#role in society
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gongyussy · 6 months ago
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(✿◕‿◕) die (ꈍ ꒳ ꈍ✿)
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psychicreading-live · 11 months ago
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malakkc-poetry · 1 year ago
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Certificate for the International Men's Day
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View On WordPress
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vriskan8or · 11 months ago
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let her go
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mearchy · 1 month ago
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I’ve always personally headcanoned that if Mandalorians DID have certain stereotypical family/relationship roles it wouldn’t be anywhere close to gendered, like one person is the man and one person is the woman. It would be like, one person is the shield and one person is the sword. One is the guard and one is the hunter. The bigger and stronger of the two — traditionally, though obviously every marriage would be different and most wouldn’t conform exactly, especially with polyamory — might be the one to stay home and guard the kids and the clan. While the faster, more maneuverable and perhaps deadlier of the two went out and hunted, provided, initiated raids. A Mandalorian couple fighting together would be so dangerous for so many reasons but principally because if they’re both there it probably means you’re on their territory and both the guard and the hunter are after you, and now you’re seriously fucked.
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artemis-pendragon · 9 months ago
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You know who Orym needs to meet? Yasha. He needs to see this born fighter and protector living her best life with her badass pop-off second wife guilt-free knowing that her first wife would want her to be happy. I think that would be everything to him.
Like imagine Orym confessing his feelings for Dorian to Yasha and Yasha awkwardly putting a hand on his shoulder (or the tips of her fingers or whatever reaches lmao) and saying "It's hard to feel so much love and guilt with the same heart. But maybe sometime you can take him to visit your husband's grave, like I took Beau to Zuala's. Maybe you can make peace with your two loves there." And then she just awkwardly pats his shoulder a bit too hard and walks away like her Charisma of 7 demands
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panic-flavored · 2 months ago
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And his heart grew three sizes that day
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arcanewebs · 1 month ago
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personal take on fem tsukasa
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monomoss · 2 years ago
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romanticpreraphaelite // stranger things season 4 vol. 2 // monomoss // never love an anchor - the crane wives // house m.d. // ? // starpeace // dead poets society
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essektheylyss · 1 month ago
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It is still deeply unclear to me what the outcome of this whole plan is, but it's going to be so funny to me if the gods all just become consecuted mortals who otherwise do regain their memories every lifetime. They're still probably as clever and charismatic and in some cases conniving as they were, just with less firepower. They're reliant on being near beacons if they want to be reborn. Half of them are fundamentally terrified of the concept of permanent death and they've got millennia of experience avoiding it. I give it forty years before there are like seven warring Luxon cults a la the Dynasty just wreaking havoc on Exandria in their obsessive quest for beacons. The Bright Queen suddenly goes from being a fringe theocrat with an overzealous missionary agenda to a paragon of restraint.
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spacesheeeeeep · 6 months ago
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Actually so tired that people mainly focus on the bdsm when they talk about La Pianiste when we literally have this dynamic right here. Like, that's insane.
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What if you were a little girl in her 40's who couldn't grow up because of your mother-wife who made you sleep in her bed and forced you to repress every sexual desires and thoughts of becoming your own person just to keep you close to her ? What if you fought back and yearned for dangerous things out of her reach ? But also, what if you let her because it's all you've ever known and been taught to want ?
#these two are so entangled with each other and in the roles they play#(mother and daughter. husband and wife. prodigal or ungrateful daughter. adoring or mocking mother)#that they cannot handle it when something else is thrown into the mix#There's no space left because they fill all the roles in each other's lives.#but at the same time they never give the other exactly what she wants#The fights never last. Erika will never live up to her mother's ambitions. And her mother will never give her any form of affection which#might satiate her hunger for love. And so on.#They are deeply imperfect- Love and Despise each other but they could never bear the thought of being separated#When I read the part in the book where Erika talks to Walter for the first time and all she wants is to go back into her mother's womb...#you can't make that shi up#when people talk about toxic yuri that's what they could mean but unfortunately we live in a society#gradually learning to accept the person I'm becoming who would've been burned at the stake by my younger self <3#been having so much thoughts about this film once again. And I know that nothing written here is new but I'm a little sad no one really#talks about this relationship online since it's really the heart of the story for me#Of course everything happening with Walter is important. But none of that would be there without the mother-daughter situation#la pianiste#the piano teacher#haneke#sheep stuffs#isabelle huppert#also I'd kinda get it if it was another film and it made people too uncomfortable to talk about it. but I mean this is literally La Pianist#*
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del-stars · 9 days ago
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marlene ends up head over heels in love with dorcas but not before she samples every wlw in her year first 🙂‍↕️
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iamnmbr3 · 1 year ago
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Dumbledore: clearly tom riddle was evil from birth bc he stole stuff in the orphanage
Also Dumbledore: pay no attention to those letters between me and my boyfriend plotting world domination
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whetstonefires · 2 months ago
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You know I'm realizing one reason you keep seeing mdzs modern AUs where the Jiang parents are alive mainly so they can dramatically fail and betray Wei Wuxian by cutting him off financially--defaulting on his college tuition or formally disowning him etc--isn't just that people want to translate the Burial Mounds II arc into modern terms while keeping Jiang Cheng clean of it.
(Despite the fact that the internal logic of Jiang Cheng's character is largely built around him being a person who would abandon someone he intensely cared about under these specific circumstances.)
It's because it's hard to set up a modern analogue for the way that Jiang Cheng is responsible for Wei Wuxian, as his Sect Leader.
We live in a highly individualistic society. People are trying to write Wei Wuxian Tragically Wronged, and because there's a normative expectation that people in the position of parents will provide you with resources, and certainly won't withdraw them without warning, but no such assumption that people in the position of siblings necessarily owe each other support, making this work in modern setting with Jiang Cheng in his canon role would require a lot of extra work, just to get a less readily resonant result.
But I keep thinking about it. Because something that's getting lost here is, not just the nuances of character and relationship, but like...it's sort of key to the story that cutting Wei Wuxian off was, in fact, Completely Socially Appropriate.
The level on which it was a betrayal is subtle, and deeply cutting. And intensely tied up in the very different opinions each of Jiang Cheng's parents had about what obligations existed in their family wrt Wei Wuxian, and what these meant.
The level on which it was the obvious, normal course of action is blatant. That is to a huge extent why it happens: because Jiang Cheng's instinct to conform is a survival instinct, reinforced by trauma, and Wei Wuxian's choices meant he had no coherently compelling reason not to obey it, and enormous peer pressure to do so.
The fact is that Jiang Cheng was making a reasonable choice, the actual thing 'anyone would do in that situation,' unlike Wei Wuxian and Jin Guangyao's respective wildly warped ideas about what that is.
Wei Wuxian wasn't betrayed by Jiang Sect like your foster parents cutting you off because you're disobedient. Wei Wuxian was betrayed by Jiang Sect like your brother refusing to drop fifty grand to bail you out of jail.
Of course Wei Wuxian tells him not to. And of course the fact that Jiang Cheng already chose in the moment not to pay a cent because Fuck You Wei Ying still stands there glaring, a precedent that can never be taken back.
And then later he's betrayed by Jiang Cheng like your brother cooperating with a police investigation into a manslaughter you really did commit, that's being handled like domestic terrorism. And then like your brother calling the cops on you. And then like your brother helping the cops find where you're hiding.
I'm personally fascinated by the way Jiang Cheng's lifelong resentment for the way Jiang Fengmian reliably bailed Wei Wuxian out of everything informed those decisions to do the normal thing, the way he's reacting against his dead father as well as against Wei Wuxian and the actual situation.
But even without that daddy issues angle, the fact that the person who made that choice was Jiang Cheng, and that it was simultaneously the reasonable appropriate normal upstanding citizen rational thing to do and so shitty Wei Wuxian would be entitled never to forgive it is sort of. The Point.
Of the scenario, and also to a considerable degree of the entire finely tuned narrative construct that is Jiang Cheng.
#hoc est meum#mdzs#jiang cheng#wei wuxian#meta#like sometimes people commit transgressions#and you have to actually decide what that means to you#what you're willing to let them cost you#whether you agree that that transgression deserves punishment#and even if it does what role you're willing to take in that process#jiang cheng is someone whose sense of right and wrong operates along emotional and pragmatic axes before consulting the moral#which means that without being a *bad* person he's someone who's highly susceptible to pressure#as long as it comes from either a superior or Society At Large#especially if his insecurities get tripped#but like sometimes just for example it's illegal to be gay#or people have less rights because of who their parents were#and those instincts can lead you into bad choices#it's good to be able to set boundaries but jiang cheng is not good at setting them where he personally actually wants them#and when he does they're the boundaries Angry Jiang Cheng wants#and calmed-down jiang cheng just has to live with them#which ofc is something that applies to wwx too in very different ways#the fact that BOTH jiang cheng and lan xichen when the chips are down choose society over their respective halves of wangxian#at one crucial point#and that lan xichen does so in a way that he can live with and not withdraw from the relationship because of#while jiang cheng is almost insane with the need for wei wuxian to deserve everything that happened to him#and how much of that is who they are as people?#and how much is that lan wangji is not dead#and how much is it that lan xichen understands exactly what happened and why#while jiang cheng doesn't and can't so he has to make up his own story to make sense of it#so much going on here
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sevenspoonfulsofsugar · 2 months ago
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an interesting detail about the one of many things that count orlok represents in this new adaptation of nosferatu is that the only time we see ellen and thomas engaged in full-on physical intimacy, they are both relatively clothed and it is nighttime. her hair is still up, and the deed is frantic and rushed in their front room. they love each other deeply, that much is clear, but there is something about that level of desire and debasement that is still shameful and out of character for thomas. it is a fight to get him there.
when ellen lures count orlok into her trap and they lay together, they are both naked, and the dawn is quickly approaching. she has taken her hair down, and there is a bed large enough for them both. she has discarded all the trappings of modern society, as has he, and the pace of their coupling is languid. serene, almost. where thomas was not willing to meet her except under pressure, orlok meets her at that place where she has always resided alone. there is no fight or shame, not even in their last living moments.
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blorger · 1 month ago
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-Draco Malfoy, Sept 1, 1991-
Here's my newest hot take: it makes no sense for the Weasleys to be poor.
Like, I get why, narratively, the Weasleys are poor : poor=virtuous in jkr's mind and the Weasleys represent the perfect family so they need the be the bestest most virtuous of them all, especially since they are set up to be in direct contrast to the rich, morally bankrupt Malfoys.
That is all well and good, I understand the use of poverty as a narrative choice, but at the same time I also have a problem with how jkr chose to depict said poverty in her worldbuilding; even as a single income household with too many kids (as per D Malfoy), it makes no sense for the Weasleys to have no money.
Arthur, the sole earner in the family, is portrayed as a government insider: he heads his own department, seems essential to the working of the ministry and is overall well connected.
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(from GoF, this is a bureucratic brag if i've ever seen one)
Arthur appears to be on a first name basis with a huge variety of ministry employees
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Some of which are his fellow department heads
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which definitely puts him on the same level as a Diggory or a Crouch, and none of these people are implied to be poor or even remotely struggling, so why is he?
Arthur is not only well connected but also far more powerful than one might expect from his job title alone:
He is somehow able to write and/or enact laws (something he shouldn't be able to do since he's neither an elected official nor part of a legislative body)
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and
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(from CoS)
Arthur has the power to restrict trade (again, something way above his paygrade)
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(from GoF, Arthur's power is apparently equal to that of Crouch, the wizard equivalent of a foreign minister)
Arthur can easily get huge favors form fellow ministry personnel
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(from Gof, those world cup seats are Malfoy and Fudge level and it doesn't seem like Arthur did anything special to get them)
We can also see how incongruously important Arthur Weasley is to the inner workings of the ministry by his responsibilities:
when things go tits up at the world cup, Arthur behaves very much like someone much higher up the chain of command.
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(from GoF)
All of this is over a newspaper article that didn't even quote him by name. What can the biting teacup guy do during a pr crisis, exactly?
Arthur's (civilian) presence is for some reason necessary during night raids, even though he is not a law enforcement agent
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(from CoS)
Arthur (a civilian) is somehow the only person who can calm Alastor Moody (an accomplished auror) down
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(from GoF)
I find myself to be very confused by the picture painted by these excerpts. jkr clearly wanted to have it both ways: she needed Arthur to be a ministry insider so that he'd be able to funnel all sorts of information to Harry (and into the story) but she also wanted the Weasleys to be underdogs or, as Harry calls them,
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but the two things just don't mix because Arthur, as described in the books, does not read like an underdog, he reads like a vital part of the system.
tl;dr: Arthur is a Big Deal and his family shouldn't be poor, even if they do have too many children
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