#really not sure if to tag anything else

[secriden]

This line. God, this line! It has been eating me up inside for 2 days now, because let's not forget, this line isn't about love, it's about trust. And that has implications that make me want to scream.

It's a direct reference to this moment earlier in the episode:

At the start of this discussion, Style and Fadel still have a kind of playful air about their conversation:

Style: Oh? Not even me? Fadel: You're at 80% at best. I feel like you're hiding something from me in the 20%.

In this exchange, though, there's a sense that Fadel is issuing a challenge, like there's something specific which Style can do to gain Fadel's full trust. And while Style knows there are things he cannot (yet) reveal to Fadel, I think a part of him is determined to be as honest as he can be, which is why he issues a challenge of his own by asking for more specificity:

Style: What do I have to do to gain your complete trust?

Part of this question is a simultaneously inquisitive and deflective - What (and why) do you think I'm hiding (something) from you? - but there's also a moment after Style finishes speaking where he stills and goes quiet that feels... genuine, weighty. Or, as @airenyah has pointed out in her meta on Style in episode 4, the "grounded[ness]" in Style's demeanour is a signal that Style means what he's saying in the moment. Maybe about his own desire to be worthy of Fadel's trust, maybe about how he genuinely does want this relationship to be real in whatever way that matters to Fadel.

I think Fadel sensed that too, because the moment looses all the lightheartedness it had before. Fadel pauses, and then gets a look on his face that just... breaks my heart. There's a sombreness there, like he knows he's going to have to say something that makes him sad. Fadel looks away, and then down, before he seems to steel himself and says:

Fadel: It'll never happen. No matter how much you love someone, I just don't believe that you can completely lay yourself bare in front of them.

Fadel says this like it's fact. Like what he's expressing is something foundational and true and irrefutable. It's not even about his doubt in Style's honesty, because this statement has no qualifiers or conditions put on it to connect it to Style. Rather this is what Fadel fundamentally believes about relationships and trust: he finds the very concept of being fully known and still accepted an impossibility.

Sure, maybe this is because of the falling out (or betrayal or disappearance) associated with the former lover; but I also think it might be because Fadel is acutely aware not only that he's hiding a rather big and dark secret (not to mince words, but: actual literal premeditated murder), but also about what it implies about Fadel. Because being able to kill another human, coldly and clinically and without remorse, takes a certain type of person. Because, yes, Fadel has lived through an absolutely harrowing and traumatising event (his parents' murder), but it's also undeniable that it changed him. Because there's something about Fadel that twisted dark and which he never quite got back. There's an anger, a hurt that colours every moment of his life; that enables him to look a man in the eyes, smile politely, and pull a trigger.

And at this point in their relationship, Fadel's understanding of Style is that he's... well, kind of innocent. Especially in comparison to Fadel and Bison, and even Kant.

Style, who easily reveals facts about his life which Fadel already knows (winning a car tuning competition), making Fadel doubt his own instincts about Style hiding secrets. Style, who also reveals the things Fadel doesn't know, like the tender and secret pain of a mother lost to cancer (which, now that I think about it, Fadel may also know) and his worries about a father who "lost his bearings for a bit" (which he probably doesn't). Style, who tries to comfort Fadel in his own loss by offering a safe space and a sympathetic ear.

Style, who doesn't just see Fadel for his tragedy, but is asking to be given the chance to accept all of Fadel as a person. Style, who not only wants but has the capacity, to be the only person Fadel needs to rely on. Style who, despite the sea of differences between them, understands Fadel on a level that is so very foundational.

I'm going to slightly segue and mention something that may not resonate with everyone, but really hit me in the gut this episode: because I lost my father when I was 16 after he battled cancer for 2 painful years. And this revelation about Style has totally shifted and coloured everything Style has done in a new light for me. Because not only does this totally explain Style's sometimes almost stubbornly childish demeanour (it's common in adults who've had to 'grow up' too early), but also why Style shows seemingly random flashes of insight and maturity when they are most crucial. Notably, Style has this almost instinctive sense of when he needs to back off a sore point with Fadel that I couldn't quite put my finger on until this episode.

I've seen a few jokes about Style's awkward subject change, but I've actually got a friend who I hold very dear to my heart who was one of the only people to give me a sense of normalcy and comfort when my dad was on his last few days and then at his funeral. And part of that was the instinctive way she would know when I needed to just. Not be a grieving daughter for a few minutes. To get a small respite from the overwhelming hopelessness and sense of impending loss. To get a moment to breathe and gather my strength, because knowing I was never going to see my dad again, or hear his voice, or hold his hand was tearing me apart back then. Sometimes she'd talk to me about college drama, sometimes she'd introduce a new kpop video to me, sometimes she'd just ask me what I wanted to eat and take me to go have a meal with her. And sometimes there really just isn't anything else to say other than "I'm sorry." Nothing you say - nothing you can say - is going to ever, ever make this grief go away, and in most cases, it was better when people (especially those who couldn't really understand) didn't try.

And I think if you look at Fadel very closely, there's a moment of genuine surprise (Fadel wasn't expecting the subject change at all) and then... something that looks like fondness mixed with exhausted relief. Because I don't think Fadel was ready to talk about his parents yet. This was honesty he wasn't ready to give Style, mostly prompted because Style himself had willingly been so vulnerable that a part of Fadel wanted to reciprocate. But further down that path lies not only his darkest memories, but also the connection to the part of his life he is not willing to share with Style yet. So this subject change is a relief, it's a blessing, but it's also Style knowing when he shouldn't push any further with Fadel's fragile heart.

Which brings me back to how well the episode's theme of trust (both deserved and undeserved) was woven in this episode. This is true on multiple levels and characters but I'm not even going to attempt to touch Kant in this post because... Lord, that is beyond me at the moment. Someone else needs to do that, pretty please, so I can reblog it and scream.

It starts, somewhat unexpectedly, with Fadel asking for entrance into the intimate spaces of Style's life.

So, this episode was not about Fadel's fear of his own feelings, desires, or even affection for Style - that appears to be fully addressed in episode 4. I think that's why we see Fadel be so physically affectionate and indulgent of Style in this episode. He's come to terms with his lust for Style's body (hence his comfort in initiating sex), he's accepted Style as his boyfriend and so can enjoy Style's playful teasing (still reluctantly, but Fadel is still an introvert even if he's mostly enjoying Style's rambunctious nature), and give into Style's (and Bison's and Kant's) cajoling with relatively little fuss.

He's even comfortable toying with the edges of revealing his darker and more sinister side by reminding Style implicitly about how violent Fadel has the potential to be. Recall that Fadel knows Style knows some of his capacity for violence; he just doesn't know how very thoroughly Style is aware of the full scale of this truth. It does help that Style evidences no actual fear and, in fact, looks positively euphoric. Like, buddy, pal, dearest one... please control yourself.

And yet something very, very telling is the way the show makes it a point to depict Fadel very deliberately getting drunk during the double date. Even before the date has started, Fadel looks to be about half a beer in and we see him constantly drinking, drinking, drinking during the whole date. From the conversation about trust he has with Style while Kant and Bison are being off key and adorable about it, to after Kant leaves and Bison gets worried. And we've seen Fadel cope with emotional and mental distress with alcohol before, so we know that Fadel is internally fighting some kind of very intense battle even as he is also very clearly enjoying moments with Style on this date (most notably when they're dancing by the bowling lanes and when Style asks him to go home with him).

So here's my take: rather than being about love, this is about Fadel fighting to hold onto his own philosophy on relationships and trust. Because as much as I do believe Fadel believes he's telling the truth when he tells Style that 100% trust is "impossible", I think it's clear that's not what he wants.

What he wants is to finish this last job so that the only thing he can't be honest about with Style will finally stop being a factor in his life. What he wants is to fully and completely reciprocate the openness Style seems to be giving Fadel. What he wants is to switch off his brain and let his heart lead for once, to stop fighting a battle he has no desire to win anymore, only he can't. Trust (not love) is Fadel's final frontier, and one which he can't quite give up in spite of himself.

Which is why I think Fadel intentionally gets himself drunk here. Because he wants to let his guard down around Style. He wants to open himself fully, he wants to "lay himself bare" for Style, he wants Style to know the full truth and accept him anyway - and he gets so close, but can't quite get there - because he doesn't know that Style already has.

When Style says this, Fadel thinks it's empty words, not knowing that Style has long passed the bar Fadel thinks is insurmountable. And just like Style was able to offer safety and reassurance to the vulnerability Fadel was showing in episode 4, Style instinctively gets to the core of Fadel's darkest fears again:

Style: One day, I'll be your 100%.

This isn't (just) a promise that Style will wear Fadel's stubbornness down, or that Style will be worthy of Fadel's 100% (which, already, has me in tears, ngl). Beyond that, this is Style promising Fadel isn't ruined for this; that it isn't too late, that whatever hurts and wounds Fadel has can be made whole again. That the kind of honest and all-encompassing and unconditional trust which Fadel says is impossible can, in fact, be his. That Fadel still has the capacity to trust and be trusted the way he so desperately, painfully longs for.

I know a lot of people have said Style in this episode is writing cheques he has no ability to honour, but I think it's more layered than that. Because in a very significant and profound way, Style is wholly deserving of Fadel's trust. Because in all the ways that Fadel has ever known he should want, Style actually IS worthy of his trust. Style knows the truth Fadel is hiding, knows what this man is capable of, knows the danger of being in his arms, knows the likely nonexistent future Fadel has to offer him -- and wants him anyway. Style is a man who would stare into Fadel’s darkness and reach out first. Strip away the complication of Kant being blackmailed and dragging Style into his mission, and Style is literally perfect for Fadel. He is exactly what Fadel wants (and possibly has wanted for a very long time). He is, in fact, exactly what Fadel needs to ever experience anything beyond the shadow of a life he's had so far.

But oh, the cruel narrative means that Style is also, simultaneously, painfully undeserving of Fadel's trust; and this is something Style is very much aware of. I think that's why he's trying so very hard to be worthy in all the other ways he can be. Style's awareness of what Fadel is hiding enables Style to (counterintuitively) be completely honest about his feelings for and about Fadel even as he cannot reveal his motivations. So he gives Fadel as much honesty as he can: offers the vulnerability of his own pain and hurts; the comfort of his true understanding and acceptance.

And just as Fadel's vulnerability in the abandoned factory was met with Style choosing a form of physical connection that prioritised Fadel's pleasure (it's made very clear that Style is jerking Fadel off and that all his focus in that moment was on Fadel, not his own pleasure), so too is this moment met with Style very intentionally choosing to worship Fadel's body with all the tenderness and genuine emotional weight that Style wanted Fadel to have in their first time in the storeroom.

Because, crucially, this was Style giving Fadel the chance to lay himself at least physically bare. This is the closest either of them can get to full honesty with the secrets they both are keeping. It's why Style tries so very hard to show the care and adoration and genuine feelings he has for Fadel. Why he makes sure that the vulnerability of Fadel getting himself as drunk and as relaxed and as trusting as Fadel can allow himself to be is tied only to gentleness and tenderness and pleasure.

Because Style actually knows that Fadel can't (and shouldn't) trust him in the way Fadel truly wishes to.

And as much as I believe that Style genuinely means this from the bottom of his heart, the horrifying full truth is that it is Style that has the metaphorical knife hovering over Fadel's chest. He is the one with the capacity to actually give Fadel a new scar that would truly matter. He is, in fact, the only one Fadel wants to fully trust -- and this, along with Style's compromised heart, makes it so that the circumstances will doom them both.

[cucumber-icepop]

Well, this took two days to draw

[transk0vsky]

Can you tell this game has taken over all my thoughts?

[lunarharp]

more phoenix wright situations

[welcometogrouchland]

[ID: a digital drawing of characters from the owl house based on the song "up the wolves" by the mountain goats. At the top of the drawing there's a rectangular panel showing Camila and Eda. Camila looks out at the boiling isles at night with her bat. Eda mirrors her pose, with her arm covered in feathers. Shadows form to look like the collectors face, covering Eda's eyes and parts of Camila. Beneath this panel is a star with King and the Collector inside of it, holding hands and spinning midair. Beneath this is the archway portal from thanks to them, which is glowing, and at the bottom of the image is the hexsquad lined up in their designs from for the future, lit by the portal light and looking determinedly into the distance. The lyrics that span the image are "our mother has been absent/ever since we founded Rome/but there's gonna be a party when the wolf comes home". The background is black. End ID]

I knew I couldn't say goodbye to this show without redrawing one of my favorite old pieces, this lyric comic based on Up The Wolves by the mountain goats. I made it pre-ttt and was honestly really vindicated by all the wolf imagery that ep, lmao

[theokusgallery]

Hiiii I saw you say you have Notes on your Remus and Janus designs 👀👀?

Could we see/hear some tidbits?

FOR SURE !! Here's what the original doodles for their designs look like, first off, (I know you didn't ask for Virgil but I did these three at the same time)

When I drew this I had just finished an exam and had to wait another hour until I could leave the classroom, so I wrote down enough notes that I had to flip the page instead:

Virgil:

- Virgil has light brown hair that he dyes black (badly). It is essential that the dye job look like shit. It looks artificial, his roots are showing, there's patches where the color didn't take, etc etc.

- He also has blue eyes, which I decided on mostly because it makes it even more clear that his hair isn't naturally black.

- He wears earrings, but his ears aren't actually pierced — they're fake little little clip-on things.

- He wears black nail polish at all times, but it's always chipped because he gets the cheapest stuff he can get his hands on.

- His hair (especially his bangs) get very long at times because he gets too socially anxious to go to the hairdresser. Back in middle school, he used to have Janus cut them for him (Remus could have done a better job but trusting him with scissors would have been a mistake). Now he mostly cuts it off by himself — it looks about as good as his dye job.

- Virgil's purple hoodie is a leftover from Remus' fashion design endeavors that Remus thought didn't look weird enough.

Janus:

- He has naturally strawberry blonde hair. The length is very important to him — he started growing it towards the end of middle school. (He allows Remus to experiment with hairdos sometimes as long as he doesn't cut anything off. I need to draw that sometime)

- I'm not entirely settled on his eye color. I know at least one of his eyes is a very pretty brown, but I have half a mind to give him a yellow glass eye for his left side — I'm not sure it'd make any logistic sense for his situation, though

- He got his ears actually pierced when he was 16.

- He also may or may not have a forked tongue. Not sure how I'd ever be able to show that off — but if he does have one, then Remus definitely was the one to encourage him to do it.

- His fashion style was definitely influenced by being around Remus (who may have used him as a mannequin/dummy because he's small.) so much. Remus also attempted to make clothes for him, but Janus is very fancy and picky, so he doesn't wear those clothes very often (though he might accessorize with stuff Remus made for him occasionally).

Remus:

- He has naturally very dark hair. He uses temporary/surface level dyes a lot, but if he's using permanent or semi-permanent dyes, he's usually limiting himself to the grey streak — it's kind of a sample strand, since it's already bleached. He 100% copied his hairstyle from Roman's.

- He (and Roman, of course) has greenish blue eyes.

- Janus paid for him to get his ears (and eyebrows) professionally pierced because otherwise he was just going to do it himself with a sewing needle.

- He has a lot of very shitty stick-and-poke tattoos he made/makes on himself. They're almost always hidden by his outfits.

- Speaking of which, Remus makes most of his outfits costumes himself. The quality of the work may vary, but they are always way too over-the-top for casual wear, because he stands out anyway, so... in for a penny, right. (As I said in the tags of a post: he is very creative and has no shame or social anxiety at all, so he had his whole aesthetic ("overdramatic green") figured out by the time he was 13)

- He also has SH scars, but, again — they're hidden by his outfits 99% of the time. He's a slut who never shows an inch of skin

[wonder-worker]

"Administratively, too, [...] queens were considered the legal lords of their landholdings. [...] Grants noted that the queen's officials had administrative autonomy without being subject to the king or anyone else, and evidence of the same assumption can be gleaned from court rolls that were recorded with headings indicating the lord of the manor whose court proceedings were being enrolled. As an example, some court rolls for the manor of Haveringatte-Bower specified that it was the court of [Margaret of Anjou] that was in session, while later rolls recorded Elizabeth Woodville as the lord of the manor court."

— Michele Seah, "My Lady Queen, the Lord of the Manor': The Economic Roles of Late Medieval Queens", Parergon, Volume 37, Number 2, 2020.

[thewildersalem]

I’ve been obsessed over Decked Out ever since it was finished, so I made some designs for the ravagers of the dungeon! :D

[sixoclocker]

how i be feeling when my back hurts

[chibishortdeath]

Alright I’ve thought about, I’m gonna actually start posting some of my criticisms of Netflixvania starting with the first season. I actually have a notepad document on my computer somewhere that’s just various rants about it that I’m gonna take from lol

Rant under a cut cause it’s long, spoilers, and also cause uh tldr I do not like the show 💀

Ok let’s start from the beginning of the show, episode one.

The first episode isn’t terrible, it’s a bit rocky, some red flags here and there for what was to come, but that’s kinda expected of animations like this. It usually takes them a couple episodes to pick up and grow into their own, so I was skeptical, but not gonna knock it entirely when I first saw it.

My biggest criticism of this episode was the complete missed opportunity to introduce certain characters from this section of the series’s story. Imagine if they had shown Isaac and Hector in the background of the castle or something at this point for foreshadowing later, as they would’ve already been studying under Dracula at that time. Imagine if that old woman Lisa helped ended up being one of Lyudmil’s family members, cementing them as friends of her for later. Alas, Netflix just decided not to use most of the already written backstories for most characters. But eh, that’s getting into nitpick territory.

And then the second episode happens… I honestly genuinely hate the concept of the Speakers and it’s because they completely replace a much more interesting (especially for the tone and themes they were going for) group for Sypha to be a part of: The Church. In the game, Sypha is a witch, something that’s currently not very good to be at this time, however the church employs a bunch of male wizard soldiers. This is already a perfect opportunity set up and ready to go for them to make their points of the church being hypocritical, add some intense dramatic irony with maybe the audience getting to know Sypha is a witch before anyone else does and seeing her interact with a bunch of people who would have her dead if they knew, and create a super conflicted situation where these church soldiers all die during their encounter with the cyclops, but yet they scrapped it for uh random group of magic users that kinda exist entirely for a plot that didn’t need a new device to work. And Sypha just being all hood down and no hiding just takes away something interesting about her character, making her kinda bland in the process. Like it’s one thing to have the Girl™️ who owns the braincell trope and another to have a character with some actual immediate conflicts. They totally could’ve played up the “oh no if Trevor knew would he kill me” dynamic, especially with witches being commonly lumped in with ‘monsters’ in a lot of other media and Trevor being ya know a monster hunter. And already just from this one design choice she completely loses her symbolic putting the hood down scene for much later in the story to show that she actually trusts people and feels safe enough to not need to hide anymore because she’s got people on her side now.

Also the lack of Grant is just a crime in itself. Grant could’ve worked perfectly as like the everyman of the group. Hell, with his background of being a former noble turned thief presumably after hard times to straight up losing his entire hometown to flames and leading a revolution about it, Grant literally has like almost every common not magical vampire hunter person experience. He could’ve given the group any of those perspectives and been told the perspectives of the vampire hunting life he hasn’t had, ya know? And he’d help differentiate the personalities and humors of the group in general. I literally can’t think of a negative to having Grant in the group.

So we were robbed of character development for Sypha and the existence of Grant, what’s next—

The Bishop character is someone that could’ve been interesting if he was written with any kind of nuance, but instead he’s extremely on the nose and blatantly laughably evil. Otherwise this guy is pretty forgettable besides how lame it was that they used Blue Fangs to kill him instead of ya know an actually recognizable enemy. Like the Blue Fangs design wouldn’t be bad if it was in literally anything else, but compared to the designs of most Castlevania monsters it’s just really lame. I’d’ve even accepted a Warg or something, idk. Personally I think having Death walk in taking the form of Zead and going through that speech while eventually turning into the skeleton form we know him as woulda gone hard but for some reason Death isn’t a thing until seasons later which sucks.

I also absolutely hate Alucard and the Cyclops being in the catacombs! Hate it! The Cyclops kinda had like a courtyard area for it and made sense being there since it was standing guard on the way to the castle. Literally what it is even doing in the catacombs 💀💀💀. Standing guard for… eepy Alucard? Why??? And the whole sleeping soldier thing or whatever they called him is just so obviously an excuse to have him appear faster and make it seem like it tied into the plot. Alucard absolutely should not have been introduced to the main group this early on because again that robs him of a bunch of opportunities for background and character development. He got maybe the one oh no dad don’t commit mass death that’s bad scene and nothing else when they had plenty of time to show him initially following his fathers orders and eventually growing to stand against him. And again??? Missed opportunity for anything radio drama related??? Like if there’s any opportunity to get any of that story more known it’s in an animation? And besides, it’s less work to just use whatever materials and supplemental materials already existed for the game!

Dracula’s Curse and CoD have:

Two games

Two manuals

Three manga (TokyoPop and Preorder)

A couple game guides

Flashback sequences in a radio drama

Flashback sequences in SotN AKA: the game everyone knows

A ton of references in later games cause IGA is a big Dracula’s Curse fanboy

Pachinkos

That is plenty of material to make an animation based on, especially because most games don’t get half of that, especially not NES games. They were literally handed like the NES game to adapt lottery and decided not to scratch like half the ticket 💀💀💀.

Alucard also being able to levitate kinda negates a lot of things. Like what the hell is the point of having a bat/mist form and a double jump then? If he can just be flying vampire Jesus immediately or whatever people call him idk. And you can’t tell me Alucard wouldn’t be painfully embarrassed if someone ever saw him shirtless come on this is the guy that wears like 5 layers of clothing in every game he’s in to the point that even in the modern era he’s choosing a suit over casual clothes. Every action he makes in this introduction to him is obviously fanservice for the sake of fanservice with very little thought behind it, except I’m not feeling very served right now. And having Trevor kinda lose that fight is a reoccurring problem this show ends up having: putting down other characters just to make certain ones get the cool fanservice moment. Contrary to what the writers of this show may believe, it actually doesn’t make me go “oh wow, Alucard is so cool and much badas”, it just feels weird and uncomfortable that Trevor is getting cheated out of one of his canon achievements because the writers preferred one character’s tits more than him.

So, basically, the show starts out with missed opportunities, concepts and characters getting cut out, watered down versions of characters that did make it in, cheap fanservice, poor explanations for things, etc etc. this all culminates into a resounding m e h + dread for later seasons being worse (boy was I correct on that fear lol).

Here’s some other things for the first season I didn’t know where else to fit:

None of the humor hit for me at all, like not a single joke. The humor was either a no response at best, but definitely a physically wincing from secondhand embarrassment at worst. Related to this, I feel like most of the dialogue reads like either someone who just learned what swear words are and thinks they’re really cool and funny or genuinely forced. At times most of the characters talk with the same delivery, cadence, personality, etc, it’s really obvious they were all written by the same person or group. And that even goes for background and side characters, too. This is a criticism I’ve never seen said: I really don’t like the voice acting in this show. I’m sure it’s no fault of the voice actors at all, but there were times in this where I either could not hear characters properly or could not understand characters properly and I had to watch it with closed captions on. The clearness and volume of the characters voices varies A LOT even just between scenes sometimes. And that combined with all the characters having really similar speech patterns, there were a lot of times where if I looked away from the screen, I genuinely could not tell if it was Alucard or Trevor speaking cause it sounded like it could reasonably have been either of them (and in some cases it literally didn’t even matter that much which character was saying what). It’s an absolute tragedy that the color schemes in this show are not remotely similar to Dracula’s Curse too. I understand why some color combos wouldn’t make it for eyestrain reasons, but the pixel artwork in all the NES titles is beautiful. Same goes for music, like I am never going to forgive this series for using Bloody Tears for a Dracula’s Curse ‘adaptation’ and not Beginning or Aquarius or Dead Beat or Ghost Ship or Clockwork or— ya know? These are two things that the series are really known for so you’d think with some of the fanservice they did they’d be all kinds of ready to use stuff like that for more of it.

Anyway, past season one is when I started watching the series primarily through clips/episodes reposted on YouTube or elsewhere cause I had completely lost any interest in it. I’ll probably go through synopsises online again for season 2 just to try to better remember what happened in that one because I do remember having very little good to say about season 2 as well and I gotta do that research so I can hate things properly :3.

There’s a certain part of this where I just kinda blanked on things to even say, partially because Season one is kinda bland in general, but partially because I started getting sleepy while typing. So if I feel like I missed anything season one specific I’ll just put it in the beginning of the season two post. d(_ _ )

[tyrianludaship]

is it fair to call people like this "hack writers" if the only way they find a relationship interesting is when it involves pedophilia, incest, cannibalism or necrophilia?

[slimslamflimflam]

Wait if all the journal 3 pages were restored after Weirdmageddon why does Bill’s book insist there were still missing pages that just conveniently happened to pertain to his incredibly sad backstory and concepts brought up earlier in that same book

[k1tty5]

hello :D please tell me more about your mezalian (is that how you spell it??) smalletho I will forever be indebted to you

(they are gorgeous I love them sm)

hey hi !! it would be my pleasure … (and I’ve been spelling it mezalean ??? but i have no idea LOL. there might be a canon spelling but i havent watched joels esmp1 since… probably since it ended. i will have to check sometime)

apologizing in advance because i will probably get very ramble-y!!

ummm. Oh god. How to start. Lets see. WELL. In this silly little au (i guess it has become a bit more than just me doodling designs LOL) in my head they have like this sort of zelink dynamic? obviously without all the zelda lore & stuff, just that kind of … okay forgive me I haven’t brushed up on my zelink lore for a good many years but. Like the princess and her personal knight that doesn’t really talk much sort of thing.

this made more sense in my head. But yeah. They have the vibes of zelink ? At least if i remember zelink right, I have a really bad memory :’) not exactly the same, i do think etho talks to joel (whereas if iirc link never really talks) - especially after getting to know him a bit - but just. they have the Vibes. You know?

I reckon Joel’s definitely very into sculpting in this au, maybe dabbles a little in painting - I imagine mezalea to be very heavy on art and expression in general. think you’d especially see lots of pottery and textiles all around the place. He probably also has an interest in some form of like. um. whats the word. Some sort of … fighting. lmao. Specifically thinking of fencing, i had this idea in my head that he’s watched Etho practice outside the palace at some point and is just absolutely fascinated and enamored. by both the practice and etho himself haha.

and for etho… talented swordsman? he is Not washed. i dont really have many ideas for his character in this au To be completely honest, mostly just of his personality. Although, I alsooo think he’s probably not actually from mezalea? I like to draw him with those pointy elf ears, and i think mezaleans are just humans. I cant remember if thats canon or not but um. mezaleans have human ears, so i’d imagine etho’s probably from like.. rivendelle? Is that. What it’s called. The elf guys? Are they elves??? Goodness I cant remember. Grimlands would make sense too since i THINK they’re kind of like. technical engineer guys? but i dont know what species they are um so ,,, yeah,,,,

i think joel’s probably a bit put off by etho at first, mostly just because he’s not super enthused about the idea of a personal guard, but also because the guys a bit odd, you know? but he’s also probably suuuper intrigued by him. he wants to figure this new guy out, and when they start talking a bit more, i think. They are both incredibly charmed by the other. head over heels? possibly.

most of my ideas of this au are just little scenes that are cute and silly but dont follow any main plot. I would love to write some one-shots of some of the ideas i have in the future, but as of right now im experiencing a bout of creative burnout and am busy with the holidays - spending time with family, so… not right now lol!

hopefully this is what you wanted,,,, i tend to get very ramble-y when talking about literally anything, so i do apologize for that haha, i am Not good at explaining things in simple ways, as i’ve said many a time before.

[staticymaticyyourlifeisatravesty]

There's a severe lack of coffin sex in the AO3 tags when it comes to the vampire fandoms. I know Hellsing should have it, I think I've read a fic with coffin sex, but it is rare. Hell, Castlevania is also surprisingly lacking. It's surprising. Why the fuck are the vampire fandoms less horny when it comes to coffins, while the fucking Sims and SVSS seem to have it downpat with only one having it with vampires.

[br1ghtestlight]

there needs to be a study on why bob's burgers fans are so obsessed with writing about the belcher kids dying of a horrific illness or accident and in so much detail. like to an extent I understand wanting to explore darker themes with these characters but there's SO MUCH of it omg I have never been in a fandom this obsessed with angst before

[captainpangolin]

Anyone else think it's weird that only like half the ghosts in bbc ghosts have spooky powers? Like okay I get it, and I know they don't need to have powers, and this isn't really a criticism, I just think it'd be... neat, y'know?

Honestly tbh it's one of the few things I almost prefer about the cbs version - I like how they expand the lore and give almost all the ghosts powers, it makes things interesting. Trevor and Julian can move things a bit, Thor and Robin can fiddle with the electricity, Mary smells like smoke, Flower gets you high, Fanny can be seen in photos, Isaac smells like dysentery, Alberta can be heard singing, Hetty's husband makes you horny, and Rebecca Wisocky has implied Hetty has a power different to the one the other ghosts thought she had (sending people to hell), so there seems to be an expectation that each ghost in the US version has a power/ability even though not all of em have been revealed yet (i.e. Sasappis, Pete, Crash, and ofc Hetty). And it's the expectation of powers that makes me think it'll be all of them having one as the show goes on. Only 3 of the core cast of 8 ghosts (not including Crash, he's even less relevant than my guy Humphrey) do not have CONFIRMED supernatural abilities. Compared to BBC Ghosts, it's definitely a bit different.

I'm reminded by what Nigel said about Isaac's power - that he still has an effect on the living world from beyond the grave. So it kinda saddens me more than anything that the other 5 ghosts don't have anything like that, yk?

I just-- wouldn't it be cool, and hear me out, if the other British ghosts could do something in that way? Like okay I think it was kingofthefrog's Ghost Swap AU (it's on ao3 and plot bunnies on tumblr) suggested that Kitty can be heard with a spirit box? That's genius. Kinda like Alberta's thing where her singing can be heard and Alexa hears her. I'm not a very creative person, but what if the other ghosts are walked through and it makes the living person feel a certain way or they have an unusual reaction? For example, Kitty walks through someone and they get the giggles and/or dance fever, or it's Thomas and they're suddenly depressed and/or romantic and/or Scottish, or it's Captain and they get butterflies in their stomach/they get all lovesick or their heart starts hammering and/or they're really anxious or get the sudden urge to listen to Kylie Minogue, or it's Humphrey and their neck hurts real bad and the Marseilleise is stuck in their head. Some of those I'm kinda joking but I just think it'd be neat, okay?

Let them have some nifty and/or stupid ghosts powers pls it would be so awesome it would be so cool etc etc

(I mean, BBC Ghosts is ofc over, so... it's not happening. In canon. 😈)