#recording drums

[eyeamsevn]

Practice

[sleepanonymous]

2023 Vore Bass Cam has been manifested 🙏🥹

[infornograph]

Kelela - Raven (2023)

[mickdalena]

to celebrate me handing in my assignment with mike in it have him in his nudie suit . wait i need this cd

[simdertalia]

🎵 ACNH Music Stuff Set - Part 1 🎵

My lovely patrons wanted to have this set split into 2 parts so that some of it could be posted today, so here it is!

Sims 4, base game compatible (Piano is functional & requires City Living, as it uses the keyboard as its base). 48 items 💗

Always suggested: bb.objects ON, it makes placing items much easier. For further placement tweaking, check out the TOOL mod.

Set contains: -Amp (large, medium & practice sizes, functional music players, can be stacked) | 8 swatches each | 1202 poly each -Analog Reel 1 & 2 | 3 swatches each | 372 & 714 poly -Book Stand | 4 swatches | 1176 poly -Cello | 3 swatches | 1205 poly -Clarinet | 1 swatch | 1078 poly -Clarinet on Stand | 1 swatch | 1200 poly -Drum Set | 10 swatches | 2398 poly -Effects Rack | 10 swatches | 1222 poly -Floor Monitor (functional music player, can be stacked) | 1 swatch | 1191 poly -Guitar Bag | 5 swatches | 412 poly -Headphones | 11 swatches | 1172 poly -Headphones (wireless) | 11 swatches | 866 poly -Marimba | 1 swatch | 2352 poly -Metronome 1 & 2 (clicker out and in) | 5 swatches | 1168 poly -Mix Master Table Decluttered | 10 swatches | 314 poly -Ocarina | 2 swatches | 514 poly -Pan Flute | 1 swatch | 1042 poly -PA System for Floor (functional music player) | 1 swatch | 826 poly -Pedal Board | 3 swatches for body, 3 swatches with "light on" 6 swatches total | 1202 poly -Percussion Mallet | 1 swatch | 258 poly -Phonograph (functional music player) | 2 swatches | 1092 poly -Piano Bench Seat (is a chair) | 10 swatches | 1214 poly -Piano: Upright (functional, requires City Living) | 2 swatches | 2176 poly -Portable Record Player (functional music player) | 7 swatches | 1217 poly -Record Box | 16 swatches | 1146 poly -Sampler | 8 swatches | 820 poly -Sax: Alto & Tenor (2 items) | 1 swatch each | 1062 poly -Sax: Alto & Tenor on Stand | 1 swatch each | 1184 poly -Sign Dueling Pianos | 6 swatches | 222 poly -Snare Drum | 4 swatches | 706 poly -Snare Drum on Stand | 4 swatches | 1202 poly each -Stool (seat) | 4 swatches | 1072 poly -Tambourine (table & wall decor, 2 items) | 1 swatch each | 602 poly -Thumb Piano | 5 swatches | 1190 poly -Timpani | 4 swatches | 2394 poly -Timpani Single 1 | 4 swatches | 1270 poly -Timpani Single 2 | 4 swatches | 1124 poly -Tools | 2 swatches | 1200 poly -Trumpet | 2 swatches | 1094 poly -Trumpet on Stand | 2 swatches | 1192 poly -Wooden Fish | 3 swatches | 942 poly

Type “acnh music" into the search query in build mode to find quickly. You can always find items like this, just begin typing  the title and it will appear.

As always, please let me know if you have any issues!

📁 Download all or pick & choose (SFS, No Ads): HERE

📁 Alt Mega Download (still no ads): HERE

📁 Download on Patreon

Will be public on June 1st, 2024 💗Midnight CET

Happy Simming! ✨ Some of my sets are early access. If you like my work, please consider supporting me (all support helps me with managing my chronic pain/illness):

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Thank you for reblogging ❤️ ❤️ ❤️

@sssvitlanz  @maxismatchccworld @mmoutfitters  @coffee-cc-finds  @itsjessicaccfinds  @gamommypeach  @stargazer-sims-finds  @khelga68  @suricringe  @vaporwavesims  @mystictrance15 @moonglitchccfinds @xlost-in-wonderlandx @jbthedisabledvet

Other Instrument Downloads & Related: -Theramin -Gong & Bamboo Drum -Ukulele -Harp -Festivale Drum -Pipe Organ -Street Organ -PA System on Stand -Radios

-Music Tag

The rest of my CC

[aeolianblues]

I saw this company that sells like Bluetooth vibrating air drums or whatever you want to call them, and it’s so obvious what their purpose is that it makes me really sad. We went from drum kits to those black/deadened practice kits for practising at home, to eventually having people in rented accommodation being so worried about noise complaints and/or losing their place of living that they’ve had to create drum-less drums. 100% the reason for this is not wanting to get evicted. Living in matchbox houses with paper thin walls of cheap and in-no-way soundproof material, packed so close you’re a stone’s throw from your neighbours, you’ve silenced the drumkit entirely.

Is it any surprise then that people aren’t forming bands? Is it a surprise that artists moved from bands rehearsing in basements and garages in houses, to samples, electronic drumkits, midi, solo ‘bedroom’ stuff, even as we lose more and more rehearsal spaces, and schools stop offering kids musical lessons because they must be inferior to subjects that lead to a job in IT or finance? We lose youth centres, community spaces, musical spaces, and everyone’s world gets a little quieter.

Gentrification. People move into the ‘fun’ parts of town and then file complaints against all the ‘fun’ stuff. Bye bye La Tulipe, they gave a developer a building permit in the fucking downtown culture and entertainment district and now the residents are filing complaints. City councils are so afraid of the word 'rave', they don't know what it means but they think it means 'illicit drugs-taking event' and want to ban any instance of it. The raves move out of the city, to a little space under the national highway, or leave the city entirely.

I wanted to take a walking tour of historically important music sites in London, such as important venues, clubs, studios, the Blitz where the New Romantic kids first congregated for their David Bowie nights, the café where all the musicians including the Beatles would go down to to meet people when they decided the only way to make it in the music industry was to move to London. 3/4 of that tour involved looking for ghosts: empty spaces, corporate offices and residence buildings sitting on the burial grounds of moments of cultural significance. I didn’t do the tour, I don’t think I could bear to look at these places, to try and imagine what they once were and what their neighbours were.

It’s the same with these drums too. I know the makers only want to do good, bless them for that, and I don’t doubt a lot of people will find this a better practice solution than midi because it still sort of has that unquantised feel of a real person hitting sticks— although I suppose if you really think about it, it still is just a midi controller but with a vibrating haptic response. Next you’ll say drums can be done on AR or VR I suppose. It will still make me sad.

It saddens me that we lose so much of the spirit of art and culture to dilution. People trying to make the music quieter so as to not offend the neighbours, even as their spaces get slowly choked out. Writers being unable (/less freely able) to explore darker themes so as to not set the dogs of the ‘problematic writing police’ on them. Artists presenting as less dramatic so as to not appear ‘weird’ to an uninvested audience; TikTok’s obsession with their straitjacketed definition of ‘authenticity’. Making fun of anyone who dares to dress weird, look different, say something new. I see it everywhere. Art gets diluted to become palatable, and in doing so it loses its ability to express itself and say something that needs to be said.

I don’t know. Some could look at it as the weird, twisted, fucked up plant growing through cracks in the pavement, doing what it can to reach the sunlight. Art surviving despite everything, somehow being more poignant and having more important things to say as a result.

But even a 22h candle has an end. We’ve got to do more to protect our artistic spaces and outlets, and the ability to create without fear, or ae risk losing it forever. It takes just one generation to train out habits; we see it with other obsolete things, let’s not let art be one of those.

[officialpropheticnightmares]

It has been a LONG time coming! But, finally, my new album is here!

Heaven Spat Me Out, Purgatory Filters Me, And Hell Awaits Me

It's a barely contained manic energy and the softest soothing lullaby one could endure at once. A sonic dissection of myself.

I really hope you enjoy. This is my magnum opus.

[mic-check-stims]

Spiderpunk board for anon

X-X-X X-X X-X-X

[clove-pinks]

@victoriansecret has been assisting me in my quest to find traditional fife and drum field music with only ONE fife and ONE drum. I am in love with this recording he found of The Duke of York's March (Short Troop), by the Old Fort Niagara Fifes and Drums [Facebook link]. There is something deeply poignant and stirring in the sound of this minimalist arrangement.

If I heard something like this 200-250 years ago I would IMMEDIATELY take the King’s shilling, they wouldn't even need to tempt me with free ribbons and alcohol! You had me at fife and drum.

[389]

Founded: 1991 Founder: LTJ Bukem Genre: Drum and bass, Jungle Country of origin: United Kingdom Location: Watford

[soundrooms]

I A N P O O L E Y | 90s Studio

What did your first studio look like?

[gmanmedias]

Dave Brubot with music stims for @dead-dog-dont-eat !

🎤 🎸 🎺

🎻 🥁 🪕

🪗 🎷 🎹

[spittyfishy]

Thoughts on the Typhlosion allegations/pokemon teraleaks?

Okay, here’s what I’ll say about that. (And fair warning, it is nothing positive)

I think the fandoms reaction to these “leaks” has been absolutely ridiculous. They are not canon, they do not change pre-existing information present in the games and anime. Concept art is interesting, but things that were scrapped and did not appear in the actual media should not be regarded as fact.

Especially the Typhlosion thing, it’s like if jk Rowling said ‘oh yeah at one point in the writing process I thought Harry Potter would be a girl, but I changed my mind’ and the fandom went ‘oh my god Harry’s been a girl this whole time!’ Like no, a lot of work and ideas go into the concept and development of works like these, and then creators pick and choose the best of their ideas and use that, but I think it’s very problematic to judge them on the concepts that they themselves already decided weren’t good enough to use.

I have very strict opinions about what counts as canon, and that very simply is ‘what is in the work itself’. Unused concepts, things a creator said years later online, and really popular headcanons don’t count. They’ll never count, sorry but that’s not how language works, you can’t just redefine canon to encompass anything that maybe could have been a part of the project. It can be super neat to look at what changes could have been made, but it needs to be understood that that does not impact what the actual game is like.

This Typhlosion thing especially, it *could* be neat if people just took the scrapped stories to go “oh yeah the Pokémon world could have had myths and legends similar to our own! That will be interesting to explore in fan works!” But that’s not what the majority of people did. Instead, people took it to mean that somehow all Typhlosion are secretly evil and shouldn’t be left alone with children and anyone who has one or likes that Pokémon should be ridiculed based on nothing.

Because the stuff that in those leaks (baring things about unreleased games) are nothing. Looking at them in the sense of seeing ‘How It’s Made’ is interesting, fine go for it yeah sure, but they have absolutely no bearing on the actual franchise itself. And I have no patience for the people taking them as gospel and insisting they be considered more true over the actual canon.

[kindahoping4forever]

Ashton Instagram Live - 6 June 2024

Including acoustic performances of:

"Landslide" by Fleetwood Mac

"Drive" from SUPERBLOOM

A teaser of "Wild Things" from BLOOD ON THE DRUMS

"Straight To Your Heart" from BLOOD ON THE DRUMS

"Red Desert" by 5SOS

"Wicked Game" by Chris lsaak

[roxannepolice]

Interpreting the drums/the Master's a cat - Schrodinger's cat in fact/I still have administrative stuff to do and hate it/also still fear my supervisors won't greenlight the thesis/also a pill just came up my nose wtf????

The Master's drumbeat seems to be one of those things the fandom either loves or hates, with main criticisms being of the "it messes up the canon" kind and/or viewing them as either a "woobification" of the Master or generally "taking away" from their villainy. Now, I clearly fall more into the first group, but I also think that even when the idea is embraced, the interpretation is sometimes wanting. That is not to say there is only one correct interpretation - in what follows it'll be clear they're above all a metaphor and those are ambiguous - but, as the title suggests, between still being a nervous wreck and POSSIBLE NEAR DRY DROWNING WTF I LITERALLY THOUGHT I WAS DYING FOR A MOMENT, here cometh another rant.

When it comes to the canon/lore issues, well, I keep saying I accept the writers playing fast and loose when it comes to a text as huge as DW. It's just straight up impossible to either demand of the audience to know the whole lore or of the writers to stiffly hold onto it. All I ask is the writer establishing just which parts of the universe are to be kept in mind, and which aren't in the current context. Buuut, if we really want to go the purist way, I'd say the loophole lies in subjective vs. objective timeflow, ie. the Master did have the drums all along during classic who, they were just never brought up, but no it's not the case the Doctor was just too insensitive in not hearing them, because the Master was a node between the timeline where the drums were already physically implanted in their head and the timeline where that hasn't happened yet. Basically, the Master's the cat in the box and the drums both are and aren't there until observed during the time war, while the Doctor is an animal rights activist that can only watch and complain but doesn't know the determined state of the cat either.

This cat turned out Alive, Dead and Bloody Furious, as Pratchett would put it, all the same time

And if you still really need to reconcile the subject never being brought up in classic who, there's my nuwho Masters = the Master + the War Chief hybrid theory, which I'm frankly appalled isn't getting due recognition it's pure crack tbc.

Also to clarify, I am not saying RTD is just this absolute genius who even brought the world's favourite thought experiment into his slash, I am always operating in the work's intent paradigm, ie not trying to figure out what the author had in mind, only what the text ended up saying, intentionally or not. Again, personally, I just don't care about canonicity and enjoy a bit of overconcluted reconciling like a riddle. But I'm bringing this up here because it neatly ties into a more major issue I have with RTD's writing of the Master: equating psychopathy with insanity and psychosis, which I think is most of the idea that the drums were somehow intended as an excuse for their villainy comes from. And yes, they're certainly framed as the reason behind it, but I don't agree they're framed as an excuse. And the problem lies in the general conflation of the word "psychopath" with "insane", which the text does nothing to correct.

This conflation resulted in an interpretation of the Master's villainy stemming from psychotic irrationality, and that appears to be what the Doctor wants to believe, I suppose this kinda sorta fits into this sort of Socratic idea of evil having root in some cognitive error which the character often follows but fortunately only rarely is it treated as gospel that only started in s10 thank you very much. But of course, and this becomes more apparent once it is revealed the drums are not in fact a hallucination, the problem with the Master isn't that they are irrational - it's that they're too rational. Which would not work as a case of limited culpability in court. It's not a cognitive problem with understanding the consequences of one's actions (which is what the instanity plea boils down to), it's just not caring for them. But it is something that's still colloquially referred to as insanity.

Basically, I don't think the drums are the cause of the Master's villainy, nor do I think they're a metaphor of psychotic problems. I think they are above all a metaphor, a symptom and a side effect of "seeing all of time and space", which not so much fried the neurons on a kid as implanted a perspective that's just fucking unliveable with. It's a more cosmic scale of how Lucy became desensitised to other people's suffering after seeing the end of everything. It's an unquenchable drive that got its shape from outside (hence Rassilon implanting it), and you hate how it never ever fucking lets you just be satisfied because the goals do not come from within, but at the same time, you know you would never be what you are without it. It's a sort of You killed me - you taught me how to read! aspect of general formation of an individual through outside influence, except in the worst sense of uncaring and malevolent grooming.

Basically, you can hate your trauma, but you can't deny it shaped you as you are, and you hate that it's been done to you, but also enjoy the final product.

From this perspective, I think the "to have the priviledge of seeing all of time and space - that's ownership enough" is not only an admission of the power relations point the Master's been making since Frontier in space, but also a sort of appreciation of perceiving things one by one, as opposed to taking it all in at once. A genuine offer of help with the drums in a stop chasing the goal because it's either already there or non existent which is. obv another case of pot calling the kettle. And I'll never stop being obsessed with the choice of words when the Doctor tells the Master You could be beautiful. Because that adjective is just so perfect. It's not of the realm of ethics, beauty isn't good or evil. It's not an invitation to "cure" or cahnge the Master into the idealised child - it's an expression of belief in what he can be with what's already there. Not hidden under piles of lore, just waiting for the right context.

[forged-in-kaoss]

ouhn... ahhHA? nyop. eheheheheheOHOOOHOOHOOOOO nyehhahahahaha yehahahaha oawn~ ah-aha