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aethersea · 5 months ago

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another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

#finx rambles #worldbuilding #for writers #honestly I quite liked the asoiaf books I read #it's a well-constructed story! it's a well-constructed world too on its own merits #none of this stuff about grain and spinning is actually important to the story #the problem is that grrm himself seems to just. not realize this #and goes about blithely insisting he's created an extraordinarily realistic fantasy world where all the tax policies make sense #he has not!#he has invited people to tear his creation apart if they can and! it turns out! they absolutely can!#this shit's got no tensile strength! it's made of glue and popsicle sticks!#you're not supposed to put weight on it

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kairoot · 4 months ago

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── ࣪ ˖ ❛ 𝓜𝑎𝑘𝑒𝑢𝑝 𝓥𝑜𝑖𝑐𝑒𝑜𝑣𝑒𝑟𝑠．

‧₊˚ 𝓼𝐲𝐧𝐨𝐩𝐬𝐢𝐬: they do the voiceover for your makeup routine 𝗽𝗮𝗶𝗿𝗶𝗻𝗴 : enha x 𝑓．𝗋𝖾𝖺𝖽𝖾𝗋 𝗴𝗲𝗻𝗿𝗲 : fluff , crack 𝗿𝗲𝗾𝘂𝗲𝘀𝘁𝗲𝗱 : no 𝘄𝗮𝗿𝗻𝗶𝗻𝗴𝘀 : jokes, profanity, pet names, this was shorter than i intended, some of these are kind of inspired by some tiktoks i saw.

— ( 𝓂𝑖𝑙𝑎𝑛’𝑠 𝑛𝑜𝑡𝑒𝑠 ) : pls leave reblogs, they are much appreciated !! ♡︎

✿ member’s headcanons under the cut !!

⊹ 𝓁ℎ𝑠．

asking hee to do this was a piece of cake

he agreed to it immediately

he lovesssss watching you do your makeup

so when you asked him he was like, “well.. yes!”

gonna keep it real with you, he has absolutely no idea what ANYTHING is

he just knows the things that he buys for you and that’s it

flirty mcbirdy over here, he’s barely even watching the makeup, mostly watching you

“hi guys, today i’m doing my girlfriend’s makeup voiceover.” he says into the mic, the video starting with you priming your face as you’ve already did skincare prior to starting the video.

you were next to him while he narrated your routine, holding in your giggles as he began naming the products that you were using.

“okay so now she’s uhm.. damn she’s gorgeous..” he paused for a moment, watching you through the screen as you applied the first product of your base.

you nudged him, urging him to stay on topic as your face began to warm up.

“she’s applying, uh— the— the..” he thought for a moment, the product seemed familiar but he couldn’t think of the name.

it was foundation.

“and then she’s.. wiping it all over her face.” he mumbled, still not paying attention to what you were doing but admiring you instead.

“it’s blending, hee..” you whispered, not wanting the mic to pick up your voice.

expect the comments to go insane about hee’s little flirtatious comments.

⊹ 𝓅𝑗𝑠．

ngl, he’s a bit confused as to why you asked him to do this but he says yes anyway

why does this man actually know what the products are??

quite literally does the whole voiceover better than any beauty influencer you’ve ever seen..

compliments you throughout the video

he’s literally so polite

“hello everyone, today y/n has asked me to do her voiceover, so here i am!” he says excitedly, watching you apply the first product.

“so here, she’s putting some of the foundation in her t-zone.. she has really great skin.” he explains.

you’re sat next to him, shocked at how he’s able to understand the whole routine.

“after she blends, she goes in with her.. concealer, i think.” he was right again.

as you blend that out, jay begins talking about the product that you’re using.

“yes, i pay attention to my girl’s routine.” he says, knowing everyone’s gonna wonder how he could even know all of this. you bite back a smile, his comment making your heart warm.

now the whole internet wants a boyfriend like jay.

⊹ 𝓈𝑗𝑦．

he is very eager to do it. why? because he loves you and is so down bad for you

ummm he knows NOTHINGGG about makeup 😫

another flirty one

count how many times he says he wants to kiss you or compliments your lips challenge (jake is so weak for kisses, you cannot convince me otherwise)

he’s so giggly throughout the whole thing ??

he definitely gets flustered over your beauty, esp your bareface <3

he’s lowkey your hype man even though he has no idea what he’s talking abt

“hey guys, it’s jake! today i’m gonna give you all a tutorial for y/n’s everyday makeup.” he beamed confidently. he watched you start your routine, already giggling at the small things you do throughout the first 30 seconds.

“so she’s gonna start with, um..” his giggles cutting him off. “she’s starting with the putty stuff. it kind of looks like play-doh!”

“jake!” you nudge him a bit, rolling your eyes playfully.

“sorry, sorry!” he laughs. “now she’s putting on.. powder? wait, no, that’s definitely bronzer.”

“yeahh, apply that bronzer, babe!” he exclaimed.

it was powder foundation ??

“she looks so good already, wanna give her a kiss..” he said, watching you pat the product onto your skin.

⊹ 𝓅𝑠ℎ．

bro is so impatient

he can’t think of any of the name of the products that you’re using which frustrates him to the MAX

pls don’t laugh at him, he will sulk 😕

cracks jokes abt how long you take

“now she’s applying.. uhm, glitter?” he tilted his head, watching you apply highlighter to the inner corners of your eyes.

“highlighter, babe.” you corrected him, holding back your laughs.

“whatever it is, it’s very shiny. and she’s putting it on so do whatever she’s doing if you want this look.”

you snorted a bit, finding his impatience hilarious.

“watch as she puts on her favorite mascara that she made me buy her.. because she doesn’t care about my pockets or if i go broke.” he sighed.

you landed a playful smack to his shoulder, scoffing.

“anyways, she takes forever.” he huffed. “she told me she was gonna be ready in 10 minutes but 10 minutes turned into two hours, so i guess im gonna have to wait.”

please don’t ever ask him to do this again.

⊹ 𝓀𝑠𝑤．

like jay, he knows what everything is

he’s actually really excited to do this

he pays attention when you do your makeup and pays attention when he gets his makeup done so

he basically knows what everything is he just.. doesn’t know how to do it

he knows all of your favorite products

count how many times he calls you pretty challenge:

“look at how pretty she is!” he exclaims as you prime your face. “i did her skin care by the way.”

he watched as you applied your concealer, telling the viewers exactly what brand it was and what it did for your skin.

“i’m pretty sure this is her favorite product.”

“okay! next she’s gonna set with this one powder that she absolutely loves.” he giggled.

you chuckle at his excitement, not expecting him to like this as much as he did. you just knew people would want more of him narrating your routines and grwms.

“and now, she’s putting on her blush.. I love this part.” he said, mesmerized by you and your features.

“isn’t she so pretty?”

⊹ 𝓎𝑗𝑤．

he’s so confused

tbh he just yaps the whole time

you don’t know what he’s talking about, he doesn’t know what he’s talking about..

he just knows that he buys some of the stuff

he gives random facts throughout the video ??

“okay, so i’m not really sure of what she’s putting on her face right now..” he said, scratching his head slightly.

“did you guys know that dolphins name each other?”

“jungwon..?” you furrow your eyebrows, looking at him confusingly.

“oh, right! sorry, now she’s applying some.. nose.. stuff?”

you mentally face palmed at his attempt to name the products, which he ended up wrong every time.

“if it wasn’t already obvious, i know none of these things, i just get whatever she tells me to buy.” jungwon giggled, watching you apply your blush.

please DO NOT let him do this ever again 😭🙏🏽

⊹ 𝓃𝑟𝑘．

bro does NOT wanna be here

he doesn’t wanna do it at all 😭

but somehow you convince him (you told him you’d buy him robux)

he guesses everything

some of it he gets right somehow

gets so triggered when you laugh at him 😭

“um, okay, she’s applying concealer.. that’s concealer, right?” he looked over at you, as the video showed you applying the product.

you looked at him, giggling.

“why are you laughing? is that not concealer?” he asked again, becoming irritated.

“yes.. just keep going, ki.” you cover up your laughs.

he rolls his eyes playfully, “anyways, now she’s putting on some powder shit.. i don’t know.”

“and she’s.. beating it on her face..? why are you punching yourself?” he quirks an eyebrow.

you shake your head, sighing at his confusion.

✿

TAGLIST: @haechansbbg @contyynishimura @sasfransisco @kgneptun @jungwonderz @enha-stars @dioll @jakesangel @cupidscourt @violetwitchmcu @haohaoshoe @randomgirl02228 @wonsdoll @powerpuffstuts @flwrstqr @elysianiki — send an ask to join.

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absentlyabbie · 4 months ago

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saw a reply on that post about a subway worker refusing to service to some dudes wearing hate speech shirts and claiming they were being religiously discriminated against that said "as a christian, i don't claim them."

okay but do claim them, actually.

inconvenient and embarrassing and even frustrating as it is, your religion, your faith, has become all but synonymous with hatred and vicious oppression. that didn't happen by accident. it wasn't unearned. it's not new and it's not a perversion of the good true pure christianity when it's the core and foundation, in fact.

are there good, kind, compassionate christians who refuse themselves to harbor this kind of hatred? denominations that are more progressive, welcoming, loving, and inclusive? absolutely, and that's great and all.

but they have not been the ones defining the story of christianity ever, at any point in its history. you don't get to retcon the narrative. you can't "no true scotsman" your way out of association wth the vast majority, the most vocal and politically driven majority of your shared faith.

your religion historically, traditionally, and most commonly shelters and cultivates bigots and oppressors, hateful, vicious people who want to strip others of their rights and their lives and legislate them into being officially lesser-than.

claim them. own that. it's necessary if you ever want christianity to be seen as better than the worst of your lot, because the worst are the loudest, the most powerful and wealthy, the ones who've been steering the fleet for centuries.

if you want christianity to actually be the faith you strive yourself to live and exemplify, you have to reckon first with what it is, what is has long been.

those christians would claim you're not real christians, but you both are. you can't change or take control of the story if you try to pretend you're on page one. you have to straighten your back and acknowledge it.

if you want to clean house or even rebuild, you have to admit the rot is there, first, and that it's still your house anyway.

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room-surprise · 3 months ago

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New Ryoko Kui Interview from Anime Expo 2024 (Summary/Commentary)

This interview is unintentionally hilarious. It's much shorter than the other interview, and every question was met with either a polite non-answer or a flat-out "No." Kui embodied this elf lady she drew for the entire thing:

Kui really wasn't having any of it. Every time the interviewer tried to ask a leading question about things the fandom thinks are extremely central to the manga, Kui basically answered no/I don't care/You're overthinking it/I wasn't suggesting what you're assuming I was suggesting.

My summary/commentary of the interview under the cut.

Please keep in mind these are my opinions, based on my knowledge of Japanese social conventions, and how I personally read the interview!

Q: Dungeon Meshi is about the power of eating in groups/family, do you have any food memories or recipes you can share with us that are important to you? A: No. (In other interviews Kui has stated that she doesn't like eating, other people seeing her eat, or watching others eat, and that she used to eat her meals in the toilet to avoid being around other people during meals. This is a common thing people who are shy, bullied, or socially avoidant do in Japan.)

Q: What meal in DM do you want to eat? A: None of them, I'm a picky eater.

Q: You obviously love TTRPGs. A: Uh...Not really... I've never played one, I just read about them for research purposes. (In other interviews Kui has stated she's never played a TTRPG because she doesn't have friends she can do it with. The fact that so many people in the world do have that many friends they are that close to was very shocking to her. She was amazed that people would actually role-play in front of other people. This, plus other things Kui has said in the past ("I'm not good at human relationships"), suggests that she's not very socially active.)

Q: Your fantasy ecosystem is so complex, how did you build it? A: I though about it, and then I used my imagination. (This is kind of an ice-cold burn. Like a writer saying "I wrote one word, and then another, and then I kept adding words until the book was done.")

Q: Do you love monsters as much as Laios? A: No. But I do like them a lot, and I've loved them since I was a kid.

Q: How'd you design Laios' ultimate monster? A: I used the childhood memory of wanting to design the coolest, strongest monster.

Q: A lot of fans think Laios is autistic, especially because of his fight with Toshiro. A: I wrote him to be a normal guy that anyone can relate to. I don't think he's special or unusual. Both he and Toshiro have problems and they both need to work on communicating better. (Kui saying she didn't write Laios as autistic doesn't mean you should shit on other fans who read him as autistic. All it means is that he's not canonically autistic, and you can't say "Laios being autistic is the foundation of the entire manga." Kui saying that she didn't intentionally write Laios as autistic doesn't invalidate the interpretation, it just means saying Laios is autistic is an interpretation, and not a concrete fact. Also worth noting that labeling Laios as autistic might come across as very rude for a Japanese person. Kui may not want to call Laios autistic due to social stigma.)

Q: Tell us about the Senshi fanservice. A: Calling it "fanservice" feels wrong to me. He's just an older man who doesn't care if people see his underwear, something I've experienced in real life. It might make some people uncomfortable but Senshi's just living his life, I thought that was funny. Laios is a bit uncomfortable seeing people in their underwear. (Holy shit. This answer is the equivalent of Kui firing a shotgun directly in the interviewer's face and screaming "it's not fucking fanservice." She's being VERY direct for a Japanese person, and implying that she doesn't like people calling the Senshi pantyshots fanservice, that she sees them as comedy.)

Q: But Senshi's handsome isn't he? A: All dwarves are handsome :) (This is a complete non-answer, and after that previous answer, it's very likely Kui is trying to brush the interviewer off. This is most likely Kui saying "Please stop this line of questioning/I don't want to talk about this anymore.")

Q: What inspired Marcille's dungeon lord dress? Her friends all make fun of her but I thought it looked nice. A: There's no specific reference. I made it up to look like her mom's dress and added a childish head covering. The dress is totally normal, her friends making fun of Marcille is a joke. They're just not used to seeing Marcille in that kind of clothing, so it seems weird to them. They don't actually think the dress is that strange or uncool.

Q: Did you expect the strong fan reaction to Marcille and Falin's relationship? A: I don't think about how the fans will react when I'm writing. (Another complete non-answer. She doesn't want to discuss the topic of Farcille and avoids it like a landmine. Honestly, good for her. She wants fans to feel free to think what they want and have their own interpretations.)

Q: Will you write a spin-off about Izutsumi getting revenge on the person who made her? A: Maybe, maybe not. Probably not. I think Izutsumi's pretty happy as she is and just wants to live her life.

In short, Kui's reaction to a lot of the fandom opinion questions was:

EDIT: Also, looking at the headline/page summary for the article, it's uh...insanely misleading.

"We sat down with Kui-sensei at Anime Expo 2024 to discuss the community of food, why Senshi is so sexy, seeing neurodivergence in Laios, and more." Kui literally said no in response to all of those questions, this summary of their own interview implies that there was anything discussed, and not just Kui telling them "no" to each question.

#dungeon meshi #delicious in dungeon #talking mushroom #opinions #analysis #laios touden #marcille donato

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mostlysignssomeportents · 1 year ago

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How the kleptocrats and oligarchs hunt civil society groups to the ends of the Earth

It's a great time to be an oligarch! If you have accumulated a great fortune and wish to put whatever great crime lies behind it behind you, there is an army of fixers, lickspittles, thugs, reputation-launderers, procurers, henchmen, and other enablers who have turnkey solutions for laundering your reputation and keeping the unwashed from building a guillotine outside the gates of your compound.

The field of International Relations has studied the enemies of the Klept in detail: the Transnational Activist Network is a well-documented phenomenon. But far more poorly understood is the Transnational Uncivil Society Network, who will polish any turd of sufficient wealth to a high, professional gloss.

These TUSNs are the subject of a new, timely scholarly paper by Alexander Cooley, John Heathershaw and Ricard Soares de Oliveira: "Transnational Uncivil Society Networks: kleptocracy’s global fightback against liberal activism," published in last month's European Journal of International Relations:

https://ora.ox.ac.uk/objects/uuid:5e5a3052-c693-4991-a7cc-bc2b47134467/download_file?file_format=application%2Fpdf&safe_filename=Cooley_et_al_2023_transnational_uncivil_society.pdf&type_of_work=Journal+article

The authors document how a collection of institutions – some coercive, others organized around good works – allow kleptocrats to take power, keep power, and use power. This includes "wealth managers, company providers, accounting firms, and international bankers" who create the complex financial structures that obscure the klept's wealth. It also includes "second citizenship managers and lawyers" that facilitate the klept's transnational nature, both to provide access to un-looted, prosperous places to visit, and boltholes to escape to in the face of coup or reform. It includes the real-estate brokers and other asset facilitators, who turn whole precincts of the world's greatest cities into empty safe-deposit boxes in the sky, while ensuring that footlose criminal elites always have a penthouse to perch in when they take a break from the desiccated husks they've drained dry back home.

Of course, it also includes the PR managers and philanthropic ventures that allow the klept to launder their reputation, to make themselves synonymous with good deeds rather than mass murder. Think here of how the Sacklers used charity to turn their family name into a synonym for culture and fine art, rather than death by opioid overdose:

https://pluralistic.net/2023/08/11/justice-delayed/#justice-redeemed

Beyond providing comfort to "Politically Exposed Persons" and "High Net-Worth Individuals," TUSNs are concerned with neutralizing TANs. Activists in these transnational networks play an inside-outside game: in-country activists will recruit peers abroad to bring attention to the crimes of their local kleptocrats. These overseas partners target the klept in the places they go to play and spend, spoiling their fun – and if they succeed in getting corrupt leaders censured abroad, then in-country activists can leverage that bad press to fight the klept at home.

To fight this "Boomerang Effect," TUSNs seek to burnish corrupt officials' reputations abroad, getting their names on humanitarian prizes, beloved sports teams, cultural institutions and great universities. They seek to capture international governance institutions that might wrong-foot kleptocrats, co-opting them to enable and even celebrate looters.

When it comes to elite philanthropy, TUSNs are necessarily selective. Kleptocrats' foundations don't fund anti-kleptocratic groups – they stick to "education, public health, the environment and the arts." These domains steer clear of human rights questions that might implicate their benefactors. Russian oligarchs love children's charities and disability rights – provided they don't target the Russian state.

If charitable giving is reputation laundering's carrot, then "reputation management" is the laundry's stick. Think of organized copyfraudsters who clone websites that have criticized their clients, then backdate the articles, then accuse the originals of infringing copyright in order to get them de-listed from Google or taken offline altogether:

https://pluralistic.net/2021/04/23/reputation-laundry/#dark-ops

Reputation managers also spend a lot of time in court. In the UK – the world's leader in libel tourism, thanks to a legal system designed to let posh monsters sue muckraking journalists into silence – Russian oligarchs have perfected the art of forcing their critics to shut up and go away:

https://pluralistic.net/2022/03/04/londongrad/#enablers

Indeed, London is a one-stop shop for the global klept, a place were forelock-tugging Renfields will buy you a Mayfair mansion under cover of a numbered company, sue your critics into silence, funnel your money into an anonymous Channel Islands account:

https://pluralistic.net/2022/01/07/the-klept/#pep

They'll sell you whole galleriesworth of "fine art" that you can have relocated to a climate-controlled container in a Swiss or Irish freeport:

https://pluralistic.net/2020/07/14/poesy-the-monster-slayer/#moneylab

They'll give your thick-as-pigshit progeny a PhD and never check to see whether he wrote his thesis himself:

https://en.wikipedia.org/wiki/LSE%E2%80%93Gaddafi_affair

Then they'll hook you up with a cyber-arms dealer to hunt your enemies by capturing their devices:

https://pluralistic.net/2021/07/27/gas-on-the-fire/#a-safe-place-for-dangerous-ideas

But don't let Brexit stop you from shopping for bargains on the continent. The Golden Passports of the EU – available in a variety of flavors, from Maltese to Cypriot to Portuguese – offer the discerning failson access to the luxury good shops and fleshpots of 27 advanced economies, making it a favorite of the Khmer Riche – the junior klept of Cambodia's ruling faction:

https://www.reuters.com/investigates/special-report/cambodia-hunsen-wealth/

But golden passports are for amateurs. Skilled klepts travel on diplomatic passports, which offer the twin benefits of free movement and consequence-free criminality, thanks to diplomatic immunity. The former Kazakh dictator's son-in-law enjoyed a freewheeling diplomatic life in Vienna; one daughters of the dictator of Tajikistan had a jolly time as an envoy to DC; another, to London (where else?).

All this globetrotting serves a second purpose: when rival elites seize power back home and force the old guard into exile, those ex-monsters can show up in the lands they called their second homes and apply for asylum. It turns out that even bomb-the-boats UK will welcome any asylum seeker who enters via the private jet terminal at City Airport (to be fair, these "refugees" have extensive properties in Zone 1 and country places in the Home Counties, so they won't need housing).

This stuff works. After Kazakh state goons murdered at least 14 protesters at a Zhanaozen oil facility in 2011, human rights groups around the world took up the cause. But they were effectively neutralized by TUSNs, with former UK PM Tony Blair writing on behalf of the Kazakh government to the EU condemning any kind of international investigation into the mass killings (add "former Prime Ministers" to the list of commodities for sale in the UK to sufficiently well-resourced murderer).

The authors close their paper with two case-studies. The first is of the daughters of Uzbek dictator Islam Karimov, Gulnara and Lola. And President Karimov was indeed a dictator: he trapped his population within his borders, forced them to use unconvertible scrip in place of money, and ordered the murder of hundreds of peaceful protesters, plunging the country into international isolation.

But while Uzbeks were sealed within their borders, Gulnara Karimov became an international player, running a complex network of businesses that mixed the products of the nation's oilfields with her family's fortune. She solicited – and received – bribes from Teliasonera, MTS and Vimpelcom, who were all vying for the contract to provide service in Uzbekistan. All told, she extracted more than $1b in bribes, laundering them through Latvia, Hong Kong and New York. She acquired real-estate in France and Switzerland, and her spree continued until her father collaborated with Uzbek security to seize her assets and place her under house-arrest.

Lola Karimova-Tillyaeva was Gulnara's estranged younger sister. She and her husband Timur Tillyaev ran the Dubai-based SecureTrade, which did extensive business with "opaque Scottish Limited Partnerships," laundering more than $127m in a single year to offshore accounts in the UAE and Switzerland. They acquired many luxe assets – a jet, a Californian villa, and an LA perfumier.

Lola styled herself as the face of the Karimovas abroad, a "philanthropist and cultural ambassador." She was a UNESCO ambassador and commissioned works of monumental art – and also sued the shit out of news outlets that reported factual matters about her family repressive activity at home. She organized AIDS charities in the name of Uzbekistan – even as her father was imprisoning a writer for publishing a book explaining how to have safer sex.

The second case-study is on Isabel dos Santos, "Africa's richest woman," daughter of Angolan dictator Jose Eduardo dos Santos. Isabel's vast fortune stemmed from her personal capture of vast swathes of the third-largest economy in Africa: "telecommunications, banking, diamonds, real estate and cement, among many others." Isabel enjoyed seemingly limitless access to state credit and co-investment, and was given first crack at newly deregulated industries. Foreign firms that invested in Angola were required to "partner" with Isabel's businesses.

Isabel claimed to be a "self-made woman" – a claim credulously parroted by the western press, including the FT. She used her homegrown fortune to become a major player abroad, especially in Portugal, where she was represented by the leading Portuguese law-firm PLMJ. Her enablers are who's who of corruption-loving lickspittles: McKinsey, Ernst and Young, Boston Consulting Group, and the Spanish BigLaw firm Uri Menendez.

Isabel cultivated a public facade of philanthropic giving and public spirited activism, serving as head of the Angolan Red Cross. She attended Davos and spoke at the LSE (she was also invited to Oxford, but her invitation was subsequently rescinded). On social media, she dismissed critics of her wealth and corruption as "colonialists," decrying their "racism" and "prejudice."

Isabel dos Santos's corrupt sources of wealth were finally, irrefutably exposed through the Luanda Leaks, in which the International Consortium of Investigative Journalists mapped the network of "top banks, management consultants and legal firms that were central to dos Santos’s operations."

Both case studies shed light on the network of brilliant, driven enablers and procurers without whom the world's greatest monsters would falter. It's a rare window on a secretive world, one that is poorly understood even by its inhabitants. As Michael Mechanic wrote in Jackpot, his 2021 book on vast, intergenerational fortunes, the winners of the lucky orifice lottery often lack any real understanding of how The Money is structured, grown and protected:

https://pluralistic.net/2021/04/13/public-interest-pharma/#affluenza

This point was reiterated by Abigail Disney, in a brave piece on what it's like to grow up subject to the oversight of these millionaires who babysit the children of billionaires:

https://pluralistic.net/2021/06/19/dynastic-wealth/#caste

This is an important contribution to the literature. We naturally focus on the ultrawealthy individuals whose reputations and fortunes are the subject of so much attention, but without the TUSNs, they would be largely helpless.

Going to Burning Man? Catch me on Tuesday at 2:40pm on the Center Camp Stage for a talk about enshittification and how to reverse it; on Wednesday at noon, I'm hosting Dr Patrick Ball at Liminal Labs (6:15/F) for a talk on using statistics to prove high-level culpability in the recruitment of child soldiers.

On September 6 at 7pm, I'll be hosting Naomi Klein at the LA Public Library for the launch of Doppelganger.

On September 12 at 7pm, I'll be at Toronto's Another Story Bookshop with my new book The Internet Con: How to Seize the Means of Computation.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/08/24/launderers-enforcers-bagmen/#procurers

Image: Sam Valadi (modified) https://www.flickr.com/photos/132084522@N05/17086570218/

CC BY 2.0: https://creativecommons.org/licenses/by/2.0/

Colin (modified) https://commons.wikimedia.org/wiki/File:Palace_of_Westminster_from_the_dome_on_Methodist_Central_Hall_(cropped).jpg

CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0/deed.en

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life-of-an-asexual · 1 year ago

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Asexual Non-Fiction

Ace: What Asexuality Reveals About Desire, Society, and the Meaning of Sex by Angela Chen

An engaging exploration of what it means to be asexual in a world that's obsessed with sexual attraction, and what we can all learn about desire and identity by using an ace lens to see the world. Through interviews, cultural criticism, and memoir, ACE invites all readers to consider big-picture issues through the lens of asexuality, because every place that sexuality touches our world, asexuality does too.

The Invisible Orientation: An Introduction to Asexuality by Julie Sondra Decker

In The Invisible Orientation, Julie Sondra Decker outlines what asexuality is, counters misconceptions, provides resources, and puts asexual people's experiences in context as they move through a very sexualized world. It includes information for asexual people to help understand their orientation and what it means for their relationships, as well as tips and facts for those who want to understand their asexual friends and loved ones.

How to Be Ace: A Memoir of Growing Up Asexual by Rebecca Burgess

In this brave, hilarious and empowering graphic memoir, we follow Rebecca as they navigate a culture obsessed with sex—from being bullied at school and trying to fit in with friends, to forcing themself into relationships and experiencing anxiety and OCD—before coming to understand and embrace their asexual identity.

A Quick & Easy Guide to Asexuality by Molly Mulldoon and Will Hernandez

Writer Molly Muldoon and cartoonist Will Hernandez, both in the ace community, are here to shed light on society’s misconceptions of asexuality and what being ace is really like. This book is for anyone who wants to learn about asexuality, and for Ace people themselves, to validate their experiences. Asexuality is a real identity and it’s time the world recognizes it. Here’s to being invisible no more!

Asexualities: Feminist and Queer Perspectives edited by Karli June Cerankowski and Megan Milks

As the first book-length collection of critical essays ever produced on the topic of asexuality, this book serves as a foundational text in a growing field of study. It also aims to reshape the directions of feminist and queer studies, and to radically alter popular conceptions of sex and desire. Including units addressing theories of asexual orientation; the politics of asexuality; asexuality in media culture; masculinity and asexuality; health, disability, and medicalization; and asexual literary theory, Asexualities will be of interest to scholars and students in sexuality, gender, sociology, cultural studies, disability studies, and media culture.

Refusing Compulsory Sexuality: A Black Asexual Lens on Our Sex-Obsessed Culture by Sherronda J. Brown

In this exploration of what it means to be Black and asexual in America today, Sherronda J. Brown offers new perspectives on asexuality. She takes an incisive look at how anti-Blackness, white supremacy, patriarchy, heteronormativity, and capitalism enact harm against asexual people, contextualizing acephobia within a racial framework in the first book of its kind. A necessary and unapologetic reclamation, Refusing Compulsory Sexuality is smart, timely, and an essential read for asexuals, aromantics, queer readers, and anyone looking to better understand sexual politics in America.

I Am Ace: Advice on Living Your Best Asexual Life by Cody Daigle-Orians

Within these pages lie all the advice you need as a questioning ace teen. Tackling everything from what asexuality is, the asexual spectrum and tips on coming out, to intimacy, relationships, acephobia and finding joy, this guide will help you better understand your asexual identity alongside deeply relatable anecdotes drawn from Cody's personal experience. Whether you are ace, demi, gray-ace or not sure yet, this book will give you the courage and confidence to embrace your authentic self and live your best ace life.

Ace Voices: What it Means to Be Asexual, Aromantic, Demi or Grey-Ace by Eris Young

Drawing upon interviews with a wide range of people across the asexual spectrum, Eris Young is here to take you on an empowering, enriching journey through the rich multitudes of asexual life. With chapters spanning everything from dating, relationships and sex, to mental and emotional health, family, community and joy, the inspirational stories and personal experiences within these pages speak to aces living and loving in unique ways. Find support amongst the diverse narratives of aces sex-repulsed and sex-favourable, alongside voices exploring what it means to be black and ace, to be queer and ace, or ace and multi-partnered - and use it as a springboard for your own ace growth.

Asexual Erotics: Intimate Readings of Compulsory Sexuality by Ela Przybylo

Through a wide-ranging analysis of pivotal queer, feminist, and anti-racist movements; television and film; art and photography; and fiction, nonfiction, and theoretical texts, each chapter explores asexual erotics and demonstrates how asexuality has been vital to the formulation of intimate ways of knowing and being. Asexual Erotics assembles a compendium of asexual possibilities that speaks against the centralization of sex and sexuality, asking that we consider the ways in which compulsory sexuality is detrimental not only to asexual and nonsexual people but to all.

Ace Notes by Michele Kirichanskaya

As an ace or questioning person in an oh-so-allo world, you're probably in desperate need of a cheat sheet. Covering everything from coming out, explaining asexuality and understanding different types of attraction, to marriage, relationships, sex, consent, gatekeeping, religion, ace culture and more, this is the ultimate arsenal for whatever the allo world throws at you.

Ace and Aro Journeys: A Guide to Embracing Your Asexual or Aromantic Identity by The Ace and Aro Advocacy Project

Join the The Ace and Aro Advocacy Project (TAAAP) for a deep dive into the process of discovering and embracing your ace and aro identities. Empower yourself to explore the nuances of your identity, find and develop support networks, explore different kinds of partnership, come out to your communities and find real joy within. Combining a rigorous exploration of identity and sexuality models with hundreds of candid and poignant testimonials - this companion vouches for your personal truth, wherever you lie on the aspec spectrum.

Sounds Fake But Okay: An Asexual and Aromantic Perspective on Love, Relationships, Sex, and Pretty Much Anything Else by Sarah Costello and Kayla Kaszyca

Drawing on Sarah and Kayla's personal stories, and those of aspec friends all over the world, prepare to explore your microlabels, investigate different models of partnership, delve into the intersection of gender norms and compulsory sexuality and reconsider the meaning of sex - when allosexual attraction is out of the equation.

#asexual #asexuality #aromantic #representation #original post

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fredwkong · 10 months ago

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Himbo Maker: Misha

Misha was an Egirl: a European Guy In Real Life. He would do his makeup, put on fake eyelashes, a wig, and a pair of pink headphones with kitty cat ears, and stream video games online. He loved to troll new viewers by spending an hour or so doing a breathy, feminine voice, and then suddenly hit them with his natural Baltic baritone. The way the chat went crazy made it worth it every time.

The whole game was helped by how petit and curvy Misha had always been. Even in his twenties, he still had a soft, almost girlish body and stood at most of other guys’ sternums. Too bad he wasn’t a trans girl, or at least a gay boy, he sometimes thought, looking at his body in the mirror. Gay guys were supposed to go for little guys who looked like him.

One evening, Misha was just starting his stream when some user started acting really weird in chat. He had a username that almost seemed familiar to Misha, but the guy he was thinking of had always been polite and given insightful comments on Misha’s gaming. This guy’s messages were full of typos, and he couldn’t seem to stop talking about his muscles.

Misha was just about to ban the guy when an alert sounded: Misha’s charming, girly laugh, which indicated a user had just donated a hefty sum. Of course, it was this annoying brodude.

“Uh,” said Misha, almost forgetting to put on his femmy voice, “He says, “Bro, this guy liek wants to chat wiht u on stream.” And there’s a link in the donation.”

Clicking the link, Misha found himself looking at a chat website he’d never seen before. “Hold on, let me share my screen,” he simpered, sharing the chat window. Somehow, his usual screen name was already in the bar. It must have populated from his stream.

Mish-kittycat: Like, heyoooo! You okay with being on stream with me? (✿◠‿◠)

Himbo_mkr: No way, bruh! I love meeting new bros. Like, hi stream!

Misha was a bit offended that this chat partner would refer to him as a “bro.” But stream chat seemed interested, so he thought it could be worth a few minutes to humour the donater. It had been a fair amount of money.

Mish-kittycat: What do you want to talk about UwU

Himbo_mkr: Bro, you know that all I ever talk about are my sick gains and going out with guys, lmao

Okay, so this was a troll. They probably wanted to get Misha banned for lewdness or something. Still, at least it was original that the troll character was a gay guy. He rolled his eyes at the stream and said, out loud in his girl voice, “Looks like someone got mad enough to pay to speak with all this.” He gestured down his slim body in tonight’s outfit, a stereotypical Japanese maid costume.

Himbo_mkr: Huhuhu, bro, you clicked on the link. Didn’t force you to do it.

Misha froze. Of course the troll was watching the stream. “Heh, I don’t let meatheaded bullies boss me around,” he chirped, trying to save face.

Himbo_mkr: You sure? You sure like it when your chat bosses you around, bro.

Now this guy was just lying. Misha scowled, even though he knew the expression would make his foundation crack unattractively. “This is a really weird way to bully someone.” He looked at the stream chat, waiting for his subscribers to back him up.

But the character of the chat seemed to have changed. No, they had always been bossy, Misha suddenly remembered. They would tell Misha how to play his games all the time while he pretended to struggle. It was a key part of the dynamic of his channel that chat bossed him around, and right now they were telling him to go back to chatting with this guy. One guy even messaged, “No more talking, kitty. You’re only allowed to write in the chat.” Misha gave the camera a plaintive look, but listened. He always listened to his chat.

Mish-kittycat: So maybe you’re right about that one thing, but coming in here being rude is totally uncool (งᓀ‸ᓂ)ง

Himbo_mkr: Bro, I think we got off on the wrong foot. I was just tryna compliment you on your sick bis, dude.

Misha cocked his head, confused. He was the opposite of buff, that was why he was so good at dressing as a girl. But as he continued to think about it, he remembered all the hours he spent working on his arms. He kept a set of weights next to his bedroom door, and he did bicep curls to failure every time he went through the doorway. Yeah, his biceps were his pride and joy, and they were usually how he showed off his manliness when he revealed his deep voice and accent.

A tip came in. “Flex for us, kitty,” commanded the text-to-speech voice. With a smirk, Misha lifted up one of his arms, feeling it stretch the sleeve of his maid costume as the veins popped. Too bad the rest of his body hadn’t followed his arms and gotten bulky.

Himbo_mkr: We’re all waiting for you to drop your lifting routine, bro! You’ve been totally blowing up.

Misha blushed at the flattery. His physique wasn’t all that impressive. Sure, now that he thought about it, he had been really hitting the weights a lot and eating right. In fact, his room seemed to be full of lifting clothes and supplements as he looked around. But that was because some of his subscribers kept telling him to get to the gym and hit his macros. It had actually been really freeing to just let people pay to tell him what to do on his fitness journey. And it was paying off! Misha definitely couldn’t pass for a girl these days, which was why the channel had changed to be more about doing stuff in-game for the highest bidders.

The maid costume barely wrapped around Misha’s broad pecs, and the garters had torn when he’d tried to pull them up his thick thighs. Sure, it had been funny when the stream started and the chat had gotten Misha to show off his shoulder raises while dressed in a little maid skirt, but the polyester was really starting to chafe on his smooth muscles. It was a relief when a tip rolled in while Misha flexed and said “Kitty, wear comfy clothes.” The chat oooohed and aaaahed as Misha shucked the maid costume, showing off his bulky chest, and pulled on his favourite comfy shirt instead. Sure, it had some tears and stuff, but as a masculine guy, Misha wasn’t worried about dressing up fancy or anything.

The guy whose chat Misha was streaming had been quiet, so Misha hopped back over and sent another message.

Mish-kittyhunk: Thanks man! It’s all about trusting the process.

Himbo_mkr: I can tell that you trust people, bro! You’re like a puppy lmao.

Well, Misha thought, maybe he did like getting bossed around in chat, but it wasn’t like he trusted everyone blindly! Okay, well, maybe he did tend to stop to help people on the road and then lose his wallet a lot. They looked like they needed help! And maybe he did sometimes click on links that meant he needed to take his phone to the store for them to fix, but so did everyone else!

Looking at the chat, who were all laughing about Misha being a totally trusting puppy, Misha had to finally agree. That was why one of his subscribers had gotten him this headset with floppy dog ears on it, after all.

Mish-puphunk: Haha, you got me, dude! That’s why I clicked on this link, too XD

Himbo_mkr: It’s okay, bro. Lots of gay hunks are pretty dumb, it just adds to that himbo appeal.

This time this guy was definitely making stuff up. Misha was totally straight, he just didn’t do well with girls. Well, that and being a submissive hunk online mostly attracted a gay male fanbase. And, well, now that he thought about it, when was the last time Misha had really thought about a girl? Like, maybe if it was a domme? But no, even then, Misha would really prefer a guy to be involved at some point. This guy was probably right, Misha was gay.

It was super hard to think. There was a reason that Misha preferred to let chat do the thinking for him. Even before he realised how much he loved to listen when men told him what to do, Misha had never been much of a deep thinker. That was why most of the stuff in his room was gym gear, gaming stuff, or whatever his subscribers bought for him. Lately, they had been really loving when Misha wore even less clothes and showed off more of his growing body, and Misha was happy to oblige as long as they kept telling him what to do!

Mish-puphunk: Lol I guess you’re right! I just wanna give sirs what they want

Himbo_mkr: Bro, I totally get why you love pup play so much. You just love being obedient and dumb and empty lmao. You, like, pretty much live in your mask these days.

A pup mask…Misha was pretty sure one of his subscribers had sent him one of those once, but it had been really confusing to put on and he’d only worn it once. No, wait, that wasn’t right. Misha was such a ditz! He’d loved the experience of putting on the pup mask and letting himself be a dumb pup for his chat. And chat had loved sending in tips to give him commands like “sit,” “roll over,” and “stick a tail in your hole.”

It had been so popular that the subscribers had told Misha to make it a weekly thing, then a biweekly thing, and by now it had pretty much become what Misha did during his streams. While chatting with this guy had been fun, Misha really wanted to get on with the stream and mask up. He opened his mouth to tell the viewers that, but then remembered that he had been ordered not to talk. Too bad, chat would only hear his deep, resonant voice if they ordered him to bark after he put on his mask.

Mish-puphunk: Okay dude, I gotta go be a good dumb pup now.

Himbo_mkr: Got it, bruh! You got a bunch of hunky doms to please by being a good pup slut!

Chat cheered as Misha stopped streaming the chat window and winked at the camera. An especially hung dom who loved to tip had won the bid war last night to decide what Misha wore, so Misha fondled the straps of his leather harness as he got up to grab his mask. He wondered what his chat full of muscular, horny himbo doms would have him do today.

Misha slipped on the mask and let his mind go blank.

#male transformation #mental change #male tf #muscle tf #reality change #dumber tf #himbofication #himbo maker #pup tf #sub tf #all fwkong

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zweiginator · 4 months ago

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What if divorced!art gets dragged to a club one weekend by his foundation-buddies and he obviously doesn’t want to but he forces himself and then it turns out that escort!reader is also there with her friends and they see each other outside of «work» for the first time… And her friends doesn’t know about her escorting so maybe they recognize him and maybe she goes to talk to him because her friends says she should «flirt more»🤭 And then ofc he fucks her in the dirty club bathroom

divorced!art upset because he hasn't seen you in weeks. everything has been busy since he hit the ground running with tennis again. practice after practice, signing sponsorship deals, galas and charity fundraising. and you had been busy too. art didn't know this, but you're a student as well. you didn't tell him not because you didn't want to share your life with him, but because it made you feel juvenile. of course, it's university and you're almost finished with your degree after five and a half years instead of the usual four--but you still feel dumb talking about that part of your life with him. for you to bitch about group projects and essays about political science while art is upset about custody battles and petty divorce politics--it feels trivial.

but your friends want to celebrate the semester being freshly over. just a few more summer classes for you and you will finally graduate. you'll finally get to hang up your hat and say goodbye to escorting. to that taboo little secret that's been dragging your eyes into sunken purple holes for the past fourteen months.

and your friends don't know, of course. it's impossible to explain to a group of girls whose parents pay for tuition and books and groceries. gas, clothes and even the designer heels they wear to the club they're standing in right now--that you need to do this. for money. to survive.

no, it isn't ideal. but this is the real fucking world and sex sells.

so they think you're prudish. they've never seen you have a boyfriend or flirt because that's your job every other day of the week. to pretend to be in love. to fuck lonely assholes and pretend to care about their lives. to believe them when they say they aren't a bad husband. that men have needs.

they urge you to flirt with men at the bar. but like always, you're just not interested. and all the men in this shitty tavern-bar-turned-college-club are all the same. middle-aged men who shoved their wedding bands in their back pockets to pick up pussy from a doe-eyed girl in her twenties.

none of them are remotely attractive. and you're thanking your lucky stars that you don't recognize a single one of them.

your friend taps on your shoulder. "there's one hot guy here. you may recognize him. he's kinda famous."

you down the rest of your drink. "oh really? i doubt i'd be interested."

but she points to a man leaning against the bar way off in the corner. sad eyes and salt and pepper hair that was once dirty blond; you've seen his baby pictures. he's tall and in love with you and you with him and you could strangle him right now because he hasn't returned your calls or texts in over five days.

"art donaldson." your other friend sighs. "he's a tennis player and i'd fuck him if i didnt have a boyfriend."

it's then that art turns around. likely feels the eyes of six girls burning into the back of his skull. he's holding a beer bottle and he looks forlorn, his typical woe is me demeanor that makes him so fucking attractive to you. lights up that neanderthal part of your brain that makes you want to fix the unfixable.

and then he smiles. it makes you blush and your friends, not knowing the tendrils of your history together that have now become rooted in the ground beneath you, tell you to go for it.

"he's staring right at you."

you know that. art knows not to make it clear he knows you; it would open up that whole can of worms.

so he waits for you to come to him and you pretend to be nervous which isn't that hard because you are already.

when you get to him, he whispers in your ear.

"they don't know about your job, im assuming?" he wants to wrap his arms around your waist but he refrains.

"they don't. but they know you, and they're very fond of you. they want me to flirt more."

art flags down the bartender. he gets you a gin and tonic, remembering how you liked the one he made for you that first night at his hotel room. you were just trying to make him feel better.

"well im glad im the lucky man." he sits down on a stool and hooks his leg around the stool next to him to bring it closer. he motions for you to sit and your friends are all staring at you but pretending they aren't.

"me too. although i don't know how much you deserve it." you take a sip. "given how you haven't responded to my calls in awhile."

art takes your drink from your hand, sets it down. he rests his hand on your lower back.

"im sorry honey. i haven't been meaning to be an asshole. there's a lot going on with tennis and everything."

you run a hand through his hair. "i get it." you feign a frown. "you just may have to make it up to me." and when you uncross your legs, art can see your thong. he tenses his jaw.

"i do need to make it up to you, don't i?" he takes a swig from his beer. "i'll tell you what." he glances around, at the bathroom door swinging open. "why don't i go to the bathroom to freshen up and you come check on me in a few minutes, yeah?"

he's so close you can smell the beer on his breath. you nod and he goes toward the bathroom.

your friends want to come over and ask you all about it, but then you're knocking on the bathroom door with your special knock. the one that only you and art know.

he pulls you inside, and the bathroom is dingy with a flickering light and graffiti on the walls. drawings of dicks and crude words but art sits on the toilet seat.

"c'mere." he reaches out to you and you go to him. a pavlovian response that makes you so fucking wet to be near him. to be on his lap like you're supposed to be. he kisses you like he missed you because he has. he's not supposed to. his lips trail wet, hot kisses up your throat and he's greedier than usual. dragging your pussy over his throbbing erection. he's only wearing his briefs on his bottom half and you tug at his shirt because you want to see all of him. feel all of him. he does the same to you. panting into your mouth because his cock rests between your folds. nudges against your clit as you grind on him.

"fuckin' ruined pussy for me." he throws his head back and you grab his jaw to kiss him. sloppy and disgusting but you love the taste of him. how your lipstick melds into his saliva. drips down his neck like you're a vampire taking him for everything he fucking has.

"yeah?" you rake your nails down his chest and take his cock out. it's bare against your pussy, your panties pushed to the side.

"nothing turns me on anymore. nothing gets me off. only you. that tight fucking cunt."

he never talks like this. so crude. but you love drawing it out of him. milking those dirty words as you stroke his heavy cock for him. people bang on the bathroom door but neither of you fucking care.

you sink down on him. you do it all at once. you're addicted to how his hips spasm and his eyes roll back and he lets a strangled moan-groan hybrid escape him. he holds onto the flesh of your ass as you fuck him.

the porcelain of the toilet creaks unsteady below you and you're completely on top of him, your feet behind you as you fuck him harder and harder. but he asks for more because he wants you more.

"fuck me--fuck me--" he repeats it over and over. guides you up and down and up and down his cock from base to tip. "your pussy was fucking made for me. i need it, i need it--"

his mouth hangs open and you can't believe he's yours like this. you want him to cum but then again you don't because then he can't be inside you anymore. and that's precisely where you want him.

his jaw is tense and his neck pulses with his heartbeat as he presses his forehead to yours.

"i want you--" a moan. "to hit me. i want you to fucking claim me."

so you smack him, and his arms wrap tight against your waist because he's cumming and he wants it to stay like this forever. but if it can only be a few more minutes, that will do too.

#ask #challengers #art donaldson #art donaldson x reader #art donaldson smut #divorced!art #escort!reader

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taylortruther · 3 months ago

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also re: the racial component of TS/fan base, if you haven't you should watch Alex Avila's video on Taylor Swift, I think it was really well done

youtube

this is SO good. thank you SO much for this recommendation.

i really liked how avila noted how masterfully taylor blends authenticity and social normativity - "the reason taylor swift seems so authentic to young girls is because she's conforming to an image [of white patriarchal girlhood] that young women internalized from a young age." similarly, the popular feminism of 2014 (when 1989 was released) was flimsy and did not challenge patriarchal norms, and we see how she made feminism part of 1989's branding.

and he asks a question i often pose: is there anything subversive in idolizing the most popular cultural object? does poptimism (the critique of pop music as a serious form of art) simply reinforce existing power structures??

taylor swift and whiteness

understanding how someone becomes a legend and icon means understanding how they challenge, but also reinforce, the biases in society, which includes race, class, gender, and so forth. and "there IS something deeply white about [taylor's] image" (1:18:33). her image is cultural whiteness! taylor swift's relatability (which is and has always been part of her brand), her social capital, her social normativity, is directly tied to the neoliberal racial philosophy that, instead of calling whiteness superior, establishes whiteness as the norm (1:21:23).

millennials want celebrities to be morally pure. this is a mistake.

also - LOVE that he points out that millennials don't judge female celebrities by their sexuality or modesty anymore, but instead they judge based on political awareness, which is just another way of continuing the "patriarchal history of regulating narratives around women's actions" (1:42:39). avila focuses specifically on millennials here, cautioning us not to consider this a a sign of true political engagement from millennials. as he points out, systems of oppression adapt to our ever-changing culture. when we try to 'cancel' or 'hold a celebrity accountable' for their ideologies or missteps, sometimes it's because they're truly terrible, and other times it's because we hold women to "unrealistic standards of purity." ie, this isn't necessarily real political engagement, it is just another example of judging women. often it's both (pointing out missteps, and also being sexist.)

whiteness again

avila goes on to discuss how white women have long been held up as virtuous, moral centers of american families - and while this is a racist and sexist practice, given that woc aren't seen as virtuous, it also lays the foundation for why white women in particular dominate conversations about politics in the public sphere. it is an Event every time a white celebrity frames their political awakening as a personal, spiritual journey of self-realization. yes, this act is important, because women must learn about their own oppression, and talk about it, in order to educate others.

but when taylor (or any other famous white woman) frames politics solely through the personal, it relieves her of the obligation to critique systemic issues. her own political awakening is all that matters - she must prove her own political purity (instead of sexual purity, as before.) there is a deep problem in society demanding this, rather than larger systemic change, but we'll get to that later.

this personal political purity awakening earns her a lot of goodwill, but her resistance ends with herself. and this is a pattern that we see happen all the time, in what robin james calls "neoliberal resistance discourses" in pop: someone is damaged by oppression (sexism), she overcomes it brilliantly with an awakening (miss americana/lover/denouncing trump era), and she absorbs this goodwill into her brand. these individual damages and awakenings supposedly symbolize society's own awakening and resilience(!). (1:52:48)

🚨 some readers might be getting tired/annoyed at this; i can hear y'all saying "well, what do you even WANT from her omg!!!" just stay with me here. 🚨

she holds a mirror up to society, tho

what avila so brilliantly points out is that... this cycle of damages and resilience isn't helpful. it goes nowhere! and we are all at the mercy of the same patterns as taylor. it's not about taylor, it's about us, and how capitalism commodifies everything, including social movements! including personal 'goodness'! a neoliberal system wants individuals to care about their individual choices and looking like good individuals; it encourages the use of "purity tests" and "commodified algorithmic social movements" to discourage challenges to systemic issues (reminds me of the celebrity blackout situation earlier this year, and conversations we have about politics, well, daily on here.) and the pattern of a person failing politically as an individual is part of this machine. if we're too busy policing individuals for their purity, we won't ever organize together for shared material goals. unfortunately, unlike taylor swift, most of us are not extremely powerful, wealthy, and influential as individuals. she does have more power than us in this regard.

taylor as cultural hegemony

anyway, avila goes on to talk about how taylor had this musical renaissance with folklore, and became more honest about her masterminding her own career in midnights. she has shown herself not just to be a musical chameleon, but a cultural one as well, positioning herself as white teenage purity when the culture called for it (circa 2008-2010), neoliberal pop feminism (1989 -> lover), pandemic escapism (folkmore) - and the culture has become part of her brand, part of her music. music that is already heavily wrapped up in her own life. she is the brand she is the culture. of course she put the work in, and not just anyone could do this. but imo, her whiteness (which, again, gives her this "default" "neutral" background to work with) is part of this success. "sure, she's challenged the institution but all in the effort to become the new face of musical hegemony" (2:06:25.) she challenges systems to assimilate into them, or create them in a way that requires assimilation.

of course, this is all based on her REAL experiences, her REAL life. she is living her own life, and also living it in this metacognitive way that mirrors culture.

but we don't have to hate taylor, actually!

and MOST interestingly, avila closes out by suggesting: it's not actually super healthy to always be suspicious and critical of art (2:17:24.) yes, there is a long political history of "paranoid reading," of critique based on marx, freud, and nietzsche's philosophies. it is the basis of A LOT of our frameworks for thinking about the world, including art.

as i've said before, it's interesting to discuss taylor or celebrities because they hold a mirror up to society. but we can't just relentlessly critique ourselves - after all, the critique is supposed to protect us from being bad! the critique is what keeps us good! and it's why we project so much onto them (the celebrities, or "bad" people.)

this video dove into a term that may be new to a lot of people (i only learned of it recently) - "reparative reading." rather than relentlessly critique art or what-have-you, engage with it in ways that is "affirmative, creative, and caring." this does not mean you toss out critical readings - reparative readings can coexist, and give us hope, optimism, feelings of beauty/appreciation, and affirmation.

for example, it's why -while i enjoy critiquing taylor (or what she Represents) - i am also here to just... have fun. i don't want to linger 24/7 on her emissions, or what she hasn't done, or who she's friends with. it's also why, as a fan of color, i hate that she is often dismissed and minimized to "white musician making music for white women." i find affirmation in a lot of her music, regardless of her race; i find optimism and hope in the way women so deeply relate to her, and how queer fans (also like myself) relate to her! (which avila points out too 2:21:00.) it's why i stopped debunking stuff, because queerness - like any other aspect of the fandom - is such a critical, significant part of why her music is beloved. it's so important for people to recognize that she is more than just 'music for straight white heterosexual cisgender women.'

#hot taykes #writing paragraphs about taylor swift

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virtualtadpole · 29 days ago

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Behind the blue shorts: How an all-boys Catholic school sparked the origination of Thai BL

(Cross-post from Reddit)

One evening this past July in Bangkok's long-time youth hangout of Siam Square, a crowd was gathering in the street, around an area set aside for busking musicians. The mostly young-adult female audience politely applauded as several high school bands took turns performing, but they were actually waiting for a different act. After some time, the crowd began to stir as members caught sight of some two dozen teenaged boys, all in a uniform of white shirts and bright royal blue shorts, headed towards the gathering. As they filed out onto the makeshift stage area, the boys were loudly greeted with passionate, enthusiastic screams, all too characteristic of fans cheering on their idols.

But these boys weren't actual idols - not yet, at least. They were all brand new actors, yet to appear on screen anywhere. They were the cast of Love Sick 2024, an upcoming remake of the pioneering Thai BL series whose tenth anniversary they were celebrating that day, in one of their first public appearances.

Why, then, would such inexperienced newcomers inspire such fervent devotion?

The Love Sick 2024 boys (and three girls) with their audience (Tia51)

Well, for starters, the original Love Sick series is a quintessential classic of Thai BL, arguably the one pivotal work that kick-started the entire TV genre - which in the decade since has developed into an industry worth multi-millions and recognized as a major cultural export. It still holds a place close to many long-time fans' hearts, and BL, like other phenomena of fandom culture, has been known to elicit very enthusiastic emotional responses from followers.

But the scenes witnessed with Love Sick 2024's actors are actually quite reminiscent of those previously seen during the original's release, when BL series didn't yet even exist as a category. Surely, there must be something else underlying this series' - and its actors' - popularity.

Let's take a closer look.

Love Sick's real-life inspiration

In chapter 21 of the original Love Sick novel, Noh, having taken delivery of the music club's new set of drums and overseen band practice for the evening, spends some time sitting around on the stands along the sports pitch next to the F. Building, wondering how he's going to pay for them. It's not long before Earn shows up to rescue him from his financial troubles, but let's pay attention to the location.

The F. Building Noh mentioned is an actual place - F. Hilaire Building at Assumption College (AC) in Bangkok. It is named after Frère (Brother) Hilaire, one of five French missionary teachers of the Catholic Brothers of St. Gabriel who arrived in Siam in 1901.

In the late 19th century, Siam (Thailand's historical name) was rapidly modernizing in response to colonial pressures. American Protestant and French Roman Catholic missionaries played a large role introducing technological and medical advances, and also established some of the first schools in the country as the royal government introduced reforms to formalize the education system. Father Émile August Colombet, the head priest of what was then Assumption Church, founded Assumption College as a school for boys in 1885, and after a decade of growth, the Brothers were invited to help run the school. A convent school for girls, run by the Sisters of St. Paul of Chartres, was established next door soon after.

While the early government schools mostly served the aristocracy, the missionary schools catered more to the general populace, especially the minority ethnic groups who also formed the majority of their congregations. However, while they are remembered today for their legacy of modernization, the missionaries had relatively little success proselytizing, and the large majority of their students remained Buddhist.

Over time, these schools expanded and grew. The St. Gabriel's Foundation now operates over a dozen schools, as well as a university, and Assumption College is regarded as one of the most elite private schools in the country. Its lengthy list of famous alumni includes names from several of Thailand's biggest business families, as well as major political figures, demonstrating its historic stature and the strength of its alumni network. Today, the stereotypical image of its students is of those coming from wealthy or upper middle-class families of Chinese descent, and hefty donations are the norm for families looking to secure placement for their sons.

AC student Keen (Only Boo!) giving a presentation in 2022 on his team's experience joining a NASA-sponsored CanSat (miniature suborbital satellite) competition. It's not like every school has an aerospace program. (Assumption College, via Workpoint Today)

Brother Hilaire, barely 20 when he arrived in Siam, spent his next 67 years dedicated to the school. He learned Thai well enough to write the foundational Thai textbook series Darunsueksa, which remains in use over a century later. Along with Father Colombet, he is memorialized as one of the school's two most celebrated figures.

Today, the building which bears his name overlooks the school's central courtyard, an assembly ground of red brick facing the apse of Assumption Cathedral, an imposing Romanesque Revival structure nestled in Bangkok's old European district along Charoen Krung Road, the city's first modern paved street. Guests headed to the famous Mandarin Oriental Hotel nearby might catch glimpses through the steel palisade fence of boys in their white-and-blue uniforms playing football in the tiny sports pitch - the very place where Noh and Earn had their conversation in the novel. The stands are no longer there, but were present in 2007 when The Love of Siam was filmed at the school. Also appearing in the film, and the site of Noh's classes in the novel, is the 13-storey school building which now towers over the cathedral in order to accommodate its secondary student body of some 2,500 within the limited historic space. (The primary section had been split to a different campus in 1966.)

The F. Hilaire Building clock, and Kao Jirayu as young Tong in the sports pitch, seen in The Love of Siam (Sahamongkolfilm International)

A nativity play right in front of the cathedral would be epic. However, this is artistic licence, as the school's primary section lies elsewhere. This area is now the red brick courtyard; Noh actually mentions in the novel that the school was undergoing a lot of landscaping projects. (Sahamongkolfilm International)

The Love of Siam may have been one of the first few instances where the wider public got to actually see what things looked like inside the school. Although it was only standing in as a location for the fictional St. Nicholas School, there was something about seeing students in their sea of blue uniform shorts that tickled the imagination. Such was the effect that when Love Sick began serializing as a web novel on Dek-D.com a year later, the Thai subtitle, usually translated as The Chaotic Lives of Blue Shorts Guys, undoubtedly helped fuel its popularity.

But what's so special about these blue shorts anyway?

This might come as a surprise to international viewers who've only primarily seen Thailand through its TV series, where they tend to be over-represented, but school uniforms with blue shorts are actually rather uncommon in real life. Let's look back again to Brother Hilaire's time, to find out more about their origins.

A history of the blue shorts

In the early days of formal education, most schools did not have defined uniforms, and AC students wore a varied assortment of costumes according to their ethnic background. The school first introduced a uniform in 1933, consisting of a white standing-collar jacket with metal buttons bearing the school insignia, blue shorts, a white pith helmet, white socks, and black leather shoes (though the helmet, socks and shoes remained optional). This was similar to a form already used by some royally affiliated schools since the 1910s,* though their shorts were navy or black. The reason AC opted for blue shorts is not recorded, though some writers have postulated that it may have been to reflect the common colour of the raj pattern costume, the formal dress of the time.

A class of AC students, with their teachers, in the 1940s. It's unclear whether the shorts were the school's original blue, or khaki green in accordance with the 1939 law. (Assumption Association, via The Cloud)

The first piece of legislation governing school uniforms came out in 1939 under the Fascist-leaning regime of Prime Minister Plaek Pibulsonggram. Male students in government schools were assigned a khaki green military-style uniform to match that of the government's Yuwachon Thahan military youth movement. Some AC students also joined the movement, though those who didn't continued to wear the white uniform, creating an interesting contrast which we'll come back to later. In 1943, at the height of World War II in Southeast Asia, a new law extended the khaki green uniform to all schools, but it's unclear whether it ever took effect as Pibulsonggram was ousted the following year and the Yuwachon movement was dissolved after the war's end.

In 1949, the old regulation was scrapped and replaced with a new one, which codified school uniforms to the almost exact same appearance we see today: for boys, a white shirt, shorts, a belt, socks, and shoes. But the shorts were to be khaki for all schools, except those who requested otherwise to the Ministry of Education. Assumption, together with its sister Gabrielite schools, were among the first to register exemptions and became the only schools with blue shorts for their uniforms for several years.

In 1961, the national regulation was changed again to allow schools to choose between khaki, blue, navy, or black shorts. As time passed, boys' uniforms developed into the convention we see today: black or khaki shorts for government schools, blue or black for private schools. But given their prominence, the image of the all-boys Catholic school has remained one of the strongest associated with the blue shorts uniform.

Not that it mattered much back then, though. In the pre-digital era, people's exposure to different schools was mostly limited to their immediate locality and depictions in the media. While blue-shorts uniforms did feature in some teen movies and sitcoms in the 1990s,† those works didn't really play into the stereotype, and the 1997 financial crisis soon disrupted most media production anyway.

Attracting attention

Then several things happened. The BTS Skytrain opened in 1999, and Bangkok became much smaller overnight - at least for the middle class. Cram schools moved into building spaces in Siam Square left vacant from the recession, and saw an explosion in popularity. School students from all over now flocked to Siam Square in the evenings, and the video classrooms became something of an inter-school melting pot where one could catch sight of all sorts of uniform styles and colours.

And the AC boys, they very much stood out.

It's unclear exactly when things began, but throughout the years, Assumption students had developed a fashion culture of their own. The school is one of a handful that require leather shoes (as opposed to canvas),‡ and its upper-secondary students usually opted for a certain pointy style produced by a couple of old shops on Charoen Krung Road. They would also have their shorts tailor-modified to be very short - typically 15 inches or less, while uniforms coming out of the factory are usually 18 inches at the shortest for high-schooler sizes - and wear them with waists pulled very low. This was despite the rule book stating, like any other school's, that shorts should reach no more than 5 centimetres above the knee. It's actually a common refrain of experiences retold by AC students and alumni that they'd get into trouble for their shorts and shoes whenever the disciplinarian teacher would inspect their uniforms. But it was also part of the challenge, to stay on top of the fashion of their peers and at the same time get away with it.

This fashion only added to the fact that those vivid blue shorts are very visible, like, even from 100 metres away. So, coupled with the stereotype of them being rich kids with likely above-average attractiveness, these AC boys' uniforms easily caught attention, whether they were entering late into a cram school classroom or queuing for the train at the BTS's central interchange at Siam Station during rush hour.

This group strolling down the streets of Siam Square would surely draw plenty of eyes in real life. (Sahamongkolfilm International)

The turn of the 21st century also saw the spread of internet access, and with the early web came the proliferation of online discussion forums, both smaller ones serving specific groups like schools and larger public communities like the youth-oriented Dek-D. Suddenly, it became possible to peak into some of the conversations kids elsewhere were having and share in the knowledge of their hijinks at school. This, in some ways, helped fuel the fantasy of this exclusive boys' world, filled with good-looking guys in revealing shorts who weren't averse to having physical contact with each other.

The online forums also gave birth to web fiction, which soon expanded to include the emerging Y (BL) genre. Naturally, these trends eventually converged to give us plenty of Y fiction set in all-boys schools. But the epitome of these wouldn't arrive until after The Love of Siam hit screens in 2007.

The Love of Siam was probably the first major work in a decade to prominently feature the blue shorts uniform,§ and this time it was actually used to highlight the Catholic boys' school setting, employing AC itself as the location. Though it appeared only in a few short glimpses, they were powerful images that further inspired fascination with the real-life school.

It might be because it's accurate, or because the film has completely coloured viewer's perceptions, but this scene is exactly how one would imagine things to be like in those Catholic boys' schools. (Sahamongkolfilm International)

Then in 2008, Love Sick quietly began serializing on Dek-D's writers' section. The story's premise was simple, but it so effectively tapped into this collective fascination and quickly rose up the site's readership charts. Its popularity came no doubt thanks to author Indrytime's extremely lively and enjoyable writing of Noh, who narrates the story throughout. But a large part of the appeal is also attributable to the lifelike portrayal of his school life, with plenty of references to actual locations both within the school and outside - including the convent school next door and the numerous shops of Siam Square. The novel also name-dropped some of the school's actual teachers who, in Catholic school fashion, are addressed as Miss and Master, and Noh even mentions specific happenings at AC, like the new belt buckles that had been added to the school uniform for younger students that year. The only thing not mentioned was the name of the school, which was intentionally left blank. So close did the story feel to real life that the author had to emphasize its fictional nature when people started speculating about the real identities of Punn‖ and Noh and tried to identify them with actual AC students.

But the most significant reference to real life in Love Sick by far must be its descriptions of what is clearly meant to be the Jaturamitr football competition - a biennial event between Thailand's four oldest boys' schools: Assumption College, its Protestant counterpart Bangkok Christian College (BCC), and the royally founded government schools Suankularb Wittayalai (SK) and Debsirin (DS). The tradition is a HUGE part of school life at these four schools, which pretty much share this culture of intense collective institutional pride.

These boys and their ball game

It's kind of hard to explain all that the competition entails, but the football is just a small part of it. This YouTube video looking at the BCC side makes for a nice intro.¶ There are parades, mascots, Thai-style cheerleading (featuring not acrobatics, but synchronized arm movements), and most notably, the spectacular card stunt displays, which involve the entire student body from the lower-secondary years. The students will spend months practising to perfect their card flips, under the direction of the cheering president. Sounds familiar? That's Earn's position in Love Sick.

Fourwheels (Oxygen, Nitiman, La Pluie), wearing the cheering crew overalls that Noh dreams of, addressing the AC crowd in 2017 (AC Ed Tech)

Beam Boonyakorn (Make It Right) as AC's eagle mascot, though it's often teased for looking more like a chicken, also in 2017 (TTaewTaew Twitter)

The card stunt tradition actually originated at AC in 1942, from the aforementioned contrast between the military youth and regular uniforms. A teacher came up with the idea of having the differently dressed students arrange to form the school initials on the stands. This eventually developed into the elaborate displays done today, which use coloured card booklets to create pixels that together form a detailed aggregate image. Crowds of 1,250 from each school, seated opposite the paying audience, are needed to perform these.

Oat Tharathorn (Fourever You) in the card-stunt-performing audience in 2014; note the plates of colour card booklets set on the racks in front of them. (oattrt Instagram)

Such plates appeared in Love Sick 2024's episode 4 behind-the-scenes clip, but didn't show up in the actual episode. They later appeared in episode 5. (Tia51)

Regular fixtures among these displays include school logos, the royal family, and sponsors. There are also have these coordinated sequences with portraits of students and alumni greeting the crowd, which may feature some familiar faces.

A sponsor ad for Est gives way to AC student Chimon greeting the audience in 2017. (AC Ed Tech)

Alumni PP Krit (AC), Ice Natara (DS), Nonkul (BCC), and Sky Wongravee (SK) welcoming the audience, 2019 (AC Ed Tech)

GMMTV's Marc (AC) and Ford (SK) from the same sequence in 2019; Inn (BCC) from before 2014; AC alum Net Siraphop in 2023 (AC Ed Tech; Suankularb Photo Club; inpitar Instagram)

This attention to popular students didn't exist during novel Noh's time, though. Back then, few people followed the event apart from the schools' students and alumni, and football people scouting for young talent. But the 2010s' "cute boy" craze brought a sharp rise in attention from the sao-Y and cute-boy-following crowds, who flocked to the matches, some equipped with huge telephoto lenses to capture not the football action but cute guys in the audience.

BCC alumnus Inn Sarin photographed in the audience in 2014. Photos of him from the event were virally shared and boosted his following and "cute boy" stature. (inpitar Instagram)

BCC cheerleaders Winny Thanawin (2017) and Ping Krittanun (2019) (BCC Jaturamitr)

The origination of Thai BL

In some ways, the Love Sick novel helped lay the foundations for the phenomenon. It gave readers this imaginary connection to the school, which drove interest in seeing what its real-life students shared on social media, especially as Instagram exploded in popularity around 2012. And of course, attractive boys in revealing uniform shorts was already a winning combination in itself (and the fashion soon spread to other schools).

So it's appropriately fitting that things would come full circle with the 2013 announcement of Love Sick The Series, which generated huge amounts of engagement as fans recalled their impressions of the characters and shared pictures of real-life AC students whom they saw as the perfect Punn and Noh.

As it turned out, recent AC graduate White was cast as Punn, and several other AC boys were also chosen for the many supporting characters. Fans readily took to following these budding actors from the moment they were announced, gathering to meet them after acting classes and supporting them through to the last post-series events. It was a revelation in how dedicated such a fandom could be, without seeing even a second of these actors' work.

For the production, though, it could hardly be expected that explicit reference to the real-life school would be allowed, so they named the school Friday College in the series. (Which kind of bugs me. Couldn't they have at least come up with a vaguely Catholic-sounding name? Anyway, they developed it into a brand and it's stuck now.) They did model the school emblem and uniform exactly after AC's (in its 2008 form, before the new belt buckle), and the same uniform was featured in Thank God It's Friday, a 2019 spin-off set in the same universe. However, the school emblem was redesigned for the 2024 Love Sick remake, maybe because the resemblance now felt too close for comfort. (Another detail that bugs me is how the 2014 series had four-digit student IDs, while the 2024 has six. Most real-life schools have five digits!)

While it would have been a dream come true to see the actual original locations in the series adaptation (even if unnamed), this was not to happen. In fact, unlike its sister school Assumption College Thonburi, which served as the location for Hormones and numerous other works, AC seems to no longer be keen on allowing access as a filming location, and hasn't been spotted in anything since The Love of Siam.

Anyway, Love Sick's broadcast was a turning point in several ways. Of course, it most importantly kickstarted the Thai BL industry,** but this also led to a shift in Y culture where shippers turned their focus from real people to actor pairs from series. "Cute boys" from social media were now regularly tapped to join the many budding modelling agencies, who would try to push them as actors and influencers, and AC students attracted particular attention. Make It Right (2016)'s Peak, Ohm and Beam, for example, were all scouted from the school.

AC students Peak, Ohm and Beam, taken by a fan account in 2016. (allaboutpeak Twitter)

The boys made use of their newfound cult. Popular AC students were tapped to promote the school's annual Christmas Fair, which drew an influx of visitors from their followers, who happily contributed to their fundraising efforts. This was much changed from Noh's time in the novel, when the fair was still pretty much an internal event for students and their immediate friends and family.

Turbo (Love Stage!!) promoting merch for AC's 2015 Christmas Fair (turbotb Instagram)

However, this trend, as with the cute boy craze itself, seems to have largely petered out, especially as life was disrupted by the COVID pandemic and the 2020 protests brought about sharp changes in ideology among young people. Another victim of this has been the Jaturamitr competition, which was postponed for two years before taking place again in 2023.†† But it then became the topic of a huge online drama over the compulsory nature of attendance for the card stunt performances (which not everyone willingly enjoyed), and the negative public attention soured the experience for a lot of the students.

These new concerns seem to have influenced Love Sick's 2024 remake. In the novel, during preparation for the football competition, Noh talks about how hard the marching band was practising, and how he and the band leaders felt the need to push them to perfection, in order to uphold the school's reputation. There's a clear institutional pride in the way he says, "I'm sure the young ones understand. (Or if they don't now, they will in a few years.)"

This stands in sharp contrast to Earn's stance in Love Sick 2024, where he says in episode 4, "If the formation fails, the school’s reputation will just take a hit. But the school doesn’t have feelings, does it? It is they (the young ones) who have feelings."

We'll find out in a couple of hours how else they're updating the depiction of the competition, which was one of the highlight scenes in the novel thanks to how detailed it was with insider info of the behind-the-scenes workings at the Suphachalasai National Stadium in real life. It's an unfortunate fact, though, that it's near impossible that any TV production with a normal budget would even come close to the spectacle of the actual event, with its crowds in the tens of thousands. But let's see how creative the production crew can be.

After all, it's the emotional threads that make the real highlight of the story, isn't it?

Footnotes

* These schools had been set up after the English public school model by King Vajiravudh, who himself was educated in England. Vajiravudh College still uses it as its ceremonial uniform.

† One of these was I Miss You 2 (1996), which was filmed at Montfort College in Chiang Mai, another Gabrielite school. Incidentally, The Love of Siam director Madeaw Chookiat was a student there and became an extra in the film, an experience which inspired him to go into filmmaking. He would later base the Nay-Beam segment of Home (2012, one of the most significant mainstream proto-BL works) at the school.

‡ Most other schools allow both, and their students usually prefer canvas shoes. Nanyang, with its iconic green soles, has long been the most popular brand.

§ Actually there's at least Yong Songyos's Dorm (2006), set at his alma mater Assumption College Sriracha, but it's a horror focusing more on the boarding-school aspect. Yong also created a short film dedicated to the school in 2015, starring four Hormones Next Gen actors (no English subs, but there are hardcoded Thai captions that maybe a tool can translate).

‖ Sorry, but I just can't accept the spelling Phun, as it's plain incorrect. The /p/ and /ph/ are supposed to represent different sounds in Thai, but most Thai people don't understand the system as it's not taught in schools.

¶ As an expat, the video creator misses the meanings of some of the things that happen in the video. The yellow chicken is a reference to a Facebook satirist who's said to bring bad luck to sports teams, while the no-banana sign is a response to the angry chant the BCC side was yelling. It's an expletive that rhymes with the word for banana in Thai.

** Isn't it ironic that a genre revolving around a topic so controversial with the Church should be inspired by a Catholic school? But then, as director Madeaw demonstrated in The Love of Siam, religious conflict has always played an important role in driving social issues, while in the case of Love Sick, it's not actually relevant at all.

†† Yet another victim is the Chula-Thammasat Traditional Football Match, a competition between Thailand's two oldest universities which features similar elements of parades, cheerleading and card stunts. It hasn't been properly held since 2020, and when a substitute event was held in 2024, a huge online drama erupted over the student body's decision to alter certain elements.

#thai bl #love sick the series #love sick 2024 #bl meta #bl history

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