episodes of S2.
Not that I didn't enjoy many of the character moments! But overall, it felt like stalling for time to make it a trilogy series, since only a few plot threads had any longer term importance to anyone who isn't a fanfic-writing super fan who knows what a coffee shop AU is and can giggle over there being one in the actual show.
Basically, it was very lacking in the strengths of the story that I attribute to Terry Pratchett - like the ability to pull a long-form story together, and certain clever turns of phrase.
There were so many lines where there was a pause where it was as IF they were going to say something clever, and then they just... didn't? And the line was just another cliche or a trail-off of someone mumbling "comedically"? That's where I very much felt Pratchett's absence. It indeed felt like half the writing duo was missing in many ways. And I'm not personally... all that convinced of Neil's chops when it comes to long-form stories or romance, two things that this season kinda relied on pulling off right that I was left feeling pretty tepid about after.
Look, overall, I did like it! I'm really excited for how the fandom will run with what happened and make their own stuff with it. I'm very excited for Season 3, whenever we get it, and the return of Terry Pratchett's fingerprints on the story. I think it's going to be great!
It's not that I think my time was wasted so much as I thought places where *I* would have done things differently, which is not a fair criticism of any work. From a technical perspective, really I just think it needed a tighter script or tighter editing, and they just might not have been able to do that if they were contracted for 6 episodes when they only really needed 3. Oh well. Onward and upward!
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msfbgraves · 3 months ago
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Outside of Daniel and Terry who were great as always, this was a truly terrible season, THE worst lol.
Johnny was truly horrible with his "suPpoRt DeVoN aND mIGgy dUriNG thIS DiFficULt time" but never did ANYTHNG to support HIS OWN SON. Like, he did NOTHING FOR ROBBY. Robby is struggling so badly and has no one to turn to and his OWN DAD is like "lOl roBbY wHooO???" Johnny is a terrible character and has been gaslighting himself and everyone else from SEASON 1! FUCK Johnny!
They ruined Chozen in every way by making him into this drunk, boorish loser who randomly hooks up with the enemy (another flat, annoying character and another poorly written female character). Chozen was so OOC I felt like I was watching badly written fanfic come to life. What the FUCK! I am so sorry, Chozen. You deserved so much better.
Kreese was just plain embarrassing, my god. Every time he was on screen I cringed. He should have died in S5 and I stand by that. Everything he did was mortifying and humiliating. He is way too old to be acting the fool. He needs to be in a retirement home having angry dreams.
Robby...LOL. The writers said fuck you! we don't care about you AT ALL lol! and then he got supremely fucked by the narrative in every single way. God. And of course NO SCENES with him and Daniel because flawed as Daniel was, he did so much for Robby--way more than Johnny ever did for him. Daniel and Robby had wonderful chemistry and the writers are so scared of that.
The Sekai Taikai is boring and overlong and just ridiculous in every way. All the new characters are dull, flat, and have incredibly forced and tropy "chemistry" with the OG characters. They are the definition of Shonen Manga Stock Bullies. They're like parodies of character tropes at this point. If someone told me CK6 was satire, I would have believed them.
S6: Let's make Daniel have an emotional breakdown again because why not hahahaha! BTW, Johnny is cool and perfect and a REAL MAN! BE LIKE HIM!!111!1 Johnny is absolutely not wrong ever, but Daniel is evil and flawed and ALWAYS wrong OF COURSE1!111!!
Annoying little brat Devon gets a pep talk from Johnny (another huge LMAO!!!) and gets away scot free with all she's done?? While Kenny still has to deal with the bullying he'll surely face back home?? What the fuck?
Carmen...DEAR GOD. This is the woman who raised a sweet kid by herself in a new country. She learned a new language, escaped from a terrible man, built a career and took really good care of both her mom and her boy. And then she, responsible, smart, kind Carmen--gets knocked up by a deadbeat, drunk loser who has held a grudge over a high school karate tournament for 30+ YEARS, blames everyone (especially poor Daniel who is his personal punching bag) but himself for how shitty his own life is, doesn't have a proper career or a steady job AT 50+ YEARS OLD, is in and out of trouble constantly, behaves like every negative stereotype of Ugly American even while IN the States, gets (Carmen's) son in trouble, does shit all for his own son, and...THIS IS THE MAN CARMEN GETS KNOCKED UP BY!!!!!!!!!!!!!!!! Carmen, who WORKS IN HEALTHCARE and has ACCESS TO BIRTH CONTROL!!!!! You cannot make this shit up!!!!!!!
This show is truly garbage. It was excellent in S1 and S2, I thoroughly enjoyed S3, S4 and S5 were Karate Star Wars and got stupid (but still entertaining) and S5 it should have ended, peaking with the relationship between Terry and Daniel and the death of Kreese. S6 is embarrassing and cringe.
The best parts were TERRY FUCKING SILVER who is played with such devastating charm and skill by Thomas that you can't help but love him. And he's hot as fuck so there's that too!
Daniel is of course hated by the writers, but that doesn't take away from the fact that HE'S BEEN RIGHT FROM THE START OF THIS FUCKING SHOW and he's a good, kind, sweet, hardworking man who happens to have a quick temper, can be prone to hot-headedness, and be (gasp) less than perfect. Of course, for these oh-so-terrible sins, he must be punished and also constantly fucked by the narrative. Jokes on them, because Daniel can be proven to be right and correct 95% of the time, and remains a decent, good man who can admit when he's wrong (UNLIKE CERTAIN BLOND FUCKS).
I'm just here for Terry and Daniel!
Cobra Kai S6 is a fever dream of how a middle aged man with the emotional range of a young teenage boy would WANT the world to work, not how any human being would reasonably behave. Many men have written stories like this over the centuries and have been called geniuses; many women have written their versions - like Twilight - and have been called airheads, but anyway, it's all pure id at this point. I keep saying that TIG meanwhile writes his own part before signing on, because somehow I keep finding nuances in his character, like a compulsion to repeat his trauma with cages and a deep aversion to killing (which is interesting because I really do wonder what he meant to do to Kreese if not kill him).
You do have to give it to them that there are moments of awe inspiring insanity sprinkled throughout.
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occulthours · 1 year ago
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out of curiosity, are you a hosie or a hizzie? you're pretty loud about your dislike for handon, but i rarely see you post either hosie or hizzie.
Honestly, I had to think hard to answer this because I really did enjoy aspects of both ships. Short answer, I like both but don't love either. If I had to choose I would likely say Hizzie.
With Hosie I feel like they lacked a lot of the depth despite them being the most popular ship in the show. Ironically enough, they followed in KC's footsteps in that sense. They never really had enough build-up for them to start a relationship at any point in the show and it didn't help that the writers seemingly put a ban on them in s3. After being called out for queerbaiting the audience they just decided to completely cut Hope and Josie off from each other, even in situations that would've called for them to interact (s2 literally ended with them having an episode heavily centric on their dynamic, yet there was no follow up in s3?).
Their dynamic for the most part bored me, even as someone who enjoys the friends-to-lovers trope. Often times their scenes felt a bit empty, which definitely could’ve been intentional on the writers part to dissuade people from shipping them to be fair! They just didn’t get enough content for me to fully jump on board. I do think that out of Hope's popular ships, they had the best chemistry. They felt very natural in the scenes they shared and could've been great in canon. Had DRR and Kaylee been given the chance, Hosie would’ve been one of the few canon Legacies ships that had real romantic chemistry.
Hope and Lizzie’s relationship very clearly the star of the show. The best elements of the show were jumpstarted by their relationship (their rivals-to-friends era in s1, their hilarious scenes in s2 and 3, and their tribrid/heretic, sirebond, and enemies era in s4). The writers put more effort into Hizzie than any other aspect of the show, including Hope and Lizzie's canon relationships with their boring boyfriends. Typically, Hizzie is the thing the Legacies writers are praised for the most, and the praise is deserved.
Based on the writing alone Hizzie would've gone down as one of my favorite TVDU ships, maybe even one of my favorite ships period. But I don’t think DRR and Jenny have much romantic chemistry. Very close friends and platonic soulmates, yes. Girlfriends... I'd have to actually see it to believe it. They had the potential to start something, especially in season 4, but I’m not sure how it would feel to actually watch them have romantic scene.
It’s hard to say which I'd rather have been canon because of this. I can't see how Hope and Josie’s relationship being entertaining to watch (assuming that I can't go back and rewrite their relationship) and unless DRR and Jenny were specifically toning down whatever romantic chemistry they may have, I can't see myself rooting for them to kiss on screen. If I absolutely had to choose? Before s4 I would’ve said Hizzie by a long shot, but s4 gave Hosie an edge (I love ships where one or both of them are obsessively down bad and s4 Josie fit that to a T. Josie caring more about the girl that beat her father nearly to death, threatened to kill her mother, and actually killed her sister? EAT EAT EAT!), but also the sirebond gave Hizzie a bit of an edge (how could you not get even a little buzz from “I hate you for making me love you”?)… Hizzie was the first Legacies ship I fell for so I feel like I’m always gonna be a bit bias towards them.
I’d choose either one of these ships over the train wreck that was Hope and Landon in a heartbeat though! Both had potential to be excellent in their own ways if H.ndon wasn’t shoved down our throats.
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laughing-drawing-aces · 2 years ago
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I'm still a bit mad about s4 of Stranger Things because they turned both Robin and Steve into pathetic messes in order to make their dynamic work with Nancy, when in reality all three would struggle to be around each other.
Like Robin acted borderline pathetic for befriending Nancy, who was rude to her in the beginning. It's like she didn't care and threw herself at her. Plus, realistically, she would have side-eyed her for being Steve's ex. But her entire personality got thrown out the window in order to avoid conflict. Because let's be real, if Steve acted the way around her like Nancy did, Robin would have acted differently and called him out. She wouldn't let it slide, but it's Steve and not Nancy, who is perfect.
Steve acted pathetic around Nancy because he still loved her after all these years despite moving on in s3. It wouldn't be half as bad if it was more balanced, but we never saw Nancy being completely in love with Steve, even when they were together. It was always him who loved more, and now he still followed her around despite her actions in s2. Like the audience (at least some) knows Nancy cheated on him, which is a touchy subject for Steve, and yet all of his personality was ignored in order to worship his ex. I swear if he would know the truth about what happened at Murray's, I doubt he would act that way. But that would require the show acknowledging Jancy cheated, which would paint their relationship in a bad light, and the show wanted you to root for them (at least in s1-s2)
Not to forget how both Robin and Steve's other relationships got ignored for focusing on simping for Nancy. Stobin deserves an independent arc outside of romance. Like discussing their trauma from s3 and healing from it.
I wouldn't be so mad if Nancy was the driving force to make it work in s4. If she had reflected on her mistakes with Steve, it would be much more satisfying. It would make her befriending Robin much more meaningful and more natural to bring back Stancy. Because again, it's only one-sided, and Steve deserves someone who loves him as much as he loves his partner. Nancy never showed that in the show. It was always about Jonathan from s1 onwards. Her admitting she only chose Steve because Jonathan wasn't available put Stancy in such a tragic light for me. Because they never were to make it because Nancy wasn't in it 100%. It's not even the Barb thing, I'm sure it played into it, but Stancy failing is mostly due to Steve being the second choice from the beginning. Steve deserves to know that from her because he still has hopes and blames himself for the relationship's failure. And if they make Stancy endgame without Nancy putting in an ounce of work, I'll be pissed.
Also, if the show had included the messy problems within the teen group, the season ending in disaster would have been much more believable. Like the plan wouldn't have worked either way because of the tension and them not being on the same page and having trouble working together. They were destined to fail because of inner circle problems. I don't get this need of everyone being best buddies when there is so much conflict between them. It's boring tbh. And idk what the Duffers problem is that nobody is allowed to have negative feelings about Nancy or admitting that she hurt people. It's like the show is gaslighting us. You, as the audience, see how Nancy makes mistakes, and yet nobody in the show acknowledges it or is phased by it. The opposite happens because everyone simply loves her more for it. And then you're like, am I crazy??? Like when every other character makes mistakes, it's called out. People still give Steve shit about high school, but with Nancy, the same standard doesn't apply.
also this is going to be long so going to put under read more
oh my god same every time i think about how stobin just looks pathetic to show how nancy is this capable ‘leader’ drives me insane. because first of: steve and robin helped way more than nancy did. nancy just got told things and then shot a gun. that’s honestly all she did in season 4 except for create a plan that failed (which it would have failed either way but yeah). legit people think that stobin did nothing in the major fight which is because they put so much pressure on nancy’s shot that their contributions mean nothing.
honestly i will never understand robin wanting to make friends so fast with nancy meanwhile we saw last season that she called nancy a priss. also everyone complains about robin not having more talk about her sexuality and being outed which would have been good if right here we got it! robin is hesitant to be friends with nancy because maybe for her it’s always been weird for her to have friends that are girls. we could have gotten this expansion on how there’s homophobia in the 80s so perfectly with this storyline! but nope! yeah honestly they three out a bunch of robin’s characteristics and personality to just follow nancy around like a duck or a dog. and 100% robin would have called steve out if he acted like nancy did to her.
honestly yep that about steve! like he acts sooo whipped about nancy which to be fair he was while they were dating and even before. but why isn’t steve allowed a little bit resentment about how their relationship ended? why isn’t he allowed to be mad at nancy? god everytime i think about how steve is just now reduced to worshipping his ex i get so fucking annoyed. like i love how sweet steve is don’t get me wrong but can we also see him maybe experience some more negative emotions? it feels like after season 1 steve wasn’t allowed to feel anger at people/characters anymore. of course he’s bitchy and snippy but he doesn’t have any true anger moments! honestly lol the show will never acknowledge jancy cheating just like the people in the fandom who are delulu. also like lol just because you admit it doesn’t mean that you can’t still like them or that they’re evil people.
i am so fucking mad how stobin was just reduced to nancy! it even happens in the fandom: you can’t go two seconds about hearing the boat scene without hearing how ‘robin stared at nancy and look how she yelled nancy’s name’ meanwhile her bestie STEVE is dying. there are so many other dynamics but the show did stobin so dirty by just making their dynamic about nancy so fandom simply followed suit no matter how much they hate the duffers and what they write: they always seem to do exactly what the duffers are doing.
everything you said about nancy being the driving force. honestly it’s wild how nancy admits herself that she settled for steve because jonathan wasn’t available and people still think that she didn’t a) cheat by knowingly getting with another man despite the fact that she knew she wanted jonathan and b) just say that she went along with what steve was doing. i’m actually going to scream about that second one because how on earth do you want nancy to be her own person but then fucking willingly take away what she says she did of her own right?!? makes no sense: the math ain’t mathing. thank you for saying it’s not just barb! honestly people think it’s just about barb but no it’s legit because nancy just doesn’t love steve.
the way i love the messy dynamics but the duffers just breeze over it now bothers me. hell the fandom bothers me more when they do this lol. god everything here! this is already so long so i don’t want to add too much. but i do like nancy it’s just the fact that a) the show makes you believe that she’s right all the time! b) also her fans who just don’t want to criticize her or just won’t admit that she’s wrong in areas where she is also c) when her fans just make steve seem like an abuser. honestly the fans of hers have been pissing me off more than anything ngl but yeah i do love her just wish her flaws were more showed in a negative light and wish more people can acknowledge it
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dol--blathanna · 2 years ago
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I try not to post too much TWN negativity on this blog, because I know plenty of people enjoy the show just fine, and I hate being an asshole and raining on other people’s parades. But, god, the way that the show treats Yennefer - or rather, mistreats her - just upsets me and pisses me off so much. 
The book already puts her through the wringer - too much at times, honestly - but the show just takes it to a whole new level. The amount of suffering they put her through that wasn’t present in the books is so frustrating to me. Like adding in random torture scenes that weren’t present (the hysterectomy scene, being tortured by Stregebor), losing her magic powers, constantly being captured in S2, not even having a particularly good court standing - like in S1 when Fringilla mocks her for not helping advance Aedirn at all, and Yennefer doesn’t even have a good comeback to that. It’s as if the show is just obsessed with giving her constant Ls and never really letting her come out on top. Sidenote: I am fine with angst, in fact I enjoy it, and I am fine with a character going through hardships and suffering. You can do a lot of great character, story and theme exploration with angst, and sometimes it’s necessary for a character to suffer to develop that. If I wasn’t fine with angst, I wouldn’t be a fan of the witcher lmao. But when I see a character who already goes through a shit ton of misery in the books get forced into even more suffering in the show that never happened....I start to have a problem.
And then, of course, S2 committed the cardinal sin with that stupid ass Voleth Meir plotline. As if torturing her, having her be captured, making her lose her powers, wasn’t bad enough - they completely character assassinate her by making her almost sacrifice Ciri to a fucking demon. Something that is so bewilderingly OOC for Yennefer, something that never EVER happened in the books. When the show got bored with creating narrative suffering for her, they decided to take it to a meta level by character assassinating her in a really bizarre, stupid way. Because, why was this necessary? I know that they were concerned about the fact Yennefer doesn’t really show up much in Blood of Elves, I understand they wanted to create a plot line for her that got her more involved in the main plot. But - why this???!!! There were 101 different plot lines they could have given her that didn’t involve her trying to sacrifice Ciri to a fucking demon, in the process completely messing up her relationship with Geralt and Ciri!!
And this is the main reason I’m making this post - her relationship with Geralt and Ciri being messed up. I’ve seen a lot of articles recently about S3, all stating that Yennefer essentially has to grovel to Geralt, that he ignores her for potentially a full year, that at the beginning he doesn’t even let her enter the same abode as them - what the fuck!!! It upsets me so much. Because this was the biggest problem with the VM plotline - it completely upends Geralt and Yennefer’s dynamic. In the books, their relationship is way more equal - in fact, it honestly would be accurate to say that Yennefer is the more dominant one in the relationship, not Geralt. The show is now completely turning that on its head, and making Geralt the dominant one - but not personality wise, more in a moral highground type way. Because now, whatever stupid shit Geralt does, or has done in the past - e.g. tell Yennefer she’d be a terrible mother, which he never apologises for - none of that matters!! Because it will never be as bad as Yennefer trying to kill Ciri. Instead of a relationship where they both fuck up and both make mistakes, like in the books, in the show the emphasis will all be on Yennefer. Yennefer is the one fucking up, Yennefer is the one making absurdly stupid mistakes, Yennefer is the one who needs to apologise and grovel and beg for forgiveness. 
And this is what I mean by, the show is obsessed with giving her Ls. Not only do they make her suffer, they character assassinate her by forcing her character to do this cartoonishly evil thing, and then punish her for it!! They don’t just take away her powers, her court standing, they even strip her of her own relationships!!! And I ask again - why is this necessary?? Who decided that punishing her like this would be an extremely important plot line, an improvement, over the original source material? Like back when the show was first announced, I sure as shit wasn’t thinking “oh wow a netflix witcher show - I sure do hope they have a plot thread where Geralt refuses to talk to Yennefer, and doesn’t even let her into the same fucking house as him, because she tried to kill Ciri!!” who wanted this??? Who thought this was a good idea??? Honestly, it makes me feel as if someone on the writing team hates Yennefer and wants her to suffer, both in a narrative and meta level. And no, I’m not talking about that infamous Beau deMayo interview - something that caused a huge amount of online drama and should be taken with a big old pinch of salt, especially since the writer who made this claim was responsible for some pretty questionable decisions, namely the whole Treeskel thing. I’m not making a direct accusation here - it’s more a feeling. When I look at TWN, I cannot help but sense a level of contempt and spite towards the character of Yennefer. That doesn’t necessarily mean someone in the writing team genuinely has it out for her, but if that’s the impression that I get from the way they treat her in the show, then something has gone very wrong with the narrative decisions they made for her.
And this is why, not only can I not let myself be excited for S3, it’s why I’m genuinely feeling dread about it. Every time I read interviews about how Geralt and Yennefer have this really rocky start and he’s ignoring her or whatever, my stomach just sinks. And again - why was this decision made? Who thought this was a good idea? And yeah, the TWN team have already said they’re trying to fix the problem with their relationship caused in S2, but a) the way they are going about fixing it only serves to punish Yennefer’s character more and b) it should not have been something to fix in the first place. It��s also why I can’t bring myself to believe that S3 will suddenly be more faithful and better than S2, esp in regards to Yennefer (aside from the fact they’ve made this promise before and failed to deliver). Because the early plot points of a story are extremely important in setting the foundation of your later plot, especially in a series like the witcher. If your foundation is inherently flawed, it doesn’t matter how good your later seasons are; they are built on a faulty base, and will therefore lack a good structure. Case in point with Yennefer. Without going too much into book spoilers, let’s just say she has a really rough time of it post-Time of Contempt in the books. So in the show, either a) they will just put her through even more suffering and leave you thinking “wow did this entire show exist just to punish Yennefer?” or b) they will have to deviate away from the books. Neither of these options are particularly good. (this also is one of my problems with S2 as a whole - they were so desperate to put in all this insane blockbuster action and dramatic plot points, but sometimes in stories you need moments of calm to make later dramatic plot points more hard hitting. In the books, Blood of Elves was the moment of calm before Time of Contempt’s batshit, action packed drama. In the show, you never get that moment of calm. Why should I care about whatever happens in Thanedd if S2 had Ciri get possessed by a fucking demon and go on a killing spree? But anyway.)
And I think the reason why I’m particularly disappointed with the way that the show has treated Yennefer’s character so badly (aside from the numerous promises of “we’re a faithful book adaptation” being complete lies) is that Yennefer is a character who already receives a lot of unfair hate. Obviously there’s the annoying “Team Yen vs Team Triss” thing from the games, but even within the show there were a certain type of fans of a certain ship who hated a lot on Yennefer for daring to get in the way of their ship. Like, I’m so sick of seeing Yennefer getting hate for stupid, unfair reasons - and now even the show is treating her like shit??? Like, give me a break!! 
I’m just tired of it. And obviously, if you like TWN and you’re excited for S3, that’s fine. In fact, I’m honestly jealous, I wish I could feel the same. And who knows, maybe the show will improve its treatment of Yennefer, maybe they’ll finally give her some Ws. But that’s what I thought about S2, and was proven VERY wrong. Any confidence, trust or optimism I had left for the show was completely destroyed by the Voleth Meir plotline in S2, and the show will have to work very hard to rebuild that trust for me. And unfortunately, everything I’ve heard about S3 so far is only confirming that they’ll continue to treat her poorly.
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my-mt-heart · 1 year ago
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I want to address a few things that Norman said in Le Parisien. The article isn't free, and I'm not going to encourage anyone to pay for something they might not like, but if you do want the link, DM me and I'll send it. Thank you to the person who read and translated this:
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Defending himself against others trying to throw him under the bus is one thing, but denying all responsibility for the title accomplishes absolutely nothing except further insulting a significant portion of Daryl's fanbase. These fans, specifically Carylers, were all paying close attention when he said the exact opposite on Jimmy Kimmel. Watch at 8:45:
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The video is from late last year. Melissa's negotiations for S2/S3 started last summer and her deal closed at the end of the year per my sources, which means there was (at least) a loose plan to bring her back before S1 started shooting. Norman confirms Pilgrim was a working title at some point, but he doesn’t mention Raise the Dead, which was more than likely planned as the official title of the show while they were shooting between October '22 and February '23.
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I bring up the timeline because even if you believe Melissa was always part of the French spinoff, Norman’s other favorite narrative right now, the implication is still this: Norman, AMC, and the other EPs were fully aware that Melissa was coming back when they officially landed on a title excluding her. You could argue Daryl has the most name recognition from being the most marketed character or that his tags on SM have 6 billion views or, hey, let’s make it 6 trillion (how much of that overlaps with Daryl and Carol content btw?), but as we saw, that doesn’t guarantee all those viewers will watch the show, which is how AMC makes money. If there are two leads on the show, naming it after one lead doesn't make any sense from a marketing perspective because AMC is missing out on attracting more audience, promoting two characters and their chemistry instead of just one character.
So. They either manipulated the situation to give Norman and the other EPs what they wanted or, once again, they dismissed Melissa’s/Carol’s vitality to the show. Or both. Regardless, it poses a big problem for me, because Carol's ability to stand her ground against anyone who thinks less of her is what draws me to her character. I can't reconcile that with the obvious tactics Norman and the other EPs use to claim the show for themselves, completely ignoring fans who may be critical, yes, but ultimately just want the story both Daryl and Carol have earned.
Speaking of being ignored, I heard from multiple fans that AMC did in fact send out a survey regarding the title. I can't confirm because I haven't seen the survey myself, but if you're doing market research, you need a target audience, and if you're doing market research on what you know will (eventually) be a Daryl and Carol show, you should probably target Daryl and Carol fans, shippers or otherwise. Not that it's the most appropriate way to choose a title (not even close), but where's my survey? Did any Carylers get to participate? Did anyone bother to check? Because to me, it sounds like the focus group they used for their market research wasn't aimed at their target audience at all. It's possible they did the market research with a sample audience of the flagship show or just Daryl fans who are a percentage of their audience but not all their audience. If they used an audience that incorporated Carylers, Daryl fans and GA — the feedback for that title would've been mixed. If they focused their market research on mostly Carylers, the feedback would've heavily leaned towards having an inclusive title.
So many fans, not just Carylers, hate the title. It's boring, it's offensive, it's pretentious, it's misogynistic, etc. etc. These are fans who want to watch and enjoy the show, who are expected to pay for it, so why don't their opinions carry more weight? Why is there still such a strong disconnect between AMC and Carol/Caryl fans when that's exactly what caused the backlash last year? Why are they not doing everything they can to avoid the same mistakes?
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As for this:
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Most of it is true except for one important detail. Angela Kang's spinoff was going to be a road show shot and set in the U.S. That's the phone call Norman is alluding to. That's the spinoff Melissa signed on for. To say otherwise makes her look unprofessional and flaky for "dropping out" knowing all along she'd have to relocate, and that's not what happened at all. It's like there's no consideration for his co-workers' images while he's trying to rebuild his own, and that is unprofessional.
To be very clear, this is not meant to be a smear campaign. My intention here is to point out how deceptive the PR/marketing strategies have been and how they're hurting everyone, including Norman. I can't for the life of me see any business sense in repeatedly gaslighting and alienating a profitable fanbase, treating Daryl and Carol fans like they're stupid, or insinuating a Daryl and Carol show can't belong to Daryl and Carol fans. The more Norman talks about the spinoff's inception, the more it ensures people will never trust a single thing that comes out of his mouth ever again, and that sucks because if he just focused on what the audience wants, insisting that Melissa is his equal on the show, talking about the characters in meaningful ways, supporting Daryl's and Carol's relationship, he could sell it easily. Fans should be getting excited for their story, not reliving last year's trauma over and over and over again. Melissa is back and that's exciting, but story still matters. Both on and off screen (precisely why we need someone else on board who can manage all of that really well). I've asked this several times before. I'll keep asking until someone listens. Can we please move the fuck on from the spinoff fiasco?
And change the title.
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thanx-files · 5 months ago
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Season 3 Wrap-Up
Let’s skip the boring part. We know the routine by now, and I have a lotttt to say this time around. Thoughts on Talitha Cumi and S3 below the cut.
Talitha Cumi
My least favorite season finale so far, if I’m honest. It’s not that the stakes weren’t high enough, it’s that I was confused for a lot of this episode. I, like Mulder, have precious little patience for Cancer Man and his musings, and there were a LOT of musings in this episode. I’m going to have to read the Wikipedia plot summary for this one. Also, not enough Scully.
Season 3
My favorite season so far. I know, I know “Thanx, you’ve said that every season!” If you’ll recall, I was on the fence about season 2 being better than season 1 (Pilot my beloved) because I feared recency bias. But I feel very strongly that S3 beats out both S1 and S2 pretty handily, recency notwithstanding. Why? Because it’s fun, in a way. The first handful of episodes are less so, but as the season finds a rhythm, there are these brilliant little character moments. Skinner gains a lot of depth this season, for example, but he also has some killer one-liners that tell us he is playing this game for better or for worse.
And as for Mulder and Scully? If there is one thing these two will do, it’s talk on the phone. Those were some of my favorite details this season. The classic “it’s me,” but also the way they can’t stay off the phone in Coprophages. The way Mulder knows Scully will stay on the line to eavesdrop in Avatar. Mulder, our “ticking time-bomb of insanity” starts to show his Captain Ahab side more (hello, Grotesque???). And Scully gets to call him on it! More importantly, the moment I’ve been waiting for: they finally let Scully be so so Catholic.
This season just went crazy, I don’t know what to tell you. There are some seriously unhinged episode progressions — and I’m not even talking about the two-parters. Coprophages to Syzygy to Grotesque (just two eps before Pusher)? Quagmire to Wetwired? Stop it.
5 fave eps (now with more musing!):
Revelations - I told y’all I wanted more Catholic Scully, and this episode really delivered. I love that our skeptic is religious, however remotely. I love Scully. I love that there is this part of her which the X-Files never seem to touch — until they do.
War of the Coprophages - The way they can’t stay off the phone with each other. The way Fox Mulder just HAPPENS to be in the cockroach town during the cockroach uprising. The bug that crawls across the screen. The way Mulder is eating chocolate cake while writing his report about how he narrowly escaped an exploding shit lab. The inexplicably exotic bug he squishes without hesitation.
Pusher - Fuck all the way off. The paper that just says “Pass.” “Smile, Scully.” Russian roulette. Russian roulette!!! I don’t need to tell you all about this. You already know. Plus, there’s this deeply unwell post I already made.
Jose Chung from Outer Space - I also already posted about this one, but the TL;DR is that this sitcom fanatic loves a frame story and a series of Events Which Probably Didn’t Happen Like That.
Quagmire - I KNOW I KNOW it was between this and Wetwired. But when it comes down to it, the Captain Ahab conversation is just too fucking good. Also, I feel I should honor the memory of Queequeg, who deserved better.
5 least fave eps:
The Blessing Way - It’s not that it’s a bad ep, it’s just not for me. I’ve never been much for the metaphysical “between life and death” thing where you talk to your dead dad and he tells you to keep living. This is because my heart is made of rocks.
The List - I’ve come to the conclusion that I just don’t like prison eps.
Piper Maru & Apocrypha - I just got lost. Glad to see Krycek again tho!
Talitha Cumi - See above.
Now, if you’ll excuse me, I’m going to buckle my seatbelt for the [REDACTED] [REDACTED] arc. Maybe I’ll also rewatch the pilot just for kicks.
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