#writing paragraphs about taylor swift

[taylortruther]

idk how to articulate this, but i'm thinking about how some fans think taylor creates numerous sophisticated, subtle easter eggs/hints about her life - to the point where, if this was true, she would be going to an extraordinary amount of effort to be even more self-referential than she already is. planning every move, every outfit, every letter in every tweet, every tiktok like, every interview answer, every photoshoot, every jewelry name, every pap shot, every friend, every meal to mean something. and if that was in any way realistic (it is not), at what point would the taylor in their minds cease being a person and simply become a collection of easter eggs?

[tiktaalic]

Not all women would be happier if they were lesbians. But Taylor swift would be.

[bisexualdinahlance]

Anyone else find it wild the amount of projection some people put on characters. And I don't mean like personality traits I mean like interests. People HAVE to have their faves to have the same interests in movies and tv and music as them, to the point that then you have grown men sounding like they are teenage girls in a weird way and everyone has literally the exact same taste. And they also can't like something the fic author hates bc then it is an irredeemable flaw or st even if it is canon or it fits the characters personality better. Idk like maybe it's the types of fics I read but it's just super weird sometimes and really takes me out of the story. Especially when like... You didn't need to name drop anything in the first place? It often isn't relèvent at all

[dreamersparacosm]

jeon jungkook - the price of desire (part nine)

warnings ; well.. oral (f recieving) light choking, he hits it from the back, front, idk i lost count, she feels him in her stomach? (realism has left the chat)

prompt ; in which you learn that your dignity has a price, and unfortunately, it looks a lot like Jeon Jungkook in Calvin Klein boxers.

note ; here it is. my baby. my pride and joy. my biggest accomplishment that i will be hanging on my fridge with my hello kitty magnet. not even kidding i rewrote this part four times. four full rewrites. not because the words weren’t working, but because i knew this part had to hit just right.

writing that was hard!! i love these characters so much it physically hurts sometimes. ive lived inside this world for months now, and bringing them to this point broke something in me in the best way (also healed me??? idk dealers choice) the process wasn’t pretty. there were pacing debates, deleted scenes, google docs full of one-sentence paragraphs. through all of it though, one woman held my hand: miss taylor swift.

required listening for this part is this is me trying by tswift. (it’s actually required, the lyrics are THEIRS)

to all of you who’s sent me theories, essays, questions, unhinged keysmashes, character analyses, or even just a quiet “i love this” — thank you. thank you for seeing these characters the way i see them and for lovingly watching on the sidelines when two people experience the ache of wanting something they’re afraid they’ll ruin. you’ve made this story so fun to write!!! i hope, when you reach that last line, that it all feels right to you too. enjoy!!

playlist here

series masterlist here

When you were seven, you ran away from a kitchen fire before anyone else smelled the smoke. You bolted — barefoot, wild-eyed, arms flailing — as the toaster sparked and your mother screamed your name. You learned two things that day: one, that survival is instinct and two, that no one follows a girl who flees first. Ever since then, you’ve made an art of it, of leaving before you’re left, of outrunning the collapse before it’s had time to announce itself.

Even now, you still run like the building is burning.

You book a one-way flight back to Los Angeles with a violence that surprises even you, fingers stabbing at your phone screen, credit card number punched in before the doubt can catch up to your impulse. No pause for breath. No moment to excavate what just splintered apart in Seoul. Just the brutal efficiency of escape.

When the plane finally lifts, Korea dissolving beneath a cotton shroud of clouds, you search yourself for something that might feel like catharsis. But there's only absence. A vacuum where emotion should live.

Not the sweet release you'd imagined.

Not the peace you'd convinced yourself would follow.

Not even regret, which might have offered its own strange comfort.

There's a stillness inside you, resonating like footsteps in an empty gallery after the crowds have gone. You've become a visitor in your own body, observing from the outside.

The campaign, with all its frantic choreography of stress and miracles has finally wound down. The endless parade has halted: no more lighting to approve, no more impossible deadlines to somehow bend to your will through sheer force of determination. No more 4 A.M. calls with production when everything threatened to fall apart.

(No more Jungkook. Almost. You can taste it on the tip of your tongue.)

Tomorrow, it all launches.

You should be electric with anticipation. You should be riding the intoxication of knowing that in storefronts across continents, space is being cleared for what everyone predicts will redefine the brand's trajectory. Success is waiting,, yours to claim.

Instead, you're suspended in a strange limbo. Present but not present. Moving through the the world like someone playing the role of you in a film about your life.

You've become the most convincing ghost in your own story.

You slip back into the LA office like that same ghost returning to familiar hauntings, moving with that quietness people develop when they've spent years trying to be noticed while simultaneously proving themselves indispensable. The ritual feels stolen from another life: coffee warming one palm, the other hand clutching your phone with determination, as if the device might try to escape.

You lose yourself in the launch preparation, drowning in press releases that need one more edit, retailer confirmations requiring verification, social media calendars demanding timing. You orchestrate influencer packages like a general deploying troops, analyze backend metrics with the intensity of someone decoding ancient hieroglyphics.

Because busy hands can't text people.

Because typing another email means not typing his name.

Because every spreadsheet you complete is another reason not to wonder what he's doing right now.

When Jungkook's name illuminates your phone screen for the fifth time that day, something in your chest contracts with such sudden pain that for a moment, you forget how to breathe. You've developed a new skill: the swiftness with which you decline his calls, a movement so practiced it's become second nature. Your finger swipes across his name each time.

Voicemail. Another notification. Voicemail. The red badge multiplying like evidence.

Everything bearing his digital fingerprint gets redirected to Daniel. Meeting conflicts that need resolution, approval requests for campaign deliverables. Some tedious back-and-forth about choosing the right cover image for the website that would have once made you call Jungkook directly.

"Can you handle it?" The question leaves your mouth without inflection, your eyes never lifting from your laptop screen, afraid of what Daniel might read in them.

Daniel stands in your doorway, silent long enough that curiosity finally forces you to look up. The expression on his face carries such naked concern that you almost flinch.

"Are you really going to ghost your own campaign's face?" His voice is soft, which somehow makes you feel worse.

"He's not my anything," you say, the words emerging with a coldness that surprises even you. "He's the brand's."

The look Daniel gives you could incinerate entire cities, reduce them to smoke and memory. There's judgment there, yes, but beneath it something more dangerous: understanding. He retreats without pushing further.

You drag yourself to your hotel in Los Angeles at the hour when even the most dedicated workaholics have surrendered to basic human needs like sleep and food that isn't delivered by Uber Eats. It greets you with the enthusiasm of an abandoned museum exhibit — pristine, untouched, vaguely disappointed.

You answer emails until your retinas protest and your fingers develop their own Stockholm syndrome relationship with your keyboard. The clock on your laptop blinks an accusatory 2:17 A.M while you craft responses.

The Calvin Klein countdown timer on your open browser tab pulses with all the subtlety of a doomsday clock, a digital reminder that your exit strategy is right on schedule. This was always your personal three-step program: Get in. Get it done. Get out.

Jeon Jungkook was supposed to be a line item in your professional portfolio, not the tenant currently occupying all the premium real estate inside your head.

The fact that your brain has apparently thrown him a housewarming party complete with intrusive thoughts as party favors is just your psyche's idea of a practical joke.

One that unfortunately, you do not find the least bit funny.

｡･:*:･ﾟ★,｡･:*:･ﾟ☆

The launch doesn't just hit. It is literally a tidal wave. #jungkookcalvinklein is trending on Twitter at the ripe hour of 9am.

Before you've managed to convince the coffee maker that yes, today definitely requires the triple-shot setting, Times Square has transformed into a shrine to sculpted abs and Jungkook’s face. Stores unveil installations that somehow make minimalism feel maximalist.

He's everywhere.

Christ, that jawline probably has its own insurance policy, with Calvin Klein jeans on that defy the laws of physics by simultaneously hanging too low and fitting too well, silver chains adorning him.

The public response is teetering on obsession; less consumer enthusiasm and more mass religious conversion. You half-expect to see people speaking in tongues while clutching Calvin Klein shopping bags.

You don't even have time to perform your planned emotional collapse, which you'd scheduled right between "approve final press release" and "pretend to eat lunch." The universe, it seems, has no respect for your Google calendar.

There are calls to field, interviews to prep, press appearances to manage. But then, just to your luck, digital confetti in your inbox: the New York office is hosting a last-minute happy hour to celebrate the global rollout. The invitation lands with little subtlety in bold letters: SENIOR STAFF AND GLOBAL LEADS ONLY, with enough exclamation points to suggest someone's enthusiasm has escaped corporate blandness.

Your decision-making process rivals light speed. You book the flight with the impulsive confidence of someone fleeing a crime scene, pack your garment bag with a dress you haven’t worn in a while. It’s flowy, with an open back that lets you feel the breeze.

Daniel plops himself in the seat beside you on the plane, a one-man information hurricane disguised as your colleague.

You let his voice become white noise, because right now, even corporate jargon is preferable to the unauthorized commentary running through your head, the one narrating all the ways you're not thinking about Jungkook (which, ironically, is all you can think about.)

By the time you two land in Manhattan, it’s dusk, that magic hour when the city sheds its skin and slips into something more comfortable. The streets buzz with that New York electricity that called you even as a young girl in Busan, a current that used to light you up from the inside but now just makes you wonder if you ever really loved it at all.

The SoHo rooftop has undergone the standard office-to-party transformation: string lights creating the illusion that accounting departments can be romantic, glasses clinking.

For the first time since Seoul, you almost feel like a person again instead of a walking collection of unprocessed emotions wearing business casual. Not fixed, not whole, but at least functional, kind of like finding your favorite sweater that you thought was ruined in the wash.

You slip back into your social persona with ease. Your laugh doesn't even sound fake to your own ears, which feels like progress. The champagne bubbles tingle pleasantly, reminding you that sensations other than dread still exist.

It’s always been in your nature; telling stories, entertaining others. Your hands paint disaster scenarios in the air, voice dropping conspiratorially at just the right moments. When you describe finding the missing sample jacket locked in a janitor's closet, your audience erupts into that specific kind of corporate laughter. Even Daniel, standing beside you like your professional shadow, can't help but crack up.

It feels almost like... okay. Not perfect. Not Seoul-never-happened. But upright and breathing, like a houseplant that survived your vacation.

The moment shifts when Daniel's fingers tap your elbow gently. "Hey, walk with me for a second?" he murmurs.

"Sure," you respond, the word automatic as your brain runs rapid calculations on what this could possibly be about.

He leads you away from the celebration, past colleagues swapping war stories and marketing puns, until you reach the edge of the rooftop where the Manhattan skyline lights up the sky.

You exhale slowly, watching the city sparkle before you, thousands of windows lit up. The view is breathtaking in that uniquely New York way that somehow makes your problems feel both microscopic and monumentally important.

"Have you spoken to Jungkook?" Daniel asks carefully.

The question cuts through your momentary peace. Just like that, the city lights dim, the champagne goes flat in your veins, and you're back in Seoul, watching everything fall apart in high definition.

You don't answer immediately. Jaw clicks into lockdown mode. Your arms fold across your chest, the universal body language for "absolutely not having this conversation right now." If emotional armor could make sound, yours would be clanking into place.

Daniel watches you with that particular expression he reserves for when you're being self-destructive but he's too smart to say so directly. It's the look that has always made lying to him impossible, which is precisely why you've been avoiding direct eye contact.

You stare down at your drink where bubbles perform their slow surrender, fizzling into oblivion against the rim of your glass. There's probably a metaphor in there somewhere, but you're too tired to figure it out.

"No," you finally admit, "Not since Korea."

Daniel nods once, the motion small but definitive. "He asked if we were coming tonight."

Your heart performs an acrobatic routine that would qualify for the Olympics, some complicated tumble of hope, panic, and an unfortunate third thing. The champagne you've been nursing suddenly seems very fascinating.

"And?" The question emerges more breathless than you'd prefer.

"I didn't answer," Daniel replies with a shrug. "Wasn't my place."

You swallow hard enough that it feels like forcing down something solid.

"You don't have to tell me anything," he adds, tone dropping to that specific frequency of friendship where truth lives. "But I figured you'd want to know."

Somewhere in this universe, Jungkook might be wondering if you'd show up tonight. The thought lands like a stone in still water, ripples expanding outward.

What would he have done if he'd seen you here?

What would you have done if he flew from Seoul?

Worse: what might you still do?

You remain silent, lips pressed together in a thin line of indecision. Your voice might crack, words may betray you.

The truth is, you're standing at the crossroads of pride and longing, and you have absolutely no idea which direction to take.

You tilt your glass back, letting the alcohol wash across your lips before words form in your throat. “I don't know what you think you saw," you say, your gaze sliding sideways to catch Daniel's expression without fully committing to eye contact. "But I promise you, it's not some great love story."

Daniel makes a sound, a gentle hum that vibrates with something like understanding. “Never said it was," he offers,. "But something definitely happened. You've been walking around like someone left the door open and the wind knocked everything over inside you."

"Poetic," you say sarcastically and roll your eyes.

He shrugs. "I minored in creative writing."

A laugh escapes you, unexpected and genuine,"You minored in talking shit."

His grin unfolds slowly. "So? I'm right."

The silence that follows feels weighted, layered with everything you cannot bring yourself to say. Words gather in your chest, pressing against your ribs like birds against cage bars, but none find their way to your tongue.

Part of you — the part that still wakes at 3 A.M replaying conversations that cannot be undone — wants desperately to believe that your spiral has gone unnoticed. That you might still appear whole from certain angles, in certain lights.

When he speaks again, his voice has softened even more. “You know, you never really do things for yourself."

The observation catches you off-guard, slipping beneath your defensesd. Your brow furrows,"What's that supposed to mean?"

"I mean..." His hand lifts in a gesture that encompasses everything. His fingers trace the invisible architecture of the career you've built, brick by exhausting brick. "You do this. All of this. You're a fucking workaholic. But when was the last time you did something just because you wanted to? Just for you?"

"I wanted this campaign to succeed," you retort. Your posture straightens, shoulders squaring against accusation.

"For the company," he fires back, neither unkind nor relenting. "For the brand. For the headlines. For the part of you that refuses to lose. But not for you. Not really."

Your fingers curl more tightly around the stem of your glass. Because, like, yeah… you keep a tight ship and all, but it’s what your multimillion dollar contract calls for. In the distance, a helicopter cuts across the skyline, its searchlight briefly illuminating clouds from beneath, revealing their hidden dimensions.

Daniel turns to face you more fully, his expression shifting more dangerously sincere. "What's all this success worth if there's no one to share it with?"

You attempt a laugh that emerges more like a strangled hiccup. Your lips part for a comeback that refuses to come out while your traitorous brain launches into a highlight reel of Jungkook: his sleepy morning smile across hotel pillows, the weight of his shoulder underneath your head during that night on the beach in Busan, his laughter spilling into crevices of the hotel bar. The memories arrive uninvited, like party crashers bringing gifts you're afraid to open.

Daniel nudges your arm, pulling you back from the your thoughts. "Look, I'm not saying go get married in a garden or whatever. Although, now that I think about it, the photos would be incredible. Very Architectural Digest meets romance novel."

He grins before his expression softens. "But maybe... just maybe... it's okay to let someone in. You know, that thing humans have been doing since, like, forever."

You meet his gaze then. It's terrifying, like standing at the edge of a high dive you're not sure you remember how to use.

He's not pushing, not wielding your vulnerability. He's just reminding you, in the way only Daniel can after years of watching you build emotional fortresses, that beneath your exoskeleton of competence and control, you're still embarrassingly human. Still allowed to want something that doesn't come with metrics, target demographics, or quarterly reviews.

You exhale slowly, turning back toward the skyline,"I don't know how to do that," you admit.

"Then start small," he says with the gentle pragmatism of a man suggesting you try a new coffee shop rather than rewire your entire emotional circuitry. "Text the guy."

You shake your head, but the gesture lacks conviction. Your fingers twitch slightly against your glass, as if already rehearsing what they might type.

You squint slightly at the skyline like the answers could be written in neon across the Empire State Building: YES or NO in flashing lights, visible from miles away.

Daniel stands beside you, patient in his silence. He's always had this gift; knowing when to push and when to simply wait, creating space for you to stumble toward your own conclusions at your own stubborn pace. Somewhere beneath the layers of denial, a small, persistent voice wonders what would happen if, this one time, you stopped running long enough to find out what might catch up to you.

Finally, you exhale. "And say what?" you mutter, mouth twisting into what might be mistaken for a smile if not for the panic flickering in your eyes. "Text him: 'Hey, can't believe I ended things between us, how's your day going? Fantastic, thanks for asking!'"

Daniel chokes mid-sip, whiskey catching in his throat as laughter erupts. Amber liquid splashes dangerously close to his shirt cuff. "Jesus Christ," he wheezes, eyes watering. "Maybe workshop that a bit before hitting send."

You laugh too at that. The momentary lightness evaporates as quickly as it appeared, leaving something heavier in its wake. Your next breath feels weighted.

"He said something I can't forget," you add, voice dropping to that particular register where confessions live. You trace the condensation on your glass with one finger, drawing invisible patterns that might spell out what you're afraid to say directly. "During this fight we had... about my family."

Daniel's expression shifts, humor draining away. He watches you with that careful attention that always makes you feel seen. "What'd he say?" he asks.

You shake your head, gaze fixed on some indeterminate point beyond the rooftop's edge. The city lights blur and sharpen with each blink. "That I didn't even want to see them. That I was back in Busan for days and didn't bother. He used it like an insult. Like proof that I don't care about anything."

Daniel's silence stretches between you, allowing your words room to exist without immediate judgment. Long enough for you to lift your glass again, for the alcohol to slide down your throat and bloom warm in your chest, for you to wonder if maybe you've said too much or not enough.

Then he speaks tentatively, "Okay. Not great. But..."

You raise an eyebrow, the gesture sharp with defiance. "But?"

"But he's also not wrong." When your eyes narrow dangerously, he lifts his hands in theatrical surrender, "Not about using it against you.. that was a dick move, solid eight out of ten on the asshole scale."

His expression softens. "But about the rest of it. You kept pushing everyone away. I think you told me to forward all calls from your mom to ‘Satan’ one time. You were so scared of being known, it was easier to hide behind quarterly reports than have coffee with the people who gave you life."

Your mouth opens, a rebuttal forming on your tongue. But the words evaporate before they reach air, leaving you momentarily speechless. Some part of your brain, the part not currently occupied with denying everything, whispers that maybe, there's a sliver of truth worth examining here.

Daniel shrugs casually, with the demeanor of someone sliding the final piece into a puzzle. "Look, I don't think he meant it to hurt you. I think you hit a nerve, and he lashed out. Poorly."

He shifts on his heels, "But he also... I don't know. He kind of seems hopelessly in love with you."

You blink rapidly, as if your eyelids might somehow filter this information into something manageable. "He- what?"

A grin unfurls across Daniel's face. "Dude's clearly gone. I've watched him stare at you like you personally invented the concept of desire. Dont tell anyone this, but he’s also been blowing up the rest of the team’s phones asking if he should expect to hear from you."

You scoff, eyes rolling skyward, but a sensation you've been systematically ignoring since Seoul unfolds within you. Since before Korea, if you're being honest, which you rarely are with yourself. The memories surface unbidden: Jungkook hunting down honey butter cookies because you'd mentioned liking once. The way he'd placed the bag in front of you without comment. The thousands of other tiny gestures you'd filed away as "just being cordial" because "being in love with you" seemed too terrifying a folder to create.

"I didn't..." you begin, then falter. The words hover, “ I don't think I know how to let someone be in love with me."

The confession hangs between you, delicate and honest. Daniel doesn't look away, "Maybe," he says simply, "it's time to learn."

The words settle over you, not a weight but an opening, a door unlocked but not yet pushed ajar.

Daniel drains the last of his drink with finality, eyes fixed on the skyline. The casual observer might think he's admiring Manhattan's glittering architecture, but you recognize this particular silence — the loaded pause before he drops something he's been strategically holding back. It's the conversational equivalent of watching someone wind up for a pitch.

And sure enough, after a calculated beat, he says, "You do realize the contract is done, right?"

You glance sideways, eyebrows lifting in a gesture that attempts indifference but lands somewhere closer to alarm.

"All the promo's scheduled. Launch assets are live. My inbox is starting to go down," he continues, ticking items off an invisible check list. "You're technically free. No more approvals.”

His voice softens around the final blow: "No more excuses."

You lean against the railing, the metal cool against your forearms "What are you saying?”

"I'm saying..." He turns toward you fully now, "You don't have to pretend this is about work anymore."

A scoff escapes you. "Please. Me? And a k-pop idol?"

Daniel delivers a look so deadpan it could be preserved in a museum, the perfect distillation of "are you actually serious right now?" compressed into a single facial expression.

You clarify, hands animating the air between you like you're conducting an invisible orchestra of denial. "The biggest k-pop idol. Like globally famous. The same dude who gets murdered everytime there’s so much as one dating rumor." Each descriptor escalates in pitch, as if the accumulation of external obstacles might somehow outweigh the internal ones.

Daniel lifts his hands in surrender, though his expression suggests he's winning whatever battle is being waged. "Yes. All true. Also.. just so we're keeping track, he's the same guy you've spent the last few months hooking up with, traveling the world with, fighting with like some married couple, and if I'm not mistaken, spending all your time with."

Your eyes narrow to slits. "You make it sound so romantic," you mutter, each word dripping with sarcasm.

"It kind of was," he says with a shrug, "In a HR-nightmare kind of way."

You roll your eyes for what feels like the hundredth time tonight, but there's no real resistance behind the gesture. If anything, you're fighting back something dangerously close to a smile.

Daniel nudges your arm, “I'm not telling you to drop everything and chase some wild fantasy. I'm not suggesting you write his name in your planner with little hearts or anything. But… if it is something, if it's more, then maybe you owe it to yourself to find out."

You stare down at the streetlights below, watching headlights weave through intersections. The city continues its relentless dance, indifferent to your crisis of heart. Somewhere down there, people are making decisions far less complicated than yours; ordering takeout, hailing cabs, choosing which Netflix show to fall asleep to.

"You should take a few days off," he adds, less the colleague who's seen you demolish incompetent vendors and more the friend who once held your hair back after three too many tequila shots at the holiday party. "You can actually take them. The company will somehow survive without you micromanaging every press release for 72 whole hours."

You don't answer, silence a familiar shield.

"I'll cover anything that comes up," he says, the offer weighted with a kindness you're not sure you deserve. "But I think you need to go."

He doesn't say where. He doesn't have to. The destination hovers between you.

Still, you say nothing, your fingers tracing idle patterns in the condensation on your glass. But something shifts in the atmosphere around you, not a decision yet, nothing so concrete or brave. More like the subtle change in molecular rearrangement that animals sense before humans do.

Because maybe there's a version of this story where you don't end up alone with your accomplishments for company, where professional triumph isn't the only warmth in your bed. The thought bubbles up, ridiculous and terrifying and somehow not entirely unwelcome.

You've spent so much of your life building walls with the focus of someone who believes safety lies in being alone, you almost forgot what it feels like to stand before a door that's already open, waiting. The possibility stretches before you, an invitation to step through and see what might exist on the other side.

Daniel slips away, leaving behind only the lingering scent of overpriced whiskey and words that hang in the air. You remain at the railing, arms folded across your chest in what your therapist would probably call a "defensive posture" if you actually went to therapy instead of just reading psychology articles at 3 A.M.

For a while, you just breathe, an activity so basic it shouldn't feel revolutionary, and yet somehow does. One inhale. One exhale. One heartbeat after another.

Then, with the slowness of someone defusing a bomb, your hand migrates to your pocket. Your fingers close around your phone, that small, glowing rectangle.

The screen illuminates instantly, revealing a notification dot so aggressively red it might as well be screaming. You tap the voicemail icon with the hesitancy of someone poking at what might be a sleeping bear. The app lags for a moment, probably collapsing under the sheer weight of messages you've been studiously ignoring.

112 unheard messages.

You stare at the number, a monument to your impressive commitment to avoidance. Gold medal material.

You haven't listened to a single one. Haven't allowed yourself even the smallest peek behind the curtain you pulled.

Your fingers hovers above the most recent message, trembling slightly. You press play before the rational part of your brain can stage an intervention.

"Hey."

His voice arrives like an ambush, rough around the edges, frayed.

"I don't even know if you'll listen to this. You probably won't. But I just... I don't know what to do anymore."

Your grip on the railing tightens, as if holding onto something sturdy might somehow anchor you against what's coming.

"You're not answering. You won't text me back. Daniel says you're 'handling things.' Whatever the fuck that means."

“You always do this. You disappear when things get hard. But this isn't just some hookup anymore. You know that."

You press the phone against your ear with unnecessary force, as if the closer it gets the more sense everything might make.

"I said something I shouldn't have. About your family. I know I crossed a line and I'm sorry. I'm so fucking sorry."

Your throat constricts, performing an impressive impersonation of a python with its prey. The apology lingers in the universe for a second too long.

"I wanted you to know me. But… I think I forgot that I'm only just starting to know you. And I want to. God, I want to know you so bad."

The voicemail ends with a soft click that somehow sounds louder than any dramatic declaration. You don't move. You don't blink. You barely breathe. Your brain, that overachieving organ that's kept you ten steps ahead in boardrooms and client meetings, suddenly finds itself speechless.

You press play on the next message with the reckless courage of someone who's already jumped from the plane and figures the parachute situation can be sorted out mid-fall.

"Please talk to me."

The sound travels from your phone directly to some unguarded part of your chest.

"I can't sleep. I keep thinking you're gonna call. And then you don't. I get it, I do. But I miss you."

"That's pathetic, right? Missing someone who keeps running from you?"

The question hangs in the air, unanswered and devastating. You find yourself shaking your head in automatic response, as if he could somehow see you through time and digital space.

Your thumb hangs over the screen, hesitating for the briefest moment before tapping to the next message like someone poking at a bruise to see if it still hurts. And the next. And the next.

Each message is a progressive study in yearning — Jungkook's voice traveling through octaves of exhaustion and vulnerability you didn't know existed. Each one reveals another layer of him spiraling, leaving behind a man who can't understand why someone disappeared.

"I think I'm in love with you.”

There it is. The message that finally breaks through the elaborate wall of denial you've been maintaining. Kind of like the sprinkler system activating after the fire's already spread to every room.

You bite down on your bottom lip hard enough to draw blood, your body's desperate attempt to keep everything contained as your eyes begin to burn with the particular sting that follows with tears. You lock your phone with fingers that suddenly feel clumsy.

The breath you draw in trembles, your chest expanding around a feeling you've been ignoring since Seoul.

You can feel it now rushing toward you with the unstoppable momentum of a train whose brakes have failed. The devastation you left behind, casually strewn across continents like discarded clothing. The truth you didn't want to admit, even in the privacy of your own thoughts. The stupid, impossible, terrifying fact that somewhere between contract negotiations and late night 1-on-1 strategy sessions, between stolen moments in hotel bars and shared laughter over take-out containers that he forced you to eat, between arguments that felt too personal and kisses that felt too intimate, Jeon Jungkook somehow slipped past every defense system you'd installed and became more than just another project to complete.

He became the person you think about when good things happen.

The voice you want to come home to on difficult days.

The laugh that somehow makes everything lighter.

Oh.

The realization lands with surprising gentleness.

Oh shit.

You wipe your cheek with the back of your hand for tears that somehow manifested on your face. For the first time since you left Korea, the weight that's been compressing your lungs begins to lift. Not because the ache has diminished or because the fear has subsided, but because you've finally granted it permission to exist.

The realization settles into your bones, that what you want has never resided in quarterly projections or campaign metrics or the professional detachment you've perfected over years of holding people at a distance.

What you want, what you've wanted while convincing yourself otherwise, exists in a hotel room in Korea where a boy with gentle hands and knowing eyes has been waiting for your voice. The thought arrives with clarity, cutting through layers of cynicism and self-protection: you've been running from the very thing you most desperately need.

Your fingers find your phone with newfound certainty, navigating to your travel app with none of the hesitation that's characterized every interaction with this device recently. The flight options materialize on the screen. You select the earliest departure, credit card information autofilling as if your technology recognized this decision before you made it. The laughter and chatter from your coworkers seems so far away despite how close they actually are.

It’s just you and the simple, terrifying recognition that some journeys can only be postponed, never avoided — and the surprising discovery that stepping toward what frightens you can feel remarkably like coming home.

｡･:*:･ﾟ★,｡･:*:･ﾟ☆

Okay… so you’ve definitely done more degrading things before. Right?

You're sweating through your blouse with the enthusiasm of someone auditioning for a deodorant commercial (and failing. To your own detriment.)

This isn't the "post-workout glow" fitness influencers pretend is attractive. No, this is your body's formal declaration of mutiny, a rebellion against rational thought executed through every pore. Your armpits, palms, and the back of your neck have formed an alliance dedicated to transforming your clothes into soggy evidence of your composure.

What the fuck are you doing?

Outside Jeon Jungkook's front door, you've established a pacing perimeter worthy of a security detail, shoes padding against pavement. The neighborhood is all manicured hedges and tasteful architecture, houses standing witness to what is undoubtedly the most unhinged moment of your professional career.

You halt abruptly, pivot, and resume your trajectory in the opposite direction. Each step carries you further into the absurdity of your situation while bringing you no closer to resolution.

"What the fuck am I doing?" The question emerges as a desperate whisper, fingers wrapped around your purse strap "What the actual fuck am I doing?"

The universe, in its infinite wisdom, offers no response. Not even a convenient sign from the heavens, no fortuitous text message, not so much as a symbolic bird flying overhead. Silence, highlighting the void where your rational decision-making process should be.

The most devastating part of this is your complete lack of preparation — you, who once created a thirty-page document for a photoshoot involving a temperamental cat. You, who color-codes your calendar down to 15-minute increments and keeps emergency protein bars in every bag you own. You, who has never entered a meeting without 3 different strategic approaches and a mental flowchart of possible outcomes.

You flew across the Pacific Ocean on nothing but emotional autopilot, your normally meticulous planning abandoned. You landed, changed your shirt three times in the Incheon airport bathroom while arguing with your reflection, and then navigated to this address with single-minded determination.

His address was acquired through means that would make your company's legal department develop hives. Extracted from the Calvin Klein executive contact database with the moral flexibility of someone who has left all professional ethics back in Manhattan along with her common sense. The violation of privacy policies sits in your phone.

You are experiencing what can only be described as a crash landing; no runway in sight, no landing gear deployed. The metaphorical wreckage spreads across this quiet street, invisible to everyone but acutely, painfully apparent to you.

You excavate your phone from the abyss of your bag and open the Notes app for the third time in 10 minutes, staring with mounting horror at the single sentence you managed to compose somewhere over the ocean — the grand thesis statement that was supposed to carry you across this threshold:

"I'm sorry, and I think I like you."

You blink at it, the words swimming on the screen like poorly translated instructions for assembling complicated furniture. A scoff escapes you in part disbelief, part surrender to the cosmic joke your life has become.

Jesus Christ. That's the line?

That's the earth-shattering revelation that propelled you across international date lines and multiple time zones?

It has all the weight of a middle schooler passing a folded note in math class. "I think I like you" — the verbal equivalent of bringing a water pistol to a nuclear war. The confession carries all the emotional awareness of someone who just discovered feelings exist yesterday and hasn't figured out the instruction manual.

You are pathetic.

You shove the phone back into your bag with force, bearing witness to perhaps the most pitiful declaration of affection ever composed by an allegedly successful adult. Another shaky breath fills your lungs, doing absolutely nothing to calm you.

You haven't knocked yet. You're just standing here, marinating in your own anxiety sweat. Your current strategy appears to be hoping for divine intervention. Perhaps the earth might split open and swallow you whole, or a targeted meteorite might strike just this spot on this particular street in Korea. At this point, even a localized power grid failure would be welcome, anything to ensure that no one ever discovers the depths of your desperate, transcontinental travels for this man.

You feel that urge to run again.

But your feet remain rooted to the concrete, overriding any escape plans.

Underneath the panic, the dampening of your shirt, and the chorus of doubt performing a full operatic production in your head, you know exactly why you're here.

Because of that voice on the phone that carved something permanent into your memory.

Because of the way he looked at you across crowded rooms.

Because for once in your existence, this isn't about control or power or securing the optimal outcome.

This is about choosing someone, even if it makes your knees perform a dance of terror. Even if it required theft of confidential information from a database you definitely shouldn't have access to.

You take one more breath, and step forward with the confidence of someone who still has approximately 14 seconds before complete collapse.

Your knuckles connect with the door in what's meant to be a confident knock but comes as more like the hesitant tapping of someone who's not entirely sure they've got the right house and is already formulating an apology to potential strangers.

The door swings open. There's no cinematic pause, no buffer zone during which you might remember how to be a functioning human capable of speech and basic facial control.

And there he is.

Jungkook.

Standing in his doorway like some kind of domesticated Greek god, barefoot in sweatpants that hang from hipbones, wearing a black t-shirt that clings to his torso. His silver chain catches the light, hair artfully disheveled.

There are shadows beneath his eyes that speak volumes, the look of someone waiting too long for a response that never arrived, for a message that never delivered.

He looks frozen in a moment of suspended animation.

And you.. well, you look like someone who's just realized they've accidentally booked a one-way ticket to their own reckoning without packing appropriate attire. Your professional persona is dissolving faster than cheap mascara in a rainstorm.

Your mouth opens automatically, but your brain has apparently decided to go offline. Not a greeting emerges. Not a witty remark. Not the apology you composed and discarded a dozen times between your airplane seat and this moment.

How do you explain what it means to see him again?To see the evidence of what you did inscribed across his features? To stand there and have a million feelings rushing into you?

And worst of all, to realize that somewhere along the way, between "professional boundaries" and "conflict of interest," you've managed to accomplish something you never planned for: you've fallen catastrophically, inconveniently, undeniably for Jeon Jungkook.

His eyes sweep over you once, then return for a second pass. There's a flicker of disbelief in his expression, as if his brain is running diagnostics on whether you're actually standing on his doorstep or if he's finally cracked and started hallucinating ex-whatever-you-weres.

And then, with the simplicity of someone handling something that might shatter, he says your name.

No accusation coloring the syllables. It’s your name, floating between you like a verbal lifeline extended without judgment.

You swallow with enough force to be audible, fingers doing that twitchy dance at your sides. The emotional menu before you offers several options — spontaneous crying, inappropriate nervous laughter, or your personal favorite: the tactical retreat.

But you stay put. No running shoes required.

You look at him with all your barricades temporarily offline. You’re thinking of that beach, that night you tried to bury. Thinking of the way he looked at you then, like you were still salvageable. Thinking of when he told you, “Hi is a good place to start.” You didn’t say it at your mother’s house. Couldn’t. But maybe now, with the weight of everything lingering in the quiet, maybe now’s your second chance.

So you take it.

"Hi," you whisper, the syllable emerging with all the confidence of a first-time public speaker.

He stares at you. You stare back.

Finally, Jungkook breaks the silence, his voice scratchier than you remember. There's a rawness to it, an edge that suggests maybe he got tired of speaking into the void of your unanswered messages. “What the fuck are you doing here?"

And just like that, your mental hard drive crashes. The speeches you rehearsed somewhere over the terrain vanish like airplane meals — unmemorable and completely inadequate for the situation.

You stand there, watching his chest rise and fall with slightly uneven breaths, and realize that you're going to have to improvise without a safety net.

The only thing your brain can process is the sound of blood whooshing behind your ears and the embarrassing tremor in your fingers as they begin to battle the suddenly complex engineering marvel that is your purse zipper.

"I—" you stammer, voice cracking like a thirteen-year-old boy asking someone to dance. "Hold on—just—"

You excavate the dig site formerly known as your handbag, pushing past convenience store receipts, a lipstick, and a charging cable that's currently charging absolutely nothing. Your fingers finally close around what you've flown across the world to deliver.

It's not exactly presentation-ready; it’s crumpled like it's been stuffed in a blender, folded and smudged around the edges.

With the triumph of someone who just discovered treasure, you extract the contract. His contract. Holy grail of paperwork.

The very same contract for Calvin Klein that consumed months of your life, prompted 17 panic attacks, and served as the professional excuse for every personal boundary violation you've committed since meeting him.

You unfold it clumsily, then thrust it toward him like an artifact that could explain your entire emotional state without requiring actual human communication.

"Your contract is up," you announce. "It ended this week."

Jungkook blinks at you with confusion. His eyebrows pull together, creating that little crease you've definitely never memorized. "Okay...?" he questions.

You look at him with the desperate stare of someone whose entire communication strategy is telepathy while your throat constricts. The words scream inside your head with megaphone clarity: Don't you get it? Don't you see what I'm trying to say?!

But all that emerges is a breath.

He glances down at the paper, then back at your face "I know," he says slowly, "I was there when I signed it."

A sound escapes you. This is what your life has become — standing on a doorstep, physically shaking, brandishing legal paperwork like it's a love letter. You, who once negotiated a seven-figure deal without breaking a sweat, reduced to communicating your feelings through expired contractual obligations and hoping he somehow translates this into "I've made a terrible mistake and flown across the world to fix it."

He's still examining the contract, tilting his head slightly, eyes narrowing, as if proper legal documentation might suddenly reveal invisible ink.

It's really just paper and ink and legal jargon that somehow became the flimsiest of excuses to orbit each other's lives.

Your fingers tighten around the document before it goes limp in your hands, dangling between you. “You think I care about this contract? Do you really think I flew across the world to remind you about paperwork? What am I, the world's most dedicated courier service?"

His eyes lock onto yours now. He's silent, still, letting you speak.

"I don't give a shit about Calvin Klein," you continue. "Or the campaign. Or the storefronts. I mean... I do, I did, but not like that. Not more than this." You gesture vaguely between the two of you with the contract, which has now been demoted from legal document to impromptu prop.

You're fully in verbal freefall now, thoughts colliding in real-time, each one crashing into the next before either can reach a proper conclusion.

"Do you know what you did to me?" The question is more of a whisper. "You made me feel things I don't let myself feel. You made me lose control. You — God, you made me talk."

His jaw tightens eyes simultaneously sharp and soft. He's bracing himself, his body language shifting.

"For the first time in a year, I saw my mother," you continue, the confession tumbling out with the momentum of something that's been held back too long. "I held my sister. I went home."

You blink rapidly, your eyes performing emergency protocols to contain the tears. "Do you know what kind of man it takes to make me do that?"

Jungkook's lips part like he's about to speak, but nothing leaves, as if the dictionary of possible responses has been wiped from his memory. You step closer, closing the distance between you.

"You got me to sit on a beach and tell you things I've never said out loud. You got me to let you in. Without trying.. or asking." Your hands wave vaguely in the air, as if trying to physically grasp the concept. "You just... did. You're the first man who's ever made me feel something that wasn't transactional. You make me feel like a person, Jungkook.“

He's standing with the frozen stillness of someone who just discovered they're in a minefield, but his chest is rising and falling. You know he's hearing it all; every word, every crack in your voice, every truth you've been swallowing since you pushed him away.

"I didn't come here to fix anything," you murmur, "I just needed you to know that you mattered. That you weren't some mistake for me."

And then, quieter, “You were the only thing that ever felt real.“

Jungkook blinks once. And then again. If a human could display a buffering sign, it would be rotating above his head right now.

He's speechless, which considering he's a man who performs in front of stadium crowds and has entire teams dedicated to crafting his public statements, is quite the achievement to add to your professional resume.

You just let him look at you. There's no persona to hide behind, not anymore.

And the longer he stands there, wordless as a statue, watching you, jaw clenched tight, the more your stomach flip-flops inside you.

You've never been this exposed. Not even in the heat of his bed, when physical nakedness seemed like the most vulnerable state possible (how adorably naive that belief seems now.) This is an entirely different category of exposure.

Still, he says nothing. The audacity of this silence is almost impressive.

So you redirect, falling back on the one thing you understand: paperwork.

Your fingers tremble, but you manage to grip the contract and tear it straight down the middle with surprising dramatic flair.

Again. And again. And again.

Until it's nothing but corporate confetti. Thin little fragments of legally binding language and signature and structure, falling in what your brain identifies as a metaphor so on-the-nose it would be rejected from a first year creative writing workshop.

"I don't care about this," you whisper, gesturing to the paper carnage. "I mean, I do care about this. Just… not the way I care about you." You immediately recognize this as the kind of line that would make you roll your eyes if you heard it in a movie, yet here you are, delivering it with complete sincerity. The universe has a twisted sense of humor.

Nothing. Nada. Zilch. His silence has evolved from awkward to actually embarrassing now.

You’re starting to think you may be too late. Maybe he got back together with his ex. Maybe him and Jennie are fucking again.

You blink back the burn in your eyes, throat closing around words. "Please," you breathe out, "Tell me I'm not too late. Tell me I didn't fuck up another thing in my life—"

You barely finish getting the words out before he moves.

One second you're standing there, and the next, his hands are on your waist, pulling you in, grounding you like gravity suddenly remembered your specific coordinates.

To your surprise — he’s kissing you.

The world narrows to this: his hands on your body, warm and solid and real. The faint scent of his musky cologne mixing with a body wash that is uniquely him. The pressure of his lips against yours, lip ring cool against your warm mouth.

Somewhere in the back of your mind, a small voice wonders if this counts as a successful business negotiation or a breach of ethics. The rest of your consciousness tells that voice, quite firmly, to shut the hell up.

You melt into him, shaking and breathless, fingers curling into his t-shirt as your lips part under his with enthusiasm.

This isn't some tentative, exploratory first kiss from a Hinge meetup. This isn't the calculated kiss of someone testing chemistry before deciding if a dinner date was worth the investment.

This is a kiss that announces "you're home" with little to no subtlety.

His mouth remains attached to yours as he backs into the doorway, pulling you along and tethering your body to his like you might run. His paranoia, you have to admit, isn't entirely unreasonable given your track record of vanishing acts.

The torn contract lies abandoned on the welcome mat. The wind shifts behind you as the door clicks shut with finality.

Inside, it's warm. Dim. Quiet. Smells like a mix of spices and some kind of candle. His soft lips move over yours, intoxicating enough that your educated brain has forgotten how to form coherent sentences in any known language.

He walks you backward through his home, the kiss breaking only in microsecond intervals.

"I waited for you," he whispers between kisses. You respond with a sound between a whimper and a sigh, palms pressing into his chest as he lightly pushes you against the nearest wall with surprising authority. His breath fans hot against your cheek, “I told myself to let it go. That maybe I'd imagined all of it, that you didn't feel the same."

You gasp as his teeth graze your skin with just enough pressure to short-circuit your higher reasoning capabilities. One of his hands slides up beneath your blouse, his touch somehow managing to be both needy and soft.

Your last coherent thought before surrendering entirely to this expected plot twist is that Daniel is never, ever going to let you live this down when you return to New York.

"I've never felt this way about anyone," he exhales against the base of your throat, words tumbling out. "Not once."

It’s real when he says it. All of it. Every emotional shard he left scattered across like breadcrumbs, still waiting for you to come back and attempt the world's most ill-advised puzzle reassembly.

You pull him closer with upper body strength you didn't know you possessed, kissing him like your respiratory system has been recently reconfigured to run exclusively on Jeon Jungkook. Your hands slip beneath the hem of his shirt, cataloging the warmth of him, the tension coiled in his muscles.

"Jungkook..." You begin, caught between a moan and a murmur.

But he shakes his head, kissing you harder, "Don't. Don't say anything yet. Just be here." The request comes with the desperation of someone who's still half-convinced they're hallucinating.

You have absolutely no idea of how you've navigated this far into his house. Your last clear memory involves standing on a doorstep watching shredded corporate paperwork fall to the gravel.

The walls blur, corners cease to exist. Every hallway becomes a perfect clone when your mouth remains fused to his. You maintain only peripheral awareness of your own movement, shoes occasionally slipping against the floor with all the grace of a newborn giraffe, his hands gripping your waist to steady you. You careen into one wall, then another, turning his home into an obstacle course neither of you seems particularly interested in navigating efficiently.

He's talking through it all, and you don't realize you're crying until his thumb brushes over your cheekbone in adoration.

"I thought I lost you," he mumbles, his mouth creating a cartography of your features; the edge of your lips, the angle of your jaw, the sensitive spot just below your ear. "You were gone. I thought that was it."

You shake your head, and he doesn't even wait for verbal confirmation before kissing you again. Deeper this time, with the kind of attention to your body that makes you wonder if perhaps your entire professional career has just been an elaborate prelude to this specific moment in this hallway with this person.

Your fingers fumble with the hem of his shirt, tugging the fabric upward in what's meant to be a smooth, seductive motion. He lifts his arms automatically anyway as if he is just as desperate to eliminate any non-skin barriers between you.

His shirt gets tossed somewhere, your hand firmly planted on the plane of his chest, the taut muscle underneath.

"Fuck," he mutters against your collarbone, as he presses you against yet another wall (his home apparently consisting of nothing but convenient vertical surfaces.) One hand slips beneath your blouse while the other slides up your clothed thigh with intent. "You can't do that to me again."

"I won't," you promise, hands trembling against his chest "I swear."

He kisses you again like he doesn't quite believe you but has decided the potential heartbreak is an acceptable risk if it means having this fragment of connection.

Clothes begin their gradual migration to the floor — not the choreographed disrobing of movie sex scenes where garments somehow land in artful arrangements, but the realistic, occasionally awkward shedding. Your blouse gets caught on one earring. He helps with buttons while simultaneously trying to maintain mouth-to-mouth contact, resulting in misaligned kisses that land at the corner of your lips.

There's a brief, silent negotiation about whether your shoes should come off before or after your pants. Jeans are discarded, fingers brushing against your lace underwear.

You don't even care about the logistics anymore, the who-goes-where and what-happens-when that your organizational brain would typically want to map out. You just know one essential truth.

You need him.

Not in the scratch-an-itch way of previous encounters.

You're letting him see you now, unfiltered and unedited.

You don't try to steady your hands as they trail down his sides. Don't stabilize your voice to hide the crack when you whisper his name like it's become a more honest version of your own. You don't armor yourself when he looks down at you, shirtless and flushed, and murmurs with wonder: "You came back."

And that's when he lifts you, hands sliding under your thighs, holding you firmly to him. You wrap your legs around him, arms circling his neck, surrendering to being transported like the world's most willing hostage.

You have only the vaguest awareness of your surroundings. Some room, presumably his bedroom, though frankly it could have been his kitchen or laundry room and you wouldn't have noticed or cared. Geography has become thoroughly irrelevant to your current priorities.

The only thing actually registering in your sensory catalog is him; breath warming your collarbone, skin pressed against skin, lips trailing slow, wet kisses along the slope of your shoulder. He lays you down on his bed, gaze taking inventory of every inch of you.

His expression carries the stunned disbelief of someone who can't quite convince himself he's allowed to have you after you pulled your disappearing act.

The room is quiet except for your combined breathing and the soft rustle of sheets. Jungkook's palms drag up the sides of your thighs with a confidence that makes your skin tingle in anticipation, thumbs grazing the curve of your hips. He lowers himself, dark hair falling across his forehead. He presses a kiss just above your knee that sends an electrical current straight to your core which has apparently been in hibernation.

"You always look like this for me?" he murmurs. His fingers toy with the delicate hem of your lace underwear — the good ones you'd packed with what you now recognize was blatant optimism disguised as practicality. His eyes flicker up to catch yours, and you recognize him on his knees in his own bedroom, and suddenly breathing seems like an advanced skill you never quite mastered. "Spread out, soft... waiting?"

You can only nod, lips parted and pulse fluttering beneath your skin. Because when he's like this, looking at you like you're some kind of miracle he's afraid to blink and miss, it's impossible to maintain the illusion that you were ever in control of this situation.

Your eyes flutter shut, hands curling into the sheets. He hasn't even properly touched you yet, but you're already unraveling faster than a cheap sweater in the dryer, undone by nothing more than his mouth hovering in your general vicinity.

You feel the delicate tug of lace between your thighs, the slow drag of your underwear as he bites at the waistband. He pulls them down with his teeth like he's personally offended by the concept of using hands for their intended purpose, savoring each millimeter of progress.

He drops the lace to the floor with casual disregard, like it’s unimportant — which, right now, it is — and without hesitation, he leans in, pressing the softest kiss to your soaked core.

You jolt visibly, audibly, a shaky sound catching in your throat as your legs try to twitch closed out of instinct. Not that he allows this sudden attack of modesty to proceed.

No, he’s already got his hands under your thighs, dragging you closer to the edge of the bed, closer to his mouth, to the heat of his breath, to the place he plans to keep you until you forget your name.

And then he hooks your legs over his shoulders with practiced expertise, essentially wearing your thighs like the world's most inappropriate neck pillow.

“There we go,” he mutters, like he’s pleased with himself, like he’s settling in. His fingers dig into your thighs to maintain his access route, thumbs brushing over skin softly that somehow makes everything worse (or better, depending on your perspective.) He’s spreading you wide open for him, singing your praises, “Nice and close. Stay just like that, baby.”

And you do, despite your brain's distant, feeble protests about maintaining some semblance of dignity. Your hands scramble through the sheets, heart thundering in your chest.

A single coherent thought manages to penetrate the fog of sensation overtaking your higher reasoning capabilities: you are so, so screwed. Metaphorically, for now. Though given current trajectory, the literal interpretation seems imminent.

His grip on your thighs tightens just before his mouth finds your cunt. It’s one singular lick, tongue dividing between your folds. Your fingers dive into his hair with the desperate urgency of someone grabbing the last life preserver on a sinking ship, threading through the soft strands until you're practically clutching his head. “F-fuck!”

It’s consistent laps up and down your folds, your juices coating his lips, the coldness of his lip ring sending you into oblivion. He doesn’t ease up. He doesn’t tease. He devours you, tongue beginning to speed up.

You feel completely exposed, like you've accidentally sent your most private thoughts to a company-wide email thread, and somehow this vulnerability only intensifies everything, your body apparently interpreting danger signals as "please, sir, more of that."

Then his tongue flicks across your clit with the precise timing of someone who's memorized your particular user manual, and the noise that escapes you resembles something between a hiccup and the beginning of an embarrassing performance. Some pathetic little "uh" sound bubbles up from your throat.

You’re spread out beneath him, legs shaking, sheets twisted in your fists as he keeps going — his tongue relentless, lips slick, chin wet with you. His jaw glistens with evidence of your arousal, creating the kind of mess that would horrify you normally but currently registers as the hottest thing you've ever witnessed.

He groans against you, the vibration adding yet another layer of sensation to the overwhelming cascade, a sound so deep and raw it seems to originate from somewhere primal. Maybe he's just as far gone as you are, equally lost in this moment of reconnection. Or maybe… god, who cares, he just really can’t stop.

Your brain is syrupy now, thick and slow, synapses misfiring as your body spins somewhere between pleasure and delirium. Every drag of his tongue has you twitching, every suck of his lips on your clit sends another wave crashing through you, and your body doesn’t know what to do with any of it.

“Fuck—Jungkook, I—I can’t—” you gasp, practically ripping his hair out of his scalp. Your voice has adopted qualities you've never heard before — high, fractured, entirely unbefitting for someone who once made a junior copywriter cry with a single raised eyebrow.

“I love eating this pussy,” he mutters, muffled against your soaked cunt. Like he's experiencing a religious epiphany that happens to be centered between your thighs. “Swear to god, I’d live here. Every damn day.”

You respond with a choked sob that would mortify you in literally any other context but seems perfectly reasonable given that your central nervous system is currently experiencing the neurological equivalent of fireworks.

“You taste so fuckin’ sweet,” he murmurs, dragging his tongue in one long, devastating stripe. “So good for me. You feel that, baby? The way you’re dripping all over me? The way your little cunt’s beggin’ for it?”

Your hips buck upward, but he counters this rebellion, mouth locking around your clit with such pressure that your eyes roll back like they're trying to retreat into your skull for safety.

“You’re mine,” he says, voice containing equal parts possession and wonder, as if he's surprised by his own declaration. “You know that? I’m never letting you go.”

You’re gone. Dizzy, spinning, stars behind your eyes. There’s a scream climbing up your throat, and your entire body is about to break apart, lit from within by a chain reaction that has precisely one catalyst: him, him, him.

Just when you think you’re about to tip over the edge, when every muscle in your body is coiled and quaking, Jungkook pulls back slightly, enough to keep you hovering. His tongue slows to an excruciating crawl, tracing soft circles around your clit. Barely there. Absolutely criminal.

Your whole body jolts, hips twitching helplessly, chasing more, chasing anything. But he keeps you right there, locked in with the pads of his fingers bruising your thighs.

"N-no—don't stop," you whimper, voice hitting notes that would embarrass you in any other context. "Feels so good, I—fuck, since when— since when did you get this good?"

He hums against you, the vibration hitting exactly where you need it most, sounding entirely too pleased with himself. His tongue resumes its torturously slow rhythm, each deliberate stroke designed for maximum frustration. He's moving like he's got all day to keep you on this edge.

"I mean it," you babble, vocabulary reduced to the primitive language center of someone who's forgotten they once intimidated an entire marketing department. "God, it's—fuck, I swear, what the fuck, it feels so —ahh— good!”

You glance down, desperate for visual confirmation that this is actually happening, and discover he's already looking up at you. Eyes dark and hazed over like he's sampled something significantly stronger than the recommended dosage, half-lidded and wild.

And the moment your eyes lock, it hits you like a punch to the chest. Somehow, it feels too raw.

His tongue doesn’t stop, slow and cruel in its own way, but his eyes stay locked on yours. Completely unflinching, intense, like he wants you to see him, like he’s trying to tell you something with every flick of his tongue.

Your tone fractures like cheap glassware. "Jungkook... please, please don't stop, I can't—"

He doesn't (clearly a man who follows through on his commitments.)

Just when you think you’ve adjusted to the slow torture of his tongue, Jungkook shifts.

This time, there's no trace of the earlier restraint. No more teasing. No more measured patience. His tongue flattens and drags against your slit, before circling your clit rapidly, flicking in tight, rhythmic strokes that have your entire body seizing.

You cry out with sounds that would be mortifying if recorded, hands clutching his hair like stress balls. "J-Jungkook—oh my God—don't stop, don't—fuck, please—"

"Keep still," he whispers against you,"Take it just like this."

And then he’s back on you, tongue working you over, flicking fast, then flattening again, sucking your clit into his mouth and rolling the sensitive nub over in devastating circles.

You're spiraling into some delirious dimension where coherent speech is a distant memory. "God—fuck—Jungkook, what the fuck, you're—nnh, please keep going."

He chuckles into you, vibration shooting through your spine. “Want you to cum on my face.”

And then — just when your nerve endings have adjusted to his particular brand of torture — he pauses.

You whine at the sudden loss, body shaking, on the very edge of begging. But then you feel it: two fingers, thick and warm, sliding slowly into you. The stretch makes your back arch, mouth falling open on a broken moan as he sinks them deep and curls them just right.

Your walls clamp around him instantly, greedy and desperate, like they've been waiting for exactly this intrusion.

“Oh my God,” you gasp, eyes flying open. “Fuck!”

He pulls his mouth back a bit to speak, lips slick with you, fingers never leaving you. “Hmm, I’ve always known how to fuck you right.”

He leans in again, multitasking with impressive coordination; his tongue returning to your sopping wet core with determination while his fingers establish a rhythm inside you that can only be described as diabolically perfect. They curl against your sweet spot that makes your vision develop lens flares at the edges.

"Cum for me," he begs, "Cum on my fingers. Cum on my tongue. I want all of it."

And there's nothing left in your arsenal of resistance to fight this particular hostile takeover.

Not when he's looking at you with that expression. Especially not when his fingers are pumping inside you.

Your orgasm tears through you with a force that feels almost violent, body snapping taut beneath him as your back arches off the bed and a involuntary cry rips from your throat.

This is a full system meltdown. A white-hot supernova behind your eyelids, a full-body seismic event that has you gasping for oxygen. Your thighs clamp around Jungkook's head but he doesn't even flinch — he holds steady, fingers maintaining their rhythm, mouth still attending to your clit with dedication.

Everything in the known universe disappears except the overwhelming input of sensation; his mouth, his hands, his voice murmuring something against your trembling flesh that your pleasure-scrambled brain files under "process later" in a folder that may never actually be opened.

And then — oh God. There it is.

A gush of warmth, uncontrollable, spilling out of you before you can stop it,, and maybe you do squirt, maybe it’s just a near miss, but who’s to say? All you know with absolute certainty is that you're essentially baptizing his face, and the animalistic sound he produces in response is obscene, so proud, that it sends another aftershock ripping through your core.

Your whole body vibrates. Wrecked. Utterly demolished.

Jungkook finally pulls back, face glistening. He looks both flushed and triumphant, eyes dilated, staring at you like you've just performed some rare cosmic event he was lucky enough to witness.

"Holy shit," you exhale, "What the fuck was that."

He has a shit-eating grin on his face, wiping his chin with the back of his hand in a gesture that should be gross but somehow isn't, managing to look simultaneously cocky and awestruck. "Guess I don't have to wonder if you came."

You release a sound that exists somewhere between laughter and delirium, flinging an arm over your eyes. “I think I just blacked out," you murmur, the confession slipping out too easily.

Jungkook leans over you, starts to get off his knees, pressing a kiss to your inner thigh, then another softer one. "Good," he says.

You blink at the ceiling with disoriented wonder. "Fuck, I missed this. Even if it wasn't that long of a break."

He chuckles. "I don't care how long it was, I still missed it."

You blink through the haze clouding your vision just in time to witness Jungkook fully rising to his feet at the edge of the bed, his gaze locked on you. His hands hook into the waistband of his boxers, dragging them down his thighs. Then he's there, hard, thick, and flushed, cock cradled in his hand as he strokes himself.

His eyes trail over your body with the thorough documentation of someone creating a visual archive. You can feel yourself responding in eagerness, walls clenching around nothing like they're experiencing separation anxiety.

"I'm never letting you go again," he says, voice dropping the playful edge, becoming something serious. “You get that, right?"

You attempt to formulate a response, but discover your mouth has apparently decided to cosplay as the Sahara. All you can manage is a nod that barely qualifies as movement.

He’s slightly hovering over you, arms sliding under your thighs, clamping around them as he drags you down the bed in one swift movement. You gasp as your ass makes abrupt contact with the edge of the mattress, cool air hitting newly exposed skin while your legs fall open, and then — holy evolutionary biology —

His cock slides through your folds, the weight and heat of him dragging against your already hypersensitive clit like a match strike against sandpaper. You whimper, legs twitching, your body apparently unable to decide if it's too sensitive for more stimulation or desperately craving it.

He repeats the motion again. And again. The thick, velvety length of his cock glides through your slick evidence, teasing your entrance. He lets you feel every ridge and vein without giving you the satisfaction of actual penetration, slaps his length against your juices a few times.

"Feel that?" he speaks softly, "That's mine. This whole fucking pussy. All of you." The possessive declaration should trigger your feminist alarm bells, but your body apparently didn't get the memo, responding instead with an endorsement.

Your hips jerk upward instinctively. “Jungkook, please."

He looks down at you, pupils so dilated they've nearly consumed the black holes. His jaw clenches, sweat creating a subtle sheen at his temple that catches the dim light. His cock twitches against you, leaving another hot trail of precum across your folds like some kind of territorial marking. “Say it," he growls, "Say you're mine."

Your fingers claw at the sheets, completely useless against the solid weight of him positioned between your thighs. You're wet to a degree that should concern you, but it somehow doesn’t. “Jungkook," you moan, "Please. I—I need you."

He grits his teeth, cock jumping between your folds. His expression broadcasts a man barely maintaining his composure. “Say it," he repeats. "Tell me you're mine."

You gasp, legs shuddering in his iron grip. “I'm yours," you whisper, the words escaping before your pride can intercept them. "I'm yours, Jungkook. I'm fucking yours. Please.. just fuck me. I can't, I need it, need you—"

That's all it takes; your desperate declaration being the final passcode to unlock whatever restraint he's been maintaining.

He growls under his breath incoherently, pushing his full length devastatingly slow into you.

And the stretch..

Sweet merciful heaven, it's always been llike discovering a new dimension of sensation. Always been the best you’ve ever had.

He's thick, pressing deeper into you than before, walls struggling to accommodate him. Each inch creates a delicious burn that makes your mouth fall open silently.

Your back arches, hands flying to his forearms with a desperate grip. Your lungs attempt to remember their primary function.

"Fuck," Jungkook hisses through teeth clenched, the grip on your thighs now firmly in bruise-manufacturing territory as he watches himself disappear into you. "You're so tight. Shit, always so wet for me."

You attempt to form words, but they never come. You're too full, stretched beyond what you thought possible. All you manage is a whimper as he bottoms out, hips flush against yours, the substantial weight of him seated so deep you feel claimed from the inside out.

He hovers over you, his forehead brushing yours with unexpected tenderness. "You feel that?" he says under his breath. "That stretch? That fullness? That's me, baby."

You nod frantically, nails creating temporary artwork on his toned arms, walls clenching around him with rhythmic pulses. “I can feel you everywhere," you whisper, "You're—fuck, you're so deep, I—"

Jungkook holds still inside you for one suspended moment, long enough for your body to adjust to the size. Your legs twitch where they remain trapped in his grasp, feet dangling in the air.

Then, without verbal warning or mercy, he withdraws completely.

All the way out.

The sudden emptiness hits you like sensory whiplash, your walls clutching at nothing, muscles fluttering with panic, and then he pushes back in unhurriedly, dragging every impressive inch into your slick cunt.

Head tilting back, you moan out something that sounds like a profanity. He follows your movement like he's tethered to you, leaning down with a groan.

That's when you feel it; the gentle tap of cold metal against your chin.

His silver chain. You never really did appreciate that jewelry piece.

It swings, providing cool metallic kisses against your overheated skin. The visual of it dangling above you, catching light with each oscillation, nearly sends you to heaven.

You will never get tired of this man again.

You grab him by the neck with the decisive urgency of someone who's finally stopped overthinking everything, dragging him down against you, crashing your mouth to his with absolutely zero concern for technique or dignity.

Fuck, the taste.

You taste yourself on his lips, a complex, slightly salty sweetness that you'd never admit to anyone you find strangely intoxicating. Mixed with the warmth of his tongue and the slick slide of his mouth, your brain temporarily suspends all higher functions. He maintains that unhurried rhythm below, deep thrusts that end with a grind.

Your teeth accidentally catch his bottom lip in your eagerness and his breath hitches against your mouth.

"God," you exhale into his mouth, "you feel so fucking good. I-I missed you so m-much.”

Jungkook moans wantonly, forehead pressing against yours in that surprisingly tender gesture that somehow makes everything more intimate than the actual sex itself. His hips maintain that tempo, drawing out pleasure.

"You drive me insane," he whines. "You're so fucking tight, so perfect. I could do this all night. Never get tired of being inside you."

You shudder, gasping into the half-kiss, legs tightening around his waist with newfound plans to eliminate any remaining space between your bodies.

When he thrusts again, harder this time, you swear the room performs a slow rotation around you. He breaks the kiss with a muttered profanity that somehow sounds like poetry, staring down at you. In this moment, in this bed, with this man… you’ve never felt more safe and loved.

Yet the careful, teasing rhythm he’s been making love to you with shatters like fine china dropped from a height.

Jungkook drives into you with a force that makes your breath catch, his hips connecting with yours. The soundtrack becomes deliciously obscene — skin meeting skin with wet smacking. The headboard begins its own contribution, banging against the wall with a volume that would concern you if you weren't well past caring about such mundane considerations.

You cry out incredibly loud, “Oh my God — fuck — Jungkook, don't stop," your nails drag across his back and shoulders, anywhere within reach, as your body jerks beneath him.

"Not fucking planning to," he responds with grim determination, thrusting harder, deeper.

Thank God he doesn't have neighbors.

High, broken sounds emerge from your throat that seem to bypass your vocal cords entirely. And Jungkook? He's producing a collection of grunts and groans, punctuating each thrust with your name.

"You hear that?" he pants, fucking into you with enough force to make the bedframe collapse at this rate. "That's how wet you are for me. That sound—fuuck—you hear how good it sounds?"

You can't formulate a coherent response but your body registers only the essential data points: the way his cock hits that sweet spot each time, the way your walls grip him, the feel of his muscles underneath your fingertips.

You're the visual definition of dishevelment — hair stuck to your face, eyes glazed mouth open and—oh god—actually drooling slightly as you beg for more.

Jungkook's hand comes up to grab your jaw with gentleness, tilting your face to meet his gaze. “You are so, so beautiful."

The sincerity punches through your pleasure-riddled brain. You suddenly recognize this look — the one he's been giving you for weeks while you've been busy pretending he wasn’t. The realization lands with the subtlety of a piano dropped from a third-story window: you're the oblivious protagonist in your own romantic story.

Without warning or consultation, Jungkook rearranges your legs, hooking them over his shoulders like he's claiming ownership… which, at this particular moment, feels like a completely reasonable arrangement.

He thrusts back in, so deep your mouth drops open in a silent scream. Your walls clamp down on them, juices leaking out onto the sheets below you.

"Holy shit," you gasp, "I can't, I can't, you're so deep, Jungkook, I—"

Somehow, in this moment of incoherence and surrender, you've never felt more genuinely yourself. There's something terrifying and liberating about being seen so completely, being known in this most primitive, honest way, and that you’ll let him have you like this.

He groans, abs flexing with roll of his hips. From this angle, escape from visual impact is impossible; he's looming above you, hair falling into eyes, jaw squared. His chest rises and falls in a quick, shallow rhythm but has decided breathing is less important than the task at hand.

"Fuck," he growls, gaze traveling downward to where your bodies connect, where every drag of his cock exhibits a ring of cream soaking his base. "Taking me so well. You're so fucking tight baby, squeezing me like you want me to cum."

You respond with some sound, legs twitching on his shoulders, toes curling behind his back with enough force to cause minor cramping.

"You were made for me," he rasps, "Made to take my cock."

His hand slides to your lower abdomen, pushing down with gentle pressure, and… wait, what is that? You can actually feel him inside you, a distinct bulge moving with each thrust, and your brain momentarily abandons pleasure to engage in scientific inquiry. How is that even possible? Isn't that one of those myths perpetuated by romance novels written by people with questionable understanding of female anatomy? Yet here you are, experiencing the impossible, your own body betraying your skepticism.

"Oh my God," you cry out, "I can feel your—I can't— Jungkook, I can't—"

"Yes, you can," he counters, leaning further forward. He pounds into you, driving his hips even faster. "You're doing so fucking good for me. You're perfect. So perfect."

The praise sends you down a delirious spiral. It's embarrassing how effective simple validation can be, how the right words at the right moment can dismantle any fears you had.

Jungkook's rhythm falters momentarily, before he suddenly stills, cock pulsing inside you with a distinct throb, your walls gripping him with contractions. “Get up," he rasps.

You blink up at him with the unfocused bewilderment of someone who's forgotten how limbs work, body vibrating.

But then his hands are under your thighs, guiding your legs down. He helps you upright, being as careful and soothing as possible. As soon as you’re vertical, back of your knees hitting the edge of the bed, he grabs your face with urgency and kisses you — not the polite, exploratory kiss of early dating, but the kind that has already memorized the topography of your mouth.

His tongue slides in with confidence, and you respond with some sound that gets muffled in his mouth, drunk on the cocktail of hormones, endorphins, and the intoxication of tasting yourself on someone else's lips. Jungkook grips your jaw, hand trailing down to play with one of your pebbled nipples.

Without warning or a proper transition period, his other hand executes a perfect southward journey to your ass and delivers a sharp smack that somehow hits the precise intersection of pleasure and startled indignation.

You gasp, body performing an involuntary jump, and he grins against your lips with the smug satisfaction of someone who's just confirmed a long-held hypothesis (which is that you’ve always liked it when he slapped you. Which he knew.)

"Atta girl," he murmurs, "Now turn around."

You comply eagerly, positioning yourself on wobbly knees on the bed and arching your back in what you hope resembles sexy feline grace rather than a person about to cum in under five seconds. Your hands clutch the sheets with a desperate grip.

Behind you, the mattress creaks with his movement, his hands beginning a leisurely expedition up your back, wandering against your spine. He leans in, his breath cool on your overheated skin, and begins planting kisses down your spine. Each contact of his lips sends tiny electrical currents branching outward, tongue occasionally making guest appearances.

"You're unreal," Jungkook whispers, his voice carrying the raspy quality of genuine awe. "Every inch of you."

And then his hands find your hips with purposeful intent, pulling you backward, and you already know.

You already know you're not ready; not in the sense of being unwilling, but in the way that your body is still recovering from the previous position and probably needs another moment. Normally, under other circumstances, you might’ve stopped whoever, but because it’s him and somehow it feels like it’s been too long, you whimper in excitement.

He taps his cock against your slit a few time, collecting the arousal, and that elicits another wanton moan from you. He slides back in easily, and the sensation of fullness is immediately overwhelming, spine curving in automatic response like you're trying to make space for him inside your body. Your forehead drops to the mattress as a cry escapes your throat, “O-oh fuck, Jungkook!”

"Fuuuck," he groans behind you. His hips connect with your backside forcefully, and repeatedly. "This pussy's fucking perfect. God, I’m going to fuck y-you everyday."

Your entire form jolts with each impact, hands clutching the sheets. Your sensory awareness has narrowed to a hyper-focused inventory of feeling: every inch of him, each purposeful grind of his hips, the smell of his leftover aftershave still on your body, the sound of skin slapping echoing throughout the room. “F-Fuck me like I’m yours.”

That pretty much sends him on a rampage.

His hands press flat between your shoulder blades, effectively pinning you as he speeds his tempo.

"You like this?" he pants against your ear, breath hot against your neck as he leans over you. "Being bent over, dripping all over my cock?"

Your moan comes out high-pitched, needy, and completely stripped of dignity.

"Yes," you whisper, "Yes, Jungkook — fuck, it's so good. You feel so good—"

"That's right," he groans, emphasizing his point with even more forceful thrusts. "Say my name. Let me hear who's fucking you like this."

You obligingly repeat it, volume increasing with each iteration, “Jungkook—Jungkook—"

With absolute certainty, you realize your impending orgasm has become less a question of "if" and more a matter of "how explosively.”

His hand leaves your back. And suddenly, he’s reaching around your front, fingers slick with his own saliva (you think) as they find your clit, rubbing tight, relentless circles that make your whole body seize up.

“J-Jungkook— oh my god —” you choke out.

“You gonna cum for me again?” he begs against your ear, his weight looming on you. “Gonna fall apart on my cock like the filthy little thing you are?”

And yes, of course you are — your body is already approaching the cliff edge — but your brain knew that while your whole being simultaneously sends a very clear memo: We are absolutely fine with this particular brand of objectification at this specific moment, thank you very much.

You attempt to formulate a verbal response, but your vernacular has apparently gone on strike, only a stuttering noise that emerges from you. “Y-yes. Please make me cum, oooh.”

His fingers speed up, merciless on your clit, and his other hand tangles in your hair and pulls. Spine arching, head yanked back until you’re forced to look up, eyes wide and glassy.

"Fuck, fuck," you practically sob, his fingers entangled so deep in your scalp as he gathers his own makeshift ponytail. "I can't—I oh my god—"

"Yeah?" Jungkook hisses, lips brushing your cheek with unexpected tenderness given what's happening elsewhere. "That cockdrunk already?"

"I'm gonna cum, I'm gonna fucking cum again, I—ahh, fuck," you babble with the coherence of someone experiencing a minor stroke, words slurring together, "Jungkook, please—"

"That's it," he bites his lip roughly, nearly drawing blood, his thrusts increasing in both frequency and force. Every circle of his fingers winds the tension tighter in your core. "Say my name while you lose your fucking mind on my cock."

Your mouth drops open in a perfect O, the pressure building in your stomach. Through it all, he remains the constant; grinding into you, fingers maintaining their devastating rhythm on your clit, hand still firmly grasping your hair.

God, you’re right there, so close you can almost…

Jungkook suddenly withdraws completely, creating a void so unexpected your body responds with a sob that comes from somewhere deeper than conscious thought, your entire body trembling and slick and utterly wrecked.

But before you can think again, he's gripping your waist, flipping you over onto your back, your body responding with the cooperative limpness of a rag doll. Thighs still unfortunately shaking from everything he’s done to you. You barely have time to catch your breath before he’s back between your legs, spreading them wide, staring down at the soaked mess between you two.

“Need to see you,” he pants, pupils blown wide. “Need to watch you cum.”

He's kissing you again, less a romantic gesture and more like someone attempting to consume you through your mouth. Tongue hot and demanding, lips slick with everything you’ve given him. It’s messy, desperate, teeth clashing, breaths swallowed. Your hands claw at his back, his hair, needing something to hold onto as he thrusts back into you.

You cry out into his mouth, sound mangled, your head spinning as he fucks you hard from above. His chain swings again with every thrust, cold metal smacking into your bouncing breasts.

Jungkook’s tattooed hand comes up to your throat, wrapping his fingers around the skin, enough to remind you who’s in control.

Your eyes snap open to meet his, and what you find there makes your internal organs perform cartwheels. Possession, worship, and hunger, as if he's been starving for years and you're the first real thing he’s had.

"You're gonna cum for me like this," he whines. His hand maintains its position at your throat, his chain now swinging with abandon, occasionally delivering metallic kisses to your chest. Hands are firmly placed on your hips, your legs flailing with each thrust. "Right here, while I'm inside you."

Your clit throbs at his words with almost painful insistence while your walls contract around his cock, your body apparently making decisions without consulting your brain first.

"Jungkook, right there," you mewl, hand gripping his shoulder tightly, "I can't—I'm gonna—I'm—"

"That's it," he grunts, reclaiming your mouth in a kiss that effectively silences whatever embarrassing sounds were about to escape. “Cum for me, baby."

And you do.

Your orgasm doesn’t just hit — it erupts. It detonates from deep inside you, hot and electric, tearing through your entire body like a lightning strike. Your back arches off the mattress, thighs snapping around Jungkook’s waist as your cunt clamps down on him, squeezing so tight it rips a guttural noise from his throat.

You’re sobbing something that might be his name, might be a prayer, might just be air torn from your lungs.

The world performs an impressive disappearing act. Your vision whites out. You're gone, temporarily relocated to some dimension where only he exists. Every muscle in your body spasms and shakes. It's raw and messy and completely unhinged.

Jungkook feels every microsecond of your unraveling. Each pulse. Each ripple of your body's meltdown beneath him.

"Fuck—" he groans, hips stuttering as your walls flutter around him. His grip intensifies — at your throat, your hip, anywhere he can establish anchor points — his self-control visibly deteriorating with each passing second. "Jesus Christ, you're— fuck, you're squeezing me so hard — baby, I'm not gonna—"

He’s panting now, forehead pressed to yours, sweat dripping from his temple as he tries not to lose it. This whole time you've been running from him, pretending not to notice what's been right in front of you; his almost painful beauty, the devastating architecture of his features, the way his eyes contain entire universes. (Okay, fine, you noticed. Sometimes. Often. Constantly. But admitting it then would have meant admitting other things you weren't ready for.)

"Look at you," he manages, the words coming out with obvious effort as he watches you completely disintegrate beneath him. "You're so goddamn beautiful when you cum."

"Shit," he gasps, "you're gonna make me—fuck, baby, I'm gonna—"

And still, he doesn’t stop praising you, even as his self-control cracks beneath the weight of your body convulsing around his cock.

“So tight. So wet. You’re perfect,” he growls, each compliment landing like a physical touch. “Made for me. My perfect girl.”

Even as his composure fractures atop the weight of your body, he continues his litany of praise. He's trembling above you now, jaw tightly clenched, every muscle locked as he continues moving through your climax, pursuing his own with increasingly desperate determination.

"Jungkook, fuck, I can't—" you sob, the overstimulation too much for you to even breathe, let alone think.

With one final, decisive thrust, he finishes, harder than he ever has in his natural life.

A sound escapes him, raw and primal and startlingly vulnerable. His head drops to your shoulder, hips moving with an erratic rhythm. His body pulses inside yours, hot ropes of cum painting your walls, your toes curling.

"Fuck, fuck, fuuuck—" he whimpers, hips making two more valiant efforts as he empties himself completely. "So good my girl, so fucking good—I can't, shit—"

This moment of complete abandon is when you finally let yourself see him. Not Calvin Klein's global ambassador. Not South Korea's beloved idol. Not the carefully constructed public image or even the man who you cared less about in those first meetings. Just Jungkook, beautiful when his own walls are down.

You spent so long running from this, from him, pretending not to notice how the light catches his features at certain angles, how his eyes tell stories when he looks at you, how the slope of his nose looks like somewhere butterflies land.

Now, watching him come undone because of you, inside you, the realization lands with catastrophic clearness: he was always yours to have. Completely, irrevocably yours in a way that both terrifies and exhilarates you.

His whole body trembles with aftershocks, chest heaving as he presses impossibly deeper, seeking maximum contact. Jungkook’s hand migrates from your throat to your waist, fingers grasping the warm skin.

Tears leak from the corners of your eyes, not from sadness or even overwhelm, but from some emotion too big for your body to contain. Your legs try to remain wrapped around him, but your muscles give out entirely. Your whole body has gone pleasantly boneless, nerves humming, heart performing a drum solo against your ribs.

He pants against your collarbone, his chain now a cool, slightly sticky presence trapped between your overheated bodies, lips brushing your jaw with tenderness.

"I didn't mean — fuck — I didn't mean to cum that hard," he murmurs, voice sandpaper-rough.

You manage a sound that's adjacent to laughter, breathless and slightly broken, your lips struggling to form actual words through the haze of endorphins. "It’s okay."

He allows his weight to settle near you, forehead resting against your shoulder, still intimately connected.

Neither of you move for a long time. Neither of you really want to.

｡･:*:･ﾟ★,｡･:*:･ﾟ☆

You don't know how long it's been since the world stopped spinning on its axis, time having apparently become an optional concept rather than a reliable constant.

The sheets beneath you are warm, air carrying a complex bouquet — skin and breath and something that exists in the undefined territory between forgiveness and desire. Your legs remain stubbornly intertwined with his own, as if your body is staging its own rebellion against separation, operating on some fear that distance equals disappearance.

Jungkook has maintained silence. You've been equally restrained in your contributions to the non-conversation.

But his hand continues its cartography against your skin. Slow, featherlight circles mapped across your back. Periodically, his lips find your hairline, the gesture so natural it seems less of a conscious choice, but instead an involuntary reflex.

Your head occupies the territory of his shoulder, lips occasionally brushing his collarbone in what could be kisses or simply the accident of proximity. Beneath your ear, his chest rises and falls, his heartbeat a steady percussion under your palm.

You allow your gaze to travel upward.

You look at Jungkook in his unfiltered state — eyes heavy-lidded with satisfied exhaustion, torso bare of everything except his tattoo sleeve, the silver chain and a thin sheen of cooling sweat that catches what little light seeps in from the hallway. A faint crimson mark decorates his jaw where you clearly got too excited. He looks beautifully dismantled.

"I want to make this work."

He blinks. Then freezes in place like someone who's just spotted a rare and potentially skittish creature.

You register when he stops his movement against your back, feel the subtle hitch in his respiratory rhythm before it recalibrates to steadiness. But what matters more is what doesn't happen. He doesn't retreat. Doesn't deflect with humor. Doesn't repackage vulnerability into something more manageable.

Instead, he turns his head to look at you with an expression of wonder, gaze soft around the edges, mouth slightly parted as if he's afraid that acknowledging what you've said might cause you to take it back.

"I don't know how. I'm not... I don't want to be your girlfriend yet. I know I'm not ready for that," you admit, the confession emerging with all the tentative vulnerability of someone stepping onto ice they're not convinced will hold. "But I want to try to get there with you."

You don't explicitly mention fear, don't need to catalog the specific anxieties currently living in your chest. It's encoded in every accelerated heartbeat, every microexpression, every subtle tension in the muscles that have spent years building barriers around your emotions.

You're not hiding behind power dynamics or professional distance or the fortress of pride you've constructed brick by brick. You're just here. In his bed. Body curved around his like a physical manifestation of the promise your words have just placed in the air between you.

Jungkook exhales through his nose, a sound that is the audio equivalent of relief wearing joy's clothing, and presses his forehead to your scalp.

"Then let's try," he murmurs.

The silence expands between you, but it isn't awkward at all.

You adjust your position slightly, one leg claiming territory around his waist. His skin radiates warmth against yours, offering a security that feels foreign but essential. Yet your throat constricts anyway.

"Well," you sigh, "I don't know how to be with you, to be honest."

His eyes move to yours. As always, he doesn't attempt solutions. He listens with the rare patience of someone who understands that witnessing is sometimes more valuable than fixing.

You lick your lips and continue, "I don't know how to be someone who texts good morning. Or someone who talks about their feelings over dinner. Or someone who... who knows how to let another person in without feeling like I'm losing something in return."

The admission costs you something — you can feel it leaving your body, years of self-protection dismantling in real time. For a woman who's built her career on knowing exactly what to say and how to say it, this raw honesty feels like jumping off a bridge with no harness.

He remains silent. But his gaze holds yours with steady assurance, eyes dark and patient in the dim light like he's prepared to wait as long as necessary for whatever comes next.

You hesitate, but then add ,"Is that okay?"

The question hangs between you two. About whether someone like him, who seems to navigate genuine connection with the ease of breathing, could possibly want someone like you, for whom emotional transparency feels like a foreign language.

For what seems like ages, he doesn't answer.

Then he lifts a hand to your hair, brushing it back from your face with a sweetness that makes your chest ache in places you didn't know could feel.

"Yeah," he affirms, "That's okay."

Two words. Simple. Direct. And somehow containing the most profound acceptance you've ever been offered.

"I don't need you to be perfect," he continues, "I don't need you to turn into someone else just to be with me. Honestly, i would hate that.”

His thumb traces your jawline, eyes maintaining their focus on yours steadily. “I just need you to try."

You blink back the tears threatening to compromise your maintained image as someone who doesn't cry over boys or sad movies or particularly moving commercials featuring rescue animals.

"That's the problem," you confess, "I don't know how to try without trying to win or turning everything into something to conquer."

"I know," he says with the certainty of someone stating that water is wet. "You're the most guarded person I've ever met."

You narrow your eyes with mock indignation. "You're terrible at comforting people."

Which… is a lie so transparent it wouldn't fool a toddler. The man clearly possesses emotional intelligence bordering on supernatural — he somehow got you, corporate warrior queen and professional feelings-avoider, to actually visit your family after a year of strategic absence. If that's not evidence of psychological wizardry, nothing is.

He smiles genuinely, "You didn't come all the way here because I'm good at comforting people."

Your lips twitch traitorously, the beginnings of a smile staging a coup. Jungkook leans closer, "You don't have to know how to be with me right now. You just have to stay."

You press your face into the sanctuary of his skin, inhaling his scent. “You're not afraid?" you ask.

"Terrified," he replies without even a millisecond's hesitation. "But I'd rather be afraid with you than safe without you."

The line would sound rehearsed coming from anyone else, but his voice carries this authenticity of someone speaking their unfiltered truth. He looks at you like you're the answer to questions he didn't even know he was asking, like someone who's found their favorite person in a world of seven billion options and is amazed by his good fortune.

You don't respond verbally. You don't need to.

Because your arms remain wrapped around him, your body more honest than your words have ever managed to be. And you haven't let go or run away yet — a physical declaration more powerful than any verbal agreement.

The soft moment only lasts so long, however , because he's a man and therefore incapable of sustaining emotional vulnerability beyond the FDA-recommended dosage, his chest rumbles with that low frequency that signals a subject change is imminent.

"So," he says, "wanna hop in the shower with me?"

The question carries all the subtlety of a neon sign, but you find yourself smiling anyway — partly because it's such a perfectly timed relief for the emotional pressure that's been building, and partly because even this transparent attempt at distraction is infused with affection. His eyes still look at you like you've personally hung the moon and stars, even while proposing something as mundane as shared hygiene.

You blink for a moment. Then lift your head just enough to give him a look that questions both his sanity and possibly basic human biology. “You're joking."

He returns your gaze with an expression balanced perfectly between amusement and innocence. "Why would I be joking?"

"Because it's physically impossible that you still have anything left," you retort ,eyebrows climbing toward your forehead in a silent judgment of his audacity.

He just shrugs, "I hydrate. I stretch. I take care of myself."

You drop your head back onto his chest with a groan that contains multitudes; exhaustion, disbelief, and a reluctant hint of admiration. "Oh my god."

He grins, entirely unbothered by your exasperation, fingers tracing a path down your side. "You're the one who came crawling back to me, remember?"

You lift your head again, fixing him with a glare that would wither lesser men. "Crawling is a strong word."

He arches a single eyebrow. "You showed up at my house with a crumpled contract and a face that said please, take me back my lover."

You have the simultaneous desire to slap him, kiss him senseless, and then perhaps slap him once more for good measure. But you opt for your mouth opening, then closing again, resembling an indignant goldfish as your brain frantically searches for a comeback and finds the cupboard disappointingly bare.

"Yeah," he smirks, "that's what I thought."

You grab the nearest pillow and smack him squarely in the face with it — the universal last resort of those who have lost the argument but refuse to concede defeat.

He laughs as he effortlessly confiscates your improvised weapon and tosses it aside. With fluid coordination, he tugs you back toward him, arms locking around your waist.

"I'm serious," he murmurs,"Shower with me."

His expression might be teasing, but his eyes tell a different story, one where this request is about far more than shared hygiene. They look at you with the softness reserved for someone who still can't quite believe you're actually here, in his bed, in his arms, agreeing to try.

You pull back just enough to examine him properly, the way his smile goes slightly lopsided when genuine, how his eyes crinkle at the corners when they're not performing for a lens. And underneath all of that visible surface-level perfection: relief. Quiet, unmistakable relief that you're actually here, that this isn't another near miss in your shared history of almosts.

You trace a thumb along his jawline, "If I go in there with you, you're not allowed to make a single comment about your 'stamina.'"

He presses a kiss to your wrist. "Fine."

"Or your flexibility."

"Okay."

"Or how good your skin looks wet."

He snorts with amusement. "You do like it though."

You deliver one final shove to his shoulder, the gesture containing all the force of a gentle breeze as he begins to sit up. His arms are already reaching for you again, the blanket abandoning its post as he pulls you back into him. A laugh escapes your throat before you can intercept it, muffled against the skin that's become more familiar to you than anything.

This unexpected development is precisely what you never permitted yourself to envision. What your risk assessments classified as statistically improbable.

But here it is. Materializing in this moment. Occupying this bed with the certainty of something that's always been inevitable.

You look at him again, and he returns your gaze.

Perhaps love isn't orchestrated declarations or cinematic gestures performed with optimal lighting.

Perhaps it's this.

The quietly profound silence that says despite all logical arguments to the contrary, you stayed.

And the next few days unfold with that same magic of moments you weren't supposed to have; soft, unanticipated.

You extend your return flight as if you’re postponing a dentist appointment. Once. Then again and again. Until the concept of departure transforms from definitive plan to vague hypothetical.

Your hotel sends increasingly concerned emails about your room you haven't seen and don’t plan to. Your suitcase maintains its position in the corner of Jungkook's bedroom, untouched and increasingly irrelevant.

Now? You essentially live here.

At least, that's the only conclusion based on available evidence.

Your limbs are entangled with his at all times; on his comfortable couch, in his ridiculously large bed, half-conscious on the floor in front of his massive TV. Your hairbrush has made good friends with his bathroom drawer. There's a bottle of your overpriced moisturizer holding territory on his nightstand. His kitchen now carries the scent of your morning coffee, and he never allows you to prepare it without supervision.

"Let me do it," he insists, "You'll make it too strong."

"You're weak," you counter, "Own it."

But he just shrugs with nonchalance, delivers a kiss to your cheekbone, and activates the kettle anyway.

Daniel, from across the world, hasn't made contact. He doesn't need to. Your discretion levels are currently hovering around zero.

You sent him a single text, a masterpiece of vagueness claiming you're "taken care of." His response consisted of three laughing emojis and a GIF depicting a calendar engulfed in flames. You chose not to follow up on that particular conversation thread.

No other member of the team has demonstrated the courage needed to disturb your unauthorized sabbatical.

For perhaps the first time in your adult life, you experience zero guilt about any of it.

For once, your life isn't structured around the strategy decks at dawn and press releases at midnight. You're eating toast over Jungkook's kitchen sink, while behind you, he performs a lip sync routine using a wooden spoon as his microphone. You're curled up on his couch wearing one of his shirts (which naturally, fits you like a dress), your laptop exiled to the coffee table. His head rests in your lap while he tells you tales from his trainee days that simultaneously explain his discipline and make you wonder how anyone survives the k-pop industry with their sanity intact.

You find yourself watching him smile, the authentic ones that transforms his entire face and makes something in your chest bloom. Somewhere between months ago and this moment, your brain recategorized him, filing him under "person I might actually miss" rather than "professional chaos requiring PR aide."

Each night, you fall asleep in his bed with windows slightly ajar, Seoul's night air drifting in, his arm draped across your waist.

Some days you wake to find him already conscious, just... looking at you, blinking as if he’s conducting reality checks.

"You okay?" you whisper during one such morning surveillance, voice still rough with sleep.

He nods. Smiles that stupid bunny smile that makes you all fuzzy. “Just making sure you're real."

You don't try to respond. Kiss him instead.

You don't know what comes next in this unscripted thing you've stumbled into. Your professional life has always operated according to meticulous planning but there's no PowerPoint template for whatever this is. No key performance indicators to measure the success of accidentally falling for the person you were supposed to keep at a professional distance.

Finally though, when reality does come crashing down, when the email confirmation materializes in your inbox, it feels like some alternate version of yourself made these arrangements. Some corporate doppelgänger who still prioritizes quarterly projections over the way Jungkook's voice sounds when he's half-asleep.

Your return to New York.

A city that once represented the pinnacle of your ambitions, now reduced to a collection of skyscrapers and deadlines.

You stare at the itinerary, thumb hovering over the screen. The return remains theoretical until you forward it to your assistant.

Subject line: returning next week. please keep calendar clear until I land.

What your assistant doesn't know… is that this departure comes with a loophole.

Not so much an ending as a comma in a sentence still being written.

There's another ticket purchased with the stealth of a spy. Under Jungkook's legal name. Scheduled for precisely seventy-two hours after yours — a buffer zone necessary for him to navigate the bureaucracy that runs his existence. A whispered promise that he'll follow once HYBE's legal department, publicity team, and some other people sign off on the logistical nightmare that is "globally famous person attempts to ‘try things’ with c-suite member of said person’s latest marketing campaign.”

There will be tabloid landmines to sidestep. Calendar schedules to master. Seemingly trivial concerns that will eventually mean something, like calculating time differences before sending texts, ensuring you’ve made space for his skincare in your New York apartment, and perfecting the art of arriving at the same location via different entrances.

“Trying to make it work” with an international popstar, it turns out, requires the same level of strategic planning as a corporate merger.

Right now, though, you're standing in the doorway of Jungkook's apartment, performing the world's most reluctant exit. Your suitcase waits by your feet, coat draped over your arm, heart lodged so firmly in your throat. The car service downstairs is undoubtedly charging by the minute while the driver wonders what drama is delaying your descent.

Jungkook’s standing before you, barefoot and hoodie carelessly thrown on, eyes carrying sleepiness. Beneath that morning haze, he's unmistakably present. Awake in the way that silently pleads don't leave without saying what we both know is true.

You haven't told him yet. The words you've been rehearsing in your head.

The truth you've been aware of for days while pretending otherwise.

His voicemail still plays on repeat, the one you finally had the courage to hear on that Manhattan rooftop, glass abandoned as his voice crackled through your phone speaker.

"I think I'm in love with you."

He never demanded reciprocation. Never presented it as a transaction. And now you're stuck thinking about your mother's favorite lecture, delivered with the exasperation reserved for a child too smart for her own good. "Don't lie if you can't carry it."

As your fingers make contact with the cold metal of the door handle, you pause. Turn to him.

Your eyes connect with Jungkook’s — they’re always wide with anticipation, patiently waiting, hopeful in that quiet, unassuming way he hopes for things. Your mouth opens, words still stubbornly refusing to leave.

Finally, with the triumphant relief of someone who's been holding their breath underwater, you manage to speak.

"I.. I-I think I'm starting to fall in love with you too."

He blinks at you. Like perhaps his sleep-deprived brain has misinterpreted that. Like maybe this is some elaborate dream his subconscious has constructed to torture him.

But then there’s that slow, sunrise smile that spreads across his entire face. That small, stunned shake of his head. His eyes soften, and he steps forward, reaching for your hand like it's the only anchor in a storm.

He presses his lips to your knuckles — a gentleman's compromise, the only part of you he apparently trusts himself to touch without dragging you back to bed.

"I'll see you in New York," he mutters.

In some way, those words say exactly what you know they mean. You nod, swallowing past the lump in your throat, forming a smile that doesn't look like you're about to cry.

The distance between Seoul and New York has never seemed so vast and so insignificant.

And when you walk out the door, heart thundering, you slide into the backseat of the car. Not any less yourself, not someone’s girlfriend, but with the promise of something new. Hands are still buzzing, gaze lingering on the city you used to avoid calling home.

As the driver pulls away from the curb, you feel your phone buzz once in your lap.

Eomma.

You blink at your phone.

Without hesitation, without fear, without guilt, you answer the call.

“Hi, Eomma,” you say, smiling softly. “I’ve missed you! Sorry I didn’t call since last week, I was crazy busy. But I do have a story for you.”

Everything in your chest feels entirely new.

Because at this point in time, you’re not running from something.

You’re walking toward it.

｡･:*:･ﾟ★,｡･:*:･ﾟ☆

masterlist + request

note ; if you’re reading this — welcome! you survived the end of the price of desire, and i love you for it. thank you for reading.

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[cuteandhughesy]

Us. | William Nylander

summary: you work as one of the assistant chefs for the toronto maple leafs organization, often taking charge and helping with team buffets and meetings. your job is hectic and crazy and you wouldn’t give it up for the world. william nylander can relate, and his role on the toronto maple leafs is his top priority. when the two of you end up falling for one another - and being pushed away from each other, the job becomes more complicated.

[word count] 5.5k

warnings: SFW! pre-established relationship | angst | brief mean!william | kissing | suggestive themes | read at your own discretion

a/n: based off this request! I went a little off topic with the plot, but the general idea is very much inspired by the anon request! this fic moves between past and present timelines, so if the paragraphs are in italics, it is my way of writing in the past! I hope you all enjoy :)

🎵us. by gracie abrams (feat. taylor swift)

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when you applied to culinary school, you never thought your journey would lead you to your current position. of course when studying to be a professional cook you are aiming to work in the field, no matter the level of hierarchy you end up at - but you never thought you'd get this lucky.

at just 23 years old and 5 months fresh out of culinary school, you were hired to work as one of the assistant chefs for the toronto maple leafs culinary team. getting hired at such a prestigious job at your age was very uncommon, and when you'd gotten the classic you're hired phone call, you initially thought it was your younger brother trying to play a prank on you.

news flash it wasn't your brother and now you're 3 months past your first day on the job.

throughout the first few weeks of your job, you were understandably nervous. your head chef had 30 years of experience, you were cooking for athletes with very strict and varying diets, and you were new. thankfully that very first week, the leafs were on the road, so you had time to train and meal prep in a somewhat relaxed environment.

you spent more time with the players than you were expecting to, which although was surreal was also very nerve wracking, and you were scared one of them wouldn't like the way you scrambled eggs and throw them back in your face. when damien - your head chef - assigned you to work the buffets for team meals, that egg fear became even more intense.

but you were pleasantly suprised with how nice everyone was. you had heard rumors about professional athletes and how they were rude and ignorant, angry if they didn't get their way, but the toronto maple leafs players were just the opposite. sure, some of them were quiet and particular about food, but they are just professional athletes who want to preform their best at any means necessary - you didn’t take offence to that.

in the 3 months you had been organizing and running team meals, you've learned a lot about the players. you've noticed that jake mccabe never fails to tell you a dad joke when he sees you, and how mitch marner always complains about being full but never fails to come up for seconds. you notice how joseph woll is always the last player to serve himself, and how david kampf, no matter how he feels, always smiles and uses manners with him.

but who's habits you've really noticed over the course of your time as an assistant chef is william nylander's. in fact, it's not just his habits that you see, but it's everything else too. the way at breakfast he always struggles between choosing sausage or bacon, and how he's never shy about asking for food he doesn't see on the table - which at first had you taken back, but now it's something you look forward to.

you stand behind the buffet table with ridged shoulders. your eyes are moving over everything at a rather frantic pace. it's your first time on the buffet table and to say you were nervous was an understatement. not only was this the first time you would be seeing the mouths you were cooking for, but it was one of your first shifts out of training.

as players slowly filtered through the doors of the dining room and gathered their serving of breakfast food, you've been consistently on edge. you were constantly checking that everything look presentable and that it was all stocked.

"do I feel like sausages or bacon?"

the question has you snapping out of the frantic organizational process going on in your head. you look up to see a tall, blonde and presumably hockey player. even though you've lived in the city you whole life, you’ve never followed sports. sure you know famous athletes names from the press, but you'd never be able to put a name to one's face.

you blink, "sorry?"

finally the man in question looks away from the meat options and you're immediately taken back. he's very handsome - a mature handsome that has you feeling petite and giddy.

the corner of his lip quirks up. "I don't know if I want bacon or sausage, so I was thinking out loud."

you blush, "oh, i'm sorry. I thought you were talking to me."

"I think i'm feeling bacon." he shrugs, but he makes no move to plate the food, his eyes still on you. "unless you think I should go with sausage."

you lick your lip, moistening the rather dry skin. "well I always think if you're second guessing your first choice, maybe the second choice is the one you're truly needing."

the blond hums thoughtfully, "that's smart." with that he grabs three round breakfast sausages and loads them onto his plate. the remaining sausages slide down from the loss of the ones he took, and your itching to reach for the tongues and adjust them again.

"you must be new."

you exhale shakily, "is it that obvious?"

he shrugs again, a smile still on his round face. he moves onto the eggs, using the tongues to grab some of the over easy style and adds them to his plate. "i'm william."

"y/n." you nod professionally and politely. "i'm the new assistant chef and the new director of  the dining hall and menus."

"so, y/n, you're saying this isn't the only team ill see you?" william is now moved onto the display of fresh cut fruits, and he's taking a dent sized amount of orange slices. you'd think his question was one stemmed from disappointment if it wasn't for william's playful smile and the twinkle in his eyes.

you find yourself smiling as well. "no it's not."

"good."

since that very first meeting between you both, you and william found yourself in this dance of sorts, where the two of you would move around one another in ways to complete the other. you and william just worked.

once you were aware of william's lighthearted, carefree personality, you embraced his teasing remarks and sultry smirks. you'd look forward to taking his orders and serving his food, and he look forward to you as well.

william was instantly attracted and impressed by your work ethic and skills, especially at your age. he had seen chefs in this organization who took years before reaching your levels, and he couldn't help but grow enamoured for you.

what started as friendly banter and conversation slowly evolved into something more flirtatious- intimate.

william would make a point to wait around after meals to walk you out to your car, just so he could chat to you and watch you flush under his teasing words and gaze. he would always spend too much time chatting with you at the buffet table and then have to scarf his food down because time was limited afterwards. william would text you all day; compliments on your food and looks, funny tweets he'd think you'd enjoy, invitations for movie nights, simple small talk and questions.

it didn't take long for that to progress and 2 and a half months into your job, you and william were practically dating.

you never properly discussed labels, but neither you and william harped over it. you were both happy with the right now of it all.

you both decided to keep your relationship separate from your work life. nobody needed to know what was happening between you both, and you were very adamant about that. you didn't want anyone, player or staff member, to treat you differently because you were with william, and he wanted the same.

but it was hard to try and ignore william - it was and always has been. you'd find yourselves locked in knowing stares with one another, and you couldn’t help yourselves from standing suspiciously close while trying to keep your voices hushed and inconspicuous. the accidental not-so-accidental brushing of limbs, sneaky smiles and even occasionally sneaking off to unoccupied rooms to be alone. you and william weren't doing the best at showing restraint and being secretive.

so although neither of flat out told anybody apart of the leafs organization about your blooming relationship, it didn't take much to figure out something was happening between you.

you walk through the training hallways with a determined step. you've finally gotten the menu submission you'd been hounding william for (at work and after) and when he dropped it off to you this morning, you thought you could finally rest and get to work - but no.

he was trying to be funny. instead of properly filling out the required form for the kitchen, he'd chosen to write either ridiculous answers like he preferred ketchup flavoured fruits or overly sexual things like he preferred you for dessert.

with the original forms in hand as well as a brand new set for him to fill out (correctly this time) you continue to weave through training staff as you walk through the athletic department of the arena. you knew that william was in the gym right now, just like he told you when he sneakily kissed you goodbye after giving you his forms this morning.

you should've known something was up when last night william asked if anybody would be seeing the menu submissions besides you, and when you said that it was only for you, his smirk grew.

you enter the open doors of the physical therapy room when you caught sight of his familiar thick head of blonde hair.

you approach william with determination.

a couple of the guys around notice you and they make snickering noises like little school boys do when a classmate gets called down to the office. the sound has william looking up just as you reach him, his conversation with liligren and jarnkrok coming to a stop.

"I need you to fill out a new form." you hand him the blank papers quickly.

williams smirk grows ridiculously large. "why? what's wrong with my other one?"

you sigh, "can you just do it babe-" you cut yourself off as a horrified look takes over your face. williams eyes widen, but he looks rather enamoured with your slip up and that has you feeling even more horrified. "william. I mean william."

jarnkrok and liligren both snicker knowingly, and calle even pats william's back in a congratulatory manner as the two swedes walk away from you.

william takes the empty menu submission form from your hand. "I'll fill this out."

you exhale shakily, "much appreciated."

he eyes you, "even though I think the real reason is because you want to frame the original one in your apartment." william's iconic laugh follows suit, and you find yourself hiding your face behind the inappropriate forms.

calling william babe wasn't even the most damaging slip up that williams teammates had caught you to in, and there were many close calls of almost being caught doing undeniable acts.

"willy," you sigh heavily, basking in the feeling of his calloused, large hands running over ass. "we should stop"

he hums against your neck, not once detaching his lips from there attack on your neck. clearly william has no interest in stopping the exchange between you and to further his point he rolls his clothed crotch against yours once again.

once william found out you were still at the rink after the team finished up with practice, he had practically dragged you away from food prepping and into the first available spare room.

it ended being the staff room, which was definitely a risky spot, but that didn't stop william from sitting you on the lunch table and immediately begin kissing you with need.

after a good 3 minutes of hot and heavy making out, you managed to reluctantly detach your mouths. but that didn't stop william from moving further down your body with his lips - the sucking against your neck a reminder of just that.

"somebody could walk in." you remind him.

"I know." he pants, pulling away and finally ending the assault on your neck in favour of meeting your eyes. you're both flushed and breathless, but the knowing smirks don't disappear off either of your faces.

"I need to get back to work." you slip off the table, brushing his erection through his pants as you do so. william groans out - a combination of uncomfortable and pleasure, his dick twitching in his pants.

you giggle, adjusting your crumpled apron.

just as you do, the door swings open and a confused looking auston matthews enters. once he spots willaim his shoulders relax, "dude i've texted you three times - you're my ride today remember?"

then the scene infront of him clicks, and auston is immediately smirking. the sight of your messy hair and plump lips combined with william's red cheeks and akward hand placement, he knows everything.

"yeah, right. sorry man I was just helping y/n/n with something."

"yeah, for sure."

when auston turns away to leave the room, william following behind him slowly, you make sure to whack william on the arm as he walks by.

all he can do is laugh.

for those weeks of constantly spending time with one another and basking in the honeymoon phase you two so desperately loved, was something that you cherished.

but a week ago, something changed.

it started when one of your closests friends, jenna, had come down from out east to visit. you had obviously told her about the situation with william, and how you two were thriving together in your secret relationship.

"wait," jenna's eyebrows pull together in confusion and her hands shoots out in your direction as if to halt your story. "why are you keeping it a secret."

you shrug, "because of work. we don't want it to complicate anything."

"what would it complicate?"

you open your mouth to speak, but no noise comes out. when you try and think of a reason why your and williams situation has been hush hush, you can't find one that actually makes sense.

jenna continues, her tone gentle. "I love you and i'm so glad you're happy, but I think you should have a conversation with william. it doesn't make sense to me why you guys wouldn't tell anybody about this thing going on, as well as why you haven't put labels on it yet."

your shoulders deflate. you can't help but feel insecure and unsure now about your relationship with william. was he embarrassed of the age gap between you and didn't want his teammates to get on him about your immaturity? did william not want to sacrifice his job with the leafs by putting a label on you? was he worried he'd get in trouble or traded if he was caught with somebody so young who worked for the leaf organization? was he worried about the fans dissecting a relationship between you both and calling him out for dating you?

was your relationship doomed from the start and eventually meant to crumble.

when you started to really think about it, you get plunged into a deep, dark hole of guilt and regret and fear all sourced from your and william's relationship and the secrecy that came with it.

because what if william didn't want a girlfriend out of you because of your age and inexperience with life and he was only looking for a physical partner temporarily.

so your next day at work when william tried to flirt with you while you plated the various salads at the grab table, you didn't give him any eye contact and mumbled some excuse about being really busy.

willy was confused of course, but he brushed off your dismissal. he believed when you said you were busy, and he knows how important your job is to you and he didn't want to disturb you while you're working - but the next day it was the same thing. you were practically ignoring him and when william did come up and try and start your usual fun conversations, you were short with him.

after a few days of the same unbothered demeanour from you, william gave up on trying to crack you. he was clueless on what shifted between you, especially when you won't tell him, so he has no choice but to believe you are no longer interested in him.

and that hurt, so instead of acting like a grown adult and trying to find a solution to this mystery problem, william pretended that he was unaffected by your sudden absence.

——

morgan rielly must be able to sense your shift of energy, and instead of bringing up his favourite taylor swift song of the week (which is obviously a weekly discussion between you two), he only sends you a closed mouth smile as he plates up his meal.

it makes you frown, because you think william must've mentioned something to someone on the team, that now has the once interactive, bubbly roster acting tame and quiet around you.

you almost say something to morgan about his change and plead for him to talk about your favourite blonde musician, but you let him go.

this is what you didn't want to happen. the awkwardness and always having to step around eggshells because of your relationship with william (or currently, lack there of) was something you never wanted for you, william or anybody in the organization.

you never wanted to end up feeling so lost and out of place at work and when it came to william. you can understand your way of dealing with your insecurities wasn't ideal, but you can't help but to shut down when something doesn't feel right - you've always been that way.

but william wasn't helping in any way. not that it was his fault, you can understand that. but you can't understand why he now seems to be showing absolutely no interest in you or why he’s stopped trying.

and you know you should've had a conversation like jenna suggested and figured out the labels and deeper meanings of the relationship you and william have - or had. but you weren’t thinking of having a talk when you were spiralling.

you needed and wanted william to pull you out of that state and reassure, not act like he doesn’t know who you are anymore.

your thoughts are halted as out of the corner of your eye the movement of matthew knies catches your attention. the rookie sends you his usual smile, seemingly unaware of the thick tension weaving throughout the dining area. like usual, matthew loads his plate with mini hash browns, and the normalcy of it all has you laughing.

he looks up at you, a smile widening across his attractive face. amused and seemingly pleased, matthew moves to plate himself up some scrambled eggs, although he doesn't take much because he claims that eggs taste like shit. thankfully, you convinced him to at least take a spoonful at every breakfast.

"I didn't think I'd get to see you smile today. you've been a little off for a few days....are you okay?" matthew's eyes flicker between you and the fruit platter, eyeing your exhausted features.

you're momentarily taken back, blinking quickly to try and see if you're hallucinating what's happening right in front of you. but matthew is very much there and asking you that question. you clear your throat, "i'll be fine, thank you, matthew."

"good," matthew smiles before taking a gigantic bite of some plain toast, crumbs falling over his team branded hoodie. he doesn't seem to mind the mess and he wipes away any lingering toast from his face with the back of his free hand. his warm smile has yet to fade, and you find yourself joining him. matthew continues, "you look so pretty when you smile - I've been missing it these pass few days."

he walks away then, leaving you a flustered and shocked messed at the expense of his flirtatious compliments. you're taken back momentarily, and you're left staring at the spot matthew was just standing in, going over the mini exchange in your head.

you briefly wonder if matthew has always been flirtatious with you, but you'd been too previously distracted with william to notice.

matthew is your age and attractive and still new to the whole sports lifestyle just like you are. maybe matthew was better match for you and trying to build a strong relationship with him was more realistic than it ever was with william.

the warmth of william nose running along your cheek is comforting. the tickling, soothing movement is almost lulling you into a sleep and your eyelids feel heavy as you blink lazily.

against you, william shifts. he shuffles upwards on your mattress, and the soft rustling sound of your crisp sheets follow suit.

your head lolls towards him against your fully pillow and you're met with william's blue eyes twinkling back at you. he's leaning on his palm as his elbow supports his body weight. his hair is still tousled from your hands running through his locks during your previous activities and william also looks a little sleepy.

his flushed cheeks are surely a reflection of yours, and his chest hair is still dampened with sweat - sticking flat against his hard pecks.

"what?" you questions gently, eyeing his sleepy smirk. you turn onto your side and tuck yourself against him. the angle is a little awkward, but you still manage to connect and you wrap your arms around him, letting your chin press in between his pecks.

he looks down at you softly, that same fond expression still there. "I just really like you, y/n/n." william's words are barely audible, and if you had emptied your dehumidifier like you had planned too earlier, the noise would've drowned out his confession.

but you didn't empty it and you can hear every soft word perfectly.

you smile. "I really like you too, willy." to further your point, you press a quick kiss to the skin of his chest. that slaty sweat flavour on his skin is another reminder of what you and william had just finished doing only a few minutes, and that has you flushing all over again.

with his free hand, william gently takes ahold of your face, tilting your head back so you were once again looking at him. you can see the thoughts running through his mind, and when william gently knaws the skin of his bottom lip around his never ending smirk, you wonder if he's also thinking what you are.

suddenly william drops down, and his hands wrap around your waist so he can fully roll you onto your back once again.

you giggle, your legs falling open automatically to make room for william. he leans down and begins to attack your flushed face with quick, loud kisses.

but that's not true - you know that now. it was never hard with william. the rather insignificant age gap between you was never an obstacle and neither was your job position. the only obstacle seemed to be how you were too nervous to put a label on the relationship in fear of ruining what you had.

you think what you and william had was too special to just ignore and give up on - you don't want to give up on him.

a hand reaches for one of the silver serving tongues in front of you, and you look up to find william standing there.

he looks away from you as soon as you make eye contact, and he busies himself by serving himself some of the pork sausages.

you clear your throat nervously.  "hey."

at the sound of your voice, william looks back at you. his eyebrows are pulled together tightly and he analyzes you confusingly. his uncertain gaze has you nerves deepening, but you don't back down - determined to begin the process of moving forward with william.

"hi." finally, he responds. he shuffles further down the table, searching for the fried eggs to add to his new spread. you follow him from the other side of the long buffet table, eyeing him carefully.

"can we talk later?" you words are hushed as you try to not attract any unwanted attention to you both. you're still not sure if william told anyone and if he did, you don't know exactly what he said. so you were still feeling a bit weary of that situation, but you were ready to talk about it and clear your rollercoaster of thoughts.

william almost scoffs, the once usual happy and relaxed laughter you were so used to hearing from him has quickly turned into something more unsettling and your heart just about bursts. "now you want to talk?"

you blink. "I-"

he stops you from continuing, his plate of food long forgotten as he directs his attention to you completely. "because last week when you started acting all entitled and uninterested you didn't even have the decency to give me fucking eye contact. but now you want to talk? why, so you can come up with some excuse and tell me that you like me and want to move forward? well too bad because i'm over it."

you can feel the emotion building thickly in your throat and your eyes start to blur as you desperately try and hold in the waterfall of tears wanting to slip out. "so you don't want to at least talk about this? about us?"

he shakes his head in disbelief, that same scoffy laughter making another appearance. william meets your water filled eyes, and his face shifts. his mouth falls into a straight line and his eyes change to a more somber state. "what us?"

you look away to try and hide the way your mouth trembles with emotion - pain, hurt, sadness, embarrassment. you didn't actually think everything you'd be insecure and worried about would become the truth.

you don't give william the satisfaction of seeing you upset. you turn away and signal to another kitchen personal to take over. thankfully, they make their way over and as soon as their feet move, so do yours and you're leaving the dining area as fast as you can. 

you barley make it through the busy hallway and back through into the kitchen staff room. thankfully because of the working hour, nobody else was in the room because as soon as the door swung shut behind you, the building of emotions all come out and you could no longer stop the flurry of tears.

you cover your mouth to try and mask the sound of the sobbing sounds of heartbreak, desperate to hold on to any dignity you have left.

your embarrassment quickly turns into anger.

william saying such hurtful words to you in a room full of both your colleagues, even if they weren't listening, is just aggravating. even if william never believed that you and him had anything meaningful and he believed your relationship wasn't leading to anything serious, he should of at least had respect for you.

the door opens behind you, and you know it's william immediately. your body reacts to his presence in the way it always has. your skin prickles with pleasure as if it was anticipating his touch and your face heats up further regardless of your current pain.

"please, william if you've come to further embarrass me and make me feel like shit i'd rather you just leave."

you've never called him anything other than willy. when the two of you first staring seeing one another, you told him the name william was too formal for him and willy better displayed his fun and lighthearted personality.

and even though everyone called him by his nickname, something about it coming from your lips was much more intimate.

he shakes his head even though you can't see him. your back is still turned to him because you don't want him too see you so distraught from his words - you can't give him the satisfaction of your raw emotion.

"I didn't mean that, y/n/n." william's words are gentle and full of guilt. "I shouldn't have said that."

you turn, eyes pointed with anger. "no you shouldn't of."

williams face furthers into a regretful expression. "I'm sorry." he walks further into the room, now standing close enough to touch you. but he doesn't try and touch you, and he keeps to himself regardless of how badly he wants to hold you and touch you after days of not.

"I thought you liked me." your words a breathless whine, and you wrap your arms around yourself in search of comfort.

"yeah and I thought the same." he admits sadly. "but then something changed and I don't know what the fuck happened. I felt completely left in the dark because you just completely stopped spending time with me, and talking to me and looking at me. it felt like you didn't like me at all, y/n/n."

you use your shoulder to wipe away the drying tears left sitting on your cheek. the little blush still on your face smudges into your white chefs top, making you look even more of a mess. "I was in my own head," you admit your defeat, "all these insecurities kept getting in the way of what was right infront of me. I thought that you wanted to keep us a secret because you were embarrassed of me - my age and my inexperience were something that you wanted to keep hidden."

you continue, "I thought you didn't want to further our relationship into one that held more serious value- had a title - because you didn't want to build something with somebody so young and lacking of life knowledge and experience. so I pushed you away because I didn't want to end up hurt when you inevitably admitted you could never love me that way - that I was just a fucking booty call."

he shakes his head, lips tugging downwards into a painful frown. "I don't care that you're younger than me and your age has never been an issue when it comes to my feelings about you and our relationship. just because you're younger doesn't not mean that you're inexperienced, y/n/n. in fact you're one of the smartest and experienced people I know."

"so what was it that stopped you from bringing up what this relationship between us was? what were you working towards, willy? when it came to me?"

william almost turns into a puddle at the use of his nickname. he has missed you and your presence so much these past few days of no contact, it's been killing him.

as soon as you walked away from him and his hurtful insinuation back in the dining room, william immediately knew he messed up. not just with the burst of anger only a few minutes ago, but with how he handled the relationship between you two after you seemingly were shutting down and turning away from him.

"when I noticed that something was going on with you and in your head, I should've been more supportive and I should've reached out to try and have a conversation to help squash these fears, and insecurities you were dealing with. i'm so sorry, y/n/n." he breathes out, pausing to collect his racing mind. "I want to be your boyfriend and the entire time we've been together I was so desperately hoping that you would want the same. I don't care if anybody thinks of me differently and I don't care if people think that we aren't good - I think we're great."

"willy," you huff, arms falling back to sit against your sides. "i'm sorry that I shut down instead of just talking to you - I feel so stupid." you pause shakily, trying to blink back the new wave of tears. william reaches out to you then, rubbing his hand comfortably around your hip. it's the comfort you've been missing - craving. you continue, "I really like you, willy. I wish that this never happened between us."

he nods understandably, squeezing the dip of your hip as if to tell you that you're not stupid, it is okay, I really like you too. "where do you want to go from here?"

"I want to...." you pause. "I want to start over. I want to date you for real with the labels and the pictures and everything else in between." you bite your lip nervously, trying to gauge william's face to try and understand what he's thinking. "where do you want to go from here, honestly?"

"I want to pick up right where we left off. I don't want this miscommunication to change our relationship anymore than it already has. the only thing I want to change is that I can call you my girlfriend and refer to you as such all the time."

"I want that too."

"good," william smiles, pressing his body against yours. with the new position, you have no other choice but to bring your arms up around around his neck - not that you minded of course. “I really like us, y/n.”

“I really like us, too.” your confession is a tickling whisper against his lips as william can’t help but let his mouth brush over yours, so close to connecting them together is a much needed kiss.

[ebsmind]

𝐣𝐮𝐬𝐭 𝐭𝐨𝐨 𝐬𝐨𝐟𝐭 𝐟𝐨𝐫 𝐚𝐥𝐥 𝐨𝐟 𝐢𝐭 ❀ tom blyth x singer!reader

summary : just a little sneak peek of what y/n and tom’s relationship is like

warnings : none! this is straight up fluffy

a/n : i think im making this into a series?? like having everything with olivia rodrigo as a fc being related to a taylor swift song? im not sure but i listened to sweet nothing and i just HAD to write something about it 😼

tomblyth happiest of birthdays to the love of my life ❤️

tagged : @/ynuser

view all comments

ynuser you made my birthday 1000000% better 🫶🏼i love you so much

↳ tomblyth forever & always

user1 SHUT THE FUCK UP I CANNOT DO THIS TODAYYYYY

user2 mom and dad 🥺

user3 he’s so in love with her i need what they have

rachelzegler y’all he wrote a poem for her and she SOBBED

↳ ynuser PLSSSSS WHY DID YOU HAVE TO TELL THE INTERNET THIS

user4 he wrote a POEM for her??? i cannot

user5 @/tomblyth you might as well go and propose now

↳ rachelzegler nah fr i’m waiting for the answer to this question

user6 rachel zegler confirmed as #1 y/n and tom shipper

user7 he’s so soft for her i’m gonna cry

ynuser added to their story!

ynuser bejeweled as f*ck for my birthday

view all comments

tomblyth woah that’s my girlfriend

❤️ by creator

rachelzegler HAPPY B DAY TO MY MOTHER

joshandresrivera happy birthday queen ✌🏼

↳ rachelzegler i made him say queen 😽

❤️ by creator

jennaortega happy birthday to the prettiest girl alive

baileybass happiest of birthdays to my bestie!!! 💗

hunterschafer happy birthday pretty girl!! 🫶🏻

ynuser birthday shenanigans (ft the poem)

tagged :@/tomblyth

tomblyth i slayed is what rachel would say

↳ ynuser slayed the house down houston i’m deceased 

user1 tom is so funny i can’t

user2 they’re so sweet to each other

user3 parents fr

rachelzegler hey i wrote her a very long paragraph for her birthday and i didn’t get posted ☹️

↳ ynuser sorry pookie let me post you rn

user4 thx for that pic of tom y/n im going to be stealing it now

↳ ynuser 😉

[0mg-bird]

How Did It End?

Post Prison! Spencer x Fem!Fiancee Reader

Summary: Almost four months since Spencer came home and the fairytale that once was your life has come crashing down around you.

Warnings: ☹️ ouch. Angst. PTSD. Taylor Swift ‘How did it end?’ coded. hurt/comfort. this hurt to write, don’t hate me. Reid my poor baby has some stuff to work out.

W.H. Auden once wrote,

‘Were all stars to disappear or die, I should learn to look at an empty sky and feel its total dark sublime, though this might take a little time.’

Poetry was something you were no stranger to, given the fact you taught an advanced creative writing class at the local high school.

You once enjoyed poetry.

But now, when the words feel like knives aimed at you, you can’t bear to indulge in the afternoon readings like you used to.

Instead, afternoons are spent in an apartment that somehow lost its warmth. Before, you’d claim it’s because Spencer was gone, that things would be brighter when you brought him home. He’s been home for three months, a little longer, the weather has begun to change, warping into a melancholy winter. You sit at your desk, staring at your computer screen, spinning your engagement ring around your finger.

You’ve been trying to get back into writing, trying to revisit your archived story. Though, it’s hard to revisit a fictional romance mystery when there’s nothing to inspire it.

Groaning, you delete half of the last paragraph you’ve written and try to type something that isn’t cliche. Pushing through the urge to stop, you write until the words flow thoroughly and there’s a key turning in the door.

There he was, the love of your life.

Spencer trudges into the apartment and drops his bag by the door, his shoes find a home beside it. The circles under his eyes are darker than they were this morning when he left, he runs a hand through his hair and glances over at you when you stand with a grin.

“Hi.” You do your best to beam, conveying just how much it excites you to see him.

“Hi.” He mumbles, tossing you a tight lipped smile as he walks towards the bedroom.

Trying to push away the sick feeling in your gut, you turn back to your blind optimism and take your glasses off.

It takes eight steps from the bedroom door to the closet, it takes him three steps to pace and grab casual clothes. In about a minute, he takes off his day clothes and pulls on something that doesn’t feel constricting. You memorized every foot step he makes in this home, it’s easy to focus on when you spent some time not hearing it.

By the time he comes back out to retrieve his bag and sit on the couch, you grab up your laptop and sit on the other end of the sofa.

Paperwork and files soon lay on the coffee table and you watch him organize and complete end of the day tasks. Patiently waiting your turn, when Spencer finally relaxes back into the cushions, you slide closer.

“How was your day?” You ask.

He grunts. “Nothing worth talking about. Oh, I’m going to Connecticut next week to do a seminar, I’ll be gone two days.”

You nod. “That’s exciting, right?”

He shrugs, then there’s silence.

You scoot closer. “I was working on some things, I think I’m finally getting back into the groove of it. You want to read the last chapter I made?”

He motions to the coffee table. “Yeah, just leave it there and I’ll take a glance later. I’m debating on if I want to shower before dinner or after.”

“I was thinking we could go out for dinner, we haven’t in a while.” You offer with a hopeful smile.

Spencer frowns. “I’m not really feeling a social scene right now.”

“Oh, yeah, no, of course.” You quickly say. “We could do take out then, Italian maybe?”

He shakes his head. “We shouldn’t do take out anymore, it’s basically inviting a serial killer into our home, giving him some place to come back later when I’m not around.”

Right. The paranoia.

You knew things were going to be different when Spencer came home, and you did your best to adjust with an open mind. Sleepless nights consoling him, countless days spent trying to pull him from his own mind. Through tears and breaking points and a few instances where he utterly scares you, you know he’s still your same Spence, but just a little hardened now. He’s still the man who spent too much on a ring, still the dorky guy you fell for those years ago.

Things are just…a little rough.

“Okay.” You say to his statement. “I’ll whip something up then.”

At the sight of your willingness to give something up, he feels immensely bad.

“No.” He sighs, shaking his head. “No, I’m being stupid. Italian sounds fine.”

The bad habit of being too harsh on himself has been hard to kick, but it’s getting better… you think.

So you order Italian and eat in front of the television while Spencer fact checks what the characters are saying, criticizing the antics of these fictional people. It feels so normal, the whole situation, it makes you momentarily have amnesia, as if the two of you are exactly like before. You lean into his side and laugh at the sitcom, thinking that this Spencer hasn’t experienced what he has, that everyone around the two of you still feel the happy affects of your love, that you test wedding cakes and look for a bigger place. A place the two of you can buy together and start a family.

“I’m gonna shower.” He says, rubbing your shoulder.

Looking up at him, you smile playfully. “Want company?”

There it was, that reminder that things weren’t like before.

He kind of just shakes his head with a smile and leaves without anything else.

You know he doesn’t mean to, but sometimes he makes you feel about an inch tall. He used to look at you with this heavy gaze, something needy, something that never failed to make you feel like the prettiest girl in the world. His hands would find a home on your skin, he used to kiss for fun.

You don’t remember exactly when he last gripped you in a way that wasn’t just polite.

You know he has fears, he has it in his head that he is a danger to himself and you, that his hands are murderous, but it doesn’t feel the best when you’re constantly rejected by the man you’re going to marry.

Rubbing your eyes, you clean up the dinner mess and then go to the bedroom to slip into pajamas. The floor length mirror shines your reflection, you stop to stare.

Maybe you weren’t the first pick, maybe you hated what you saw sometimes, but the thing about Spencer was he was so sure that no one could ever do it like you. A slew of compliments he’d give you, the fever of his love was scorching.

You give the girl in the mirror a smile, then comb her hair with your fingers and smooth your tank top.

Silly enough, you turn to the side, wrapping your arms around an invisible bump, and you smile fondly at the thought. Two kids. A boy and a girl. Little geniuses. That’s what he and you would talk about. The next thing after he marries you, the next thing he’d do was give you a baby. He swore up and down at night when you laid with your head on his beating heart, he’d give you the family you craved and your face would hurt from smiling so much.

All plans are at a stand still now.

And that’s okay, wasn’t it? This was a rough patch and you’re helping Spencer get through it because you’d help him with anything-

The bedroom door opens, Spencer walks in and you step away from the looking glass.

“I’m going to get ready for bed.” You mumble, walking past him, cheeks burning red.

To say the least, Spencer feels horrible. Here you were, giving him your undying loyalty, holding his hand through all of it, and he’s the reason life has stopped. You’re so brave about it, always patient and understanding.

He hates it.

You should be angry, you should be arguing. He knows his bad moods kill you, he knows you’re waiting for things to be normal again and they won’t. You get up in the middle of the night when he’s asleep and put on your wedding dress, just to smile at yourself and promise that soon, it’ll be better. You think he doesn’t realize, that he’s passed out, but from the bed he watches you turn in front of the mirror and bite your lip, the way you always do when you’re too pleased with something. Then he sees you cry, softly, hand pressed to lips so you don’t make any noise and inconvenience him. You only let the break happen for a fee minutes, then you wipe your tears, take off the dress and tell yourself that it’s all alright.

Things will be okay.

What if they won’t?

What if it all just crumbles, every wall of the castles built?

It’s not a matter of ‘what if’s’ anymore, is it? Not when the two of you argue into the morning about things. You’re trying so hard to give him the benefit of the doubt but when he isn’t giving you anything at all, it makes for situations like this one.

Head in your hands, you pause for a brief moment and breathe before looking back up at Spencer. The two of you have been at this for about an hour and a half, all because you mentioned how unfair he’s being. Here you were, taking the scraps he throws to you like you’re a dog, and he’s saying it’s you who is unfair.

“I know you want things to go back to the way they were, but it’s not gonna happen.” He says in that bitter tone you hate, looking down at you, sitting on the mattress.

“I know things are different, Spencer.” You claim. “But I didn’t think I had to be okay with you hardly looking at me, or-or not baring to ask me a simple question like how my day was.”

He scoffs at you, running a hand through his unruly hair. “I’m sorry if my attention isn’t devoted to you now.”

You stand to match his position. “Don’t make me seem selfish.” You shout.

“I’m- you’re not selfish, I just…what do you want from me?” He questions, throwing his arms out and staring at you with absolutely no love in his eyes.

“What do I want?” You reword. “What I want is some progress. Every day I wake up, and I do my best to convince you that you’re not something evil, that these unforeseen circumstances don’t define you, and it’s like I’m stuck in a loop. I can’t help you if you don’t help yourself.”

A lump forms in your throat, your eyes burn but you can’t find it in yourself to let those tears fall.

“That’s the problem!” Spencer shouts. “You’re looking at me like I’m some sort of sick animal and I can’t stand it!”

“You’re looking at me like I’m not the love of your life anymore, so I suppose some things change.”

Silence.

Spencer’s at a loss for words.

Your tears start falling now. You wipe at them with fever.

“I’m trying to give you time, Spence.”

“Angel-” He tries to interrupt, only to be stopped with the movement of your hand in the air, halting him.

“Don’t. Don’t be like this. I know this hasn’t been easy for you, but I have felt so alone.” You say with a squeak. “And you just… don’t care.”

He shakes his head, demeanor changing. “Of course I care!”

“Really? Because it feels like you gave up on me when you gave up on yourself.” You gasp lightly, trying to calm your shaking hands. “And that’s mean, baby. I know you have been through so much and you lost the game of chance, and I’m sorry- I am so sorry, but you can’t toss me aside like I haven’t formed my whole life around you!”

It’s strange, standing in a room that once knew laughter and the warmth of your escapades. Only now, it’s ghostly and tired and blue. Spencer wants to defend it, wants to shout that you’re just not understanding him but it’s wrong. You understand him better than anyone ever has, and you’re immensely right, he’s abusing the situation. He knows all of this and can’t help but back peddle like his life depends on it.

“I’m not trying to toss you aside, I’m sorry.” He says, reaching out to grab you, deciding his touch can’t be your downfall.

But you side step him. “But you are, do you not understand? Use that smart head of yours to realize the instance here.” You plead. “If you’re done trying, then I am to because I have no more to give. I’m empty, you took it all from me, Spence. What do I get in return? Nothing, not even a fucking marriage.”

There’s a certain level of hurt that mixes with the anger and creates something crazy in your brain, makes it malfunction and all your repressed thoughts come out.

As you go to leave the bedroom, Spencer follows after. “What does that mean?” He asks.

You need to get out, these walls are whispering with your promises of a future, they’re getting louder.

“You aren’t going to marry me.” You state, searching for some place to hide and sink away.

“Of course I am.” He claims, calling your name to stop you.

“You can’t even pretend like you love me, Spencer, you aren’t going to marry me.”

A hand catches your arm and spins you to face him. His eyes are confused and reeling.

“I do love you, I always have.”

There’s a waver in his voice, is there?

I swallow. “Say it again. With feeling.”

“I love you!”

As the air leaves your lungs in a death rattle sort of way, you just can’t feel the warmth. It makes sense, ghosts have no heat, no matter how beloved they are. You know he expects you to give a different statement than what you do, and it hurts when you tell him the truth.

“I don’t think that’s enough now.”

“Don’t say that.” His tone comes out angrier than intended.

“I just did.”

One might describe him as a scared dog, one who lashes out now like he never used to.

“It’s not enough? Then why don’t you just spare yourself?” He spits, resembling a man you’ve never known, tossing your arm aside, probably too harshly.

The knife twists in your chest, you’re convinced you’re bleeding. Slowly, you nod. The ring seems to hold on for dear life, but you still pull it from your finger and offer it forward.

Everything inside of him feels sick as he reaches out his hand, watching as you drop the diamond into his palm.

With your heartbeat in your ears, you go to the door, sliding into your shoes and grabbing your heavy coat to brave into the weather. With Spencer calling your name, you shut the door on his impending questions of where you’re going.

Spencer stares at the door, and for a moment he can’t believe it all happened like it did. But he said the words and you followed his lead like the faithful partner you are and now you’re gone.

It takes him twenty two minutes before he begins to really panic. What if you’re gone forever? What if some force is going to take you now? Where did you go? Are you cold?

And if you left, that meant he’s alone for good, alone like he’s always been. How could he do this to you? He’s horrible, he’s a monster, all of those things he’s thought about are true.

He sets the ring on the counter, then throws the dirty coffee mug into the sink with such force, it breaks.

He paces the apartment while you stand at Penelope’s door, your dearest friend you only know because of Spencer, trying to hold it together until she comes to find you.

“What happened?” She asks, taking in your appearance.

“I don’t– know.” You sob out.

Two weeks later…

…

…

…It’s a weird feeling, having your spine split in half from carrying so much weight uphill for so long. You know a lot about weird feelings now, that empty space in your chest, Spencer sized, that’s your new lover.

Penelope sets a duffel bag by the pullout couch where you hardly move from, she’s been making trips to the apartment over the days to retrieve what you need.

“Hey, lovebug.” She coos softly, sitting by your knees, petting your mess of hair. “How was work?”

You open your mouth to tell her it was fine, that today was actually a good day, all the way up until Spencer texted you and asked if you wanted to move all of your things out.

A strangled sigh leaves your cracked lips.

This sums up how the last two weeks have been, and you wonder if Pen is a little embarrassed for you yet, the way you can hardly get out of bed.

“Emily and JJ and I are going out…why don’t you take a shower and come with us? It’ll make you feel better.” She says in such a gentle tone, one she’s learned that can get you to do anything.

It drags you to the shower, where you sag against the wall and do your daily crying. Then you get dressed and tame your hair and somehow make it to the bar.

Emily and JJ look at you with pity and you have no energy to be upset.

“Reid’s not enjoying it either.” Emily offers in a corner booth, because the conversation has turned to discussing the loss of your life.

Pen and JJ nod in agreement.

The BAU feels like they’re going through this break up at the way Spencer’s moods affect all of them. They’ve never known his anger like they do now, how he’s quick to snap, how the littlest thing sets him off. They’ll spare you, they won’t tell you how he swiped the picture frames off his desk, the ones of you and him. They won’t mention the fact that he hasn’t smiled once, that he looks like he doesn’t sleep.

They won’t tell you any of this but they’ll offer words of condolence or comfort, neither work.

“It’s going to be alright.” Emily encourages, squeezing your hand from across the table. “Heartache doesn’t stay forever.”

JJ nods like it’s going to fix the way you’re as empty as a drum.

“We all know how you’re feeling, don’t worry.” She says, her perfect, Barbie doll smile.

It makes you sick. You really shouldn’t take the anger out on anyone, but you do because there’s so much of it and you can’t stop it from flowing.

“You know what I’m going through?” You question her.

“Yes, I’ve had heartaches too.”

You suddenly can’t stand being here, you need to leave.

“You can go home to a husband, Jennifer, you don’t know how I feel.”

With those as your parting words, you flee, you tell Penelope you need air and you’ll see her at her apartment.

While you brave the cold city, the three women ask themselves how it could have possibly ended like this, with the greatest love of all in shambles. JJ calls Reid, of course she does.

“You need to fix this.” She tells him.

“…How is she?” He asks, sitting on the sofa, eyeing the framed pictures on the wall.

“She’s…lost. She’s ghostly, she-…Spencer, she loves you and she can’t stop. Fix it.”

“I don’t know how.” He says, monotone.

“How did it end, anyway?” She asks, seeing Emily and Penelope return with more drinks.

Spencer sort of sighs, though it’s sad and broken.

“I don’t know.”

- - - -

The air bites, it’s as cold as you feel, makes your bones ache. You wander in hopes of getting lost permanently, but to no avail, you know your city. Your city that feels so harsh and cruel, it’s one big reminder that you used to not walk the sidewalks alone, that you once stole kisses under streetlights. And as you’re walking down fifth avenue and memory lane, your feet drag you to the place you really want to go. In the time you left the bar and got frostbite from the early stages of falling snow, you’ve worked yourself up enough to believe you could stand your ground. Your anger has made a platform to stand on, you’re at the top of the fucking podium by the time you knock on the apartment door.

Why are you knocking?

Your name is on the fucking lease.

You shove the key in the lock and barge in, mouth agape, ready to fire.

And then you see it.

The bedroom door is only halfway shut, but you see movement. In the room that is gray and sullen, Spencer stands with his back to the door, staring at the cascade of white that he has laid on the bed like a memorial, like it was an open casket viewing.

Your podium shrinks.

“I was going to wear my hair up.” You say, causing him to turn and face you.

He’s tired, hair messy, unshaven, and those round brown eyes are the saddest things you’ve ever seen.

“I like your hair up.” He says, the words echo off exposed brick walls.

Heart beats pass, ba-bum ba-bum in your ears and you quickly huff and bush melted snow through your hair.

“I’ll get my things out now, if you want.” You say, choosing words carefully, eyes watching the way his avoid you.

“I don’t have any boxes.” He says, fingers brushing satin and lace before he picks the dress back up, puts it in the dust bag and death marches it to you. “You would’ve looked beautiful…you always look beautiful.”

How is it he can be so blissfully unaware? The smartest man you’ve ever known and he’s saying things to break your heart, with no clue that he’s doing it. You take that dress- that beautiful, vintage gown with the hundred fabric buttons running down the back, and lay it over your arm, then rock back on your heels.

“I can grab what I can and come by when you’re at work to get the rest.” You offer, wishing he’d say all the things you want him to say, like stay and I’m an idiot and I love you.

Spencer only nods. “Yeah. That works.”

“Okay…” You whisper, then drape the dress over the reading chair in the corner, the one too small for the both of you. You used to curl as small as possible on his lap with your legs over the arm and your head on his shoulder.

Every corner of this place is haunted.

In the closet, you pull the string and the lightbulb burns orange. You grab the two handheld suitcases, the ones you came home to find on the bed one day with Spencer telling you he was taking you to London while your school was on Spring Break.

When you come back out, Spencer’s left the room. There was no way he could watch you pull open the drawers where your things sat beside his.

With a knot in your throat, you fold and place things neatly and keep your cool like the mature adult you are.

That is until you grab the MIT t-shirt you’ve worn in. It’s a light gray color now, the neckline stretched so it only hangs right on you and not Spencer. Holding the ratty shirt you refuse to let him toss, that’s when you decide you don’t want to be a mature adult.

You’re a teenager with a broken heart is what it feels like, the world is ending and your soul has been split in half.

One tear comes, and then another, and one more until your face is soaked with your desperation and mourning. You ball that silly t shirt up at toss it away, and decide those suitcases are insufferable and onto the floor they go.

You stare at them, the clatter they made did nothing for comfort. With a raspy sigh, you sink to your knees to put everything back inside, and your blurry eyes drift to Spencer’s socks that appear in front of you after he hears the bang.

Wordlessly and gentle, he lowers his tall frame to crouch in front of you. The look in his eye is fools gold, it makes you think he’s the Spencer he was before everything.

You look at him, sure you look like a mess but you don’t care. Your chapped lips part and he’s prepared for the scolding, for your temper.

It doesn’t come.

“We were supposed to grow old together.” You sob out. “It was gonna be you and me, Spence, wearing matching outfits when we’re eighty, going to senior discount days at the theater.”

Those are the words that bring him back to reality, and the fall is harsh and he’s mortified that he’s done this to you.

You hiccup for air, pushing his hand away that tries to grab the suitcase. “I was going to walk down the aisle to an instrumental version of Heartbeat by The Fray, it’s unconventional but it’s my favorite song.”

“I know.” He whispers sadly.

“We didn’t make a deposit on that little venue with the pond, they gave our spot away but that’s okay, we were going to figure it out because we always do. We always do, Spencer.”

You’re not even sure you’re making sense but he understands, you could go mute completely and he’d understand because you’re his person, who he’s ruined.

“I know. I know, baby, I know.” He keeps repeating, adjusting to pull you away from the mess and into him.

With no strength left, you have no fuel for the fight. You fall into him, face in his chest as he sits against the bed and hugs you like he’s not seen you in years. It’s what it feels like, he hasn’t had you this close in too long. His fingers press into your skin, the warmth is almost groundbreaking in feeling, makes him unsure of where to hold you because he wants to touch everywhere, all at once. A lifeless frame full of hunger, you can’t move as you feel his caring grip in your hair, his lips to your crown as you can’t seem to get a solid breath in.

“Don’t make me leave you.” You plead, curling into him like a whimpering dog, clutching his chest to make sure there’s still a heart in there that beats for you.

Spencer’s crying now, the familiar feeling of fear in his lungs that don’t want to expand if you’re not around. He drags hair out of your face and presses his forehead to yours.

“I don’t want you to leave. Don’t leave me, don’t leave me.” He says with the emotion of the man before.

And just like that, you waltz right back into each other, you know the steps. Sitting in your fairytale, on the cold hardwood floor, listening to the steady beat of his heart, you both determine this isn’t the end of the greatest love affair they’ve ever seen.

You’re not sure how long you stay like this, in his lap, face red and salty as you stare at your bare left hand, but eventually the tears stop for the both of you. Spencer is the first to speak, he gently shifts, his hand sliding up your arm and shoulder to rest on the side of your neck, as if he’s checking your pulse.

“I’m sorry.” He rasps. “I’m sorry for everything, all of it, every single thing I did and said and ruined. I’m an idiot, angel, and you don���t know how lovely you are.”

Like water to a flame, those words are cooling. The grief and remorse in his tone makes you grab that hand checking your lifeline, and hold it.

“I’m sorry too.” You say. “For everything that went wrong and the fact I couldn’t do anything about it.”

His chest shudders, he leans down and kisses your forehead. “It doesn’t matter, it’s over now.”

You tilt your gaze up to meet his eye. “Is it?”

Bless you and the ground you walk on that he should worship better. Spencer gently runs his finger down your cheek and across your jawline. He nods then. “Yeah, baby, it is.”

[auroraharper]

Fanfic fiasco - Maxiel

Summary:

After successfully reuniting Charles and Carlos through an accidental fanfic leak, Kimi, Ollie, and Isack set their sights on their next broken pairing: Max Verstappen and Daniel Ricciardo.

“Alright, gremlins,” Oliver says, kicking the hotel door shut behind him with the dramatic flair of a man about to launch a war plan. “Charles and Carlos are back together.”

“Confirmed,” Kimi replies, munching on Pringles. “Saw them holding hands in the Ferrari hospitality like teenage lovers who just survived a breakup montage.”

“Charles kissed Carlos on the helmet,” Isack adds. “In front of media. That’s like... fanfic endgame level.”

They all pause in reverent silence.

Then Oliver grins.

“Time to bring back the next power duo.”

Isack gasps. “You mean—?”

Oliver nods solemnly. “Maxiel.”

Kimi pulls out his laptop. “Give me ten minutes and a Google Doc.”

Chapter Two: Plot, Pining, and Poor Decisions

The title is “Red Flags & Red Bull”, and it is already spiraling into greatness.

They open with Daniel’s 2023 return. Canon-compliant for exactly three paragraphs before they start sneaking in feelings.

Kimi types:

Daniel watches Max from the corner of the Red Bull motorhome. Max doesn’t smile at anyone else like that—sharp, small, like he’s hiding it. Like it’s for him alone.

Ollie leans over. “Should we make Max jealous?”

Isack throws his hands up. “YES. Let’s make him spiral when Daniel hugs Lando.”

So they write a full scene where Daniel and Lando laugh over coffee and Max has an internal monologue that reads like a Taylor Swift song.

Then comes the towel scene.

Isack insists it’s necessary for emotional tension. Oliver demands there be eye contact and chest freckles. Kimi adds in a line about Daniel saying “You’re staring, mate” and Max just mumbling “Sorry.”

Then a silence.

A long, emotionally repressed silence.

Followed by:

“You never looked at me like that before.”

Oliver throws his pencil across the room. “WHY AM I FEELING THINGS.”

Kimi just keeps typing.

…………………………………

11:47PM. Empty pizza boxes. Whiteboard. Three gremlins in pajamas.

Oliver, arms crossed: “Okay, listen. If we want people to believe Max is in love with Daniel, we need a moment.”

Isack: “A devastating moment.”

Kimi, scribbling something on the whiteboard under Chapter 5 – Emotional Collapse:

“MAX CRIES. IN THE RAIN. WHILE DANIEL LEAVES.”

Oliver: “But like... not just sad rain. It has to symbolize something.”

Isack: “Like... the rain is cleansing his emotional repression.”

Oliver, teary: “Or it's hiding his tears.”

Kimi, cackling: “Yes. And Max says something super dramatic like—‘You’re still the only DNF I regret.’”

Isack drops his juice box. “STOP. THAT’S ILLEGAL.”

Oliver, literally pacing now: “Okay but how do we get them close again? We need proximity. Heat. Tension. Maybe... one hotel bed?”

Kimi: “Overdone. We do a spa day team bonding thing.”

Isack: “Daniel in a sauna. Shirtless. Max short-circuits.”

Oliver, gasping: “AND he says something dumb like ‘Hot in here, huh?’ and Daniel just goes ‘Yeah. Or maybe that’s just you.’”

Everyone: screaming into pillows

Whiteboard Now Reads:

🌶️ Chapter 3 – Spa AU 🛏️ Chapter 6 – There Was Only One Bed (But Make It Platonic Until It Isn’t) 😭 Chapter 7 – The Almost Confession ✈️ Chapter 8 – Airport Goodbye (feat. Max sprinting through security) 💋 Chapter 9 – Monaco Balcony Kiss 🍼 Chapter 10 – Optional Baby AU (Daniel + Max + tiny helmet)

Isack, very seriously: “We need to work on Max’s inner monologue. He needs to be a little... pathetic.”

Oliver, nodding: “Yeah. Like... he stares at Daniel’s Instagram at 2am and overthinks a heart emoji.”

Kimi: “He watches Drive to Survive to hear Daniel laugh.”

Oliver, wiping his eyes: “He’s just like me for real.”

Chapter Three: Chapter 7 (aka The Heartbreak Hotel)

The scene takes place in a hotel hallway. 2am. Post-race. Everything's too quiet. Max finds Daniel leaning against his door, jetlagged and half-smiling.

“I still remember Montreal,” Daniel says. “That day you laughed so hard you snorted Red Bull out your nose.”

“I remember you calling me your soulmate like it meant something.”

Max’s voice breaks. “It did.”

Cue slow burn tension and years of unresolved emotion exploding in one line:

“I would’ve stayed if you’d asked.”

And Max doesn't kiss him. Not yet.

He just says, quietly, "I never knew how."

The boys all sit there in stunned silence.

Isack wipes his face. “We’ve peaked. Emotionally. Spiritually.”

Oliver sniffles. “They’re just... two idiots who miss each other.”

Kimi: “We’re going to be so famous when this gets leaked.”

Oliver stares at him. “Wait. You didn’t password protect the doc?”

Kimi shrugs.

Chapter Four: The FIA Does Not Approve

It happens at Zandvoort.

Drivers walk into the meeting. The packets are handed out.

Max opens his copy.

Reads the first line:

“Max had never been kissed like that before—not by victory, not by adrenaline, and not by anyone who understood what it meant to leave.”

Max: “What the actual—”

Max freezes. “Wait. Is this about me and Daniel?”

Carlos, grinning: “Turn to Chapter 7. It’s the one where you say ‘I loved you since Montreal 2018.’”

Max, mortified: “I’VE NEVER SAID THAT—”

Daniel, who just walked in, reads one line and wheezes.

“You were my favorite race, Max. I just didn’t know how to finish you.”

Everyone: “OH MY GODDDDDDDDD”

Meanwhile, Kimi, Oliver and Isack? Sitting smug in the back with popcorn.

Daniel wipes a tear. “That’s… weirdly poetic.”

Max glares at him. “You like it?”

Daniel shrugs, smiling. “Maybe.”

Max blushes. BLUSHES.

Daniel: “Why am I in a towel on page four?!”

George is already LIVE on Twitch.

Lando: “Read chapter seven. You cry in chapter seven.”

Max: “I do not cry.”

Daniel, blinking at the paper: “You kinda do.”

And for the second time, Kimi, Oliver, and Isack watch as their fanfiction causes a literal breakdown in FIA order.

Max and Daniel leave the room—together.

No one knows what happens.

But that night, Daniel posts an Instagram story: blurry, smiling, Max’s shoulder in the frame, captioned:

“Chapter 8 in progress 😉”

Oliver collapses on the hotel bed.

“We’re too powerful.”

Isack, scrolling AO3: “We have five fanfics inspired by our fanfic already. One of them has 12k kudos.”

[szynkaaa]

Hi, I just read your story on AO3 and I loved it a lot but it also left me with a lot of questions about Oz and his relationship with Sun Wukong, especially the part where you mentioned that Oz after recovering the relics couldn't return to his world but at the end it gives the impression that she is no longer with him and at the beginning you also mentioned that this isn't a fanfic as such but like a diary or letters that she left him and that's eating my head in a good way that I need answers 😆😆😆😆 By the way, I know this is a bit long but I really love your content, your art, and your writing 😆☺️😊🥰

would you believe me if I said I came up with the idea to add those paragraphs at the end of each stories to make it sound like they are not together anymore literally as I was uploading my fic to AO3 LMFAO

ok ok, since I'm not an eloquent writer and will enver write a fully fledged fic, I will just spoil the ending of my non-existing story.

Basically after Black Myth Wukong story line, Oz did not manage to go home like she thought she would after helping DO. I've also mentioned that her ancestor were part of the Celestial Court but got fucked over by the court, so "book 2" of my AU would be SWK and Oz dealing with the Celestial Court, trying to figure out what what the fuck happened.

Everyone is like trying to use Oz as a scapegoat for the shit her ancestors did. She's just like, I wanna live my life and idc what my ancestors did that was like over 1000 years go for me. but 1000 year in celestial court is like 83 years ago in celestial heaven time, so like not thaaaat long ago for them. WW2 is for us like 80 years ago. it's a long time ago but also not really. people who lived through the war are still alive. So anyway, court wants her to serve them again like her ancestor did, or die I guess. reason is tied to some power that flows in Oz because of her ancestor, which I do plan to explain in another post at some point.

something something happens, where either Oz has no choice but to return to her homeworld, oooor someone from the Celestial Court forcibly sends her back. If you watched Barbie the nutcracker, the same shit the rat king pulled on Clara. Or maybe even SWK pushed her through a portal to send her to safety.

also in my AU, time flows differently between the Oz's world and SWK world. A day can pass in her world, and it could be few weeks or months or even years in SWK world.

ALSO important thing is SWK at some point gives Oz a ring made from the birthstone, like he found rock pieces and asked Yin Tiger to make him a ring ("I'm not that kind of smith, monkey"). Traditional Chinese Wedding does not include an engagement ring, but SWK was there when Oz was explaining to monkey kids how wedding traditione worked in her world, and he loves her so he made the ring, gave it to her when confessing to her.

She still has the ring when she went back to her world, and there it's like not much time has passed, maybe a week at most. She still made it to her Taylor Swift concert.

Time pass, maybe like three years or so. She never stopped thinking about SWK, and tried to find way to get back but couldn't. maybe the portal got severed idk. and then something something happens (which I will need to think about), where one day the ring on her finger felt warm and she was able to return to Mount Huaguo, landing where the birthstone stood on the mountain.

I think like 100 years passed in that world, where SWK never stopped visiting the birthstone place, where Oz also went back to her world.

Here is a comic I made of their sweet sweet reunion:

She's wearing a fancy red dress because she was attending some fancy event before she was able to return to SWK. But also traditionally the bride and groom wore red in a Chinese wedding, so her wearing the red dress when she is reunited with SWK after all those years is a symbol for that they are finally able to be together and live their happily ever after. it's also symbolism for Oz.

Before that, depsite SWK confession and basically proposal, she has a bit of commitment / abandoment issues from her parents divorce, so yknow they didn't get married before that. but it is very clear to anyone that they both loved each other.

so yeah. Sorry for the long post LOL i get super excited talking about my problem children. there is angst and implication that Oz will be gone but ultimately it ends on a happy note.

[taylortruther]

also re: the racial component of TS/fan base, if you haven't you should watch Alex Avila's video on Taylor Swift, I think it was really well done

this is SO good. thank you SO much for this recommendation.

i really liked how avila noted how masterfully taylor blends authenticity and social normativity - "the reason taylor swift seems so authentic to young girls is because she's conforming to an image [of white patriarchal girlhood] that young women internalized from a young age." similarly, the popular feminism of 2014 (when 1989 was released) was flimsy and did not challenge patriarchal norms, and we see how she made feminism part of 1989's branding.

and he asks a question i often pose: is there anything subversive in idolizing the most popular cultural object? does poptimism (the critique of pop music as a serious form of art) simply reinforce existing power structures??

taylor swift and whiteness

understanding how someone becomes a legend and icon means understanding how they challenge, but also reinforce, the biases in society, which includes race, class, gender, and so forth. and "there IS something deeply white about [taylor's] image" (1:18:33). her image is cultural whiteness! taylor swift's relatability (which is and has always been part of her brand), her social capital, her social normativity, is directly tied to the neoliberal racial philosophy that, instead of calling whiteness superior, establishes whiteness as the norm (1:21:23).

millennials want celebrities to be morally pure. this is a mistake.

also - LOVE that he points out that millennials don't judge female celebrities by their sexuality or modesty anymore, but instead they judge based on political awareness, which is just another way of continuing the "patriarchal history of regulating narratives around women's actions" (1:42:39). avila focuses specifically on millennials here, cautioning us not to consider this a a sign of true political engagement from millennials. as he points out, systems of oppression adapt to our ever-changing culture. when we try to 'cancel' or 'hold a celebrity accountable' for their ideologies or missteps, sometimes it's because they're truly terrible, and other times it's because we hold women to "unrealistic standards of purity." ie, this isn't necessarily real political engagement, it is just another example of judging women. often it's both (pointing out missteps, and also being sexist.)

whiteness again

avila goes on to discuss how white women have long been held up as virtuous, moral centers of american families - and while this is a racist and sexist practice, given that woc aren't seen as virtuous, it also lays the foundation for why white women in particular dominate conversations about politics in the public sphere. it is an Event every time a white celebrity frames their political awakening as a personal, spiritual journey of self-realization. yes, this act is important, because women must learn about their own oppression, and talk about it, in order to educate others.

but when taylor (or any other famous white woman) frames politics solely through the personal, it relieves her of the obligation to critique systemic issues. her own political awakening is all that matters - she must prove her own political purity (instead of sexual purity, as before.) there is a deep problem in society demanding this, rather than larger systemic change, but we'll get to that later.

this personal political purity awakening earns her a lot of goodwill, but her resistance ends with herself. and this is a pattern that we see happen all the time, in what robin james calls "neoliberal resistance discourses" in pop: someone is damaged by oppression (sexism), she overcomes it brilliantly with an awakening (miss americana/lover/denouncing trump era), and she absorbs this goodwill into her brand. these individual damages and awakenings supposedly symbolize society's own awakening and resilience(!). (1:52:48)

🚨 some readers might be getting tired/annoyed at this; i can hear y'all saying "well, what do you even WANT from her omg!!!" just stay with me here. 🚨

she holds a mirror up to society, tho

what avila so brilliantly points out is that... this cycle of damages and resilience isn't helpful. it goes nowhere! and we are all at the mercy of the same patterns as taylor. it's not about taylor, it's about us, and how capitalism commodifies everything, including social movements! including personal 'goodness'! a neoliberal system wants individuals to care about their individual choices and looking like good individuals; it encourages the use of "purity tests" and "commodified algorithmic social movements" to discourage challenges to systemic issues (reminds me of the celebrity blackout situation earlier this year, and conversations we have about politics, well, daily on here.) and the pattern of a person failing politically as an individual is part of this machine. if we're too busy policing individuals for their purity, we won't ever organize together for shared material goals. unfortunately, unlike taylor swift, most of us are not extremely powerful, wealthy, and influential as individuals. she does have more power than us in this regard.

taylor as cultural hegemony

anyway, avila goes on to talk about how taylor had this musical renaissance with folklore, and became more honest about her masterminding her own career in midnights. she has shown herself not just to be a musical chameleon, but a cultural one as well, positioning herself as white teenage purity when the culture called for it (circa 2008-2010), neoliberal pop feminism (1989 -> lover), pandemic escapism (folkmore) - and the culture has become part of her brand, part of her music. music that is already heavily wrapped up in her own life. she is the brand she is the culture. of course she put the work in, and not just anyone could do this. but imo, her whiteness (which, again, gives her this "default" "neutral" background to work with) is part of this success. "sure, she's challenged the institution but all in the effort to become the new face of musical hegemony" (2:06:25.) she challenges systems to assimilate into them, or create them in a way that requires assimilation.

of course, this is all based on her REAL experiences, her REAL life. she is living her own life, and also living it in this metacognitive way that mirrors culture.

but we don't have to hate taylor, actually!

and MOST interestingly, avila closes out by suggesting: it's not actually super healthy to always be suspicious and critical of art (2:17:24.) yes, there is a long political history of "paranoid reading," of critique based on marx, freud, and nietzsche's philosophies. it is the basis of A LOT of our frameworks for thinking about the world, including art.

as i've said before, it's interesting to discuss taylor or celebrities because they hold a mirror up to society. but we can't just relentlessly critique ourselves - after all, the critique is supposed to protect us from being bad! the critique is what keeps us good! and it's why we project so much onto them (the celebrities, or "bad" people.)

this video dove into a term that may be new to a lot of people (i only learned of it recently) - "reparative reading." rather than relentlessly critique art or what-have-you, engage with it in ways that is "affirmative, creative, and caring." this does not mean you toss out critical readings - reparative readings can coexist, and give us hope, optimism, feelings of beauty/appreciation, and affirmation.

for example, it's why -while i enjoy critiquing taylor (or what she Represents) - i am also here to just... have fun. i don't want to linger 24/7 on her emissions, or what she hasn't done, or who she's friends with. it's also why, as a fan of color, i hate that she is often dismissed and minimized to "white musician making music for white women." i find affirmation in a lot of her music, regardless of her race; i find optimism and hope in the way women so deeply relate to her, and how queer fans (also like myself) relate to her! (which avila points out too 2:21:00.) it's why i stopped debunking stuff, because queerness - like any other aspect of the fandom - is such a critical, significant part of why her music is beloved. it's so important for people to recognize that she is more than just 'music for straight white heterosexual cisgender women.'

[physalian]

Humanizing Your Characters (And Why You Should)

To humanize a character is not to contort an irredeemable villain into the warped funhouse mirror reflection of a hero in the last 30 seconds to gain “narrative subversion” points. To humanize is not to give said villain a tragic backstory that validates every bad choice they make in attempt to provide nuance where it does not deserve to be.

To humanize a character, villain or otherwise, is to make them flawed. Scuff them up, give them narrative birthmarks and scars and imperfections. Whether it’s your hero, their love interest, the comic relief, the mentor, the villain, the rival, these little narrative details serve to make all your literary babies better.

Why should you humanize your characters?

To do this means to write in details beyond those that service the plot, or the themes, or the motifs, morals, foreshadowing, or story. These might be (and usually are) entirely unimportant in the grand scheme of things. So, if I wrote lengthy diatribes on pacing and why every detail must matter, and character descriptions and thematic importance, why am I now suggesting go free-for-all on the fluff?

Just like real people have quirks and tics and beliefs and pet peeves that serve our no greater purpose, so should fictional people. Your average reader doesn’t have the foggiest idea what literary devices are beyond metaphor, simile foreshadowing, and anecdote, but they can tell when the author is using motif and theme and all the syntactical marvels because it reads that much richer, even if they can’t pinpoint why.

And, for shipping fodder, these tiny little details are what help your audience fall in love with the character. It doesn’t even have to be in a book – Taylor Swift (whether you like her or not) never fills her music with sexual innuendo or going clubbing. She tells stories filled with human details like dancing in the refrigerator light. People can simultaneously relate to these very specific and vivid experiences, and say “not that exactly, but man this reminds me of…” and that’s (part of) the reason her music is so popular.

What kinds of narratives need these details?

All of them. Visual media, audio, written, stage play. Now, to what degree and excess you apply these details depends on your tone, intended audience, and writing style. If your style of writing is introspection heavy, noir character drama, you might go pretty heavy on the character design.

But even if you’re writing a kids book with a scant few paragraphs of setting descriptors and internal narration, or you’re drawing a comic book – if you have characters you want people to care about, do this.

Animators, particularly, are very adept at humanizing non-human characters, because, unlike live acting, every single stroke of the pen is there with intent. They use their own reflections for facial references, record their own movements to draw a dance, and insert little bits of themselves into signature character poses so you know that *that* animator did this one.

How to humanize your characters.

I’m going to break this down into a couple sections: Costume/wardrobe, personality, beliefs/behavior/superstitions, haptics/proxemics/kinesics, and voice. They will all overlap and the sheer variety and possibilities are way too broad for me to capture every facet.

Costumes and Wardrobe

In the film Fellowship of the Ring, there’s a blink-and-you’ll-miss-it moment where, after Boromir is slain by the Uruk-Hai, Aragorn takes Boromir’s Gondorian vambraces to wear in his honor, and in honor of their shared country. He wears them the rest of the trilogy. The editing pays no extra attention to them beyond a split second of Aragorn tightening the straps, it never lingers on them, never reminds you that they’re there, but they kept it in nonetheless. His actor also included a hunting bow that didn't exist in the book because he's a roamer, a ranger, and needs to be able to feed himself, along with a couple other survival tools.

Aragorn wears plenty of other symbolic bits of costume – the light of the Evenstar we see constantly from Arwen, the Lothlorien green cloaks shared by the entire Fellowship, his re-forged sword and eventual full Gondorian regalia, but all those are Epic Movie Moments that serve a thematic purpose.

Taking the vambraces is just a small, otherwise insignificant character moment, a choice made for no other reason than that’s what this character would do. That’s what makes him human, not an archetype.

When you’re writing these details and can’t rely on sneaking them into films, you have to work a little harder to remind your audience that they exist, but not too often. A detail shifts from “human” to “plot point” when it starts to serve a purpose to the themes and story.

Inconsequentiality might be how a character ties, or doesn’t tie their shoelaces, because they just can’t be bothered so they remain permanent knots and tripping hazards. It might be a throw-away line about how they refuse to wear shorts and strictly stick to long pants because they don’t like showing off their legs. It might be perpetually greasy hair from constantly running their fingers through it with stress, or self-soothing. A necklace they fidget with, or a ring, a belt they never bother to replace even though they should, a pair of lucky socks.

Resist the urge to make it more meaningful than “this is just how they are”. If I’m using the untied shoelaces example – in Spiderverse, this became a part of the story’s themes, motifs, and foreshadowing, and doesn’t count. Which isn’t bad! It’s just not what I’m talking about.

Personality

In How to Train Your Dragon, Toothless does not speak. All his personality comes from how he moves, the noises he makes, and the expressions on his face. There’s moments, like in the finale, when his prosthetic has burned off and Hiccup tells him to hold on for a little bit longer, and you can clearly see on his face that he’s deeply uncertain about his ability to do so. It’s almost off the screen, another blink-and-you’ll-miss-it moment. Or the beat of hesitation before he lets Hiccup touch him in the Forbidden Friendship scene. Or the irritated noise he makes when he’s impatiently waiting for Hiccup to stop chatting with his dad because they have a giant dragon to murder. Or when he slaps Hiccup with his ear fin for flying them into a rock spire.

None of those details *needed* to exist to endear you to his character or to serve the scenes they’re in. The scenes would carry on just fine without them. He’s a fictional dragon, yes, but these details make him real.

Other personality tics you could include might be a character who gets frustrated with tedious things very quickly and starts making little inteligible curses under their breath. Or how they giggle when they’re excited and start bouncing on their toes. Maybe they have a tic where they snap their fingers when they’re concentrating, trying to will an idea into existence. Or they stick their tongue out while they work and get embarrassed when another character calls them on it. They roll around in their sleep, steal blankets, drool, leave dishes in the sink or are neurotic with how things must be organized. They have one CD in their car, and actually use that CD player instead of the phone jack or Bluetooth. They sing in the shower, while they cook, or while they do homework, no matter how grating their voice.

They like the smell of new shoes or Sharpies. They hate the texture of suede or velvet or sticky residues. They never pick their socks up. They hate the overhead light in their room and use 50 lamps instead. They hate turning into oncoming traffic or don’t trust their backup camera. They collect Funko Pops and insist there’s always room for more.

And about a million others.

Beliefs, Behaviors, and Superstitions

*If you happen to be writing a story where superstitions have merit, maybe skip this one.* Usually, inevitably, these evolve into character centerpieces and I can’t actually think of one off the top of my head that doesn’t become this beyond the ones we all know. A few comedic examples do come to mind:

The Magic Conch in “Club Spongebob” and the sea-bear-proof dirt circle in “The Camping Episode”

Dean Winchester’s fear and panic-driven actions in “Yellow Fever” and “Sam, Interrupted”

The references to the trolls that steal left-foot socks in How to Train Your Dragon

I’m not a fan of wasting time writing a religious character doing their religious thing when Plot Is Happening, but smaller things are what I’m talking about. Like them wearing a cross/rosary and touching it when they’re nervous. Having a specific off-beat prayer, saying, or expression because they don’t believe in cursing.

The classic ones like black cats, ladders, broken mirrors, salt, sidewalk cracks can all be funny. Athletes have plenty, too, and some of them, particularly in baseball culture, are a bit ridiculous. Not washing socks or uniforms, having a team idol they donate Double Bubble to and also rub their toes. A specific workout routine, diet, team morale dance.

Other things, too. A character who’s afraid to go back downstairs once the lights are off, or fear the basement or the backyard shed. Or they’re really put-off by this old family photo for no reason other than how glassy their eyes look and it’s creepy. They like crystals, dreamcatchers, star signs, tarot, or they absolutely do not under any circumstances.

They believe in all the tried and true ways of predicting the weather like a grizzled old sailor. They believe in ghosts, vampires, werewolves, witches, skinwalkers, doppelgangers, fairies. They talk to the cat statue in their kitchen and named it Fudge Pop. They whisper to the spirit that possessed the fridge so it stops making all that racket, and half the time, it works every time. They wear yellow for good luck or carry a rabbit’s foot. They’re not religious at all but still throw prayers out to whoever’s listening because, you know, just in case. They sit by their window sill and talk to the moon and the stars and pretend like they’re in a music video when they’re driving through the city in the rain.

Haptics, Proxemics, and Kinesics

These are, for all you non-communication and psych majors out there, touch and physical contact, how they move, and how they move around other people.

Behold, your shipping fodder.

Two shining examples of proxemics in action are the famous “close talker” episode of Seinfeld (of which every communication major has been subjected to) and Castiel’s not understanding of personal space (and human chronemic habits) in Supernatural.

These are how a character walks, if they’re flat-footed, clumsy, or tip-toers. If they make a racket or constantly spook the other characters. If they fidget or can’t sit still in a seat for five seconds, if they like to sit backwards or upside down. How they touch themselves, if they do a lot of self-soothing maneuvers (hugging themselves, rubbing their arms, touching their face, drawing their knees up, holding their neck, etc) or if they don’t do any self-soothing at all.

This is how they shake hands, if they dance while they cook or work. It’s how much space they let themselves take up, if they man-spread or keep their limbs in closer. How close they stand to others or how far. If they let themselves be touched at all, or if they always have their skin covered. If they always have their back to a wall,  or are always making sure they know where the nearest exit is. If they make grand gestures when they talk and give directions. If they flinch from pats on the back or raised hands. If they lean away from loud voices or project their own. If they use their height to their advantage when arguing, puff their chest, square their shoulders, put their hands on their hips, or point fingers in accusation.

If they touch other characters as they pass by. If they’re huggers or victims of falling asleep on or near their comrades. If they must sleep facing the door, or with something solid behind them. If they can sleep in the middle of a party wholly uncaring. If they sleepwalk, sleeptalk, migrate across the bed to cuddle whoever’s nearest with no idea they’re doing it.

If they like to be held or like to hold others. If they hate being picked up and slung around or are touch-starved for it. If they like their space and stick to it or are more than happy to share.

Do they walk with grace, head held high and back straight? Or are they hunched over, head hung, watching their feet? Are they meanderers or speed-walkers? Do they cross their arms in front or lace their hands behind them? Do they bow to authority or meet that gaze head on?

I have heard that Prince Zuko, in Last Airbender, is usually drawn sleeping with his bad ear down when he doesn’t feel safe, like on his warship or anywhere in the Fire Nation, or on the road. He’s drawn on his other side once he joins the Gaang. In Dead Man’s Chest, just before Davy Jones drives the Flying Dutchman under the waves, two tentacles curl up and around the brim of his hat to keep it from blowing off in the water.

When they fight, do they attack first, or defend first? Do they touch other characters’ hair? Share makeup, share clothes? Touch their faces with boops or bonks or nuzzles and eskimo kisses? Do they crack their knuckles and necks and knees?

Do they stare in baffled curiosity at all the other characters wholly comfortable in each other's spaces because they can’t, won’t, or don’t see the point in all this nonsense? Do they say they’re happy on the outside, but are betrayed by their body language?

Voice

Whether or not to write an accent is entirely up to you. Books like Their Eyes Were Watching God writes dialogue in a vernacular specific to its characters. Westerners and southerners tend to be written with the southern drawl or dialect, ripe with stereotypical contractions. Be advised, however, that in attempt to write an accent to give your character depth, you could be instead turning off your audience who doesn’t have energy to decipher what they’re saying, or you went and wrote a racist stereotype.

Voice isn’t just accent and dialect, nor is it how it sounds, which falls more solidly under useful character descriptions. Voice for the sake of humanizing your characters concerns how they talk, how they convey their thoughts, and how they become distinct from other characters in dialogue and narration.

If you’re writing a narrative that hops heads and don’t want to include a big banner to indicate who’s talking at any given time, this is where voice matters. It is, I think, the least appreciated of all the possible traits to pay attention to.

First person narrators have the most flexibility here because the audience is zero degrees removed from their first-hand experiences. Their personality comes through sharply in how they describe things and what they pay attention to.

But it’s also in what similes and metaphors they use. I read a book that had an average (allegedly straight) male narrator going off and describing colors with types of flowers, some I had to look up because I just don’t know those off the top of my head. My immediate thought was either this character is a poorly written gay, or he’s a florist. Neither (allegedly), the writer was just being too specific.

Do they have crutch words they use? like, um, actually, so…, uh

Or repeat exclamations specific to them? yikes, yowzers, jeepers, jinkies, zoinks, balls, beans, d’oh!

Or idioms they’re fond of? Like a bat out of hell. Snowball’s chance.

Do they stutter when they’re nervous? Do they lose their train of thought and bounce around, losing other characters in the process? Do they have a non-Christian god they pray to and say something other than “thank God”? Are they from another country, culture, time period, realm, or planet with their own gods, beliefs, and idioms?

When they describe settings, how flowery is the language? Would this grizzled war hero use flowery language? How would he or she describe the color pink, versus a PTA mom? Do they use only a generic “blue, green, red” or do they really pay attention with “aquamarine, teal, emerald, viridian, vermillion, rose, ruby”?

How do this character’s hobbies affect how well they can describe dance moves, painting styles, car models, music genres?

This mostly matters when you’re head-hopping and the voice of the narrator serves to be more distinct, otherwise, what’s the point of head-hopping? Just use third-person omniscient.

If you really want to go wild, give a specific narrator unique syntax. Maybe one character is the ghost of Oscar Wild with never-ending run-on sentences. Just be sure to not go too overboard and compromise the integrity of your story.

In the book A Lesson Before Dying, a somewhat illiterate, underprivileged and undereducated minor has been given a mentor, a teacher, before they face the death penalty. At the end of the book, you read all of the letters they wrote to their teacher. There’s misspellings everywhere, almost no punctuation, and long, rambling sentences.

It’s heartbreaking. The subject matter is heavy and horrible, yes, but it’s the choice to write with such poor English that has a much bigger impact than perfect MLA format.

How to implement these details

Most of these, in the written medium, need only show up once or twice before your audience notices and wonders why they’re there. Most fall squarely under character design, which falls under exposition, and should follow all the exposition guidelines.

These details exist to be random and fluffy, but they can’t exist randomly within the narrative. If you want to have your character be superstitious, pick a relevant time to include that superstition.

Others, like ongoing speech habits or movements, still don’t overuse, especially if they’re unique. A character might like to sit backwards in a chair, but if you mention that they’re doing it every single time they sit down, your audience will wonder what’s so important and if the character is unwell.

And, of course, you can let these traits become thematically important, like a superstition being central to their personality or backstory or motivation. These all serve the same purpose of making your character feel like a real person instead of just a “character”.

Just think about tossing in a few random details every now and then and see what happens. One tiny sentence can take a background character and make them candidates for the eventual fandom’s fan favorite. Details like these turn your work from “This a story, and these are the characters who tell it” into “these are my characters, and this is their story.”

[onceuponaoneshotfanfic]

hiya, can you write something fluffy with Roy Kent where he’s dating an author and he wakes up to her not being in bed beside him, he gets up and sees her still working at her desk in her office, so he does something like hugs her from behind but he gets a glimpse of the book she working on and it’s based of there love story (someone falling in love with a grumpy but secretly loveable footballer) ❤️❤️

Happily Ever After

Roy Kent x Reader

0.7k words

Warnings: Language

Ahh I loved this!!! Bonus points if anyone can peep the Taylor Swift reference I threw in there!

~

Roy turned over and stretched out his arm. Eyes still closed, he frowned when he grabbed a handful of sheets. He took a peek at the clock on his nightstand; it was one in the morning. You should be in bed; you’d said you’d be finished after one more paragraph.

With a hmmph, Roy hauled himself out of bed and shuffled down the hallway. Sure enough, he saw the light on in your office and heard the clickclickclick of your keyboard. Stifling a yawn, he leaned in the doorway and watched you.

There you were, wearing shorts and one of his old Chelsea jerseys, your hair tied up sloppily. He loved it when you got like this, all focused and typing away. Even with your back to him, he knew your nose was scrunched in concentration and you were chewing on your bottom lip. He stifled a chuckle when you tilted your head to the side- an adorable habit you vehemently denied doing every time he pointed it out.

Doing his best to keep quiet, Roy strolled across the room, relishing the small squeak that came out of your mouth when he wrapped his arms around you.

“How’s it going, Shakespeare?” he hummed, planting a kiss on your cheek.

You laughed and leaned your head against his. “Good. I’m on a roll, actually.”

Roy smiled. “I noticed. It’s past one.”

“No way.” Your eyes widened as you looked at the clock on your computer. “Fuck, I’m sorry. I didn’t wake you up, did I?”

He quickly shook his head. “Not at all. Just, I don’t fucking know, missed you.” He glanced at the computer screen. “What’re you working on anyway?”

Your hands covered his eyes as you laughed. “Oh no! You can’t see!”

With a growl, Roy pulled your hands down. “Come on. Let’s have a look.”

Face burning, you knew there was no point in arguing. It wasn’t like you could ever say no to Roy when he looked at you with those sleepy eyes. He’d given you those same eyes the night he rolled over in bed and asked you to move in with him. Or when you woke up to him gazing at you, just before he told you he loved you for the first time.

Now those sleepy eyes trailed down the computer screen, taking in the words you’d been working on all night. You chewed your lower lip, a bad habit that had you buying ChapStick far too often, as you watched for his reaction. The reason you’d been up so late was because you had finally gotten to your favorite part of any story: boy gets girl back. You were a sucker for declarations of love, runs through the airport, kisses in the rain, all that cheesy stuff that made Roy roll his eyes playfully.

But he didn’t roll his eyes this time. Instead, he smiled as his cheeks reddened. His breathing slowed and he let out a little hum as he read before finally turning back to you.

“Is this about us?”

His face shone with amusement as he waited for the answer. As if he needed you to confirm it. Your book, which you’d avoided talking too much about, even with Roy, was about a writer and a grumpy footballer. The scene he’d just read concluded in a heated kiss on a football pitch.

“Yeah,” you murmured, ducking your head. “I mean, it’s inspired by you, I guess.”

A breathy chuckle escaped Roy’s lips as he squeezed you tight. “Fuck. I love it.” He kissed your temple. “You’re so fucking talented. What a mind.”

You shook your head, embarrassed by the praise. “Roy-”

“No,” he insisted, tilted your face towards his. “You are fucking amazing. You see a blank page on your computer, and you create an entire world. You make people feel things with your words. Fuck, no wonder your publisher’s been hounding you for this thing. It’s going to sell even more than your last one.”

The sincerity in Roy’s face eased the tension in your shoulders. Sometimes, you felt silly with the things you wrote, all romance novels and fluff. You wondered if Roy actually liked reading it, or if he just did it because he was your boyfriend and it was his job to be supportive. But seeing the pride on his face as he spoke, you knew. This wasn’t boyfriend duty. He really meant it.

He picked up the laptop and shrugged towards the door. “Come on. You can read me some more of this in bed. I want to know what happens after the happily ever after.”

You smiled as he led you down the hall, back to your room. What happens after happily ever after? You were living it.

[thatfrenchacademic]

OK so about this "34, unmarried and childless" article about Taylor Swift. Let me tell you about Scam Academia.

TL;DR: some mediocre dude had a half baked opinio nabout Taylor Swift that everyone hated, but like Mother Nature I let nothing go to waste.

Here is the take you have not heard yet, about this opinion: this guy is actually a good case study on how to develop your academic literacy, aka how to recognize a true academic from a scammer who presents themselves as an academic, but is just a crook. In a world of pseudoscience and pretend experts that have enough resources to organize their flat earth conference, let me walk you through the world of Scam Academic, where for a few thousand dollars, you too can claim to be a researcher with a doctorate! Follow me down a rabbit hole that I hate with my whole heart!

Preamble: I have zero skin in the TS game. I don't get the hype, the lore, the obsession with those 2000s bracelet or dissecting every single line or every single song.

But then. Some guy had to write an op-ed stating Taylor Swift was not a good role model for girls ("in the US and beyond"), and it is a terrible take on so many level, but here is the thing. Whiny conservative think-pieces about highly successful women who should get back to the kitchen and think of the children are nothing new. But this one is different.

This one is fucking terribly written. It's just an abysmally written blog post. Genuinely one of the worst thing I have ever read, and I read hundreds of undergrad essays every year for a living. It contradicts its own arguments in every paragraph. It over-explains concepts like it's a high school essay and he's trying to meet the word count. It says "this is a valid question worth asking" but does not actually explain why it is worth asking. It is so, so, so bad.

Conservative writers are usually more the "high brow, drowning you in grandstanding" kind of writers. They are, usually, good technical writers - it's the one thing that helps make their talking point sound legit and palatable. So an abysmally bad conservative writer? Ok, I am intrigued.

The author is one John Mac Ghlionn. I look up the guy on Google and...

Oh.

Oh no, John.

Spewing conservative bullshit at women AND a researcher? You're in my turf now, John. You could have continued to cover UFC Pillow Fight Championships, or alien technology and other riveting subjects, but you had try to connect two brain cells to argue a thing, and slap "researcher" on top of it. Now I'm offended, as a researcher.

1. I am sorry, researcher WHERE?

Ok so if one is a "researcher", it means one conduct "research". and contrary to what backyard conspiracy theorists think, "researcher" is an actual job. It is an actual professional occupation. You get an actual contract, and you are paid actual money. By an actual employer: public (University), private (Think tank, private company), or a mix of both (at Unviersity, but on a privately funded project, for example).

So where does our John Mc Ghlionn work?

Well. Nowhere, as far as I can tell.

John does not list any affiliation. Usually, when they write, academics will state their exact position (Researcher, Doctoral Researcher, Associate Professor, Chief Engineer, Head of Department, Research Director...) and where they work. For example:

That's what it is supposed to look like.

But John? Nope, no affiliation anywhere, on anything he ever published. That's a pretty massive read flag. Research takes ressources: at the very least, time and access to database and documentation, even in social sciences in humanities. You may not need a lab, but you sure as hell need money and full access to JStore at least.

So I thought he was just one of these "I google therefore I research" kind of dude. But then, out of nowhere:

I am sorry. He has a WHAT.

2. I am sorry, a Doctorate from WHERE?

So. One thing to claim to be a researcher when you are just a professional yapper. Another to claim a DIPLOMA.

And not any diploma. A doctorate.

Let's pause. "Doctorate" is actually a really broad umbrella term of all doctoral-level degrees. The most famous (and most prestigious, for better and worse) is the PhD, but a PhD is technically just one of many Research Doctorate of, theoretically, the same level (cue this helpful reddit post). A second category of doctorates are the Applied Doctorates, and while there is Discourse on where they sit vis-a-vis PhD, the easiest is to consider that they are not research-oriented. They are hands-on, practice-oriented degrees. For example: you can practice medicine with an MD. You don't need a PhD. You can still call yourself a doctor, though.

Alright, so which of these does our friend Johnnie has? Or is currently enrolled in? And in which University?

You will notice that John does not go by "John Mac Ghlionn PhD" or even "Dr John Mac Ghlionn", when you just KNOW he is the sort of person that would but that shit everywhere. And no shade here, because I, for one, do put that shit everywhere. Maybe he is just currently enrolled in a program and has not graduated. Fair.

Since John does not list affiliation, I had to switch from academic to internet sleuth, and dig out this article:

But we learn that in 2021, John was a "PhD Scholar" in "Parkmore Institute". "PhD Scholar" is not a title I am sued to, but it's also not raising any red flag: ongoing PhD researchers can be "PhD students", "PhD fellows", "PhD researchers"... It varies from country to country and from institution to institution, so why not "PhD Scholar".

Let's check out the Parkmore Institute.

Ok, they are not a traditional university, but they appear to be more of a postgraduate institution: offering only higher level degrees, not undergrad courses. Once again, not necessarily a red flag. They are usually very heavily research focused, and embrace the "research" side of academia more than the "teaching" side. In Germany, the Max Planck Institutes are research-only institutions who deliver PhDs. They conduct cutting edge research, in part because their researchers rarely have to spend time teaching.

But that is NOT the Parkmore Institute. First of all, let's see what programs they offer:

None of them are legit.

And I mean, none of them are recognize as even Applied/Professional Doctorate by the National Science Foundation (US based). And while a PhD in Human sexuality would be perfectly valid, but I'm going to on a limb and say I have some serious doubts about "Bodymind Healing" as an academic field.

These are not legit academic degrees.

What they are, is an excellent money-making opportunity for anyone working at the Parkmore institute. Students will pay, at the very least:

And 60% of this goes to their " faculty mentor". The Parkmore institute provides no research fund, no desk or office space (they are entirely digital), no access to any resources or library, not even a Zoom account. There is also no mention of any timeline: how long a PhD take to complete? Who knows. 6 months ? A year ? 5 years? What are the requirements to graduate ? Who knows ! And I would need to pay $200 to get in touch with them, so I sure as fuck won't know any time soon!

But let's get back to our friend John. Remember that he stated, in that 2021 publication, he was a "PhD Scholar" at Parkmore ? Well that's a shame because Parkmore does not deliver PhDs. Ain't that a bitch.

ALSO. Parkmore helpfully has page with all their Doctoral Recipients! And guess who is NOT HERE ! That's right, our Johnnie !

How can this be ? Well, three possibilities:

John is still not done with a PhD. After 4 years ? In a crank university where I am pretty sure I can submit the first draft of a litt review and graduate ? Nah

John never completed the thing. Boo, that would mean that John is lying, when he says he has a doctorate. Bad, bad.

John did graduate, and obtained his doctorate in [scrolls back to check] psychosocial studies, and then was not put on the website or was withdrawn some time before today, as Parkmore institute ended their affiliation with him, as per this bit in their application form

A shame, really. If John had been affiliated with the Parkmore Institute, it would give a shred of legitimacy to anything he writes to anyone just skimming.

Now, I would love to get in touch with the Parkmore Institute and ask to see John's doctoral work, which they DO have, since the application for also has this very interesting section:

(definitely very legit, very normal).

But I am not sure how I would even phrase that request without transparently going

"hey, would love to see what bullshit research is being done over there, since one of your graduate decided to go all Handmaid's tale for the last 2 years".

If anyone feels like sending that email, I am begging you to keep me in the loop.

3. Back up, back up, what's up with that article?

Remember the article where he was listed as a "PhD Fellow"?

Well, about that... No. Welcome to the world of predatory publishing, one more cog in the Bullshit Academic ecosystem.

First: not at article. It's a "commentary". Could be worth something ia good journal, but still would not be a piece of research. But that is the least of its sins.

Its sins are being published in a journal called "Sociology and Criminology-Open Access", by a publisher called "Longdom". Longdom publishing has a bunch of journals on a lot o different fields, with the particularly of being predatory; they will publish absolutely anything you send them, as long as you pay their Article Processing Charges:

There are entire lists of Predatory journals on the web, you can find on here and another here , Longdom Publishing is in both.

This is how John can publish this last minute, Redbull-and-weed-induced essay in an actual journal, with an abstract that, I kid you not, finishes with "Please find the paper attached." He slapped together a shitty essay about people in India are poorer and therefore more likely to exhibit psychopathic traits and therefore engage in corruption, purely base on vibes. It does not even deserve be given any consideration, not even to be debunked. There is nothing to be debunked. This would be a failing grade for a 1st year intro class.

CONCLUSION

On the surface, John Mac Ghlionn is the poster boy of failed edgelords who really wish they were Jordan Peterson, but unfortunately are just Doug, the guy for 10th grade who failed the Literature class and decided it was because litterature was too woke today anyway.

Beneath the surface, John is a case study in Scam Academia, and the proof that no matter how bad actual academia is, Scam Academia can always get worse.

A quick checklist to go through whenever someone claims be a researcher, an academic, a fellow, a doctor, a PhD or anything of the sort:

What is their affiliation? Is this a legitimate organization?

Do they have a PhD? Another doctorate degree? From where?

Have they published ? Where is it published?

[crumblinggothicarchitecture]

I read your fake smart-girl coded Taylor Swift post. Ended up on my feed because it was tagged philosophy. It was long enough that I caught a few words and actually read it. Honestly thought it was satire until I read your answers to other people.

I do not care about TS. But I do care about philosophy. You have a degree in it ? Funny, I have one too. You've read Aristotle ? I did too. But did you read though ? Did you really get into philosophy, and heard what the people you, I'm sure, can quote really well, actually said ? Because what it looks like, is that you got a degree in philosophy, but did not get philosophy at all. What makes me say that ? Your attitude, and that paragraph :

"Also, for the record, I don't think Taylor Swift knows anything of substance about Aristotle. I, on the other hand, took a three-hour long oral exam over Aristotle's life work while out-of-my-mind-high on Dayquil and pain meds after a surgery. I got an "A", and, somehow, I lived through that, I doubt the validity of Swift's claims to know anything at all about philosophy. Especially, considering how all her songs are about as deep as a puddle. "

Sounds like you're here to show off, and to make yourself look like something, without having a clue what it means to have the inclination of a philosopher. Or you know what it means, and you've lost it somewhere along the way.

If you've studied philosophy, and actually took time to read and understand the words of philosophers, you know not one of them would condone your attitude, the way you use their names, the way you're making your arguments. Having an A for an exam on Aristotle does not guarantee that you'll be able to make good arguments for the rest of your life. Nor does it guarantee that you understand his work, or are good at philosophy. It just means that, at one point, on a very specific part of Aristotle's work, you had enough knowledge to be rewarded with a good mark. It stops there. It does not mean anything else. Even if it was for your master's thesis. Sure, you know more than TS about philosophy and she fakes knowledge in her songd, but is showing off your grade and putting yourself as the center point of your argumentation the best way to convey that message ? No. You're trying to put her down by putting yourself above others. To anyone with a sense of philosophy, it just looks like you're a student who never understood the works he/she read, and focused on grades and others' approbation instead.

You care about your degree ? Re-read the books and make use of your ability to understand them. Not as a way to show off, but as a way to lean into the attitude a philosopher might have.

You write posts using philosophy ? Make it palatable to others, and show its uses. Be humble. Same thing for literature. The people whose books you read, they want knowledge to be spread. Studying philosophy should have, at the very least, helped you see that. The degree you got is here to push you to continue doing what all previous philosophers and writers did before you got to read them. Otherwise, your degree serves no purpose, other than satisfying your ego. At least, that's how it looks in that post.

Anyway, it'd just be nicer if you used your degree to show the benefits of philosophy, rather than to stroke your ego. Think about Socrates for a while. He asks questions, he makes simple arguments, he rarely talks about himself, he wants others to learn. That's the idea. Not showing off. Not being an ass to a girl you've never met. But being open for discussion, and make sound arguments, for others as well as yourself. What was the point of you fixating on the misuse of 'soliloquy' ? What did it bring to others ? And your anger towards TS, why ? Why write a whole post about it, shove it in her fans' face, what's the point ? Did anyone get anything positive from that ? And why bring your degrees and grades into the mix ? Anyone can make an informed and sound argument, even without a degree. What did it give you to say all those things ?

Fyi, I was taught philosophy in France. I know people in America and the likes get taught philosophy differently than how its done here. Wouldn't be surprised if there was a cultural difference in the way we understand the discipline. I've got a master's degree in the subject, and six years of study under my belt, if that matters to you. Was top of my class also. And I've lived with a philosophy teacher for eight years, too. In case you try saying I have no place speaking about philosophy the way I do.

There is barely anyone who gives a damn about philosophy. You're one of the few who cared about it enoigh to study it. Make good use of your degree, and don't be an ass to others.

Let me give you a piece of my mind, because, honestly, my dear friend, what are you doing? 

Is this some kind of moral flex in which you prove to be the better person because you’ve never implied that there’s no way a certain person knows anything about Aristotle? You want to seem like the better person, because I took one single cheap-shot at Taylor Swift’s intelligence amid a full literary explanation as to why she is using a specific term wrong? Are you joking? You want to call into question my entire education? Because I said Taylor Swift is not as “deep-thinking” as she claims? Okay, yeah... you’re right I guess that makes my entire education invalid. My bad. I’ll go rip up my degrees.  

First of all, let’s address your arrogance. You write, “Sounds like you are trying to show off, and to make yourself look like something, without having a clue what to means to have an inclination as a philosopher” (para.4) in response to me saying Taylor Swift probably doesn’t know anything about Aristotle. Yeah, obviously that line is a quick jab at Taylor Swift. So, what? Am I writing an essay? No. Am I writing a journal article? No. Am I writing to a conference committee with a submission of my finest work? NOpe. I’m saying that I would bet money that I know more about Aristotle while suffering the effects of surgery-induced delirium. It’s not that deep. It’s not meant to be a deep, philosophical take on the nature of Taylor Swift’s work. I’m throwing a metaphorical tomato at her, while yelling “boooo.” So, what? You say, “Play nice.” No. Taylor Swift is not my student, nor my friend. I, thus, have no obligation to try to teach, guide, or help Taylor Swift understand anything. I’m not her philosophy teacher, and, you know what, I don’t think she cares about philosophy at all. You know why she name-dropped Aristotle? It rhymes with “full-throttle” and “Grand Theft Auto” (Swift “So High School”). I’m laughing at her so-called poetical lyricism. In the same breath, I’m judging her for relegating Aristotle to a cheap throw-away line in a dumb pop-song in which she sings about how her football boyfriend makes her feel like she’s 16 again. It’s so mind-numbing.

I’m sad. It’s not anger that compels me, but sadness and disappointment. I’ve been a fan for nearly 15 years and my original post came from lamentations about outgrowing an artist I once respected.  Granted, I might have been angry while writing that post (sue me about it).  

 I do respect Taylor Swift’s work enough to criticize it, however, do not twist my words to mean that as an attack on her personally. I do not wish harm to other human beings, yet it is worth noting that I talk in many other posts about my disgust towards her immoral actions. Even still, most of my posts about Taylor Swift are linguistic or literary criticisms meant to help me process this absolute let-down of an album. I’m also just practicing my literary criticism abilities (I start Grad School in like 2 months, so I’m trying to keep my skills sharp). It’s all low-stakes.  And, you’re mad at me? You think I’m being mean? Why? You think that I’m “being an ass to a girl [I’ve] never met”? (para. 8). Taylor Swift is not a girl, first of all, she is older than me and I’m a grown woman. She is way richer, and way more powerful too. What is your point? 

Let’s talk about the next line in question: “What is the point of you fixating on the misuse of ‘soliloquy’? What did it bring to others?” I’m fixating on the term soliloquy because Taylor Swift has been using this faux literary/ dark academia aesthetic to sell her records for years now. She’s wears “my coat” (if you catch my meaning). She’s using my real-life study as a way to sell shoddy, sloppy records. I’m going to call that out. Despite her using all the aesthetics of academia, she’s not intelligent enough to even just use the term soliloquy correctly. I noticed it right away, and so did many others. If she can’t even get small details correct about literature, why should I believe that she even knows anything about literature at all? It destroys her creditability. I’ve taught students the term ‘soliloquy” as high school kids. It’s not too much to ask for the biggest pop star in the world, and someone who claims the title of “good” writer, to teach herself what a soliloquy actually is before using it in a song just because it sounds similar to “sanctimonious.” If it’s wrong, she’s just wrong. She could have hired an editor. Now, I won’t go into the context of the line here, too much, but the whole line is her calling her audience a bunch of sanctimonious morons who are talking to themselves. (Is Taylor Swift playing nice enough for you? I wonder....)  

Let’s move on. 

Now, let’s talk about your concept of “inclination of a philosopher.” 

You are correct in saying that often teaching Philosophy varies remarkably from country to country. I was weaned on the analytic philosophy, whereas I believe the French are more continental. (Correct me if I am wrong.) So, the effect of this is that I am obviously quite blunt and fond of Aristotelian logic. Who doesn’t love a good syllogism? A funky little linguistic proof? Yes? Still, I must remind you that I wasn’t really making an argumentative point about actual philosophy in relation to Taylor Swift.  

To the crux of the issue, however, I must say that I was actually showing the inclination of philosophy by correcting the intrinsic flaws of the songs I disliked so much. What is philosophy if not the spirit of seeking truth and wisdom? Critique and analyzing poetical works often tie directly into the philosophical field of aesthetics wherein the goal is true, fruitful, understanding on how literary devices and aesthetic representation actually function. If anything is also in effort of seeking truth, surely, you see that critique and correction is? And asking for better workmanship? I was only mad, because mining Taylor Swift work for aesthetic meaning is like searching for Gold in a parking lot. : (  

Next point: “to anyone with a sense of philosophy, it just looks like you’re a student who never understood the works they read, and focused on grades and others’ approbation instead.” 

First of all, this is rude. You don’t know me. You read my honest, brief anger, that I managed to condense into a couple lines in one single tumblr post, and that gives you the audacity to say I’m a bad student who sought grades above all else? Yeahhhhhhhhhhhhhhh................. Okay, tell me why I spent hours in study rooms and sent countless emails begging for guidance through things I didn’t understand. Tell me why, I’ve stood in front of people and blatantly admitted that I did not understand the readings. Learning takes time, and there is no shame in taking your time. Grades are just letters. What matters is how the strength of what you learn impacts how you act in life. I’ve learned my lessons with all the ferocity of a child falling down a hill and running back up it again. I know my own intentions, and you don’t. I mentioned my "A" in the post really just to lend credibility, through professorial authority (lol), to the fact that I think Taylor Swift is fake smart.

Next: SocRaTeS? You're Joking! What is he doing here?

In an eternal quest for my own understanding, I often returned to Socrates. Did you not see my profile picture? Socrates is my homeboy. If ever I get to choose how to die, I will die like Socrates. Willingly, and with a full-bodied credulity of my own philosophical stances.  

You say, “Think about Socrates for a while. He asks questions, he makes simple arguments.” First, he does not make simple arguments. Is it not a syllogism? He writes full dialectical structures. This is some of the most complex stuff I have ever read. Let’s talk about why: Over the centuries, we’ve come to call it the Socratic method. This method includes discursive questions meant to make people question not only others on their reality but to question the most internal mechanisms of the mind. It asks them to think about why we believe or hold the beliefs that we do. He, famously, likens it to a child's development in the womb. The questions are meant as an external way to engage with mechanistic development of thought itself- thus we untangle the dangerous thread of rhetoric internal to our own rational minds. It’s a type of meta-analysis of the self-more than it a simple game of question and answer. Like children from the womb, according to Socrates, we must develop our rational minds too. And, above all else, the Socratic method seeks truth.  

Socrates would approve of my literary criticism of Taylor Swift, because I am using it to seek a higher truth. And, in some way, I am inversely questioning my own reasons for seeking what I do. I enjoy poems for a reason. I like to ask myself why I like what I do, and what meaning it brings through my unique perspective. (Applied to others as well, I love to hear from others). I critique Taylor Swift not because I hate her, but because I want to engage with the aesthetic qualities of the material world that elevate my ability to empathize, to think, to engage, to feel the world around me. I love art. I love reading, I want people to write with intelligence. You know then, the soul-crushing feeling of realizing an artist is actually bad. She rhymed Aristotle with Grand Thef Auto... Socrates himself would shudder. Socrates would also recognize that aesthetic quality ought to undergo critique and beauty interrelates to moral value. He was of the belief, and I dare say I believe it too, that beauty, aesthetic beauty, can be likened to moral value through the identification of ways in which it reveals the truth of our very souls. To him engaging with aesthetics is one way in which to reach out and connect the metaphysical to the material, in such awe-inspiring ways.

Ever been moved to tears by a painting? I have, but the question is WHY? That is why I critique literature, poetry, art... music. Whatever I can get my hands on really. I really want to find out, WHY? why was I crying in the Art Gallery, right next to the ice cream shop and everything.

 You are perhaps right that I could make more of an effort to explain my points, and also the "moral of the story" or what I hope other people will take away from what I wrote. I’m only ever critical of something if I care enough to either love it or wish it was better so that I could love it. To be honest, I didn't think anyone would read my silly vent post about Taylor Swift, but here we are. I could do better. I usually save my real efforts for my published work, though.

And you, my dearest colleague, are apparently spineless. If your conviction on philosophy is that we must all be kind and precious to each other for fear of causing offense, then I think your career will sink like a rock. Socrates was mean as hell, though not spiteful or malicious. He was mean in the sense of asking people to take a good, long hard look in the mirror. I would ask Taylor Swift to look in the mirror too, but she has a whole song about how she’s not going to do that (Anti-Hero). As you see, I hope that I am not spiteful either. But I do want people to be better and make better art. Socrates would say the same. I say what I say and I mean it. Because I am desperate for something true and beautiful and real. There is no one on earth above reproach. There is no school of philosophy which suggests passivity is tantamount to intelligence. I will not be passive.  

You say: “Make it palatable to others. Be humble” 

How’s this for palatable: No <3. Why diminish myself? Why should I obfuscate and dance around my own hard-won intellectual skill? Why should I dumb it down? It is not egotistical of me to use my own skillset. Does a doctor not save lives? Do they apologize for using their skills? Does a mechanic not do the same? Does the poet not also do the same? What of the critic?  

I can be humble, though. Humility is being self-aware enough to recognize that some might have a skillset more advanced than your own. I seek guidance and consistently challenge myself in academic endeavors. I can recognize the authority others have just as well as I can recognize my own authority. I will not, however, shrink down because you think I’m being too know-it-all-y.  

Humility does not require that I speak only when choking back apologies for the audacity I have to speak. I am not sorry. I spent the last 6 years of my life working on two degrees while working 3 jobs. It was hard. I’m proud of myself. If someone feels upset that I speak about the field of study I have fought to participate in, well, I genuinely don’t know what to tell them. Intellect is not a threat (to most). I would say, “if you have a question, ask it.” I actually am very friendly despite my sharp tongue. I am a teacher to my bones <3 and I love my job.  

Anyway, if I missed any of your points, misrepresented them, or offended you greatly- my inbox is always open. And I love a good, well-structured argument. However, next time can we talk about actual philosophy instead of you just attacking my character, thanks. <3 Obviously, I took offense. I think you meant to offend me though, for whatever reason. Really, I did go back and crack open a few books to write this, double check some things, so thank you.

Did you get your graduate degree in America? Would love to know. I am planning on getting another Master’s after I am done with this first one. I want to study aesthetics ( LOL).  

Ps. Why can’t people show off? I love when people have a talent that they aren’t afraid to share.

[1025flora]

skz as your best friend who is (not so) secretly in love with you

genre fluff , humor pairing ot8 skz x !femreader warnings not proofread

chan

"oh yeah yn is my best friend actually"

literally obsessed.

tries to hide the delulu (not good at it)

tells you about every single project he's working on

honestly just get married already???

most people think you're actually dating...

became your friend because he thought you were pretty, but stayed your friend because of a thousand other reasons

definitely takes notes for you when you're out

lots of dimple smiles when you do literally anything???

minho

quiet in public, but the world time yapping champion when its just you two

will say the most cruel and slanderous thing while looking at you with the most loving eyes

texts random bad selfies with no context

gags and scoffs when people suggest you two as an item, but on the inside he's eeking

"send me that pic of you from earlier"

you may or may not be the only person on his private story

attends every single event you're involved in, no matter how inconvenient it would be for him

soonie, doongie, and dori adore you

changbin

buddy (romantic)

thinks about you every second of his day

"hey look what i made!!"

needs everybody to know that you are his best friend

"she even asked me for the time..." *fist pump*

doesn't pressure you to go to the gym with him but he reeeaaaallyyyyyy wants you to

"do u hate me" texts in the middle of the night

swings his legs when you guys call

waits for you outside your classes so you can walk in between periods together

wants to be nonchalant and cool and mysterious about you SO BAD but he fails

hyunjin

ouh this man is delulu!!!

has your future lives planned out in a pinterest board

sketches you in class

"hey babe" when you are BOTH single

late night grocery store runs for no reason... he just likes how you look at night

"i forgot my wallet🥺" typa man

fully convinced you do not and will not love him romantically

a textbook hopeless romantic

will wait for you outside in any weather. coldfront, heatwave, rain, shine, that man is THERE

all the nicknames... like definitely calls you "blondie" if you're blonde

jisung

so nervous around you even though you two are best friends???

writes songs for you all the time, terrified to show you

one day wishes to sing every single one to you

"good morning!" "how was your day pook?!" "good night <3" every. single. day. never misses

prefers to just stay in and talk with you, about anything

"bbama misses youuuu" whenever you aren't at his house

you do make him flustered most of the time

a couple playlists made just for you tucked in his spotify library

wants to call you all the couple names but afraid you'll hate it

talks about you with the guys (they are SICK of it)

his thoughts towards you are just the lyrics of gorgeous by taylor swift

felix

tells you absolutely EVERYTHING

5 paragraph essay about his day every night

and yes expects the exact same from you...

you text on discord (sorry)

makes treats just for you in secret

in any setting that you aren't in, he calls you his

makes video memos for you when you're gone and secretly hopes you'll do the same

his sisters tease him daily about how he talks about you, but he doesn't care

wants everybody but you to know he loves you

his second favorite color is your favorite color

seungmin

all of the confidence and sly in his attitude vanishes as soon as you walk into the room

your personal butler

holds your hand just 'cause

"this would look so good on you"

you two share headphones everywhere

head on your shoulder, chin on your shoulder, oh and definitely elbow on your shoulder

matches his jewelry to yours

at karaoke, he points and sings at you for the love songs, but you usually think he's joking

will love you unconditionally forever, even if you never feel the same

jeongin

"but you looked hot...? why are you changing"

weirdly confident around you, like his attitude changes when you walk into the room

loves to do your makeup, and vice versa

he jokes so much that you think he's sarcastically in love, little do you know it's all from the heart

brings you coffee every morning at school/work

"this song reminded me of you"

makes sure your outfits coordinate

pays for EVERYTHING

you are his princess!!!!! in every sense of the word!!!

a/n omg first post here..... hope u guys like it 🙏 reblog or like if you read puhlease

[bateman-whore]

Hiiii, I was wondering if you could write a fic where Patrick sees someone get a little too close to reader and murders him? 🔪🩸🫶

You belong with me

(Sorry for the Taylor Swift reference, Im not a swifty but it’s one of the few songs I can stand and I didn’t know what to title this lol, TW: murder, Patrick being Patrick)

Your pov

I sat at my desk, mindlessly typing away at my computer. I wanted nothing more than to get the day over with but the minute passed like hours. As I attempt to finish the paragraph, I hear a knock on my office door.

“Yep” I called out as the door opened, it was Paul.

“Hey y/n, how are you doing?” He asked, taking a seat in front of me.

“Meh, I just want to go home. It’s been a long day,” I laughed with my face in my hands.

“Oh I hear ya,” he says, flashing a grin, his teeth seemed a little too big for his mouth. “Now I was going to ask you if you wanted to go out tonight?” The question was accompanied by another big tooth grin.

“Listen, I would love to but-“ I was cut off.

“Oh come on like you have anything to do after work, pick you up at seven, yeah?” It wasn’t a question. He got up and started for the door.

“Paul I-“

“See ya!” And with that he closed the door behind him.

Before I could process what just happened, there was another knock on the door.

“Yep,” I called out again but instead of Paul, Patrick walked in. He sat down across from me and put his feet up on my desk. “Yes?”

“You and Allen seem to be getting close?” This was more of a statement rather than a question.

“I mean I guess, what does it matter to you?”

“It doesn’t,” he said plainly and got up and left my office.

Patrick’s POV

I don’t know why but it does matter to me. For some reason I can’t live with the thought of Paul being so close to y/n,

“Hey Paul,” I leaned up against his cubicle walls, I took note of them, “nice set up you got there.” I picked up what seemed to be a family photo and examined it.

“Uh thanks I guess,” he took the photo out of my hands and placed it face down on his desk.

“God I can’t remember the last time I sat in a cubicle let alone worked in one,” I let out a laugh.

“What do you want?”

“I was wondering if you could stop by my place-“

“Nu uh uh uh, can’t. I got a date with y/n tonight,” he interrupted.

God he really has a problem with interrupting

“Yeah yeah, I’m sure you do, look it’s about your report, there’s something I need you to change.”

“Why can’t we talk about it right now?” He asked, confused.

“Because how can we discuss work matters without a drink or two?”

“I guess, as long as you make it fast,” he finally gave in.

Later that night, there was a knock on the door. When I opened it, it was Paul.

“Ah Paul come in, come in,” I stepped aside to let him in.

“Thanks for inviting me, but really we have to make it fast. I’m supposed to pick up y/n in 45 minutes,” he walked in taking his coat off, “are you renovating?” He asked taking note of the plastic sheets that cover every part of my living room.

“Sure. Can I get you a drink Paul? You look like an old fashion kind of guy.”

“Uh sure.”

I walked to the kitchen and poured him his drink, but before I went back to the living room, I crushed up a handful of downers and dissolved them in his drink.

“Do you like Huey Lewis and The News?” I asked him.

“There ok i guess,” he replied, taking a drink.

“Their early work was a little too new wave for my tastes, but when Sports came out in '83, I think they really came into their own, commercially and artistically. The whole album has a clear, crisp sound, and a new sheen of consummate professionalism that really gives the songs a big boost. He's been compared to Elvis Costello, but I think Huey has a far more bitter, cynical sense of humor.” I started to ramble as I popped a CD in the player.

“Hey Halberstram.” I could tell Paul’s speech was beginning to slur. The drugs were taking effect.

“Yes Allen?”

“Why are there copies of the style section all over the place, d-do you have a dog? A little chow or something?”

“No, Allen.” I was in the kitchen at this point pulling on a raincoat. My ax was hidden behind the door frame.

“Is that a raincoat?” Allen laughed.

“ Yes it is! In '87, Huey released this, Fore, their most accomplished album. I think their undisputed masterpiece is "Hip to be Square", a song so catchy, most people probably don't listen to the lyrics. But they should, because it's not just about the pleasures of conformity, and the importance of trends, it's also a personal statement about the band itself,” I took the ax and walked up behind Allen. I raised it above my head, “Hey Paul!”

He looked behind him at me as the ax came crashing down into his face. Blood splattered all over my face and body.

“TRY TAKING Y/N ON A DATE NOW, YOU FUCKING STUPID BASTARD! YOU, FUCKING BASTARD!”

I caught my breath and regained my composure. I cleaned up the scene, took a shower, did my skin care, and went to bed.

Part 2??? I’ll probably do a part two. Sorry if it’s not entirely accurate yk, I need to rewatch the movie. If you have a request my inbox is open and as always the gif and divider are not mine.

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