#regency parallels

[whistledownbad]

Pride & Prejudice & Polin Parallels

Polin + Pride & Prejudice 4/?

[queenqunari]

Spuffy fic that parallels Pride & Prejudice.

Someone get on that.

[malorisaurus]

Same energy

[queerquaintrelle]

Jane Austen...

“I am going to take a heroine whom no one but myself will much like.” — Jane Austen

@valenfangs

Not only is Lestat incredibly Emma Woodhouse coded but I think if Lestat was part of that subset of regency culture, he and Miss Woodhouse would be gossipy bitches (affectionate) together.

[astrhae]

Hello! I’m late to finding out that you wrote the Anastasia/ tangled au that’s been LIVING in my head for WEEKS, and I just want to say it’s one of the most beautifully written things I’ve ever read and just… I adore everything about the phrasing and the imagery and the way all the references fit together and literally everything about it and that I’m so happy to hear you’re writing chapter three <3

akskdskdsk hi hello!! i'm so glad you're enjoying the fic so much 💙 --- i've been listening to the broadway anastasia soundtrack again and feeling so many things about wylan and the lyrics: halfway between where I've been, and where I'm going // In between wondering why, and finally knowing

it sums up so much about wylan and there's so much to unpack there, and i have almost all the dialogue written for the third chapter, but here's a little snippet for you :)

Wylan tilted his head. “You believe in Saints?” “I don’t believe in Ghezen,” Jesper shrugged. He wasn’t sure he believed in blessings either, but it felt like running in circles: everywhere he tried to run, the memory of the Prince was there, haunting, taunting. “That wasn’t what I asked,” Wylan said, stubborn. The lessons had paid off – Wylan did sound like a Prince. But Jesper had never been good at listening to Princes. Shaking his head, he picked up his hat again and put it on, letting one side drag down more than the other, more than was fair. “Lesson thirteen, princeling,” he replied, “we don’t always get what we ask for.”

[maryacore]

i am this 🤏🏼 close to falling headfirst into this whole regency era thing rn and i’m terrified

[sheliesshattered]

first time ever working on a cosplay where the question “how do you know if the dress is spiral laced or cross laced?” can be answered with “because you can see the crossed laces coming undone in a 2 second shot in the sex scene”

[inventorsdaughter]

( @emeraldshe​ gets something )

“eloise, do you have a moment?” hazel eyes wide, a glimmer of panic behind them. hands gripping her book to keep from her calm demeanor from slipping, knuckles white as belle’s face, a face usually flushed pale pink. “if you do not, i can wait”

[heyimdove]

More on why Persuasion is the real Jane Austen parallel to Aziracrow, and why Pride and Prejudice is not, because I can’t stop dwelling.

There’s a lot here so I’ll try to structure this in a way that makes sense. Wish me luck.

I’ve seen so many people equate Aziraphale to Lizzie and Crowley to Darcy, but these comparisons don’t make sense. Character-wise, they are far more like Anne Elliot and Frederick Wentworth, respectively.

We’ll start with Elizabeth Bennet, who I love with all my heart and is one of those characters I feel like I know (I’m delusional, it’s fine). Elizabeth is wonderfully intelligent, but she isn’t “accomplished” and isn’t a perfect specimen of Regency womanhood. Instead she’s sharp and headstrong. She wants to live how she wants and with someone she loves for a partner. She rejects a match that is, on paper, perfect and would solve all her family’s problems, because she won’t settle for unhappiness. You know who that doesn’t sound like?

Aziraphale, were he a Regency Era woman, would be considered very accomplished for the time; well-read, polite, even a music tutor. But he’s more unlike Elizabeth because he desires to “do what’s best for the family”. In other words, if Elizabeth Bennet was more like Aziraphale, she’d be married to Mr. Collins. She would’ve considered it her duty to marry him because it would protect her loved ones (see Aziraphale accepting the Metatron). For Aziraphale, his duty to protect trumps his personal desire.

So does that make Crowley our Lizzie? No, that doesn’t fit either, and not only because Aziraphale makes a terrible Darcy. Sure, Aziraphale’s status as an angel might be considered comparable to Darcy’s elevated status as a rich person, but Crowley has never hated Aziraphale, never even considered it, and wouldn’t hate him even after the rejection. Lizzie’s hatred is what spurs Darcy to grow. Darcy needed to be completely despised by her to decide to put in the work to be worthy of her.

Okay, so then is Crowley Darcy? Perhaps we could shoehorn that in somewhere because Darcy doesn’t seem good but actually is, or is considered grouchy, but it’s such a loose connection, it barely works-

-Especially when you consider how much better the two fit as the protagonists of Persuasion.

(And yes, shut up, I liked the Dakota Johnson one and I will be using the gifs.)

Where Pride and Prejudice is about two different people gradually seeing the value in the other, Persuasion is the story of two different people seeing the value in the other right from the start, but who then repeatedly make mistakes that keep them separate and in agony.

Aziraphale is *so* much like Anne. First, Anne is the only reasonable (read: likable) member of her high-born family, who believe people in other societal castes to not only be inferior, but disgusting.

Anne sees this is not true, and falls madly in love with the low-born Wentworth- only to be persuaded by outside input not to marry him. Station and familial duty play a part in this decision, and she regrets it for years. She is completely unable to move on.

Like Aziraphale, Anne is certainly more accomplished, for one thing, and she plays by the rules of women of her time and status. BUT her sense of mortality breaks often from that of her family. When she tries to impart her good morals upon them, they are dismissive and insulting, reacting as if Anne is the one who “doesn’t get it”.

She spends eight years with a family she barely belongs to, wondering why she ever thought the company of people like this was worth the loss of Wentworth.

For all of Anne’s kindness, she is a pushover. She’s rarely confident in herself. When she needs to speak up, or just have a direct conversation with Wentworth, she doesn’t. She can’t. She repeatedly makes Wentworth come to her.

Wentworth, meanwhile, is a far better match for Crowley than Darcy is. Wentworth will never be an aristocrat like the Elliots, but he carves out a life he considers valuable using new rules. Sound familiar?

Are Wentworth’s and Crowley’s morals obviously a bit different? Yes, of course. Crowley is a DEMON, after all. But Crowley conducts himself in such a way that he’s literally cast out of Heaven and removed from Hell- in other words, he’s twice been given “the rules” for how to act and has twice decided, nah, that’s not for me. Wentworth was given the rules for what he could have as a low-born man and became a wealthy, high-ranking naval officer. And Wentworth didn’t do that for love, either. He found the consideration of one’s wealth in determining whether they should be loved abhorrent. Wentworth did it for himself initially (bitterly too, maybe), just like Crowley saves the goats and the kids for himself.

And, of course, Crowley’s confession parallels Wentworth’s position in relation to Anne far more than Darcy’s position to Lizzie. Crowley says “if they (two apparent opposites) can do it, so can we,” because he knows he and Aziraphale love each other. At the start of Persuasion, Wentworth asks Anne to be his wife despite their differing societal rank because he knows they love each other. At the end of Persuasion, he asks again because he knows they have both been in agony, that they both love each other as much as they ever did.

Darcy, meanwhile, does not know if Lizzie loves him, but arrogantly believes she will accept on the basis that what he can offer her monetarily is better than what anyone else can, not knowing what she actually values. She demolishes him.

On that note, that’s really the only parallel between Aziracrow and Darcy/Lizzie, only Aziraphale is Darcy. Aziraphale believed Crowley would accept his offer because he believed Crowley would want to be an angel again. Crowley believed Aziraphale would accept his offer because he knew they loved each other.

These are all very different characters, but ultimately, I think we were gunning for Pride and Prejudice and wound up with Persuasion; the slowest, most agonizing burn with the most beautiful reunion. So we didn’t get “you have bewitched me, body and soul,” in S2. We got the events leading up to Persuasion, and will have S3 to watch them play out. Neil knows that Aziraphale and Crowley’s relationship is the most compelling part of the story, so I doubt they’ll be separated for long. But everything is so messy, isn’t it? So it makes sense to keep them, like Anne and Wentworth, in close proximity, in mutual, bitter, unspoken pining, but still not together. It will be absolutely delicious to watch. Isn’t that what we loved the most from S1?

Because we know they love each other. And whatever catalyzing event forces them to say it out loud will be all the better if every moment they don’t say it hurts. I don’t want a “you have bewitched me” moment, I want “I’m half agony, half hope.”

[elysianightsss]

You are phenomenal at parallel parking

Mouth watering sundress

First dates always end bad

I promise I’m worth it

Neighbourly help…

-

Bodyguard Price x new celebrity reader

Price coming home from a mission in the middle of the night

Price waking you up in the morning for breakfast with the boys

Best friend’s older brother Price

Price inserting himself into your life

Mountain Man Price Mountain Man Price 2

Price and Captain

Being Price’s Pen Pal Price’s pen pal 2

Meeting Viking Price for the first time

Regency Viscount John Price

Slow burn but they’re fucking the whole time

Stalker John Price

The price thot that got away with me

Runaway bride x soft dark John

John convinces you to quit your job and live off his money

[whistledownbad]

"So what do you recommend, to encourage affection?" "Dancing..." -Pride and Prejudice, 2005

Polin + Pride & Prejudice 1/?

[liminaltrickster]

Bridgerton: Toxic Masculinity, Loneliness & Disclosure

Bridgerton, S03E01, "Out of the Shadows"

Bridgerton, S03E04, "Old Friends"

I love these two scenes. There are the obvious and compelling parallels that point to the causal relationship between toxic masculinity and loneliness. And there are some other fun things going on too.

Eloise and Benedict's relationship is so wonderful to watch because of its apparent ease. As the second-born son and daughter personifying various shades of rebellion, they hold similar positions in the family. Eloise and Benedict understand each other.

On the other hand, Eloise and Colin's relationship is underrated in its inherent tension and their ability to clock each other and not let the other off the hook. Eloise and Colin see each other (even when they're trying to hide).

Which brings me to (the lack of) disclosure in each of these scenes:

When Colin tells Eloise, "A man cannot tell his secrets," he's trying to avoid revealing himself and his newly minted rake persona as fraudulent. This lack of disclosure is a betrayal of self, and Eloise can see right through it.

When he tells his friends, "A gentleman must keep some things to himself," he's trying to do the opposite. By not disclosing the information about his sexual encounters that they're salivating for, he's revealing himself to be the kind and sensitive person he's always been. He doesn't want to betray himself anymore.

In the second scene, he's striving for self-awareness and emotional intelligence. It's the bare minimum, but in Regency romance, this behaviour is exceptional (as in, the exception). More of this, please.

[the5thcellar]

it's a theory but I believe that the mirror scene takes place AFTER the lady whistledown reveal as a metaphor for "baring it all" - they're finally revealing their true selves to each other. it's the final stage of their bildungsroman. pen's arc reveals the complexity of individualism and womanhood - especially in the patriarchal society of the regency era. her character is largely at odds with what society expects a woman to be - and in fact her actions are coded as 'masculine' - she reads, she writes, she WORKS. meanwhile colin's arc is a gendered parallel of how he's coping with the expectations of what being a 'man' means. his actions are therefore coded as 'feminine' - the yearning, the petty jealousy, the desire for emotional intimacy. at the same time, he's learning that penelope has different shades to her and is not some hapless innocent - she is a wallflower forged in diamond and steel, not a wilting waif who wastes away under pressure.

in a sense I think she inspires HIM to be who he truly wants to be in the end.

they're both learning how to come to terms with their roles in the world - shaking off the yoke of societal expectations while finding a kindred spirit in each other.

"let me not to the marriage of true minds admit impediments; love is not love which alters when it alteration finds / or bends with the remover to remove"

[isadomna]

Berenguela and Blanche of Castile

Daughters of Alfonso VIII of Castile and Eleanor of England, Berenguela maintained strong connections with her sister Blanche, Queen of France. Their letters are in Latin. Latin was still, at the beginning of the 13th century, the language of writing, while French and Castilian became the languages ​​commonly spoken, even at court. Berenguela and Blanche were well-educated, competent and forceful like their formidable grandmother Eleanor of Aquitaine.

The two sisters will also lead a parallel existence, each exerting, in their own country, a comparable influence. Much like her younger sister Blanche in France, Berenguela presents an interesting case of co-rulership with her son in Castile. Furthermore, both have ties with warfare and played determinant roles in the success of military campaigns as well as access to – and maintenance of – the throne.

Berenguela and Blanche directed a great deal of their personal energy into assuring that all of their children were appropriately married. It was Blanche who suggested sending Joan of Ponthieu as a bride for her nephew Fernando after his first wife's death. Berenguela and Blanche became the mothers of fighting saints King Fernando III and King Louis IX.

In the Archives Nationales de France are nine letters written to King Louis VIII and his wife Blanche of Castile, during Louis’s brief reign from 1223 to 1226. These letters informed Louis VIII that Alfonso VIII of Castile had intended his throne to pass to a son of Louis and Blanche, if his own son Enrique died without heirs. Louis VIII should therefore immediately send his son to Castile, where his correspondents—the scions of several major Castilian noble houses—would take up arms to set him on the throne and overthrow the “foreigner” (alienus) who was in power. The most prominent of these Castilian magnates were Rodrigo Díaz de Cameros and Gonzalo Pérez de Molina. This conspiracy was an explicit attempt to dispose of the current Castilian monarchy and replace it with a new configuration of rulers. It was therefore a far more serious threat than either Rodrigo Díaz’s or Gonzalo Pérez’s earlier revolts had been. And it was aimed squarely at the legitimacy of the reigning monarchs.

The letters’ most perplexing feature is the suggestion that Blanche’s claim to the Castilian throne superseded Berenguela’s. Some historians have even taken this as evidence that Blanche was the elder sister, though that claim is patently false. Yet the plot to overthrow Fernando III was first of all an attempt to unseat Berenguela. It was through her that Fernando III claimed hereditary right and legitimate descent from Alfonso VIII. To say that Alfonso VIII had excluded Berenguela from the succession, and to describe Fernando as a “foreigner,” was to reject the Castilian identity that Berenguela had tried to reclaim during her ten years as a solitary queen in her father’s court, and that she had negotiated with varying success during her regency and the subsequent wars. It was to define her not as the daughter and sister of the latest kings of Castile, but as the cast-off wife of the king of León.

To be sure, Blanche and her sons were at least as French as Berenguela and Fernando III were Leonese. But the rebels were apparently willing to overlook this quibble; their appeal was directed as much to Louis VIII as to his queen. Besides, the threat of union with France was diminished by the fact that Blanche and Louis VIII had no fewer than five living sons at the time that they ruled France. The rebels never insisted that the son sent to them should be Louis VIII’s firstborn, and a younger brother’s accession in Castile considerably reduced the risk of union between the crowns. All five French princes were underage, but so much the better; the minorities of Alfonso VIII and Enrique I had proved how much power nobles could gain in a regency. Louis VIII was sufficiently intrigued by the rebels’ offer to have asked them for proof of their promised support. His wife, however, was likely to be less sympathetic. A combination of Blanche’s unwillingness to contribute to her older sister’s overthrow and Fernando III’s military successes after 1224 probably quashed the plot.

Sources:

JANNA BIANCHINI,THE QUEEN'S HAND: POWER AND AUTHORITY IN THE REIGN OF BERENGUELA OF CASTILE

Regine Pernoud, La Reine Blanche

[eightstarr]

zoe hi omg sorry for disappearing. i have a question again! what are ellie and abby's fav movie genres? also, unrelated but isn't abby and shiv soooo alike? (cunty&blonde)

anyways i missed you & i love you

-penis cat anon

omg i literally was gonna post something saying i miss penis cat anon the other day but i didn't wanna be a weirdo <3 glad you're back and i hope you're having a good week!

i mean… for ellie, i obviously have to say that it's sci-fi!! like i have to, it literally can't be anything else. i think she can quote every line from the original alien movie! it's her default movie whenever she doesn't know what to watch. could also talk about interstellar for 2 hours straight. no breaks, no pausing to think, just uninterrupted talking!! i think no matter what genre, she will find a deep significant theme in everything she watches (and i agree because i'm the same and actually everything DOES have a deep significant theme 🙄) but sometimes it's a little funny because she'll turn to you randomly, looking dead serious, and just be like "the thing about sharknado 5 that no one understands is that—"

abby, on the other hand, is very serious about her period dramas. knows more about the fashion trends of the regency era than most costume designers in the industry and she'll tell you all about it!! but truly deep down it's not about the aesthetic, she's just a romance girl <3 you know she's overdue for a pride and prejudice rewatch when she starts writing you letters and unironically calling you "mrs. anderson" (you are not married). she can get into romcoms and more modern romances sometimes, but they're simply not the same!! she does love moonstruck, mamma mia and 13 going on 30 though. but who doesn't?

and yes you are absolutely correct about the shiv and abby parallels. cunty and blonde!!! and abby would absolutely rock a bob in the same way that shiv would rock a long braid. and abby could pull off corporate hot just like shiv could pull off apocalypse hot. and they would both be fixed by a little lesbian sex :)

[wanderingnork]

Githyanki History Timeline

After MUCH research, I present: a timeline of the history of the gith! Starting from their earliest known appearances in history, spanning multiple planes, and ending at "the present day." Sources below the cut.

The subterranean empire of Zarum is founded on the Material Plane world of Oerth. The gith inhabitants, likely originally human, are highly religious, live deeply ritualistic lives, and claim complete control over many other peoples.

A patron deity of the gith dies and is buried somewhere under the material plane world of Pharagos. Presumably this, and possibly other deaths, are why the gods didn't intervene in what came next.

The illithids invade from a parallel, destroying the empire and enslaving the gith. The gith are forcibly dispersed across many planes of existence. Some are taken to the planet of Penumbra, where they'll remain and miss out on the rebellion, remaining in the long term as the "forerunners."

The great rebellion: Gith leads her people to shatter the entire illithid empire across every plane and leave it in ruins.

The githyanki relocate from the Material Plane to the Astral Sea.

The city of Tu'narath is founded on the body of a dead god and the gith begin forging their famous silver swords.

If Baldur's Gate 3 is treated as canon, somewhere in here Gith's son Orpheus is born.

Zerthimon objects to Gith's attempts to continue a war now that the gith are free. A civil war of the gith ensues and they split into the githyanki (children of Gith) and githzerai (those who spurn Gith). In some sources this is called "The Pronouncement of Two Skies." The githzerai depart for the plane of Limbo. A small splinter faction, the githvyrik, break off from both sides.

Gith and Vlaakith travel to the Hells to negotiate for aid from the archdevil Dispater. He denies them, but the dragon goddess Tiamat accepts a deal for the souls of githyanki rulers in return for the service of red dragons. Gith remains in the Hells as the first sacrifice. Vlaakith returns to the Astral Sea as regent in Gith's name, carrying the Scepter of Ephelomon as symbol of the pact.

If Baldur's Gate 3 is treated as canon, Orpheus tries to overthrow Vlaakith and is imprisoned, thought dead by the general public.

The extended regency of the line of Vlaakith begins and will last for 156 descendants. Vlaakith promises the githyanki the Material Plane as a "garden" for harvesting. At some point, Zerthimon disappears and it's unclear exactly where he went. Suggestions range from enlightened transcendence to death to lichdom.

The faction of the gul'othran, githyanki who seek total conquest and death of all aberrations rather than mere raiding and plunder, appears.

At some point after this, a significantly-sized githyanki ship breaks through into the planar-locked world of Athas. It's stranded there and all aboard are mutated permanently by psionic energies of that world, with no way to get back. The ship is considered lost.

The forge of Kamyn-Dhun, where the best silver swords were forged, is lost by sinking into the ocean. The githyanki remaining there undergo magical adjustments to allow them to survive underwater in their now-sunken city.

Approximately 1,000 years prior to the present day, Vlaakith CLVII (157) undergoes a transformation to become a lich. She will reign unchallenged until the present day, when either the events of The Lich-Queen's Beloved will take place or the events of Baldur's Gate 3 will take place, depending on the setting.

Baldur's Gate 3, Larian Studios, 2023 Chainmail Miniatures Game: Blood and Darkness - Set 2 Guidebook Dark Sun Campaign Setting, 2nd Edition Dark Sun Creature Catalog, 4th Edition Dawn of Night (Erevis Cale Trilogy, Book II, 2009) Dragon Magazine #294 - Underground Scenarios Dragon Magazine #298 - Vault of the Drow and Wizards' Workshop: Chainmail Dungeon #100 - The Lich-Queen's Beloved Dungeon #116 - The Death of Lashimire Dungeon #125 - Seeker of the Silver Forge Dungeon #168 - A Tyranny of Souls The Illithiad 3, Masters of Eternal Night The Illithiad 4, Dawn of the Overmind Mordenkainen's Tome of Foes, 5th Edition The Plane Above, 4th Edition The Plane Below, 4th Edition Planescape: Torment, Black Isle Studios, 1999 Polyhedron #159 - Chapter 5: The Invasion of Pharagos