#really not sure if to tag anything else

[cucumber-icepop]

Well, this took two days to draw

[transk0vsky]

Can you tell this game has taken over all my thoughts?

[lunarharp]

more phoenix wright situations

[welcometogrouchland]

[ID: a digital drawing of characters from the owl house based on the song "up the wolves" by the mountain goats. At the top of the drawing there's a rectangular panel showing Camila and Eda. Camila looks out at the boiling isles at night with her bat. Eda mirrors her pose, with her arm covered in feathers. Shadows form to look like the collectors face, covering Eda's eyes and parts of Camila. Beneath this panel is a star with King and the Collector inside of it, holding hands and spinning midair. Beneath this is the archway portal from thanks to them, which is glowing, and at the bottom of the image is the hexsquad lined up in their designs from for the future, lit by the portal light and looking determinedly into the distance. The lyrics that span the image are "our mother has been absent/ever since we founded Rome/but there's gonna be a party when the wolf comes home". The background is black. End ID]

I knew I couldn't say goodbye to this show without redrawing one of my favorite old pieces, this lyric comic based on Up The Wolves by the mountain goats. I made it pre-ttt and was honestly really vindicated by all the wolf imagery that ep, lmao

[rosswood]

how many cycles of trauma and suffering does it take to get to the center of a silly little anvil guy (the answer might surprise you)

[thewildersalem]

I’ve been obsessed over Decked Out ever since it was finished, so I made some designs for the ravagers of the dungeon! :D

[sixoclocker]

how i be feeling when my back hurts

[sparky-is-spiders]

Jonelias Week Day 1 (Which is definitely today I swear), for the prompt "No Powers AU"

This one... maybe got away from me. This is actually only the first half of what I've written so far, and probably the first third overall! I do plan to post this to Ao3 at some point (although I suspect I'll need to do a lengthy round of editing first lmao). It's some very self-indulgent nonsense, which is a lot of what I write, but now it's getting put in the main tags of a ship during said ship's event week. So. It may also be a little bit "aromantic dude tries to figure out what having a crush is supposed to be like." Also a lot of "dude who took Principals of Accounting once pretending it knows what office work is like." Anyway, quick warning before we begin, and the rest will be under the read-more:

Stalking (played for laughs) for most of the fic.

Just. A weird amount of obsession.

Ok that should be it I think. Fic under the cut.

Jon's new boss was, quite possibly, the most boring man in the world. He wore the same outfit every day (pale dress shirt with dark unpatterned tie and gray slacks and matching suit jacket). The only personal effect in his entire office was a potted plant on the windowsill (some sort of succulent, and definitely fake). He always arrived to work exactly half an hour early and left exactly half an hour late. The only hobby he appeared to show any interest in was scheduling, which he seemed to find both deeply engaging and remarkably irritating. In fact, he was apparently so opposed to the idea of mixing his work with his personal life that he might as well not have existed beyond the walls of their office. Jon had never been more fascinated by anyone else in his entire life.

It stared with the transfer to the accounting department. Elias had met with him personally to get him acclimated to his new role. He had been blandly polite, and blandly handsome, and Jon had stopped listening to him about five minutes into their conversation. It was probably bad form, really. The software Elias was droning on and on about sounded like it was about to become a central feature of his days. He really should've been paying attention to it. Instead, he pretended to make eye contact while zeroing in on the top of Bouchard's forehead (a very useful trick, really) and became inordinately focused on the small lock of hair that had fallen across it. It was terribly distracting, and Jon had wondered how he hadn't noticed it. And then he wondered how it had come to be there. And then he had built up an entire story involving a murder, an illicit affair with the assistant director of marketing, and the potted succulent. And then he had noticed Bouchard eying him with what could've been suspicion or amusement or irritation or nothing whatsoever, and had been forced to rapidly pretend to care about their company's bad debt expense policy. Bouchard had indulged him, and had spoken with the calm authority of someone who knew what they were talking about, and had even managed to avoid being overtly condescending (a feat forever out of Jon's reach). At the end he had shaken Jon's hand (with a nice, firm grip), and had told him "I'm looking forward to working with you, I'm sure you'll make a wonderful member of our team." Jon had left that meeting with a mind shrouded in a fog of boredom and a faint sensation of warmth which he decided was best attributed to curiosity and left otherwise unexamined. Over the next few weeks, Jon had tried to subtly inquire into Bouchard's life. At the time, he had been naively under the impression that surely he must have let slip something about his life; some odd quirk or funny story or harmless bit of information which could justify Jon's blooming curiosity. Unfortunately; "He lives in Chelsea, I'm pretty sure?" (Sasha) "He's currently in a meeting. Honestly Jon, you'll be better off just sending an email. Now can I please get back to work?" (Rosie, probably lying about the meeting) "He actually lives here in the office. Set up a cozy little home away from home in one of the storage closets and sneaks out at night to raid the canteen. And he's having an affair with the assistant director of marketing." (Tim, definitely lying (but maybe a mind reader? Also, full of brilliant ideas for places Jon could maybe set up a cot whenever he needs to stay overnight)) Clearly, Jon would have to take matters into his own hands if he wanted answers. That was fine. It could be his own private little research project.

Jon liked to think that the entire thing had actually been quite reasonable, and that he had acted within the bounds of their pre-established relationship as employee and supervisor. Surely any rational person had to realize that nobody could possibly be that uninteresting. Anyone would be curious as to what dark secrets Bouchard his behind his well-tailored suits and polite, professional demeanor. … perhaps most rational persons would not meticulously record the movements, behavior, and daily appearance of their colleague in a discreet notebook (with annotations, color-coding, and graphs where appropriate), but Jon had always prided himself on his dedication to research and understanding. So far Jon had collected frustratingly little data. If Bouchard was hiding anything, it wasn't apparent from his schedule (see pages 8-13, figure 2.b), his eating habits (see page 22), or his lone plant (see page five, figure 1.c). His breaks did seem specially timed to avoid other people (and he appeared not to engage in many social behaviors generally), but he never acted irritated or otherwise unhappy to encounter one of his subordinates, so Jon wasn't entirely sure if it was deliberate avoidance or simple coincidence. Really, the only truly odd thing about him was his inexplicable interest in Jon. That very morning, for example, Bouchard had stopped by his cubicle for a fifteen minute discussion on the upcoming Annual Team Luncheon, an event Jon had never attended before (due to an annual migraine which coincidentally always happened to occur on the exact date of the luncheon), which Jon did not plan to attend, and which honestly sounded like some sort of violation of the Geneva Convention. The topic itself was not especially odd (small talk was an archaic tradition which had stubbornly clung on in every workplace Jon had ever set foot in), but Bouchard's low propensity for inter-office socialization combined with the fact that he had both chosen Jon specifically as his conversational partner was… highly suspicious. Most people who encountered Jon inevitably concluded that he was more effort than he was worth (an attitude Jon mostly appreciated).

And of course, there had also been their interaction two days ago, when Elias had paused briefly to inquire as to whether Jon would be staying late, and what he was working on, and if he might perhaps consider heading home soon because there was only so much overtime they could pay him. Or on Friday, when he had managed to hold two separate conversations with Jon where very little was said. Honestly, Jon somewhat suspected that Elias had spoken to him more in the past few weeks than he had spoken to any of their colleagues for the entire time Jon had been there to observe him. Most of Jon's notes were now dedicated to their interactions. From his cot in the unused storage room (which was indeed a good place to stay overnight, thank you Tim), he could jot down everything he recalled about their interaction; it had begun at 8:32 and had concluded at 8:47; the weather was warm and slightly humid, although the office interior remained at a comfortable 21 °C. Bouchard's shirt had been a nice, cool gray, which complemented the silver of his eyes. Jon (who had been busy digging for his favorite pen (the ink was a lovely deep green color, and it was usually kept on the left side of the top desk drawer, and Jon had no idea where else it could have possibly gone)) had settled on "irritation" as his tone, which Bouchard either had not noticed or had not cared enough to acknowledge. He had easily dominated the conversation, and Jon could admit in the sanctity of his research journal that his voice had been soothing enough to cool away some of Jon's annoyance. He wrote his conclusion: Subject behaved near-identically in tone, posture, body language, and apparent mood as he has in all previous communications. Subject displayed no strong thoughts or opinions on subject of discussion nor conversational partner. Interaction was pleasant but slightly dull, no new information discovered. It was almost exactly the same as every previous conclusion. Jon had to admit, so many months with so little progress was… discouraging. He shifted on the narrow mattress and winced when his movements aggravated his backache (which was surely unrelated to his frequent occupancy of the cot). It was becoming more and more apparent that the only possible solution was to do some actual, direct investigation. His first idea (break into Bouchard's office) seemed a tad far (also, he didn't know how to pick locks). His second idea (follow him home) seemed a stretch further than the previous one, and was perhaps best saved as a last resort. His third idea (something something computers? (perhaps "idea" was a bit generous)) would almost certainly require Sasha, who would have questions Jon couldn't answer. He flipped idly through his notes, half-skimming, half-thinking. It was only when his gaze landed on figure 2.b, Weekly Schedule of E. Bouchard, that he actually came up with something reasonable. Something actionable.

[chibishortdeath]

Alright I’ve thought about, I’m gonna actually start posting some of my criticisms of Netflixvania starting with the first season. I actually have a notepad document on my computer somewhere that’s just various rants about it that I’m gonna take from lol

Rant under a cut cause it’s long, spoilers, and also cause uh tldr I do not like the show 💀

Ok let’s start from the beginning of the show, episode one.

The first episode isn’t terrible, it’s a bit rocky, some red flags here and there for what was to come, but that’s kinda expected of animations like this. It usually takes them a couple episodes to pick up and grow into their own, so I was skeptical, but not gonna knock it entirely when I first saw it.

My biggest criticism of this episode was the complete missed opportunity to introduce certain characters from this section of the series’s story. Imagine if they had shown Isaac and Hector in the background of the castle or something at this point for foreshadowing later, as they would’ve already been studying under Dracula at that time. Imagine if that old woman Lisa helped ended up being one of Lyudmil’s family members, cementing them as friends of her for later. Alas, Netflix just decided not to use most of the already written backstories for most characters. But eh, that’s getting into nitpick territory.

And then the second episode happens… I honestly genuinely hate the concept of the Speakers and it’s because they completely replace a much more interesting (especially for the tone and themes they were going for) group for Sypha to be a part of: The Church. In the game, Sypha is a witch, something that’s currently not very good to be at this time, however the church employs a bunch of male wizard soldiers. This is already a perfect opportunity set up and ready to go for them to make their points of the church being hypocritical, add some intense dramatic irony with maybe the audience getting to know Sypha is a witch before anyone else does and seeing her interact with a bunch of people who would have her dead if they knew, and create a super conflicted situation where these church soldiers all die during their encounter with the cyclops, but yet they scrapped it for uh random group of magic users that kinda exist entirely for a plot that didn’t need a new device to work. And Sypha just being all hood down and no hiding just takes away something interesting about her character, making her kinda bland in the process. Like it’s one thing to have the Girl™️ who owns the braincell trope and another to have a character with some actual immediate conflicts. They totally could’ve played up the “oh no if Trevor knew would he kill me” dynamic, especially with witches being commonly lumped in with ‘monsters’ in a lot of other media and Trevor being ya know a monster hunter. And already just from this one design choice she completely loses her symbolic putting the hood down scene for much later in the story to show that she actually trusts people and feels safe enough to not need to hide anymore because she’s got people on her side now.

Also the lack of Grant is just a crime in itself. Grant could’ve worked perfectly as like the everyman of the group. Hell, with his background of being a former noble turned thief presumably after hard times to straight up losing his entire hometown to flames and leading a revolution about it, Grant literally has like almost every common not magical vampire hunter person experience. He could’ve given the group any of those perspectives and been told the perspectives of the vampire hunting life he hasn’t had, ya know? And he’d help differentiate the personalities and humors of the group in general. I literally can’t think of a negative to having Grant in the group.

So we were robbed of character development for Sypha and the existence of Grant, what’s next—

The Bishop character is someone that could’ve been interesting if he was written with any kind of nuance, but instead he’s extremely on the nose and blatantly laughably evil. Otherwise this guy is pretty forgettable besides how lame it was that they used Blue Fangs to kill him instead of ya know an actually recognizable enemy. Like the Blue Fangs design wouldn’t be bad if it was in literally anything else, but compared to the designs of most Castlevania monsters it’s just really lame. I’d’ve even accepted a Warg or something, idk. Personally I think having Death walk in taking the form of Zead and going through that speech while eventually turning into the skeleton form we know him as woulda gone hard but for some reason Death isn’t a thing until seasons later which sucks.

I also absolutely hate Alucard and the Cyclops being in the catacombs! Hate it! The Cyclops kinda had like a courtyard area for it and made sense being there since it was standing guard on the way to the castle. Literally what it is even doing in the catacombs 💀💀💀. Standing guard for… eepy Alucard? Why??? And the whole sleeping soldier thing or whatever they called him is just so obviously an excuse to have him appear faster and make it seem like it tied into the plot. Alucard absolutely should not have been introduced to the main group this early on because again that robs him of a bunch of opportunities for background and character development. He got maybe the one oh no dad don’t commit mass death that’s bad scene and nothing else when they had plenty of time to show him initially following his fathers orders and eventually growing to stand against him. And again??? Missed opportunity for anything radio drama related??? Like if there’s any opportunity to get any of that story more known it’s in an animation? And besides, it’s less work to just use whatever materials and supplemental materials already existed for the game!

Dracula’s Curse and CoD have:

Two games

Two manuals

Three manga (TokyoPop and Preorder)

A couple game guides

Flashback sequences in a radio drama

Flashback sequences in SotN AKA: the game everyone knows

A ton of references in later games cause IGA is a big Dracula’s Curse fanboy

Pachinkos

That is plenty of material to make an animation based on, especially because most games don’t get half of that, especially not NES games. They were literally handed like the NES game to adapt lottery and decided not to scratch like half the ticket 💀💀💀.

Alucard also being able to levitate kinda negates a lot of things. Like what the hell is the point of having a bat/mist form and a double jump then? If he can just be flying vampire Jesus immediately or whatever people call him idk. And you can’t tell me Alucard wouldn’t be painfully embarrassed if someone ever saw him shirtless come on this is the guy that wears like 5 layers of clothing in every game he’s in to the point that even in the modern era he’s choosing a suit over casual clothes. Every action he makes in this introduction to him is obviously fanservice for the sake of fanservice with very little thought behind it, except I’m not feeling very served right now. And having Trevor kinda lose that fight is a reoccurring problem this show ends up having: putting down other characters just to make certain ones get the cool fanservice moment. Contrary to what the writers of this show may believe, it actually doesn’t make me go “oh wow, Alucard is so cool and much badas”, it just feels weird and uncomfortable that Trevor is getting cheated out of one of his canon achievements because the writers preferred one character’s tits more than him.

So, basically, the show starts out with missed opportunities, concepts and characters getting cut out, watered down versions of characters that did make it in, cheap fanservice, poor explanations for things, etc etc. this all culminates into a resounding m e h + dread for later seasons being worse (boy was I correct on that fear lol).

Here’s some other things for the first season I didn’t know where else to fit:

None of the humor hit for me at all, like not a single joke. The humor was either a no response at best, but definitely a physically wincing from secondhand embarrassment at worst. Related to this, I feel like most of the dialogue reads like either someone who just learned what swear words are and thinks they’re really cool and funny or genuinely forced. At times most of the characters talk with the same delivery, cadence, personality, etc, it’s really obvious they were all written by the same person or group. And that even goes for background and side characters, too. This is a criticism I’ve never seen said: I really don’t like the voice acting in this show. I’m sure it’s no fault of the voice actors at all, but there were times in this where I either could not hear characters properly or could not understand characters properly and I had to watch it with closed captions on. The clearness and volume of the characters voices varies A LOT even just between scenes sometimes. And that combined with all the characters having really similar speech patterns, there were a lot of times where if I looked away from the screen, I genuinely could not tell if it was Alucard or Trevor speaking cause it sounded like it could reasonably have been either of them (and in some cases it literally didn’t even matter that much which character was saying what). It’s an absolute tragedy that the color schemes in this show are not remotely similar to Dracula’s Curse too. I understand why some color combos wouldn’t make it for eyestrain reasons, but the pixel artwork in all the NES titles is beautiful. Same goes for music, like I am never going to forgive this series for using Bloody Tears for a Dracula’s Curse ‘adaptation’ and not Beginning or Aquarius or Dead Beat or Ghost Ship or Clockwork or— ya know? These are two things that the series are really known for so you’d think with some of the fanservice they did they’d be all kinds of ready to use stuff like that for more of it.

Anyway, past season one is when I started watching the series primarily through clips/episodes reposted on YouTube or elsewhere cause I had completely lost any interest in it. I’ll probably go through synopsises online again for season 2 just to try to better remember what happened in that one because I do remember having very little good to say about season 2 as well and I gotta do that research so I can hate things properly :3.

There’s a certain part of this where I just kinda blanked on things to even say, partially because Season one is kinda bland in general, but partially because I started getting sleepy while typing. So if I feel like I missed anything season one specific I’ll just put it in the beginning of the season two post. d(_ _ )

[tyrianludaship]

is it fair to call people like this "hack writers" if the only way they find a relationship interesting is when it involves pedophilia, incest, cannibalism or necrophilia?

[slimslamflimflam]

Wait if all the journal 3 pages were restored after Weirdmageddon why does Bill’s book insist there were still missing pages that just conveniently happened to pertain to his incredibly sad backstory and concepts brought up earlier in that same book

[wonder-worker]

"Administratively, too, [...] queens were considered the legal lords of their landholdings. [...] Grants noted that the queen's officials had administrative autonomy without being subject to the king or anyone else, and evidence of the same assumption can be gleaned from court rolls that were recorded with headings indicating the lord of the manor whose court proceedings were being enrolled. As an example, some court rolls for the manor of Haveringatte-Bower specified that it was the court of [Margaret of Anjou] that was in session, while later rolls recorded Elizabeth Woodville as the lord of the manor court."

-Michele Seah, 'My Lady Queen, the Lord of the Manor': The Economic Roles of Late Medieval Queens", Parergon, Volume 37, Number 2, 2020.

[staticymaticyyourlifeisatravesty]

There's a severe lack of coffin sex in the AO3 tags when it comes to the vampire fandoms. I know Hellsing should have it, I think I've read a fic with coffin sex, but it is rare. Hell, Castlevania is also surprisingly lacking. It's surprising. Why the fuck are the vampire fandoms less horny when it comes to coffins, while the fucking Sims and SVSS seem to have it downpat with only one having it with vampires.

[microwavetoaster-selfships]

Having F/Os with popular voice actors/actors is so funny sometimes cause like. Jackson Storm what are you doing here this is a western

[technicalthinker]

I feel like debating who Loki was talking to when he said "For You" in the last episode, is missing the point of the scene. And people referring to it as "cowardly" and a "no-homo" moment is just?? Baffling to me tbh because like;

First of all, it is obviously intended to be to both of them? If they only wanted to make it about Sylvie, Mobius wouldn't be there. If they only wanted to make it about Mobius, Sylvie wouldn't be there. If they wanted to make it about everyone they would've just framed it more equally, he does do it for all his friends ("for all of us"), but they have that scene to highlight these two specific relationships. The framing is quite clear, they have him take a last look at all of his friends before going down the stairs, but Mobius and Sylvie runs after him to have a final significant moment.

Which absolutely makes sense and is consistent with the show we have seen so far, s1 and s2 combined, which is what I love about it. And it was to be honest a surprise! Going into this season, I had little hope for Loki/Mobius interactions, just didn't want to expect too much since S1 had a lot of their connection, but that could've been it. I was shocked when s2ep1 was full to the brim with Loki and Mobius scenes? And then they kept reinforcing every week that they care about each other, is a funny duo to watch, and are important to one another.

And despite this, I expected the rug to at some point be pulled, especially compared to Loki's relationship to Sylvie. No matter people's personal viewing on the show, she is still cited as a love interest by showrunners and is just portrayed as that by the narrative a lot of the time. Sidelining that, even in s2 when the romantic hints are more vague, she's still a very important person in Loki's life. She played a central part of the plot and Loki's own character development of understanding himself.

So to me, I was surprised seeing Mobius and Sylvie side by side in the end. Both being framed as The important people in Loki's life. Then, however you wanna see in what ways they are important is up to you, but they are the people he keeps coming back to for advice and self-reflection. You can frame it as "oh it should've been only been Mobius and they added Sylvie to downplay it", which, I just disagree with (If they wanted to go for explicitly canon Lokius they needed to set that up even more earlier in the season but that's a post for another day). Sylvie is still like, a constant in the narrative and driving force of s1, even if s2 changes things around a bit, and imo it would be inconsistent if she just vanished here. I guess I am used to media that downplays a meaningful dynamic between two dudes in more aggressive ways, which they absolutely could've done, and would've taken me out of the story to be honest... but they didn't, Mobius and Sylvie got to be side by side in the end and that imo validated the Loki/Mobius dynamic way more than downplays it.

TLDR; The "For you" was for both Mobius and Sylvie because why would you frame it that way otherwise, and having them side by side like that validates Lokius way more than downplays it in a "no-homo" way considering the full context of the show.

[br1ghtestlight]

there needs to be a study on why bob's burgers fans are so obsessed with writing about the belcher kids dying of a horrific illness or accident and in so much detail. like to an extent I understand wanting to explore darker themes with these characters but there's SO MUCH of it omg I have never been in a fandom this obsessed with angst before