#rough draft I say and then write the whole thing out anyways

[tricksheart]

Rough Draft of Akira's Final Fantasy 16 verse.

Mostly isekai'd / transported into the world, as in his magic doesn't have cost issues except for like getting a good nights rest. His age is between 18-19 and is after the Strikers sequel. He wears his phantom thief attire but sometimes doesn't have his overcoat on himself due to the clothing being somewhat an obstacle because it keeps getting caught on stuff.

Goes by the name Arsene, as this name is more in line with the world of Final Fantasy 16's setting. Can use the jump command despite not being a Dragoon class. Uses mostly knives as his melee weapon but can and will use his magic-like gun to defeat monsters and the like. The other weapon does raise some eyebrows but most are wanting to free the realm, too busy to really question it. Curse magic is his main ability but is shown to use other elements to his advantage.

Sometimes is the Dominant of Alexander, transforming into a living breathing castle and is good at being the ultimate defense. Not tied to an element and doesn't even have the penalty effects of normal Dominats. But does suffer from the ability to go back to his home world if he uses it for too long. Only uses the form sparingly.

If he's not a Dominant, then he has full access to his personas but still needs to level up to use the more powerful ones. He has to explain that no, these are not Eikons but demons / shadows that come from mankind, not from some god or otherworldly presence.

Joins the party and resistance before the battle of Drake's Head. No one really questions his existence and his quick thinking makes him tell everyone that he crossed from the seas beyond the continent like their leader Cid had done previously. Constantly wears a permanent smirk on his face, causing others to comment on how there is a guy smirking ( him ) and a guy scowling ( Clive ).

People that are warm to him right away are Jill, Gav and Cid. Clive takes a few months to come around but is appreciated of Akira's sometimes somber silence and quick wit with strategy, which is valuable all around, even in the battle field. Akira also quotes words and actions from the play Clive likes, taking the field as Mordu ( sp? ) and makes a really good villain. He quickly tries to know as much about this world as he can and is usually found near Harpocrates's location in the hideaway. Akira is still a huge charmer, even in this world. Too bad most of them are looking at Clive and his outfit.

What happens to him during the end game is purely speculation but he mostly makes it back home, despite all the connections he made in this world.

[nohva]

Zoro drunkenly (or while tipsy) confesses his love to Sanji one night but, in the same breath, tells him it’s okay—he knows Sanji is straight and is fine with them remaining "only" crewmates, he just had to get these feelings out of his system. And Sanji is overwhelmed because ???? Where is this even coming from? Why is the mosshead suddenly saying these things? This isn’t how their relationship is supposed to work. They don’t do the whole talking thing, especially not about serious topics?? When they have emotions to work through they fight each other, maybe throw in an insult or two. But this? This is unfamiliar territory for Sanji, so he’s really not sure how to react, much less respond.

So he doesn’t; he just stares at Zoro, his mouth opening and closing. Zoro takes that as his sign, gets up from the stairs he’d been sitting on, and leaves for the sleeping quarters. It is quite late, after all.

The next morning while preparing breakfast Sanji is oh so tense. He’s still mostly confused because there’s just no way the green-haired brute could harbor any such feelings toward another human being—least of all him—could he? And what if this does change things? Zoro said it wouldn’t, but who's to say?

And Zoro acts like nothing ever happened, he's just the same old moss ball that drinks too much Sake and takes way too many naps during the day and Sanji is so confused and he's getting angry now, because how can he act so nonchalant while the cook is over here losing his god damn mind over this? Does Zoro maybe not remember confessing? Had he been that drunk?

And obviously Zoro DOES remember, and he's NOT calm at all. He's freaking out internally every time he and Sanji are in the same room, but he'd rather lose his remaining eye than have anyone notice. So he does his best to play it cool. And yeah, maybe he takes a nap or two more than usual, and maybe he spends even more time working out in the crow's nest than is strictly necessary, but that is nobody’s business but his own, isn’t it?

Bla bla bla cue Sanji questioning the universe and his existence, freaking out over his sexuality, sloooowly coming to terms with it and then freaking out again about telling Zoro and what it means for the crew dynamic etc etc.

Also Robin being somewhere in the background of the story, smiling to herself, sipping on her tea, because of course she knows something is up, and she has a pretty good idea of what it is about, even if she doesn’t know the whole story, because she knows pretty much everything that’s going on on the sunny, cause she’s the responsible older sister™️.

————————————————————-

I have never attempted to write anything before, not even a rough draft like this, but Zosan has been living in my head rent free for the past few months now, and once the idea for a possible plot popped up in my mind I absolutely needed to note it down. Oh well, I hope I am not embarrassing myself too much by posting this.

Anyways, this is the most I can offer due to a lack of actual literary skills, but I still hope you enjoyed!

The obligatory English isn’t my first language speech: please excuse any spelling and grammar mistakes, I tried my best, I swear!

[trensu]

do you think you'll put "Stasis in darkness" on AO3 eventually?

see, when the idea first came to me, I hadn't really planned on doing anything with it because I wasn't sure if I could make it work. there's a level of gravitas in the relationship between a god and their devoted servant that I didn't think would translate well to steddie because, let's be real, those boys are goofy dorks. but the idea wouldn't leave me alone so I typed up the original post in an attempt to work it out of my system and move on.

(the post kind of blew up, which I was not expecting at all!! like, not even a little bit! i post all sorts of rough little ideas for my own amusement and I've been able to do that without drawing much attention until that point.)

Anyway, I wouldn't have done much with it but @acowardinmordor left some comments/tags/what have you that helped me nail down the setting in my head which really opened the door for me to explore how the story could progress. (apologies, strife, I'm not sure I ever properly thanked you for that burst of inspiration, so please accept this shoutout as an expression of gratitude). And the amazing @ent-is-indecisive allowed me to rant about it which really helped flesh out the story. Seriously, there are elements and lore coming up that would not have existed if it weren't for ent. (and thank you once again ent for the ABSOLUTELY WONDERFUL fanart you made for the reveal scene, I'm still overcome with joy whenever I think about it!).

Once it got to that point, I knew I wanted it to be a self-contained story and I was afraid that if I did a multi-chapter fic I'd lose the thread and never make it to the ending I want the fic to have. (no, the end scene hasn't been written yet but I KNOW what it's going to be and I hope everyone will love it as much as i do). So I promised myself that I was not going to post it on ao3 until the whole thing was written out completely.

However, I occasionally need a confidence/motivation boost so I've been posting consecutive parts of the rough draft here. you have no idea how much the people who reblogged with tags or left comments have helped me fight off the discouragement my brain likes to bog me down with; off the top of my head, @godsweakestboy , @redfreckledwolf, @fuctacles , @spectrum-spectre , and @lawrencebshoggoth have given me lovely, enthusiastic words of encouragement. and they're only the ones I can think of at this moment. there's so many other people who've done this, so if you've ever left me nice tags or comments, please know that I've read every single one of them repeatedly whenever I need to get over a slump. I'm so grateful for all of you!

Anyway, all this is to say yes! It is going to be posted as a oneshot on ao3 once I've finished writing it. <3

[maniculum]

Bestiaryposting Results -- Gligglae

Sorry this is later than usual; traveling for the holidays makes it difficult to keep up with this sort of thing. The smart move would have been to write it up a couple days ahead of time, then on Monday just update it with anything new that had been posted since, but see, what happened was that I did not do that. Instead, I tried to type this up Monday evening in between various family obligations, realized I didn't have time to do it properly, and just shoved it in my drafts. Then all of Tuesday was taken up with the long drive back home from where my family lives, and now you're getting it on Wednesday.

(Also, don't worry, I followed all CDC guidelines appropriate for someone who had recently had covid, and wouldn't have traveled for the holidays at all if I hadn't been without a fever for 48 hours prior to departing. Plus I drove instead of flying, didn't visit anyone but immediate family, and had a mask the whole time, so even if I am still contagious somehow, exposure was pretty minimal.)

Anyway, the entry that our artists are working from is here:

And, of course, all previous material on this matter can be found at https://maniculum.tumblr.com/bestiaryposting.

I think a larger number of people than usual identified the animal in question right off the proverbial bat, because this one has some pretty blatant tells, but as always I appreciate everyone trying to put it out of their minds.

So, anyway, in rough chronological order:

@coolest-capybara (link to post here) (thank you for providing your own alt text, I really appreciate it) brings us her usual impeccably medieval-stylized rendition -- the swirls and curves in this one give it a really interesting vibe, I think. We can see the Gligglae in full-body profile on the left there, and a group of them doing their cluster behavior on the right. The, like, griffin/cockatrice/vampire look is pretty great, also. I enjoy the overall design, which you can find some discussion of in the linked post. Gold foil also a nice touch.

Coolest-capybara also notes that the entry is very interested in the ways in which the creature is "almost, but not quite, entirely unlike a bird," and I can explain why that is. It is because this entry is in the Bird section of the bestiary, so officially this is a bird -- I mean, it flies, what else can it be -- but it's sufficiently un-bird-like that it really sticks out to the authors, so they need to explain the ways in which it's Doing Bird Wrong. Everything else in this section does X, so we need to point out that this one does Y, kind of thing.

@silverhart-makes-art (link to post here) has drawn an absolutely adorable little Gligglae. (Adorable if you have my sense of aesthetics, that is -- I suspect if you're among the portion of the population that finds aye-ayes more creepy-looking than cute, that might apply here as well.) There's an explanation of design decisions in the linked post, including a number of references to real animals that provided inspiration. I like the decision to play up the "lowly" and "mean" part of the description by making it small and kind of scruffy. And the general concept of blending "gliding rodent" with "nocturnal primate" to make an arboreal mammal with elements of both really worked out well here, in my opinion.

@aethereaii (link to post here) has done this beautiful piece in a style that kind of gives "19th-century naturalist" vibes. (Actually, it makes me think of James Gurney, but I suspect that association says more about my childhood reading habits than anything else.) This is a great design in my opinion, and you can find some brief discussion on design decisions as well as an earlier version of the Gligglae in the linked post. The earlier design is also very good, but I agree with Aethereaii that this one is a step up, particularly with the Anomalocaris-inspired faux-wings. I also really like the inclusion of the juvenile Gligglae (Gligglings?) clinging to their parent's back in the corner there.

@karthara (link to post here) decided to go in a reptilian direction with this one, which (a) works well and (b) caused me to spend a chunk of time reading about flying snakes on Wikipedia just now. So in this version, the "rowing motion with its skin" is a description of the Gligglae flaring its ribs and undulating through the air -- which I genuinely think really makes sense. The entry seems to legitimately disagree with itself about whether this critter has wings (or, taking it entirely literally, it has wings but flies through a completely separate method that specifically does not involve said wings, which I think we're justified in deciding is Wrong), so I think going with such a non-wing-like flight method works here. Also like the concept of making these very cuddly (and apparently loving, according to our bestiary author) creatures into a type of animal that usually isn't seen that way. The linked post also contains some brief notes on design decisions.

@strixcattus (link to post here) has, as per usual, provided a really excellent modern-naturalistic description of the creature they've designed in the linked post, and you should definitely go check it out right now. I'll wait.

... back? Okay good. I particularly like their interpretation of the "grape-cluster" behavior as a social group that's specifically not a kin group; and also the fact that said group is officially referred to as a "cuddle". The choice to make it a whole genus and show us several different wild and domesticated species, also very good, love it. As with several of these drawings, Strixcattus's Gligglae (Gligglaes?) are extremely cute -- which, really, does also fit the description provided in the entry. They're like tadpoles crossed with sugar gliders.

@cheapsweets (link to post here) credits Ken Sugimori's Pokemon illustrations as a stylistic inspiration, which I suppose explains why the Gligglae cluster seems to be hanging from a Sudowoodo. The linked post also draws certain parallels between medieval bestiaries and the Pokedex, which I think is actually pretty insightful. There's also a breakdown of their design decisions there, go read it. I think this is a pretty good rendering of something that is like a flying squirrel but distinctly not a flying squirrel, and I like the shaggy look of the fur.

Also, thank you for providing your own alt text.

@pomrania (link to post here) is, I think, the only person to take the bestiary author at their word that this animal has wings but flies through some other, non-wing-related method. You can see the tiny useless wings at the shoulder there. I really think that's fascinating as a concept: what evolutionary pressures would produce an animal that (a) has wings and (b) flies but (c) those two things are unrelated? Although this many appendages on a fur-bearing creature puts us firmly in the "alien biology" territory, so maybe it's silly to expect it to make sense by the standards of terrestrial biology. Regardless, I like it, and I think the decision to run with the "rowing" description by giving it those oar-shaped appendages is a good & creative one. The post linked above contains a fair bit of information on design decisions and the drawing process here -- there are sketches and everything.

@vindikat (link to post here) has interpreted this in a way I find really charming. The art is of course excellent, very well drawn, and I appreciate the effort that went into doing these different poses. However, I really like it from a worldbuilding perspective: this gives me the impression of a small species of griffin that's adapted to urban living, more pigeon/cat than eagle/lion. (Come to think, both pigeons and cats are examples of feral populations finding a successful niche, rather than wild ones that adapt to a city, so maybe we can speculate that these guys are also descended from domestic ancestors.) Also the Gligglae under the eaves there remind me of pictures of chimney swifts that have made the rounds on Tumblr.

The design is also generally very appealing; I think the extra wings and the long tail really work here. The linked post includes an explanation of the design decisions that I think is worth taking a look at.

@moustawott (link to post here) has given us another very cuddly version of the Gligglae. I particularly like the wing design here, how it's kind of a mammalian version of a pterosaur -- Moustawott indicates that they were specifically trying not to draw the animal that they're sure this is, and I think the pterosaur-squirrel design here is a great way to make something that could fill kind of the same niche while being an unmistakably distinct creature. The little round head and eye markings remind me of a chipmunk, also, which is cute.

@rautavaara (link to post here) continues to do interesting stylistic stuff with their contributions. I like how the limited color palette here makes this look kind of like a single-block woodcut or similar relief printing. Like, you could plausibly see this as a design someone's carved into a wood block, then printed on mustard-yellow paper with purple ink. (I'm actually not 100% sure that's not what it is; I would just be surprised if someone actually went the extra mile of breaking out the engraving tools for my little bestiaryposting thing.) Very dynamic scene, also, and a charming creature design; love the huge mouths with pointy little fangs.

All right, these are all the ones that come up on the search; if I missed yours, let me know please.

(I have to apologize here for another delay that's absolutely my fault -- I would have had this out a few hours ago, but I got derailed by impulsively deciding to check out that Hbomberguy plagiarism video everyone's talking out, and... yeah.)

Anyway, as a number of this week's artists indicated, this one was really easy to guess, so the reveal seems a little pointless, but we have a format, so:

Obviously, this was the sheep.

What? Look, you can't make assumptions with these things. Some of these medieval bestiary entries are really counterintuitive. Medieval Europeans believed there was a species of small, highly-social, flying nocturnal sheep native to Ethiopia.

Really, it's in Pliny the Elder.

...

Yes, fine, I'm just lying to you for fun. It's the animal you all think it is, there are no flying sheep to my knowledge. Here's the Aberdeen Bestiary illustration.

Yep, it's the bat. Oddly human face on that one, and generally I don't think this was drawn from life, but it's definitely a bat.

I do kind of find the way it's described in this entry kind of interesting, though. The confusion about whether bats count as having wings (even after having been placed in the "bird" category) is kind of odd, and the "rowing" description is not one I would have ever thought of. I very much like the declaration that the way bats huddle together is "an act of love of a sort which is difficult to find among men"; it's a sweet way to talk about a creature with a generally negative reputation, which contrasts interestingly with the fact that the author also thinks of them as "lowly" and "mean". You kind of get the idea of a creature that's a bit wretched but in a sympathetic way. "Scrungly", one might say.

[marchiekana]

Greetings fella, I have way too many ideas and since I love your writing I'll drop some over time. Can I request an s/o with calloused and rough hands with some of the hsr ladies maybe Kafka, Stelle and Serval ? I don't know if you do Asta too, there isn't enough love for her she is so witty and sweet 😞

Hsr ladies with a s/o who has rough hands?? Count me in babes🫡

This is basically a word vomit i did while speed running through my projects🤭

Kafka x reader

Stelle x reader

Asta x reader

✨ fluff, established relationships, women❤️, cuteness, reader is a fighter in Stelle's, and Asta's.

Kafka

(your a violinist in this.)(no questions asked. Shush.)

Kafka doesn't really mind it cause she has calloused hands too since she wields a katana (probably?) And she loves that your hands are calloused and rough because you play the violin. Shows how much of a hardworking person you are.

Also loves it when you play for her. As a certified violin enjoyer, Kafka would definitely ask you to play her a a song and would praise you for how well you play.

Holds your hands ALL the time. Clingiest women in the whole of HSR fr.

Will unconsciously play with your hands or hair while talking to you or doing other things. She just loves touching you all the time. Overall she's a touchy women so let her touch you (😏)

Stelle

Stelle calls you and her as the "Power couple of the century" (self proclaimed)

This women is just absolutely, shamelessly, indefinitely in love with you (let me be delulu for a while pls) and so she loves every part of you which includes your hands too. As a fighter herself she too has calloused hands, and in her words, having rough hands shows how strong you are! Maybe it was her way of saying she loves your hands.

Will hold your hands all the time too(like mother like daughter) clingy women no.2 also shows off to everyone that your her lover. You don't see the point but oh well. Just let her go crazy(as if she wasn't already ❤️) the type of girl to boast about her lover and tell how great and nice they are .

Also loves how strong you are. Kinda relieved to know that you can keep yourself safe, but that won't stop her from protecting you.

Asta

This girlfailure probably doesn't even notice! But ofc you don't care. But really she does know how rough your hands are but just doesn't ask cause she knows it's normal for someone who fights

She's quite busy too so less time with you. The most time you spend together are in the mornings and night or when she has a break. It's sad but it's fineee you know how much she loves you.

Will also hold your hands when you're out on a date(which is rare af) and most of your dates consist of going to the museum or an aquarium!(you'd have to scold and stop her cuz she ends up spending too much money.)

On days you feel insecure of your hands or body, she'll always be right next to you. She'll say something cheesy like" this shows how strong you are, and how much you've practiced and improved in fighting love" with a geeky smile and a flushed face(such a girlfailure fr. I love her) Will try to take you clothes shopping but then again she bought you clothes just a few days ago. And a few days before that. And a few more days before that. And- well you get the point she spoils you rotten and doesn't even realise that she's spoiling you. Sugar mommy (unintentionally)

Only wrote for three cause now I'm just tryna speedrun through my drafts cause I'm busy for the next two weeks. But ANYWAYS women + boobies=happiness (this is exactly why I'm single 😔)

-------—-------—-------—-------—------—------

© marchiekana do not repost, copy, translate or, plagiarize my work .

<><><><><><><><><><><><><><><><><><><

[bisexualnerd]

Writer tag game

I wasn’t tagged, but I saw the game randomly posted by another user so I want to play anyway! (red for fic links and blue for series links)

1. how many works do you have on AO3?

35 (and only one draft because I don't really like working on multiple projects at the same time)

2. what's your total AO3 word count?

395,306

3. what fandoms do you write for?

I write the most for Batfam, mostly Tim and Jason but usually, the whole fam (more or less) is also there.

I write a bit more for some other fandoms but there are only one or two fics for each (2021 Produce 101 - Chuang Zao Ying, Hollywood Undead (but these fics are not finished), Julie and The Phantoms (1 fic - finished), Arsenal Military Academy + The Legends (they are kinda connected in 1 fic) and I have like, one translation project too.

I'm hoping to write Star Wars fics one day too. Really like the whole time travel thing and Obi-Wan is my beloved.

4. what are your top 5 fics by kudos?

The Monster Under My Bed (The Monster Down The Hall)

"Back Away From Him."

if i lose everything in the fire, i'm sending all my love to you

Cold

A Pile of Sleeping Birds

5. do you respond to comments?

All of the comments, definitely. I really enjoy reading and replying to them and sometimes, I even come back to re-read the comments to feel validated 🤣

6. what is the fic you wrote with the angstiest ending?

I write angst a lot but I have a thing for happy endings. But if I look at the fics individually and not like, as a part of a bigger series, it might be i have so much to say but you're so far away. But if not just the ending but the whole plot in general, it can be any fic really (I would recommend Restless Heart Syndrome, And Now You're Home, The Monster Under My Bed (The Monster Down The Hall), and What The Heart Remembers).

7. what's the fic you wrote with the happiest ending?

They all have some sort of happy endings (though some fics that are a part of a series might not but the series will have happy endings). But since all I have talked about is Batfam, I would recommend this from Julie and the Phantoms. I don't write romance often, but this is just a short soft, cute love story of two ghosts (Reggie and an OC based on his real-life wife) plus some humour in the band - ‘Cause I’m Not Too Far And You’re My Favorite Place. I was very satisfied with how it turned out and I still come back to re-read for my own enjoyment a few times so I hope you guys will give it a chance.

8. do you get hate on fics?

My most controversial fic would be Hold Me Close, Don't Let Go (Watch Me Burn) but it's not like people showed hate to me. They just didn't like the story and how I wrote it so there were some unpleasant comments. The newest one, I think I did well with my response. It's a rather heavy fic because I went through a really rough time when I was writing it (along with many others) so if you want to read it, be careful.

9. do you write smut? If so, what kind?

I don't. My fics are all rated G or T (mostly because of swearing and violence, and also some with suicidal theme or idealisation because I did have a really bad time).

10. do you write crossovers?

Just for two fandoms, Arsenal Military Academy & The Legends, because they share the same lead actor and actress so I thought it would be fun to write something about reincarnation. It's Then and Now, Forever and Always.

11. have you ever had a fic stolen?

I don't think I'm famous enough for that.

12. Have you ever had a fic translated?

Yes, into Chinese, actually. It's The Monster Under My Bed (The Monster Down The Hall). The link to the translated fic is in the fic.

13. Have you ever cowritten a fic before?

Not really. I planned my current series How To Steal A Brother with my friend Den and she is also my beta-reader for this series but I still write all of the stuff, which she reads and corrects the mistakes for me later.

14. What's your all-time favorite ship?

That's hard to choose. I really like Robin (Dick Grayson) and Starfire. It was like my first ship ever because I watched Teen Titans as a child. I also like Marinette/Adrien, very cute but the secondhand embarrassment is not very healthy for me (at least she has gotten better at interacting with him). The Doctor (10th) and Rose was one heartbreak that got me crying like a baby in 8th grade.

So honestly, I don't think I can pick because those were the three that came to my mind first, but I still have like a few dozen left.

15. What's a WIP you want to finish but doubt you will?

The Hollywood Undead fic - When Gravity Pulls You In. It was a really fun idea but then I ran into a big writer's block and I haven't recovered for this fic. I have been writing for Batfam again but I doubt I can go back and finish this one (at least anytime soon).

16. What are your writing strengths?

I don't think I'm too good with dialogue but I do have a strength in describing and like some sort of metaphor (English is not my first language so this is a difficult question to answer). I don't know if this is also considered a strength but like I said, I don't really write many fics at the same time so I can manage them pretty well. Most of my fics are completed before I move on to another one.

17. What are your writing weaknesses?

Dialogue. And I forget a lot of stuff so I have to go back to the earlier part so the plot won't be inconsistent. And of course, I write in English, which is not my mother tongue, so sometimes, I lack vocabulary or my grammar can feel weird.

18. Thoughts on writing dialogue in another language in fic?

I mean, I would add translation or explanation very subtly in there. But I saw a Star Wars fic where the writer had like, floating texts or something for the conversations in Mando'a so like, I will research on that if I need to write in another language.

19. First fandom you wrote for?

Batfam. Tim-centric.

20. Favourite fic you've written?

Damn, that's like asking a parent for their fav child on national television.

In terms of like, wording and metaphors and descriptions and all the technical stuff - And Now You're Home - because some of my fav paragraphs are in here. In terms of logic, time can never change for the flying bird under the summer sun because I went crazy with all the planning for the whole time-travel-but-nothing-changes-the-future thing. In terms of plot, i'm so out of touch with everyone, and everything's a blur to me. This was one of my earlier ones but when I came back to this earlier this year, I found it so enjoyable and fascinated. I couldn't even believe I wrote this one. But it is a part of a series so you might want to check out I've Got You Brother.

This has been fun and I have been shamelessly PR-ing my fics. I don't really know who to tag so anyone else who wants to play, go ahead and have fun!

[bunnbam]

Move on ( Lee Heeseung)

Quote: We're not who we used to be- Two ghosts

Ready for more?

syn: Your boyfriend had asked you to walk with him on the Hangang bridge without telling you why. But felt that you knew exactly what he was going to say. Wc: 400+

Contains: Anst? Fluff?, Petnames (Princess..)

It was cold were you stood. The wind was rough against your face as you felt the tears start to fill your eyes.

"I don't want you to cry" Heeseung said, as he also started to sob.

The two of you were standing on the Hangang bridge only two meters apart. You wanted to reach out and hug him som bad, but you knew. You knew that if you did, you would never be able to let go.

You had known that this moment would come for a wile now. All the dates that never happened, all the times that either of you had canceled on the other for no reason. You never hung out anymore, and even though how much you wanted it not be true, you both knew that the feelings between you two had changed.

"But why? Why can't we just figure it out Hee?" It was hard for you to understand. No matter how much you though about it, it never made sense. When did it go wrong? How did it go wrong?

"You know why. Things have changed, we just can't" You saw he didn't meen it, you saw he didn't want to.

You felt lost where you stood. It felt like he was moving farther and farther away from you, even though he was still standing right there. You felt dizzy, you felt like the world was turning.

"Y/N!" Heeseung yelled when you fell. He tried catching you, but failed last minute. He picked you up in a sitting position on the ground as he tried to get your attention. "Y/n? Can you hear me?" His voice was weak, breaking slightly as he spoke.

You looked him in the eyes, giving your best attempt on a smile. "I'm fine hee, I'm ok" You were both left in silence the only thing you could hear was the waves under you both.

"Hee?" He turned his head twards you as you broke the silence.

"Yes princess?"

Can I ask for one last thing?" he nodded for you to continue. "Can I get one last kiss, please?"

He chuckled, "Of course, anything for you princess"

Even though it hurt so much. The pain hurt a little less in the moment that his lips touched yours. The same lips that you had loved and cherished for two years. You tasted the salt of the tears rolling down your cheeks and in between your lips.

But even though the wind was howling and your heart was in a million peaces, you felt whole in this moment, never wanting it to end. But alas, as your lips parted and reality ret in, you knew you would be ok. It was going to take some time, but you would be fine.

Eventually

hmmmmm, i don't know what I think about this one. Was it angst? I don't know. PRO TIP! If you ever think about writing angst or like a genre you aren't that close to, read a bit before. it might idk help ig.

But anyway, this was legit the fourth out of my drafts because the story KEPT CHANGING man, but here it is, yippeiiiii!

ALSO can you walk on the Hangang bridge? I tried looking it up but I found legit nothing😭 but I wrote that you can so it’s ok 👍🏽

[bleedingichorhearts]

Hey, I figured I would pop in to say your stories are amazing! Thank you so much for sharing them! I particularly enjoy your one shots! I hope you have a great day!

but if I may pose a question, when the lady wakes up from her ordeal in ‘biter’ how furious will she be. Winter coats are expensive and now there is a big mouth shaped hole in it! Not to mention blood. She will probably be preoccupied with her new wolf ‘neighbour’ hanging around though!

𝕭𝖎𝖙𝖊𝖗 𝕸𝖆𝖗𝖎𝖓𝖊: 𝕷𝖞𝖈𝖚𝖘

𝕬𝖚𝖙𝖍𝖔𝖗: Hello there, lil’ Anon! I shall put two of your questions together, and your interest in my story’s and my oneshots are greatly appreciated. I hope you find a very lucky $20-$50 or a penny at the end of a rainbow for your day today, or through out the years.

𝕿𝖆𝖌𝖌𝖊𝖉: @kit-williams, @egrets-not-regrets, @gallifreyianrosearkytiorsusan , @sleepyfan-blog.

Starting with your plot ideas, I write/type almost subconsciously, I write/type as I go. Of course, I have some bullet points down in order to not to forget some details that I think are crucial in the story or have the small idea of the plot ready for me when I started it or get back to it, but, originally. I really don’t have the whole story plot down, but I make it as I go. Probably not a good way to do that, but I suppose it’s just how I write? Perhaps I have a secret mental plot that my silly brain won’t let me see?

Anyways, to your expensive winter coat question.

His little wolf would be quite furious with Lycus if she’s wasn’t wondering why this big Viking man was staring down at her like he just caught his ultimate prize and with the fact that he was an Space Marine she wanted to scold out to of all the humane creatures possible on this world.

Though, she swallows as she fiddles with the snow coat still on her body, her fingers still threading through the open tear on it, taking flakes of her own blood off of it. Her head, looking away from Lycus. Unable to make eye contact with seemingly piecing, ice blue eyes.

Oh, but if only Space Marines didn’t pay enough attention to detail, he wouldn’t be able to hunt, bring that animal to a local Blood Angel and bring back the newly crafted coat to his little wolf. A chuff of a gothic apology being purred at his little wolf. (that she doesn’t understand, but by the tone of his rumbling words, it seems like an apology.)

Also, she will be preoccupied alright. Preoccupied on trying to get the Space Wolf that bit her off her property, but man can that Marine be so stubborn.

He sleeping outside? Eh, no worries he’s sleeping on top of the roof. (Somehow.) Try and mislead him out of the property? Can’t, he has every single rock, every stick pinned down through out the property. Try and juke him out in public? He knows where you live, and your scent. He’s not that worried.

He hums then, every time his little wolf would try and mislead him, a certain smile rising beneath his helmet. He likes these little “games” of yours…

Bastard knows what he’s doing.

𝕬𝖈𝖐𝖓𝖔𝖜𝖑𝖊𝖉𝖌𝖊: This little… plot? Rough draft? May or may not in the next chapter for his story. So don’t expect this to be the real thing.

[festivating]

hi!!!! absolutely LOVING attrition, I wanted to ask about your writing process...

how long have you had the idea for the story? what's your outlining process like? how big of a backlog did you have before you started posting?

your dedication and committment to this fic is incredibly impressive and i am astonished (and grateful!!!!) for the consistent weekly updates and fr i just wanna know how you manage it all... (speaking as someone who has been working on the same 40ish chapter fic for over 5 years lol....)

keep up the fantastic work!!

Omg hiiiii friend thank you for the questions I LOVE talking about writing!! I usually start writing long stories after I get an idea for a particular scene, and then I heavily outline around that scene and I plan everything down to the smallest detail, but for attrition I just.... didn't plan at all, that fic spawned to existence out of pure whimsy and happenstance. It was supposed to be a ONE SHOT ��I started writing it in May of 2023 after I read the first book and I was like mm wouldn't it be interesting if Glinda found Elphaba at the convent surely this won't be longer than 5k words...

I am a severely delusional person.

By the time I hit 20k words I realized perhaps it would not be a one shot lol. I didn't really have an outline I just kept throwing ideas on the page thinking eventually I would just run out of things to say, but it actually took a very long time before that happened. The backlog is pretty much the whole fic tbh, I finished it all and sent it to my beta reader (who was horrified because the whole thing was one massive document not even divided into chapters) and then we went back and forth for months while I polished things up, tightened loose ends, added foreshadow, cleaned up the prose and things like that.

I'm still working on revising the final chapters, but the fic was 80% done before I started posting in November! I am truly more of an editor than I am a writer, the first draft of this thing was finished very quickly and it was very rough, so it took a lot of revisions before I was satisfied.

But anyway, yeah! I may not be the best person to ask how to manage it all because my process is weird I write super fast very unpolished first drafts then spend two lifetimes editing and revising. Mad respect to you and other writers who are able to write exactly what they want from the start and post that to incredible results!!

[sloppysequinz]

hiii glitz [cool new nickname for you]

i was wondering if you could speak on your writing process? all your stories are so good and as someone who veeery occasionally writes i'm curious how you go about doing it? thanks !

[definitly not drunk-girl shh]

Ok definitely not @drunk-girl! I've been dwelling on this ask for quite a while. I really appreciated the question a lot :) This answer ended up being kind of long so I put it under a read more for courtesy. Also I loooove the nickname glitz <3

So generally my writing process starts with a little seed of an idea. It could be a text post or a photo I see on here, something that happens across my mind while I'm out and about, it could be a suggestion from a friend. Baby's First House Party came from being in a town where I used to go to school and feeling nostalgic about house parties, Step-Mom came from a story with drunken wetting on here that I just found unexpectedly hot, Meet Cute came from memories of when I lived in a place with a screen door that had a view of my whole living room. The idea just has to spark some kind of interest in me. Sometimes I recognize it right away, sometimes it takes a little bit.

Then I usually spend some time fleshing it out, just in my mind. For me, this usually happens right when I'm falling asleep. I tend to daydream about horny stuff in bed anyway, so it kinda comes naturally. I just spend some time figuring out character dynamics, what the "core" scene or scenario I'm getting at, and to be crude, what turns me on. I follow the turn on down the rabbit hole and let it take the wheel. Sometimes I don't realize I have a good idea until I'm lying in bed fantasizing about something I hadn't thought about before. Sometimes I think I have a good idea, but if I cant generate organic fantasies about it, it won't make a good story.

Usually by the time I sit down to write, I have a good idea of what the characters are, the key thing I want to get to, and how I'm going to get there. For characters, I don't necessarily have names, but a general personality and archetype. When I say key "thing", that's usually whatever I find hottest in the imagined scenario that I want to frame in the center. For Step-mom, this was the scene of her drooling on the table and grabbing her own tits while pissing. For Meet Cute, this was Mel staring in awe as Yvette chugged a whole can of beer. For the first Mona and Lacy story, it was Lacy drunkenly begging Mona to drink while calling her mommy. I have a rough idea of how I'm getting those characters to that big scene.

Usually I just sit down and start writing from the beginning, describing the scene as I see it in my head and writing any dialogue I've thought of that seems hot or in character. Sometimes the characters will surprise me and say something I'm not expecting. Sometimes I have enough momentum to just write the whole thing from start to finish and be done, but not usually. Usually I'll write the opening, then I'll just jot down bullet points for the rest of the story. As an example, I pulled this from a draft of a sequel to Meet Cute that I'm still working on:

Yvette's a little forgetful but lets her in

Mel has brought more beer and a bucket of fried chicken

Yvette has two of the 12 beers left and half a pizza

Wants Mel's help to finish the pizza

"Come sit."

Once I have a rough outline of all the events I want to happen, I go back and slowly flesh them out. Depending on how much time I've spent dwelling on the idea, I may take some time here to workshop what works and what doesn't, what's hot and what isn't. Also, sometimes I start with the juice scene I want to get to, then do bullets for both before and after.

Once I've gotten it all written down, I save it as a draft and leave it alone. I come back a day or two later and proofread it. Once I'm done tinkering, I tag it and hit post (sometimes I realize there are typos or mistakes and I'll just edit the post if I have to).

In general though, the strength of my writing comes from the fact that I am a 30 year old woman who writes for my job. My work writing is a very different kind of writing (which makes this a fun break), but all the same, I have a LOT of practice. On top of that, I have multiple academic degrees that required a lot of writing to get. I also love to read and have read a lot of books. My advice if you're looking to get better at writing is just to do a LOT of it, and to read a lot of books. When I first got into intox kink at 21, I couldn't even figure out how to write down my fantasies, and now I just can't stop.

[bullet-prooflove]

Sending hugs always!

Rain: Have you ever made yourself cry with your own writing?  If so, what was it?

Grass: What’s the biggest change you’ve made in your WIP since you started it?

Ice: What do you always get stuck on when writing?

Please and thank you.

Rain: Have you ever made yourself cry with your own writing?  If so, what was it?

Yes a few times, however the worst time was when I came up with a story line for Stuart Scola’s partner Sasha. They’d just divorced in their storyline and then spent the night together after a long time apart and I was trying to figure out which direction to take them next.

I had this idea that Stuart left his scarf and she returned it to him. She went to his house to return it and realised that  seeing him around his kid was too hard so didn’t stick around like Stuart wanted her too.(They had broken up because she couldn’t give him kids and then he found out he had a son with someone else).

Anyway later that day she is called to diffuse a bomb but it’s impossible due to the way it’s built. They are trying to evacuate a building and the only way to buy them more time is to clutch a deadman’s switch which will effectively kill her when she lets go. At the end Jubal asks her if there’s anyone she wants him to call over the radio and she thinks of Stuart but she can’t do that to him and she says “No there’s no one” and for me that was a so sad, that she literally has no one in those final minutes, she’s alone. Jubal’s there on the radio but it’s not the same. The bomb explodes and she died and Jubal has to tell Stuart who is devastated esp when Jubal expresses she was alone at the end.

Stuart discovers she took care of her own funeral arrangements because death is always a huge possibility in her job. She basically arranged a direct to cremation service so no one would have to deal with it. There’s no memorial, just a cremation that’s already taken place, Stuart asks what will happen to her ashes and he’s told they’ll eventually be scattered along with the other ashes that are unclaimed and it breaks his heart. He takes them and scatters them in the place they got married because she’s always loved it there. On special occasions he returns there and puts flowers down for her.

After rough drafting the whole thing it made me really upset. As to date I’ve not used this storyline and I’m not sure I will.

Grass: What’s the biggest change you’ve made in your WIP since you started it?

So the biggest change is probs with the above WIP. Instead of going that route, I ended up with a prompt that changed everything. Instead of Sasha turning up at Stuart’s place and realising she could never be a part of his life, they accidently bumped into each other the next day during a meeting regarding an prison escapee, the guy was someone who had tortured them both in the past. They both shared a moment and ended up going into a safehouse together with his son Jack, rebuilding they’re relationship.

Ice: What do you always get stuck on when writing?

I don’t really get stuck because I’m usually good at working out  what isn’t working during a piece. Usually if I start meandering, I know I’ve made a bad decision somewhere so I go back and try and find out what it is.

An example with this would be with a Dwight Manfredi fic I was working on recently called Poker Face. I was having trouble with the ending and I realised it was because the deal they were making was unfairly balanced, there was no reason for Dahlia to take her poker games to the Buck. So I started to think about incentives, what did he have to offer her that she couldn’t get herself and it turned out to be legitimacy, there’s a lot of risk with illegal high stakes poker games and he has a gambling licence she can work under which legitimises the way she makes money. Once I worked that out, the story fell into place and ended up being great.  

[runawaymun]

WTH I need to know more about this??? SHSBDBHA (If you want to share, of course)

alksdglasdgh

okay so long story short, my hisfic novel that I'm currently querying agents for was almost left unfinished. I almost gave up on it.

The main character, in my grand fantasy of 'if this ever went to film' (as one naturally does), would be played by Alex Kingston.

A few years ago (five, six?), when I was on the verge of giving up and throwing the whole thing out, my best friend and (now) platonic partner bought me tickets to comic con, and tickets for a signing with Alex Kingston, and I thought -- what the hell, I'll bring a printed out copy of the manuscript and ask her to sign it, and then I can look at it and maybe it'll motivate me to finish the damn thing. I did not go with the intention of giving it to her. It never crossed my mind.

I was a huge bundle of nerves obviously. We strategically positioned ourselves in the back of the line in the hopes that we wouldn't be rushed along, since there would be nobody waiting to have their stuff signed after us. I slid the manuscript on the table and she just kind of looked at it, paused, and then looked again, and then looked up at me in disbelief

(it was a THICCC bundle of pages, all neatly typed up etc.)

And I had to sort of awkwardly, very nervously explain that she was one of my favorite actresses, and that I was writing a book, and that I had always envisioned that if it ever got to film, I'd want her to play the main character, and could she please sign it? It would mean so much.

She lit up and went "Wait, can I have this?"

And I was like LSDLAKHGLKASDHG IT'SD A ROUGH DRAFT???? IT'S NOT DONE??????

and she was like "My husband's a writer, I know how it goes. There! I have something to read on the way back!"

And she put it in her purse, wholesale.

Anyway it was mortifying and exhilarating, and boy did it motivate me to finish editing the damn thing, because Alex fucking Kingston is walking around in the world somewhere with the rough draft and I just can't let it exist like that in its only form. I feel like I owe it to her now to finish it and get it published. She's the whole reason I didn't give up on writing.

Also she is INCREDIBLY sweet IRL. Big mom energy. I love her. Also same Comic Con, John Barrowman got loose from his security detail and agent and was just running about the con somewhere saying hi to fans. William Shatner was also there, and loudly, flatly denying requests for handshakes. It was wild. Matt Smith was there too, and you always knew where he was because there would be a public outcry of screaming, squealing fangirls whenever anybody caught sight of him.

[iced-blood]

Sugar, Spice, and Everything Ice.

I’ve been quiet this year.

This isn’t to say I haven’t been doing anything, as folks may have noticed. I’ve put up a whole mess of links to the work I’ve been doing in 2023—a grand total of 105 chapters—and that’s what I want to touch base on, at this tail-end of the year.

I found out early on in January that a dear friend of mine, my creative partner and the reason for my Paved with Good Intentions series, passed away in 2021. I’m not sure what it was, but that news hit me in a particular way. I realized that two of the projects in that aforementioned series, Blue Eyes, Violet Eyes and Lightbringer, were unfinished.

That didn’t sit right with me.

I set out to fix that.

There are many projects I’ve started that I never finished, and have been left languishing for . . . ten years? Yeah. Ten years.

That’s just ridiculous.

I decided that 2023 was going to cooperate with me whether it wanted to or not.

So, I bought a day-planner and set to work. Let’s go over the list, shall we?

Coronam Crepusculum

This was first on my list because it was a work that I owed a good friend of mine, who is no longer a regular user of Tumblr. It’s a take on the Soulsborne universe, built around a series of personal interviews with relevant characters conducted by an OC I created specifically for this purpose, Wandulfin of Vinheim.

(the latin title translates, hopefully, to “crown of twilight”)

                                51,377 words.

Paved with Good Intentions: Blue Eyes, Violet Eyes

The first of the two stories I knew I needed to finish in memory of my departed friend, I resolved to write the 19 chapters required to reach a clean finish line for this one-shot collection of 100 installments. It felt like the right way to go about things, and I think I worked out a lot of important elements of the Kaiba brothers through those 19 chapters.

                                165,386 words.

Paved with Good Intentions: Lightbringer

The second of the two stories written in my friend’s memory, this is still being published every Saturday. I wrote what amounted to the second half of this story, 55 chapters to be exact, for a grand total of 110 (of which 98 are published as of this post). I think it’s some of my best work to date, and I can only hope my partner would have appreciated what became of it. Have you ever wondered how Seto and Mokuba would react to meeting their parents again? If so, this is the story for you.

                                Published + Rough Draft: 159,930 words.

The City That Wouldn’t Die

The first full storyline of my personal take on World of Warcraft and my main character’s place in it, this story has undergone a lot of changes since I last touched it. This year, I resolved to end it at a part that made at least some amount of sense, but I won’t pretend that it’s entirely satisfactory. All I can say at this point is that I do intend to come back to Azeroth eventually. And this time, I hope to give my characters the story they deserve.

                                41,890 words.

Cult of the Dragon King

I’m pretty sure this is the one that’s been left alone the longest; if it isn’t, it’s close. The basic thrust of this story is that Atem failed in his quest to gather the Millennium Items and put them to rest properly, and so it falls to Seto Kaiba to try this time. I could go into detail why I picked Seto to be Atem’s successor, but I think y’all know what to expect here. I picked Seto because he’s my favorite. Anyway, this one isn’t ready to resume publishing, but it has been drafted. Anyone who’s been waiting for this one to continue will want to pay attention to this blog in 2024.

                                Published + Rough Draft: 175,246 words.

The Lost Dragon's Lullaby

Another AU centered around the Kaiba family (what can I say? I'm a creature of habit), this story wonders what it would have been like if Noa had lived. What if Seto and Mokuba had another brother when they were adopted? What if they had a mother? What would the Kaiba family look like if it were whole?

Approx. 62,609 words.

Watching the Lights Go Down

One of two stories I revived this year, and will resume publication in the new year. Do you Blueship? Do you wonder how Seto and Kisara might interact in the modern world, regardless of romantic intentions? This is the story for you. I took a set of 100 words to use as prompts to build this story, and through these 100 snapshots I think you’ll get a pretty clear picture of how I imagine Seto’s relationship with his favorite dragon would unfold if said dragon was a woman. And his bodyguard.

                                Approx. 52,789 words.

Letting the Cables Sleep

This is a sister story to the one I just outlined. Taking place concurrently with Lights, this story explores the relationship between Noa Kaiba and Ryo Bakura. Why these two? Why not? I don’t really have an answer, except to say that I found their dynamic interesting. Unlike its other half, Cables is explicitly romantic. So if you’re interested in Domino City’s resident white-haired cryptid hooking up with an android, well, here’s where you wanna go. I used the same list of 100 words, but in reverse order, to build this story.

                                Approx. 52,708 words.

Butterflies and Hurricanes

The other contender for “story Ice left to languish for the longest time,” I’m not sure I have to explain to anyone reading this why I might have stopped working on a Harry Potter story. Put basically, this story is an exploration into what would happen if a fae prince took an interest in taking down Lord Voldemort, and then settled on Sirius Black as his instrument. It’s a time travel story at its core, with all the nonsense you might expect from such a thing.

Regardless of anything this series’ author might have to say on the matter, my writing this story does not in any way endorse or condone transphobia or any of her other myriad bigotries. I have not given this woman money in 20 years. I do not support her in any way, shape, or form. This story’s completion is for my own satisfaction, and for the interest of anyone who might want to read it. That is all.

                Published + Rough Draft: 80,506 words.

The Whitest Lace of Light

A continuation of my pet take on the Bleach setting, focused again on Toshiro Hitsugaya and Rangiku Matsumoto and their Tenth Division. Throughout the 50 chapters of this story, they face off with a new threat to Soul Society as they try their hardest to rebuild after the Thousand-Year Blood War. Throughout this . . . suspense? Thriller? Thing. They come across new faces and old, and might just learn some things along the way. Or something. Look, I just wanted to write one of my favorite ships again.

                                Rough Draft: 30,033 words.

At Sixes and Sevens: A Prince for His Kingdom

The shortest work I completed this year, but certainly not the least important. This is a continuation of my pet take on the “Kaiba Bros Age Swap AU” as first shown to me by my dear friend @kintatsujo. How might Seto have handled an invitation to Duelist Kingdom if he’d been 9 years old when it took place? What about Mokuba, if he was 15? Shenanigans abound. I hope you like where I took this one, Kinta.

                                5,000 words.

Last but not least, I resolved to break my record for my longest NaNoWriMo project this year, because I’m ridiculous and don’t know when to quit.

Much like I approached World of Warcraft,I take every MMORPG I play as an excuse to build a story. Nowhere is this more obvious than Final Fantasy XIV. My take on Eorzea and its various magical idiosyncrasies—which I call The Song That God Forgot—set me on a road to 125,000 words this past November.

These projects, alongside various redrafts of my older stories in preparation for what I hope to be 2024’s migration from Fanfiction.Net to AO3, netted me a grand total of 902,580 words written in 2023.

I don’t say this to brag or to pat myself on the back (okay, maybe a bit), but to say . . . just hold on. Keep going. You’ll hit your stride eventually, even if it doesn’t seem like it. I’ve struggled to write regularly and with consistency for a decade now, and here I’ve got nearly a million words in a single year.

I believed in me this year, and I believe in you too.

Keep on truckin’. You’ll get there.

Happy New Year, y’all. I love you.

[thecoramaria]

Hello!

Thank you so much for your blog, it's helped me a lot in writing my fics. It's definitely one of the best fic writing resources out there.

Onto my question: do you have any advice on how to write more quickly + not hate everything I write?

I do writing sprints a lot of the time but I can't help but feel as if my writing has gotten worse, and I feel guilty cutting down my work because I struggle to meet the daily word count goal I have for myself (600 words a day).

I'm about a quarter of the way through my longfic, and I feel like I've just gotten worse and worse at writing. I still love the story, but my writing feels clunkier and flows less smoothly.

Thank you!

I'm glad you're enjoying the channel! It's getting late where I am rn but sleepy Cora is gonna try to answer your ask anyway.

First of all, I'd just like to say that 600 words a day is a lot! (And so is being a whole quarter through your story btw.) While I have won NaNoWriMo a few times (a challenge that involves writing 50k+ words in a month) it's definitely not sustainable for me. Recently, I've struggled to just average more than 300 words in a day. Unfortunately I'm still coming to terms with my chronic pain and the limits it places on my ability to write fic. 600 words a day on average is just... not possible for me.

However, something I have been doing lately is to learn what my current capacity is, which seems to be 300 words a day on average. Note: on average! A lot of days, I don't even write that much, but some days I make up for it by writing a lot. As I say in this short, good writing goals are like persistence hunting. You might find yourself more motivated if you set monthly or quarterly word count goals rather than daily ones. Then it's not a big deal if you write very little or not at all on some days, since you'll still have plenty of time to catch up.

(Also if you tell a non-writer that you wrote like 300 words in a day, they'll probably be impressed!)

So TL;DR: focus on learning what your capacity is, and then set your writing goals around that. Also focus on writing goals that cover a longer period than a day to allow wiggle room for your erratic progress.

Now, onto writing sprints.

I have the flavour of autism that gives me a processing speed deficiency, meaning that it takes me longer to Do Things than the average (usually allistic) person. This means that I'm a slow drafter, but also a more methodical, intentional one.

This means that writing sprints aren't all that helpful to me. I need to ponder every sentence and detail as I write it, because I already figured out the plot points and character arcs in my outline. "Just get the story down in the first draft" doesn't work for me because I already did that. In a highly detailed outline.

So writing sprints may be what's causing you to feel like your writing is getting worse. There are two perspectives on this:

First drafts are supposed to be bad, and writing sprints are supposed to just help you get them done so you can fix them later. If you were previously a slow, methodical drafter, then switching to a strategy that focuses on quantity over quality is going to make for rougher drafts, and thus make you feel like your writing is worse. That's okay though, because you can edit a rough draft. You can't edit a blank page.

Writing sprints are sabotaging the quality of your drafts, so instead, you can ditch them and focus on the slow-and-steady drafting approach. It'll make for less editing time in the long run, and you'll feel more confident in your writing ability if you take a quality-first approach.

But wait! I have a secret third option! One that may not be to do with writing sprints at all!

Could it be that the reason why your writing feels worse... is that your current WIP happens to be challenging you in new ways?

The reason why I bring this up is because this is something I've encountered recently while editing my current WIP. For context, it's the second book in a trilogy, and the first book didn't require nearly as much structural editing and rewriting, so what's changed? Why are my drafts for Book 2 so much worse than Book 1?

It's because Book 1 relied on the Stations of Canon, (warning that this article mentions 'Harry Potter' if you'd rather avoid that) while Book 2 breaks away from them.

Basically, I built my fic around a plot formula from canon that was already proven to be effective, but now, I'm having to build the plot from near scratch. It's like learning to build a house where the scaffolding and measurements are all done for you vs having to do all that yourself. Of course my writing feels worse! I'm learning an entirely new storytelling skill. There's going to be plenty of mistakes along the way.

However, I'm making peace with my first drafts for Book 2 being "worse", because I'm learning just how crucial and transformative editing can be. Taking on these new challenges means that I'm noticing weak spots that were previously invisible to me, and what is a weak spot but opportunities to improve my craft?

I'm a big believer that if you feel like your writing is bad or getting worse, instead of stewing in the insecurity, you should instead investigate why. Why is your writing clunkier or flowing less smoothly than it used to? Is it that you use redundant phrasing and tautology? Do you take 20 words to say something that could just as easily be said in 10? Vague feelings about the quality of your writing is what allows insecurity to fester. Actually knowing what the issue is makes that much harder, because now you have a concrete problem to solve. I do have a partial draft for a video that goes into that more, so if anyone wants to see me complete and film it, let me know!

Thanks for the ask, Nonny, and I hope this helps~!

[m4ndysk4nkovich]

here's a question, what do you think happens to Debbie (and Franny) post s11? Personally I'm not a fan of the idea that Debbie would go off with Heidi after she fought tooth and nail to stay in her own house, plus Heidi is...not really what I'd picture for a good ending to Debbie's story. What would you see being a good post script for Debs?

ahhhh i love you for asking this

i mean, there's a part of me that wants to say that everything will go great for them, but i think that it'll be rough for a little while.

to answer the heidi thing (which i have talked about many times before but this ask is a little bit old lol sorry!), she will not last. she'll be gone in like, a week, and will never be heard from again. i think that the finale made that pretty clear, even though other people interpreted it in other ways. when heidi mentioned texas, debbie looked hesitant, and considering how she spent the past season fighting for this house, and the past eleven seasons fighting for her family, there isn't a single part of me that thinks she will be leaving for texas and if she does, her kid will be coming with her 100%.

but anyways, debbie will be going through it. she will have lost her father and her girlfriend in the same week or so and given her abandonment issues, i think she'll probably break. she'll have a whole breakdown over it, then be a bit depressed for a month or two, and then i think she'll slowly start to feel better. also, something that nobody talks about for some reason is the fact that post-11x12 all of the gallaghers (including mickey, tami, kevin, and veronica) all most likely get covid since they were all around frank and like touching him and shit, so that will probably happen.

i think that, as always, she'll pick herself up on her own and fix everything herself. her business will thrive, maybe she'll help out at the alibi if carl and tipping buy it (i hc that they do), but i think that money-wise she'll be set.

she and lip will definitely still have some conflict. every gallagher kid has a complex, difficult relationship with frank (i've actually been writing about this) but these two and frank have always stuck out to me (but they all stick out to me, honestly). i think that since the two of them were already fighting and are both notoriously awful at handling their emotions shit will go down.

debbie will keep the house since it's been in her name since the season nine finale (i mean duh, why would lip get to sell HER house??), lip, tami, and fred will move to milwaukee but then lip and tami will split up and it'll be messy, maybe he'll come back to chicago and they'll get split custody, carl will live there for another year or two, liam will live there until he graduates, and ian and mickey will move back to the south side. debbie will feel uneasy because of all of the change, so she'll insist on family dinners weekly, absolutely NO exceptions (you could be sick with some sort of flesh eating virus and she'd still demand that you attend).

she will never fully process losing frank. even dead, he still manages to fuck her over. i think that she'll set up a memorial for him a lot like the one she set up in 3x01.

if she reads the letter it'll fuck her up even more and i'm hoping that she gets therapy (i have a fic in my drafts about this lol) to help her deal with trauma, abandonment issues, grief, and help her navigate parenting while being only twenty.

i seriously just wish her the best because season eleven really made me realize how much she actually needs help.

live laugh debbie gallagher

[coldpintglass]

💖👖💭👀 for the fanfic asks!

RIVER!!! Thank you so much for the ask, you’re a babe. Also a great compliment because I love your stuff so much 💖🥺

💖What do you like most about your own writing?

I really enjoy the sort of personable way I write a characters POV/ internal dialogue! Take this snippet from “you’re my baby, say it to me” where Southgate has a clanging realisation about his future:

“He has to quit.

He sits with the thought for a minute, it’s been rattling around his head for days, shadowing him every step of the way. He knows they’ve been calling for his head back home, pundit and public alike.

He should have quit already.  

Fucking hell, he thinks, and then swigs the whole mug of whiskey in one go.”

Because that’s how people think through events. They talk in their head! They bat it around and imagine scenarios and have horrible moments of clarity. It keeps you up at night! 

From a writing perspective: it makes it easier to understand motives, to make a fic memorable plus, frankly, it’s so much fun to both write AND read as if you’re in the characters shoes. Not just watching them from the outside! 

👖 Are you a planner, plantser, or pantser? Is it consistent

BOTH. A rough outline of what I want to go down will get plotted, plus I’ll probably spend some time mulling it about my brain to see what jumps out (or more recently, chat about on discord with likeminded folk, HELLO CARRAVILLE DISCORD, LOVE YOU 💖) 

Catch is, I think I have it plotted out and then fuck me, this is taking a turn isn’t it? Whoosh, out goes the plan and in come the vibes. So, swing and a miss tbh. This has happened with all 3 fics I’ve published so far…! 

Like “Amensalism” started life as something else, in fact the section where Southgate dreams about Harry agreeing to letting him care for him was the first part I wrote. It was meant to be much much much more bleak and grim for Harry.

💭 What is a headcanon you have about your own work?

That it is painfully obvious that I am English and grew up on British comedy 😔🇬🇧🍺💷

 I think it was Sara (@storyshark2005) who asked in the comment of “i thought maybe we could kiss tonight” if I was British because of my dialogue I’d given Jamie!!! I actually quite love being able to flag that sort of regional U.K. dialogue with words/phrases. Think it puts a nice stamp on the work and also makes me feel I can do a decent job at fleshing out characters. 

👀 Do you have any WIPs that you would never let see the light of day? If yes, what are they about?

I think I want this WIP to see the light of day BUT it’s probably the most unsavoury and grim thing I’ve written. I’m not sure how many people would want to imagine it, let alone read it. Anyway, as mentioned above, I totally intended Amensalism to be a much more bleak and nasty fic. I literally dubbed it “SouthKane Misery AU” when writing it as a draft header. 

And then I realised actually where I wanted to go with this. Let’s just say it’s slowly becoming more “Dead Dove: Do Not Eat” then I care to admit. 

Here is a snippet of it.

NB: warnings for abandonment, unhealthy relationship, and BDSM. Probably rate this section as a hard T, so nothing explicit. Sorry don’t know how to describe this more specifically but you’ll know fairly quickly if you want to touch this or not. Behind a read more it goes:

“Come on Harry, it’s not difficult” He tugs his hair sharply “Be a good boy now”

“P-please, please I’m sorry, boss, please-“ he chokes on a sob. 

It’s exceedingly easy to get Harry to cry, that’s not a problem necessarily, quite the opposite. But Gareth is almost suprised it’s this easy to start seeing cracks in him - he’s a ugly crier, lips pulled up high, nose and eyes streaming, blotchy red face. 

However, tears means he’s making progress.

“All you have to do is let go, I’m not sure why that’s so hard for you” Another tug, another sob. 

“I-I’m not a dog” he croaks out “Boss, please, Gareth -“

Defiance and using his name? Christ, can’t even piss outside without making a huge deal about it. Gareth tuts, it’s a shame really, two steps forward and one step back. 

Still, nothing a night outside in the stables can’t fix. 

He lets go of Harry hair, turns on his heel and locks the door.

*

Gareth finds he’s almost tempted to flick the heating on, it’s gotten chilly this morning, a welcome reprieve after a week of hot afternoons and muggy evenings. Woven silk threads are scattered across the grass, coated in dew, glinting in the dappled sunlight from the trees. He couldn’t ask for a better a view out over the window by the kitchen sink. It’s times like this hes especially glad for the house, even if it needs constant matience and having to wrangle around the council if he wants to do anything. But a Quick Look at the vistas outside and all is forgiven.

Speaking of. 

He grabs a bowl from the cabinet, filling it with tap water, and pulls a banana off from the bunch in the fruit bowl. He’ll give Harry something a bit more substantial once he’s inside and got him to ask for it nicely. It’s finding the right balance that’s tricky, he does love him, honest, even after everything. 

But that doesn’t mean he’s above correcting Harry when he goes wrong. 

As he opens the door, the cold nips at Gareth, that’s a little bit fresher than he was expecting to be. Well, he’s not a monster, he throws the dogs blanket over his shoulder. He pulls on his outdoor shoes he keeps by the door and walks across to the stables, the dawn chorus starting to wind down to make way for the rest of the day. 

A quick turn of the key in the lock and he is greeted by Harry blearily staring up at him from the floor. He’s hit by the stench of piss and body odour as he step inside, a dark puddle shaped stain on the concrete beneath Harry.

He puts the bowl and banana down in front of Harry, bending down as he reaches round to click open the lock on his wrists and is taken a back by how grimy Harry feels, specks of dirt and dust covering his goose flesh skin. His skin blossoming under different shades of pink and red, the chill slowly creeping around his body. 

Not a peep from Harry. No crying, no whinging, no sharp comments. It’s lovely. Gareth can’t resist indulging him with a kiss to his temple, he’s done so well, wrapping the blanket round his shoulders. 

“You ready to be nice and listen to me now, sweetheart?”

Harry manages a shallow nod, his hands shaking as he tugs the blanket right around him. 

“Good boy, have a drink and I’ll feed you after”