#run episode 91
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"do we run, or do we fight?"
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"the coin lands on its side."
This picture has been in my brain since episode 91 🫠 it's still technically a WIP, but I'm happy enough atm to post it!
Just,,,,, FCG. Just the story. Just the parallels of everything.
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I'm curious about your judgement of the success of the various format experimentations in Campaign 3. If you feel like saying a bit more, I'd be interested to hear your thoughts on which are the most and least successful, and why.
Sure! So as I said earlier today, I think a big problem is that the format experimentation and the moon plot are directly at odds. Pulling off the moon plot, with all the NPCs from past campaigns and payoff of various canonical setups requires a pretty firm hand on what the current canon is, and also really did require a firmer hand in the character creation than there was. On the other hand, the point of experimentation is to let other people play in the space and introduce their ideas. This comes together in what I have referred to in the past as "Not Now." Like, the Crown Keepers showing up just as the party was grappling with FCG's death? Not bad as a concept, but Not Now. Abubakar playing Corellon? Incredible performance, but the fact that he was given free rein in a plot that's already shedding viewers left and right for its lack of direction? Not Now.
On an individual level:
I think EXU Prime either needed to be fully standalone, or Matt needed to provide a slightly more rigid direction to Aabria and therefore really couldn't play Dariax. If it's going to get woven into the main plot of Campaign 3 it needs to set that up (including giving Liam and Ashley a heads up beforehand). My personal vote would be for the former, to allow Aabria to tell her own story without it having to serve like 20 different functions, but what's done is done. If I recall, Liam and Ashley had the option to play different characters for Campaign 3 and I do wonder what would happen if they had decided differently, because you could still have Dorian pop up as a guest but I wonder if the Crown Keepers would have shown up in the same way.
Similarly, as stated, the general concept of the Crown Keepers interlude during the campaign as a means to bring in Dorian? I'm not opposed, though I think this is by far the hardest thing to coordinate generally and for a plot as demanding as Campaign 3 probably not a great idea. But it's hard to judge because the timing was truly the worst timing possible given the events of episode 91, and even delaying by like an episode or two would have at least solved that to the point that I don't understand why they didn't just...do that. (and, just to head off this particularly stupid argument at the pass, this would not have in any way affected Sam's ability to take time off for cancer treatment; it would have just shifted things around, and a lot of this experimentation was planned WELL in advance). [sidebar: I haven't listened to the WBN interlude yet but I do have thoughts because I think interludes from different GMs can be done, but the premise of Campaign 3 is particularly hostile towards them unless the main GM has a very heavy hand in their creation or unless they are light on things relevant to the core plot and mostly for the purpose of worldbuilding a la Song of the Lorelei.]
Solstice split was excellent and I think it's because it was not actually anything you wouldn't see in how people frequently play D&D at home. You have a few players who won't be available for a few sessions in a row? Great, find a reason to split the party, bring some other guest players in, and run some side quests!
Downfall was great because it was diagetic. It was a story within a story that Bells Hells was seeing and responding to, and because it took place so long ago with such specific characters, while it may bleed into how Laura, Taliesin, or Ashley feel in game (impossible to prevent, people bring their own feelings to the table), Matt still has room to decide how the Raven Queen, Wildmother, or Everlight feel a thousand years later. I also feel this had the most direction from Matt, which the other things really needed.
As said, bringing in Abubakar to DM as Corellon is something that again, this plot simply doesn't handle well. It makes for a fantastic scene, but within the 107-and-counting episodes of this story, giving the reins to someone else after you finally have a clear plan and letting them throw another curveball is a terrible idea narratively. I think this again would be fine in a story with a looser plot.
Echoes of the Solstice and presumably the upcoming Vox Machina Malleus Key/Mighty Nein Weave Mind concept is again pretty good. This also fits into things that D&D home games have been doing forever - run a one shot or mini campaign following different characters but DM-ed by the same person that have an impact on the current plot but aren't too closely interwoven. Basically this is like the solstice split in concept.
Essentially: I think playing around with the format within a campaign but having the same GM is pretty easy to do. Once you introduce other GMs acting within the world concurrently (rather than as a story with a foregone conclusion a la Downfall, or for that matter Calamity) you need to be extremely careful if you are trying to tell a specific story with a lot of moving parts, as Matt is with Campaign 3. It's one thing to improvise based on things your players do or say; it's another to do so based on improv by a major NPC or someone doing extensive worldbuilding mid-game that you now need to incorporate. This wouldn't be an issue in a more sandbox-style game; Campaign 2 might have been able to withstand it more gracefully, though I'm still not sure. But Campaign 3 was the wrong place to do it. Again, it's trying to converge in some places and diverge in the others and as a result it's just kind of flopping around in place.
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Listening to the magnus archives for the first time I'm episode 91 rn and hands down season 3 is the funniest season so far. It starts with elias brutally murdering jürgen leitner with a pipe and jon being blamed for it. he then hides from the police in his ex girlfriend's apartment(though I'm not supposed to know georgie is his ex yet) and someone I presume elias because of the stuff I know about him through tumblr/pintrest keeps sending him statements. Tim straight up tries to not go to work and books a holiday in malaysia in hope he gets fired and elias gaslights him about the archives. jon keeps intentionally running into avatars and unintentionally tries to compel them and is confused when he gets "unprovoked" attack by avatars. Jon just keeps getting bullied for being clueless. jon's first interaction with mike, hilarious: "apparently you threw someone off a skyscraper in paris" and mike just keeps offering tea to be polite. also some of the statements the plumber who just straight up ignores everything supernatural going on and the leg- and headless torso with many arms doing gymnastics
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91 is The Antique Shop!
Uni student Maya gets a part-time job at an antique shop. The strange shop is cluttered with all kinds of items, and is run by the mysterious Madam Norna. The shop’s few customers visit when they need something, and Madam Norna has ways of figuring out what that really is.
A completed series of 50 episodes.
#the antique shop#random podcast recommendations#audio fiction#audio drama#podcasts#podcast recommendations#podcast recs
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#175) UNDERTALE Soundtrack
Toby Fox
Suggested by: Anonymous
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Spotify ~ Youtube
(Remember to listen first, then rate!)
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Tracklist:
1 Once Upon a Time
2 Start Menu
3 Your Best Friend
4 Fallen Down
5 Ruins
6 Uwa!! So Temperate
7 Anticipation
8 Unnecessary Tension
9 Enemy Approaching
10 Ghost Fight
11 Determination
12 Home
13 Home (Music Box)
14 Heartache
15 sans.
16 Nyeh Heh Heh!
17 Snowy
18 Uwa!! So Holiday
19 Dogbass
20 Mysterious Place
21 Dogsong
22 Snowdin Town
23 Shop
24 Bonetrousle
25 Dating Start!
26 Dating Tense!
27 Dating Fight!
28 Premonition
29 Danger Mystery
30 Undyne
31 Waterfall
32 Run!
33 Quiet Water
34 Memory
35 Bird That Carries You Over A Disproportionately Small Gap
36 Dummy!
37 Pathetic House
38 Spooktune
39 Spookwave
40 Ghouliday
41 Chill
42 Thundersnail
43 Temmie Village
44 Tem Shop
45 NGAHHH!
46 Spear of Justice
47 Ooo
48 Alphys
49 It's Showtime!
50 Metal Crusher
51 Another Medium
52 Uwa!! So HEATS!!
53 Stronger Monsters
54 Hotel
55 Can You Really Call This A Hotel, I Didn't Receive A Mint On My Pillow Or Anything
56 Confession
57 Live Report
58 Death Report
59 Spider Dance
60 Wrong Enemy !?
61 Oh! One True Love
62 Oh! Dungeon
63 It's Raining Somewhere Else
64 CORE Approach
65 CORE
66 Last Episode!
67 Oh My…
68 Death by Glamour
69 For the Fans
70 Long Elevator
71 Undertale
72 Song That Might Play When You Fight Sans
73 The Choice
74 Small Shock
75 Barrier
76 Bergentruckung
77 ASGORE
78 You Idiot
79 Your Best Nightmare
80 Finale
81 An Ending
82 She's Playing Piano
83 Here We Are
84 Amalgam
85 Fallen Down (Reprise)
86 Don't Give Up
87 Hopes and Dreams
88 Burn In Despair!
89 SAVE The World
90 His Theme
91 Final Power
92 Reunited
93 Menu (Full)
94 Respite
95 Bring It In, Guys!
96 Last Goodbye
97 But the Earth Refused to Die
98 Battle Against A True Hero
99 Power of "NEO"
100 MEGALOVANIA
101 Good Night
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A Bold Twist on History: Why My Lady Jane is a Hidden Gem in the World of Fantasy
My Lady Jane is a defiant breath of fresh air in the world of historical fantasy, embracing its bonkers nature with unapologetic enthusiasm. This series takes the rulebook of realism, tosses it out the window, and instead opts for a wild ride that blends history, fantasy, and romance into one delightful package. The show doesn’t just flirt with the boundaries of reality; it gleefully dances right past them, making a Black man the King of England and introducing shapeshifters as part of the social fabric. This bold move pays off beautifully, inviting viewers to suspend disbelief and simply enjoy the ride.
What sets My Lady Jane apart is not just its entertainment value but its sharp wit. The protagonists are a joy to follow, with Jane and her fellow female characters serving as the true heart of the show. Jane herself is fantastic—her earnestness is both endearing and occasionally irritating, but always compelling. Surrounding her are standout characters like her cunning, sex-positive mother, Lady Frances, and her fiercely independent sister, Lady Margaret, who exudes a strength and determination that would give even Lady Lyanna Mormont a run for her money.
The series doesn’t just rely on its characters to make an impact; it excels in world-building and plot twists, all presented with a satirical sense of humor. The tone is a unique blend of modern feminism and historical toxic masculinity, creating a fresh take on the period drama genre. It’s a show that doesn’t shy away from revising history, much like Dickinson or The Great, and in doing so, it crafts a narrative that feels both contemporary and timeless.
However, the show isn’t without its faults. At times, the blend of genres and tones may feel jarring to some viewers, and not all of the humor lands perfectly. The pacing can also be uneven, with some episodes feeling slightly stretched while others race through pivotal moments. But these are minor quibbles in an otherwise delightful series.
For those who enjoy a mix of romance, action, and wit in their shows, My Lady Jane delivers in spades. The chemistry between Emily Bader and Edward Bluemel is nothing short of magnetic, their love story evolving from enemies to lovers with a perfect balance of spice and sweetness. Their portrayal of Jane and Guildford is so compelling that you can’t help but root for them, even as they navigate the treacherous waters of political intrigue and personal growth.
The show’s historical twists add tension and excitement to the narrative, making it more than just a simple retelling of history. It’s a femme-centric romp that flips the script on traditional damsel-in-distress stories, showing what happens when women take control and defy the patriarchal constraints of their time. My Lady Jane is outrageous, audacious, and delightfully bawdy—a show that isn’t afraid to be dirty and daring.
That said, this show might not be for everyone. Fans of more traditional period dramas or those who prefer their fantasy with a bit more realism may find the show’s irreverence off-putting. But for viewers who appreciate a fresh, bold take on history with a heavy dose of humor, My Lady Jane is a gem.
Although My Lady Jane was one of the best-reviewed new shows this year, it sadly failed to find a broad enough audience. The series received a 91% critical approval rating on Rotten Tomatoes, yet it never landed on Nielsen’s Top 10 weekly streaming rankings for originals. Despite the initial online buzz, it didn’t translate into enough viewers, leading to the show’s quiet exit.
In my opinion, insufficient marketing and the overshadowing by other, more heavily promoted series prevented My Lady Jane from reaching the wider audience it deserved, ultimately contributing to its untimely cancellation. It’s a real shame, because this show had all the elements of a hit: humor, heart, and a unique blend of magic. From the clever reimagining of history to the standout performances, My Lady Jane was special in many ways. For those who did find it, My Lady Jane remains a gem—one that will be missed but fondly remembered.
#my lady jane#prime video#tv series review#tv review#review#myladyjane#amazon prime#cancelled#tv#television#save my lady jane#renew my lady jane#lady jane grey#amazon prime video#jane and guildford#lord guildford dudley#guildford dudley#jane x guildford#guildford and jane
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Help Fandom Wiki!
So, my post about me doing my Enhanced Aph Wiki has gotten ALOT of attention, and I'm shocked at the positive response it has gotten.
However, I made an important reblog/comments by both me and @lggy regarding the Fandom Aph Wiki. In my original post, I talked about how I wasn't sasified with the Fandom wiki or with Fandom in general. While not outright stated, it still gave out the impression that I was trying to slander those who work on the Aphmau Wiki on Fandom.
So, for some clarification;
A.) I am NOT slandering the people who work hard on the Aph Wiki on Fandom! They are doing great work, and I completely understand why they haven't transfered off of Fandom (theres a risk of being stripped of everything and Ioosing), and considering how popular Fandom is as a site I'm not saying they should. That's a shit ton of work for people to do.
B.) I am NOT suggesting that people of the fandom should leave that wiki, or that I am trying to upstage the massive amount of effort that has gone into the current wiki. There is alot of effort put in there, and they need help. I can understand fustration when you're working hard on something for fandom then it getting disregarded by someone who just came out of no where.
If this was what you got out of my original post, then I am really sorry. I never was trying to insinuate anything rather then "here's an idea that I'm gonna work on and I just wanted to show you the idea!"
My personal beef with Fandom Wiki is with the site Fandom rather then the admins and editors that help mantain the pages. My beef comes with how Fandom can act and the sheer amount of ads on their pages. Never the people who voulenteer their time and effort to keeping communities' wikis up.
The wiki idea I have is incredibly in-depth. Like, full on episode transcript of actions and dialouge, as well as tons of screenshots showing outfits, and even meta elaboration (i.e. the amulet in Season 1, Episode 91 that is shown is from Thaumcraft. Season 1 Shadowknight armor is made from the Nether Scorpion Armor from Mo'Creatures, etc.). Walls of text meant to be a reference point.
This type of description, elabroation and content doesn't really work with Fandom Wiki. They can't elaborate every single thing when it's meant to be a quick run-down, not a doctoral thesis of explaining Minecraft Roleplay. Enchanted/Enhanced is a personal project for me that I wanted to share to Aphblr mostly to share resources. I wanted to make an uber detailed wiki archive for myself, and to share to for fic writers/artist who need a super specific reference.
But the major thing here is that Fandom Aph Wiki needs help! They need more people to expand and help that wiki, as there are alot of incompleted pages and edits. There's already a team of people there and they can always use more hands! There's even a list nicely made by Iggy on what needs to be done and what needs the most work on.
The Enhanced/Enchanted Wiki won't be avalablie in any time soon considering that this is a personal project to my standards, I am working on this solo, I have no funding for it or any means of funding, and I have college that I'm starting next week. The soonest I could give any real update would be possibly 2 weeks, and that's the earliest I could give.
Fandom Aph Wiki? Has none of the issues above! By all means they have way more established compared to what I have right now, and they have everything up!
If any of you are possibly intrested in helping, please contacting @lggy !
Iggy is the Main Admin on the Fandom Wiki, and they have a list of things that need help with already ready to show so it can get done asap.
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I got to say I really liked the episode (despite only having watched exu calamity of the exu series) and I think maybe Matt needed a breather after so many fast paced, lore filled episodes.
however, I am kinda bummed that the fcg processing has been put on hold for (at least) two weeks now and that means that, despite them being great actors that truly merge with their characters at the table, their reactions will be much less raw and there’s a chance some of them will forget tidbits of information, emotions they felt when it happened because they (as role players) will have had time to process it out of the game and it might create a dissonance in the game. tbf I kind of felt the difference even between the end of ep 91 and the beginning of 92 but it made sense because technically they were still running and couldn’t afford to process. idk. I have hope that we’ll still see that raw emotion, but I fear it won’t be as impactful as it could’ve been, especially if they’ll have to put the “reporting for duty” hat on immediately when they get to the camp
I think being a little bummed about the sort of unexpected hiatus on the Bell's Hells/Post F.C.G processing is super understandable! As someone who also really did enjoy the Crownskeepers return (hello im still yelling about Opal internally), I'm kind of in the same camp of being kind of thrown/disappointed about not getting to really dig into/sit with the Bell's Hells post-F.C.G loss. Like, LOVED the Crownkeepers, fascinating second half, kind of meh on the specific timing.
I'm holding my reservations about whether they're going to have to keep running/moving once we return to their portion of the story, since hey, until it happens (or doesn't!), we don't know, so I don't feel like getting too in my head about it until then.
That said! I do think that in general the cast puts characterization and staying true to the emotions of the character/story as a very high priority within the campaign. I think you're right that it won't be the exact same as if they had done a big emotional blowup/goodbye/processing scene in the same ep where they lost F.C.G, or immediately after. I don't think that means it has to be less impactful, just that- yeah, they'll have had more time to actually think/process it.
But they're also all professional voice actors who have, IMO, thus far shown how much they think about the inner lives of their characters and enjoy really digging deep into the emotional/interpersonal aspects of roleplay.
My assumption (my hope?) is that with additional time to think about + process a devastating/deeply emotional loss for their character(s), they'd choose to lean into that more, and not less. It wont be the same as the immediate raw reactions, thats true! But i dont think that means it has to be less impactful, even if they (as people) have had more time to process, and will be choosing how their characters, fresh off the loss, react. I dont think thats a guarantee it will be less impactful/emotional (maybe the additional thinking would actually enhance the reactions being true/insightful to the characters vs gut reactions from cast), but it will be different.
But if the cast chooses to lean into the heartbreak/emotions, and the circumstances of the BH in the upcoming ep enable it, I'm sure they can still kick my ass (emotionally), timeskip or not.
In general, I'm cautiously optimistic about what could happen next! Even if I don't love the timing thus far. I think there's still plenty of ways for me to get what I'm hoping for wrt F.C.G/BH. :] There are plenty of ways for me to get let down too, probably, but until it happens, or doesn't, I'm opting to not get too doomery about it. We'll see.
I uh. Hope that helps? A bit? Being bummed about specific things you were hoping for being off the table is totally reasonable. just hoping to lend an alternate way of viewing it, if desired.
(i wrote the sentence: "don't be lamenting your chickens before they hatch" and then went "what the fuck" out loud. i spent 4 hours at work today just doing systems diagramming and my brain is fried. clearly. keeping this here for my own entertainment.)
#im kind of tired im sorry if this makes no sense lmao. i appreciate the ask! sorry if my answer comes off as flippant. i do get where you're#coming from and wanted to share how im personally choosing to approsch it haha#critical role#cr spoilers#c3e92#bell's hells#spar speaks#ask away!#speculation#fcg#imo its like how we probably wont be getting situations like marisha shellshocked live tweeting after jester saved beau with a cupcake#but we get the cast doing sneaky little tweets before the episode airs but after theyve already experienced it#different for sure. doesnt have to be worse. thats more up to personal opinion i think#i fully wrote that chicken thing and went. thats the idiom right. and then stared at it and went. ... no. its not.#should i have waited to answer this ask? maybe. but oh well.#i should probably get some sleep though
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Henry Earl Holliman (September 11, 1928 – November 25, 2024) Film, stage and television actor, animal rights activist, and singer known for his many character roles in films, mostly Westerns and dramas, in the 1950s and 1960s. He won a Golden Globe Award for the film The Rainmaker (1956) and portrayed Sergeant Bill Crowley on the television police drama Police Woman throughout its 1974 to 1978 run.
Aside from his film appearances he also had several notable television appearances in The Twilight Zone; Hotel de Paree; The Thorn Birds; Gunsmoke; Murder, She Wrote; and Caroline in the City.
Holliman became known to television audiences through his portrayal as Sundance in CBS's Hotel de Paree, with co-star Jeanette Nolan, from 1959 to 1960, and in the title role of Mitch Guthrie with Andrew Prine in NBC's Wide Country, a drama about modern rodeo performers that aired for 28 episodes between 1962 and 1963. He also had the distinction of appearing in the debut episode of CBS's The Twilight Zone, titled "Where Is Everybody?", which aired on October 2, 1959, the same night as the premiere of Hotel de Paree. In 1967, Holliman guest-starred on Wayne Maunder's short-lived ABC military-Western series Custer. In 1970 and 1971, Holliman made two appearances in the Western comedy series Alias Smith and Jones starring Pete Duel and Ben Murphy.
From 1974 to 1978, he portrayed Sergeant Bill Crowley opposite Angie Dickinson in the Police Woman series. He co-starred in all 91 episodes of the hit series (which he later remarked changed his life), playing the police department superior of undercover officer Pepper Anderson. He later took part in The Dean Martin Celebrity Roast comedy roast of co-star Dickinson on August 2, 1977. (Wikipedia)
IMDb Listing
#Earl Holliman#TV#Obit#Obituaruy#O2024#Wide Country#Police Woman#Hotel de Paree#The Thorn Birds#The Twilight Zone#Custer#Gunsmoke: Return to Dodge#Alias Smith and Jones
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The Report Card – Fantasy High Junior Year Ep 8
Enter the Vultureverse
Welcome back to the Report Card where we are having a mini recap because my schedule has been off the wall bonkers! Luckily, this week we can split the episode pretty neatly into two sections: research and fighting. We’ll go more in depth on the research than the fighting because those are the bits that will be more long term plot relevant though I’m sure the fighting will be long term relevant to Gorgug and the therapist I hope he has because yikes gang!
First things first, we resolve stress tokens which the party has to use to nerf themselves and take disadvantage on the skills they choose. They are as follows:
Fig: Insight and Religion.
Gorgug: Initiative, Insight, Deception, and Charisma Saves.
Adaine: Initiative, Intimidation and Persuasion.
Fabian: Tool Proficiencies, History, Investigation, and Perception.
Kristen: Initiative, Wisdom Saves, and Medicine
Riz: Perception, Survival, Athletics, and Deception.
When we left, Lydia had dropped off all the info from her old party mates and the Bad Kids were surprised to see that it was all written not in Infernal but in Giant. The whole gang (except Gorgug who’s still at home) circles up in Adaine’s tower to help and she casts Comprehend Languages so she can read the texts. Fig tosses Adaine a bardic to juice her History roll which prompts Brennan to have Siobhan roll on a d100. On a 91, Adaine’s stomach gurgles and a cloud of dust mites fly into her eyes, causing her to knock her head and pass out.
Kristen rushes to her aid (with a medicine check rather than spells since she’s currently out) to stabilize her. Brennan asks if she rolled less than an 8 and even though she didn’t, her stomach also gurgles and she sees a vision of the food court: a flash of red, a familiar scream (not Cass), and then silence. In Adaine’s eyes, she sees splattered blood reflected. Ominous!
Everyone is freaked and they’re getting major shrimp vibes. Fig declares herself cursed and submits to arcana checks from everyone. With his angel-spy necktie, Riz casts Detect Good and Evil and finds a fiendish aura around her that’s different than her natural one. She is for sure cursed.
While this is going on, Gorgug is at home, watching Frostyfaire stuff get set up. His parents allude to some ~mysterious machines~ under tarps and promise not to embarrass him. That’s not oddly specific at all and it certainly won’t come back to bite him in this very same episode. He gets the text from the group that Adaine passed out and goes to meet up with them but, as he leaves, he sees electricity running through one of his parents many gadgets and has a moment of inspiration about how the pulse of the electricity and the pulse of his blood and heart when he’s raging might have some kind of synchronicity. He makes a note and saves it for later.
OK! Now let’s round up all the new info the party learns from the notes Lydia provided:
There’s a record of Ruvina (Lucy’s god) giving Cass a wedding gift: a Bridle of Frost that would allow her to command a team of fiery horses. The fact that Cass was married is new info and Riz speculates whether she was being married to a giant/giant god.
Apparently, Cass, Galicaea (her sister), and Sol (her brother) were traveling together in the Mountains of Chaos.
(As an aside, we learn that Cass is more aligned with fae and Galicaea is with the elves–we knew that second part already. We also learn that Helio’s mom was a mortal woman.)
We learn of a law of magic called Obliviati Mori by Clerics and the Law of Theothanatic Silence by wizards. It basically means that even though gods can remember dead gods, they’re not allowed to revive them via worship by speaking their name and reminding mortals of them. Adaine gets the sense that if this is a law then it can be broken somehow and Brennan says yes, but there are likely hefty arcane penalties.
Fabian wonders if Cass’s, “I thought you were dead” was referring to this dead god who is maybe her ex. Riz wonders if Lucy was possessed by a god and that’s how she was able to write down the name of the dead god–something that should have been impossible since no mortals know their name and no gods are allowed to speak or write it.
Fig thinks the Ratgrinders are being mighty suspicious in their seeming lack of mourning for Lucy and especially in Ivy’s not shocked reaction to seeing her disguised as Lucy.
(These next pieces of info we don’t get until after a short interlude but I’m gonna put it here to keep it neat.)
Riz thinks that it’s suspicious that Tracker’s church would suddenly be blowing up right when this dead god is coming back and wonders if there might be some shenanigans going on where their worship is somehow being siphoned off to power this other god (something gods are specifically not supposed to do).
In one of the books, Kristen sees an illuminated page (illuminated as in illustrated–think Book of Kells) that is unfinished. It has an empty arch wreathed in flames and a design of red 24 point stars with sharp rays that are very similar looking to the shatter stars they encountered in the mall fight.
Fig wonders if a union of Doubt and Rage (Cass and this unknown god) was maybe too powerful so their marriage was sabotaged by another god.
After all the research, it’s almost time to go to Frostyfaire, but before they do, Kristen takes a leap of faith and (1) texts Tracker to see if they can meet up since her god is relevant to the investigation and (2) texts her parents to ask if they want to get coffee. Tracker says she’s busy the next few days but she’s free starting on Monday. Kristen's parents don’t text her back but her brother Bucky does and lets her know that her parents are debating it but it feels like they’re gonna say yes. Sibling loyalty!
Adaine does a Detect Magic on the token Kristen’s teacher gave her and determines that it’s basically a deity-less Holy Symbol so she’s got something to tide her over while she works on getting Cass back.
Fig, who you’ll recall is dabbling in paladin classes, decides to pray for the first time and attunes to a moment of doubt that’s sacred to her: when her horns first started growing in and it changed her whole life, ultimately for the better. The shards from Cass in Kristen’s pocket glows indigo and she decides to pray with Fig as well, gaining a 6th level spell slot back in the process.
On to the fair!
When they arrive, Gorgug’s parents welcome them–incluing Fig’s alter-emo Wanda since she’s in disguise to mess with Ruben/hopefully get some info. Riz and Kristen are thinking that all the crunchy, granola kids here from Aguefort are a substantial voting block but, before they can do anything about that, an old druid shows up and offers them a toke of his pipe.
Fool the Bad Kids once, shame on you, but they’re NOT getting trapped in a net like Max. They all immediately roll to check if something’s up and Adaine crits, clocking the druid as an illusion. Riz casually says, “No thanks Oisin,” as Adaine casts Dispel Magic, revealing not the Ratgrinder’s wizard but their bard, Ruben who sneers at them and then gets into an argument with Gorgug about whether he (Ruben) shits or not. Very normal teenager conversations. Fig has dipped at this point because she wants to debut as Wanda to Ruben at a strategic moment but she secretly hits him with a Hex to his Int to help guard against any rolls he might make to clock her disguise later. She also notices how mad Gorgug is getting at Ruben’s nonsense and texts Porter a list of things that piss Gorgug off, trying to help him out.
Ruben’s band, My Clerical Gnomance (of course), of which Fabian is a big fan (sure) head to the stage and start playing their set but then, all of a sudden, thunder rumbles and a surge of electricity makes the stage lights go weird. In a flash, Grix appears, hovering above the crowd! He assesses the crowd and finds it full of rulebreakers and felonies so he decides to do his part in restoring “Perfect Order” by CASTING DISINTEGRATE ON RUBEN. Why is he even here? This is so outside of his jurisdiction! He says the school experience is best optimized by being omnipresent but COME ON man! This can’t be legal, even in Spyre!
Anyway, initiative!
Like I said, we’re really gonna breeze through this fight because it’s mostly non-plot relevant but there are a few things I want to highlight:
Adaine right away burns a portent roll to save Ruben from the Disintegrate. I wonder if, in Ruben’s mind, that’s worth being a little softer towards the Bad Kids in the future.
Grix uses a spell or ability to awaken all the nearby machines to fight by his side but…uh…the Thistlesprings were busy during the four months of night and they decided to retrofit some of their random appliances into very elaborate sex toys. Both Zac and Gorgug are mortified.
Ruben curiously doesn’t just ditch when the going gets rough like you might expect someone who only grinds rats to do. He stays and does what you’d hope a bard would do: plays with this band to distribute bardics to everyone. Of course some of that is probably to impress “Wanda” who he spots in the crowd but you have to wonder how much his personal adventuring philosophy aligns with his party’s. Maybe not everything he’s done is logged on the official record. Also, he seems horrified by the situation so either (1) the RG’s aren’t somehow collaborating with Grix, (2) they are but only certain RG’s are in on it, or (3) he’s a great actor which he could be as a bard but I think that’s least likely.
We learn that Gorgug in addition to his homunculus, Cloaca, now has a steel defender: a gecko named Clobica (a Battle Smith class feature). It’s kinda like a familiar that can attack.
The fight gets hairy fast with multiple Bad Kids getting stunned and Adaine going down. Kristen uses her one spell slot to cast Mass Cure Wounds but that still leaves Adaine, a squishy wizard, surrounded by enemies and a bunch of party members stunned and failing to snap out of it.
Grix mentions that he was warned to expect tomfoolery in general but especially from the Bad Kids which of course begs the question, “By who?”
Grix is successfully able to cast Dominate Monster on Riz by appealing to his sense of order and visions of Lord Salazar Edge's College of Lone Adventurers dance in his head. He turns his attention to Adaine next (which makes me wonder if he was just consulting a dossier on the Bad Kids in that moment because Riz and Adaine are for sure the ones you’d target with this pitch).
Now, this episode might be known as the one where they had to fight a sex toy lawnmower except for what happens next. Because, much like in the first fight this season, there is a vulture on this battle set. And our intrepid heroes noticed it immediately. So, back against the wall, party in dire straits, and out of spell slots, Kristen decides to interact with the vulture as the rest of the table give thumbs up, supporting the bit.
She prays to Cass, asking for help in connecting with the vulture and then gives a now very familiar, “Heyyyyyy girlie.”
“WHAT DID YOU JUST CALL ME?” the vulture says to the surprise of the full table. Feathers whip around the dome and a graphic appears: YOU ARE ENTERING THE VULTURE DIMENSION. A new set is brought out. Everyone is losing their minds. I didn’t take a hit from Ruben's pipe but I feel high. And that’s where we end our episode!
No extras this week because I’m crunched for time but, don’t worry, I’ll roll that all into next recap since the fight continues in the next ep. Can’t wait to figure out what the hell the vulture dimension is tonight!
#Dimension 20#dimension 20 spoilers#d20#d20 spoilers#fantasy high#fantasy high spoilers#fhjy#fhjy spoilers#spoilers#the report card
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People always go on about how great Oshii was with the original Urusei Yatsura anime, but frankly I think Yamazaki's run is a lot stronger. Oshii has a very analytical view on things which while great for comedy and the structuring of gags, comes at the expense of emotion. Whenever you see him gesturing towards emotion it almost always has a feeling of detachment to it, especially as he gains more control over the show as it goes on (as an example, Only You has a decent enough show of emotion, meanwhile Beautiful Dreamer largely lacks it in favour of obtusely presented logic and what of it that is presented feels hollow and false). Yamazaki by comparison excels at presenting emotion, both melancholy and joy, by taking Oshii's brand of interpretative imagery and infusing it with these feelings rather than cold, unfeeling logic. This is true both in his half of the show as well as a lot of episodes with his involvement during Oshii's run (I'd say this is also true of other things I've seen by him such as Slayers Perfect and especially his run on Maison Ikkoku).
My least favourite stretch of the show is episodes 172-188, which feels like a result of the crew being stretched too thin working on both the show and Lum the Forever at the same time (and I believe also starting production on Maison Ikkoku?) as well as them starting to run out of steam after working on the show for so many years. My other least favourite stretch of the show is from around episode 91 or so right up to the end of Oshii's run. I would say Yamazaki's bad stretch has a worse collection of episodes, a lot of the worst in the show, however I find myself being more upset with Oshii's due to the direction he takes Ataru. His analytical way of thinking infects Ataru throughout his time as series director, but it really comes to a head around here, making him way more aware, considered, and upfront about his feelings towards Lum in a way that's significantly less entertaining or interesting (again, good for comedy, bad for romance/emotion). With Yamazaki, Ataru keeps his feelings close to his chest which I find much more compelling and results in some of the best episodes relating to his character such as 143, 157, and 163, as well as Remember My Love. Lum is also weaker during the Oshii half, being portrayed as much more cutesy and ignorant (though in its defence, in episode 69 it's hinted that this might be a deliberate lifestyle choice, another example of Oshii's obsession with analysation), meanwhile she's much more assertive and hot headed in Yamazaki's half (not that she's not like that at all in Oshii's run, but there's a clear difference in priority). I will say this does give the show an interesting dichotomy, with the first half being presented more through Ataru's perspective and the second half being presented through Lum's (I should mention I've been slowly reading through the manga and haven't gotten very far, so if what I'm attributing to Oshii and Yamazaki is just from the source material I apologise for the assumption. Please correct me if I'm mistaken!).
Outside of his stretch of largely bad episodes (which even still has a couple good and great episodes in there!), really my only issue with Yamazaki is that there's a large over-reliance on big head and mallet gags, and even then I don't find those objectionable, they're just kind of limp jokes. Easy to forgive too as the rest of the comedy is still great. If that's my only big complaint with him, then I'd say he did a more than serviceable job continuing the show. I'd say he did an even better job than Oshii.
#urusei yatsura#kazuo yamazaki#Sorry for the ramble but this has been on my mind and I wanted to put this out into the online discussion of UY#I never hear Yamazaki get the praise or credit i think think he deserves compared to Oshii and i think that's a shame#What I'm saying with all this is that Yamazaki made a better “Beautiful Dreamer” with Lum the Forever under worse conditions than Oshii had
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season three of the magnus archives was fucking awesome
ep 81: "guess who got framed for murder" "anyways my childhood was fucked up"
ep 82: "it was a little bloody and i didn't like daisy" - my mother
ep 83: "JON? There's a weird letter in the mailbox for you. Says.. uh... 'statement of'" jon crashing through the wall with tape recorder sfx
ep 84: I GOT A JOB AT THE MAGNUS INSTITUTE?!? (I'M INEXTRICABLY TIED TO A BEING BEYOND MY COMPREHENSION)
ep 85: The man was there but also wasn't, fuck you want from me?
ep 86: Holy fuck i love melanie king i can't think of a funny 3am joke for this one except i can WORKING MY JOB AT THE MAGNUS ARCHIVES (READ A PAPER ABOUT CHILDHOOD TRAUMA) (MY COWORKERS NEED THERAPY) but seriously i love melanie king so much i need her to get out of there and to safety
ep 87: the Stranger watching this plumber with adhd swag walk in, fix their pipes, and leave despite all of the dead people's faces being cut off around him
ep 88: DIG.
ep 89: girlboss explains her fire fetish to concerned eldritch entity in training, oh and also AAAAAAAAAAAAAAAAAAA
ep 90: dude calm the fuck down they're just doing some reps on the high bar so what if they have no eyes it's fine dude why are you running
ep 91: Daisy Tonner kills mr. blue sky
ep 92: Elias really said "acab, also i killed gertrude and leitner lol. we're at war with a dozen or so eldritch abominations"
ep 93: Jonathan Sims explains the magnus archives lore to his friends after reading a statement about the corruption from terraria
ep 94: "the monster stole all of my 'give a damn' many years ago"
ep 95: Basira reading her alchemy book two feet away while Martin has a crisis over the fact he can feel the emotions of the statement giver when recording
ep 96: Jon and Daisy do a silly and commit a crime or two (broke and entered, murdered a mandela catalogue alternate, etc)
ep 97: "Are you going to kill me?" "What?? No!!!" "..." "well not rn!!!"
ep 98: "Are you worried about getting fired?" Melanie on her way to commit attempted murder
ep 99: Jonathan Sims gets kidnapped by the clown police (ASMR)
ep 100: can't believe we got The Spiral, The Desolation, The Web, the Dark/Buried, the Lonely in the same episode. the statements were so well done and the were clear and precise
ep 101: "why is the door locked" michael, 2 seconds before helen has a gamer's rise up moment
ep 102: knives, beetle wives, french, oh my!
ep 103: jon really said "fuck it we ball" and decided to use his eldritch powers to be petty
ep 104: "Tim! I might be an eldritch monster but that was unacceptable!"
ep 105: "你说中文?" "no i don't speak chinese"
ep 106: FUCK YOU ELIAS (GONE WRONG) (I WANT THIS BITCH DEAD)
ep 107: JON EATS THE STATEMENTS AND ALSO TREVOR AND JULIA ARE THERE THIS IS THE FIRST EPISODE WHERE I FELT INCREDIBLY EXCITED IS THIS WHAT MCU FANS FELT LIKE ENDGAME
ep 108: "Was he… woOoOo?" -- Basira Hussain, 2017
ep 109: FNAF but with three screaming corpses and a guy
ep 110: trans cinematographer deconstructs the film industry (and mr spider is there too)
ep 111: Jon interviews an emo book (real)
ep 112: #1 Victory Royale
ep 113: "STOP-- touching the plastic explosive"
ep 114: daisy and tim getting happy over the prospect of exploding a circus
ep 115: delicious, finally some good fucking food
ep 116: fuck your dance in particular *CANNON SFX*
ep 117: "hope we don't die!" vs tim and daisy's "fuck it we ball"
ep 118: Martin gets to commit arson-- FUCK YOU ELIAS FUCK YOU ELIAS FUCK YOU ELIAS FU
ep 119: genuinely one of the coolest episodes i've ever listened to due in part to the fact that i was just as confused as the characters (i listened without a transcript). The ways the stranger fucks with the archives team while they're slowly going insane from how much they've forgotten and no longer understand is phenomenal. I'm gonna miss Tim.
ep 120: world's weirdest clipshow that ends with police brutality
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Best Underrated Anime Group D Round 4: 91 Days vs Karneval
#D1: 91 Days
Prohibition era Mafia revenge story
#D4: Karneval
Two kids join in hunting monsters and uncovering secrets
Details and poll under the cut!
#D1: 91 Days
youtube
Summary:
As a child living in the town of Lawless, Angelo Lagusa has witnessed a tragedy: his parents and younger brother have been mercilessly slaughtered by the Vanetti mafia family. Losing everything he holds dear, he leaves both his name and hometown behind, adopting the new identity of Avilio Bruno. Seven years later, Avilio finally has his chance for revenge when he receives a mysterious letter prompting him to return to Lawless. Obliging, he soon encounters the Vanetti don’s son, Nero, and seeks to befriend him using the skills he has quietly honed for years. Set during the Prohibition era, this show tells the story of Avilio’s dark, bloodstained path to vengeance, as he slowly ends each of the men involved in the killing of his family.
Propaganda:
This series has character designs by the art director of Baccano. In fact, the setting of it being in the early 1920s in America is sort of reminiscent of Baccano. However, the story is much crueler and more grounded than that other famous series, even if it involves a similar amount of guns and blood.
The anime follows a broken and traumatized young man fueled by revenge. It’s a tragedy and a thriller and a Mafia series. We see the lengths Angelo Lagusa goes to avenge his family, whom he’s the last living survivor of. He changes his name and leads a double life, getting close to the Vanetti family, who killed his birth family. But in the process of trying to do this, he gets adopted into this Mafia family.
He must wrestle with his morality as he keeps on the bloody road of revenge. People that don’t deserve to be hurt get hurt or killed because of his actions—even dying by his hands.
It's an anime that shows just how far someone is willing to go for revenge, willing to break everything in his path for it. And considering the Prohibition era came to an end in history, was all the trickery and killing even worth it?
Trigger Warnings: Animal Cruelty/Death, Cannibalism, Emotional Abuse, Graphic Depictions of Cruelty/Violence/Gore, Suicide, Alcohol and Smoking.
This entire series is a mob story so there's lots of guns, blood, and killing. There is an assisted suicide of an important character. Also the family dog dies when the main character's family is massacred in the first episode.
#D4: Karneval
youtube
Summary:
While in search of his precious friend, a young boy named Nai falls captive to a beautiful woman, whose looks are matched only by her taste for human flesh. Meanwhile Gareki, a clever thief, is in the midst of robbing her luxurious home. After causing a distraction, Gareki agrees to help Nai escape, but they are discovered upon the woman's return. As she transforms into a ghoulish monster, the boys flee.
On the run, Nai and Gareki are found by “Circus,” a government defense agency that deals with criminal activity too difficult for the police to handle and protects civilians from “varuga”—terrible monsters that devour humans for sustenance. In the hope that it will lead Nai to his missing friend, he and Gareki decide to join Circus. On their perilous journey, they face dangerous varuga and begin to uncover the secrets behind a shadowy organization known as Kafka.
Propaganda:
Karneval has two of the best protagonists I’ve ever seen. Gareki is superior to every other teenage boy protagonist in anime. His character arc, even in this one season that covers just a fraction of the manga, is so well-developed. I like that his arc is an emotionally driven coming-of-age and not a power fantasy.
Along with the main characters, Karneval has fantastic characters across the board. There is not a single supporting character I don't love (even the ones who annoy me). None of the female characters are reduced to love interests and are all unique and interesting, which can be hard to find sometimes in anime.
It is made by a female writer, which is always great to see, and for people who aren't really interested in romance, the anime is extremely friendship and found family driven. The found family aspect is really at the forefront of the series as Circus is not a glorified group and they don't get to have families which makes the bond between members so important.
The tone balance is amazing. In one episode, you can go on an emotional journey from laughing to crying in seconds. The plot is engaging with wild reveals and compelling mysteries to follow. The fantastical world is unique with the contrast of the dark monsters in a bright and colorful world. If you watch it in Japanese, the voice cast is so good and the soundtrack is also really good.
TL;DR it’s an interesting story with amazing characters to whom you will get attached.
Trigger Warnings: Graphic Depictions of Cruelty/Violence/Gore, Misrepresentation of Dissociative Identity Disorder (DID)
When reblogging and adding your own propaganda, please tag me @best-underrated-anime so that I’ll be sure to see it.
If you want to criticize one of the shows above to give the one you’re rooting for an advantage, then do so constructively. I do not tolerate groundless hate or slander on this blog. If I catch you doing such a thing in the notes, be it in the tags or reblogs, I will block you.
Know one of the shows above and not satisfied with how it’s presented in this tournament? Just fill up this form with your revisions, and I’ll consider adapting those changes.
New: Starting round 5, screenshots will be included in the poll post. You can submit screenshots through the form linked above, or through here, via ask or dm.
Guidelines in submitting screenshots:
No NSFW or spoilery images.
Pick some good images please. Don’t send any blurry or pixelated ones.
You may send up to 9 screenshots, but not all may be used.
#anime#best underrated anime#polls#poll tournament#tournament#anime tournament#animation#group stage#group stage round 4#tournament polls#91 days#91 days anime#karneval#karneval anime#group d
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Yu-Gi-Oh! Go Rush!! Episode 90 Sub Release
Torrent
Support us on ko-fi
Please make sure to read the FAQ if you have any questions.
There are translation notes below, so spoilers ahead.
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ドッチ・ジャーニー・ショウ! Which Way the Book Turns!
This is a pun-laden name from Dudi again. It can be romanized literally as "Which Journey Shall/Shows!", but it is also a play on 書 (sho), which can sometimes be used to refer to a book - like the one Dudi is reading in the card art.
I just tried my best here; I'm sure there's a punnier name that makes me go "oh my god why didn't I think of that" once YGOrg puts their article out.
お前の中でこれがしの自我を保つのは難しそうだ "Your body is unable to sustain my ego."
Clarifying here that Kuaidul means this in the sense that if he merges with Yuudias, something disastrous will occur... to Yuudias. He is willingly undoing the fusion, or reversing it, so that it doesn't harm him.
He is "letting go" of Yuudias of his own volition.
種の寿命が尽きようとしている "Our species is approaching the limit of our lifespans."
More accurately, Kuaidul is trying to say "our species is going to exhaust our lifespan", as in "use up" or "run out", but I couldn't think of a way to word this that had the same finality as limit.
It is very much with a finality that Kuaidul says this. Interpret as you wish.
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Some other easter eggs
In order for Shewbahha's card to activate, Yuudias had to send Leviaknight (Phaser's card) to the grave - kinda like giving Shewbahha something to eat!
Nyandestar's Cat Claw Girl is the last obstacle that everyone must overcome, which is fitting considering she was the first ever card created by Kuaidul
Similarly, the last people to give Yuudias the ATK boost he needs are some of the first people he ever met upon arriving on Earth... Yuamu and Yuuhi!
Dudi Nishaw, though he's part of the Dudi Ducasse, is in fact a Velgearian... due to how he's supposed to be one of the three "factions" fighting in the Velgear Star Cluster. You can sort of think of the term "Velgearian" as both a species identifier and a nationality. Dudi is a "Velgearian" species-wise, but he is Dudi Ducasse in terms of nationality. Hope that makes sense!
The "Andromeda-Milky Way collision" is a real thing that is projected to happen... in the next 4.5 billion years. According to Wikipedia, it's actually not going to cause much damage to either galaxy or the stars within it at all, due to how far apart each individual star is. In fact, by the time this happens, all life on Earth would've been wiped out about 3 billion years ago anyway due to the Sun's growing instability
In Mahayana Buddhism, which Japanese Buddhism is derived from, a "bodhisattva" is someone with "a spontaneous wish and compassionate mind to attain Buddhahood for the benefit of all" - does it sound familiar? It's Yuudias offering his body to Kuaidul even despite all of the wrongs he has committed.
I guess we now know why the ED is titled "Song of Departure"
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Announcements
Go Rush will be taking a break on New Years weekend and will not air an episode then! The next episode will be on January 7th.
As well, the entameSubs team will be on vacation for the next two weeks. I will be in Japan! That means episode 91 will be massively delayed until I get back.
There will be a dedicated announcement post of the vacation in a day or two, just so people are aware.
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And that's a wrap!
I cannot begin to tell you how excited I am for Go Rush season 3, now that we know that's a thing that's happening! It has always been something I wanted because I adore this show to bits... but I was so convinced we would be moving onto the next series already.
But here we are! The voice actor of Yuudias, Arthur, said that this third year was only possible "with [the fan's] support" - so it's wonderful and heartwarming to know Go Rush is very well received.
Merry Christmas, if you celebrate! Happy Holidays otherwise!
This is one of my favorite episodes of all of Yu-Gi-Oh! as a whole. I have not cried at a finale or even any episode like this since ZEXAL aired Nasch vs Yuuma ten years ago.
I leave you with a quote from one of my favorite games that applies word-for-word to this episode. Just replace "Ardbert" with "Yuudias".
Yuudias chose love, and Kuaidul was undone.
Happy New Year.
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FHJY Spoilers || my live thoughts as I watch episode 8
I am playing tomodachi life as I watch this. if anyone is curious, I named my island Yorb Island. I just restarted it
IT'S OUR TIME IT'S OUR YEAR
The lip syncing
see you at basrars! goodnight everyone
"Confirmed to be dead" NO. she is confirmed to not be on the mortal plane, perhaps she simply is chilling in the astral realm (I don't want her to be actually dead she looks too lovely)
licking baby..... :(
the lobster bisque
"Gorgug's roots of never being good" CRYING
I feel adaine right now. I am in such a point where I am very antisocial
glassblowing!!!
This disadvantage stuff is actually making me stressed
There's something beautiful about the bad kids not really caring that Kristen doesn't have magic, they still love her. A true "would you still love me if I was a worm?" She has nothing to offer right now, and yet, her friends move her more than anything
Riz can't focus :(
LYDIA 🔥🔥🔥🔥🔥🔥🔥
OH NO.... ADAINE.....
A d100???????????????????
91?!?!!?! oh no
ADAINE?!!?!??
FLASH OF RED??????? HUH???? WHAT??? WHAT IS GOING ON??
Not Cassandra???? Familiar scream???
"Maybe it's not your fault at all"
"Yeah I definitely killed her..."
Fiendish aura??
"I out wretchrot on it!" "oh good..."
"I thought it was because he was a straight man wearing the pride armor"
"Are you talking about emo music...?"
Lala Embers..
AW DON'T CRY
I feel like the cup of tea..... would be the worst idea
"All drums welcome!"
"What the fuck are we doing?"
there's a nudity tent
There's nothing wrong with a body 🔥
CASSANDRA WAS MARRIED?
I can't wait to see all the theories after this episode
"I don't want to talk about it"
"Do you want a bardic" no one wants fig'd bardic 😭😭😭😭
oh thanks goodness he has meticulous notes
Theothantic silence
There's so much information being thrown at us
Gods could always remember dead goda
"I thought you were dead" oh my
Lucy was possessed...
AYDA MENTION!!!!
OH MY GOD AYDA MENTION!!!!! ADAINE MENTIONED AYDA!!!!
Alter Emo
"It's all natural, man"
"sexy"
BUCKY!!!!!!!!!! BUCKY BOY!!!!!
24 point starts have to be the red crystals
I love all this theorizing. This feels like a debriefing
"Wretchrot is so fucking god at his job."
Minor illustration running drills 😭😭😭😭
"That's my owl bear!!!!"
"8 foot Fabian on the field next week"
"You know how you see the unknown? You shine a light on it."
"Pop off my first prayer"
A 6TH LEVEL SPELL SLOT?
a lot of invisible naked people
I want to partake in this festival
FICUS
MURPH IMMEDIATELY PUTTING HIS HEAD IN HIS HANDS AFTER FIG TURNS INTO WANDA CHILDA 😭😭
not a mosh pit environment
4 1/2 long pipe??!!? ;!
"You wanna get fucking high?"
RUBEN
"Fig had to take a shit."
"Why are there so many naked old people at your house?" "I don't know man! I don't have anything to do with that."
Gorgug disliking Ruben is so good I can't stop giggling
MY CLERICAL GNOMANCE
There is. Something going on.
PRINCIPAL GRIX
RIP RUBEN???? DISINTEGRATE???
NEW MAP!!!
I can't believe Ruben is the front man of MCG
COUNTERSPELL
"don't do this...."
OH NO. OH GOD.
oh god.......... dildo lawnmower
"I've had sex before!"
IT WAS ALL UNDER THE TARP
NOOOOOO WILMA AND DIGBY!!!!!!! NOOOOO
"Ruthless... So they were into fucking machines?"
"These are your champions, Grix?!?!!?!"
"You're not perfect order."
Save the turtle!!!!!
yeah -5 movement. that's tough.
FABIAN TURN 🔥🔥
26 to hit 🔥🔥
they're all just from this summer 😭
"I'm in"
REMOTE ACCESS
That is a four!!!
GAMER POSE 😭
"We got him Porter."
The shoe rack
"Come with me!"
So many nude gnomes
MURPH CANCELLED A CRIT INTO A MISS
"♪I'M GONNA SAVE YOU♪"
DIMENSION DOOR
SO MUCH GOING ON WITH WANDA
"But that moment of terror does happen, 'cause I want him to feel it. I want him to know what would it feel like if the most important thing in his world disappeared."
LISTENING TO A PODCAST AT A MUSIC FESTIVAL
CLOBICA!!
He's not raging???? Let him rage!!!
Bypasses the shield?!?
STUNNED??
What A Day.
Can the air elemental go up Grix's butthole?
Intelligence saving throws
ALLY GOT THE 3 MUSKETEERS
D12 bardic??????
42 POINTS OF PSYCHIC DAMAGE?
NOOO CLOBICA
Rip Clobica
FOR THE LAWN AND FOR PLEASURE
HE BYPASSES'S GRIX'S SHIELD
Wilma and Digby to the rescue!
Kristen healing 🔥
11 points to Riz </3
33 POINTS OF FIRE DAMAGE?
the little mini displays of what's going on is so cool and cute I love them
Four parents on a battlefield is too many
MY CLERICAL GNOMANCE GIVING OUT BARDIC INSPIRATION
THE VULTURE
Gilearean!
THE COMPLICATED WOMEN PODCAST
I love the CW
BIG GRIX
I love Lou and Ally's energy together is so good
RIZ GUKGAK
"If I take 5 stress tokens—"
HE'S ABOUT TO WHAT? TAKE OVER WHO? RIZ NO!!!!!!!!!!!
NOOOOOOOO RIZ IS GETTING MIND CONTROLLED
"I'm mad at you for asking."
NOOO HE GOT A ONE NOOOOO
HE'S GONNA HIT THE TUBE
FINALLY HIS BAD ROLLS HELP
omg the vulture
"Yes. Abso-fucking-lutely, Brennan. Ally Beardsley is at a place of doubt and uncertainty with this move."
hey hirlie
OH MY GOD THE BACKDROP
THE CULTURE DIMENSION???
WHAT?????? WHAT????? THAT'S WHERE IT'S ENDING????????????
#fantasy high junior year spoilers#fhjy spoilers#spoilers#d20#fantasy high#dimension 20#d20 fantasy high#dimension 20 fantasy high#fantasy high junior year
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The Joys of Saturn: Why Aging Is Easier for Saturn and Capricorn People
There’s this saying in astrology that Saturn and Capricorn age in reverse. People born under the influence of these archetypes are born serious, and they learn playfulness and joy as they get older. I think it’s because they spend their youth learning about limits. By the time they’re old, they’ve learned to dance between the lines.
People born under the influence of Saturn and Capricorn are here for Saturn school, and Saturn school is all about boundaries. Your boundaries. Other people’s boundaries.. How to respect your own boundaries, even when others don’t. How to keep other people’s lack of boundaries from pushing you over your limits.
Saturn school is full of hard lessons. I have Saturn opposite the sun, and these are lessons I know well.
In Kindergarten, it became apparent that I had a physical disability that kept me from running around and playing with the other kids. There wasn’t a name for my disability at the time, but it’s since been recognized as one of the sub-types of Ehlers-Danlos syndrome. I experienced a lot of pain growing up with EDS. My body ached. I was diagnosed with arthritis as a teenager. I struggled to walk, so I spent many gym classes and recesses sitting on the sidelines.
For most kids, I think that growing up with EDS would have been torture, but I was a child of Saturn. My parents said I was born three years old, and adults often said I was “wise beyond my years.” I wanted nothing more than to be grown up, so I learned at an early age that if I listened quietly, adults would feel sorry for me, and I could sneak a seat at the adults table.
There were many years of frustration, waiting for the grownups to take me seriously, but I’ve spent almost 4 decades in Saturn school, and I’m finally starting to see the benefits.
Saturnine people shine in middle age and beyond. Aging is much easier for us. Because we are already so used to dealing with limitations, we tend to approach the limitations that come with aging with a sigh and a few adjustments. Astrologer and tarot reader Psyren calls this “Saturn’s promise.” She says that Saturn is tough on you when you’re young, but Saturn will “make sure your heart and looks are renewed like a child as you age.”
My favorite example of Saturn’s promise is Ray Bradbury. He had a Capricorn AC and Saturn conjunct Venus in Virgo. He was a super serious young man. He spent his life clawing his way into the publishing industry, literally paying his dues on a typewriter he had to pay to use at the library. Ray Bradbury always knew that he wanted to be a writer. He was a disciplined professional who wrote every day, but he was 30 years old when he started writing his bestselling novel Fahrenheit 451. It wasn’t published until he was 33.
As Ray Bradbury aged, his saturnine dedication to his work never left him, but he became more playful. When his stories were turned into the TV series Ray Bradbury Theater, every episode began with a view of his office, which was filled with model dinosaurs and toys.
By the time he died at the age of 91, he had a wide smile and eyes that sparkled.
“I want you to envy my joy,” he said. And it’s difficult to imagine anyone who wouldn’t.
When Saturn people reach middle age, we suddenly find ourselves in a better position than people we’ve spent our lives struggling to keep up with. People who haven’t learned Saturn’s lessons can get into their 40s and 50s without having a serious encounter with limits. There are people who find it easy to work with authority and manage to avoid sickness and disability. They learn that overcoming obstacles is just a matter of discipline and working harder, which makes it easy to believe that every obstacle will be overcome if you just put your back into it.
In youth, it can seem like Saturn has given them the better deal. The truth is that everyone has hard limits, and Saturn comes for all of us eventually. While Saturn’s children dance through old age, people who are meeting Saturn for the first time really struggle.
Lessons can be harder to learn when you’re older. People facing Saturn for the first time have often spent a lifetime building the habit of fighting harder when they don’t get what you want. For most people, pushing on in the face of adversity is a virtue. It’s called grit, and it’s a virtue American culture especially loves to applaud. Better yet, without Saturn’s restraining hand showing them their limits, people with grit often have a lot to show for their efforts.
Habits are hard to break, always, but they’re even harder to break when a good habit becomes unhelpful. When Saturn is in charge, grit is not a virtue. Learning how to recognize your limits, stop, and reassess is one of Saturn’s tests, and the consequences of failing Saturn’s tests in middle age can be severe. A hangover that used to last for 20 minutes can last for three days. Trying to take stairs two at a time can smack you in the face.
Were you a kid who sat on the sidelines? Have you spent your life feeling like a broken record that only plays, “I can’t…”
I see you. I see Saturn’s promise in you. Your joy is coming, and if you stick around long enough, everyone else will see it, too.
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