#rewatch s1-2 to see what i mean

[queen-of-hawkins-why-ler]

And if I said that Mike and Will's relationship has always been romantic and that them finally getting together is just them accepting their relationship for what it has always been from the start

[m0thlegs]

maybe the real Viktor arcane season 2 character arc were the friends we made along the way

[clairegregoryau]

Through the Looking Glass

From fairytale in Season 1 to stark reality in Season 2 of Our Flag Means Death- meta ported across from this Twitter thread by popular demand!

This thread contains spoilers for the entirety of OFMD Season 2

First OFMD S1 rewatch since S2, and holy shit, if you haven't done that yet... do that. A thing that it made instantly clear: they told us *all along* where this was going, but there was a reason we didn't see it. Because we were living in Stede's world then. Now it's Ed's.

I know that a lot of us have felt that the tone shift at the end of S2 was... jarring, compared to what's come before. This felt like a show that wouldn't go there. One where being run through was a temporary hiccup. We've travelled all the way from this to this.

But we haven't jumped there without a journey in between. And from the minute we started hearing about Blackbeard, the show never tried to hide what Ed's world and his specific life was like. Not once. In fact they told us over and over and over.

But Season 1 told us a lot of those things through song and story and fuckery. It blended reality with fiction.

Stede met the Blackbeard he knew through books and tall tales, and the real man was even more wonderful than he'd imagined.

We, along with Stede, were comfortable thinking that all those other tales were exaggerations and misrepresentations, and a lot of them very likely were.

The Ed Stede got to know was a person who was capable of whimsy and silliness and loved soft things and doing something weird. Yep, he was also capable of violence and rage, but when he was with Stede, he didn't feel it so much.

This was a vacation from that life.

To Stede he was absolutely lovely... oh, and also a bloodthirsty killer. And Stede loved (and loves) everything about him, and both of those things can be true. This is a perfect example of a spot where (in watching Season 1 without the benefit of hindsight) I assumed that everyone else in that pub was wrong, and Stede was simply trying to protect Ed's fearsome reputation by agreeing on the bloodthirsty bits. And I think from Stede's perspective that was largely true. I think that's how they wanted us to see Ed, through his eyes. Now, after watching both seasons, I think it wasn't the whole picture.

They told us, we heard it, we saw glimpses of it. But we (and Ed) were in Stede's run-away-to-sea fairytale the whole time. It wasn't until Stede left that we saw the reality- the Ed we knew had been, to a degree, a fictional character all along. I always saw this scene as Ed putting a bit of distance between himself and reality; it always felt like the Blackbeard of Stede's storybooks was the fictional one. But now it feels like the softer Ed that Stede knew was much the same- neither of them the whole story of who Ed was and is.

The one person who refused to live in Stede's fairytale was Izzy. I've seen people say it before, but he always gave off that vibe of the only human in the Muppets movie, or the guy who was in Black Sails while everyone else was in Pirates of the Caribbean. He saw the real risks clearly.

And in that light, the end of S1 has shifted an inch to the left for me, and I'm seeing it at a slightly different angle.

Izzy ripped away the healing Ed was doing, but in some respects he did it by tearing away the fairytale we'd all been living in, shoving Ed back into the Blackbeard story.

And that's where we pick up again in Season 2.

The fairytale reference came back in S2 in two notable places, those being Jim carrying that legacy forward in the darkest times, and in Izzy invoking the wooden boy against Ricky's efforts. Stede's made himself into a real boy. Ricky, nope.

Now that I've watched both seasons together, the tone shift doesn't feel so jarring at all, actually.

It feels like sliding through the looking glass, out of Stede's world, and into Ed's- a world that existed all along; we were just seeing it, la vie en rose, through Stede's eyes.

At the beginning of S2, Stede's gone, and we're seeing it unfiltered through Ed's reality.

But Stede wasn't lying when he said he loved everything about Ed. He made a promise to come back and find him- he went down into Ed's darkest place and reminded him that no matter how bad things got, there WAS someone waiting for him, ready to love him.

The contrast between S1's fantasy and S2's reality (excluding mermaids and actual bird guys and cursed coats) is stark, but it really is that.

We have the same settings, the same people, and very different ideas and outcomes at different times.

But it was always there.

Things do come back to a state of (precarious) balance once they're all together. Apologies are made, whether they're spoken out loud or through actions. Things go right, things go wrong. Healing happens. Izzy continues to have the steadiest, most real through-line in the story as he tracks toward redemption, finds acceptance, and to an extent finds himself.

Once again, I hate that they went here with the ending and I wish they hadn't. But it got a fraction easier for me looking at it not as a continuation of Stede's fairytale, but of the grounded-in-pirate-reality arc Izzy was always on, even while we lived in Stede's world.

Where does that leave us? We're not going back to the fairytale, but we're not going to be living in Black Sails for S3, either. We've hit a fusion point where S1 ended with each of them going to separate, miserable homes, but S2 ended with them in the same place, ready and willing to make a go of it.

Season 3 is going to give us their world, together.

I LOVED the moments in this season where the deep emotions were in balance with the silliness I've always adored about this show. Eps4-6 were wonderful like that. Clearly we're not done with drama, either, but like Ed and Stede, I think we'll find a middle ground.

Anyway in conclusion, a rewatch of S1 after S2 somehow made me love the first season even more, which felt impossible? It's now gained /even more/ layers of depth than it had before. No matter how you feel about S2 I think it's worth that rewatch.

Adding one more bit of clarity for myself: I think we got a bit (intentionally) seduced in S1 by the idea that the Ed of the storybooks, the Vampire Viking Clown with the nine guns, was a version of him that others saw, when Stede saw the REAL person who 'worked' for Blackbeard.

In hindsight I think it's clear the Ed Stede go to know was also not the complete version of himself- the reality is, there's a whole spectrum between the two, and they've landed in the middle of it now. Ed intentionally leaned into the unlovable Kraken image to protect himself.

It very much didn't work, just like being just... Edward hadn't worked to protect himself, either. This season has been very much about pulling those two extremes together and finding all the parts that make up Ed overall (another thread on that here on Twitter, which I'll also shift across to Tumblr soon!)

And I think one of my favourite things in S2 has been seeing the way Stede SEES that- he knows what Ed's done, everyone's told him, but he still loves Ed. sees his trauma and how it affects him, and believes he's a good man regardless. He IS lovable; he's not forever broken.

And together, they can heal.

[ollycohens]

oh no you guys. i’m going to spew things i’ve realized while rewatching umbrella academy. I’m realizing were all being too sucked into fanon things after being stuck without canon content for so long. We have convinced ourselves Five acts like a mean mean dude to everyone but rewatching, i’ve realized he’s only stressed and is saying things out of panicked anger, especially in s1 with the apocalypse dooming over them. he acts soft to his siblings multiple times, he’s really not as mean as we write him in fanfiction. he is a little crap though, that’s for sure, and i love him for that <3

also realizing that the siblings don’t hate five. they just literally don’t know him at all. he came back a completely different person after 17 years for the siblings, they don’t know five, he’s a stranger so of course they’re gonna be cold to him. it’s like, “i don’t know you well, but you’re always going to be my brother in the end”.

ALSO. for those who ship some of the siblings, uhm… i’ve seen a lot of you guys try to prove that they don’t see eachother as siblings and more like academy students, but they very much say in just about every episode that they see eachother as siblings. they don’t actually SAY that word by word but they say things like “she’s our sister”, or “our dad”. if they say OUR dad… bro. i’m not even going to continue, you can put it together yourself. But, i do realize why people ship the siblings. I am not defending incest shippers but with umbrella academy i can see why people have resorted to it. only 3 of the characters in the main sibling cast has romantic partners. people like shipping people, people love writing romantic relationships, but with only diego/lila, dave/klaus, and sissy/viktor, (i’m not going to count five/dolores for now) people are desperate with the need to ship the rest of the siblings with someone, and since there are only a few actual canon characters in the show that interact with our main 7, people start shipping them together… yikes. anywho, that’s all for that peice. i blame the show writers as well for shipping luther/allison, they did not have to do that, but i’m hoping it was only to convey the severity of what childhood trauma does to people.

ALSO THIS HERE SHOOK ME. I actually think Reginald cares for the siblings. i hate to say it, but it’s true. caring for them does not mean being good, though. he was a horrible father, and person, but he genuinely did care for the siblings, in a like, “being the best is the best thing for you, i will make you better, for your sake, even if you don’t know it now, you will see that i am right” kind of way.

also why has NOBODY MENTIONED THIS. in season 2 when diego first reunites with five in the asylum, while he’s walking into the visitors room, he’s staring at five with this heartfelt, soft look, and then says “five…” in the most soft spoken voice ever 😭 your honor i love them

ALSO UGHHH THIS. IM GOING TO FREAK OUT ABOUT CAMERAWORK AND METAPHORS HERE SO BARE WITH ME. we as a fandom complain about the lack of flashbacks five has due to his ptsd. we’ve seen his first flashback since getting back to his family in s1 during the van scene when he gets triggered by those kids playing and starts thinking about his own childhood, i’m guessing. i ate that scene up, and was sad to see that be one of the only deeply vulnerable scenes he has in the season, and during my first watch i thought they’d never bring it back up. but they do!! i may be stupid for not realizing but whatever. in season 2, when five is trying to explain at elliot’s with all his siblings around that another apocalypse is coming, everyone starts talking about each other. as someone who studies film and camerawork, i love this scene. we see the camera focus on five as it slowly zooms in. it doesn’t switch scenes at all as the siblings voices overlap and echo over eachother. this whole scene conveys him getting overwhelmed and he starts to zone out, starting to think of the nuclear war he saw his siblings in. the scenes of the war start quickly switching through, showing many different scenes of it before it switches back to five, who says “guys, you all die. i want to forget it but i can’t” which just UGH its so well done there. if you think about it, he was starting to slip into another flashback. he was triggered by talking about their deaths in the war but was handling it well until the siblings started fighting, where we see the overlapping voices happen. it portrays him losing control and being unable to pull it back together with too much going on for him to focus on grounding himself. we DO however, see that five was able to pull himself out before he fell too deep into the flashback. i love how they show this through them still having the scene showing the war, but then fives voice starts talking over the scene which is still focusing on the war as if he was pushing it back and forcing himself to come back to the present.

thank you for reading if you’ve made it this far, i will continue to freak out another time <3

[yrrtyrrtwhenihrrthrrt]

Rewatching Season 1 of Arcane with my Season 2 knowledge and here's my commentary so far:

These children were giving SUCH Siblings. Not just Vi and Powder (although they were closer) but Claggor and Milo, whacking each other upside the head, bullying each other, protecting each other, being silly little kids. They deserved to all be brothers and sisters. They deserved to grow up together. I'm glad in the Alt Timeline it seems like Powder's relationship with her brothers really got stronger and they got to be a proper family, (with both Dadco and Dadnder to boot) it just sucks that Vi couldn't be a part of it :(

Viktor was kinda serving cunt with his finger tattoos and bracelets, although I found it interesting/weird that he had neither a limp nor his purple machine herald skin. I could see if being eaten by the magic and spat out fucking. Somewhere in the universe would return him to his original body, but then he should have had his limp, and if it didn't, he would have still had an augmented appearance. I get that he was likely from a different universe, but I think his disability is a part of him thematically and would be consistent across universes (at least ones where he would become a mage) idk. I guess including either feature would be an obvious giveaway for that spoiler, once Viktor and his limp were introduced, or once his hand turned purple towards the end of S1. And as powerful as he was, he probably could have conjured up a disguise so Jayce wouldn't be able to identify him later on, so it's a moot point ig just thought it was interesting

I forgot Silco had a bald cat. Probably because the bald cat is immediately killed. Take notes, anyone who is working on Domestic Vanco Everything Is Fine AU (me), they have a bald cat.

Silco is also much more sympathetic after having watched Season 2. Just knowing that if he had gotten Vander's apology, they would have worked on the nation of Zaun together again and created a truly beautiful thriving society like they always dreamed, like we see in S2 (which I strongly believe would not have been possible if not for Silco joining back up with Vander) is heartbreaking. He was a fucked up old twink but he really wanted to create something better.

Also it looks like Silco was injecting drugs into his eye even before shimmer was finalized??? Questionable. Was it not shimmer? Was it something else? Am I missing something? Whack. What this ALSO implies is that, well, we see in the alternate universe that his eye just looks like a normal injured/blind eye, but it's also implied that Alt. Universe events were largely the same up until Vi's heist went wrong. This means that Silco, in the AU, WAS shooting up dangerous untested drugs into his eyeball, and at some point, decided to stop after reuniting with Vander. Accepting his trauma, moving on from the pain? My Zaundads heart can't take it.

[lover-of-mine]

Welcome to the use of blue and green with 911 couples is not confined to clothing and how I believe this applies to buddie since season 2, a masterpost. (this does contain an explanation of the use of blue and green in the more obvious way, the clothes, so even if you don't believe the other elements of the scene part, this could still bring some clarity on the way blue and green is important)

Okay, so, after 706 a lot of people said they thought about me with the buddie/bathena blue and green scene, and I LOVE THAT, but a few people also came to ask me to explain more about the blue and green in general and why that is important and I realized my blue and green thoughts are scattered into multiple posts because I did figure out more stuff since I wrote the first one and season 7 is giving me more things to support the 2 main color theory theories I have when it comes to buddie/Buck, so I decided I need to write one long post about it all, including thoughts on 706 specifically.

Okay, so easy pattern to spot first, the blue and green thing is used with a lot of couples throughout the show, core couples, adjacent couples, random people in calls, the blue and green is used in a major piece of clothing in a couple, a shirt, a jacket, a dress, after s6 the use of pants was introduced more explicitly, and that has transferred to s7, but it is something heavily used since s2 (I can't find a conclusive example in s1 and the first obvious example is madney's first scene in 206) (this will have a bunch of tiny images because I'm trying to stay within the image limit, but if you click on them you can zoom in if tumblr doesn't decide to hellsite, I made them high quality enough)

And it is not just about meant-to-be couples, it's literally just a way to exemplify romantic connection. And while it is used a lot with most of the couples we see, the easiest couple to track is madney, since they have a lot of blue and green scenes, tracking back all the way down to their first scene, but bathena also have quite a few scenes. I love the scene at the station in 308 (last column, 3rd row down) because the cutout of kid Bobby makes it so there's a double blue Bobby there.

So the clothes element is very easy to track. It is a very real aspect of the show. And that is interesting when you consider the actual color theory aspect of it, because blue and green are analogous colors, which means they are right next to each other in the color wheel, and that's a color scheme used to create a harmonious look, it's about cohesion, creating visual unity, and it is what this accomplishes, the couples look balanced even if we don't fully register why, they just naturally work well together and that translates even if you don't know color theory.

This is the part we know exists in the show, but the thing is, I don't believe the show only uses that with the clothes, and again, madney is the easiest way to track that.

I noticed this while making a 512 set for the hiatus rewatch since I was focusing on the scenery to pick the shots I wanted because something about that episode is that it is green in nature since it is a Saint Patrick's Day episode. But everything about madney that episode is blue and green even when madney isn't dressed in blue and green. Pretty much everything about it has blue or green elements.

Maddie is wearing blue in the video, Chim is wearing green when he watches it, she's in blue while she's alone (even her hospital gown is blue, and that's not a common thing for the show), he's in green when he's alone, so we are still in the color scheme, there is a lot of green in the background that makes Chim and his vest stand out, we have green walls, that green bench, the blue red sox merch on the walls. But when they meet again, they are in neutral-colored clothing, contrasting with the background, and when Maddie tells Chim she wants to go home, both of them have blue and green shirts that are covered by a jacket, so the blue and green are not a focal point even if it's there, probably because they are not back in a place where they can get back together yet, and they are explicitly in blue and green in 601 when they do get back together.

They also did the whole make the episode blue and green with 706.

The backgrounds are very blue or green or both, a lot of the people are wearing blue or green, Maddie's phone is green, Chim's car is blue, there is a lot of blue and green happening there.

Something else about madney being blue and green is that their house has a lot of blue and green decorations. So, I definitely wanna say that the blue and green are being completed by other elements of the scene.

But I obviously have examples with other couples.

While doing the rewatch sets for 606 I noticed there are a few examples using Henren and other elements of the scene, 606 is also the episode that allowed me to include pants into this madness.

The thing about henren is that they don't have a lot of blue and green scenes, the 2 we had before s7, because s7 did gave us a few more, are in when they decide on fostering and when Eva comes back the last time, but since their color palette is based on patterns a lot, I decided maybe I should expand my definition of what counted, that gives us one of the flashbacks, because Karen's pants are patterned in green and Hen's shirt is patterned in blue, they also have Hen in green pants for one of the dates and there's the blue lighting, there's the scene with Hen in a blue hoodie and the green background. So more elements of the scene were being employed there.

Another couple is Eddie and Shannon. I will be honest, it took me a WHILE to clock they had an explicit blue and green moment in the form of Chris' birth. BUT, looking at them season 2 and the flashbacks in Eddie begins, they have moments where Eddie is blue or green and Shannon has blue and green detailing, her jewelry, her nails, her car, background of a scene. Also when they are fighting about Eddie reenlisting, they keep switching holding blue and green stuff. Shannon has a blue cup, Eddie is holding a green bottle, the rag on Eddie's hand is blue, the oven mitt next to Shannon is green, so even though Shannon is never a fully blue or green character, she always has blue and green accents.

Randon addon, but Thomas and Mitchell, the gay couple from Buck, Actually that is the couple that shows Buck what love is supposed to look like, they have a lot of blue and green details in their montage, the car, the driveway, the transition from a green cake to a blue cake, I just love that.

Now that we have all of this established, let's talk blue and green applied to buddie.

So, using the established, just the top, point of focus of the outfit, buddie has 3 blue and green outfits, technically 4, but we will talk about the hangar later, because I have a lot to say lol, the loft scene in 613, the station scene in 617, the hangar scene in 704, and the dispatch scene, the street scene, and the wedding in 706 (I will also talk more about 706 later)

One thing about buddie in blue and green is that they tend to have similar shades to past scenes with past love interests.

I don't know why they repeated the shooting combo, I guess it's just because Taylor's greens tended to be less earthy than Eddie's usual shades, but, I was scrolling through bucktaylor blue and green scenes to see if I could find a match for the hangar, and I do think that works, but I was fully ready to go full delusional here and say Buck's hoodie in 706 matches Shannon's nails in 207, because they do, BUT, that one seems to be a double kill and I don't have to sound all that crazy, because it seems like it is a bucktaylor combo from 509 too (the lighting on the loft is obviously different from two scenes in natural sunlight, but they are similar enough)

(Wait last minute addition that you don't know it's a last minute addition and can read more about here, but all thought s6, Buck and Eddie have matching blue and green phone cases, and the 706 scene seems to also somewhat match the shade of the phone cases from last season)

And these are the explicit ones, I would say the 706 scene is even more on the nose since bathena are also in blue and green right next to them.

Now, for other elements of the scene tho, we can go back down to the beginning. As in the you can have my back any day scene.

(Yes, I know the blue is because of the sirens, and it will eventually be red, but since red is such a prominent color for Buck, I can't really mind that all that much because I also have a color-theory theory that deals with the idea that Buck is red in scenes about doing the right thing about love and what more right for Buck than Eddie?)

But since I'm trying to stay within the image limit, let's rapid-fire some scenes here. If we ignore the uniform (I am choosing to because they don't have a lot of room with the uniform, it is what it is, and sometimes a scene will happen in the firehouse) Eddie is wearing blue after the tsunami and the will reveal, Buck's wearing blue after Chim goes after Maddie, Buck's wearing blue in the kitchen talk in 511 (and yes he's wearing blue because Taylor is wearing green, but he's still in blue), the shirt Buck has under the red jacket during the breakdown is blue, Buck is wearing something blue(ish) when they talk about the couches, Eddie is wearing blue on the poker date, Buck is wearing green on the cemetery. In the Carla scene, when Eddie shows up, they're not in the kitchen, and the backgrounds behind them are somewhat neutral. But funnily enough, it's only green behind Eddie there. (if you read my eddie fell first essay, you know I will die saying this is the moment that Eddie is done for so, love when an insane thought solidifies another lol), after the tsunami, we have green scrubs dude behind Eddie when Eddie sees Buck, even though most scrubs in the show are blue and everything behind Eddie is white, we have Buck and the blue of the tent, when they turn around, there's the green thingie behind Eddie and Chris, and the scrubs behind Buck are blue. Grocery store, the toilet papers behind Buck are blue and the outside along with the flowers behind Eddie are very green. Shooting, whatever that green thing behind Eddie is, Mehta's uniform, more blue uniforms, and a green medical person. 511 I just think are funny because Buck is wearing blue in the kitchen but everything about Eddie is white, and that's a fun contrast to the Carla scene and 517 is funny the way one side of Chris' room is mostly green and red and the other is yellow and blue and how Buck is on the green side and Eddie is on the blue (including his shirt). And the poker date, Eddie is in blue and the tables and chairs are green.

Considering using the pants, we also have the post-tsunami talk, the will reveal, and the 504 talk where Eddie has green pants on. Sure, the post tsunami talk, Eddie is both blue and green and there are no blue elements on Buck, but the will reveal, Eddie is both blue and green and the wall behind Buck is blue, and the 504 talk, Eddie has green pants and Buck has a blue hoodie on, considering the way the season 6 had the pants being in used with henren in 606 and with the girls from the oil well (both queer couples, I might add), I kinda wanna say that the 504 talk is traditionally blue and green lol

We also have my Roman Empire, aka the cemetery scene.

Because here's the thing, the sky is only blue behind Eddie and Buck is dressed in green. And also considering the way that they were being pretty consistent with Eddie being green and Buck being blue and the general breakup feelings surrounding the cemetery scene, the fact that bucktaylor switched colors mid-relationship, aka, when Buck tells her he kissed someone else, this is very interesting to me, because the colors in that scene feel like something that was accomplished on post-production, so they are like that on purpose.

This is also something that is used in the gym scene in 705, because Buck is wearing a green coat and Eddie completes the blue and green with the towel and the bottle, and considering green is Buck there is something wrong color and Buck is beating himself up for lying to Eddie, the switch in colors when applied to Buck usually means something.

With all this, let's talk blue and green in 706. Bathena is in 2 different blue and green outfits, the Buckley parents are in blue and green, bucktommy and buddie.

The bucktommy blue and green is very interesting because for one I had to swatch the color of Tommy's shirt and also because when talking about the blue and green in general, the shades tend to match, so to have Buck in a very light mint green and Tommy in a very dark, almost black blue is... a choice, especially considering that bucktommy did match during their date in 705, and Buck is in green, Buck in green is never a good sign (meta on that here), and considering Buck switches colors during crisis, I'm curious as to why they already switched the colors for them, since green is Buck's breakup color.

And the buddie of it all, well, they spent the whole episode matching, literally with the costumes for the bachelor party, but they also stay in their blue and green combo for the duration.

And to have buddie matching even in the bachelor party when the dude Buck is dating is there during the madney wedding episode is definitely a choice, even more, when you consider the way that Eddie is the one who is supposed to be the third wheel, in the costume design of it all Tommy was the one who was the odd one out, and considering the general married behavior buddie was exhibiting during the episode, it's a choice.

And since I'm already here, let's talk hangar scene.

For starters, with this scene, we had a blue and green scene for buddie 3 episodes in a row, which is something on its own, BUT, I will say that I watched the clip of this scene before 704 aired and said "oh, buddie just went canon", because here's the thing, for starters they are in blue and green and Tommy is in shades of beige, so the color on their clothes is the focus, but they are not really the focus, and they do match, but we have to consider the way Buck is wearing a maroon hoodie under his blue and Eddie is wearing a black jacket over his green. That clearly meant some sort of development was coming they're just not fully there yet. For me at least. Because the show has Eddie in the army green armor and Buck in the red jacket of love, and to have Eddie in the army green but with something over it, not using it to protect himself is something, and Buck not being in his brighter reds is also something.

To have this was very interesting for me, Eddie most of all because he's wearing black a lot and I have theories but I can't figure out why. But those are all colors used when Eddie is protecting himself and Buck is trying to understand something, so interesting. And then there's the actual dialogue of the scene "wait, you're not thinking about jumping ship?" "uh, no, I'm just, you know, keeping my options fluid." There is literally no more on the nose way to say don't jump ship than to literally have Eddie say don't jump ship. All that paired with the very obvious blue and green, definitely meant a plan was just set in motion for me.

I will link my Buck and the use of green and red again if you feel like reading more color theory theories. And also a theory about the use of blue and yellow this season.

Anyway, I think this is all, if you read this I love you 💜

tagging the ones of you who asked me about this or interacted with the post I asked about this: @dangerpronebuddie @missmagooglie @steadfastsaturnsrings @millymaki @inell @bella-bothered-and-bewildered @sparkedblaze @frihetstyrke @ilostyou @your-catfish-friend @estheticpotaeto @marmarthehatterverse @planetlet263 @mirrorbuck @lolpuppy

[raayllum]

today on TDP's consistent re-contextualization: the Sunfire elf tribunal in 4x06 (because I was rewatching and noticed some interesting set up / parallels for S7)

1) The dispute being a mourning ritual at all, since arc 2 (like the rest of the show) has an emphasis on grief. This is particularly evident since S7 is going to focus on bringing the dead back into the land of the living and affirming that life-death theme (whereas in S1, we didn't get any funeral rituals outside of S1 in Katolis; S4 comparatively shows two funeral rites)

2) Death being seen as "the dark night" (Aaravos wants to bring about eternal night / is a fate worse than death) and light guiding the spirit through said darkness till it be unified wholly with its primal / the light. Don't even think I gotta include the 6x06 screencaps for that, or the fact that Aaravos has corrupted both the moon and the sun Nexuses in an attempt to solidify an eternal night of literal death.

3) Aaravos saying that his years with Leola couldn't hold a candle to deeper mysteries; Callum refusing to snuff out his Light (Rayla) and therefore not being truly permanently Lost to begin with, no matter what may happen to him with dark magic. This is also interwoven with N'than in the same episode offering to help the group not get lost on the Path of Despair, which... yeah, hi metaphor for depression and hopelessness amid grief.

The fact that possession equals being dead or already dead, as well as dark magic's associations with death... vs light and life. Yeah. Yeah.

4) The emphasis on cruel punishment / rashness in the name of the greater good even when that means tearing a family further apart or the punishment being unnecessary (all around) and the victim(s) not being listened to no matter how much you begged, bargained, or pleaded (looking at you 1x03 Rayla and Runaan as well).

5) The application of accountability as well as the cruel motif rearing its head for the first time in arc 2, as it will become a mainstay

She had every opportunity to consider the pain she could cause. And she did not. She was callous. She was careless. She was cruel.

6) Both Aaravos (whose name means between light and dark) and Lucia (whose name means light) are involved in the trials we see in 4x06 and 6x06 respectively. Because Lucia is not killed and is shown mercy and compassion, she's able to contribute positively as a member of society in a way that also addresses her initial concerns; she takes on a positive purpose after the harm she's caused. She is tasked with rebuilding. Because Aaravos is not shown true mercy, and his daughter is brutally executed, he grows to no longer care about any harm caused, and his life takes on a negative purpose. He tasks himself with destruction. Also typical TDP emphasis on Choices throughout.

7) The contrast of "She is not innocent" being true in Lucia's case and untrue in Leola's case work together to set up Rayla's trial in S7. They also bode well for Callum's character arc. If he does dark magic again, he may not be 'innocent' on that level, but that doesn't matter; he still deserves life and love and to be saved / spared ("I'm not going to kill you"). The same could be true on Claudia's level (and was true for Viren, as he was imprisoned rather than executed).

[apoloadonisandnarcissus]

A fellow fan (who prefers to remain anonymous) shared their “wild theory” that there can be more to the Elrond and Galadriel kiss scene that meets the eye, and asked me to do an "breakdown" and see if it can be. Now, this is just theory, don’t get your hopes too high, please. 

This scene isn’t meaningless like many are trying to make it to be: this is the kiss that Morfydd Clark teased at the premiere, and it’s in one of the main trailers for Season 2.

I rewatched the entire scene like 5 times, and I did notice there was something strange about Elrond (body language, the way he walked and, even, the way he spoke), and before the kiss itself, Adar himself seems to act shady as his eyes linger on Elrond’s face, with suspicion.

All of this can mean nothing, however, there can be some clues, here: 

Elrond sounded quite passive-aggressive in his exchange with Adar, and kind of manipulative as well (this is a tense scene, but Elrond seemed OOC); 

Elrond didn’t actually choose anything: it took me a third rewatch to observe this, but the way the scene is written and acted, it’s like Elrond isn’t there to strike any bargains with Adar or stop the attack on Eregion (which should be his goal in this scene, no?), but rather to help Galadriel break free.  

Random mention of Melian (yes, Elrond’s ancestor, but also the Maia who fell in love with an Elf); 

Elrond hitting back at Adar with mentions of his “children” (and the camera lingers on the Orcs to see their reactions. We already saw the Orcs starting to turn on Adar, and in 2x01 we saw another character pulling out the same move); 

Elrond randomly calling him “Adar” to his face;

The weird way Elrond removed the pin from his cape is quite similiar to another scene we’ve seen of a pin being removed in S1; 

Adar’s entire demeanor changes as soon as he gets close to Elrond, and looks him in the eye;

The music that plays during the kiss, seems quite familiar to the 6:22-6:25 chords of the “Last Temptation” OST. 

After Elrond leaves the tent, his demeanor seems extra cold for his usual self, and he speaks only in Elvish. He also tells the soldier that he’ll try to hold on the walls of Eregion in a cryptic way (I mean yeah, but there's another character who’s also holding the walls at the moment, and who saw the Elfish army coming from a mile away, and probably Galadriel in a cage, too).

What’s the wild theory? It’s not Elrond in that scene, but Sauron.  

We know Sauron can bend reality to his will and create illusions: we’ve seen him impersonating Finrod, Galadriel’s brother, in 1x08; and this Season he shaped the entire reality around Celebrimbor for him to complete the Nine.

We know Adar and Sauron also share a connection and they seem to be able to recognize each other (Adar knew that Halbrand was Sauron), so can that explain the change in Adar’s demeanor as soon as he looks into Elrond’s eyes? Because he realizes it’s not him, not Sauron in front of him?

A few months ago, there were some “leaks” that Sauron would impersonate Celeborn to kiss Galadriel: what if he impersonated Elrond, instead? 

Can this be how Sauron will prove to Galadriel his love for her? Because he was the one who helped her escape Adar, and he’ll show her this at the finale?  (with how the kiss was filmed, it’s possible to do a character-change-reveal situation) 

Now, and as I’ve said in the beginning of this post, this is a “wild theory”, so don’t get your hopes too high.

[dapperapple]

Mike's crush on El does not necessarily contradict him being gay rather than bi

I wanna start off by clarifying that if you see Mike Wheeler as bisexual rather than gay, THAT'S 1000% VALID don't let anyone take that from you babe

this is just my perspective as a lesbian who thought she was definitely straight until the end of 10th grade (age 16, a bit older than Mike and Will are in canon)

I was rewatching a lot of scenes from the show, mainly s2 and s3, to see if I thought that Mike's feelings for El came across as weird/forced or if their relationship felt off

and honestly it left me (a Byler shipper) pretty confused at first

because YES there are a lot of odd things about his feelings and their relationship

BUT ALSO

there are a few moments that are so cute and feel so genuine I didn't know what to do with them for a sec

mainly all the scenes where they're together at the Snowball dance

because that shit seems real to me, it's cute as fuck, that is a Mileven win right there if there ever was one

and honestly, the forehead touch when she and the Byers are about to leave, and again when they reunite in s4

dude that shit is so sweet okay

(Mileven shippers are valid even if I disagree with it for the narrative)

ANYWAYS here's where my personal experience comes in to help out with my confusion over this

Mike in s1 feels the most obviously comp-het to me

because I had a big crush on a boy in kindergarten, another in gr2/3

I didn't even know what gay people were, I knew girls liked boys, so if a boy was my friendly, and nice to me instead of mean, I probably would've liked him or thought I liked him

Mike in seasons 2-4 reminds me of myself in gr7/8

the most intense crush I had on a guy was in gr7/8

I was more used to being friendly with guys at this point but this guy was becoming a close friend of mine

a cute confident guy who was nice, funny, and taking an active interest in me as a person was like wooaahh

I really do believe that Mike unintenionally idolized El, putting her up on this pedestal, with his self esteem all wrapped up in her liking him back

but I also don't think that's his fault, when you're young you don't know any better

the pressure to date starts to increase a bit, and low self esteem is kicking your ass

I did the exact same thing with the guy I liked, I had this whole other version of him in my head and I started liking him less and less the more he didn't act like that ideal

(insert Mike's behavior towards El after she assaulted Angela)

even after I figured out that the kind of person and the kind of connection I wanted in a relationship was something I was far more likely to find with a girl, I still thought I was straight, so it just made me kind of sad

like- I had resigned myself to the fact that I would struggle to find a guy that I TRULY liked

maybe it was lingering internalized homophobia, idk, I had lots of gay friends, but I just hadn't felt that way about any girl at all before, I didn't think I was capable of being attracted to girls

and then there was her

we became very close friends, she was such a kind person, so fucking funny, an incredibly skilled artist, and absolutely gorgeous

and it finally clicked

finally my mind registered the fact that I COULD be attracted to girls

I still consider her my first love

and then there was no turning back

WHICH IS WHY

I wouldn't be surprised AT ALL if it takes Will coming out to Mike/the party in order for him to consider Will romantically

not because he isn't already in love with him subconsciously

but because I don't think he has registered it as a possibility for EITHER of them

moral of the story:

COMPULSIVE HETEROSEXUALITY IS REAL GUYS AND IT CAN FEEL MORE REAL THAN YOU'D EXPECT

especially since when you're young, the differences between boys and girls (both physically and how we're socialized) are much less apparent

MIKE WHEELER I KNOW WHAT YOU ARE (because me too!!)

[avelera]

Why You Should Rewatch Season 1 of Arcane

For those who are just jumping onto watching Arcane now that Season 2 is coming out, let me just quickly say what transformed me from a fan to a frothing-at-the-mouth insane evangelist for how this show might be an era defining work of genius.

The writing is good, yes, but did you know that structurally, Season 1 might be the most tightly written show ever created? (And no, I don't mean that as hyperbole, because the animation, the music used, and the story as written is all done in-house by Riot, Arcane might truly be the most tightly created, centrally controlled story ever made for film).

If you go back and re-watch Season 1 knowing how it ends, with Jinx's rocket shattering the sky on its arc towards the Council Chamber, you can then actually go back to the very first scene of the show and see how every beat of the story up to that point led to that moment.

The core thesis of Arcane S1 is the question: how did we get to this moment where the potential peace of this divided city was shattered by the violent attack of one traumatized child of Zaun?

Every scene, literally every single scene, every single frame, every single word said or not said, every gesture, every pause of Arcane Season 1 is how we got to that moment.

Every chance encounter that happens or doesn't happen. Every time someone was in one place instead of another. Every time someone helped or didn't help a loved one when they needed it. Every time someone spoke up or didn't speak up when they needed to.

Every. Single. Beat. Every single breath of Arcane S1 is about that last scene and how it came to be and how no one stopped it before it happened. You can pause any frame, dissect any scene, and point to exactly how that last scene could have been averted if this moment had gone differently.

It is truly mind boggling how tightly connected even the smallest fragment of this story is. The care and attention put into it is so next level it doesn't even seem like it's in a different league (heh) from most other films, it's playing a different sport.

And I recommend everyone who has only seen Season 1 once go back and watch it again with this question in mind.

[manwiththemagic]

The writers of s11 were cowards. If IIIIIIIIIII was in charge I'd made Lucifer's weird obsession with Sam show up more. Like the writers have very obviously included it and yet when Lucifer is processing the same vessel as cas, and therefore pretending to be cas, he just fucks off and tortures Crowley with fucked up bdsm pet play.

Like the few times casifer and Sam interacted were GOLD. because Sam sees it as his best friend cas, and Lucifer (who keeps talking about Sam like they're toxic ex's) is pretending to be him!! Although not to well. Like his freaky smirk when sending Dean into the past and coming back to harass Sam? Dude lives off of sadistic pleasure.

The way he full on LAUGHS when Sam says he trusts him bc Sam thinks it's cas?? Like gold!?!? Don't know why the writers didn't do more with that.

Also why not do more with the 'lucifer sent Sam visions to get him down to hell'. Like Lucifer is Obsessed w/ sam because that body/vessel is "supposed to be" his. And yet after revealing himself he doesn't try and convince Sam anymore?

He's just given up? Like nah man I don't believe that. I feel like he woulda fucked with Sam more in cas' body. And like it woulda been a way better not-romance-romance plot then whatever the fuck Dean and Amara were..

Like that came outta no where... I mean I get it.. but ew?? We saw her grow up, and maybe id argue "well there were two versions of her!! One physical on earth, the other her actual form and memories as a celestial being!!" BUT NO. SHE CALLS CROWLEY UNCLE CROWLEY.

cause he like raised her for a day or wtv..

Idk s11 is better than s10. Like the episode from baby's prospective?? PEAK CINEMAAAA!! also not that I dislike s11, no I quite love it, I just wish the dean plots were more fleshed out, and that it was more "Dean and Sam vs the world!!" Then Dean vs Sam yk??

Like where's my dynamic duo??

That's part of why I didn't like s10. Like no I loved the IDEA of Mark of Cain dean, and demon dean was hilarious (although I HATE him) but it was just Dean vs Sam, Dean vs cas, Dean vs the world. And idk I liked the idea, cause this time it was sam doing everything to save Dean, but man I just didn't like the fighting..

Also s11 had a mention of TMNT, S10 did not so... points!!

S1 and 2 of spn were peak ofc, and s3 was good but not really memorable for me?? Idk I'll go back and rewatch once I finish the series (just finished s11)

S4 and 5 were also really good, we got Castiel who is peak, blood junkie Sam, which was one of my favorite plots!! And of course a lot more bobby. Rest in peace king!

And unlike some I loveeeed s6-7 like.. the soulless plot, and death? Dean dealing with soulless sam?? Chefs kiss I mean mwah. Then Sam tweaking because of hallucinations. NOT TO MENTION GODSTIEL?? loved him sm stg.

8-9-10 is where it kinda fell off. I mean idk the leviathans?? Weak. Hated them ngl. Idk if they were s7 but either way.. mid. I didn't like purgatory bc no way Sam would do that?? But I did like how it developed deans character..

I don't remember what happened in what season but I lovedddd kevin, hated metatron (but in the "it's because he's well done" kinda way), the tablets were aight, Mark of Cain was uh... something.. (I hate demon dean but he was peak..)

So like idk.. show is peak though, I'm just at that point in the hyperfixtion where it's like "BUT I COULD DO IT BETTER!!" ykwim?? NVM I'm sick with a fever, supernatural is all I have going for me man.

[moments-on-film]

Moments on Film: Carmy IS The Bear - Opening Scene Analysis

Hello friends. I hope your year is going well. If we have interacted or you’ve read my work before, hello again! If you’re new to my blog, welcome!

This is the final part I’ve been building to in a 3 part character analysis series I have written about the character of Carmen “Carmy” Berzatto from The Bear. In the first part, I analyzed how 🔗Carmy doesn’t know who he is yet because he’s never had the safety and freedom to discover who he really is by connecting with his true passion, art. In part two, I analyzed 🔗Carmy’s true purpose and how I believe his destiny is to set everyone up for success, leave the kitchen behind and step into his light.

I have rewatched The Bear multiple times, but nothing ever captures the wonder, intrigue, and immediate empathy I felt for Carmy after that fascinating opening scene in the pilot episode. I have been thinking about it since I first watched it and it has stayed with me.

Since the first time I saw it, I have always believed Christopher Storer wrote the opening scene of The Bear to provide a portal into the entire arc for Carmy’s character. Let me explain.

Think about what Carmy is doing in the opening scene. He’s approaching a bear trapped in a cage. He speaks to it softly and gently, shushes it, empathises with it, coaxes it out and unlocks the cage. Look at the words used in the script:

Trapped, locked away

Whimpers, cries from inside

Emerges

A mass of dirty, matted hair

Mouth bleeding and ill

Shivers

“Shhh…..shhhh…it’s okay…”

Sad, abused eyes

There was a cute animal in there once

“Come on….go….”

“I know.”

Why is The Bear so personified in the script? Why is Carmy talking to it like it’s a person? Carmy looks into its “sad, abused eyes”, and tells it,

“I know.”

In my opinion, in the pilot episode, Carmy encountering the Bear is more than a dream, it’s a premonition because….it is Carmy talking to his future self.

Think about everything we have seen him go through so far and read the scene below:

I think Chris Storer has given us the arc of Carmy’s character in the form of a fevered dream Carmy has while watching over a slow cooking pot of gravy while he sleeps on the metal counter.

Carmy is the bear in the cage. S1 set the trap, by the end of S2, Carmy has fallen deep into it, and I think in future seasons, Carmy will suffer greatly, then will make great attenpts to heal, get in touch with what he really wants and will set himself free.

The fact that the opening scene in the series takes place on the State Street Bridge is an indication that Carmy saving himself—letting himself out of the cage—will save his own life. This is the same Bridge where his brother Michael, trapped in the same cage he is caught in now, separately, but somehow together, saw no way out and took his own life. The symbolism is striking. The Bridge is the connection between the two realms, and the difference between life and death.

I also think that the words used to describe the bear mean that things will get so much worse for Carmy before they get better. Season 1 ended with Carmy committed to opening The Bear. Season 2 ends with Carmy caught in the walk in freezer of the restaurant, a literal bear trap of his own making where he is buried alive by his unprocessed trauma, and inability to thrive in the very place he was supposed to lead, and crippling pressure to turn a profit to pay off his debts. This is because in my opinion, the restaurant, his cage, is not his natural habitat. This is why everything in it always seems like such a struggle and so painful, forced and joyless.

I’m worried to see how things will get worse for Carmy than they already are. In the script, the bear is described as tapped, locked away, crying, whimpering from the inside, a mass of dirty matted hair, mouth bleeding and ill, shivering with sad, abused eyes.

From the moment I saw the drawing on the wall in the pilot episode, I said, wow, look at the bars, it’s a cage. Of course, I didn’t know until 2x6 that Carmy himself drew the sketch himself, as a Christmas gift for Michael, who was trapped in a horrible cage of his own at the time, which makes it all the more telling and poignant. There’s a reason why Carmy drew the sketch this way, even if it was subconscious, with the same bear trapped in a cage, which we see again in his dream.

Photo credit: moments-on-film (me)

At the end of season 2, Carmy is trapped, pacing the cage of the walk-in freezer.

I’ve been so worried about Carmy as a character since the first episode because it is so clear that he’s sick and badly needs help that he’s not getting. He has undiagnosed PTSD, and inner trauma that manifests physically in the form of nightmares, trouble breathing and terrible panic attacks that ravage his body. This has been so visceral to me throughout S1 and S2 that I wrote an analysis post about 🔗Carmy’s Vital Signs, and how they are dangerously visible on screen through Jeremy Allen White’s exceptional acting. The Bear in the pilot script is described as whimpering, crying and ill. If I am correct, this is where Carmy is headed before it can all turn around.

One other little clue that Carmy is metaphorically the bear from the opening scene, is the physical look of Carmy’s hair. From the pilot episode, Carmy’s hair has bothered me. He’s a 3 Star chef, trained with the best, and worked under the abusive chef in New York who must have had him and his hygiene under a microscope. It never made sense to me that his hair at times looked dirty and unkempt while his shirts were immaculately clean, pressed, and white. Below is a quote from an article where Jeremy Allen White talks about his hair as Carmy:

"I also wanted Carmy to always look just a little dirty. There’s a sink on set — everything was functional — and before most takes, I would get water in my hands and run it through my hair to get it looking kind of greasy.”

This always stuck out to me. He’s playing not just any chef, but, in the words of Sydney, “the most excellent CDC at the most excellent restaurant in the United States of America.” A chef who clearly cares about cleanliness, who gets on his hands and knees to scrub the floor more than once with just his hands and a washcloth. Why would he want him to look dirty? But thinking of it now, if he too knows the arc of Carmy, which he has said Chris Storer has shared with him, then he understands that where we are headed is to witness him as the bear is described, emerging from the cage, “a mass of dirty, matted hair.” The slightly dirty hair is a physical clue into the journey he is on as a character.

I think in future seasons we are going to see a great deal of guilt and therefore self flagellation from Carmy to over correct his mistakes from S2 that is going to further impact his mental and physical health. As I mentioned in a prior post, just like his tattoo, he is constantly dancing on the knife’s edge, and literally putting himself in life threatening danger.

I also have predicted in prior posts that Carmy is going to push himself so hard that he has a major health incident that might finally force Claire (if she’s still around) to actually take note of how sick he actually is. I’m not sure if she’s going to be prominently featured in S3, but I would not be surprised if a health emergency forces Carmy into her life somehow. It never made sense to me that her (then) boyfriend is sick, she’s an ER Doctor, and doesn’t seem to really notice or care.

As I mentioned in my last post, Carmy’s True Purpose, I ultimately believe that Carmy needs to get out of the kitchen and into a life where he can be happy and healthy, and connected to his true life’s purpose. I do not believe that this means Carmy will abandon his found family, or that he will do anything to betray Sydney. I believe she’s his shining star and he will do anything and everything in his power to make sure she gets hers. I also believe they will be in each other’s lives forever because they are truly soulmates. This isn’t about anyone else, though, I think this is about Carmy coming to terms with decades of abuse, unspoken thoughts and feelings, buried passions, his precarious health situation, which is in fact, eating him alive, and letting go of his long held mantra to 🔗 “just keep going”, before it kills him.

Perhaps there’s a way to marry art with the restaurant. That doesn’t solely mean he is only drawing. Maybe what Carmy really should be doing is creating, planning and designing menus, traveling the world to discover new flavors and finding inspiration that can help the restaurant, and provide him with much needed creatively, peace and, yes, joy. Maybe the restaurant will become seasonal and he and Sydney can spend the off time traversing the globe and creating menus together. Maybe down the line he can get out of the commercial kitchen, and he and Sydney’s can revamp her catering company and they can create together is a different environment. I must believe we are headed for somewhere healing, positive and beautiful, despite the valley of despair that ended S2.

The character of Carmy honestly breaks my heart. In him I see someone who so desperately needs a breakthrough and help on so many levels. He so badly needs to discover who he is and what actually makes him happy before it’s too late. I think Carmy is subconsciously very connected to this. His dream, which started the series, continues to haunt me.

One great thing about Carmy’s life are the people who now surround him. In my opinion, he needs to be very careful about how he treats them moving forward. He has people who genuinely love him and who I believe have his best interest at heart. If he pushes himself to the brink and then decides to leave the kitchen for the sake of his health, I believe everyone would ultimately understand. However, no one can take the reins of his life and fix it for him. Only he has that power and create his own reversal of fortune.

If I am correct, for his character to follow the arc of the opening dream scene, all Carmy ultimately has to do is unlock the cage and set himself free.

How he will arrive at that point is the journey of The Bear.

©️moments-on-film 2024

[ok-sims]

Things in Good Omens 2 I still find weird after maaaaany rewatches

Yep, brace yourselves, it's exactly what's in the title:

Maggie making the spelling mistake ("urgrency") in one of the very first scenes of S2.

It is in the very first scene set in the present day. It is the first time we are presented to Maggie. And the spelling mistakes being very much connected to demons all through the season (specially in The Ball episode, with the note about the "angles" and Shax spelling "T-O-S-T-E", not to mention Furfur mispelling Aziraphale's name in 1941).

It is stands out so much because Maggie's mispelling is never brought up again, but the demons' is. And again, it was the audience's first contact with Maggie (even if she is offscreen). It might be just a callback joke (which does not make much sense to me, to be honest), it might be just red herring, or it might be to reinforce the "Maggie is a mirror to Crowley" theory (which does not make much sense to me either, because while Crowley is/was demon, we never see him making spelling mistakes himself).

I'm honestly at loss about what was the intention here. Seens to specific to be just random, given the demons do it many times. My best guess is that it is pure and intentional red herring, to mess with us. But then again, what for?

Miss Cheng (specially in E5S2, "The Ball")

Since my first watch, the brief scene when Miss Cheng is entering the Bookshop for Aziraphale's thinly disguised excuse to have a Jane Austen ball, she has a very... particular look in her face. It is when the weather is getting darkier e gloomier, resembling Michael Jackson's "Thriller" videoclip, because Shax and her "legion" of demons are arriving. The thing is, Miss Cheng does not look afraid at all, or even like she is suspecting something is going on. Miss Cheng looks suspicious herself! I feel like this scene is off in so many levels. First of all, it did not need to be included at all. So why add this scene to the final cut? Miss Cheng does not have a very clear role in the narrative, while all the other shopkeepers have at least something that not only sets them apart from everyone else, but adds something to the narrative and/or callbacks something else in the series.

Beside the obvious Nina and Maggie, Ms Sandwich brings to the table the comical relief, Mr Brown is there to set the excuse for the Jane Austen ball, Mr Arnold provides the fancy classical music for the ball AND the Doctor Who jokes, Justine is an excuse to bring up Aziraphale's bad French again, and give us a callback to the Bastille scene in S1, and Mutt is a callback to the magic shop shown in the zombie minisode.

But Miss Cheng on the other hand brings none of those things. We don't even get to see what is her bussiness. Of course, her scene discussing Ms Sandwich's work is a delight, but honestly, it could have been any other character asking about Ms Sandwich's job. And opportunity to have Ms Sandwich ask what Miss Cheng's work was there, but it was not taken.

Now, the only other scene Miss Cheng is in focus is in the very end of E6S2, when Maggie and Nina decide to sit down with Crowley to have The Talk. Nina asks Miss Cheng to look after the coffeeshop for a few minutes. Again, seens kinda random to have Miss Cheng there, and I really think this specific scene, by itself, might not have any further meaning. But when viewed along her other scenes (and specific lack of better fleshing out, which was given to all other shopkeepers), it just seens weird. Again, might just be a red herring to mess with us, but Miss Cheng is presented in a very sus way.

Aziraphale not having a replacement

Odd phrasing, I know, but I could not find better words to describe it. We are presented very early on to Shax, who is replacing Crowley in his former job in Hell. Shax is an important character all through the season, yet we never get a hint at who is replacing Aziraphale's job vacancy. We don't even get a hint if there is a replacement, or if it was decided Heaven would not be replacing him. We just get radio silence about who is Heaven's representative in London now, or if something happed to that position and why. Maybe if Shax simply did not exist, it wouldn't have bothered me. But since she does, and it is made clear many times that she has Crowley's former job, it stands out to me that nothing is ever said or even alluded about Aziraphale's former job position.

There are some other things that stand out to me, but these are the more obvious ones to me. I would be delighted to hear other people's takes on these matters, as I might have missed something. Oh well, I guess here is my first piece of Good Omens meta.

[randonwilmonfan]

I'd love to talk more about the locker room scene in S2 E2 of Young Royals, where Wilhelm tries to convince Simon to get back together with him, in the process (sadly) demonstrating that he believes his mother's feeble offer to "talk" about him possibly coming out when he's 18. This takes place after his almost-removal from Hillerska.

Plenty of people have already pointed out how Henry snitched on Wille and Felice’s kiss, but apparently didn’t choose to tell anyone (as far as we’re aware) about Wilhelm almost pleading with Simon to get back together with him during that post-almost-dragged-out-of-Hillerska conversation. And that's definitely an interesting thing to chew on. But there's more...

Here are a few other things that stand out to me too:

First -

I think it’s worth pointing out the obvious — Wilhelm clearly sees Simon in his future long-term (possibly for the rest of his life). The way he casually says to Simon “So, we’d only have to keep it a secret for 2 years” implies three things very clearly.

a) He immediately and easily sees himself together with Simon in 2 years and beyond. Actually, specifically, definitely beyond. Because his eye is on the prize: coming out and living openly with Simon *after* he turns 18 — implying his focus is entirely on the intended afterwards period. He doesn’t even blink at that idea; it’s obvious to him.

b) He also really doesn’t seem to think 2 years is a big deal. For a teenager who’s only lived 16 years on this planet (only approximately ~11-ish of them in a state where they’re forming conscious memories) to think 2 years is just a drop in the bucket is kind of wild. Even 6 months feels like forever to a kid. So Wilhelm — a child — viewing time from this perspective suggests he’s likely balancing 2 years out against a much longer expanse of time; hence why those 24 months would look so minuscule and shrug-worthy by comparison. In other words: he sees himself with Simon in the LONG long term. Two years is nothing if you’re imagining growing old with someone and spending the rest of your many decades on this Earth with them. (All of this is pretty much confirmed later on in S2, when Wilhelm offers to abdicate the throne for Simon.)

c) He also doesn’t seem to think Simon should be appalled by the idea of waiting for 2 years. Yes, sure, we can chalk part of that up to selfishness and lack of mentalization / empathy for Simon’s point of view. But I’m going to suggest it’s more than that. My takeaway is that he assumes Simon also sees them as endgame, and so naturally wouldn’t be bothered by waiting a bit longer in order to spend forever together. (Sadly the conversation does not play out that way for him; ouch. Though no shade to Simon: what he said in response was realistic and fair.)

Second -

I think we have to rewatch his interactions with Simon as Henry slams a door and slowly walks past them with a raised eyebrow. Because, in S1, that Wilhelm would have immediately jumped away from Simon to create distance and try to pretend there’s plausible deniability about what their relationship has been and could be again. That’s (one) part of the whole point of S1: Wilhelm is not ready to be brave enough to face a homophobic aristocratic world and take a bold stance to stand by Simon.

Instead, in S2 E2, he sits still. He stays right next to Simon. In fact, he *leaves his hand resting directly on Simon’s thigh.* And he knows someone is coming their way! He heard the door slam inside the locker room. Obviously he knows someone else is here. But he doesn’t jump. He actually doesn’t really stir much at all.

He sits there like it’s of no importance, and he doesn’t care who sees. Or, even, who overheard this very intimate, vulnerable, and pleading conversation. A conversation in which the future King of their country is almost on the verge of begging his ex to please be his again… not just for now, but for multiple years’ time. I mean we’re like 2 steps away from Wille practically offering Simon a “promise ring” (not sure if that concept holds up in Europe, but it’s basically a very pre-engagement type thing in the US; it’s not common though). (Their convo also makes it very clear Simon was the one who dumped him and that he’s having trouble accepting that and moving on.)

Yet he doesn’t seem perturbed or disturbed by Henry’s presence and overhearing and seeing them. He doesn’t seem embarrassed at all. He’s not ashamed of his love for Simon. Even more specifically, he’s not afraid of people (Henry) seeing him put his heart out on the line, and of them knowing that he wants Simon back - not for just a hook-up, but for a very long-term, serious, committed relationship. And he doesn’t make any moves to emotionally or physically distance himself from Simon, despite Henry’s clear witnessing of this private moment.

This is a subtle way to show that, even though Wille hasn't yet gone through his full S2 journey of self-awareness and self-growth, he has still already begun changing and growing after the end of S1. So he’s at least started to learn some of his lessons about what he needs to do differently.

Anyhoo, the whole point I’m trying to make is… gosh there were so many fascinating things happening in that scene. And they rush right past us in the blink of an eye! But there is so much meaning built into every small interaction and non-interaction there, and into every nonchalant assumption the characters casually voice.

I’m sure there’s more meaning and are more details I missed, too! What did you think? I’d love to learn more from others’ perspectives, too. :)

[jingyichickenwings]

Just marathoned season 2 of Arcane. Will have more thoughts upon rewatch, but omg, the Viktor war criminal criticisms are so much bullshit.

1) Childhood Viktor experiences disability that is caused/exacerbated by systemic injustice.

2) Season 1 Viktor saves Jayce's life, tldr season 1 happens

3) s1 finale/ s2 opener: "Viktor, do you really have Zaunite friends? I thought you were one of the good ones?" "Viktor, I violated your expressed concerns about the hextech and your bodily autonomy in a profound way plz stay 🥺" "Viktor plz help make WMDs it'll be like old times"

4) s2 episodes 1-6: Viktor makes the Healthy and Sensible Choice to leave Piltover, becomes Jesus, creates a utopia

5) s2 ep7-9: Ambessa mostly, but also fucking everyone, make their problems Viktor's problems by exploiting Viktor's health issues. Viktor tries to be level headed and fair for awhile, but there is a little bit of hive mind fuckery. Like, less than one episode of non-con mind control during an active battle.

6) s2 ep9: Jayce is just So Benevolent and So Sweet for forgiving Viktor's actions. Jayce has always loved Viktor's imperfections 💕🎉🥺🩼 Viktor's mobility limitations and shortened lifespan are just 💯

The other characters are so fucking lucky that Viktor is as chill as he is, I would have been enacting violence WAY SOONER. Fuck everyone in Piltover, get the fuck off my boy Viktor's organic free range porch that harnesses the run-off pollution of rich people to make something great.

Jayce is such a little bitch this season jfc. I mean yeah he did get plot-tortured a bit but I don't see much evidence that his dumb ass actually learned from that experience so I mean, what was the point?

[borntolurk]

OKAY SO I have a theory about the Aziraphale/Crowley relationship progression but it is going to have some pretty significant SPOILERS for E1-2 of Good Omens S2 so be warned!

By significant spoilers I mean that I will be describing some specific moments across both episodes (which I saw at the NYC screening).

Theory is below the line-

Alright, so as most people already know- I think from an interview- in the opening scene where Crowley and Aziraphale are both angels, Aziraphale notices Crowley before Crowley notices Aziraphale, and Aziraphale is clearly struck by Crowley. I don't know that I'd say "in love" but I think that it's somewhere in a range from "admiring" to "infatuated."

There are a lot of people theorizing about how that could possibly mesh with the S1 truism that Crowley fell fast for Aziraphale and Aziraphale kind of ignored him but I actually think it works perfectly well if you look at it this way:

Aziraphale fell for (for lack of a better term lol) the angel Crowley had been before.

So when he’d have seen Crowley in Eden, Crowley would recognize him as he looks exactly the same and really it's only been seven days, but Aziraphale would see a demon who COULDN’T POSSIBLY BE THE SAME BEING HE FELL FOR!

On rewatching the Eden scene, I think that Aziraphale does recognize Crowley as the angel who fell- he just doesn’t know his new name- and while obviously this is basically just me projecting back on performances that didn’t have ANY of this in mind, he seems very on edge when talking to Crowley. It’s like he knows EXACTLY what led Crowley to fall (asking questions and criticizing God), Crowley’s doing more of it now, seemingly to tempt Aziraphale into falling (especially now that he’s a demon and that’s what demons do, it’s what Crowley just did to Eve), and so Aziraphale is trying to be very careful. It’s why Aziraphale is so freaked out when Crowley points out that maybe he shouldn’t have given away the flaming sword, and that it wouldn’t be good if actually Aziraphale did do the bad thing and Crowley did the good.

Aziraphale needs to have done the good thing so that he doesn't fall and end up like Crowley, the angel who he fell for (figuratively....) and who has met this fate and turned into a totally different being! He’s seen exactly what happens when you’re a powerful and well meaning angel who just has some questions about god’s plans! I believe strongly that Aziraphale had believed that Crowley AS AN ANGEL was good and worth falling in love with, but that Crowley AS A DEMON is a different being who cannot be seen in the same way.

Then at the ark, its Aziraphale’s side that is doing the atrocity so it’s the typical defensiveness, continuing with the whole “well he’s a demon and even if I kind of agree with him he can’t be GOOD the way he was when he was an angel, and that means he must be bad and wrong even if his points make sense.” Crowley is a demon now, and demons are bad, even when they FEEL right- and if Aziraphale goes after his natural inclination which agrees with Crowley, especially if part of that is because he remembers what he felt about that angel of years ago, it just means that he's being tempted by a demon...

AND THEN we get to the Job minisode. I loved the minisode and so I'm hesitant to really spoil it but basically Crowley yo yos back and forth- first he seems very happy to do terrible things to Job, then it turns out he's been partially defying that order (which incidentally means going against God's plan, which is a VERY big problem for Aziraphale!), then he concocts a plan that requires Aziraphale, for good reason, to lie to the other angels, including some archangels, thereby counteracting God's plan. Afterward Aziraphale freaks out because he thinks that lying in order to trick Heaven and God means he’s fallen, and Crowley has to explain that that’s not how it works and comforts him.

Aziraphale is conflicted, of course, because Crowley is confusing and can't really win- on the one hand, it's bad if Crowley listens to God and kills Job's kids, but on the other hand it's bad if Crowley DOESN'T listen to God and DOESN'T kill Job's kids! So Aziraphale is expecting much more than Crowley is ever able to live up to- he's muddled about his purpose, and Aziraphale doesn't know how to interpret that.

I feel like this would kind of put the tin lid on it. Crowley is a different being now, one who may still have merciful qualities that Aziraphale likes and agrees with (and may remind Aziraphale of that angel of long ago) but is still a demon and against everything that Aziraphale is meant to stand for. And while the minisode ends with Aziraphale understanding that he's not quite like the other angels, he is still very clear- he is an angel and Crowley is a demon. They aren't just enemies, they are incompatible. The Crowley in front of him and the Crowley (or whatever his name was) that he remembers from heaven are different and he can't trust the one in front of him.

Because it feels like that's the main barrier here- Aziraphale can't trust Crowley. Crowley is a demon and his object is to tempt humanity to its downfall, even if Crowley himself isn't always so into that. Aziraphale may like Crowley, but it's against his better judgment- every bone in his body tells him not to trust him. He can't trust that Crowley's intentions are genuine- also in the minisode, Crowley tempts Aziraphale to try food (or as Gabriel would call it "gross matter") for the first time, and Aziraphale is somewhat disturbed by this in part because he knows that he is susceptible to Crowley's temptations! How can he trust after this that anything that Crowley does for him or says to him is done with good intentions rather than to bring him down from where he thinks he should be?

It's the Arrangement that ends up changing this. Having an agreement where they each do things for each other, each against their own better judgment, slowly but surely encourages Aziraphale to trust Crowley and his intentions. And it's during the Blitz, when Crowley puts himself in danger to help Aziraphale (danger that is specifically caused by the fact that Crowley IS a demon- otherwise the church would hold no danger), that Aziraphale really realizes that Crowley does have good intentions. He put himself at risk, which is the furthest thing from trying to get something for himself. This allows Aziraphale to trust Crowley that he really does need the holy water for a good reason, among other things later.

As you can tell, I don't actually think that Aziraphale has ever been oblivious to Crowley. He sees everything, but interprets it through his own mental lens. (The parallel that came to mind for me, weirdly, and you can ignore this if you've never seen the sitcom Frasier, but Daphne would have to be wearing massive blinkers not to know that Niles is into her- it's just that she doesn't recognize what kind of feelings he has because in her mind they are in two different worlds and so the idea that he could be genuinely interested is out of her comprehension.) To Aziraphale, Crowley is intriguing and kind and he's thought so since the beginning, but he's also dangerous. In fact that's what makes him dangerous!

Crowley is dangerous because there is so much about him to love, but he is a demon and therefore, in Aziraphale's worldview, unlovable. A demon can't love and be loved! And so Aziraphale is really also not just not trusting Crowley, but also not trusting HIMSELF. He has all these feelings about Crowley but he keeps saying that they're just Crowley tempting him or just residual feelings from the version of Crowley it WAS permissible to love, the angelic one.

I think that Crowley may genuinely be oblivious to anything Aziraphale is feeling, because in the opening scene he isn’t paying a tremendous amount of attention to Aziraphale, but I think he does grasp that Aziraphale doesn’t trust him and that’s what he’s working to change. He knows it's an uphill battle and the most important thing to do in order not just to change their relationship but to get Aziraphale out of his funk.

Now that they're both "on their own side," Aziraphale has a lot more understanding. He sees that just because Crowley is a demon it doesn't mean he is untrustworthy, and he realizes that each of them independently needs to make themselves worthy of trust and Crowley has done that again and again. And so it's almost natural for him to go back to those feelings that he had for that original angelic Crowley, but reinforced by everything he's learned since then- millennia of Crowley proving his ultimate goodness.

As a character in one of my favorite novels, Dorothy L Sayers's Gaudy Night, said of another character (paraphrased), "if I should once give way to him, I would go up like straw." And indeed she does. Aziraphale does too- once he opens himself to fully trust Crowley he can feel that sense of peace and security between them, and fall right into it, in a way that Crowley, who's been working so hard to establish it up until then, can't really. Crowley's been on edge for so long that he can't take anything for granted; Aziraphale can.