#redux series: season 2

[cressida-jayoungr]

One Dress a Day Challenge

October: Black Redux

Star Trek (the original series, s2e26, "Assignment: Earth") / April Tatro as Isis

What could be more appropriate for Halloween than a black cat? This one has the ability to shapeshift into a human form, with a rather eccentric sense of fashion. Or maybe it's just the fact that it was 1968.

It looks like she's just wearing a skirt and a bib--if there's a bodysuit as a foundation, I can't see it. Which means it would be highly impractical to move around in, and that may be why she pretty much just sits and poses on the couch. But then, cats have been known to do that too!

[anachronistic-falsehood]

whiskey you have GOT to stop sanders sides posting bc im getting more andmore tempted 2 watch it (<< SLASH SILLY i love ur liveblogs theyre so fun hehe :])

MAC. MAC. GRABBING U BY THE SHOULDERS AND LOOKING U DEAD IN THE EYE. IF U LIKE PHILOSOPHICAL DEBATES AND STRUGGLES WITH MORALITY AND CATHOLIC GUILT AND RELIGIOUS IMAGERY. YOU WILL LIKE SANDERS SIDES. the first season is very silly lots of fun filler episodes, kinda cringey (lilly singh and butch hartman are guests in a couple episodes) but after the accepting anxiety episodes we get more PLOT and it's soooo so so good. i am putting these guys in pringles cans and shaking them around ALSO THOMAS SANDERS MADE PLAYLISTS FOR EACH OF THE CHARACTERS AND U KNOW I LOVE CHARACTER PLAYLISTS AND ANALYZING SONG CHOICES/LYRICS

[retiredcultistredux]

Here have a lollipop :) There isn't anything wrong with the lollipop what do u mean

...Well, there can't be anything wrong with it if it's broken.

[randomfoggytiger]

React: A Late-Canon Reviler Gives the Revival a Try (My Struggle I), Part I

For David Duchovny’s birthday, I put out a poll asking Tumblr which of his projects I should watch for the first time. 

The Revival won. Welp. 

I then, fool that I am, put up another poll wherein I doomed myself by including an option to watch the whole thing. 

And here we are. 

My Struggle I. 

Oh, boy. 

This post will be long because I'm laying the groundwork for the rest of the series.

MY MODUS OPERANDI

I don’t care how cute or cuddly or happy or heartfelt individual MSR moments are, popcorn will be thrown if those scenes are achieved through incomplete, inane, or nonsensical plot points. Give me 1+1=2 or give me death.

The Revival is part of a whole that includes all of Seasons 1-9 and Fight the Future and I Want to Believe. As much as I prefer to distance this series from canon, the reality that it functions as a direct follow-up remains; and it needs to be judged accordingly.

And, as always, I separate the art from the artist~.

...WELP. It’s time to face my doom. 

Let's go!

MY STRUGGLE IV

The intro’s… fine. Engaging, even. 

I did notice, though: the last series and Fight the Future and I Want to Believe began with the same formula: glimpses from what will be an x-files case, then straight to Scully’s perspective. Usually Mulder’s narration and POV didn’t feature until the tail-end of a two or three parter, i.e. Redux or Amor Fati or… well, even then, it was juxtaposed against Scully’s. 

Scully was the voice of The X-Files-- even Chris Carter noted that her report of each episode’s casefile became a motif of the show. Mulder’s narration was rare, very rare, even in episodes that were written to focus on him. 

A definite and purposed choice, to be sure. Mulder as an active agent in his own story. …OR a story that focuses on Mulder’s voice instead of Scully’s. 

We shall see. 

The intro continues; and it’s still engaging, possibly gripping (too bad I know where this leads)... but the music got a bit LOTR there. Is that just me? Seems… mellow, orchestral, a little more fantasy than sci-fi. Am I nitpicking? Maybe. 

The BIBLE references UFOs?? Lol, no. (Unless you count the objects described in Revelations-- the book, not the episode-- but even then, those are largely considered to be drones, not UFOs.)

Chris Carter, I see you. 

(Note from the future: NOW I see why the Bible bit was included-- lots of heavy-handed "God means this, Scully" in order to get her on-board to join the files. Ugh.)

…They’re really doubling down on the UFO lore, huh. All of which evaporated because of global warming, I guess. 

GUYS, why couldn’t this have been about life on Earth after Colonization?????

It fits with the disaster footage, it fits with Mulder’s voiceover, it fits with the character progression from Season 9 (I GUESS), it fits with a whooooooooooole ton of other factors. 

I’ve never been one for wanting Colonization in canon, but it literally would have worked for this series. There wouldn't need to be a complete wipeout of humanity, maybe just a “disaster happened, but the humans are fighting back” scenario. 

And that would fit with Mulder and Scully’s "breakup", PERHAPS-- they spent so much time working, trying to save the world (she in science, he on the ground or with untainted factions who coalitioned post-Colonization) that their relationship cracks would need to be actively worked through. Not broken up so much as together and repairing.

It would also help CC and co. to avoid the tempest of modern US politics and the more mainstream conspiracies that were taking hold at that time-- a broader reach to all audiences, a "bigger picture" for everyone to unite under.

(Guys, they should have let me write for this show. …I take it back, I’d have quit after three days.) 

Also: The show writers spent all their brain power on this sequence and this sequence alone, didn’t they? 

Obiwan Kenobi and Military Man are going on a bus somewhere.  

...On closer inspection, neither man looks like anything like Obiwan Kenobi, but the nickname is staying.

We’re back to Scully at a hospital-- not unlike I Want to Believe’s opening.

Skinner called? Oh. Didn’t know he was “here” this early. 

WAIT. 

Wait, wait, wait. 

Scully just called up Mulder like nothing’s a big deal? He answered like nothing’s a big deal? She’s smiling over his joke from the get-go?

…And we’re supposed to believe they’re seriously broken up. Which the show will insist is the case. 

David and Gillian really said, “Script? What script?” and did what they wanted. I salute them. 

Also, “What’s happening out there, Scully?” is a great line to point to Mulder’s continued isolation… which the series will IMMEDIATELY toss aside because he’s, apparently, not been as much of a hermit lately? (Granted, this could be a joke at his own expense because he’s no longer claimed by ~the darkness~, but…. I don’t think the writing’s gonna be that clever, I’ll be honest.)  

Siiiiiiiiiiiiiiiigh. 

Fine, I admit it. 

I’m loving this so far. 

And that’s gonna make me even angrier later on. 

“Why doesn’t he [Skinner] just call me?”

“He doesn’t know how to reach you, Mulder. I barely know myself.”

Mulder is baffled and a tinge annoyed, Scully is amused and straight shooting. 

THERE IS NO HINT, BEHAVIOR, OR MANNERISM SUGGESTING THEY’VE BROKEN UP. None. At all. He’s isn’t reluctant to answer her call, isn’t sad or withdrawn, isn’t affected by anything she’s saying other than to be teasy or poky. She isn’t hesitant to call, isn’t sad or depressed, isn’t anything other than a little pleased to dangle a juicy tidbit in front of Mulder’s face. 

This is gonna follow IWTB’s ping-pong writing-- they’re fun and in-character, they’re suddenly out-of-character, they’re fun and in-character, they’re suddenly out-of-character, etc. etc. etc.-- isn’t it?

(Mulder taping over his laptop’s webcam is a great touch and not something at all that I’ve done before. At all.) 

“I thought you were done with UFOs-- the ‘stranglehold they put on your very existence’, I believe you put it.” 

“I’m just the messenger, Mulder.”

That’s GOOD, that’s necessary writing. That’s planting the seeds of what happened between them, what led to a cooldown or a breakup or a whathaveyou. AND STILL neither character acts as if they’ve broken up: no melancholy, no sadness, no nothing. 

Mulder’s timbre became a little sardonic while quoting back her words, but that doesn’t mean they’ve broken up. If anything, that points to a bicker and line-in-the-sand between them-- him bringing up UFOs at the dinner table and her reminding him to talk to someone else about it before turning the topic to how the lettuce is growing or something.

Neither actor is performing like one would if pain and trauma and heartbreak and distance were placed between them; and that really complicates things because the breakup is built on top of the aforementioned list of struggles. 

Would Mulder have dug his heels in post 2012, seeing it as a sign that “the aliens” just changed their plans? Yes. 

Would Scully have seen a pursuit down that rabbit hole as a waste of time? Debatable. The Truth S9 Scully wouldn’t have-- the aliens are still out there; and they cost her months of her life, months of Mulder’s abduction, months of Mulder’s death, months of Mulder’s separation, and the ultimate cost: William’s adoption and their life on the run. Post The Truth Scully would have seen this as her quest, too: she won’t give up, she says in the finale, because he won’t. 

IWTB Scully, however, would- and that's a problem. 

I’ve already discussed, at length, how out-of-character Scully was in I Want to Believe (posts here.) Although Mulder doesn’t escape from the same writing blunders, she is really, really scalped: of her courage, of her will, of her determination. 

Whenever Scully gave up, in canon, it was only because she thought she was holding Mulder back, or when she felt Mulder had lost his faith and trust in her. That held true in Season 9-- despite the appalling writing choices there, too-- but didn’t in IWTB. 

The Revival had the perfect opportunity to factory reset the writers' mistakes: portray a wiser duo who continue to fight the fight according to their strengths, like they always have before Mulder ever met Scully. (When Mulder tells Scully to set up a meeting with Skinner, he adds, “Don’t pretend I’m going alone”-- which reinforces my point.) 

But I know that's not going to happen.  

Scully goes without argument-- THAT’S GOOD, THAT’S GOOD CHARACTER WRITING. At this point in the game, of course she would-- they trust each other, they have for years, they’d have reached even deeper levels after going on the run for [insert math] years. All good things! 

The problem: this will create a huge conflict with her actions later.

(I’m already so disappointed.) 

“Uber?”/”Hitchhiking. Relax, Scully, I’m kidding” was a fun modernization of their humor, I’ll take it. 

This scene is starting to highlight the distance between them, which is all well-and-good, but feels tonally different from the previous scene. As in, their two scenes were definitely filmed on different days, in different moods, and with different intents. 

She’s worried about him, with tears in her eyes; he has his walls up; there’s distance, as previously noted. 

“Good for you to get out of that little house every once in a while”/”Certainly was good for you” is followed up with knowing, indulgent, pleased smiles and you expect me to believe these two are seriously broken up. Nope. I’ve seen Scully sad but amused, I’ve seen Scully too sad to be amused, but these two? This moment? Nah.

Tonally dissonant-- the IWTB problem: at-ease and close one minute, at-odds and distant the next. Hoorayyyyyy....

None of this makes sense for a long-term, permanent (as Scully infers later to someone else) breakup. Nor for a short-term, semi-permanent one. Math doesn’t math. 

“I’m always happy to see you,” she says, implying he's the one who permanently pulled away… which will be contradicted later this very episode. 

“I’m always happy to find a reason [to leave the house],” he says, somberly. 

Both of which are odd lines. 

If he’s happy to leave the house to see her… why hasn’t he? 

If she’s happy to see him, always, but says a relationship between them was "impossible" (which she will later), why is Scully staring at him with heart eyes, hoping he gets better so they can continue their relationship? (And mark my words, this tone underscores her interactions with him the rest of this series.) 

Tad’s here. He’s... fine. He represents the overly cautious very well. At least he hasn’t gone full Alex Jones mockumentary (...yet.) 

I’ve heard criticisms that Mulder and Scully don’t act like themselves in this series, but based off the few minutes I’ve seen here… I don’t agree. 

The essence is the same. Truly. Scully’s got the same face that lights up the same way, Mulder’s got the same expressions and young-at-heart humor. Neither are really melancholic. Neither are David or Gillian esque. 

Perhaps that will change. 

(Note from the future: OH BOY. Which Mulder and Scully are we talking here-- OG Mulder and Scully? Nope. IWTB Mulder and Scully? Yep. David and Gillian? Once or twice.)

But, again, their interactions feel… wasted. Hollow. They’re supposed to be broken up, but their breakup doesn’t contribute to their interactions or the plot. They’re supposed to have suffered and are working back to each other… but they aren’t really separated, haven’t seemed to suffer (note from future: except for one scene which comes outta nowhere), and won’t collapse back together on-screen.

They’re supposed to be wiser and more mature, but they’ll still engage in a silly will-they-won’t-they while Mulder eats up the latest UFO or conspiracy slop he’s either already engaged in or debunked [insert math] years ago and Scully clings to her cowardice like a leech. 

First nagging problem: Scully smiling at Tad, Scully excusing Mulder’s mannerisms when he becomes briefly jealous, Scully making nice with a conspiracy nut. 

…Isn’t that Mulder’s job? Didn't she leave because conspiracies were consuming her life? Does this mean she actually does want this life back but is she playing coy or elusive because...?

Furthermore, when Mulder popped a comment off to a witness or informant in the past, Scully never excused him-- just breezed over it professionally with another question. She’s only saying “excuse him” here because she’s taken a shine to Tad. WHY, on this post-2012 global warming green Earth, WOULD SHE?

Tad says Mulder is the X-Files, Mulder says that “book is closed”... WAIT. Wait, hold up--

Pause. Stop. Rewind. 

Mulder wants to believe. Actual proof is hard to come by. 

Tad thinks Mulder is the X-Files. 

MULDER SAYS… *ahem*... Mulder says, “I’m afraid that book is closed.” …Which means he’s no longer into UFOs or aliens, too. SO. why did Scully LEAVE.

If that’s behind him, why aren’t they together again???? Mulder didn’t know who Tad O’Malley was a minute or so ago, meaning he’s been outta the conspiracy scene for a bit. That MEANS his departure from Conspiracyville's been long enough to patch-up his obsession and ensuing depression, I guess.

But then... what about Scully??

Because Mulder wants her to come back (already subtly established in each scene), and Scully is concerned for his welfare; but Scully thinks he’s still into UFO conspiracy and hasn’t come back because of it? BUT SHE ISN’T SHOCKED WHEN HE SAYS “I’m afraid that book is closed” MEANING SHE KNOWS HE’S PUT THAT BEHIND HIM... BUT STILL HASN’T RETURNED?

And both of them aren’t acting as if they’ve broken up, anyway, except for a pointed line of dialogue here and a brief reaction there before they yeet back to the status quo.

They’ve left that behind them, Scully says, for better or worse. And Mulder latches onto that better or worse, making a pointed barb at their breakup, but…. There’s no writing glue, just suggestion and inference; and the suggestions themselves don’t add up. 

Here come the bullet points. 

Season 10 posits Mulder became depressed after the aliens didn’t invade in 2012-- that’s reasonable and logical, his nature is depressive when his expectations are subverted or smashed or etc. 

Season 10 also posits Scully left because Mulder became too much to deal with. That’s… not logical, since her nature is to rescue and nurture, even when Mulder’s being an actual boil on her sittin’ cheeks (ala Demons, etc., etc.) 

Season 10 posits Mulder’s hard to get a hold of-- despite being in the same house the FBI helicoptered to in IWTB-- and posits it might be hard for Scully to get a hold of him-- despite the fact both characters easily got in contact, knew it was each other, and even joked about the fact it’s hard to get in contact with Mulder… which means it really isn't. (The script doesn’t catch these discrepancies, of course, pretending Mulder is very hidden away at the same ol' house he'd been discovered at in 2008.) 

Season 10 says Scully doesn’t want UFOs to be part of her life anymore, that it was a stranglehold… yet she came along on a conspiracy gig without question to… what? Be around Mulder? But then, why warm up to the conspiracy guy-- an embodiment of what drove her and her partner apart?

Season 10 posits Mulder chased Scully off with his conspiracy spiraling YET ALSO states he’s put that part of his life-- conspiracies, UFOs, the X-Files-- behind him. Which implies: A. Mulder’s aaaaaaall better now and B. he put that all behind him but Scully never came home and C. Scully shouldn’t know he put that all behind him if that’s what’s keeping her away; but she does know because his declaration doesn’t take her by surprise, which means she’s still driven away and concerned for him for no discernable reason.  

Season 11 posits Scully didn’t leave because Mulder became too much to deal with but because she, too, had issues to deal with. This point wasn't mentioned or hinted at in the episode that introduces their breakup, which makes that line of reasoning a complete rewrite. (Whatever. I’ll judge how well that’s executed when I get there.)

It doesn’t add up. 

Are we surprised. 

Five seconds after this, I had to listen to a back-and-forth between Tad O’Malley and Mulder on conspiracies and Conservatives and alien beliefs and the O’Reilly Factor and….

This seems out of touch, I’m not sorry. 

When this show aired, Conservatives already had their miles-long conspiracy theories. For Mulder to be ignorant of that fact while allegedly knowing exactly who and what Tad believes while also alleging….

More bullet points!

Fox “I’m afraid that book is closed” Mulder has, supposedly, been out of the conspiracy scene. 

Fox “I’m afraid that book is closed” Mulder isn’t aware that not only did 2015 Conservatives believe in aliens-- despite the fact Tad is a watered-down copy-paste of Alex Jones-- but that there were also Conservative believers in the 90s (who were a fringe in their own group, but.) This was Mulder’s expertise; and his eidetic memory isn’t likely to have tossed that info because it was no longer relevant to his life. 

Fox “I’m afraid that book is closed” Mulder has supposedly not been out of the conspiracy scene-- despite saying he is-- because he does know who Tad O’Malley is-- despite not knowing who he was two minutes ago. 

Mulder is assuming that Conservatives “of your credentials” don’t believe in UFOs or “9/11 false-flag conspiracies” despite people from the Left, Center, and Right publicly believing those conspiracies in 2015. 

Fox “I’m afraid that book is closed” Mulder is supposed to be dismantling Tad’s grift; but he (and the writers) sound uneducated and incredibly out-of-touch during this dialogue-- as if all Conservatives were still Bush-era believers. Most were suspicious of the government by this time (they helped elect a man who ran on a “drain the swamp” campaign, after all.) Mulder’s bewilderment here is old and tired, even by 2015 standards. 

This writing is flashy-- long sentences, quick back-and-forths-- but poorly constructed and badly executed. 

This is also the first segment where David Duchovny is peeking through Fox Mulder; where Scully is swinging wildly between absolutely-fine-with-Mulder and we’re-no-longer-together; and where we, the audience, are being force-fed that only one side of the political aisle believes in aliens-- or the Bigger Question or whatever-- on a show that wants to poke at unfounded conspiracy beliefs.

Oh, look! Scully made a Scully-face, so everything’s good now! 

(UuuuuuuuUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUGH--)

Sveta. Aww, I like her--

“You don’t remember me.”

“No, I think I’d remember.”

WHAT WAS THAT. 

Show writers, STOP with the romantic triangulation, it’s NOT. GONNA. HAPPEN. David doesn’t even TRY to make that romantic-ish. Yet you angle on Scully’s face as if she’s supposed to be out-of-the-loop and a tinge jealous. 

WAIT, WAIT, WAIT, hoooooooooooooooooooold up. 

Svetta was a dark-haired little girl Mulder interviewed after her first abduction, meaning she’s set up to be another Samantha. 

So…………………. What’s with the murky jealousy issue, CHRIS. You wedged it in solely so Scully would feel jealous over Mulder? Y’know. Like I Want to Believe? 

And I say Chris Carter because he wanted to play the breakup angle:

"We do it in an interesting way," Carter told The Hollywood Reporter. "We put some of the tension back in that was relieved by them being together. It added to the storytelling opportunities. It's something that I came up with; I had been thinking about it. There was always talk of [breaking them up] if we did another movie."

The first shot canon takes right between the eyes:

Scully being “familiar” with the “screen memories” abductees are given was a cool touch… except she’s never been given “screen memories.” The abductees in Jose Chung’s From Outer Space were given screen memories-- she was returned a blank slate. (Even Mulder didn’t have “screen memories” after his abduction.) 

Scully poking Sveta about aliens taking her unborn fetuses seems a tad (heh) strong except all the alien-related pregnancies have been the result of government testing, not alien probes. So. If this scene followed canon's rules, her skepticism would be warranted.

But this skepticism is still odd. 

Two seconds ago, she was making nice to Tad O’Malley in the car, and now she’s leading the questioning for Sveta. The odd icing on top of this odd cake is that Scully left because she didn’t want UFOs to have a stranglehold on her life, yet here she is leading an interview with an abductee.

Sveta: “I have alien DNA, for sure.”

Scully: “Have you had a doctor confirm that?”

Sveta: “No.”

Me, too, Mulder. Me, too. 

Scully doesn’t question the alien DNA bit, so that’s good. 

…I’ll bet everyone forgets she and Mulder have a bit lingering in their systems from the black oil and his brain thingy and residue from when she touched the ship and and and. 

“Something you can test. Dana.” 

What… what was that. 

Honestly, what was that. Whatever mood David was conveying through Mulder, it didn’t match anything from any previous scenes, let alone this one.

Is he poking at Scully? Why? He’s not jealous anymore (if he even was.) The way he says it and her expression in response implies they have a tense back-and-forth going on, but they don’t. THEY DON’T. 

We’re 13 minutes in and I could make another numerical list. But I won’t. Yet.  

Back to not-Obiwan Kenobi and Military Man. 

That alien’s stupid bad-looking. 

Wait. 

That’s not how canon said Roswell unfolded. 

And the first alien shot on Earth was by Deep Throat’s hands-- that was his whole turning-point backstory. 

CURSE YOU, LACK OF A SHOW BIBLEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE!

(Note from the future: All of that past canon? Fake. Faked. All lies. None of that happened.)

“What have you done??” Not-Obiwan Kenobi yells… and what have they done? 

Back to Scully and Sveta. 

Sveta can move things with her mind-- not all the time-- but at least Scully is listening to her claims without automatically shutting them down. 

But also…

“I can move things. With my mind,” should have IMMEDIATELY had a greater impact on Scully, up-close-and-personal as she was to her son’s abilities. But nope! No reaction! Of course! 

Sveta “You were together but now you’re not” is asking the right questions. I don’t even mind Sveta. I’ll bet this episode’s the last time we see her, though. 

Does she contribute to anything? No. But she’s nice, so. 

WAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAIT, WAIT, WAIT. 

Scully diagnosed-- wait, hold up, list time. 

Scully diagnosed Mulder with depression. 

That killed their relationship. 

…THAT killed their relationship? After everything? 

The writers are going to have to explain, in detail, why that killed it. 

Why does canon need to explain? Because we have a history of Scully sticking by Mulder during the worst periods of both their lives-- leaving him would have to require a very, very good reason.

And there is no indication, thus far, that Mulder’s depression drove a humungous wedge between them, forcing her to walk away. In fact, there is no indication a wedge exists between them, AT ALL-- only the odd, inconsistent word or phrase here or there that bears no weight on the plot or their ultimate decisions.

Whenever Scully left in canon, it was because she could no longer help Mulder. Season 11 will rewrite Season 10’s initial explanation but setting that aside: we’re not given any indication that she did try to help him; or that his depression was so deep and so dangerous that it drove her away.

And if it were that deep or that dangerous enough to drive her away, Scully leaving would have been the last and worst possible action she could have taken. If Mulder's mental state was in such a massive nose-dive that she couldn’t handle what he was going through, Scully-- a medical professional-- would have had him hospitalized, even temporarily against his will, because she would know (per Demons or Gethsemane or Amor Fati) that this level of depression always manifested in suicidal tendencies for her partner.

But Mulder, as per the rules laid out in this episode, never went that far in his deterioration. (Note from the future: We'll get to that.)

If he had, Skinner would have been aware of his hospitalization and wouldn’t have asked for his help; Scully would have been aware and wouldn’t have passed on the information; and Scully wouldn’t have called from the hospital with a degree of buoyancy when relaying Skinner's request to Mulder. 

In short: Scully leaving = very big, very drastic measure. Mulder suffering from depression = very big, very bad consequences. Scully's nature and past actions = getting Mulder help, even if he resists at first (i.e. shooting him in the shoulder to save his life.) Mulder and Scully's partnership = unbroken, except through distrust or botched writing.

“And you have a child together.”

Wow, that wasn’t clunky at all. 

SCULLY STICKS SVETA HARD WITH A NEEDLE BECAUSE SVETA MENTIONS WILLIAM, darkly saying "That's enough", SO SVETA WOULD KNOW SHE DID IT ON PURPOSE.

I’m… so disgusted. Like, eck. Urk. Awful. 

Telling Sveta to back off, strongly, would be in-character; USING PAIN TO DO SO is…. So wrong on so many levels. Scully never utilized medicine to inflict pain or injury on her enemies.

Wow, this grossed me out. You know why?

Scully diagnosed Mulder with depression and left. At first glance, that seem like an out-of-character action that the writing can salvage later by this or that means.

BUT THEN, Scully inflicts pain on Sveta for mentioning William, leaving the audience with the impression that she’s vindictive. 

Which then connects the dots between “vindictive” and “left Mulder when he was diagnosed with depression.”

And since we, the audience, haven’t been given a stronger reason for how Mulder’s depression got that bad or why she didn’t help him through it, we’re then left with a sour impression of Scully’s character. 

The writers then try to imply Sveta was spilling out Scully’s personal secrets to prove that her powers were real, but that still doesn’t give Scully the right to abuse her power. Especially because a traumatized woman was trying any method possible to be believed.

And the fact that Sveta is also a victim of the government weaponizing science and medicine makes me even angrier at Scully.

Ohhhhhhhhhhhh, BOY, another helicopter outside the Unremarkable House, my favorite part of IWTB....

Mulder’s never seen… an alien replica vehicle. 

Oh, my mistake: “No. Never. Not like that.” Covering all the bases, I see. Y’know, in case the writers FORGOT MULDER SAW ONE in SEASON 1, EPISODE 2. 

OH, LOOK, he’s got his wonder face back, everything’s aaaaaaaaaaaaall better now!

Running on free energy they’ve had since the 40s, sure Jan. Whatever you say. 

This just feels so old. Like. Tech we haven’t had since the 40S, GUYS, GET IT, BIG MONEY CORPOS KEPT IT FROM US. Yeah, we got it. 

And the flashbacks to Not-Obiwan Kenobi just walking off with an alien corpse because Military Man didn’t… see… value in studying… it. I guess. 

Scully doing “God’s work” giving kids ears because their biology neglected it.

I admit, that’s an intriguing window into her perspective of God vs. science, and how she sees a person’s biology separate from God messing them over or messing them up just because. I dig it.

(Note from the future: This will be used as a plotline club rather than a nuanced discussion of her faith.)

Mulder being the most challenging relationship she’s ever had-- “and the most impossible”-- is a weird line. Because yes, it’s true that their relationship is challenging; but her fervor at impossible is the only time in this episode we see an adversarial tendency, DESPITE My Struggle I trying to drum up moments to prove TENSIONS still LINGER (they don't.) 

It’s IWTB all over again. Siiiiiiiiiiiiiiiiiiiiiiiiiiiiiiigh. 

“Yeah. I got that impression.” Tad says, and Scully’s hurt because she thinks Mulder gave Tad that impression of her. 

So. So. Wait. 

Scully lied when she stated “It’s impossible” because she didn't like Tad poking into her private affairs?

But she sounded truly convinced their relationship was "impossible" while saying it.

So, she was either angry or still confused about her emotions-- which is fine, Scully's not always in-tune with her inner workings-- when Tad replied, "I got that impression."

Which explains why she was so hurt at Mulder's seeming rejection.

Because she thinks Mulder’s behavior led Tad to that conviction.

Which means CC just wants Mulder and Scully to be caught in a miscommunication fic.

Also, why is Tad so sad about this? Were they his OTP, or is he pretending to sympathize to get in Scully’s pants? Because that’d be crummy, Chris, to have her be overly nice to Tad only for him to try to twist that into an opening as the new conspiracy guy on the block. 

On a lighter note, Chris Carter said Mulder and Scully could still get it in their 50s, so there’s that.

HE DID, HE DID SET SCULLY UP TO BE PURSUED BY TAD--

WHAT. WHAT. WHAT WHAT WHAT--

KNOCK IT OFF, CHRIS. 

Poor Sveta. She’s gonna be butchered in this script, isn’t she?

The series is EATING up vast amounts of time with very little scale or grounding. For all I know, a day or a week could have passed. 

It’s so, so badly paced. 

Mulder’s investigating now, without Scully, because he noticed Sveta had a tell during the interview. 

Um. 

Sure, that’s a Mulder thing to do.

Oh, wait. This is the “work of men” realization.   

The dialogue between Mulder’s questions and Sveta’s answers are really disjointed, as if they’re mildly talking past each other-- another aspect of IWTB I couldn’t stand. 

Welp, at least it’s easy to prove they were both written by the same people. 

The second shot-in-the-head for canon: 

“Sveta, who took your babies?” 

“Men.”

“Men? Humans? You saw their faces.” 

Also, Sveta’s babies are referred to as her babies, but William-Jackson isn’t Scully’s baby despite sharing half her DNA but Emily Sim was Scully’s baby despite also only sharing half her DNA.

It’s a mess. 

Well… Mulder doesn’t seem too surprised here that men were involved in her abductions (I mean, he's long since been aware the government was involved from day one, so.) It’d be really stupid if the writing made him surprised about this later, wouldn’t it?

…Wouldn’t it?

Another poorly constructed set of lines:

“I haven’t worked for them [the government] in years.” 

“But you always wondered… if they were lying to you, too.” 

No, he didn’t wonder-- he believed it.

A wonky way to address his old skepticisms, for sure. 

JUST AFTER I NOTED THAT MULDER DIDN’T LOOK SURPRISED AT SVETA'S REVELATION, HE CALLS UP SCULLY AND MAKES A BIG DEAL ABOUT IT BEING A CONSPIRACY OF MEN. 

I knew this was coming, but maaaaaaaaaaaaaaaaaaaaaaaaaaan that was so, so poorly handled.

SCULLY WAS GETTING (sort of) WINED AND DINED BY TAD O’MALLEY??????????????

I HATE IT HERE, WHAT ARE YOU DOING, WHAT IS HAPPENING, WHAT IN THE WORLD AND WHY, HOW COULD YOU BE SO EASILY FLEECED, DANA, THIS ISN’T AN ED JERSE PARALLEL BECAUSE YOU THINK MULDER DOESN’T WANT YOU, THIS IS STUPID, THIS IS THIS IS THIS IS

WHAT. 

I thought Scully had dated Tad O’Malley in the past (sometime after the breakup) but this is worsefarworse. 

SVETA IS THE KEY TO EVERYTHING, I’M SO TIRED. 

“Mulder, where are you going?” sounds exactly like Scully, and now I’m mad Gillian didn’t use that voice for the rest of the show (voice recovery aside....)

I KNEW SKINNER WAS BEHIND GETTING THEM BACK. He just calls up Scully to call Mulder up, then just unlocks the old office when Mulder wants to get back in. 110% Skinner thought this would help his buddy Mulder. And he’s not wrong. 

Wait. 

Did Skinner put in more effort to save Mulder from his mental health struggles (per this My Struggle I episode) than Scully??????

Iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii-- my brain is broken. 

The hold on Skinner’s face while he says “Can you tell me what this is about” was way too long. 

Also, don’t try to play coy with me, Skinman. 

Now the camera’s zooming around and losing its “X-Files” feel by being too… modern. 

Skinner telling Mulder to calm down is the only time in canon where I agree with him. Mulder’s just spouting and demanding and not really making clear sense and this is why you don't let Mulder back into his basement without Scully by his side, Skinner-- don’t you remember that lesson?

Skinner telling Mulder to calm down then saying he doesn’t take orders from him only for Mulder to say “Who do you take orders from?”, ugh.

GUYS, THIS WAS RESOLVED IN SEASON. 2. BECAUSE MULDER KNEW MEN WERE BEHIND THE CONSPIRACY SINCE SEASON 1, EPISODE 2; AND SKINNER SINCE SEASON 2, EPISODE ASCENSION.

BECAUSE SKINNER’S ALREADY HAD HIS LOYALTY TESTED AND THIS IS HURTING MY BRAIN MAKE IT END.

I’m not even 25 minutes into this, help. 

“Why do you think I called you? Because I was looking out for you, because I’ve always looked out for you.” Is… is Skinner the only character who’s progressed? That’s exactly what he would do-- he’s acting sensibly, rationally, and in-character... and more mature, more veteran, than his agents.

I know the Revival is supposed to be “Mulder and Scully all grown-up” but none of their actions have been intelligent, measured, or informed by their age or life experience. It’s a farce that I hope future episodes will rectify. 

“A decade of my life--” Mulder rants and kicks his poster like a toddler AND YOU KNEW ALL THIS INFORMATION FROM SEASON 1, MULDER. NONE OF THIS IS NEW. WWWWWWWWWWWWWWHAT IS THIS. 

I can’t imagine how disappointed philes were when they tuned into this episode. Well... I can because of how I feel; but at least I knew, roughly, how bad it would be going in. 

This is worse. 

Skinner: “You’re blaming me for that?”

Mulder: “No, I’m blaming myself. I’m sure they lied to you, too.” 

This isn’t a revelation, chump. 

At least Skinner confirms my theory: “There hasn’t been a day since you’ve left that I haven’t reached for my phone to call you, Mulder, wishing you were still down here.” 

Feral Mulder is touched. 

“Since 9/11--” OH NO, WHY ARE WE GOING THERE “--this country’s taken a big turn and in a very strange direction.”

Guys. Guys. This isn’t… this… what. 

“Now they police us, spy on us, and tell us that makes it safer--” CAN THE WRITERS GET OFF A SOAP BOX FOR FIVE SECONDS. Of course it isn’t safer to be unnecessarily policed or spied on, but the answer isn't just "boo, the government!" What… why… my brain’s melting, I feel it deteriorating. 

This, again, feels so Bush-era. Like, whoever wrote this didn’t update their mentality. 

Also, the camera shots and cuts are weird. Holding too long, zooming out at “pause and take THAT in” moments, focusing on Mulder’s phone while he silently calls up Skinner to prove a point… it’s supremely unsubtle.

Back to Tad, I don’t care. You did this to yourself, Scully, cozying up only to be used as a name drop on his show. Stupid. 

Is Scully gonna be shocked she has alien DNA? She shouldn’t be. 

But then again, Mulder shouldn’t be shocked this has all been a work of men, so. 

She’s expecting-- no, hoping-- for a call from somebody named Mulder. 

Sure, they’re broken up with hard feelings. Sure. Absolutely. 

Is this old man Not-Obiwan Kenobi?  

Of course.

At least Mulder seems old hat at this informant business. 

But of course, he’s “not even close” to putting it all together. 

Stupid. 

WAIT.

The countdown was WRONG-- Mulder states it began, not ended in 2012, meaning he's believed this theory for some time. Meaning... why was he so depressed after 2012? Why are there still depression concerns in 2015?? Seriously, what's with his depression if the 2012 Colonization was allegedly the cause of it but there is no Colonization and the clock's simply been reset????

WHY WAS HE DEPRESSED IF HE RECONFIGURED THE COUNTDOWN. WHAT.

Mulder: "Not by aliens, not with aliens, but by a conspiracy of men--"

“You’re wasting my time.” Tell him, old man Not-Obiwan Kenobi!

“Ten years ago, you came to me--”

Wait, ten years ago? What, 2005? The guy showed up while Mulder was on the run? And Scully never… knew about this?

There were no aliens lighting each other on fire??????????????????? WAIT, I NEVER HEARD THIS INFORMATION. 

THERE WERE NEVER ALIENS, AT ALL???????????????????? Like, AT ALL????? 

The writers are saying that Scully's experience on Ruskin Dam in Season 5 was not two warring alien factions BUT TWO GROUPS OF MEN LIGHTING EACH OTHER ON FIRE, OR GIVING EVERYONE FALSE MEMORIES OF ALIENS LIGHTING EACH OTHER ON FIRE, OR...??????

hONESTLY. 

Let's be real specific for a second: Chris Carter expects us to believe that the ENTIRE mytharc from the original show was ALL faked; that there were no aliens, ZERO, ZILCH; and that CSM and Deep Throat and all the others created elaborate schemes JUST to manipulate MULDER because the aliens weren't a threat from the start????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????? DON’T BELIEVE YOUR LYING EYES. THEY WERE ALL MEN IN SUITS.

Like… do you realize how stupid that is? How actually, unfathomably stupid that is? It’s not just “the aliens didn’t invade because of global warming,” no, it’s “they were never a problem to begin with, we just manipulated Mulder into believing they were because… because he’s so important, I GUESS.”

Roswell’s also a smokescreen, of course. 

Y’know how, during the 90s, DD thought The X-Files was a stupid sci-fi show? If he thought each mytharc plot was as bad as this one, no wonder he wanted to bail. 

Oh, by the way, the global warming explanation is part of a theory: the fascist elites will dominate the world and escape from consequences into space, leading the rest of humanity to die by a globally warmed planet. The aliens weren't chased off by global warming because they were never a factor to begin with.

Wow.

I CAUGHT A CONTINUITY ERROR!

Scully shows up at his place in her uniform from yesterday, panicked, like she’d just run from Tad’s side to see what happened despite her saying over a day has passed.

Going to ignore his “What are you doing here, Scully?” because we’ve ping-ponged back to the out-of-character Mulder that the writers use when it’s time to remind everyone he and Scully are broken up. 

It’s IWTB all over again, I’m so tired. 

They’re talking past each other and he’s touching her shoulders now because he needs her to trust him and yadda yadda yadda. 

It’s soooo, sooooo, soooooooooooooooooooooooooooooooooooooooooo highschool, I’m sorry. This is Riverdale. This is [insert whatever teen series you want to watch.] These are teenagers masquerading as adults, for the angst.

None of this holds up, their emotions shift left and right without provocation, things just happen, and there is no strand of continuity stringing anything together.

Scully trying to talk Mulder down from further pursuit doesn’t make sense because, AGAIN, she’s the one who's always gone back to the files even when he walks away; and every time he’s given up, or wanted to, SHE'S called him back and held him accountable and kept him going. 

This is the Scully from IWTB with no gumption of her own, who denies her leaps forward because of plot, plot, plot. 

Guys, I’ve been religiously dosing myself with caffeine (via chocolate), but my body keeps trying to make me go to sleep because it’s so uninvested. I don't even need sleep.

“This is my life, this is, this is everything I believe in--” HOW. MANY. TIMES. Has he said this before. WHEN HAS THAT LINE EVER WORKED ON SCULLY.

But that's beside the point: "this" was no longer his life after Amor Fati, by his own choice. Closure brought him closure, but he was already spittin' walk-away talk by Requiem, chose to leave in Vienen, and insisted Scully stay gone in Alone. In Season 9, it was Scully who had to beg him into hiding to pursue the Truth or whatever; and it was Scully who brought him the case in IWTB and Scully who relayed Skinner's request and tagged along both times until she got uncomfy and decided never mind, too hard.

Y’know? This claim gets to me because it’s a lie. A lie so blatant that 90s Mulder would have thrown hands over it, a lie so baseless that it erases his declaration in the hallway:

“I don’t know if I want to do this alone. I don’t even know if I can.” And every time Mulder yells his “THIS IS MY LIFE”, he erases that part of his past, the part that willingly left the files or the big Truth or the next chase to save Scully’s life or to keep her by his side. 

Chris Carter said Mulder and Scully were The X-Files post The Truth… but I guess he keeps conveniently forgetting that. More accurately, he keeps making MULDER forget that, in spite of all evidence in Mulder’s history and personality to the contrary. 

It infuriates me. 

“Tad O’Malley is a charming man--” get outta here. 

Now Scully’s been played the fool so she’s going to think Mulder’s being toyed around with by a social media sociopath. You’re an idiot, Scully. 

You’re an idiot, Mulder. 

You expect us to be idiots, writers. 

Here’s some ham-fisted “Fate” dialogue for you, *ahem*:

Scully: “How do you know he’s not playing you, he’s a player!” (You would know, Scully.) 

Mulder: “He’s a Godsend!”

Mulder’s not a believer in God, BUT this is also supposed to refer to the God conversation Scully and Tad had in the hospital, which will inadvertently make Scully ~believe~ again.

“What are you talking about?” I’m with ya there, Scully. I’m with ya, there. 

Scully’s trying to insist Mulder's on a verge of a breakdown, which… UGH. 

This scene implies Mulder hasn’t had a breakdown or a break from reality YET-- Scully spends the episode constantly concerned for his health and begging him, here, to watch what where he's stepping because he’s on the verge of spiraling. 

Which means he hasn't spiraled, because she's afraid of what would happen to him IF he did.

MEANING that there wasn’t an inciting factor that made her leave: no alcoholism, no outbursts, no nothing. He just became depressed, probably withdrawn, and wouldn’t change; so, she left. 

Do you realize what that means, per this episode? It means Scully ANTICIPATED a breakdown and left BEFORE it happened. Then hoped he’d get better before it did. 

Which breaks the established morals of her character. If she had been able to help, she would have stayed. If she hadn’t been able to help, she would have found another way to help him, even if it involved calling in a third party against his will. Instead, she withdrew and hoped he would get better BEFORE he reached a breaking point-- essentially, leaving him to an impending breakdown while hoping and praying against it.

This makes her decision to leave a mark of weak character-- not because she was a woman who left her depressed husband, but because Dana Scully, whose character we amply know, left. It checks none of the boxes she'd have to clear first before choosing to take one step out the door.

All the fic I’ve read to justify their breakup-- and make no mistake, CC wrote her to say “as your friend” intentionally--  or time apart or whathaveyou had Scully reach a breaking point. Because, of course! That's logical. But here, in canon-- in black and white-- that didn’t happen. 

We, the audience, have to create a plausible scenario in our minds to justify the steps she took. Because. it. Is. not. In. canon (as per this episode.) 

Now Scully’s gonna get jealous of Sveta, I’m so done. Riverdale, uuuuuuuuugh. 

Mulder just lets Scully walk away because Scully thinks he wants Sveta but “Sveta is the key to everything” and if Scully wants to misunderstand that she should have more trust in him, I guess, and I NEED A RESPIRATOR.

He just says “Scully” once  and lets her huff off.  

TAD’S BACK, GO AWAY. 

WAIT, TAD STOPS HER BEFORE SHE LEAVES. 

Mulder: “I would have invited you, Scully, but I didn’t think you would come.” 

That’s…

That’s….

Let’s break down this stupidity: 

Scully shows up. 

Mulder had Sveta in the house because he was calling her and O'Malley for a group meeting. 

When Scully becomes nearly hysterical over his safety, he doesn’t reason with her, just spouts like a lunatic. 

When she misreads the Sveta situation and stomps off, he lets her go with a weak, “Scully"--

--because he knew Tad was right behind her and was pulling in to stop her from leaving. 

Because Tad and Sveta were invited but Scully was not. 

And Scully was not invited because.  

Because she might not show up. 

I’m just preaching to the choir at this point, continuing on. 

Scully gave in, just like that. Guess she’s not leaving, anymore. 

She’s so, so… spineless. Has been since Season 9, has been a BIT since Season 8 (though that was at least justified and kept to a bare minimum.) 

I’m just. So sick of passive Scully. 

I HATE THOSE STINGER NOISES NOW. 

It’s always, “You can't let this information out because these men work in secrecy”/”What is it?”/”You’ll see”; then stinger; then we, the audience, are immediately shown what it is.

No suspenseful build-up.

Tad: “Then why are you [Scully] here?”/”Scully: “Mulder, what are you up to?”/Mulder: *knowing look*/stinger/next scene.

KNOCK IT OFF ALREADY.

“Implanting of alien embryos”-- so Sveta’s babies weren’t her babies. 

So Scully’s baby wasn’t her baby. 

But Emily was her baby but William isn’t. 

Sure, Jan. 

In spite of this information, the Revival will paint William as their son until it doesn’t; despite, again, stating from day one that the alien babies are implanted embryos and not biological babies.

So, these two boneheads should have suspected that William wasn’t theirs, anyway. 

Even though William is theirs because the CSM timeline doesn’t add up, which they would have mathed in their heads by the time little William was snuggled in their arms. 

It’s all so stupid. 

Why does this feel so fearmongery about the government? And I’m not going to sit here and say the government should be trusted-- it has a VERY bad history, I'm aware. But this is “my first conspiracy” level of worldbuilding.  

Did the writers think it was clever to set O’Malley up as a bad actor then reveal he was a good actor, modeling him after the notorious Alex Jones only to point and jeer, “HAH, you assumed! He’s actually on Mulder’s side!” 

Because that’s not genius, that’s laziness. 

Scully only now decides to inform everyone Sveta has no evidence of alien DNA? So, what, she was never going to tell them unless Mulder kept being, what, crazy? 

“They got to her,” says Mulder about Sveta, but Scully LITERALLY SAID she had no alien DNA, so what was Sveta supposed to believe???????? That Tad O'Malley wasn't using her for as a hoax???

Mulder ran all the way to her house, or ubered then ran, or whatever… and she’s gone, of course. 

Poor Sveta. 

Tad O’Malley’s Truth Site is gone, oh, noooooo. 

Look, I’ll always be against censorship. But this is sending so many odd and mixed signals that it’s creating craaaaaaaaaaaaazy levels of dissonance. 

Mulder wrote “Don’t Give Up” in Scully's car dust…. 

Riverdale. 

Mulder presents the global warming = no aliens theory? 

I’m so tired. 

WAIT, SCULLY BELIEVES MULDER'S THEORY NOW THAT HER BOY TAD’S BEEN PULLED OFF THE NETWORK. 

“We need to find her [Sveta], Mulder,” Scully insists. 

Hold on, prediction time: Scully only changed her mind because this case now involves her-- i.e. only extending empathy to Christian (a boy that reminded her of William) and not to the string of missing, possibly murdered, women in IWTB.

OF COURSE. Her results for Sveta ended up being wrong AND HER OWN GENOME HAS ALIEN DNA IN IT, TOO. 

You selfish, self-centered clone of Dana Scully. 

Scully truly hasn’t recovered since… Season 9, let’s be real, where she told Mulder to leave then spent the whole year crying over his absence. In IWTB, she brought Mulder a case then left him when he wouldn’t stop his pursuit (to SAVE. LIVES.) And in the Revival, she called Mulder and the gang crazy until her own genome showed alien DNA. 

Hate this, hate this, HATE this. 

Also, yeah, she already knew she had alien DNA in the OG series, moving on.

Oh, and now they get a call from Skinner just when Scully says someone has to stop the bad guys. 

OF COURSE. 

Remember the God convo from earlier, guys???? GOD. FATE. SOMETHINGSOMETHINGSOMETHING. 

You had ONE good idea to explore-- how Scully views God vs. the aberrations of biology-- and then just... used it as a convenient club to beat in the “God/Fate means for us to do this” instead. 

“Scully, are you ready for this?”

“I don’t know there’s a choice.” 

Can’t someone PLEASE just explore her faith with nuance? PLEASE? 

Sveta's DEAD???????? I’M SO MAD, I liked her!

YOU FAILED HER, SCULLY. 

YOU FAILED MULDER, SCULLY. 

WHY DOES SCULLY HAVE TO KEEP FAILING PEOPLE???????????? 

Skipping the CSM scene because I don’t care, the END. 

CONCLUSION

How does Scully’s mischaracterization keep reaching new lows? 

How does Mulder become less wise with age? 

How is Skinner the only mentally mature character here?

I’m so tired.

[pottedplant53]

Danganronpa V3 Fic Recs!!

In my six years of being a Danganronpa fan I've read a lot of fanfiction, so I've decided to compile a list of some of my personal favourites (in no particular order) for your perusal. Contains very minor plot spoilers, but nothing beyond what the tags/descriptions will tell you. Enjoy :D

New Danganronpa V3BOOT: Killing Harmony Redux - EternalSailorNeptune_53.

Unique in the fact that not only is it a Talentswap AU, but a Simulation AU as well. The general premise is that DRV3 wound up being such a monumental disappointment of a season that Shirogane is forced to rewrite it and try again.

Something that stands out about this fic in particular is its characterization. It tweaks the personalities and backstories of the cast to fit their new talents, all while remaining fundamentally true to their canon counterparts. There's a new death order, new motives, and all of the jokes hit. It's really funny but also made me cry at a few points. Ships include SaiMatsu, KoreKichi, TenMiko and some ShinToujo.

Words: 598,513

Chapters: 53/53 (Completed)

2. The Powerful Skeletons Series - EternalLoveSong

Another V3 Talentswap AU, except this time it's a collection of shorter fics, currently about 27 of them, set in the same talentswap universe. It features Supreme Leader Maki, Assassin Kokichi, Inventor Shuichi, and Servant Rantaro to name a few, and each character gets the spotlight at some point. I don't have a lot to say about these but they're very good.

Words: 95,923 Total

3. Alternative Ending, New Beginning - CrowSandwhich

V3 Chapter 5 canon divergence AU, in which various factors (Maki) cause Kokichi's plan to backfire before he can complete it. Due to his injuries, he winds up confined to the hangar by the rest of the survivors, under the belief that he's the mastermind. Incredibly engaging, but tragically discontinued. Kokichi & Kaito centric, no ships.

Words: 36,523

Chapters: 6/6 (Discontinued)

4. Irreplaceable - apollo_python

Set many years after the events of V3. The participants of the final killing game have all disappeared under mysterious circumstances, with the exception of Shuichi and Kokichi, who've been out of contact and down on their luck since the game ended. At Shuichi's insistence, they take it upon themselves to find their missing former classmates. A Saiouma thriller/mystery with a heavy focus on their relationship. Ships include Saiouma, and background Kaimaki/Irumatsu.

Words: 31,827

Chapters: 3/? (Unfinished)

:D

[clydesavage-thefox147]

SEASON FINALE AND SONG PREDICTIONS

So with Thomas dropping the fact that there will be 6 SONGS in the Season Finale, I'm going to talk about what songs could be possible and/or what I'd(and what I assume others) hope for.

First talking point is: how many times has each side actually sang in the series? Well, if you count actually singing instead of "speak-singing", Virgil has sang 2 times with "New Year's Lies" and "Incomplete". Logan has sang 1 time and that was during the "Crofter's Musical"(if you don't count the brief lines he sang in "12 Days"). Patton has sang a total of 2 times, once in "12 Days of Christmas" and once during "Incomplete". Roman's sang the most out of the main four, 3 total times with "Incomplete", "Crofter's Musical", and "12 days". However, if we are counting how many songs they played a significant part in...Virgil has had 3 with "New Year's Lies", "12 Days" and "Incomplete". Logan has had 4 with "Crofter's Musical", "Incomplete", "Rap Battle" and "12 Days". Patton has had 3 with "12 Days", "Rhythm Redux" and "Incomplete". Roman has had 5 with "Incomplete", "Rap Battle", "12 Days", "Crofter's Musical" and "Rhythm Redux".

So in simple terms: Virgil sang 2 times, featured in 3 songs. Logan sang 1 time, featured in 4 songs. Patton sang 2 times, featured in 3 songs. Roman sang 3 times, featured in 5 songs.

So Roman has sang the most and has been featured the most. Logan sang once. That's just out of the main 4. Patton and Virgil are basically tied.

Remus has only one main song with "Forbidden Fruit". But he's so far the only Side who's had a full song dedicated to him. Janus never had a song in the canonical series. Yes, he did sing "Into The Unknown", however that is a cover, not an original song. He was featured in Remus's song but it more or less was a flashback scene and sang from Remus's perspective so it really doesn't count. And since Orange will be hopefully making an appearance, it's safe to say he might make a musical debut.

So, what could this all mean? Well, seeing as there will be 6 songs, 6 possibilities. But here's my hope:

1: a Janus centric song. He is the only side(minus Orange) without any official, original, canonical song. So, it only goes to show that maybe he will get his own. It would be a great way to flesh out his character. Show an emotional side, show a devious side, show a sensual side... anything about him. It would be interesting to see a burlesque like show from him or like a jazzy slow cafe swing song. Hell, we could get a reprise or revision of "New Year's Lies" or some level of a reference to it.

2: A duet of anything kind. It would be very cool to see some duos that have been at odds lately having a dueling duet. Janus and Roman, Virgil and Janus, Virgil and Patton, Logan and Roman, or Logan and Remus. Or maybe get a villain duet with Janus and Remus like a Partners in Crime kind of thing. Or maybe a duet with recently newly formed friendships like with Roman and Virgil or Logan and Virgil. I think any of this would be fun.

3: a Logan centric song. Logan has sang the least out of the main 4 and has a lot of pent up words he so desperately wants to force out, so what better way to do it than with a ballad or an aggressive tantrum-like rage song. Something that shows his true deep seeded emotions and maybe shows the corruption from Orange's influence. It could be a song from Logan in private or could be one directed at everyone outwardly. Maybe he could end up singing it under Orange's influence.

4: An Orange Side villain song. Now yes, a corrupted Logan song would technically count but it would be from Logan's perspective and issues. An Orange centric song would introduce him, his motives, his behaviors, his vibe etc. It would be perfect. If Remus can get a debut song, why can't Orange? Or, imagine a confrontational song with Logan vs Orange.

5: a Roman centric song. Roman has been having clear issues throughout the season, if not series as a whole. Insecurities with himself, fragile and broken ego, loneliness, jealousy and animosity with almost everyone. He's been on the brink of snapping and breaking down just as much as Logan has been lately. So, it's safe to say that a song from him is possible. An emotional ballad? And Villain song? And mix of both? Who knows. He has sung the most and has been featured the most so I don't think he really deserves another song honestly but then again, this would be from his perspective completely and not mixed in with everyone elses' or a duet.

6: a Virgil centric song. Now yes, I don't really see a huge possibility of this but it would be interesting to hear from Virgil's perspective on everything under the quise of a song. His dark side connection and reveal, his feelings on his neutral side balance, and his relationship with everyone. It would be a rather cool and emotional moment for him. Like I said before also, would be nice to see a duet with him and either a side he's fond of or he has animosity with. But if it's a full song on him alone, all that could be mentioned entirely.

7(bonus?): a Patton centric song. Similar to Virgil's. An emotional ballad on his recent struggles. Moving On, new relationship for Thomas with Nico, his relationship with the other Sides, his depression, his strictness/religious trauma. It would be a very strong song in my opinion. But it would be neat to see a duet too of him either with Virgil or Janus.

Now, will all these happen? Probably not but it's safe to say that the ones that are of most likelihood are a Janus centric song, an Orange centric song, a Logan centric song and maybe a Roman centric song. It's also likely that we might get two songs in one part. So say: 2 songs in the 1st part, 1 in the 2nd, 1 in the 3rd and 2 in the 4th. I hope that whatever songs we get are bangers and becomes huge staples in the fandom just as much as the others.

What do you guys think??

[caelwynn]

Caelwynn's Mod List for Stardew 1.6 - Gameplay/Quality of Life (pg 2)

Page 1. Page 2. Page 3.

No Fence Decay Redux — never worry about needing to fix fences ever again.

NPC Map Locations — another must-have mod. Shows you the locations of NPC in real time on your map.

Part of the Community — gives small friendship bonuses based on your relationships with NPCs' friends/families, times they've witnessed you talking to/giving gifts to others, and whether you're buying at their shops.

Platonic Partners and Friendships — for if you wish you could have an NPC room with you without the all that icky marriage stuff

Polyamory Sweet — for if you wish to keep a harem and/or have a roommate in addition to your spouse and/or have a commune of nothing but friends.

Quest Time Limits - Continued — a configurable mod that allows you to extend the amount of time that quests last for.

UI Info Suite 2 — overhauls the game's user interface.

Wear More Rings — lets you wear more than two rings. I'm greedy.

Little Red School House — adds a quest line to restore a school house so that Penny no longer teaches in the library.

Yet Another (Balanced) Quality Goods Mod — adjusts the quality of artisan goods based on the quality of ingredients as well as adjusting the profit accordingly.

Blue Eggs and Golden Mayo — allows you to make blue eggs/blue mayo from blue chickens, and golden mayo and ostrich mayo.

Ferngill Fashion Festival for 1.6 — adds in a series of heart events for Emily and a new festival.

Farmhouse Visits — allows you to set a configurable chance for NPCs to decide to visit your farmer.

Nondestructive NPCS (Unofficial update) — prevents NPCs from destroying your decor/items if they're blocking the NPC's path.

Brown Cows Give Chocolate Milk — Exactly what it says. Also allows you to make chocolate bars from chocolate milk.

Mako's Spam Mail — adds in a plethora of spam mail/advertisements/chain mail that you can receive each day. It makes me cackle at least once each play sessions.

Better Junimos — allows Junimos to automatically plant crops, fertilize, water plants, harvest forage, clear dead crops, and NOT harvest your flowers.

Starfruits Will Regrow — turns starfruits into a plant that produces throughout the season ala tomatoes or grapes.

No Soil Decay — prevents tilled soil from reverting if it doesn't have a plant in it overnight.

Self Serve for 1.6 — allows you to buy from shops even when their owner is away at aerobics or otherwise unavailable.

Waterproof Items — items that fall from trees float in the water instead of sinking, allowing you to collect them.

Lovely Digspot — changes the appearance of digspots to make them easier to see. I'm blind as a bat and this is INCREDIBLY helpful.

Greenhouse Sprinklers — allows you to eventually purchase overhead sprinklers from Robin so that you can maximize your growing space.

Better Crafting — an extensive overhaul of the crafting system. I mostly use it for the ability to bulk craft.

Magic Workbench — gives your workbench a much farther reach with regards to your chests.

Better Chests — allows for better organization and search/filtering capabilities for your chests.

Bigger Backpack — allows you to purchase an additional row of storage space in your backpack.

Event Limiter — limits the number of events you can see in a day, plus how many you can see back-to-back. Configurable.

Relocate Farm Animals — allows you to easily reassign what barn/coop/hutch animals are in.

Colored Seeds for 1.6 — changes the color of seed packets to reflect what season(s) they grow in.

Social Page Order Redux — gives a filter function to the social page so you can see them divided out in different ways.

Schedule Viewer — pulls from game files to show you where NPCs are going throughout the day and at what time.

It's Still You — the mirror in the bathhouse quotes an iconic line from Undertale.

What Do You Want — provides in-game lists of requirements to complete different parts of the game, excluding what you've already completed. Lists include the community center, Grandpa's evaluation, golden walnuts, and various achievements.

Mail Services Mod — gives you the capability to mail gifts to NPCs, as well as mail off your tools for upgrade and receive them from Clint once they're done.

The Masterpost for all of the mods is located here.

[ao3feed-kathony]

You Cant Spell Victory without a V - Re-imagining of Season 2 Episode 4

read it on AO3 at https://archiveofourown.org/works/56337178 by BeatrizKiddo – A redux of the Victory episode where Kate and Anthony are out hunting. I, like many fan fiction writers also seem to be left wanting more. So, I devised up this little tale. And in doing so, I have thought of a series called Redux where I re-imagine certain episodes and scenes with our favorite, hot couple. Sometimes spicy and sometimes nice, but always sensual. We shall see how this one goes. They will not be in any particular order. Words: 832, Chapters: 1/1, Language: English Series: Part 1 of The Redux Series Fandoms: Bridgerton (TV), Bridgerton Series - Julia Quinn Rating: Mature Warnings: Creator Chose Not To Use Archive Warnings Categories: F/M Characters: Anthony Bridgerton, Kate Sheffield | Kate Sharma Relationships: Anthony Bridgerton/Kate Sheffield | Kate Sharma Additional Tags: Angst, Desire, Love, Re-imagining, wanting, tortuous love, Agony read it on AO3 at https://archiveofourown.org/works/56337178

[gaycrouton]

The Best and Worst Rated Episodes of The X-Files according to IMDB - a breakdown ✨

To kick things off, here’s a chart of the ratings for all 218 episodes in the series

Season One (1993-1994)

Highest Rated The Erlenmeyer Flask (9.0)

Lowest Rated Space (6.2)

Season Average (7.67)

Season Two (1994-1995)

Highest Rated Anasazi (9.1)

Lowest Rated Fearful Symmetry (6.5)

Season Average (7.84)

Season Three (1995-1996)

Highest Rated Clyde Bruckman’s Final Repose (9.2)

Lowest Rated Teso Dos Bichos (5.9)

Season Average (7.99)

Season Four (1996-1997)

Highest Rated Musings of a Cigarette Smoking Man (9.0)

Lowest Rated El Mundo Gira (6.6)

Season Average (7.95)

Season Five (1997-1998)

Highest Rated Bad Blood (9.2)

Lowest Rated Schizogeny (7.0)

Season Average (8.08)

Season Six (1998-1999)

Highest Rated Dreamland (9.0)

Lowest Rated Alpha (6.4)

Season Average (8.12)

Season Seven (1999-2000)

Highest Rated Requiem (8.6)

Lowest Rated Fight Club (6.0)

Season Average (7.61)

Season Eight (2000-2001)

Highest Rated Existence (8.7)

Lowest Rated Surekill (6.8) Salvage (6.8)

Season Average (7.77)

Season Nine (2001-2002)

Highest Rated The Truth (8.3) The Truth II (8.3)

Lowest Rated Lord of the Flies (6.9)

Season Average (7.47)

Season Ten (2016)

Highest Rated Mulder and Scully Meet the Weremonster (8.0)

Lowest Rated Babylon (6.4)

Season Average (7.38)

Season Eleven (2018)

Highest Rated The Lost Art of Forehead Sweat (8.2)

Lowest Rated My Struggle III (6.4)

Season Average (7.47)

Films ✨

Fight the Future (1998) | 7.0

I Want to Believe (2008) | 5.9

Averages Ranked ✨

Season Six (8.12) Season Five (8.08) Season Three (7.99) Season Four (7.95) Season Two (7.84) Season Eight (7.77) Season One (7.67) Season Seven (7.61) Season Eleven (7.47) Season Nine (7.47) Season Ten (7.38)

Series Average (7.81) IMDB Series Rating (8.6)

Top 10 Highest Rated Episodes

Clyde Bruckman’s Final Repose (9.2) Bad Blood (9.2) Anasazi (9.1) Dreamland (9.0) Redux II (9.0) Musings of a Cigarette Smoking Man (9.0) Paper Clip (9.0) The Erlenmeyer Flask (9.0) Small Potatoes (8.9) Jose Chung’s From Outer Space (8.9)

Bottom 12 Lowest Rated Episodes

Nothing Lasts Forever (6.6) Signs and Wonders (6.6) Teliko (6.6) Fearful Symmetry (6.5) My Struggle III (6.4) Babylon (6.4) Alpha (6.4) 3 (6.3) Space (6.2) First Person Shooter (6.1) Fight Club (6.0) Teso Dos Bichos (5.9)

[IWTB is also rated 5.9]

As of March 2023, The X-Files is the 110th Most Popular TV show on IMDB.

Unlike the Nielsen Ratings, these scores aren’t set in stone. Anyone can make an IMDB account and contribute their ratings, so if there’s anything you disagree with on the list, go represent your opinion!

All statistics from IMDB, all graphs created by me ✨

The data was obtained in March 2023, since IMDB ratings are subject to change, these findings may not be accurate in the future

However, with each episode currently having around 5k ratings, it’s likely not to vary too much.

Trends and Points of Interest✨

Season Three had both the highest rated episode (Clyde Bruckman at 9.2, tied with Bad Blood) and the lowest rated episode (Teso Dos Bichos at 5.9)

Despite being very high on the Nielsen charts, El Mundo Gira is one of the least popular episodes.

Season Three was the most featured on the “Most Popular” list (731, War of the Coprophages, Jose Chung, Paper Clip, Clyde Bruckman)

Despite being a beloved season, Season Four appeared the most on the “Least Popular” list (Teliko, The Field Where I Died, El Mundo Gira, Kaddish)

Here’s the full breakdown for anyone who’s curious to see where their favorite episode lands!

I hate math, but as far as my calculations go-

Mean: 7.81 Median: 7.8 Mode: 7.3 Range: 3.3

Anything that shocked you?

1) I can’t believe Musings of a Cigarette Smoking Man is so high

2) People are sleeping on Nothing Lasts Forever (it has one of the best MSR scenes!)

3) I know this is an unpopular opinion, but I don’t hate Fight Club. I’ve always liked Kathy Griffin

[iheartgod175]

Some Thoughts!

Man, I haven’t done a post like this in a while! But I figured I might as well before I work on one of my numerous WIPs XD

—So, I’ve been back on a Zula Patrol kick like you wouldn’t believe. Though that should be obvious with all the memes I’ve been making, haha! I promise this won’t become a Zula Patrol only blog, haha!

—I’ll be working on building my graphic design/editing skills so I can properly redesign my blogs ^^ You can expect a few graphics throughout the month! :)

—Chapter 4 of The Zula Patrol: Dreamscape Crusade Remastered is also coming along pretty nicely. I’ve been enjoying adding the layers of mystery and horror to the world that Multo ends up in. Oh, and a couple of new characters are making their appearance, too. And that’s all I’m going to say about the subject!

—I’ve also been steadily working on Love Language for the last couple of months. I thought FOR SURE that I’d be posting its first chapter by the end of the month, but life happened—not to mention that I keep coming up with MORE headcanons for Multo and Zeeter that I just have to write down and put in the story. XD Also, the story’s grown to the point where I had to break it up into FIVE chapters, now, with the fifth being the actual conclusion. This story’s been so fun to work on, and I hope you’ll all enjoy it when I finally publish it.

—That being said, I did have a few insecurities regarding the writing of Love Language. I wondered if anybody would actually read this story since 1. ZP isn’t a very well-known cartoon, and 2. Even for rarepair standards, Multo/Zeeter sure seems like it came out of left field. And for about a few weeks, I did leave it alone, out of worry that nobody would read it. But then I came across posts in my feed that said that it’s important to write the stories that you’d like to read, even if they don’t get any readership, because telling your story is what matters. I’ve dealt with this a lot since writing all of my stories, namely my Zula Patrol series. And while I struggle with it occasionally, I’m not going to let that whole “nobody will probably read this” mentality stop me from writing about these goofy aliens, and my favorite opposites-attract ship, of which I’m the sole captain.

—While I’ve been working on Blazin’ Trails content off and on, I’m having a deuce of a time trying to work on the final chapter of the original BT. I’ll literally sit down and open the document, looking for something to leap out at me and inspire me to work…but nothing’s working. And I really want to get things started with Blazin’ Trails Redux as well…*sigh*

—As for Super Why stuff, I’m looking forward to seeing the new shorts that are debuting next month! I got to see the first short, and it’s adorable. And I also can’t wait to see more of Power Paige in action! I just really hope that Woofster and Alpha Pig aren’t written out of the show :(

—Speaking of PBS Kids stuff…I kinda sorta got back into both WordGirl and Arthur. GOD, I feel old! And now, I’m half-tempted to have WG guest star in SRBA like Santiago will. The SRBA ‘verse? More like Into the Reader-verse, LOL XD

—Sodor Magic Crusaders MAY be getting an update in the near future. I thought about working on it for the first time in months, and I remembered that I only have a few episodes left until I can get to write the second season.

—Slowly but surely getting back into Honkai Impact 3rd. I still haven’t gotten a chance to watch the part 2 trailer, but it looks like it’s gonna be interesting!

—One thing’s for sure. Power Paige will definitely appear in the SRBA ‘verse. I just have to figure out what her backstory would be as well as her powers and what kind of fighting style she’d have. I know for sure it won’t be a sword—we already have four sword fighters in SRBA thus far (Super Why, Presto, Muse and Jackson).

—In Super Why news, I HAVE been working on the fifth chapter bit by bit, and I’d like to say that it’s about 65% finished. I don’t think it’ll be quite as long as the last update, but I don’t want to speak too soon ^^;

—I haven’t drawn anime in ages, not since I first started uploading on DeviantArt. And I admit, the pic that I’m going to post of Usagi isn’t the best..but you know what? Screw it! The only way I can improve is to practice, even if it’s wonky or incorrect! ^^

[bonefall]

THE BONEFALL DOTC NOTES

Because I can't keep my mouth shut and the Erins can't be trusted to write a good super edition.

So to start with, I'll remind all the kitties: The Bonefall Rewrite is a Fix-It Redux of the Warrior Cats series, attempting to keep major events the same while reducing or eliminating pointlessly uncomfortable aspects. It generally has Four Goals;

To make a more thematically consistent WC series, with consistent cat politics and a conclusive anti-authoritarian stance.

To grow the culture of the Clans, including building the groups they interact with into full societies in their own right.

To expand on supernatural elements, by giving StarClan more powers, renovating the Dark Forest, and even making entities that exist beyond the Clans.

To be cool as fuck. Totally radical additional action scenes, Bodacious familial drama, gnarly battles with cats retaining fighting styles. I'm fallin' ASLEEP! Won't SOMEONE blow up a bulldozer already?!

This is relevant because these principles apply heavily to all other arcs; but this is the one arc that I have promised to not stay faithful to.

That means that I will not feel bound to preserve major events of DotC. In any other arc, a major character death would be preserved and I would simply try to strengthen it as much as possible. Here? If I say Turtle Tail lives, she's LEAPING out of the grave like baby's first necromancy. If I say the Medicine Cat's Vow is completely different, Moth Flight is tripping over herself to do it for me.

Dawn of the Clans is the very origin of the Clan society I care so much for writing, and a point of endless frustration for me as a long-time fan who bought and read the field guides as they came out. I refuse to allow so much of the basis of the Clans be poofed into existence by StarClan.

I'm gonna write the mythological origin of the Clans that I always wanted, and utterly obliterate as much of the sexism and abuse apologia this arc is known for as possible. Chainsaw time.

Below the cut:

1. Events I DO want to keep 2. Big Redux Thoughts

Let's talk about the events I DO want to keep.

Clear Sky is the Antagonist

He's playing the role he was meant to. I have no desire to even try to "fix" his ridiculous 'redemption arc.' This is a controlling, brutal coward who covers up his insecurities in violence and tyranny. Skystar is the basis of the Might-Makes-Right culture that comes to be from this point on.

The Battle of Fivetrees

In the Bonefall Rewrite, there were once five trees at Fourtrees. The First Battle is integral to the mythology, and will involve a five-Clan battle of some kind.

Additionally, this site was now also an ancient shrine of some sort; the First Battle killed so many cats that it summoned One Eye.

One Eye and Star Flower

But... One Eye is now a God. One of four seasonal deities, along with Midnight, Rock, and Sol. Chronologically, this is his next appearance after Hollyleaf's Century. It's important to the rest of the rewrite that he is killed in this incarnation by a cat who is Tribeborn, not Clanborn, as he goes on to haunt the Tribe in the future as a result.

Star Flower serves him in a high position of some sort, but if she's the daughter of his vessel, a demigod, or a nature entity like Brokenstar hasn't been decided yet. In any case, she is safe and being expanded significantly.

River Ripple and the Park Cats

We're gonna have to see what River's super edition decides for him. We'll have a look at what it adds to the lore, what it subtracts, what it does right, and what we're nuking from orbit.

If his super edition makes the Park Cats show up as villains, I'm goring it like a bull. I am trampling it like a tap-dancing horse. I am preemptively blowing up the idea with my mind.

The Park Cats are, in any case, going to become a full culture that humans destroyed in some fashion.

Gray Wing' Adoptions and Asthma

He will be keeping all of his adoptions, especially of Thunder. In fact, I do not want him to have biokits. There's no need. He raised Pebble Heart, Sparrow Fur, and Owl Eyes. 4 kits is enough; Slate did not also need babies.

He is also keeping his asthma, retaining smoke damage.

Redux Ideas, both confirmed and tentative.

The Sun Trail

To begin with, the Tribe was not overpopulated. That is not the reason why they left nor the reason why they were starving. I'm rejecting an 'overpopulation' narrative on the face of it. These cats are too coded as people for me to ever accept it in this series.

Disgusting to see this idea in a series already teeter-tottering on the edge of being pro-eugenics by way of being so abelist.

Instead, there was a blockage of some sort in the Tribe river, the one that starts in the mouth of the cave. Drought lead to famine; it was beyond anyone's control.

Clear Sky and the Sun Trail Pioneers were seeking the water at the end of the dry river heading south. The Sun-scorched riverbed was a Trail.

Thunder has Three Legs; Jagged Peak Died

Clear Sky kicked his brother out into the wilderness for breaking his leg, an injury that should not have been deadly, because he hated the idea of 'burdens.' He condemns him to starvation. This is something that needs immediate consequence.

Gray Wing and Storm leave with him to keep him alive, but leaf bare claims him regardless. Storm's kittens are born weakened by the stress of this ordeal; Thunder, the only survivor, has a leg missing in the exact place where Jagged Peak broke his.

When Gray and Storm return seeking help from Clear Sky, he rejects his kitten in front of everyone. It's cruel irony, like the Stars are trying to teach him a lesson, and he rejects it.

THIS is when the Clans split, as the group fractures between the cats who refuse to accept their leader's cruelty, and those who stay in the bounty of the Forest and play by Clear Sky's rules.

I may be willing to spare Jagged Peak. But, narratively, I think it is stronger for Thunder to functionally take all of his roles and axe the redundant character.

The Medicine Cat Vow's Origin is Completely Different

In a nutshell; Moth Flight and her kittens were the original medics. The other Clans tried to steal them to have their own medics. In response, they went willingly, but vowed to each other to never have family to serve medicine above the Clan.

Generations later, during the exile of SkyClan, this Vow was corrupted, completely flipped on its head to justify controlling medicine cats who did not abide the personal vow, to shut them up about the Exile of SkyClan. It was not created in its modern form.

This law, in fact, directly creates Ripplestar's rebellion.

The Great Unfridgening

Of Bumble, Turtle Tail, Bright Stream, and Storm, at least three will survive.

Bumble is confirmed. If you want to kill her again you'll have to kill me too. I'm considering Turtle Tail still dying to retrieve her kittens from their abusive ex, so Gray Wing can adopt the kits and raise them with Bumble as a godfather.

Of Bright Stream and Storm, I'm considering both of them staying alive. They can get some foundational roles.

River Ripple Can't Just Hide

Bothers me that River Ripple is able to avoid carnage by staying behind the river for the most part. ALL FIVE CLANS will have to take part in the Battle of Fivetrees. He won't like it, but River's Clan WILL get dragged into it, kicking and screaming

Slash Gone

Society has progressed past the need for Slash's rogue group. It's One Eye's Cultists or Clan Conflict, or it's NOTHING. NO MORE RANDOM ROGUE VILLAINS. NO. NO.

Will some of Slash's rogues show up? Sure. As One Eye Cultists. And if they're organized they're organized under Star Flower. No more creepy ass Slash and his "promised bride," ick, ew, gross, no.

[cressida-jayoungr]

One Dress a Day Challenge

March: Pink Redux

Star Trek (the original series, s2 e2, "Who Mourns for Adonais?") / Leslie Parrish as Carolyn Palamas

Apollo takes a fancy to this Enterprise crewmember and magics her into a shiny pink vaguely-ancient-Greek-inspired gown. The material looks suspiciously synthetic, but at least it has enough weight to drape nicely. The extra-shiny border highlights how the over-the-shoulder piece falls into attractive folds. You can see in the side view picture that she seems to have similar sandals to his, but in silver.

[adultswim2021]

Aqua Teen Hunger Force #93: “A PE Christmas” | December 13, 2009 - 11:45PM | S08E01 regular series version aired March 15, 2010 @ 12:00AM

It’s the Aqua Teen Christmas episode, in which Shake and Meatwad steal Public Enemy’s identity and try to cut a rap record to sell on Christmas. It’s a pretty bad plan because they record it on Christmas eve and Shake sorta just believes the CD will appear in stores on Christmas day. The stores aren’t even open on Christmas day!! SHAKE COME ON! 

Mostly this one just consists of two scenes: one where the Aqua Teens attend Christmas mass and Shake acts childish. There’s a nice crowd scene filled with people from previous episodes, and for some reason the monsters are all sitting on the opposite side of the room. You hate to see a segregated church on Christmas. Then there’s the scene in the recording studio, with Shake and Meatwad coming up with bad ideas and recording them. The gag at the end of this, where Shake takes a big shit and it winds up on Meatwad’s track for Silent Night, is pretty low-brow, but it’s maybe the funniest thing in the episode. I don’t want to like it, I’m not about that life. 

This episode featured a bit of a twist where it turns out that Shake was filled with eels, hence his violent butthole outbursts. The original broadcast of this ended with Shake in jail, because he broke into a Better Buy store to see how his record was selling. He gets exploded to death after a bunch of eels burst out of him. When this episode aired as part of season seven, they added an ending that sorta explains that the Eels belonged to Chuck D (flagrantly misidentified as Flava Flav on the ATHF wiki). 

This one’s pretty lame, TBH. There were things in it I liked, but the best thing being a poo poo joke really should sum it all up. It also mildly perturbed me that this one airs between the live-action episode and the official season premiere “Rabbot Redux” which includes some continuity, so I numbered it according to the in-season air order. It also airs in some fucked up order on DVD! I don’t know why! I don’t know why they do that! 

Oh yeah I also liked the part where Shake rudely bangs on the glass in the recording studio. Pretty funny.

EPHEMERA CORNER: 

15th Annual Holiday Content Marathon (December 18, 2009)

An evening of Christmas specials. Also scheduled was “Gary’s Posse”, a promo that aired for a show that didn’t actually exist; in fact, I forgot all about this. Gary’s Posse was put on the schedule for AM this evening, but it was just a repeat of King of the Hill. Swimpedia (where I got this and nearly all of my scheduling information from) uncovered the fact that this is actually just stock footage from Julien Tromeur called "Afraid of your sexual fantasies." The promo advertising Gary’s Posse was just a gag. 

10:00/2:00 King of the Hill: Livin' on Reds, Vitamin C and Propane (Schedule Promo Falsely Announced Gary's Posse at 2:00 AM)

10:30/2:30 King of the Hill: 'Twas the Nut Before Christmas

11:00/3:00 Robot Chicken: Dear Consumer

11:15/3:15 The Venture Bros.: A Very Venture Christmas

11:30/3:30 American Dad!: The Best Christmas Story Never

12:00/4:00 Aqua Teen Hunger Force: Cybernetic Ghost of Christmas Past from the Future

12:15/4:15 Aqua Teen Hunger Force: T-Shirt of the Dead

12:30/4:30 Moral Orel: The Best Christmas Ever!

12:45/4:45 Moral Orel: Honor

1:00/5:00 Baby Blues: A Baby Blues Christmas Special

1:30 Tom Goes to the Mayor: Rats Off to Ya!

1:45 Sealab 2021: Feast of Alvis

5:30 Home Movies: The Adventures of Cho & Amy Lee

MAIL BAG

KON writes:

Worth noting about THE VENTURE BROS S04E07 "THE BETTER MAN"... it features the use of the Dana Snyder character completely unironically going "sooo... that happened." Granted this was right before that became the exclusive domain of MCU-type dialogue, but it still hit my ear about as harshly as any Bush-era slur. Nasty!

OH YEAH! I think I made note of that but for some reason it didn't make my write-up. i couldn't tell if that was bad writing or if that was an intentional character thing, but usually characters call each other out for saying stuff like that. So, that happened.

[nachosncheezies]

The Bet (an x-files fanfic)

Two federal agents newly partnered and soaked by a cold Pacific rainstorm. One suggests a bet, and when the stakes are raised, well, maybe they're both just a little bit crazy. Based on the prompt: pilot wedding.

What started as a one-shot is now a canon-adjacent series in a world where Mulder and Scully dared each other into matrimony within days of first meeting. Rated T.

I'll update this post with new chapters as they're added.

Chapter 1 - The Bet (1x01 Pilot) | Tumblr | AO3

Chapter 2 - Interrupted/Awake (post 7x02 The Sixth Extinction II) | Tumblr | AO3

Chapter 3 - Y2K (7x04 Millennium) | Tumblr | AO3

Chapter 4 - Chasing Elves (2x01 Little Green Men) | Tumblr | AO3

Chapter 5 - Out of Breath (2x07 "3" and 2x08 One Breath) | Tumblr | AO3

Chapter 6 - Consumption (4x12 Leonard Betts and 4x13 Never Again) | Tumblr | AO3

Chapter 7 - Shock & Woe (5x01 Redux and 5x02 Redux II) | Tumblr | AO3

Chapter 8 - Winners Claim (Season 7 - ?????? (sometime between Millennium and all things) | Tumblr | AO3

[randomfoggytiger]

The Scully Family In-Depth (Part XI): The Last Conversations of One Melissa Scully

Melissa Scully is not long for this meta series; but what she does contribute is a rather intriguing peek into Scully's psyche-- exposing how drawn her sister was to radical or "out there" ideas long before Scully admitted it to herself-- as well as the funny confirmation that both her sister and her mother find Melissa's antics aggravating.

SEASON 2'S ABDUCTION FALLOUT

The effects of Scully’s abduction silently punctuate her resolutions throughout Season 2, spurring her to appear stronger than her capabilities (Firewalker’s “Mulder, I appreciate your concern. But I’m ready. I want to work” and Irresistible’s “I’m not having trouble, Mulder. I’m fine. Really”), an extension of her denial in Beyond the Sea but with more mature fragility. (Both are, of course, symptoms of growing up in a Naval household with an eagerness to please a father that respected perfection in himself.)

Although Scully references her experience on the brink of death once in Dod Kalm--“Mulder, when they found me, after the doctors and even my family had given up, I experienced something I never told you about. Even now it’s hard to find the words. But there’s one thing I’m certain of: as certain as I am of this life, we have nothing to fear when it’s over"-- the theme of her loss plays heavily upon the rest of the Season, be it Mulder's overprotective streak or her resolution to appear stronger than her capabilities (i.e. Firewalker, Irresistible, Our Town, etc.)

This response stems back to her childhood: wanting to please her Naval father, she internalized and emulated his efforts to achieve perfection in himself. In The Blessing Way, Scully is told that her self-perceived failures would be considered strengths by the late captain; but it takes years for her to embrace that truth for herself.

Digging a little deeper, we find that, although she relates tidbits of her time in the beyond, Scully leaves out her communion with Melissa, Nurse Owens, and especially her father-- still not able, at this point, to accept those parts of her experience.

MULDER'S DEATH AND SCULLY'S SHAME

Anasazi and The Blessing Way are a whirlwind for Scully, leaving her vulnerable, bashed, and beaten down when all her efforts are seemingly in vain.

After being put on leave from the FBI and “losing” the tape her partner died for, Scully stumbles to her mother’s house, ashamed and wavering in her convictions. 

When her mother opens the door, Scully is lightly tapping at her right thigh with her shoes, an attempt to focus on that repetition rather than her stampeding emotions, and attempts to keep a semblance of control through her tearful confession (without much success.)

Maggie welcomes her with a gentle “Dana…”; and Scully forces a practiced smile as she breathes an answering, "Hi, Mom."

Taking in her daughter’s fragile stance and barefoot condition, Maggie asks, “What’re you doing with your shoes?”

It's a tell-tale sign that all is not well: despite the various difficulties in the field or at home, Scully has never voluntarily taken off her shoes unless in extremities; and her mother, knowing these prim and proper habits, immediately intuits something serious has happened.

“They, uh, they started to give me blisters…” Scully warbles, lifting and dropping her shoes as more of her facade cracks, reality cruelly setting in.  

Her mother’s incredulous, “You walked here this time of night?” breaks the last of her escape from reality: there is nowhere else to escape, no other distraction on hand to keep her emotions at bay; and Scully can no longer pretend that everything is alright as long as she puts one foot in front of the other (a method she’d tried and failed to use in Beyond the Sea-- and will again in Memento Mori, Elegy, Gethsemane, and Redux.) 

Her composure melts completely, face crumpling as she moves into Maggie’s arms to simultaneously seek comfort and hide from her own vulnerability. It’s a signature of Scully's the audience and Mulder were introduced to in Season 1's Pilot and Season 2's Irresistible; and is now confirmed to have been her coping mechanism stemming from childhood.

Matron Scully scoops her up unhesitatingly, worriedly questioning her baby girl until Scully admits, heartbroken, “I’ve made a terrible mistake. Dad would be so ashamed of me", and breaks down into an onslaught of constrained tears and grief.

MELISSA FUMBLES THE BALL

The Blessing Way has a notorious deleted scene; and this analysis would not be complete, I believe, without including it. Not only does it align perfectly with canon, but it also reinforces the interpersonal dynamics present in One Breath; and is, therefore, vital to the Scully Family meta series.

After Scully has poured her heart out, Maggie does her best to glue her daughter back together. “I don’t see how you can fault yourself. You had to make a choice-- you did what you thought was right.” 

“No,” Scully negates, voice wavering, eyes turned aside, “I did what I thought was right for my partner.” 

Their interaction is incredibly telling not only of Scully’s Starbuck complex but also of her modus operandi when acting outside of known variables: trusting another person’s judgment over her own. This kneejerk reaction can be used healthily if she follows her own intuition as well (e.g. Anasazi and All Things); but if Scully distrusts or doubts her intuition, she kneejerks to an opposite reaction, shutting down and seeking purchase wherever she can (The Blessing Way, Never Again, and also All Things.) This aspect of her personality isn’t resolved until Season 7 when Scully saves Daniel Waterston’s life by relying solely on her instincts; but until then, Mulder and her family act as the solid foundation upon which she builds herself... until, until.  

"Wouldn't Mulder have done the same for you?"

That sentence is two-fold interesting: not only does Maggie call Mulder "Mulder" here instead of "Fox"-- likely due to a scripting error or perhaps in deference to her daughter's pet peeve-- but she also places complete faith in the man that shouldered her daughter's disappearance and recovery alongside the family. It's a simple, touching nod to Mulder's impact and the bond she shares with him.

“Yes, but that’s exactly it, Mom! I behaved exactly how Mulder would have behaved-- I lied and I countermanded my superiors because I thought that the pursuit of the truth was more important.”  

Maggie listens, unruffled. “And wasn’t it?” she asks, showing her naturally rebellious streak that is not deterred or dissuaded by protocol, rules, and regulations-- completely opposite to the obedient military wife one could easily attribute to her. 

“I don’t know what the truth is,” Scully admits. “But as far as the FBI is concerned, the truth is that if all of their agents behaved this way… they wouldn’t be able to do their job. And they’re right.”  

Maggie knows what her daughter won't, can't say out loud; and cuts through the doublespeak to give the assurance she could not in Beyond the Sea: “Dana, if you’re really worried what your father would think of you… I think that he would see that there’s no right choice… and no wrong one.”  

From Scully's view, the disobedience to her superiors outweighs the pursuit of the truth, at least to her father. But in light of Maggie's revelation and rejection of that notion, it leaves the audience-- and her daughter-- wondering how well Scully knew, or thought she knew, the late captain. As strict and striving and ladder climbing as he seems to be, at a glance, Captain Scully was also a man who stood by his principles and married a woman prouder of her husband's personal achievements than his professional ones, willingly carrying on his legacy to their children after his death.

Though comforting in its nuance, this thought is at odds with what Scully supposed of her father, failing to alleviate her doubts long after this conversation ends. Not until she irons out her own internal struggles can Scully accept the wisdom her mother provides.

Reaching out to draw in Scully's chin, Maggie adds, “He would have been very proud and supportive of his daughter.” 

Another interesting sidenote: Maggie’s action and Scully’s response is another proof of Mulder's instincts to draw her attention back by gently maneuvering her chin or face. Without being told, Mr. VCU Golden Boy divined a second method of comfort stemming back to his partner's childhood (as if those two’s connection wasn't spooky enough.) 

Scully still clings to her naysayings. “Mom, there was a right choice to make. And I didn’t make it. I went with Mulder to New Mexico--” 

They’re both interrupted by the door opening abruptly, her eyes blinking in vexation as she prepares for a domestic intrusion.  

Melissa barges in, halts, and treads carefully forward as Scully seamlessly picks up the thread she’d dropped a moment ago: “I never should have let him go off by himself. He was in no condition…” 

This sets up the dynamic present not only in The Blessing Way but also throughout the show: Scully is reluctant to offer up information unprompted to her mother, but does not seem to share the same reticence with her sister (no matter how meddlesome or pushy Melissa tends to be.) 

Melissa pulls a psychic prediction out of her hat-- “Something happened to the man you work with, hasn’t it?”-- and smiles, elated, over the talent of her sixth sense.

Maggie, as usual, tries to cut off her older daughter’s intuitions… which means that even a woman who believes in her own loosely psychic dreams barely tolerates Melissa’s enthusiastic tirades (post here.) 

“Melissa, please.” 

“No,” her daughter continues, “no, I’ve been feeling it for the last couple days. He’s become ill or something.” 

Scully, predictably, looks annoyed at her wound being so blindly poked at. 

Melissa predictions raises an interesting point: if Melissa can sense when Mulder is gravely ill or on the verge of death, does she channel it through her sister, like Maggie did when predicting her daughter’s abduction? If so, that further proves my "Scully is a conduit" theory (posts here and here.) 

Maggie, noticing that Scully has shut down after Melissa’s speech (and fed up herself), announces “I’m going to go make coffee” before stalking away to take a breather. 

Melissa hesitates, reading the tension in the room while internally debating if she should probe further; but, incorrigibly, she decides not to let the matter rest.

“I’m right, aren’t I?” 

Scully keeps her sister in the peripheral, sighing as she prepares herself for the impending conversation.  

“Melissa, Mulder is very likely dead.” Even after seeing the smoke billowing out of a train car, even though she believes it herself, Scully still won’t admit to what can’t be proven. 

Melissa pauses, stares into the middle distance as she searches for something, and pronounces, “No-- you don’t believe that.” 

“No, I do.” Scully insists. 

“I’m getting very strong feelings otherwise.” 

Scully looks almost frightened by her sister's denial. The fear of the unknown is driven by Scully’s fear of not truly knowing herself; and she avoids what she cannot understand-- her father’s death, her memories, her endless line, her cancer, etc.-- but can’t stop feeling until her concerns are addressed (in this case, through Melissa’s insistence; in other cases, through Ed Jerse or Daniel Waterston's false leads or Mulder's insistence that she face facts.)

“I wish it weren’t true…” Scully begins, wobbling over gathering tears. 

“No! No, Honey, it’s more than that--” Melissa ecstatically reassures, kneeling beside her sister and rambling in her enthusiasm. Here, she can help; and she intends to do so. “You’re radiating, Dana.”  

However, the bonding moment is lost when she mentions, “You have a connection with him that’s still strong, powerful,” hitting on two things Scully doesn’t want to own: the depth of her love for Mulder and her current disbelief in her own intuition (which is still whispering that Mulder alive.) 

“Melissa. Don’t do this.”  

Melissa recalibrates, but insists. “Well, I know what I feel.” 

“Fine, we’ll leave it at that,” Scully snaps, getting up as fast as she possibly can, “because you have no sensitivity to my feelings.” 

“Oh, Dana.… I wouldn’t say it if I didn’t feel so sure.” After a second of empathetic silence, Melissa again insists, “You need a second opinion.” 

“This isn’t a medical condition, Melissa. It is a statement of fact-- it is either true or it isn’t.” 

Melissa tries to salvage the conversation, but accidentally hits nerve after nerve in her unwieldy use of the truth: “...you may even be feeling responsible right now, but if you could just see through your guilt and your anger, then maybe you can look past this Western empiricism.”  

Predictably, her sister does not relent: “I’ll make sure to consult my taro cards when I’m out looking for a new job, thank you.” 

Casting her eyes to the heavens (a tic often used in fractious conversations with her sister), Scully doubles back to chastise and more accurately vent her feelings. “Melissa, I have lost somebody.”  

Even though Melissa wisely shuts her mouth rather than doubling down, the brief second she'd pondered it nettles her sister further.

“I would like to deal with it in my own way.” 

Again, Melissa stays silent (against her better judgment), allowing Scully to have the last word before following in Maggie's footsteps by walking swiftly away.  

Once Scully is no longer in sight, Melissa grips her forehead, clasps her arms around each other, and turns inward, reflecting on Dana's throbbing wound and, perhaps, how she could have handled the situation better. 

DENIAL AND UNWIELDY TRUTH

When Scully finds the chip in her neck, her desperation drives her back to Melissa, another proof that she and her sister's bond is tighter than any temporary annoyance or fight between them.

But it also begs the question: Why not her mother? 

When Scully reaches out to Maggie-- The Blessing Way, Wetwired, Redux II, A Christmas Carol, etc.-- it is only when she is on her last leg and has given up and given in, seeking maternal comfort in a "weak" moment of strong, human emotion. These moments, however, are fleeting when compared to the times she reaches out to Mulder and Melissa; but if we look closely, a pattern emerges. When Scully needs to be encouraged to fight her battles, she seeks out Mulder or Melissa; when she needs to bind up her wounds and heal, she finds Maggie. Overtime, Mulder takes on both of these roles, becoming both tender protector and immovable truth pursuer; but the shift truly begins after Emily Sims's death, carrying through the events of Season 5 and onward (and widening the gulf begun between mother and daughter during Memento Mori.)

“I don’t even know how long its been in there,” Scully tells Melissa, shaken by another layer in the many unknown layers lingering from her abduction. “I have absolutely no recollection of it being put there.” 

“That is frightening,” her sister agrees, while Scully visibly shakes at the opposite end of the table.  

Both sisters know how terrifying this: Scully relies on what she knows and can prove; which ties her memory directly into her understanding of the world, either through knowledge of its mechanics or direct, first-hand experience. To have that taken was one of the greatest evils inflicted on Scully; but the fear of recovering even more traumatizing memories keeps her in a paralyzing stasis, too fearful to face how much she has lost and too fearful to reclaim what little she can.

“Dana, this is very serious-- you’ve gotta find out… what this is.” 

Scully’s shift from shaking tower of strength to bothered and inflexible little sister goes unnoticed-- or ignored-- as Melissa twists the chip back and forth in scrutinizing study.

“I don’t have access to the FBI labs,” Scully begins before Melissa, stunned at her sister’s priorities, redirects with, “No, I’m talking about access to your own memories.” 

This is stage one Melissa: so focused on uncovering a particular truth that she obliviously steamrolls over the other person’s silent objections-- tactless in her fervor. Any attempts to cut her off only escalates her feverish insistence-- “I mean, obviously you have buried this so deep you can’t consciously recall it."

Scully visibly struggles to press her emotions and fears down in order to shut the conversation down-- “Melissa.”

“I know someone who can help you--”

“NO!” yells Scully, slapping the table hard enough to shake the dishes. In her anger she betrayed weakness; and both she and Melissa know it. 

Melissa, hurt but sympathetic, swallows her own frustrated feelings and shifts into stage two: purposeful pushing of another person’s boundaries (ala confronting Mulder in his apartment in One Breath)-- measuredly pointing out a weakness with an honest rebuke.  

“What are you so afraid of, Dana?”

“You’re afraid you might actually learn something about yourself?”

This pulls Scully up short, tapping into the perpetual struggle she’s warred with since Beyond the Sea (and that won’t put to rest until ourobors tattoos and Buddhist temples.)  

“I mean, you are so shut off to the possibility there could be any other explanation except for your rigid, scientific view of the world.”  

Scully swallows down her fears once again, angrily ping-ponging back and forth between rebuttal or allowance. Ultimately, the words stick-- perhaps echoing her later partner’s own confrontations or guidance-- and she slowly lowers her defenses, walking closer to (but not toward) her sister. 

Melissa continues: “You’re carrying so much grief and fear that you can’t see that… that you’ve built up these walls around your true feelings and the memory of what really happened.” 

Scully is too exhausted to keep fighting, having flailed nonstop against herself and her beliefs and her convictions since Mulder’s death; and at Melissa's “Just do this for me" she acquiesces, expelling more fear in a rushing outtake of air.

Melissa isn’t satisfied with a non-answer, pressing further with an “As your sister. Please” until Scully’s face shifts into firm resolution. 

As we know, Scully bails on the regression hypnosis; but this this scene highlighted a key aspect of her of her relationship with Melissa, especially when contrasted to her ones with Maggie and Mulder:

It established her sister as the person Scully gravitated to for advice: even if Melissa's words were chafing or unintelligible, she still sought out that comforting, “bigger picture” perspective, the same one her partner has provided since the Pilot. Before she even met Mulder, Scully had a thirst for other perspectives, and was more open to taking in and heeding “out there” opinions than she liked (likes) to let on.  

Maggie Scully was not her daughter’s confidante. Throughout the series, Scully avoids life-changing decision talk with her mother (joining the FBI, giving credence to her mother’s dreams, telling her directly about the cancer diagnosis or the baby’s sex, etc.); and, as previously mentioned, that begins to widen the gulf between mother and daughter. Maggie feels loved when her loved ones share their personal feelings and struggles with her-- which Melissa and Bill Scully seem to do more freely (we’ll get to that) and Dana does not. Why is this the case? Perhaps it has something to do with Maggie's gossiping tendency (which we shall hit upon in Gethsemane), or perhaps it's because of the strict lines she draws in and around her personal life.

Scully does not want crossover in her life: her family and friends are organized into two categories-- comfort or confidante-- and stay in those categories for their protection and her sanity. Maggie Scully is her mother, not her confidante; Melissa is her confidante, not her mother; and when the two try to cross into areas not offered to them, Scully gets annoyed and withholds even more information. Mulder, it seems, is the only person to peel back the dividing line between the two; and even then, not without resistance and patience (Memento Mori, for example.) It’s part of Scully’s fear of letting her walls completely down (as explained in her monologue to the social worker in A Christmas Carol); and part of the mystery of Mulder, who is the perfect combination of Maggie’s comfort and Melissa’s persistence: helpful and supportive but truthfully exacting. 

THE LAST CONVERSATION

Melissa calls after the mytharc plot kicks up to dangerous levels for Scully, eager to help her sister process whatever was uncovered in the (ditched) hypnosis session. 

"Hello?" Scully asks, on-edge; but walks back from her paranoid greeting when Melissa responds, “Dana? It’s your sister.” 

Melissa’s “Hi-- where’ve you been?” implies she’s been calling for a day, maybe more, in worry when Scully left her high and dry after their talk.

“I, uh, I had to go to Boston. For a funeral.” 

“Well, I was worried about you.”

“Why?”

“Because I haven’t heard from you since you saw Dr. Pomerantz.” 

Scully immediately tenses, knocking herself mentally over the head for forgetting; then realizes she either has to face Melissa's scrutiny now or slough off her concerns for a more convenient time.

“Missy, something strange happened to me today," she says, admitting her panic over strange events that were unfolding in her life.

Anticipating and accepting her sister’s offer to drive over, Scully ends the call with renewed resolve: having turned a new, hopeful leaf after her vision from Mulder, she is-- more than ever-- ready to listen to her intuition, open her heart, and confide her fears and feelings to someone else. 

That openness follows her to a reunion with Mulder… but clams up, once again, after her innocent decisions lead to the death of her sister.

Thank you for reading~

Enjoy!

[the-astrophel-system]

do you have a list of your fave to least fave sanders sides episodes? ive seen your ts crit and i agree with most of it, but it surprised me that you didn't like svs redux? so which episodes do you like, or dont you like and why?

-🦇

Thanks so much for the question!!! I may go on another rant on specific episodes another time, but I hope this is a satisfying answer! Remember that it is okay to have different opinions, and if you like, share your rankings!

Season One Favourites:

1. Accepting Anxiety 1 & 2. How could I not rank these as my favourites from season one. The messages are getting deeper, the absolute angst and comfort, learning Virgil's name. The importance of accepting your anxiety as a part of yourself. It was honestly so beautiful.

2. My Negative Thinking. I still think this is one of my favourite early episodes. As someone with really bad anxiety, I think of this episode whenever I've having a cognitive distortion. It has helped me calm myself down, rationalise my thoughts, and please, the 'your mum' bit was funny as fuck.

3. Making Some Changes. Thomas' friends portray the sides. Enough said.

4. Alone On Valentine's Day. This one was funny, I like the Sims bit, and again the 'first you take her by the hand' bit. Little weird looking back and seeing Thomas try to woo a girl, but it was funny and it reminds me that friendship and self love is important.

5. A New Year Of Lying To Myself, In Song. First song of the series and boy is it good. Its catchy, it reminds us to be kind on yourself and set yourself up for success. Lovely.

Season One Least Favourites:

1. I'm In A Disney Show. I always, always, always skip this one. Doesn't interest me.

2. Becoming A Cartoon. Again, skip this one. I'm bored.

3. Way Too Adult. This one makes me feel bad because I cannot be an adult, and I feel like a failure! The adultery bit is funny tho, only early on, later in the series, we know Patton is smarter than this.

4. Growing Up. Again, making me feel scared and unsuccessful in my life! Stop calling me out for not having my life sorted or making the most of my potential. Also I cried for Patton in this video.

5. My True Identity. While it was a beautiful introduction, its not one I go back to or rewatch.

Season Two Favourites:

1. Selfishness vs Selflessness. I adore this episode. I absolutely adore it. I agree with everyone else that going to the wedding was terrible, but I love love love this episode. The banter, the one liners, it was so fucking funny, the change of scenery, the plot. I adore it. Favourite episode by far.

2. Dealing With Intrusive Thoughts. Gotta be honest, didn't love Remus at first, but this episode is so important. It's helped me with accepting my own intrusive thoughts.

3. 12 Days Of Christmas. Another beautiful song and I loved it. Adored it, all of them are so silly and funny, and just I loved it. Also the sweaters were adorable, I wish I had Virgil's.

4. Can Lying Be Good. Can an introduction be any more iconic??? I still get shivers when I watch Janus be introduced.

5. Fitting In. Now, I heavily dislike that Thomas STILL supports the Harry Potter franchise, but this episode was so cruicial in Virgil's character arc. Immediately after he is recognised for his importance, he struggles to point out to not put him in a box. And he is listened to. Chef's kiss, love this episode.

Season Two Least Favourites:

1. Working Through Intrusive Thoughts. Disliked it, heavily disliked it. I didn't personally relate to how they portrayed this. I just didn't connect to it and probably won't watch it again.

2. Moving On 1 & 2. I just really disliked these episodes. I don't really know how to explain it. Whenever I watch them, I feel like Virgil in them the entire time (ha, irony). I'm not a nostalgic person, so I relate too heavily to this and it makes me sad when I think about it.

3. Crofter's The Musical. Its cute, maybe because it was just a filler / ad, is the reason why I dislike it. I just always skip it lmao.

4. Why Do We Get Out Of Bed. Existentialism, enough said.

5. Putting Others First, SvS Redux. Now, I know I said I didn't like it, so why is it only 5th in this list? I loved the concept, I really did. But what I didn't like was how certain things were portrayed. Maybe its a mix of me questioning my own morality, but gosh it was hard to watch at points. I don't know how else Thomas could have portrayed certain things, but I didn't like the whole giant Patton Frog thing at all. I loved Janus' arguements, but near the end of the episode (pretty much after he shares his name) I feel like his personality switched up so quickly, it gave me whiplash. I understand that Janus isn't evil, he is just part of Thomas' self preservation. It was just such a dramatic and sudden change, it almost felt like I had missed a season of growth. Janus had only been in 2 episodes previously, its wild to think about. I believe he would've shared his name, but then afterwards immediately joking around with Thomas after being insulted? Why would self protection just allow that mask to stay down? Why wouldn't Janus go instantly back to that mysteriousness and then we need to later encourage Janus to open up again? Maybe Roman apologises and we have a bigger and more in depth discussion in what it means in accepting a "dark side". Maybe all of this will be addressed in the season two finale, but after over 4 years of no episodes, POF just seems rushed and unfinished.

Again! Its okay to have different opinions, feel free to share them below