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0mg-bird · 17 days ago

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How Did It End?

Post Prison! Spencer x Fem!Fiancee Reader

Summary: Almost four months since Spencer came home and the fairytale that once was your life has come crashing down around you.

Warnings: ☹️ ouch. Angst. PTSD. Taylor Swift ‘How did it end?’ coded. hurt/comfort. this hurt to write, don’t hate me. Reid my poor baby has some stuff to work out.

W.H. Auden once wrote,

‘Were all stars to disappear or die, I should learn to look at an empty sky and feel its total dark sublime, though this might take a little time.’

Poetry was something you were no stranger to, given the fact you taught an advanced creative writing class at the local high school.

You once enjoyed poetry.

But now, when the words feel like knives aimed at you, you can’t bear to indulge in the afternoon readings like you used to.

Instead, afternoons are spent in an apartment that somehow lost its warmth. Before, you’d claim it’s because Spencer was gone, that things would be brighter when you brought him home. He’s been home for three months, a little longer, the weather has begun to change, warping into a melancholy winter. You sit at your desk, staring at your computer screen, spinning your engagement ring around your finger.

You’ve been trying to get back into writing, trying to revisit your archived story. Though, it’s hard to revisit a fictional romance mystery when there’s nothing to inspire it.

Groaning, you delete half of the last paragraph you’ve written and try to type something that isn’t cliche. Pushing through the urge to stop, you write until the words flow thoroughly and there’s a key turning in the door.

There he was, the love of your life.

Spencer trudges into the apartment and drops his bag by the door, his shoes find a home beside it. The circles under his eyes are darker than they were this morning when he left, he runs a hand through his hair and glances over at you when you stand with a grin.

“Hi.” You do your best to beam, conveying just how much it excites you to see him.

“Hi.” He mumbles, tossing you a tight lipped smile as he walks towards the bedroom.

Trying to push away the sick feeling in your gut, you turn back to your blind optimism and take your glasses off.

It takes eight steps from the bedroom door to the closet, it takes him three steps to pace and grab casual clothes. In about a minute, he takes off his day clothes and pulls on something that doesn’t feel constricting. You memorized every foot step he makes in this home, it’s easy to focus on when you spent some time not hearing it.

By the time he comes back out to retrieve his bag and sit on the couch, you grab up your laptop and sit on the other end of the sofa.

Paperwork and files soon lay on the coffee table and you watch him organize and complete end of the day tasks. Patiently waiting your turn, when Spencer finally relaxes back into the cushions, you slide closer.

“How was your day?” You ask.

He grunts. “Nothing worth talking about. Oh, I’m going to Connecticut next week to do a seminar, I’ll be gone two days.”

You nod. “That’s exciting, right?”

He shrugs, then there’s silence.

You scoot closer. “I was working on some things, I think I’m finally getting back into the groove of it. You want to read the last chapter I made?”

He motions to the coffee table. “Yeah, just leave it there and I’ll take a glance later. I’m debating on if I want to shower before dinner or after.”

“I was thinking we could go out for dinner, we haven’t in a while.” You offer with a hopeful smile.

Spencer frowns. “I’m not really feeling a social scene right now.”

“Oh, yeah, no, of course.” You quickly say. “We could do take out then, Italian maybe?”

He shakes his head. “We shouldn’t do take out anymore, it’s basically inviting a serial killer into our home, giving him some place to come back later when I’m not around.”

Right. The paranoia.

You knew things were going to be different when Spencer came home, and you did your best to adjust with an open mind. Sleepless nights consoling him, countless days spent trying to pull him from his own mind. Through tears and breaking points and a few instances where he utterly scares you, you know he’s still your same Spence, but just a little hardened now. He’s still the man who spent too much on a ring, still the dorky guy you fell for those years ago.

Things are just…a little rough.

“Okay.” You say to his statement. “I’ll whip something up then.”

At the sight of your willingness to give something up, he feels immensely bad.

“No.” He sighs, shaking his head. “No, I’m being stupid. Italian sounds fine.”

The bad habit of being too harsh on himself has been hard to kick, but it’s getting better… you think.

So you order Italian and eat in front of the television while Spencer fact checks what the characters are saying, criticizing the antics of these fictional people. It feels so normal, the whole situation, it makes you momentarily have amnesia, as if the two of you are exactly like before. You lean into his side and laugh at the sitcom, thinking that this Spencer hasn’t experienced what he has, that everyone around the two of you still feel the happy affects of your love, that you test wedding cakes and look for a bigger place. A place the two of you can buy together and start a family.

“I’m gonna shower.” He says, rubbing your shoulder.

Looking up at him, you smile playfully. “Want company?”

There it was, that reminder that things weren’t like before.

He kind of just shakes his head with a smile and leaves without anything else.

You know he doesn’t mean to, but sometimes he makes you feel about an inch tall. He used to look at you with this heavy gaze, something needy, something that never failed to make you feel like the prettiest girl in the world. His hands would find a home on your skin, he used to kiss for fun.

You don’t remember exactly when he last gripped you in a way that wasn’t just polite.

You know he has fears, he has it in his head that he is a danger to himself and you, that his hands are murderous, but it doesn’t feel the best when you’re constantly rejected by the man you’re going to marry.

Rubbing your eyes, you clean up the dinner mess and then go to the bedroom to slip into pajamas. The floor length mirror shines your reflection, you stop to stare.

Maybe you weren’t the first pick, maybe you hated what you saw sometimes, but the thing about Spencer was he was so sure that no one could ever do it like you. A slew of compliments he’d give you, the fever of his love was scorching.

You give the girl in the mirror a smile, then comb her hair with your fingers and smooth your tank top.

Silly enough, you turn to the side, wrapping your arms around an invisible bump, and you smile fondly at the thought. Two kids. A boy and a girl. Little geniuses. That’s what he and you would talk about. The next thing after he marries you, the next thing he’d do was give you a baby. He swore up and down at night when you laid with your head on his beating heart, he’d give you the family you craved and your face would hurt from smiling so much.

All plans are at a stand still now.

And that’s okay, wasn’t it? This was a rough patch and you’re helping Spencer get through it because you’d help him with anything-

The bedroom door opens, Spencer walks in and you step away from the looking glass.

“I’m going to get ready for bed.” You mumble, walking past him, cheeks burning red.

To say the least, Spencer feels horrible. Here you were, giving him your undying loyalty, holding his hand through all of it, and he’s the reason life has stopped. You’re so brave about it, always patient and understanding.

He hates it.

You should be angry, you should be arguing. He knows his bad moods kill you, he knows you’re waiting for things to be normal again and they won’t. You get up in the middle of the night when he’s asleep and put on your wedding dress, just to smile at yourself and promise that soon, it’ll be better. You think he doesn’t realize, that he’s passed out, but from the bed he watches you turn in front of the mirror and bite your lip, the way you always do when you’re too pleased with something. Then he sees you cry, softly, hand pressed to lips so you don’t make any noise and inconvenience him. You only let the break happen for a fee minutes, then you wipe your tears, take off the dress and tell yourself that it’s all alright.

Things will be okay.

What if they won’t?

What if it all just crumbles, every wall of the castles built?

It’s not a matter of ‘what if’s’ anymore, is it? Not when the two of you argue into the morning about things. You’re trying so hard to give him the benefit of the doubt but when he isn’t giving you anything at all, it makes for situations like this one.

Head in your hands, you pause for a brief moment and breathe before looking back up at Spencer. The two of you have been at this for about an hour and a half, all because you mentioned how unfair he’s being. Here you were, taking the scraps he throws to you like you’re a dog, and he’s saying it’s you who is unfair.

“I know you want things to go back to the way they were, but it’s not gonna happen.” He says in that bitter tone you hate, looking down at you, sitting on the mattress.

“I know things are different, Spencer.” You claim. “But I didn’t think I had to be okay with you hardly looking at me, or-or not baring to ask me a simple question like how my day was.”

He scoffs at you, running a hand through his unruly hair. “I’m sorry if my attention isn’t devoted to you now.”

You stand to match his position. “Don’t make me seem selfish.” You shout.

“I’m- you’re not selfish, I just…what do you want from me?” He questions, throwing his arms out and staring at you with absolutely no love in his eyes.

“What do I want?” You reword. “What I want is some progress. Every day I wake up, and I do my best to convince you that you’re not something evil, that these unforeseen circumstances don’t define you, and it’s like I’m stuck in a loop. I can’t help you if you don’t help yourself.”

A lump forms in your throat, your eyes burn but you can’t find it in yourself to let those tears fall.

“That’s the problem!” Spencer shouts. “You’re looking at me like I’m some sort of sick animal and I can’t stand it!”

“You’re looking at me like I’m not the love of your life anymore, so I suppose some things change.”

Silence.

Spencer’s at a loss for words.

Your tears start falling now. You wipe at them with fever.

“I’m trying to give you time, Spence.”

“Angel-” He tries to interrupt, only to be stopped with the movement of your hand in the air, halting him.

“Don’t. Don’t be like this. I know this hasn’t been easy for you, but I have felt so alone.” You say with a squeak. “And you just… don’t care.”

He shakes his head, demeanor changing. “Of course I care!”

“Really? Because it feels like you gave up on me when you gave up on yourself.” You gasp lightly, trying to calm your shaking hands. “And that’s mean, baby. I know you have been through so much and you lost the game of chance, and I’m sorry- I am so sorry, but you can’t toss me aside like I haven’t formed my whole life around you!”

It’s strange, standing in a room that once knew laughter and the warmth of your escapades. Only now, it’s ghostly and tired and blue. Spencer wants to defend it, wants to shout that you’re just not understanding him but it’s wrong. You understand him better than anyone ever has, and you’re immensely right, he’s abusing the situation. He knows all of this and can’t help but back peddle like his life depends on it.

“I’m not trying to toss you aside, I’m sorry.” He says, reaching out to grab you, deciding his touch can’t be your downfall.

But you side step him. “But you are, do you not understand? Use that smart head of yours to realize the instance here.” You plead. “If you’re done trying, then I am to because I have no more to give. I’m empty, you took it all from me, Spence. What do I get in return? Nothing, not even a fucking marriage.”

There’s a certain level of hurt that mixes with the anger and creates something crazy in your brain, makes it malfunction and all your repressed thoughts come out.

As you go to leave the bedroom, Spencer follows after. “What does that mean?” He asks.

You need to get out, these walls are whispering with your promises of a future, they’re getting louder.

“You aren’t going to marry me.” You state, searching for some place to hide and sink away.

“Of course I am.” He claims, calling your name to stop you.

“You can’t even pretend like you love me, Spencer, you aren’t going to marry me.”

A hand catches your arm and spins you to face him. His eyes are confused and reeling.

“I do love you, I always have.”

There’s a waver in his voice, is there?

I swallow. “Say it again. With feeling.”

“I love you!”

As the air leaves your lungs in a death rattle sort of way, you just can’t feel the warmth. It makes sense, ghosts have no heat, no matter how beloved they are. You know he expects you to give a different statement than what you do, and it hurts when you tell him the truth.

“I don’t think that’s enough now.”

“Don’t say that.” His tone comes out angrier than intended.

“I just did.”

One might describe him as a scared dog, one who lashes out now like he never used to.

“It’s not enough? Then why don’t you just spare yourself?” He spits, resembling a man you’ve never known, tossing your arm aside, probably too harshly.

The knife twists in your chest, you’re convinced you’re bleeding. Slowly, you nod. The ring seems to hold on for dear life, but you still pull it from your finger and offer it forward.

Everything inside of him feels sick as he reaches out his hand, watching as you drop the diamond into his palm.

With your heartbeat in your ears, you go to the door, sliding into your shoes and grabbing your heavy coat to brave into the weather. With Spencer calling your name, you shut the door on his impending questions of where you’re going.

Spencer stares at the door, and for a moment he can’t believe it all happened like it did. But he said the words and you followed his lead like the faithful partner you are and now you’re gone.

It takes him twenty two minutes before he begins to really panic. What if you’re gone forever? What if some force is going to take you now? Where did you go? Are you cold?

And if you left, that meant he’s alone for good, alone like he’s always been. How could he do this to you? He’s horrible, he’s a monster, all of those things he’s thought about are true.

He sets the ring on the counter, then throws the dirty coffee mug into the sink with such force, it breaks.

He paces the apartment while you stand at Penelope’s door, your dearest friend you only know because of Spencer, trying to hold it together until she comes to find you.

“What happened?” She asks, taking in your appearance.

“I don’t– know.” You sob out.

Two weeks later…

…

…It’s a weird feeling, having your spine split in half from carrying so much weight uphill for so long. You know a lot about weird feelings now, that empty space in your chest, Spencer sized, that’s your new lover.

Penelope sets a duffel bag by the pullout couch where you hardly move from, she’s been making trips to the apartment over the days to retrieve what you need.

“Hey, lovebug.” She coos softly, sitting by your knees, petting your mess of hair. “How was work?”

You open your mouth to tell her it was fine, that today was actually a good day, all the way up until Spencer texted you and asked if you wanted to move all of your things out.

A strangled sigh leaves your cracked lips.

This sums up how the last two weeks have been, and you wonder if Pen is a little embarrassed for you yet, the way you can hardly get out of bed.

“Emily and JJ and I are going out…why don’t you take a shower and come with us? It’ll make you feel better.” She says in such a gentle tone, one she’s learned that can get you to do anything.

It drags you to the shower, where you sag against the wall and do your daily crying. Then you get dressed and tame your hair and somehow make it to the bar.

Emily and JJ look at you with pity and you have no energy to be upset.

“Reid’s not enjoying it either.” Emily offers in a corner booth, because the conversation has turned to discussing the loss of your life.

Pen and JJ nod in agreement.

The BAU feels like they’re going through this break up at the way Spencer’s moods affect all of them. They’ve never known his anger like they do now, how he’s quick to snap, how the littlest thing sets him off. They’ll spare you, they won’t tell you how he swiped the picture frames off his desk, the ones of you and him. They won’t mention the fact that he hasn’t smiled once, that he looks like he doesn’t sleep.

They won’t tell you any of this but they’ll offer words of condolence or comfort, neither work.

“It’s going to be alright.” Emily encourages, squeezing your hand from across the table. “Heartache doesn’t stay forever.”

JJ nods like it’s going to fix the way you’re as empty as a drum.

“We all know how you’re feeling, don’t worry.” She says, her perfect, Barbie doll smile.

It makes you sick. You really shouldn’t take the anger out on anyone, but you do because there’s so much of it and you can’t stop it from flowing.

“You know what I’m going through?” You question her.

“Yes, I’ve had heartaches too.”

You suddenly can’t stand being here, you need to leave.

“You can go home to a husband, Jennifer, you don’t know how I feel.”

With those as your parting words, you flee, you tell Penelope you need air and you’ll see her at her apartment.

While you brave the cold city, the three women ask themselves how it could have possibly ended like this, with the greatest love of all in shambles. JJ calls Reid, of course she does.

“You need to fix this.” She tells him.

“…How is she?” He asks, sitting on the sofa, eyeing the framed pictures on the wall.

“She’s…lost. She’s ghostly, she-…Spencer, she loves you and she can’t stop. Fix it.”

“I don’t know how.” He says, monotone.

“How did it end, anyway?” She asks, seeing Emily and Penelope return with more drinks.

Spencer sort of sighs, though it’s sad and broken.

“I don’t know.”

- - - -

The air bites, it’s as cold as you feel, makes your bones ache. You wander in hopes of getting lost permanently, but to no avail, you know your city. Your city that feels so harsh and cruel, it’s one big reminder that you used to not walk the sidewalks alone, that you once stole kisses under streetlights. And as you’re walking down fifth avenue and memory lane, your feet drag you to the place you really want to go. In the time you left the bar and got frostbite from the early stages of falling snow, you’ve worked yourself up enough to believe you could stand your ground. Your anger has made a platform to stand on, you’re at the top of the fucking podium by the time you knock on the apartment door.

Why are you knocking?

Your name is on the fucking lease.

You shove the key in the lock and barge in, mouth agape, ready to fire.

And then you see it.

The bedroom door is only halfway shut, but you see movement. In the room that is gray and sullen, Spencer stands with his back to the door, staring at the cascade of white that he has laid on the bed like a memorial, like it was an open casket viewing.

Your podium shrinks.

“I was going to wear my hair up.” You say, causing him to turn and face you.

He’s tired, hair messy, unshaven, and those round brown eyes are the saddest things you’ve ever seen.

“I like your hair up.” He says, the words echo off exposed brick walls.

Heart beats pass, ba-bum ba-bum in your ears and you quickly huff and bush melted snow through your hair.

“I’ll get my things out now, if you want.” You say, choosing words carefully, eyes watching the way his avoid you.

“I don’t have any boxes.” He says, fingers brushing satin and lace before he picks the dress back up, puts it in the dust bag and death marches it to you. “You would’ve looked beautiful…you always look beautiful.”

How is it he can be so blissfully unaware? The smartest man you’ve ever known and he’s saying things to break your heart, with no clue that he’s doing it. You take that dress- that beautiful, vintage gown with the hundred fabric buttons running down the back, and lay it over your arm, then rock back on your heels.

“I can grab what I can and come by when you’re at work to get the rest.” You offer, wishing he’d say all the things you want him to say, like stay and I’m an idiot and I love you.

Spencer only nods. “Yeah. That works.”

“Okay…” You whisper, then drape the dress over the reading chair in the corner, the one too small for the both of you. You used to curl as small as possible on his lap with your legs over the arm and your head on his shoulder.

Every corner of this place is haunted.

In the closet, you pull the string and the lightbulb burns orange. You grab the two handheld suitcases, the ones you came home to find on the bed one day with Spencer telling you he was taking you to London while your school was on Spring Break.

When you come back out, Spencer’s left the room. There was no way he could watch you pull open the drawers where your things sat beside his.

With a knot in your throat, you fold and place things neatly and keep your cool like the mature adult you are.

That is until you grab the MIT t-shirt you’ve worn in. It’s a light gray color now, the neckline stretched so it only hangs right on you and not Spencer. Holding the ratty shirt you refuse to let him toss, that’s when you decide you don’t want to be a mature adult.

You’re a teenager with a broken heart is what it feels like, the world is ending and your soul has been split in half.

One tear comes, and then another, and one more until your face is soaked with your desperation and mourning. You ball that silly t shirt up at toss it away, and decide those suitcases are insufferable and onto the floor they go.

You stare at them, the clatter they made did nothing for comfort. With a raspy sigh, you sink to your knees to put everything back inside, and your blurry eyes drift to Spencer’s socks that appear in front of you after he hears the bang.

Wordlessly and gentle, he lowers his tall frame to crouch in front of you. The look in his eye is fools gold, it makes you think he’s the Spencer he was before everything.

You look at him, sure you look like a mess but you don’t care. Your chapped lips part and he’s prepared for the scolding, for your temper.

It doesn’t come.

“We were supposed to grow old together.” You sob out. “It was gonna be you and me, Spence, wearing matching outfits when we’re eighty, going to senior discount days at the theater.”

Those are the words that bring him back to reality, and the fall is harsh and he’s mortified that he’s done this to you.

You hiccup for air, pushing his hand away that tries to grab the suitcase. “I was going to walk down the aisle to an instrumental version of Heartbeat by The Fray, it’s unconventional but it’s my favorite song.”

“I know.” He whispers sadly.

“We didn’t make a deposit on that little venue with the pond, they gave our spot away but that’s okay, we were going to figure it out because we always do. We always do, Spencer.”

You’re not even sure you’re making sense but he understands, you could go mute completely and he’d understand because you’re his person, who he’s ruined.

“I know. I know, baby, I know.” He keeps repeating, adjusting to pull you away from the mess and into him.

With no strength left, you have no fuel for the fight. You fall into him, face in his chest as he sits against the bed and hugs you like he’s not seen you in years. It’s what it feels like, he hasn’t had you this close in too long. His fingers press into your skin, the warmth is almost groundbreaking in feeling, makes him unsure of where to hold you because he wants to touch everywhere, all at once. A lifeless frame full of hunger, you can’t move as you feel his caring grip in your hair, his lips to your crown as you can’t seem to get a solid breath in.

“Don’t make me leave you.” You plead, curling into him like a whimpering dog, clutching his chest to make sure there’s still a heart in there that beats for you.

Spencer’s crying now, the familiar feeling of fear in his lungs that don’t want to expand if you’re not around. He drags hair out of your face and presses his forehead to yours.

“I don’t want you to leave. Don’t leave me, don’t leave me.” He says with the emotion of the man before.

And just like that, you waltz right back into each other, you know the steps. Sitting in your fairytale, on the cold hardwood floor, listening to the steady beat of his heart, you both determine this isn’t the end of the greatest love affair they’ve ever seen.

You’re not sure how long you stay like this, in his lap, face red and salty as you stare at your bare left hand, but eventually the tears stop for the both of you. Spencer is the first to speak, he gently shifts, his hand sliding up your arm and shoulder to rest on the side of your neck, as if he’s checking your pulse.

“I’m sorry.” He rasps. “I’m sorry for everything, all of it, every single thing I did and said and ruined. I’m an idiot, angel, and you don’t know how lovely you are.”

Like water to a flame, those words are cooling. The grief and remorse in his tone makes you grab that hand checking your lifeline, and hold it.

“I’m sorry too.” You say. “For everything that went wrong and the fact I couldn’t do anything about it.”

His chest shudders, he leans down and kisses your forehead. “It doesn’t matter, it’s over now.”

You tilt your gaze up to meet his eye. “Is it?”

Bless you and the ground you walk on that he should worship better. Spencer gently runs his finger down your cheek and across your jawline. He nods then. “Yeah, baby, it is.”

#spencer reid x fem!reader #spencer reid hurt/comfort #spencer reid x fanfiction #spencer reid x you #spencer reid x reader #spencer reid fluff #spencer reid fanfiction #criminal minds #criminal minds fanfiction #hurt/comfort #spencer reid #matthew gray gubler

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szynkaaa · 4 months ago

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Hi, I just read your story on AO3 and I loved it a lot but it also left me with a lot of questions about Oz and his relationship with Sun Wukong, especially the part where you mentioned that Oz after recovering the relics couldn't return to his world but at the end it gives the impression that she is no longer with him and at the beginning you also mentioned that this isn't a fanfic as such but like a diary or letters that she left him and that's eating my head in a good way that I need answers 😆😆😆😆 By the way, I know this is a bit long but I really love your content, your art, and your writing 😆☺️😊🥰

would you believe me if I said I came up with the idea to add those paragraphs at the end of each stories to make it sound like they are not together anymore literally as I was uploading my fic to AO3 LMFAO

ok ok, since I'm not an eloquent writer and will enver write a fully fledged fic, I will just spoil the ending of my non-existing story.

Basically after Black Myth Wukong story line, Oz did not manage to go home like she thought she would after helping DO. I've also mentioned that her ancestor were part of the Celestial Court but got fucked over by the court, so "book 2" of my AU would be SWK and Oz dealing with the Celestial Court, trying to figure out what what the fuck happened.

Everyone is like trying to use Oz as a scapegoat for the shit her ancestors did. She's just like, I wanna live my life and idc what my ancestors did that was like over 1000 years go for me. but 1000 year in celestial court is like 83 years ago in celestial heaven time, so like not thaaaat long ago for them. WW2 is for us like 80 years ago. it's a long time ago but also not really. people who lived through the war are still alive. So anyway, court wants her to serve them again like her ancestor did, or die I guess. reason is tied to some power that flows in Oz because of her ancestor, which I do plan to explain in another post at some point.

something something happens, where either Oz has no choice but to return to her homeworld, oooor someone from the Celestial Court forcibly sends her back. If you watched Barbie the nutcracker, the same shit the rat king pulled on Clara. Or maybe even SWK pushed her through a portal to send her to safety.

also in my AU, time flows differently between the Oz's world and SWK world. A day can pass in her world, and it could be few weeks or months or even years in SWK world.

ALSO important thing is SWK at some point gives Oz a ring made from the birthstone, like he found rock pieces and asked Yin Tiger to make him a ring ("I'm not that kind of smith, monkey"). Traditional Chinese Wedding does not include an engagement ring, but SWK was there when Oz was explaining to monkey kids how wedding traditione worked in her world, and he loves her so he made the ring, gave it to her when confessing to her.

She still has the ring when she went back to her world, and there it's like not much time has passed, maybe a week at most. She still made it to her Taylor Swift concert.

Time pass, maybe like three years or so. She never stopped thinking about SWK, and tried to find way to get back but couldn't. maybe the portal got severed idk. and then something something happens (which I will need to think about), where one day the ring on her finger felt warm and she was able to return to Mount Huaguo, landing where the birthstone stood on the mountain.

I think like 100 years passed in that world, where SWK never stopped visiting the birthstone place, where Oz also went back to her world.

Here is a comic I made of their sweet sweet reunion:

She's wearing a fancy red dress because she was attending some fancy event before she was able to return to SWK. But also traditionally the bride and groom wore red in a Chinese wedding, so her wearing the red dress when she is reunited with SWK after all those years is a symbol for that they are finally able to be together and live their happily ever after. it's also symbolism for Oz.

Before that, depsite SWK confession and basically proposal, she has a bit of commitment / abandoment issues from her parents divorce, so yknow they didn't get married before that. but it is very clear to anyone that they both loved each other.

so yeah. Sorry for the long post LOL i get super excited talking about my problem children. there is angst and implication that Oz will be gone but ultimately it ends on a happy note.

#szynkART #fade to black #show the names #play that happy song #came with all of this the moment I saw the ask in my inbox and my brain was like DRAW HER IN A RED DRESS FOR THE REUNION #sometimes I feel very self-absorbed for talking about my ship so much LOL #also long hair Oz #black myth wukong #cepheus baskerville #black myth wukong oc #sun wukong x oc #sun wukong x reader #starfruit

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physalian · 1 year ago

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Humanizing Your Characters (And Why You Should)

To humanize a character is not to contort an irredeemable villain into the warped funhouse mirror reflection of a hero in the last 30 seconds to gain “narrative subversion” points. To humanize is not to give said villain a tragic backstory that validates every bad choice they make in attempt to provide nuance where it does not deserve to be.

To humanize a character, villain or otherwise, is to make them flawed. Scuff them up, give them narrative birthmarks and scars and imperfections. Whether it’s your hero, their love interest, the comic relief, the mentor, the villain, the rival, these little narrative details serve to make all your literary babies better.

Why should you humanize your characters?

To do this means to write in details beyond those that service the plot, or the themes, or the motifs, morals, foreshadowing, or story. These might be (and usually are) entirely unimportant in the grand scheme of things. So, if I wrote lengthy diatribes on pacing and why every detail must matter, and character descriptions and thematic importance, why am I now suggesting go free-for-all on the fluff?

Just like real people have quirks and tics and beliefs and pet peeves that serve our no greater purpose, so should fictional people. Your average reader doesn’t have the foggiest idea what literary devices are beyond metaphor, simile foreshadowing, and anecdote, but they can tell when the author is using motif and theme and all the syntactical marvels because it reads that much richer, even if they can’t pinpoint why.

And, for shipping fodder, these tiny little details are what help your audience fall in love with the character. It doesn’t even have to be in a book – Taylor Swift (whether you like her or not) never fills her music with sexual innuendo or going clubbing. She tells stories filled with human details like dancing in the refrigerator light. People can simultaneously relate to these very specific and vivid experiences, and say “not that exactly, but man this reminds me of…” and that’s (part of) the reason her music is so popular.

What kinds of narratives need these details?

All of them. Visual media, audio, written, stage play. Now, to what degree and excess you apply these details depends on your tone, intended audience, and writing style. If your style of writing is introspection heavy, noir character drama, you might go pretty heavy on the character design.

But even if you’re writing a kids book with a scant few paragraphs of setting descriptors and internal narration, or you’re drawing a comic book – if you have characters you want people to care about, do this.

Animators, particularly, are very adept at humanizing non-human characters, because, unlike live acting, every single stroke of the pen is there with intent. They use their own reflections for facial references, record their own movements to draw a dance, and insert little bits of themselves into signature character poses so you know that *that* animator did this one.

How to humanize your characters.

I’m going to break this down into a couple sections: Costume/wardrobe, personality, beliefs/behavior/superstitions, haptics/proxemics/kinesics, and voice. They will all overlap and the sheer variety and possibilities are way too broad for me to capture every facet.

Costumes and Wardrobe

In the film Fellowship of the Ring, there’s a blink-and-you’ll-miss-it moment where, after Boromir is slain by the Uruk-Hai, Aragorn takes Boromir’s Gondorian vambraces to wear in his honor, and in honor of their shared country. He wears them the rest of the trilogy. The editing pays no extra attention to them beyond a split second of Aragorn tightening the straps, it never lingers on them, never reminds you that they’re there, but they kept it in nonetheless. His actor also included a hunting bow that didn't exist in the book because he's a roamer, a ranger, and needs to be able to feed himself, along with a couple other survival tools.

Aragorn wears plenty of other symbolic bits of costume – the light of the Evenstar we see constantly from Arwen, the Lothlorien green cloaks shared by the entire Fellowship, his re-forged sword and eventual full Gondorian regalia, but all those are Epic Movie Moments that serve a thematic purpose.

Taking the vambraces is just a small, otherwise insignificant character moment, a choice made for no other reason than that’s what this character would do. That’s what makes him human, not an archetype.

When you’re writing these details and can’t rely on sneaking them into films, you have to work a little harder to remind your audience that they exist, but not too often. A detail shifts from “human” to “plot point” when it starts to serve a purpose to the themes and story.

Inconsequentiality might be how a character ties, or doesn’t tie their shoelaces, because they just can’t be bothered so they remain permanent knots and tripping hazards. It might be a throw-away line about how they refuse to wear shorts and strictly stick to long pants because they don’t like showing off their legs. It might be perpetually greasy hair from constantly running their fingers through it with stress, or self-soothing. A necklace they fidget with, or a ring, a belt they never bother to replace even though they should, a pair of lucky socks.

Resist the urge to make it more meaningful than “this is just how they are”. If I’m using the untied shoelaces example – in Spiderverse, this became a part of the story’s themes, motifs, and foreshadowing, and doesn’t count. Which isn’t bad! It’s just not what I’m talking about.

Personality

In How to Train Your Dragon, Toothless does not speak. All his personality comes from how he moves, the noises he makes, and the expressions on his face. There’s moments, like in the finale, when his prosthetic has burned off and Hiccup tells him to hold on for a little bit longer, and you can clearly see on his face that he’s deeply uncertain about his ability to do so. It’s almost off the screen, another blink-and-you’ll-miss-it moment. Or the beat of hesitation before he lets Hiccup touch him in the Forbidden Friendship scene. Or the irritated noise he makes when he’s impatiently waiting for Hiccup to stop chatting with his dad because they have a giant dragon to murder. Or when he slaps Hiccup with his ear fin for flying them into a rock spire.

None of those details *needed* to exist to endear you to his character or to serve the scenes they’re in. The scenes would carry on just fine without them. He’s a fictional dragon, yes, but these details make him real.

Other personality tics you could include might be a character who gets frustrated with tedious things very quickly and starts making little inteligible curses under their breath. Or how they giggle when they’re excited and start bouncing on their toes. Maybe they have a tic where they snap their fingers when they’re concentrating, trying to will an idea into existence. Or they stick their tongue out while they work and get embarrassed when another character calls them on it. They roll around in their sleep, steal blankets, drool, leave dishes in the sink or are neurotic with how things must be organized. They have one CD in their car, and actually use that CD player instead of the phone jack or Bluetooth. They sing in the shower, while they cook, or while they do homework, no matter how grating their voice.

They like the smell of new shoes or Sharpies. They hate the texture of suede or velvet or sticky residues. They never pick their socks up. They hate the overhead light in their room and use 50 lamps instead. They hate turning into oncoming traffic or don’t trust their backup camera. They collect Funko Pops and insist there’s always room for more.

And about a million others.

Beliefs, Behaviors, and Superstitions

*If you happen to be writing a story where superstitions have merit, maybe skip this one.* Usually, inevitably, these evolve into character centerpieces and I can’t actually think of one off the top of my head that doesn’t become this beyond the ones we all know. A few comedic examples do come to mind:

The Magic Conch in “Club Spongebob” and the sea-bear-proof dirt circle in “The Camping Episode”

Dean Winchester’s fear and panic-driven actions in “Yellow Fever” and “Sam, Interrupted”

The references to the trolls that steal left-foot socks in How to Train Your Dragon

I’m not a fan of wasting time writing a religious character doing their religious thing when Plot Is Happening, but smaller things are what I’m talking about. Like them wearing a cross/rosary and touching it when they’re nervous. Having a specific off-beat prayer, saying, or expression because they don’t believe in cursing.

The classic ones like black cats, ladders, broken mirrors, salt, sidewalk cracks can all be funny. Athletes have plenty, too, and some of them, particularly in baseball culture, are a bit ridiculous. Not washing socks or uniforms, having a team idol they donate Double Bubble to and also rub their toes. A specific workout routine, diet, team morale dance.

Other things, too. A character who’s afraid to go back downstairs once the lights are off, or fear the basement or the backyard shed. Or they’re really put-off by this old family photo for no reason other than how glassy their eyes look and it’s creepy. They like crystals, dreamcatchers, star signs, tarot, or they absolutely do not under any circumstances.

They believe in all the tried and true ways of predicting the weather like a grizzled old sailor. They believe in ghosts, vampires, werewolves, witches, skinwalkers, doppelgangers, fairies. They talk to the cat statue in their kitchen and named it Fudge Pop. They whisper to the spirit that possessed the fridge so it stops making all that racket, and half the time, it works every time. They wear yellow for good luck or carry a rabbit’s foot. They’re not religious at all but still throw prayers out to whoever’s listening because, you know, just in case. They sit by their window sill and talk to the moon and the stars and pretend like they’re in a music video when they’re driving through the city in the rain.

Haptics, Proxemics, and Kinesics

These are, for all you non-communication and psych majors out there, touch and physical contact, how they move, and how they move around other people.

Behold, your shipping fodder.

Two shining examples of proxemics in action are the famous “close talker” episode of Seinfeld (of which every communication major has been subjected to) and Castiel’s not understanding of personal space (and human chronemic habits) in Supernatural.

These are how a character walks, if they’re flat-footed, clumsy, or tip-toers. If they make a racket or constantly spook the other characters. If they fidget or can’t sit still in a seat for five seconds, if they like to sit backwards or upside down. How they touch themselves, if they do a lot of self-soothing maneuvers (hugging themselves, rubbing their arms, touching their face, drawing their knees up, holding their neck, etc) or if they don’t do any self-soothing at all.

This is how they shake hands, if they dance while they cook or work. It’s how much space they let themselves take up, if they man-spread or keep their limbs in closer. How close they stand to others or how far. If they let themselves be touched at all, or if they always have their skin covered. If they always have their back to a wall, or are always making sure they know where the nearest exit is. If they make grand gestures when they talk and give directions. If they flinch from pats on the back or raised hands. If they lean away from loud voices or project their own. If they use their height to their advantage when arguing, puff their chest, square their shoulders, put their hands on their hips, or point fingers in accusation.

If they touch other characters as they pass by. If they’re huggers or victims of falling asleep on or near their comrades. If they must sleep facing the door, or with something solid behind them. If they can sleep in the middle of a party wholly uncaring. If they sleepwalk, sleeptalk, migrate across the bed to cuddle whoever’s nearest with no idea they’re doing it.

If they like to be held or like to hold others. If they hate being picked up and slung around or are touch-starved for it. If they like their space and stick to it or are more than happy to share.

Do they walk with grace, head held high and back straight? Or are they hunched over, head hung, watching their feet? Are they meanderers or speed-walkers? Do they cross their arms in front or lace their hands behind them? Do they bow to authority or meet that gaze head on?

I have heard that Prince Zuko, in Last Airbender, is usually drawn sleeping with his bad ear down when he doesn’t feel safe, like on his warship or anywhere in the Fire Nation, or on the road. He’s drawn on his other side once he joins the Gaang. In Dead Man’s Chest, just before Davy Jones drives the Flying Dutchman under the waves, two tentacles curl up and around the brim of his hat to keep it from blowing off in the water.

When they fight, do they attack first, or defend first? Do they touch other characters’ hair? Share makeup, share clothes? Touch their faces with boops or bonks or nuzzles and eskimo kisses? Do they crack their knuckles and necks and knees?

Do they stare in baffled curiosity at all the other characters wholly comfortable in each other's spaces because they can’t, won’t, or don’t see the point in all this nonsense? Do they say they’re happy on the outside, but are betrayed by their body language?

Voice

Whether or not to write an accent is entirely up to you. Books like Their Eyes Were Watching God writes dialogue in a vernacular specific to its characters. Westerners and southerners tend to be written with the southern drawl or dialect, ripe with stereotypical contractions. Be advised, however, that in attempt to write an accent to give your character depth, you could be instead turning off your audience who doesn’t have energy to decipher what they’re saying, or you went and wrote a racist stereotype.

Voice isn’t just accent and dialect, nor is it how it sounds, which falls more solidly under useful character descriptions. Voice for the sake of humanizing your characters concerns how they talk, how they convey their thoughts, and how they become distinct from other characters in dialogue and narration.

If you’re writing a narrative that hops heads and don’t want to include a big banner to indicate who’s talking at any given time, this is where voice matters. It is, I think, the least appreciated of all the possible traits to pay attention to.

First person narrators have the most flexibility here because the audience is zero degrees removed from their first-hand experiences. Their personality comes through sharply in how they describe things and what they pay attention to.

But it’s also in what similes and metaphors they use. I read a book that had an average (allegedly straight) male narrator going off and describing colors with types of flowers, some I had to look up because I just don’t know those off the top of my head. My immediate thought was either this character is a poorly written gay, or he’s a florist. Neither (allegedly), the writer was just being too specific.

Do they have crutch words they use? like, um, actually, so…, uh

Or repeat exclamations specific to them? yikes, yowzers, jeepers, jinkies, zoinks, balls, beans, d’oh!

Or idioms they’re fond of? Like a bat out of hell. Snowball’s chance.

Do they stutter when they’re nervous? Do they lose their train of thought and bounce around, losing other characters in the process? Do they have a non-Christian god they pray to and say something other than “thank God”? Are they from another country, culture, time period, realm, or planet with their own gods, beliefs, and idioms?

When they describe settings, how flowery is the language? Would this grizzled war hero use flowery language? How would he or she describe the color pink, versus a PTA mom? Do they use only a generic “blue, green, red” or do they really pay attention with “aquamarine, teal, emerald, viridian, vermillion, rose, ruby”?

How do this character’s hobbies affect how well they can describe dance moves, painting styles, car models, music genres?

This mostly matters when you’re head-hopping and the voice of the narrator serves to be more distinct, otherwise, what’s the point of head-hopping? Just use third-person omniscient.

If you really want to go wild, give a specific narrator unique syntax. Maybe one character is the ghost of Oscar Wild with never-ending run-on sentences. Just be sure to not go too overboard and compromise the integrity of your story.

In the book A Lesson Before Dying, a somewhat illiterate, underprivileged and undereducated minor has been given a mentor, a teacher, before they face the death penalty. At the end of the book, you read all of the letters they wrote to their teacher. There’s misspellings everywhere, almost no punctuation, and long, rambling sentences.

It’s heartbreaking. The subject matter is heavy and horrible, yes, but it’s the choice to write with such poor English that has a much bigger impact than perfect MLA format.

How to implement these details

Most of these, in the written medium, need only show up once or twice before your audience notices and wonders why they’re there. Most fall squarely under character design, which falls under exposition, and should follow all the exposition guidelines.

These details exist to be random and fluffy, but they can’t exist randomly within the narrative. If you want to have your character be superstitious, pick a relevant time to include that superstition.

Others, like ongoing speech habits or movements, still don’t overuse, especially if they’re unique. A character might like to sit backwards in a chair, but if you mention that they’re doing it every single time they sit down, your audience will wonder what’s so important and if the character is unwell.

And, of course, you can let these traits become thematically important, like a superstition being central to their personality or backstory or motivation. These all serve the same purpose of making your character feel like a real person instead of just a “character”.

Just think about tossing in a few random details every now and then and see what happens. One tiny sentence can take a background character and make them candidates for the eventual fandom’s fan favorite. Details like these turn your work from “This a story, and these are the characters who tell it” into “these are my characters, and this is their story.”

#writing advice #character design #writing tips #writing resources #exposition #writing tools #writing a book

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catboybiologist · 8 months ago

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did you really write a 10-paragraph long shitty fanfiction about taylor swift? and then acted like it was some kind of own? as if anybody cares?

blondie derangement syndrome is about to become a brand new diagnosis in the DSM-6 with how obsessed you losers are with her...

anyways, you're just jealous because taylor is ACTUALLY a woman and you ain't.

your ugly frizzy brown hair just doesn't compare to taygod's shiny moisturized blonde hair, peasant. 😘

keep taylegend's name out of your mouth if you know what's good for you.

Oh! Right, I should clarify. I don't care about TS, or making fun of her, she's just one more milquetoast pop star among the rest, and that post was the first time I thought about her in years.

It is, however, objectively funny to make fun of Swifties themselves, especially when you provide additional comedy like this in my ask box 😘

#cw transphobia #cw taylor swift #also this reads fully as a nonserious troll but its funnier to treat it seriously #like seriously who tf writes the word “taylegend” and doesnt immediately regreat their life choices

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onceuponaoneshotfanfic · 2 years ago

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hiya, can you write something fluffy with Roy Kent where he’s dating an author and he wakes up to her not being in bed beside him, he gets up and sees her still working at her desk in her office, so he does something like hugs her from behind but he gets a glimpse of the book she working on and it’s based of there love story (someone falling in love with a grumpy but secretly loveable footballer) ❤️❤️

Happily Ever After

Roy Kent x Reader

0.7k words

Warnings: Language

Ahh I loved this!!! Bonus points if anyone can peep the Taylor Swift reference I threw in there!

Roy turned over and stretched out his arm. Eyes still closed, he frowned when he grabbed a handful of sheets. He took a peek at the clock on his nightstand; it was one in the morning. You should be in bed; you’d said you’d be finished after one more paragraph.

With a hmmph, Roy hauled himself out of bed and shuffled down the hallway. Sure enough, he saw the light on in your office and heard the clickclickclick of your keyboard. Stifling a yawn, he leaned in the doorway and watched you.

There you were, wearing shorts and one of his old Chelsea jerseys, your hair tied up sloppily. He loved it when you got like this, all focused and typing away. Even with your back to him, he knew your nose was scrunched in concentration and you were chewing on your bottom lip. He stifled a chuckle when you tilted your head to the side- an adorable habit you vehemently denied doing every time he pointed it out.

Doing his best to keep quiet, Roy strolled across the room, relishing the small squeak that came out of your mouth when he wrapped his arms around you.

“How’s it going, Shakespeare?” he hummed, planting a kiss on your cheek.

You laughed and leaned your head against his. “Good. I’m on a roll, actually.”

Roy smiled. “I noticed. It’s past one.”

“No way.” Your eyes widened as you looked at the clock on your computer. “Fuck, I’m sorry. I didn’t wake you up, did I?”

He quickly shook his head. “Not at all. Just, I don’t fucking know, missed you.” He glanced at the computer screen. “What’re you working on anyway?”

Your hands covered his eyes as you laughed. “Oh no! You can’t see!”

With a growl, Roy pulled your hands down. “Come on. Let’s have a look.”

Face burning, you knew there was no point in arguing. It wasn’t like you could ever say no to Roy when he looked at you with those sleepy eyes. He’d given you those same eyes the night he rolled over in bed and asked you to move in with him. Or when you woke up to him gazing at you, just before he told you he loved you for the first time.

Now those sleepy eyes trailed down the computer screen, taking in the words you’d been working on all night. You chewed your lower lip, a bad habit that had you buying ChapStick far too often, as you watched for his reaction. The reason you’d been up so late was because you had finally gotten to your favorite part of any story: boy gets girl back. You were a sucker for declarations of love, runs through the airport, kisses in the rain, all that cheesy stuff that made Roy roll his eyes playfully.

But he didn’t roll his eyes this time. Instead, he smiled as his cheeks reddened. His breathing slowed and he let out a little hum as he read before finally turning back to you.

“Is this about us?”

His face shone with amusement as he waited for the answer. As if he needed you to confirm it. Your book, which you’d avoided talking too much about, even with Roy, was about a writer and a grumpy footballer. The scene he’d just read concluded in a heated kiss on a football pitch.

“Yeah,” you murmured, ducking your head. “I mean, it’s inspired by you, I guess.”

A breathy chuckle escaped Roy’s lips as he squeezed you tight. “Fuck. I love it.” He kissed your temple. “You’re so fucking talented. What a mind.”

You shook your head, embarrassed by the praise. “Roy-”

“No,” he insisted, tilted your face towards his. “You are fucking amazing. You see a blank page on your computer, and you create an entire world. You make people feel things with your words. Fuck, no wonder your publisher’s been hounding you for this thing. It’s going to sell even more than your last one.”

The sincerity in Roy’s face eased the tension in your shoulders. Sometimes, you felt silly with the things you wrote, all romance novels and fluff. You wondered if Roy actually liked reading it, or if he just did it because he was your boyfriend and it was his job to be supportive. But seeing the pride on his face as he spoke, you knew. This wasn’t boyfriend duty. He really meant it.

He picked up the laptop and shrugged towards the door. “Come on. You can read me some more of this in bed. I want to know what happens after the happily ever after.”

You smiled as he led you down the hall, back to your room. What happens after happily ever after? You were living it.

#request ❤️#he's here he's there he's every fucking where #roy kent #roy kent fanfiction #roy kent fic #roy kent fluff #roy kent fanfic #roy kent x reader #ted lasso #ted lasso imagine #ted lasso fic #ted lasso fanfic #ted lasso fluff

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thatfrenchacademic · 7 months ago

Text

OK so about this "34, unmarried and childless" article about Taylor Swift. Let me tell you about Scam Academia.

TL;DR: some mediocre dude had a half baked opinio nabout Taylor Swift that everyone hated, but like Mother Nature I let nothing go to waste.

Here is the take you have not heard yet, about this opinion: this guy is actually a good case study on how to develop your academic literacy, aka how to recognize a true academic from a scammer who presents themselves as an academic, but is just a crook. In a world of pseudoscience and pretend experts that have enough resources to organize their flat earth conference, let me walk you through the world of Scam Academic, where for a few thousand dollars, you too can claim to be a researcher with a doctorate! Follow me down a rabbit hole that I hate with my whole heart!

Preamble: I have zero skin in the TS game. I don't get the hype, the lore, the obsession with those 2000s bracelet or dissecting every single line or every single song.

But then. Some guy had to write an op-ed stating Taylor Swift was not a good role model for girls ("in the US and beyond"), and it is a terrible take on so many level, but here is the thing. Whiny conservative think-pieces about highly successful women who should get back to the kitchen and think of the children are nothing new. But this one is different.

This one is fucking terribly written. It's just an abysmally written blog post. Genuinely one of the worst thing I have ever read, and I read hundreds of undergrad essays every year for a living. It contradicts its own arguments in every paragraph. It over-explains concepts like it's a high school essay and he's trying to meet the word count. It says "this is a valid question worth asking" but does not actually explain why it is worth asking. It is so, so, so bad.

Conservative writers are usually more the "high brow, drowning you in grandstanding" kind of writers. They are, usually, good technical writers - it's the one thing that helps make their talking point sound legit and palatable. So an abysmally bad conservative writer? Ok, I am intrigued.

The author is one John Mac Ghlionn. I look up the guy on Google and...

Oh.

Oh no, John.

Spewing conservative bullshit at women AND a researcher? You're in my turf now, John. You could have continued to cover UFC Pillow Fight Championships, or alien technology and other riveting subjects, but you had try to connect two brain cells to argue a thing, and slap "researcher" on top of it. Now I'm offended, as a researcher.

1. I am sorry, researcher WHERE?

Ok so if one is a "researcher", it means one conduct "research". and contrary to what backyard conspiracy theorists think, "researcher" is an actual job. It is an actual professional occupation. You get an actual contract, and you are paid actual money. By an actual employer: public (University), private (Think tank, private company), or a mix of both (at Unviersity, but on a privately funded project, for example).

So where does our John Mc Ghlionn work?

Well. Nowhere, as far as I can tell.

John does not list any affiliation. Usually, when they write, academics will state their exact position (Researcher, Doctoral Researcher, Associate Professor, Chief Engineer, Head of Department, Research Director...) and where they work. For example:

That's what it is supposed to look like.

But John? Nope, no affiliation anywhere, on anything he ever published. That's a pretty massive read flag. Research takes ressources: at the very least, time and access to database and documentation, even in social sciences in humanities. You may not need a lab, but you sure as hell need money and full access to JStore at least.

So I thought he was just one of these "I google therefore I research" kind of dude. But then, out of nowhere:

I am sorry. He has a WHAT.

2. I am sorry, a Doctorate from WHERE?

So. One thing to claim to be a researcher when you are just a professional yapper. Another to claim a DIPLOMA.

And not any diploma. A doctorate.

Let's pause. "Doctorate" is actually a really broad umbrella term of all doctoral-level degrees. The most famous (and most prestigious, for better and worse) is the PhD, but a PhD is technically just one of many Research Doctorate of, theoretically, the same level (cue this helpful reddit post). A second category of doctorates are the Applied Doctorates, and while there is Discourse on where they sit vis-a-vis PhD, the easiest is to consider that they are not research-oriented. They are hands-on, practice-oriented degrees. For example: you can practice medicine with an MD. You don't need a PhD. You can still call yourself a doctor, though.

Alright, so which of these does our friend Johnnie has? Or is currently enrolled in? And in which University?

You will notice that John does not go by "John Mac Ghlionn PhD" or even "Dr John Mac Ghlionn", when you just KNOW he is the sort of person that would but that shit everywhere. And no shade here, because I, for one, do put that shit everywhere. Maybe he is just currently enrolled in a program and has not graduated. Fair.

Since John does not list affiliation, I had to switch from academic to internet sleuth, and dig out this article:

But we learn that in 2021, John was a "PhD Scholar" in "Parkmore Institute". "PhD Scholar" is not a title I am sued to, but it's also not raising any red flag: ongoing PhD researchers can be "PhD students", "PhD fellows", "PhD researchers"... It varies from country to country and from institution to institution, so why not "PhD Scholar".

Let's check out the Parkmore Institute.

Ok, they are not a traditional university, but they appear to be more of a postgraduate institution: offering only higher level degrees, not undergrad courses. Once again, not necessarily a red flag. They are usually very heavily research focused, and embrace the "research" side of academia more than the "teaching" side. In Germany, the Max Planck Institutes are research-only institutions who deliver PhDs. They conduct cutting edge research, in part because their researchers rarely have to spend time teaching.

But that is NOT the Parkmore Institute. First of all, let's see what programs they offer:

None of them are legit.

And I mean, none of them are recognize as even Applied/Professional Doctorate by the National Science Foundation (US based). And while a PhD in Human sexuality would be perfectly valid, but I'm going to on a limb and say I have some serious doubts about "Bodymind Healing" as an academic field.

These are not legit academic degrees.

What they are, is an excellent money-making opportunity for anyone working at the Parkmore institute. Students will pay, at the very least:

And 60% of this goes to their " faculty mentor". The Parkmore institute provides no research fund, no desk or office space (they are entirely digital), no access to any resources or library, not even a Zoom account. There is also no mention of any timeline: how long a PhD take to complete? Who knows. 6 months ? A year ? 5 years? What are the requirements to graduate ? Who knows ! And I would need to pay $200 to get in touch with them, so I sure as fuck won't know any time soon!

But let's get back to our friend John. Remember that he stated, in that 2021 publication, he was a "PhD Scholar" at Parkmore ? Well that's a shame because Parkmore does not deliver PhDs. Ain't that a bitch.

ALSO. Parkmore helpfully has page with all their Doctoral Recipients! And guess who is NOT HERE ! That's right, our Johnnie !

How can this be ? Well, three possibilities:

John is still not done with a PhD. After 4 years ? In a crank university where I am pretty sure I can submit the first draft of a litt review and graduate ? Nah

John never completed the thing. Boo, that would mean that John is lying, when he says he has a doctorate. Bad, bad.

John did graduate, and obtained his doctorate in [scrolls back to check] psychosocial studies, and then was not put on the website or was withdrawn some time before today, as Parkmore institute ended their affiliation with him, as per this bit in their application form

A shame, really. If John had been affiliated with the Parkmore Institute, it would give a shred of legitimacy to anything he writes to anyone just skimming.

Now, I would love to get in touch with the Parkmore Institute and ask to see John's doctoral work, which they DO have, since the application for also has this very interesting section:

(definitely very legit, very normal).

But I am not sure how I would even phrase that request without transparently going

"hey, would love to see what bullshit research is being done over there, since one of your graduate decided to go all Handmaid's tale for the last 2 years".

If anyone feels like sending that email, I am begging you to keep me in the loop.

3. Back up, back up, what's up with that article?

Remember the article where he was listed as a "PhD Fellow"?

Well, about that... No. Welcome to the world of predatory publishing, one more cog in the Bullshit Academic ecosystem.

First: not at article. It's a "commentary". Could be worth something ia good journal, but still would not be a piece of research. But that is the least of its sins.

Its sins are being published in a journal called "Sociology and Criminology-Open Access", by a publisher called "Longdom". Longdom publishing has a bunch of journals on a lot o different fields, with the particularly of being predatory; they will publish absolutely anything you send them, as long as you pay their Article Processing Charges:

There are entire lists of Predatory journals on the web, you can find on here and another here , Longdom Publishing is in both.

This is how John can publish this last minute, Redbull-and-weed-induced essay in an actual journal, with an abstract that, I kid you not, finishes with "Please find the paper attached." He slapped together a shitty essay about people in India are poorer and therefore more likely to exhibit psychopathic traits and therefore engage in corruption, purely base on vibes. It does not even deserve be given any consideration, not even to be debunked. There is nothing to be debunked. This would be a failing grade for a 1st year intro class.

CONCLUSION

On the surface, John Mac Ghlionn is the poster boy of failed edgelords who really wish they were Jordan Peterson, but unfortunately are just Doug, the guy for 10th grade who failed the Literature class and decided it was because litterature was too woke today anyway.

Beneath the surface, John is a case study in Scam Academia, and the proof that no matter how bad actual academia is, Scam Academia can always get worse.

A quick checklist to go through whenever someone claims be a researcher, an academic, a fellow, a doctor, a PhD or anything of the sort:

What is their affiliation? Is this a legitimate organization?

Do they have a PhD? Another doctorate degree? From where?

Have they published ? Where is it published?

#send this to the ts tag because academic literacy is for everyone #taylor swift #but also the usual ones #academia #studyblr #phdblr #gradblr #this is probably full of typos but I cannot be bothered to correct them now

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crumblinggothicarchitecture · 9 months ago

Note

I read your fake smart-girl coded Taylor Swift post. Ended up on my feed because it was tagged philosophy. It was long enough that I caught a few words and actually read it. Honestly thought it was satire until I read your answers to other people.

I do not care about TS. But I do care about philosophy. You have a degree in it ? Funny, I have one too. You've read Aristotle ? I did too. But did you read though ? Did you really get into philosophy, and heard what the people you, I'm sure, can quote really well, actually said ? Because what it looks like, is that you got a degree in philosophy, but did not get philosophy at all. What makes me say that ? Your attitude, and that paragraph :

"Also, for the record, I don't think Taylor Swift knows anything of substance about Aristotle. I, on the other hand, took a three-hour long oral exam over Aristotle's life work while out-of-my-mind-high on Dayquil and pain meds after a surgery. I got an "A", and, somehow, I lived through that, I doubt the validity of Swift's claims to know anything at all about philosophy. Especially, considering how all her songs are about as deep as a puddle. "

Sounds like you're here to show off, and to make yourself look like something, without having a clue what it means to have the inclination of a philosopher. Or you know what it means, and you've lost it somewhere along the way.

If you've studied philosophy, and actually took time to read and understand the words of philosophers, you know not one of them would condone your attitude, the way you use their names, the way you're making your arguments. Having an A for an exam on Aristotle does not guarantee that you'll be able to make good arguments for the rest of your life. Nor does it guarantee that you understand his work, or are good at philosophy. It just means that, at one point, on a very specific part of Aristotle's work, you had enough knowledge to be rewarded with a good mark. It stops there. It does not mean anything else. Even if it was for your master's thesis. Sure, you know more than TS about philosophy and she fakes knowledge in her songd, but is showing off your grade and putting yourself as the center point of your argumentation the best way to convey that message ? No. You're trying to put her down by putting yourself above others. To anyone with a sense of philosophy, it just looks like you're a student who never understood the works he/she read, and focused on grades and others' approbation instead.

You care about your degree ? Re-read the books and make use of your ability to understand them. Not as a way to show off, but as a way to lean into the attitude a philosopher might have.

You write posts using philosophy ? Make it palatable to others, and show its uses. Be humble. Same thing for literature. The people whose books you read, they want knowledge to be spread. Studying philosophy should have, at the very least, helped you see that. The degree you got is here to push you to continue doing what all previous philosophers and writers did before you got to read them. Otherwise, your degree serves no purpose, other than satisfying your ego. At least, that's how it looks in that post.

Anyway, it'd just be nicer if you used your degree to show the benefits of philosophy, rather than to stroke your ego. Think about Socrates for a while. He asks questions, he makes simple arguments, he rarely talks about himself, he wants others to learn. That's the idea. Not showing off. Not being an ass to a girl you've never met. But being open for discussion, and make sound arguments, for others as well as yourself. What was the point of you fixating on the misuse of 'soliloquy' ? What did it bring to others ? And your anger towards TS, why ? Why write a whole post about it, shove it in her fans' face, what's the point ? Did anyone get anything positive from that ? And why bring your degrees and grades into the mix ? Anyone can make an informed and sound argument, even without a degree. What did it give you to say all those things ?

Fyi, I was taught philosophy in France. I know people in America and the likes get taught philosophy differently than how its done here. Wouldn't be surprised if there was a cultural difference in the way we understand the discipline. I've got a master's degree in the subject, and six years of study under my belt, if that matters to you. Was top of my class also. And I've lived with a philosophy teacher for eight years, too. In case you try saying I have no place speaking about philosophy the way I do.

There is barely anyone who gives a damn about philosophy. You're one of the few who cared about it enoigh to study it. Make good use of your degree, and don't be an ass to others.

Let me give you a piece of my mind, because, honestly, my dear friend, what are you doing?

Is this some kind of moral flex in which you prove to be the better person because you’ve never implied that there’s no way a certain person knows anything about Aristotle? You want to seem like the better person, because I took one single cheap-shot at Taylor Swift’s intelligence amid a full literary explanation as to why she is using a specific term wrong? Are you joking? You want to call into question my entire education? Because I said Taylor Swift is not as “deep-thinking” as she claims? Okay, yeah... you’re right I guess that makes my entire education invalid. My bad. I’ll go rip up my degrees.

First of all, let’s address your arrogance. You write, “Sounds like you are trying to show off, and to make yourself look like something, without having a clue what to means to have an inclination as a philosopher” (para.4) in response to me saying Taylor Swift probably doesn’t know anything about Aristotle. Yeah, obviously that line is a quick jab at Taylor Swift. So, what? Am I writing an essay? No. Am I writing a journal article? No. Am I writing to a conference committee with a submission of my finest work? NOpe. I’m saying that I would bet money that I know more about Aristotle while suffering the effects of surgery-induced delirium. It’s not that deep. It’s not meant to be a deep, philosophical take on the nature of Taylor Swift’s work. I’m throwing a metaphorical tomato at her, while yelling “boooo.” So, what? You say, “Play nice.” No. Taylor Swift is not my student, nor my friend. I, thus, have no obligation to try to teach, guide, or help Taylor Swift understand anything. I’m not her philosophy teacher, and, you know what, I don’t think she cares about philosophy at all. You know why she name-dropped Aristotle? It rhymes with “full-throttle” and “Grand Theft Auto” (Swift “So High School”). I’m laughing at her so-called poetical lyricism. In the same breath, I’m judging her for relegating Aristotle to a cheap throw-away line in a dumb pop-song in which she sings about how her football boyfriend makes her feel like she’s 16 again. It’s so mind-numbing.

I’m sad. It’s not anger that compels me, but sadness and disappointment. I’ve been a fan for nearly 15 years and my original post came from lamentations about outgrowing an artist I once respected. Granted, I might have been angry while writing that post (sue me about it).

I do respect Taylor Swift’s work enough to criticize it, however, do not twist my words to mean that as an attack on her personally. I do not wish harm to other human beings, yet it is worth noting that I talk in many other posts about my disgust towards her immoral actions. Even still, most of my posts about Taylor Swift are linguistic or literary criticisms meant to help me process this absolute let-down of an album. I’m also just practicing my literary criticism abilities (I start Grad School in like 2 months, so I’m trying to keep my skills sharp). It’s all low-stakes. And, you’re mad at me? You think I’m being mean? Why? You think that I’m “being an ass to a girl [I’ve] never met”? (para. 8). Taylor Swift is not a girl, first of all, she is older than me and I’m a grown woman. She is way richer, and way more powerful too. What is your point?

Let’s talk about the next line in question: “What is the point of you fixating on the misuse of ‘soliloquy’? What did it bring to others?” I’m fixating on the term soliloquy because Taylor Swift has been using this faux literary/ dark academia aesthetic to sell her records for years now. She’s wears “my coat” (if you catch my meaning). She’s using my real-life study as a way to sell shoddy, sloppy records. I’m going to call that out. Despite her using all the aesthetics of academia, she’s not intelligent enough to even just use the term soliloquy correctly. I noticed it right away, and so did many others. If she can’t even get small details correct about literature, why should I believe that she even knows anything about literature at all? It destroys her creditability. I’ve taught students the term ‘soliloquy” as high school kids. It’s not too much to ask for the biggest pop star in the world, and someone who claims the title of “good” writer, to teach herself what a soliloquy actually is before using it in a song just because it sounds similar to “sanctimonious.” If it’s wrong, she’s just wrong. She could have hired an editor. Now, I won’t go into the context of the line here, too much, but the whole line is her calling her audience a bunch of sanctimonious morons who are talking to themselves. (Is Taylor Swift playing nice enough for you? I wonder....)

Let’s move on.

Now, let’s talk about your concept of “inclination of a philosopher.”

You are correct in saying that often teaching Philosophy varies remarkably from country to country. I was weaned on the analytic philosophy, whereas I believe the French are more continental. (Correct me if I am wrong.) So, the effect of this is that I am obviously quite blunt and fond of Aristotelian logic. Who doesn’t love a good syllogism? A funky little linguistic proof? Yes? Still, I must remind you that I wasn’t really making an argumentative point about actual philosophy in relation to Taylor Swift.

To the crux of the issue, however, I must say that I was actually showing the inclination of philosophy by correcting the intrinsic flaws of the songs I disliked so much. What is philosophy if not the spirit of seeking truth and wisdom? Critique and analyzing poetical works often tie directly into the philosophical field of aesthetics wherein the goal is true, fruitful, understanding on how literary devices and aesthetic representation actually function. If anything is also in effort of seeking truth, surely, you see that critique and correction is? And asking for better workmanship? I was only mad, because mining Taylor Swift work for aesthetic meaning is like searching for Gold in a parking lot. : (

Next point: “to anyone with a sense of philosophy, it just looks like you’re a student who never understood the works they read, and focused on grades and others’ approbation instead.”

First of all, this is rude. You don’t know me. You read my honest, brief anger, that I managed to condense into a couple lines in one single tumblr post, and that gives you the audacity to say I’m a bad student who sought grades above all else? Yeahhhhhhhhhhhhhhh................. Okay, tell me why I spent hours in study rooms and sent countless emails begging for guidance through things I didn’t understand. Tell me why, I’ve stood in front of people and blatantly admitted that I did not understand the readings. Learning takes time, and there is no shame in taking your time. Grades are just letters. What matters is how the strength of what you learn impacts how you act in life. I’ve learned my lessons with all the ferocity of a child falling down a hill and running back up it again. I know my own intentions, and you don’t. I mentioned my "A" in the post really just to lend credibility, through professorial authority (lol), to the fact that I think Taylor Swift is fake smart.

Next: SocRaTeS? You're Joking! What is he doing here?

In an eternal quest for my own understanding, I often returned to Socrates. Did you not see my profile picture? Socrates is my homeboy. If ever I get to choose how to die, I will die like Socrates. Willingly, and with a full-bodied credulity of my own philosophical stances.

You say, “Think about Socrates for a while. He asks questions, he makes simple arguments.” First, he does not make simple arguments. Is it not a syllogism? He writes full dialectical structures. This is some of the most complex stuff I have ever read. Let’s talk about why: Over the centuries, we’ve come to call it the Socratic method. This method includes discursive questions meant to make people question not only others on their reality but to question the most internal mechanisms of the mind. It asks them to think about why we believe or hold the beliefs that we do. He, famously, likens it to a child's development in the womb. The questions are meant as an external way to engage with mechanistic development of thought itself- thus we untangle the dangerous thread of rhetoric internal to our own rational minds. It’s a type of meta-analysis of the self-more than it a simple game of question and answer. Like children from the womb, according to Socrates, we must develop our rational minds too. And, above all else, the Socratic method seeks truth.

Socrates would approve of my literary criticism of Taylor Swift, because I am using it to seek a higher truth. And, in some way, I am inversely questioning my own reasons for seeking what I do. I enjoy poems for a reason. I like to ask myself why I like what I do, and what meaning it brings through my unique perspective. (Applied to others as well, I love to hear from others). I critique Taylor Swift not because I hate her, but because I want to engage with the aesthetic qualities of the material world that elevate my ability to empathize, to think, to engage, to feel the world around me. I love art. I love reading, I want people to write with intelligence. You know then, the soul-crushing feeling of realizing an artist is actually bad. She rhymed Aristotle with Grand Thef Auto... Socrates himself would shudder. Socrates would also recognize that aesthetic quality ought to undergo critique and beauty interrelates to moral value. He was of the belief, and I dare say I believe it too, that beauty, aesthetic beauty, can be likened to moral value through the identification of ways in which it reveals the truth of our very souls. To him engaging with aesthetics is one way in which to reach out and connect the metaphysical to the material, in such awe-inspiring ways.

Ever been moved to tears by a painting? I have, but the question is WHY? That is why I critique literature, poetry, art... music. Whatever I can get my hands on really. I really want to find out, WHY? why was I crying in the Art Gallery, right next to the ice cream shop and everything.

You are perhaps right that I could make more of an effort to explain my points, and also the "moral of the story" or what I hope other people will take away from what I wrote. I’m only ever critical of something if I care enough to either love it or wish it was better so that I could love it. To be honest, I didn't think anyone would read my silly vent post about Taylor Swift, but here we are. I could do better. I usually save my real efforts for my published work, though.

And you, my dearest colleague, are apparently spineless. If your conviction on philosophy is that we must all be kind and precious to each other for fear of causing offense, then I think your career will sink like a rock. Socrates was mean as hell, though not spiteful or malicious. He was mean in the sense of asking people to take a good, long hard look in the mirror. I would ask Taylor Swift to look in the mirror too, but she has a whole song about how she’s not going to do that (Anti-Hero). As you see, I hope that I am not spiteful either. But I do want people to be better and make better art. Socrates would say the same. I say what I say and I mean it. Because I am desperate for something true and beautiful and real. There is no one on earth above reproach. There is no school of philosophy which suggests passivity is tantamount to intelligence. I will not be passive.

You say: “Make it palatable to others. Be humble”

How’s this for palatable: No <3. Why diminish myself? Why should I obfuscate and dance around my own hard-won intellectual skill? Why should I dumb it down? It is not egotistical of me to use my own skillset. Does a doctor not save lives? Do they apologize for using their skills? Does a mechanic not do the same? Does the poet not also do the same? What of the critic?

I can be humble, though. Humility is being self-aware enough to recognize that some might have a skillset more advanced than your own. I seek guidance and consistently challenge myself in academic endeavors. I can recognize the authority others have just as well as I can recognize my own authority. I will not, however, shrink down because you think I’m being too know-it-all-y.

Humility does not require that I speak only when choking back apologies for the audacity I have to speak. I am not sorry. I spent the last 6 years of my life working on two degrees while working 3 jobs. It was hard. I’m proud of myself. If someone feels upset that I speak about the field of study I have fought to participate in, well, I genuinely don’t know what to tell them. Intellect is not a threat (to most). I would say, “if you have a question, ask it.” I actually am very friendly despite my sharp tongue. I am a teacher to my bones <3 and I love my job.

Anyway, if I missed any of your points, misrepresented them, or offended you greatly- my inbox is always open. And I love a good, well-structured argument. However, next time can we talk about actual philosophy instead of you just attacking my character, thanks. <3 Obviously, I took offense. I think you meant to offend me though, for whatever reason. Really, I did go back and crack open a few books to write this, double check some things, so thank you.

Did you get your graduate degree in America? Would love to know. I am planning on getting another Master’s after I am done with this first one. I want to study aesthetics ( LOL).

Ps. Why can’t people show off? I love when people have a talent that they aren’t afraid to share.

#philosophy #anti taylor swift #ex swiftie #english literature #literary criticism #socrates #philosopher in training- dont worry about it #english lit student #academia #aesthetics #literary aesthetics

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taylortruther · 5 months ago

Note

also re: the racial component of TS/fan base, if you haven't you should watch Alex Avila's video on Taylor Swift, I think it was really well done

youtube

this is SO good. thank you SO much for this recommendation.

i really liked how avila noted how masterfully taylor blends authenticity and social normativity - "the reason taylor swift seems so authentic to young girls is because she's conforming to an image [of white patriarchal girlhood] that young women internalized from a young age." similarly, the popular feminism of 2014 (when 1989 was released) was flimsy and did not challenge patriarchal norms, and we see how she made feminism part of 1989's branding.

and he asks a question i often pose: is there anything subversive in idolizing the most popular cultural object? does poptimism (the critique of pop music as a serious form of art) simply reinforce existing power structures??

taylor swift and whiteness

understanding how someone becomes a legend and icon means understanding how they challenge, but also reinforce, the biases in society, which includes race, class, gender, and so forth. and "there IS something deeply white about [taylor's] image" (1:18:33). her image is cultural whiteness! taylor swift's relatability (which is and has always been part of her brand), her social capital, her social normativity, is directly tied to the neoliberal racial philosophy that, instead of calling whiteness superior, establishes whiteness as the norm (1:21:23).

millennials want celebrities to be morally pure. this is a mistake.

also - LOVE that he points out that millennials don't judge female celebrities by their sexuality or modesty anymore, but instead they judge based on political awareness, which is just another way of continuing the "patriarchal history of regulating narratives around women's actions" (1:42:39). avila focuses specifically on millennials here, cautioning us not to consider this a a sign of true political engagement from millennials. as he points out, systems of oppression adapt to our ever-changing culture. when we try to 'cancel' or 'hold a celebrity accountable' for their ideologies or missteps, sometimes it's because they're truly terrible, and other times it's because we hold women to "unrealistic standards of purity." ie, this isn't necessarily real political engagement, it is just another example of judging women. often it's both (pointing out missteps, and also being sexist.)

whiteness again

avila goes on to discuss how white women have long been held up as virtuous, moral centers of american families - and while this is a racist and sexist practice, given that woc aren't seen as virtuous, it also lays the foundation for why white women in particular dominate conversations about politics in the public sphere. it is an Event every time a white celebrity frames their political awakening as a personal, spiritual journey of self-realization. yes, this act is important, because women must learn about their own oppression, and talk about it, in order to educate others.

but when taylor (or any other famous white woman) frames politics solely through the personal, it relieves her of the obligation to critique systemic issues. her own political awakening is all that matters - she must prove her own political purity (instead of sexual purity, as before.) there is a deep problem in society demanding this, rather than larger systemic change, but we'll get to that later.

this personal political purity awakening earns her a lot of goodwill, but her resistance ends with herself. and this is a pattern that we see happen all the time, in what robin james calls "neoliberal resistance discourses" in pop: someone is damaged by oppression (sexism), she overcomes it brilliantly with an awakening (miss americana/lover/denouncing trump era), and she absorbs this goodwill into her brand. these individual damages and awakenings supposedly symbolize society's own awakening and resilience(!). (1:52:48)

🚨 some readers might be getting tired/annoyed at this; i can hear y'all saying "well, what do you even WANT from her omg!!!" just stay with me here. 🚨

she holds a mirror up to society, tho

what avila so brilliantly points out is that... this cycle of damages and resilience isn't helpful. it goes nowhere! and we are all at the mercy of the same patterns as taylor. it's not about taylor, it's about us, and how capitalism commodifies everything, including social movements! including personal 'goodness'! a neoliberal system wants individuals to care about their individual choices and looking like good individuals; it encourages the use of "purity tests" and "commodified algorithmic social movements" to discourage challenges to systemic issues (reminds me of the celebrity blackout situation earlier this year, and conversations we have about politics, well, daily on here.) and the pattern of a person failing politically as an individual is part of this machine. if we're too busy policing individuals for their purity, we won't ever organize together for shared material goals. unfortunately, unlike taylor swift, most of us are not extremely powerful, wealthy, and influential as individuals. she does have more power than us in this regard.

taylor as cultural hegemony

anyway, avila goes on to talk about how taylor had this musical renaissance with folklore, and became more honest about her masterminding her own career in midnights. she has shown herself not just to be a musical chameleon, but a cultural one as well, positioning herself as white teenage purity when the culture called for it (circa 2008-2010), neoliberal pop feminism (1989 -> lover), pandemic escapism (folkmore) - and the culture has become part of her brand, part of her music. music that is already heavily wrapped up in her own life. she is the brand she is the culture. of course she put the work in, and not just anyone could do this. but imo, her whiteness (which, again, gives her this "default" "neutral" background to work with) is part of this success. "sure, she's challenged the institution but all in the effort to become the new face of musical hegemony" (2:06:25.) she challenges systems to assimilate into them, or create them in a way that requires assimilation.

of course, this is all based on her REAL experiences, her REAL life. she is living her own life, and also living it in this metacognitive way that mirrors culture.

but we don't have to hate taylor, actually!

and MOST interestingly, avila closes out by suggesting: it's not actually super healthy to always be suspicious and critical of art (2:17:24.) yes, there is a long political history of "paranoid reading," of critique based on marx, freud, and nietzsche's philosophies. it is the basis of A LOT of our frameworks for thinking about the world, including art.

as i've said before, it's interesting to discuss taylor or celebrities because they hold a mirror up to society. but we can't just relentlessly critique ourselves - after all, the critique is supposed to protect us from being bad! the critique is what keeps us good! and it's why we project so much onto them (the celebrities, or "bad" people.)

this video dove into a term that may be new to a lot of people (i only learned of it recently) - "reparative reading." rather than relentlessly critique art or what-have-you, engage with it in ways that is "affirmative, creative, and caring." this does not mean you toss out critical readings - reparative readings can coexist, and give us hope, optimism, feelings of beauty/appreciation, and affirmation.

for example, it's why -while i enjoy critiquing taylor (or what she Represents) - i am also here to just... have fun. i don't want to linger 24/7 on her emissions, or what she hasn't done, or who she's friends with. it's also why, as a fan of color, i hate that she is often dismissed and minimized to "white musician making music for white women." i find affirmation in a lot of her music, regardless of her race; i find optimism and hope in the way women so deeply relate to her, and how queer fans (also like myself) relate to her! (which avila points out too 2:21:00.) it's why i stopped debunking stuff, because queerness - like any other aspect of the fandom - is such a critical, significant part of why her music is beloved. it's so important for people to recognize that she is more than just 'music for straight white heterosexual cisgender women.'

#hot taykes #writing paragraphs about taylor swift

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1025flora · 1 year ago

Text

skz as your best friend who is (not so) secretly in love with you

genre fluff , humor pairing ot8 skz x !femreader warnings not proofread

chan

"oh yeah yn is my best friend actually"

literally obsessed.

tries to hide the delulu (not good at it)

tells you about every single project he's working on

honestly just get married already???

most people think you're actually dating...

became your friend because he thought you were pretty, but stayed your friend because of a thousand other reasons

definitely takes notes for you when you're out

lots of dimple smiles when you do literally anything???

minho

quiet in public, but the world time yapping champion when its just you two

will say the most cruel and slanderous thing while looking at you with the most loving eyes

texts random bad selfies with no context

gags and scoffs when people suggest you two as an item, but on the inside he's eeking

"send me that pic of you from earlier"

you may or may not be the only person on his private story

attends every single event you're involved in, no matter how inconvenient it would be for him

soonie, doongie, and dori adore you

changbin

buddy (romantic)

thinks about you every second of his day

"hey look what i made!!"

needs everybody to know that you are his best friend

"she even asked me for the time..." *fist pump*

doesn't pressure you to go to the gym with him but he reeeaaaallyyyyyy wants you to

"do u hate me" texts in the middle of the night

swings his legs when you guys call

waits for you outside your classes so you can walk in between periods together

wants to be nonchalant and cool and mysterious about you SO BAD but he fails

hyunjin

ouh this man is delulu!!!

has your future lives planned out in a pinterest board

sketches you in class

"hey babe" when you are BOTH single

late night grocery store runs for no reason... he just likes how you look at night

"i forgot my wallet🥺" typa man

fully convinced you do not and will not love him romantically

a textbook hopeless romantic

will wait for you outside in any weather. coldfront, heatwave, rain, shine, that man is THERE

all the nicknames... like definitely calls you "blondie" if you're blonde

jisung

so nervous around you even though you two are best friends???

writes songs for you all the time, terrified to show you

one day wishes to sing every single one to you

"good morning!" "how was your day pook?!" "good night <3" every. single. day. never misses

prefers to just stay in and talk with you, about anything

"bbama misses youuuu" whenever you aren't at his house

you do make him flustered most of the time

a couple playlists made just for you tucked in his spotify library

wants to call you all the couple names but afraid you'll hate it

talks about you with the guys (they are SICK of it)

his thoughts towards you are just the lyrics of gorgeous by taylor swift

felix

tells you absolutely EVERYTHING

5 paragraph essay about his day every night

and yes expects the exact same from you...

you text on discord (sorry)

makes treats just for you in secret

in any setting that you aren't in, he calls you his

makes video memos for you when you're gone and secretly hopes you'll do the same

his sisters tease him daily about how he talks about you, but he doesn't care

wants everybody but you to know he loves you

his second favorite color is your favorite color

seungmin

all of the confidence and sly in his attitude vanishes as soon as you walk into the room

your personal butler

holds your hand just 'cause

"this would look so good on you"

you two share headphones everywhere

head on your shoulder, chin on your shoulder, oh and definitely elbow on your shoulder

matches his jewelry to yours

at karaoke, he points and sings at you for the love songs, but you usually think he's joking

will love you unconditionally forever, even if you never feel the same

jeongin

"but you looked hot...? why are you changing"

weirdly confident around you, like his attitude changes when you walk into the room

loves to do your makeup, and vice versa

he jokes so much that you think he's sarcastically in love, little do you know it's all from the heart

brings you coffee every morning at school/work

"this song reminded me of you"

makes sure your outfits coordinate

pays for EVERYTHING

you are his princess!!!!! in every sense of the word!!!

a/n omg first post here..... hope u guys like it 🙏 reblog or like if you read puhlease

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bateman-whore · 9 months ago

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Hiiii, I was wondering if you could write a fic where Patrick sees someone get a little too close to reader and murders him? 🔪🩸🫶

You belong with me

(Sorry for the Taylor Swift reference, Im not a swifty but it’s one of the few songs I can stand and I didn’t know what to title this lol, TW: murder, Patrick being Patrick)

Your pov

I sat at my desk, mindlessly typing away at my computer. I wanted nothing more than to get the day over with but the minute passed like hours. As I attempt to finish the paragraph, I hear a knock on my office door.

“Yep” I called out as the door opened, it was Paul.

“Hey y/n, how are you doing?” He asked, taking a seat in front of me.

“Meh, I just want to go home. It’s been a long day,” I laughed with my face in my hands.

“Oh I hear ya,” he says, flashing a grin, his teeth seemed a little too big for his mouth. “Now I was going to ask you if you wanted to go out tonight?” The question was accompanied by another big tooth grin.

“Listen, I would love to but-“ I was cut off.

“Oh come on like you have anything to do after work, pick you up at seven, yeah?” It wasn’t a question. He got up and started for the door.

“Paul I-“

“See ya!” And with that he closed the door behind him.

Before I could process what just happened, there was another knock on the door.

“Yep,” I called out again but instead of Paul, Patrick walked in. He sat down across from me and put his feet up on my desk. “Yes?”

“You and Allen seem to be getting close?” This was more of a statement rather than a question.

“I mean I guess, what does it matter to you?”

“It doesn’t,” he said plainly and got up and left my office.

Patrick’s POV

I don’t know why but it does matter to me. For some reason I can’t live with the thought of Paul being so close to y/n,

“Hey Paul,” I leaned up against his cubicle walls, I took note of them, “nice set up you got there.” I picked up what seemed to be a family photo and examined it.

“Uh thanks I guess,” he took the photo out of my hands and placed it face down on his desk.

“God I can’t remember the last time I sat in a cubicle let alone worked in one,” I let out a laugh.

“What do you want?”

“I was wondering if you could stop by my place-“

“Nu uh uh uh, can’t. I got a date with y/n tonight,” he interrupted.

God he really has a problem with interrupting

“Yeah yeah, I’m sure you do, look it’s about your report, there’s something I need you to change.”

“Why can’t we talk about it right now?” He asked, confused.

“Because how can we discuss work matters without a drink or two?”

“I guess, as long as you make it fast,” he finally gave in.

Later that night, there was a knock on the door. When I opened it, it was Paul.

“Ah Paul come in, come in,” I stepped aside to let him in.

“Thanks for inviting me, but really we have to make it fast. I’m supposed to pick up y/n in 45 minutes,” he walked in taking his coat off, “are you renovating?” He asked taking note of the plastic sheets that cover every part of my living room.

“Sure. Can I get you a drink Paul? You look like an old fashion kind of guy.”

“Uh sure.”

I walked to the kitchen and poured him his drink, but before I went back to the living room, I crushed up a handful of downers and dissolved them in his drink.

“Do you like Huey Lewis and The News?” I asked him.

“There ok i guess,” he replied, taking a drink.

“Their early work was a little too new wave for my tastes, but when Sports came out in '83, I think they really came into their own, commercially and artistically. The whole album has a clear, crisp sound, and a new sheen of consummate professionalism that really gives the songs a big boost. He's been compared to Elvis Costello, but I think Huey has a far more bitter, cynical sense of humor.” I started to ramble as I popped a CD in the player.

“Hey Halberstram.” I could tell Paul’s speech was beginning to slur. The drugs were taking effect.

“Yes Allen?”

“Why are there copies of the style section all over the place, d-do you have a dog? A little chow or something?”

“No, Allen.” I was in the kitchen at this point pulling on a raincoat. My ax was hidden behind the door frame.

“Is that a raincoat?” Allen laughed.

“ Yes it is! In '87, Huey released this, Fore, their most accomplished album. I think their undisputed masterpiece is "Hip to be Square", a song so catchy, most people probably don't listen to the lyrics. But they should, because it's not just about the pleasures of conformity, and the importance of trends, it's also a personal statement about the band itself,” I took the ax and walked up behind Allen. I raised it above my head, “Hey Paul!”

He looked behind him at me as the ax came crashing down into his face. Blood splattered all over my face and body.

“TRY TAKING Y/N ON A DATE NOW, YOU FUCKING STUPID BASTARD! YOU, FUCKING BASTARD!”

I caught my breath and regained my composure. I cleaned up the scene, took a shower, did my skin care, and went to bed.

Part 2??? I’ll probably do a part two. Sorry if it’s not entirely accurate yk, I need to rewatch the movie. If you have a request my inbox is open and as always the gif and divider are not mine.

Mastearlist

#slasher headcanons #slasher fucker #patrick bateman #patrick bateman headcanon #patrick bateman x reader #american psycho

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