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fuckyeahgoodomensfanfic · 5 months ago

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All Explicit Fic Recs: Alphabetically Sorted M-Z

Note that most summaries in this list are shortened. Each link will lead to the fic's rec page where you can get full details, summaries, and links to read each story.

[Explicit A-L collection] [Teen-Mature A-Z collection]

Man to Man by leukozyna (61k, Explicit) Crowley is the token twink in a corporate office, with a growing fascination with one of his colleagues...There is only one obstacle: based on his past history, the beautiful blond angel is presumed to be straight… or is he?

MatchMade! by amaruuk (37k, Explicit) Crowley tests a new dating app for an online publication. When his match dumps him for another man’s match, he and his fellow dumpee take a chance on each other.

Middle of Nowhere Tennessee by Worrynoodles (17k, Explicit) Thirty years ago, Azalea Easton is on a summer trip with her parents when she meets a freckled redhead named Crowley. They hit it off immediately and are joined at the hip for the rest of the summer. Now. Az has changed a lot. Has been through so much. For one thing, he’s a man. As he finds himself in the middle of nowhere Tennessee, looking to start over, he runs into an old friend. One he may have had much stronger feelings for than he thought.

Mon Horrible Chéri by ghostrat (39k, Explicit) English Teacher Aziraphale gets roped into the sixth form Paris field trip, not realizing his worst enemy Science Teacher Crowley is the accompanying chaperone... How quickly does it take them to fall head over heels for each other?

Not for All My Little Words by mia_ugly, soft_october (8k, Explicit) Aziraphale has read every book in his shop at least once. He has reread some of his favored volumes dozens of times, has memorized whole great swaths of them. If his own words are insufficient to convince Crowley of his sincerity, then perhaps the words of others can! Back on earth, Aziraphale tries to apologize.

Of Fire and Falcons by CemeteryAngel725 (54k, Explicit) A Good Omens Human AU set on the American Renaissance faire circuit.

Of Size and other Matters by LCwrites (28k, Explicit) When Crowley gets a random text from an unknown number, he thinks it must be a joke at first. Turns out it’s by a rather amusing stranger who might have an interesting matter at hand.

Oh, be quiet by Sabotaged_Words (15k, Explicit) It is the happiest of times for Aziraphale: After years of hard work, he finally gets casted for his first major leading role in an elite theatre production. If only he didn’t have to work with Crowley, a notorious West End star, as famous for his arrogance as he is for his magnetic stage presence. (And for looking unfairly good in those indecently tight jeans.)

Oh, Maker by by voluptatiscausa (57k, Explicit) “The humans are strange and graceful as they explore the garden, explore themselves, explore each other. The trouble is, the humans stare back, which makes him uncomfortable; there’s nothing particularly interesting about him. And, though he rarely admits it to himself, the humans make him lonely; he has no Other to explore.”

Old Vines by sevdrag (seventhe) (189k, Explicit) Crowley’s old vines are the heart of his vineyard, and he’s never let anyone in. Crowley finds Aziraphale intriguing; Aziraphale finds Crowley enthralling. Turns out a famous wine expert and an experienced viticulturalist can still learn things from each other.

Pan Metron Ariston by Ginger_Cat (3k, Explicit) Crowley sits between Aziraphale’s knees, a demon at an angel’s mercy.

Pass the Star by mageofthepeople (57k, Explicit) Azalea Fell meets Antoinette Crowley at her first roller derby bout with a new league. After an incident leads to a trip to A&E, the two are drawn to one another but Crowley is reluctant to potentially ruin a great friendship for something more.

Petrichor & Parchment by MrsNoggin (33k, Explicit) “Mr. Crowley, I presume?” Aziraphale asked in lieu of an introduction, which was not forthcoming. The guy hadn’t even removed his sunglasses. Oh God, he had a tattoo on his face. Aziraphale wasn’t one to judge, but… what kind of gardener had a snake tattoo on his face?

picture it soft by perilit (3k, Explicit) Crowley has noticed, certainly, the way that tattered waistcoat puckers a bit around the angel’s sides these days, the way the seat of those trousers fits more snugly than before. He’s had to excuse himself from the room more than once because of it, thoughts reduced to mush at the barest glimpse of the fuller curve of Aziraphale’s arms.

Rearrangements by sheendav (60k, Explicit) Aziraphale, a lonely anxious bookseller from Soho, walks in St. James park every Wednesday and Sunday. For nearly nine months he has had various, wordless, encounters with a very handsome red-haired man with sunglasses. They have never spoken, but a strange and lovely intimacy has slowly grown between them as they share the same space, and feed the ravenous ducks by the pond.It’s all been rather lovely… and then one day… the red-haired man says ‘hello.’

Sauntering through Space and Time by Slurpi13 (8k, Explicit) Aziraphale is intrigued by Crowley’s habit of sleeping. Crowley discovers he can sleep better with the angel near. They tiptoe around asking.

Similarly Occupied by Zin_Lynn (8k, Explicit) Crowley wakes from his nineteenth-century nap to find Aziraphale in a less-than-discreet Gentleman’s Club.

Simmer (The Long-Awaited Reply to a Lingering Kiss) by LemonTart (28k, Explicit) Aziraphale Fell is an accomplished food writer and book collector who leads a quiet life. Anthony Crowley owns the Grand Duke Distillery, maker of Wanton Sinner Whisky, and has a reputation for living on the wild side. As former culinary school classmates, they share a love of food and drink — and a long ago kiss that neither one has ever quite forgotten. Are they just too different to ever make it work? (I bet you can guess.)

Small Cock Appreciation Society by cheerios_and_wine (6k, Explicit) Crowley is the founding member. Aziraphale's is the member.

Smoke Gets In by songlin (4k, Explicit) “You’ll have to show me,” Aziraphale said. “I’ve never done it before. I mean—I know the principle, of course, but given the life I lead, it never really comes into—” “Aziraphale,” said Crowley patiently. “It’s very simple. You’ve smoked a cigarette. It’s the exact same process.”

Social organization and adaptability in Xenoerpeton anthropoides: transference of social bonding habits and mate selection by Liquid_Lyrium (106k, Explicit) How budget cuts lead to the discovery of a century—and Aziraphale’s heart. A story about falling in love with the subject of one’s research grant.

Someone is Calling Him Shorewards by harlotofgod (61k, Explicit) “There’s a storm coming.” The stranger’s words are torn neatly away by the wind like India paper from a Bible, but Crowley reads them on his lips. No shit, he thinks. He nods and shoves his freezing hands deeper into his pockets as icy rain stings his cheeks.

Somn by snae_b (44k, Explicit) Aziraphale’s spent the last three months at the bottom of a bottle, heartbroken. Tracy says his heart will mend itself eventually, but every morning when he wakes up it’s like the edges of the piece he ripped out and took with him have gone more ragged. Where he keeps waking up probably isn’t helping matters

Special Delivery by LCwrites (27k, Explicit) Crowley receives a rather interesting parcel which was meant to go to his neighbour. What starts as a chance encounter soon develops into something more.

Spread Your Wings by foolishlovers (10k, Explicit) In the glamorous world of high fashion, Crowley shines as a household name. Unfortunately, so does supermodel Aziraphale, who repeatedly lands bookings for the same jobs. When a photoshoot mishap traps them in a studio overnight, their simmering animosity escalates to its peak. Literally

Submitted for Your Consideration by ZehWulf (19k, Explicit) Crowley’s anxiety is interfering with his kink life so badly that he decides to hire a professional dom to help get him into subspace. It goes horribly until it goes absolutely amazing.

Such Devotion of the Heart by Zin_Lynn (42k, Explicit) After Aziraphale returns from Edinburgh, a mysterious downpour from above sends Crowley back into the shelter of the bookshop, forcing him to look into his angel’s eyes and attempt to admit that they are made for each other.

The 21st Century, In Which They Finally Work It Out by chaya (22k, Explicit) This is light speed in comparison to the last few centuries of their relationship, but Crowley is barely holding on to his patience.

The Devil Came to Soho by Zion (artificialmac) (18k, Explicit) The owner of the shiny new tattoo studio next to A.Z. Fell and Co. is way too handsome for his own good. He also might be plotting to Tempt Aziraphale to damnation.

The End is Where We Start From by tiresius (23k, Explicit) Crowley and Aziraphale meet by chance on the street. They’ve met before, in their youth, in a different life. Some very difficult things have happened since then. Will they be able to find their way back to each other and to themselves?

The Garden of Temptation by tishae (68k, Explicit) Aziraphale Godfrey, a professional antiques dealer, is engaged and he has no reason to be unhappy....When Crowley comes into an inheritance that includes a number of items that he’s pretty sure are junk, he is way out of his depth, and readily calls up a professional to help him work through it. Turns out they both have a lot to unpack.

The Larger Hope by NaroMoreau, summerofspock (8k, Explicit) It’s unfair. A joke of the universe, Crowley thinks, to make him the biggest bottom in the London area with a huge dollop of size queen to boot and then to turn around and give him eight inches of useless dick between his legs.

the last test and proof by lagaudiere (36k, Explicit) Crowley goes on a road trip across America to delay the Second Coming. Aziraphale tries to teach angels about humanity. In between, they talk.

The Shared Desk Dilemma by MissUnderstoodLyrics (32k, Explicit) Crowley can’t stand the pompous, irksome Dr. Eastgate, and the feeling appears to be mutual, yet they can’t seem to keep their hands off each other.

Trial & error by fellshish (15k, Explicit) The Metatron brings in the demon Crowley to stand trial in Heaven. For tempting an angel. Uhhhh. Awkward.

Try Me Once More by Mackaley (42K, Explicit) “Actually, can you do me a favor? No tempting. No sins. Just a way for us to spend some time together while I finish what I need to do.” Aziraphale considered it and then nodded. “Well, I don’t see why not.” “Can you pretend to be my wife?”

until you say it out loud by attheborder (6k, Explicit) And Aziraphale is realizing now, to its fullest, something he’s suspected for nearly as long as he’s known Crowley: the demon is no silver-tongued devil. He is no weaver of words, no smooth talker.

Warp and Weft by amaruuk (105k, Explicit) After the failed Apocalypse, Aziraphale and Crowley slowly take their relationship to the next level, including the prospect of marriage and sharing a home. Along the way, they must learn how to open up to each other and reveal centuries-old secrets. Heaven and Hell remain a threat—but what does the Almighty have to say?

Watching You (Watching Me) by MirjamOmens (22k, Explicit) Crowley loves watching Aziraphale. Aziraphale likes being watched. Surely, that won’t lead to any complications. Right? (Or: The five times Crowley wanked while watching Aziraphale have sex with others, and the one time they finally touched each other.)

We Can’t Keep Meeting Like This by Ginger_Cat (65k, Explicit) Once a year, Aziraphale and Crowley meet on Earth to discuss the development of the reincarnated Christ child. The problem is, they can’t stop having sex instead.

What We Make of It (Shotgun Wedding) by charlottemadison (200k, Explicit) If taking care of Adam means Crowley has to tough it out at a job he can’t stand, so be it. And if Crowley’s job means that Adam’s charming English teacher is NOT a romantic possibility, well, that’s just how things go.

Where We Begin And End by espresso_six_shots (27k, Explicit) When writer and restaurant critic Aziraphale starts chatting with the handsome and captivating Crowley every weekend at the local pub, he thinks may have found the perfect distraction from a rather irritating situation at work, considering work is the one topic neither of them have ever broached.

Wild Hearts by foolishlovers (145k, Explicit) In the idyllic English countryside, far from the hustle and bustle of the big city, two teachers at Willowbrook Hall set out to transform their students’ lives through the world of theatre. But for Mr. Crowley, the challenge of navigating his long hidden feelings and dear friendship with Mr. Fell may prove to be the greatest drama of all.

[Explicit A-L collection] [Teen-Mature A-Z collection]

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noblehouseofgay · 11 months ago

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The noble and most ancient house of gay

✧･ﾟ: *✧･ﾟIntroduction✧･ﾟ: *✧･ﾟ

(Updated April 22, 2025)

✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*

Name: Regulus/Reg

Pronouns: he/him

Current read: Crimson Rivers.

✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*

(More under the cut)

- I'm Regulus/Reg (I like it pronounced redge for me personally, do whatever you want for the character though)

- He/him, trans 🏳️‍⚧️

- queer mess

- I'm 21 and a Sagittarius

- ✨️autism✨️

- my side blog @noblehouseofyapping

✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*

- regulus and remus kin. Like 95% regulus and then a pinch of Remus here and there

- favorite ships are jegulus, rosekiller, wolfstar, dorlene, and pandalily (my endgames <3)

- favorite characters are regulus, remus, James, pandora, barty, and evan

- I'm a slytherin if that's not obvious enough

- I fucking hate jkr and everything she stands for, so if you defend or support her it's automatic block and you're a piece of shit and I hope you die

✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*

- I have very strong opinions but I'm not an asshole (unless deserved)

- I block very liberally, I don't tolerate jegulus/regulus hate whatsoever

- absolutely z e r o proship/incest/etc. None. Instant block. Pls stop asking me about it

- feel free to talk to me, I love getting asks

✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*

- I like marauders obviously, but also percy jackson, stardew valley, my chemical romance, pokemon, and a bunch of other random shit that may or may not even matter on this blog. Those things will probably be on my side blog if anywhere

- I'm a taylor swift fan but in a friend of Dorothea way, iykyk

- I also love chappell roan and conan gray

✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*

My people:

@shouldhavebeenarockstar my brother

@deadkaywizard my barty

@hexa-ro my queer platonic accountant and detective

@caiizawa my secret love affair

@maraudering-times my first wife

@allonsy-moony the collective child

@drowninkystar husband

@sunsstars my first son

@the1970sdeadgaywizard-regulus my other son

@what-would-sappho-do an enigma

✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*

My tags:

- #the noble house of writings

- #noble house of au ideas

- #the noble house of music

- #noble house of sims

- #noble house of art

- #noble's wicked series

- #noble's band aus

- #noble house of fic recs

- #noble house of pokemon

(All tagged below)

✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*

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goodbyeyellowbrickcloset · 3 months ago

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Taylor Swift and the Yellow Brick Road: A Queer-Coded Journey - Masterpost

Introduction

The Wizard of Oz is my all-time favorite movie. It has shaped the way I see storytelling, art, and the power of symbolism. At its core, it's a story about self-discovery, chosen family, longing for home, and stepping into a magical but often deceptive world. Over the years, I’ve grown to appreciate its deeper layers—particularly its historical ties to queerness and coded storytelling.

In recent years, Taylor Swift’s engagement with The Wizard of Oz has completely opened up a new perspective for me. Her references to Dorothy, the Yellow Brick Road, and queer-coded themes are not just random. They are braided into her storytelling, her visuals, and even her activism. When you lay it all out—the lyrics, the imagery, the performances, and the deeper cultural implications—it becomes impossible to ignore. This deep dive will also explore how the people around her—friends, collaborators, and industry figures—play into the story in their own way... and how all roads somehow lead back to Taylor.

So let’s follow the Yellow Brick Road. 🌈✨

The Queer Legacy of The Wizard of Oz

Before we talk about Taylor Swift, we need to talk about why The Wizard of Oz is one of the most queer-coded films in history.

1. “Friend of Dorothy” as Queer Code

🌈 Did You Know:

“Friend of Dorothy” became secret slang for LGBTQIA+ people in the 1940s-1960s. Because being openly gay was dangerous and illegal, queer people used coded language to identify each other safely.

Dorothy, played by Judy Garland, was loved by queer audiences because her story mirrored that of many LGBTQ+ individuals—leaving home, finding an accepting chosen family, and realizing that home (identity) was inside her all along.

2. Judy Garland’s Connection to Stonewall

🌈 Did You Know:

Judy Garland’s funeral on June 27, 1969, took place the day before the Stonewall Riots. Some historians believe her passing played a role in the emotions that fueled the rebellion.

Garland was one of the first mainstream Hollywood stars to be openly supportive of queer people.

3. "Somewhere Over the Rainbow" as a Queer Anthem

🌈 Did You Know:

Somewhere Over the Rainbow was written by Yip Harburg, a closeted gay man. The song is about dreaming of a world where you can live freely and openly.

For decades, it has been a symbol of longing for queer liberation.

Who’s Behind the Curtain? Taylor Swift’s Oz-Themed Symbolism

Taylor has been referencing The Wizard of Oz for over a decade. And when you map the out the references, they tell a bigger story.

1. “Mean” Dreaming of Leaving Kansas – Speak Now (2011)

📺 Watch Here: Taylor Swift – Mean (Official Music Video)

One of the earliest visual nods to The Wizard of Oz appears in the Mean music video. While it may have been subconscious at the time, the imagery is striking:

📌 Key Visual Similarities:

The rustic, old-fashioned farmhouse setting in Mean resembles Dorothy’s Kansas home.

The wooden interiors, neutral tones, and rural landscape mirror the black-and-white opening of The Wizard of Oz.

Much like Dorothy, the protagonist dreams of something bigger, longing to escape a world where they feel out of place.

In The Wizard of Oz, Kansas represents a limiting world, one where Dorothy isn’t fully seen for who she is. Similarly, the Mean music video centers around characters who feel stuck, ridiculed, and misunderstood, before eventually stepping into their true potential.

If Oz represents self-discovery and queerness, then Kansas symbolizes rigid societal expectations.

Mean centers around struggling against judgment—a theme deeply resonant with LGBTQ+ experiences.

The journey from a restrictive, sepia-toned existence to a brighter, more authentic future mirrors Dorothy’s path in The Wizard of Oz.

The themes introduced in Mean—of feeling trapped in a world that doesn’t understand you, longing for something more, and finding your voice despite opposition—are revisited throughout Taylor’s discography + performances. Kansas in Mean mirrors Dorothy’s world before Oz—a place where she is underestimated, ridiculed, and told she can’t be more than she is.

📌 Other Key Visual in the Music Video:

In the locker room scene, the bullied boy (a key character in the video) is wearing lavender while being mocked by football players.

Lavender is one of the most significant colors in queer history.

🌈 Did You Know:

Lavender has been associated with queerness for over a century.

In the early 20th century, the phrase “lavender lads” was used as a coded way to refer to gay men.

During the Lavender Scare of the 1950s, LGBTQIA+ people were targeted and purged from government jobs.

In the 1970s, the Lavender Menace was a group of lesbian feminists fighting for inclusion in the women’s rights movement.

💡 The bullied boy wearing lavender in Mean could symbolize queer youth facing discrimination. The locker room setting mirrors real-life bullying that many LGBTQ+ people experience in school. I won't go into it here, but as some may know, Taylor references lavender several more times throughout her discography, most notably in the song Lavender Haze... and ohhh, does the sapphic lore run deep with that one.

2. Happy New Year! Blake as Dorothy & Taylor as Ariel—A Hidden Message? (2019)

Blake Lively, Taylor Swift, and Gigi Hadid dressed as childhood heroes to welcome the new year in 2019. Blake Lively dressed as Dorothy from The Wizard of Oz. Taylor Swift dressed as Ariel from The Little Mermaid.

📌 Key Visuals in the Photo:

Blake, as Dorothy, stands above Taylor on a staircase—Dorothy, historically, is a guide to self-discovery and finding home.

Taylor, as Ariel, looks upward—Ariel, like Dorothy, is a character who longs for something more, fights for change, and ultimately reclaims her power.

The placement and dynamic could symbolize Taylor’s journey toward reclaiming her voice and true self.

At first glance, this seems like a fun, nostalgic costume choice. But given Taylor’s history of layering symbolism into everything, this pairing leads to questions:

Was Blake’s Dorothy a nod to “Friend of Dorothy” symbolism and queerness?

Was Taylor’s Ariel a reference to being silenced and struggling to reclaim her voice?

💡 In the context of queerness, Ariel’s story mirrors that of the queer community who feel silenced or unable to express their true selves. Given the themes in The Wizard of Oz, and Dorothy’s role as a gay icon, Blake and Taylor’s pairing feels too thematically perfect to be a coincidence. Take a little detour with me, I feel this must be included here.

⭐Ariel’s Story as a Metaphor for Queer Identity & Taylor’s Journey

📺 Watch Here: Ariel Losing Her Voice – The Little Mermaid (1989)

📌Key Themes in The Little Mermaid

Ariel longs for a different life—she feels out of place in her world and dreams of living freely.

She sacrifices her voice in exchange for a chance to become her “true self.”

She spends much of the movie silenced, unable to communicate her thoughts and feelings.

Eventually, she fights to reclaim her voice and identity.

🌈 Did You Know:

The Little Mermaid was written by Hans Christian Andersen, who was widely believed to be queer and wrote the original story as an allegory for unrequited love and hidden identity.

Disney's The Little Mermaid was released in 1989.

Taylor Swift has frequently expressed frustration over losing control of her voice, whether in the music industry (the masters dispute) or in her personal life.

Ariel’s story could reflect Taylor’s own experiences of being silenced—either by the industry, by public perception, or by personal constraints related to queerness.

⭐Connecting Back to The Yellow Brick Road & Taylor’s Imagery

Ariel’s story in The Little Mermaid and Dorothy’s journey in The Wizard of Oz share striking parallels, both serving as allegories for self-discovery, longing, and transformation. Just as Dorothy leaves the dull, black-and-white world of Kansas in search of something greater, Ariel dreams of escaping the constraints of her underwater world, longing for a place where she can be her true self. Both heroines sacrifice a part of themselves to enter a new world—Dorothy is swept away by a tornado, while Ariel gives up her voice to walk on land. In these new realms, they face obstacles, meet guides and allies, and learn that the world they once idealized is not as simple as they thought. This theme of searching for belonging, navigating a new identity, and reclaiming personal power deeply resonates with queer narratives, making both stories enduring metaphors for LGBTQ+ self-acceptance and the journey toward authenticity.

📌 Key Lyric + Movie Quote:

“But daddy, I love him”

One of the most emotionally charged lines in The Little Mermaid comes when Ariel, desperate to be with Prince Eric, defiantly shouts this to her father.

This moment is pivotal—not just in the film, but in queer-coded readings of Ariel’s story. It represents a young woman asserting her independence, challenging authority, and risking everything for a love that is considered unacceptable.

So when Taylor Swift lifted this exact line for a song on The Tortured Poets Department in 2024, it immediately raised eyebrows.

📌 Parallel Themes:

Defying expectations – In The Little Mermaid, Ariel’s love is forbidden. In Taylor’s work, the phrase could represent a love that is misunderstood, denied, or rejected by those in power.

A plea for acceptance – Ariel isn’t just declaring love; she’s begging to be understood. Taylor using this phrase suggests a desperation to validate something others refuse to accept.

Queer Subtext – The phrase has long been used in queer narratives where love is met with opposition. Could Taylor’s use of it be a wink toward a love that’s hidden, complicated, or unapproved?

I'll do a whole analysis on Taylor's storytelling inspiration from The Little Mermaid. When I do, I will link it here.

3. ME! Out Now - April 26th, 2019

Taylor Swift's ME! music video is rich with vibrant visuals and hidden references, some of which mimic scenes from The Wizard of Oz. Taylor announced the song and music video in social media posts that stated: ME! out now... This happened on April 26th. This day is significant because it has been nationally known as Lesbian Visibility Day since 2008.

📌 Key Visual Similarities:

Skipping Toward the Rainbow: In one scene, Swift and Brendon Urie skip hand-in-hand toward a magical rainbow and towering green building, reminiscent of Dorothy and her companions heading toward the Emerald City. In this scene, they're surrounded by people in pink suits lining their path strongly resembling the poppy field from The Wizard of Oz—the final obstacle Dorothy and her friends must pass before reaching the Emerald City.

Emerald City Imagery: At the beginning of the music video, as Taylor storms out of her home and begins approaching the outside world, the interior space she passes through is similarly detailed to that of the interior of Emerald City. Once she makes it outside, the video's colorful, fantastical setting continues to evoke the land of Oz, with its bright hues and whimsical architecture.

📌 Symbolism of Glinda & Taylor’s Role in ME!:

In The Wizard of Oz, Glinda serves as Dorothy’s guide, helping her navigate Oz and ultimately leading her to self-discovery.

In ME!, Taylor plays a similarly uplifting and empowering role—celebrating individuality and self-love, much like Glinda encourages Dorothy to embrace her own inner strength.

Glinda is loved by many and known for her charm, grace, and wisdom. Taylor’s larger-than-life presence in ME! echoes that same enchanting, benevolent energy.

🌈 Queer Interpretation & “Good Witch” Symbolism:

Glinda is often associated with queerness and camp culture—her over-the-top glamor and theatricality have made her a beloved figure in LGBTQIA+ media.

Taylor’s use of pastel colors, dreamy fantasy elements, and exaggerated femininity in ME! aligns with camp aesthetics, queerness, and a deliberate embrace of joyful theatricality.

Could this be Taylor symbolically placing herself in the “Good Witch” role—a figure of guidance, encouragement, and transformation?

📌 Key Visual:

In the ME! video, Brendon Urie wears a white floral suit with a large heart pinned to his chest, reminiscent of the heart-shaped clock that the Wizard gives the Tin Man at the end of the film.

In The Wizard of Oz, the Tin Man believes he lacks a heart, but the Wizard tells him that he had one all along—he just needed a symbol to prove it to himself.

The ME! video is all about self-love, individuality, and reclaiming joy—similar to how the Tin Man realizes he was never truly heartless.

Brendon Urie’s heart could represent emotional validation, much like how the Tin Man receives proof of his capacity for love.

💡The scene could also symbolize Taylor Swift’s own journey of reclaiming love—whether for herself, her art, or even her personal identity.

This scene from the ME! music video, featuring people dressed in black tumbling through the air while clutching broken umbrellas, strongly evokes the imagery of the Wicked Witch’s flying monkeys from The Wizard of Oz.

📌 Key Similarities:

Dark, Winged Figures Falling from the Sky – In The Wizard of Oz, the Wicked Witch of the West sends out her winged monkey army to terrorize Dorothy and her companions, swooping in from the sky. In ME!, the airborne figures dressed in black mimic that chaotic, unsettling motion.

Umbrellas as Symbolic “Wings” – The tattered black umbrellas resemble the leathery, bat-like wings of the flying monkeys, further cementing the visual connection.

💡Taylor’s rainbow-filled Lover era could be a deliberate nod to Somewhere Over the Rainbow—especially since it never explicitly referenced queerness while being deeply associated with it. I'll elaborate soon.

4. Evermore Cover: The Braided Narrative (2020)

Perhaps the most overlooked queer-coded reference comes from Evermore.

📌 Key Visual:

Braiding in poetry has been used as a technique to reflect intersecting identities, hidden truths, and fluid perspectives, making it especially relevant in queer poetry and literature.

The braided structure allows for hidden narratives, nonlinear storytelling, and parallel experiences—elements that resonate deeply with Taylor’s songwriting, especially in Evermore.

If the braid on the Evermore cover is intentional, it could symbolize interwoven themes of identity, hidden meanings, and layered storytelling—just as queer-coded poetry often does. It could also reference a famous hairstyle from a famous icon... I'll let you guess who that may be.

🌈 Did You Know:

Evermore was announced on the birthday of Emily Dickinson, a well known poet. Many scholars believe Emily Dickinson is queer and had a lifelong love affair with her childhood friend Susan Gilbert.

💡Evermore is one of Taylor’s most coded albums, with “Dorothea” being one of its bigger Easter eggs.

⭐Dorothea - Evermore (2020)

📺 Listen Here: Taylor Swift – Dorothea (Lyric Video)

Dorothea = Dorothy Gale—the parallel is undeniable.

The song describes a girl who left a small town for Hollywood, but the narrator still longs for her.

Many fans (or at least I) believe Dorothea represents Karlie Kloss, with the song reflecting a lost romantic relationship.

“It’s never too late to come back to my side.”

📌 Key Themes:

Dorothy leaves Kansas to follow the Yellow Brick Road, longing for adventure but ultimately realizing there’s no place like home.

Dorothea is about someone who leaves a small town, finds success, but is still deeply loved and missed by the narrator.

This theme of longing for someone who has moved on, feeling left behind, and struggling with what that means is a deeply queer-coded trope—one that Taylor often returns to.

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I'd like to also mention, the It's Nice To Have A Friend / Dorothea mash-up that Taylor swift did on The Eras Tour in Edinburgh on June 9th, 2024. Guess who's birthday is June 10th? Dorothy Gale herself, Judy Garland. The implications of this. 🤯

📌Why Tupelo? The Yellow Brick Road, and The Ones Who Leave

I've always wondered about the significance of Tupelo, Mississippi, in this song. So, I started digging into possible connections between the narrator, the muse, and Tupelo, and—unsurprisingly—it led me to Sir Elton John. This won't be the last time I mention him, certainly not in the broader context of understanding Gaylor. There are plenty of reasons for that. But for now, humor me: assume that the ties between Taylor and Elton run deep, and follow me as I decode Tupelo in Dorothea.

I referenced this Reddit Post while deep diving Tupelo.

🌈 Did You Know:

Elton John has a song called Porch Swing in Tupelo. The song explores themes of leaving home, returning, and nostalgia—mirroring the journey Dorothy takes in The Wizard of Oz.

📺 Listen Here: Elton John - Porch Swing in Tupelo (2004)

As Porch Swing in Tupelo paints a lovely picture, Gaylor's have made a connection to an unreleased song from Taylor in 2003.

💡 Bridging This to Taylor's song, Me & Britney

📺 Listen Here: Taylor Swift - Me and Britney

While Dorothea and Porch Swing in Tupelo focus on someone who left, longing, and nostalgia, Taylor’s unreleased song Me & Britney adds another angle to this theme.

In Me & Britney, Taylor sings:

Britney made it to Memphis, and that’s where she wanted to be.

Memphis (home of Graceland) is where Elvis went after leaving Tupelo—and his story is often framed as one of fame, longing, and isolation. Sort've a side note, but definitely ties Taylor's old music to Dorothea and aligns with the same trope. Stay with me...

💡Dorothy, Elvis, and the subject of Dorothea all followed a road that led them away from home—but was it really what they wanted?

📌 Key Lyric in Me & Britney That Feels Queer:

I was just jealous of the boy that she fell in love with.

This aligns with a classic queer storytelling trope—where attraction is framed as “jealousy” over a male love interest rather than outright romantic feelings.

💡 Final Thought:

If Dorothy realizes that Oz wasn’t what she thought it would be…

If Elvis became trapped in the fame he once sought…

If Taylor keeps returning to themes of people leaving, longing, and hidden feelings…

🌈 Could the Yellow Brick Road be a metaphor for realizing that what you were searching for was already inside you—whether that’s home, identity, or love?

5. Elton John & The Yellow Brick Road as a Queer Metaphor

🌈 Did You Know:

Elton John—one of the most famous openly gay musicians—has drawn inspiration from themes of The Wizard of Oz throughout his career.

Goodbye Yellow Brick Road is often interpreted as his rejection of the expectations placed on him, including those of the heterosexual, traditional lifestyle.

The song describes escaping an artificial world—one where he was expected to play a role rather than be himself.

📌 Key Lyrics:

“You know you can’t hold me forever / I didn’t sign up with you.”

“So goodbye yellow brick road / Where the dogs of society howl.”

💡 How This Relates to Taylor Swift:

If Elton saw the Yellow Brick Road as a false promise, could Taylor also be questioning the path she’s been on?

⭐Taylor Swift’s Own Yellow Brick Road: The Fame vs. Reality Conflict

📌 Key Songs That Reflect This Theme:

“The Lucky One” (Red, 2012) – A song about the dark side of fame, where the narrator envies someone who escapes it.

“Nothing New” (Red: Taylor’s Version, 2021) – A reflection on the fleeting nature of fame, mirroring the “illusion of Oz.”

“The Archer” (Lover, 2019) – Explores feelings of isolation and longing for something real beyond the performance of celebrity.

💡 The Yellow Brick Road Parallel:

Dorothy in The Wizard of Oz follows the road to what she believes will be her dream, only to find out it was all smoke and mirrors.

Elton John realized the world he was chasing wasn’t real.

Taylor has repeatedly questioned whether the life she built is truly what she wanted.

Further connections between Elton John and Taylor include the release of Elton's documentary: Elton John: It's Never Too Late on Friday December 13, 2024. Taylor Swift's birthday? December 13th. Again, there is more to say about these two, but it's going to require its own post.

6. The Most Fabulous Closets in Oz: Harry, Taylor & The Magic of Bearding

I referenced this Reddit Post for this section.

In 2021, Harry Styles dressed as Dorothy from The Wizard of Oz for his Harryween concert at Madison Square Garden, fully embracing the camp aesthetic of Oz with ruby slippers, blue gingham dress, red tights, and a Toto-filled basket. This moment was more than just a fun Halloween costume—it was a bold embrace of gender fluidity and queer-coded imagery, further aligning him with the broader queer themes of The Wizard of Oz.

📺 Watch Here: Harry Styles - Over the Rainbow - Harryween Night One

📌 How This Relates to Queerness:

Harry’s choice to dress as Dorothy plays into his broader exploration of gender nonconformity and theatrical self-expression.

The act of a male pop star dressing as one of cinema’s most famous female protagonists challenges traditional gender norms, something Harry has done consistently throughout his career.

This moment fits into a larger trend of Oz being reclaimed by queer artists as a symbol of self-discovery and belonging.

⭐The Taylor Swift Connection: A Relationship That Was More Than It Seemed? A Public Relationship with Career-Boosting Benefits

So what's the connection between Harry and Taylor you may ask? Maybe you weren't around for the pap walks and easter eggs these two gave us. Have no fear, I'm here to outline that, from a Gaylor's perspective of course.

Harry and Taylor’s highly publicized relationship in 2012-2013 came at a crucial time for both of their careers.

Taylor was transitioning from country to full-fledged pop, and aligning herself with Harry—who was breaking out as a global pop phenomenon with One Direction—helped solidify her move into a new genre.

Meanwhile, Harry was preparing for an eventual solo career and a public relationship with Taylor further cemented his status beyond being “just” a boyband member.

Their short-lived but highly visible relationship seemed almost perfectly orchestrated for media attention, which has led many fans to speculate that their pairing was a mutually beneficial bearding arrangement.

💡 The Bearding Theory:

Both Harry and Taylor have been rumored to be closeted, and many believe their relationship was staged to divert speculation away from their personal lives.

This would not be the first time high-profile celebrities have engaged in strategic PR relationships to control public perception.

If this was a double bearding scenario, it would mean both Harry and Taylor were using each other as a cover while pursuing their own private lives off-camera.

🌈 Queer Implication in the Wizard of Oz Narrative:

If Harry and Taylor’s relationship was about public image rather than personal romance, it fits into the Oz allegory perfectly.

The Wizard of Oz is about facades, illusion, and realizing the person behind the curtain isn’t what they seem.

Is Taylor revealing these hidden truths through her constant Oz references? One things for sure, these two have been creatively aligned from a distance for over a decade. Neither have gotten on a stage to profess their sexuality, but with a *sometimes* obsessive interest in the stories they tell, its hard not to see parallels in the queer undertones that have littered their work for years.

💡Take this for example: Harry Styles and Taylor Swift both have a song called Daylight. I will reference Taylor's song in the next section and will provide a deep dive into the parallels of Harry and Taylor's song in a different post. But for the sake of Oz, I must note - the chorus of Harry's song Daylight says:

If I was a bluebird, I would fly to you

Which feels pretty parallel to the lyric from Somewhere Over the Rainbow,

Somewhere over the rainbow Bluebirds fly Birds fly over the rainbow Why then, oh, why can't I? If happy little bluebirds fly Beyond the rainbow Why, oh why can't I?

No? Sure, okay... moving on.

7. Optimistic Voices Line by Line, Taylor’s Lyricism, & the Journey to Daylight

📺 Watch Here: The Wizard of Oz – “Optimistic Voices” & The Snow Scene

📺 Watch Here: Taylor Swift – “Out of the Woods” (Official Music Video)

📺 Watch Here: Taylor Swift – “Daylight” (Live From Paris)

There's a lot to unpack here. Let’s start with lyrics and move into imagery.

⭐Escaping the Darkness: Out of the Woods & The Journey to the Light

📌 Key Lyrics from Optimistic Voices

You're out of the woods, You're out of the dark, you're out of the night, Step into the sun, step into the light.

📌 Key Lyrics from Out of the Woods

Are we out of the woods yet? Are we out of the woods yet? Are we in the clear yet? Are we in the clear yet?

📌 Key Lyrics from Daylight

I've been sleeping so long in a 20-year dark night (Now I'm wide awake) And now I see daylight (I see daylight), I only see daylight (ah)

At its core, Out of the Woods is a song about living in a state of constant anxiety, uncertainty, and fear. While it has been widely interpreted as a song about a fragile, doomed relationship, when viewed through a queer lens, the song’s themes take on an even deeper meaning:

🌈 Queer Interpretation:

The fear of being found out.

The struggle of navigating a love that feels fragile and threatened.

The desperation to hold onto something that the world does not want to survive.

💡 Optimistic Voices tells the moment of reaching safety—it is the sound of emerging from a place of struggle into clarity. Out of the Woods, on the other hand, is still trapped in uncertainty, asking the question: Are we safe yet? Are we in the clear?

⭐ Where Daylight Fits in the Journey:

If Out of the Woods is about struggling to escape the fear, then Daylight is about finally arriving at a place of clarity and acceptance.

The lyric “I’ve been sleeping so long in a 20-year dark night” mirrors the journey of stepping out of the woods into the sunlight—into truth.

⭐ Stepping Into the Light: Visibility & Queer Self-Discovery

📌 Key Lyrics from Optimistic Voices

Step into the sun, step into the light.

📌 Key Lyrics from Out of the Woods

The rest of the world was black and white, but we were in screaming color.

📌 Key Lyrics from Daylight

You gotta step into the daylight and let it go Just let it go, let it go

🌈 Queer Interpretation:

The contrast between "black and white" and "screaming color" reflects the experience of queerness in a heteronormative world.

The “black and white” world is society’s rigid, traditional expectations.

“Screaming color” is queerness—vibrant, alive, but existing in stark contrast to what’s expected.

⭐ Daylight completes this arc:

In Out of the Woods, the sun is rising but it’s still a question of safety.

In Daylight, Taylor is fully in the sun, embracing its warmth and clarity.

It’s not just about stepping into the light—it’s about choosing to stay there.

📌 Much like the journey from Kansas to Oz, the transition from Out of the Woods → Daylight is about leaving behind a world of confusion and entering a new, golden reality.

🌈 Did You Know?

The Emerald City has often been compared to the idea of a queer utopia—a place where people who have been marginalized in the “real world” can be free. (I may have already told you this 100 times, haha)

Daylight being "golden" aligns with the Yellow Brick Road leading to Emerald City—a literal path toward truth, clarity, and belonging.

⭐ Holding On Through the Journey: The Final Push Toward Safety

📌 Key Lyrics from Optimistic Voices

Hold onto your breath, hold onto your heart, hold onto your hope, March up to that gate and bid it open.

📌 Key Lyrics from Out of the Woods

Remember when we couldn't take the heat? I walked out, I said 'I'm setting you free.'

📌 Key Lyrics from Daylight

My love was as cruel as the cities I lived in Everyone looked worse in the light.

🌈 Queer Interpretation:

Optimistic Voices is about reaching the final destination—the Emerald City—after a long, uncertain journey.

Out of the Woods describes a love that is filled with tension, fear, and the possibility of collapse at any moment.

Daylight is the final realization—that love doesn’t have to be cruel, it doesn’t have to exist in the dark, and when you step into the sun, you see things for what they truly are.

⭐ Final Thought:

Out of the Woods asks if the journey is over yet.

Daylight declares that it is.

Optimistic Voices sings the moment when you finally step into the light and let it all go.

Maybe Daylight is that moment of realization—that the fear, the hiding, the uncertainty—it was never love. Love was golden. Love was daylight. At least that was her hope for the Lover era. I will deep dive this when I write about the failed coming out of 2019.

9. Out of the Woods and the Snow That Awakens Dorothy: A Symbolic Parallel

Now let's explore how the striking visual connection between The Wizard of Oz and Taylor Swift’s Out of the Woods lies in the use of snow as a transformative and awakening force. In both stories, snow serves as an intervention—clearing a path forward and signaling a moment of clarity.

📌 Key Scene:

As Dorothy, the Tin Man, the Scarecrow, and the Cowardly Lion approach the Emerald City, they become trapped in a poppy field—a symbol of illusion, intoxication, and losing one’s way.

They begin falling into a deep sleep, overwhelmed by the enchanted flowers that prevent them from reaching their goal.

Glinda, the Good Witch, intervenes, sending a magical snowfall to neutralize the poppies’ effect and wake them up.

The moment marks a turning point—Dorothy and her friends can finally see the Emerald City clearly and continue their journey.

🌈 Did You Know:

The poppy field has often been interpreted as a metaphor for external forces that sedate or mislead people, from addiction to societal expectations.

The snowfall, then, represents a cleansing moment—a realization that breaks through illusion.

⭐The Snow in Out of the Woods: A Moment of Survival & Awakening

📌 Key Visuals:

The Out of the Woods music video follows Taylor through various brutal landscapes—fire, water, mud, and snow—each symbolizing the emotional turmoil of a doomed relationship.

The snowstorm sequence comes toward the end of the video, as Taylor collapses in exhaustion.

As she pushes through the deep snow, she appears more alone than ever—but also closer to breaking free.

At the end of the journey, she reaches the ocean and finds herself, leading to the final message: “She lost him but found herself, and somehow that was everything.”

💡 Parallels to The Wizard of Oz:

Just as Dorothy’s group was lost in a dreamlike haze, Taylor, in the Out of the Woods video, struggles through disorienting landscapes, lost and overwhelmed.

Snow acts as both an obstacle and a catalyst—it is the final challenge Taylor faces before she reaches self-discovery.

Like Dorothy waking up in the poppy field, Taylor’s emergence from the snow signals that she has survived the journey and can now move forward.

Many fans have pointed out that Taylor’s music video looks eerily similar to The Wizard of Oz's journey through different landscapes—leading up to a final realization of self.

💡The journey through these trials mirrors the queer experience of fighting through shame, fear, and external pressures to finally find one’s authentic self.

7. "Karma" Music Video: A Nod to Dorothy (2023)

📺 Watch Here: Taylor Swift – Karma (Official Music Video)

In May 2023, Taylor released the music video for "Karma," featuring Ice Spice. The video is rich with symbolic imagery, notably a segment where Taylor embodies a character reminiscent of Dorothy from The Wizard of Oz. Dressed in a gingham-style outfit with braided hair, she skips down a yellow brick road, evoking the classic journey to Oz. This portrayal not only pays homage to the iconic film but also reinforces the queer themes associated with it.

The "Karma" music video is replete with Easter eggs and references, with fans noting the deliberate parallels to The Wizard of Oz, further emphasizing Taylor's engagement with queer-coded imagery.

💡 This could represent Taylor realizing that the world she built for herself isn’t real—just like how Dorothy learns that Oz is an illusion. To throw in some more imagery, the hour glass plays an important role in the life or death of Dorothy, In Karma, Taylor puts her "duel self" (oh boy, what a deep rabbit hole that concept is) inside of it. Further evoking connections to running out of time, anxiety, and the long journey of waiting.

8. Karlie Kloss as Dorothy: The Chessboard & “Mastermind” Connection

Karlie Kloss’s Halloween costume as Dorothy from The Wizard of Oz may seem like a simple tribute, but the details of her social media post led to potential deeper meanings—especially in relation to Taylor Swift, “Mastermind,” and black-and-white chessboard imagery.

📌 Key Visual in the Post:

In Karlie’s Halloween Instagram photo, she’s dressed as Dorothy and positioned next to a chessboard.

This small detail immediately caught fans’ attention because chess and strategic planning are key themes in Taylor Swift’s song “Mastermind.”

Karlie’s decision to post a chessboard next to herself while dressed as Dorothy is too deliberate to be ignored.

Fans speculate that this could be a nod to her connection with Taylor—whether as an inside joke, a strategic message, or an acknowledgment of their intertwined histories. As of 2025, this post has been removed from her grid. Kinda fishy if you ask me...

📌Chess as a Metaphor in “Mastermind”

📺 Watch Here: Taylor Swift – Mastermind (Lyric Video)

In Midnights, Taylor Swift’s song “Mastermind” is all about strategically orchestrating relationships and events, using chess as a metaphor.

Key Lyric:“What if I told you none of it was accidental? / And the first night that you saw me / Nothing was gonna stop me.”

The song describes a calculated, almost fated connection between two people, a theme that many have associated with Taylor’s relationships—both personal and professional.

📌Black-and-White Imagery: The Victoria’s Secret Fashion Show & Eras Tour

📌 Key Visuals:

At the 2014 Victoria’s Secret Fashion Show, Taylor Swift performed while Karlie Kloss walked the runway, and the two famously held hands on stage.

The stage floor was a black-and-white checkerboard, setting the scene for the chessboard imagery seen in Karlie’s Halloween post 10 years later, lol. I know, sounds crazy but stay with me.

In The Eras Tour, Taylor replicates the black-and-white stage design, reinforcing the symbolism of duality, strategic moves, and interconnected paths.

💡 The chessboard theme in Karlie’s post, Taylor’s “Mastermind” lyrics, the Victoria’s Secret Fashion Show checkerboard stage, and the Eras Tour black-and-white motifs all tie back to themes of control, fate, and strategy.

Is Karlie subtly responding to Taylor? Is this an inside joke or an intentional reference?

One thing is clear: The chess pieces are still moving. ♟️✨

🌈 Did You Know:

Black-and-white checkerboard imagery has long been used in queer-coded storytelling as a symbol of duality, secrets, and transformation.

It is often associated with hidden messages, underground queer spaces, and coded communication—just like the way queerness has been subtly signaled in art for decades.

💡The black-and-white color scheme of the chessboard and Karlie’s setting mirrors one of the most iconic cinematic transitions of all time—when Dorothy leaves the black-and-white Kansas world for the vibrant, complex, and magical world of Oz.

⭐Black-and-White Transitions: From Kansas to Oz & Taylor’s Career

📺 Watch Here: The Wizard of Oz (1939) – The Moment Dorothy Enters Oz

📌 Key Moment in the Film:

The first 20 minutes of The Wizard of Oz are filmed in sepia-toned black and white, representing Dorothy’s dull, restrictive reality.

The moment she arrives in Oz, the world explodes into Technicolor, symbolizing her awakening, self-discovery, and entrance into a more complex reality.

⭐ How This Relates to Taylor:

The black-and-white Kansas vs. Oz transition mirrors Taylor’s career transformation.

Many interpret Taylor’s use of black-and-white motifs as representing her “Kansas” era (the media’s constructed, controlled version of her) versus her true, colorful, more authentic self (Oz).

Karlie’s chessboard post reinforces this theme of strategy, hidden messages, and transitions between different realities.

10. The Tortured Poets Department & The Aesthetic of Kansas in The Wizard of Oz

For this section, I heavily referenced this Reddit post.

📺 Visual References:

Taylor Swift – The Tortured Poets Department (Concept Aesthetics) TTPD Announcement Video

The Wizard of Oz (1939) – Kansas Scenes Opening Scene of The Wizard of Oz

Taylor Swift’s The Tortured Poets Department (TTPD) era is characterized by a stark, desaturated, grayscale aesthetic, heavily focused on themes of melancholy, confinement, and longing. This muted, dreamlike quality bears a striking resemblance to the sepia-toned depiction of Kansas in The Wizard of Oz—a world of restriction, where one longs for escape but also finds deep-rooted meaning.

📌 Kansas in The Wizard of Oz

Dorothy’s life in Kansas is drab, isolated, and full of longing for something more.

The world is monochrome, reflecting both emotional and physical constraints.

The tornado serves as a rupture—transporting Dorothy from a limited reality into a world of heightened color and discovery.

📌 TTPD Aesthetic

Taylor’s album visuals are stark, black-and-white, evoking a feeling of nostalgia, loss, and self-reflection.

The concept of being “trapped” in a poetic department mirrors Dorothy’s confinement on a Kansas farm—both feel like places where creativity is stifled or existence is dull.

Fans have noted the “literary sadness” of TTPD—it embodies the idea of a writer trapped in their own melancholy, longing for something beyond the grayscale world they inhabit.

💡 Queer Interpretation:

Just as Dorothy dreams of escaping Kansas for something more vivid and fulfilling, TTPD could represent a moment of longing before stepping into a fuller identity.

The monochrome aesthetic could symbolize repression or living in a constrained world—before fully embracing one’s truth.

If The Wizard of Oz is a metaphor for queerness, then is TTPD the period before Taylor’s own “tornado moment”?

📌 Key Lyrics from The Tortured Poets Department

But you awaken with dread Pounding nails in your head But I've read this one where you come undone I chose this cyclone with you

Nod to waking up (as Dorothy does in the movie)

Nod to reading (reading about the journey which is undertaken in the Wizard of Oz

Nod to the cyclone (need I say more? Fine, I will.)

The Tornado as a Symbol of Disruption & Change

📌 How Tornadoes Function in The Wizard of Oz

The tornado represents a violent rupture in reality—breaking Dorothy out of the mundane and sending her somewhere new.

It is both terrifying and necessary—it destroys her former world but also leads to her greatest self-discovery.

📌 How This Relates to TTPD

If Kansas = TTPD, then where is Taylor’s tornado?

Could TTPD represent a moment of painful self-awareness before a transformation?

If Taylor follows the narrative structure of The Wizard of Oz, then what comes after TTPD could be a transition into something entirely new—a moment of “color” after the storm.

Visuals At The Beginning of The Eras Tour:

When considering this, I wonder if the intent is to draw attention to the era in which Taylor really began overtly queer coding, Lover, with the dark, swirling cyclones behind her? The screen visual feels like another acknowledgement of Kansas.

If this could be so, and it is true that Taylor connects Lover to Oz and TTPD to Kansas, it is worth noting theories that the costumes for the The Smallest Man Who Ever Lived segment of the TTPD set at The Eras Tour could be a callback to the ME! music video but with all the color removed.

📺 Watch Here: ME! Live From The Billboard Music Awards

In the ME! music video, Swift dons a pastel marching band uniform over a crystal-encrusted bodysuit, complemented by patent boots. This ensemble aligns with the video's overall colorful aesthetic, symbolizing themes of individuality and self-empowerment.

"ME!" Music Video: The colorful uniforms and lively marching underscore a message of joy, unity, and self-celebration.

During the Eras Tour performance of The Smallest Man Who Ever Lived, she wore a white military-style jacket featuring epaulettes and frogging, accompanied by a synchronized marching routine with her backup dancers, who played drums. The act concluded dramatically, with Swift and her ensemble collapsing on stage, symbolizing the song's themes of vulnerability and introspection.

Eras Tour Performance: The white military jacket and structured marching reflect a more somber and introspective tone, culminating in a staged death that signifies the song's exploration of personal struggle and defeat.

📌 Key Lyrics from TTPD:

Taylor Swift’s use of animal imagery in The Tortured Poets Department carries striking parallels to The Wizard of Oz, specifically through references to the lion, tiger, and bear—three creatures that are deeply embedded in the Oz mythology.

These references mirror the iconic phrase from The Wizard of Oz:

“Lions, and tigers, and bears! Oh my!”

In the film, Dorothy and her friends chant this line as they enter the haunted forest, anticipating unseen dangers. Each animal in the story represents a distinct archetype:

The Cowardly Lion – Symbolizes fear, insecurity, and the search for courage.

The Tiger – Represents strength, intensity, and a predatory nature.

The Bear – Associated with both protection and untamed aggression, embodying both nurturing and destruction.

💡 How This Relates to TTPD

The “coward claimed he was a lion” lyric in LOML suggests a false bravado—someone pretending to be strong but ultimately lacking courage, much like the Cowardly Lion’s arc in The Wizard of Oz.

The lyric “Way to go, tiger, you look ridiculous and you have no idea” suggests mocking someone who thinks they are strong or in control.

The bear in The Bolter represents the tension between control and freedom, echoing how Dorothy’s companions struggle with their own limitations.

11. Lions, Tigers, and Football Players, Oh My!

Follow me into this theory where I explore the idea that Travis Kelce and Taylor Swift are both on that journey together—not as a romantic couple, but as two people navigating a carefully constructed public image while protecting their private truths.

🌈 Queer Allegory:

In The Wizard of Oz, Dorothy finds her people on the road—each struggling with their own identity crisis.

Similarly, if Taylor and Travis are indeed “walking the Yellow Brick Road” as a protective duo, then this relationship could symbolize two individuals working together to maintain a shared safety net in the public eye.

💡 Possible Implications:

If Travis is queer (or in a long-term private relationship with Ross Travis), and Taylor is also closeted, then their relationship becomes a shield—allowing them both to exist more freely behind the scenes.

This would align with other known Hollywood “double bearding” arrangements, where two public figures strategically date to deflect speculation.

⭐ The Kansas City Connection: From Allegory to Reality

📌 Key Connection:

The Wizard of Oz is set in Kansas, a place Dorothy longs to escape but ultimately learns to appreciate.

Now, Taylor is literally in a public relationship with one of the biggest Kansas City figures in the world.

💡 If Kansas has always been a metaphor for longing, escape, and self-realization in Taylor’s work, then does this relationship mark a return to something safe and stable, rather than a new romantic revelation?

Follow the Yellow Brick Road… to Arrowhead?

I just wanna note that I do not believe the Cornelia Street lyric below was premeditated to be referential to the Tayvis relationship, however, it's always peculiar how Taylor's life so stunningly imitates art.

As if the street lights pointed in an arrowhead Leading us home

Where is Dorothy trying to go? HOME! KANSAS!!

📌 How This Theory Could Fit the Timeline:

Khalen Saunders (former Chiefs player) is the brother of Kameron Saunders, one of Taylor’s backup dancers and close friends.

The theory suggests that Travis and Taylor may have been introduced through Kameron via Khalen, setting up a mutually beneficial dynamic.

If this is true, it would mean Taylor and Travis’s public debut in July 2023 was premeditated long before the world caught on.

Aside from the Khalen + Kam connection, it is worth noting that Karlie, originally from St. Louis, Missouri, has publicly supported the Kansas City Chiefs and Travis specifically.

In May 2022, Travis Kelce attended a Formula 1 cocktail party hosted by Karlie Kloss in Miami. This event indicates that they were acquainted prior to Travis's relationship with Taylor Swift.

🌈 Queer & Symbolic Interpretation:

In many ways, this fits a classic queer narrative of finding safety in partnerships that protect one’s truth.

The Wizard of Oz is about longing for a place where you are safe, understood, and able to be yourself.

Could Travis and Taylor’s relationship represent a way for them to exist more freely within their respective closets—while the world watches a different story?

⭐ Why This Relationship Works—Regardless of the Truth

Whether this theory is correct or not, one thing is undeniable: Travis Kelce and Taylor Swift have a public dynamic that feels mutually beneficial in ways that go beyond romance.

📌 What Travis Provides for Taylor:

A strong, masculine, straight-passing relationship to appease media and conservative backlash.

Genuine public adoration—he is protective of her and supportive of her success.

A sense of stability and safety in a relationship that does not threaten her independence.

📌 What Taylor Provides for Travis:

Elevated status outside of sports, making him one of the most visible athletes in the world.

A PR shield—any speculation about his private life is drowned out by their high-profile romance.

Increased crossover appeal—his branding now extends to pop culture in a way it never did before.

💡 If they are truly bearding for each other, it would mean they are not only protecting their personal lives, but also strengthening their own public legacies in the process.

This theory presents a compelling reframing of Taylor and Travis’s relationship as something more complex than just romance.

🌈 Is this truly Taylor’s Dorothy moment—finding her “home” with Travis in Kansas City? 🌈 Or is this another carefully constructed part of the larger story, walking the Yellow Brick Road together, knowing full well the truth that lies at the end?

Maybe, just like Dorothy, they already know the truth—but they have to walk the path anyway.

Conclusion: “Pay No Attention to the Man Behind the Curtain”

Taylor Swift’s repeated return to The Wizard of Oz—through imagery, lyricism, and visual storytelling—feels deliberate, layered, and unshakable. For over a decade, she has woven Oz into her art, a recurring thread in a larger tapestry of hidden meanings.

So what is she really telling us?

Is Oz a metaphor for fame—an illusion, an Emerald City that’s never as real as it seems? Is it about queerness—the journey of self-discovery, longing, and finding a chosen family? Is it a hidden love story—one written between the lines, only visible to those who know where to look?

The answer? Maybe all of them.

Taylor Swift is still following the Yellow Brick Road. And for those of us who have been paying attention, one thing is certain:

🌈 There’s more to the story than meets the eye.

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fairestbeard · 7 months ago

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The Bear “Pasta” episode is about tainted/interrupted magic.

Walk with me.

In my previous meta I discussed how The Bear uses magical realism or marvelous realism in its story telling as evidenced in “Pop”. This is also very evident in the episode “Pasta”.

What Is Magical Realism?

Magical realism is a genre of literature that depicts the real world as having an undercurrent of magic or fantasy… Within a work of magical realism, the world is still grounded in the real world, but fantastical elements are considered normal in this world.

David Lodge defines magic realism: "when marvellous and impossible events occur in what otherwise purports to be a realistic narrative"

The genius of The Bear is that it’s so subtle in its use of marvelous realism that it is totally left to interpretation. The magical aspects of the stories are so blended in with the ordinary so much so that you might not notice at all. We can see The Bear employing aspects of folklore and the supernatural in the most subtle ways.

Violet.

Over the course of the season, we’d see the color and general ambience of the show shift a lot to emphasize the mood and the events. This episode focuses on Carmy and Syd bonding over the menu they’re trying to create and it feels (to the sydcarmys at least) like some type of love is in the air. This is the closest Sydney and Carmy had ever been in proximity and intimacy to that point. It is also the most progress they made on organizing the menu in the season. We even arguably see Carmy the most animated and relaxed for how neurotic he is known to be.

In this episode we see a lot of violet or purple, which is associated in magic with love potions. There’s a ray of violet light streaming through the restaurant and all through the episode we can that (especially) Carmy’s skin is ever so slightly tinged purple. There’s also a hint of purple in almost every scene either from the lighting to random purple objects in the background (remember season 1 with the tomato cans everywhere? They’re saying something).

This was a very deliberate choice and one big evidence of this is the color coding of the Chicago flag shown at the start of the episode.

The Chicago flag in The Bear "Pasta" episode vs the actual Chicago flag.

Wiz Richie

Richie assumes the role of the wizard-in-charge, dressed in the purplest purple and trying to assert himself all over the ongoing renovations at the restaurant. He calls himself the supervisor (supervisor of the spell?), accuses people (obviously the audience) of not knowing “how to watch stuff”, in other words we should be paying more attention. The movement or beat of the episode is also centered on him. Everything is going chaotically well as it does with the Berzatto clan both at the restaurant and away but then…

Richie finds an anomaly.

Mold is the death knell

Fak tells them mold is the death knell and it could "ruin everything". In other words, it could spoil the magic that's already happening, because it will.

Richie is in denial about the presence of the death knell and is trying to get everyone to ignore the problem instead of dealing with it the right way. But there really IS a problem and his efforts to prove there wasn’t results in a more catastrophic ruining of the magic.

This moment is where the whole trajectory changes. That’s the exact moment Carmy runs out of veal stock and has to go to the store. While Emmanuelle and Syd's dinner turn from sweet memories to an argument about whether Carmy is trustworthy, Carmy runs into Claire.

A breached portal

What I love about this scene is how once you see it you can’t unsee it.

The way Claire is introduced into the scene, it’s almost like in a marvel-esque fantasy film where a portal is opened do or create something good but some other force gains access to that portal and is introduced to their world. We also see the introduction of the cold blue that pervades the rest of the season.

We can sense Carmy's discomfort. He tries to gently evade what's to come.

But the mold has taken hold.

And sometimes the dark force is not a horned creature with a three pronged weapon. Sometimes the dark force is beautiful and smiling and “remembers you”.

Note: While I now and forever will be anti Claire bear and even though the format, through this marvelous realism lens, casts her as a malevolent force, in reality she probably isn't. Storer stays deceiving and léger de main-ing, remember? Ultimately Carmy is the one "trapped in a prison of his own design".

#the bear #the bear meta #sydcarmy #carmy x sydney #carmy berzatto #sydney adamu #claire bear

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laurfilijames · 9 months ago

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For So Long

Pairing: Percy Fawcett x female reader

Words: 3k

Warnings: Rated E, 18+. Fingering. Unprotected intercourse.

Summary: All the time spent yearning for each other is finally rewarded when Percy returns home from war, fulfilling every shared desire.

A/N: And here we are yet again ignoring the plot and events of a film and throwing canon right out the window because I like this better! I had this idea a while ago and was finally able to finish it, so as random as this is (and not what I should've been working on) enjoy!! A big thank you to @spaghettificationandpretzels for the beautiful banners and also to @wackyharpy for both of you showing so much encouragement and excitement for this story! 💗

---

The town had been spirited and bustling for days; everyone anxiously preparing for a long-awaited arrival.

The soldiers were coming home.

Your soldier was coming home.

Letters had been exchanged over the course of the months Percy had been away, his handwriting enough to temporarily sate how much you had been missing him, but now that his return was happening within a matter of hours or days, your heart ached for him even more.

The first set of troops rode in the day prior, the streets lined with all the loved ones left behind who had prayed endlessly for their husband, father or son to be among the ones alive and safe, your heart in your throat the entire time as you scanned through the war-torn faces for a glimpse of the man who didn’t even belong to you yet.

You busied yourself as much as you could to preoccupy your restlessness, baking bread and even a small cake to celebrate, but even as much as you attempted to drag out all your chores, you ended up completing them too quickly and left yourself with even more time to spare in agony.

A long exhale blew through your lips as you swept the stable floor for the third time that day, watching the dust stir up and dance in the sun’s rays that were shining in through the open doorway, the smell of fresh straw in each stall and the distant sound of the horses whinnying in the pasture closest to you helping to calm you.

It was a beautiful day to go riding, the need to gallop through the vast fields with the sun on your face and the wind in your hair calling to you, but without Percy it didn’t seem as appealing.

It was how you met and quickly became your routine; you caring for the horses used by the military, your introduction to Major Fawcett nothing short of electrifying, drawing you to each other at any given opportunity. You would spend hours together out in the fields, riding to places you hadn’t discovered yet, the day ticking by without care as your focus was simply on each other, the lingering looks shared from atop your mounts something you would never be able to erase from your memory.

Charged glances weren’t the only things shared, the tension that had grown between you over the time knowing each other building with every brush of his hand against yours, how his lips would hover so closely to yours that you could feel his breath, waiting to give in to every desire the moment he said to.

“I would have thought you would be in the crowd with everyone else, but I should have expected to find you here instead.”

Percy’s smooth, low voice echoed behind you in the quiet of the stables, causing you to freeze before whipping around, throwing your broom to the ground as you took two quick strides toward him, his bright smile greeting you along with his laugh.

“Percy!” you exclaimed, your eyes dancing over every part of him as your brain worked to believe he was standing before you, your hands instinctively landing on his forearms where you gripped at him through his uniform.

His chuckle continued as he pulled you into his embrace, holding you so closely you could feel your hearts hammering through your chests against each other’s, his hands carefully gliding up the length of your back where he paused and gave a gentle squeeze. His face dipped to nuzzle the side of your neck, his long inhale replacing his laugh as he breathed you in, the intimacy of such a simple act making your eyes close as you in turn did the same.

“How I missed you,” he whispered, his nose grazing against your ear as he moved away slowly, feeling his moustache tickling your skin in his retreat.

His blue eyes were bright as he looked at you with complete adoration, his smile creeping across his full lips until all the creases that flanked his mouth were revealed to you.

“Shall we?” he asked, nodding his head in the direction of the rolling hills and forests, his suggestion to go for a hack made without saying.

“Are you not tired?”

You watched his expression change to something curious, his head tilting slightly while his smile remained.

“Never too tired for you.”

It was all perfect; the entire afternoon spent exchanging stories as you rode along, the weather working to keep you out for as long as you possibly could be, your cheeks sore from smiling so much.

Percy was leading, taking you through a narrow path that led to a small opening, the sound of a creek running up ahead registering as your horses brought you closer.

“Oh, it’s beautiful!” you breathed, shocked at the view before you when you halted your horse beside Percy’s, feeling his eyes fixed on you as he took in your reaction.

“I came across it on my last hunt,” he explained, his smile prideful. “I couldn't wait to bring you here.”

Percy dismounted and walked over to where you remained perched in your saddle, smiling up at you while extending his hand for you to take, assisting you in a graceful dismount of your own as you swung your leg over the front of the saddle and slid down the side into his arms.

He didn’t rush to remove his hands from your waist, in fact, tightening his hold on you as you allowed your own hands to linger on his arms, a touch so familiar between you and that of which only lovers would know.

“How do you do it?” he asked, his eyes searching your features as a playful smile dressed his perfect lips.

Your eyebrows knitted as you smiled back, your head tilting. “What?”

“Grow more beautiful each time I lay eyes on you.”

His admission made your smile fade, your heart pounding in your chest as you watched his eyes shift with something more serious, a passion glowing in them that you had seen many times before.

Your mouth opened and closed, struggling to find a suitable answer but not knowing how to respond, thankful when Percy leaned forward to touch his forehead with yours, his nose nudging your cheek.

“I never stopped thinking of you once,” he whispered, his breath fanning on your heated face, closing your eyes where you felt yourself relax and melt into his simple affection.

You knew it was true, having experienced the same in his absence, and even in all the times he wasn't away at war, he was the constant occupant of all of your thoughts.

Everything was charged and felt so emotional, and you still felt unable to find words to appropriately convey how you felt, your breath shaky when you let out the air you had been holding in your lungs.

“Please tell me I'm not alone in this,” he begged, his voice still soft but holding an urgency, his lips brushing against yours as he spoke.

You moved your head side to side, your nose rubbing against his face, your lips threatening to slot together where there would be no stopping.

“You're not. I have wanted you for what has felt like an eternity, Percy,” you breathed, your voice desperate. “I need you…” you added in another breath, exhaling as if your air was a prayer being sent for all of your dreams to come true.

Percy met your lips with his, softly and tentatively, a long moan resounding into your mouth when you returned his kiss with fervor, feeling his hand cradle the back of your head to press you together hard as you finally indulged in what had been a constant yearning.

His taste and scent was overwhelming and everything you had imagined it to be, his lips full and soft and the way his moustache brushed on your face with each kiss reminded you of all the times you had fantasized of how it would feel all over your body, the ache between your legs unrelenting.

The horses were left on their own to graze, the only focus earning your attention being of each other, Percy clearly as lost in his desires as you were.

His hands were everywhere on you, and you were equally as guilty, tearing at his uniform to try to free his body from its formal confines, the neckline of your shirt torn open and the tie on your skirt unraveled.

Percy paused in kissing you, shrugging out of his coat quickly and carelessly tossing it on the ground, allowing you an opportunity to make work at tugging his necktie down and then unfastening the buttons on his shirt, your hands smoothing over his bare chest the moment it was exposed to you.

A hungry growl sounded from him, your blood heating up more in your veins as you watched his eyes fall closed in such a simple act of pleasure, your excitement to see how he would react to more rushing through you.

Percy grabbed at your waist roughly and spun you around, turning both of your bodies so you were now pressed up against a tree, his mouth diving to your neck and lower to your chest as he revealed more of it.

You moaned loudly, unashamed to be heard and too proud to attempt to stifle anything you felt, your breathing growing faster as he kicked your feet apart with his boots and began lifting your skirts, his hands searching for where you needed him.

His fingers easily found you, stroking over your mound before slipping inside your folds, smearing your slick from back to front to make you jolt against his hand, his thumb pressing on your clit while his other fingers continued to tease you.

“Percy…” you whined, your nails clawing at his shoulders, his shirt hanging loosely from them.

He continued his exploration, slowly breaching your entrance with the tips of his fingers before retreating again, your body trying to follow whenever he backed away, your cry echoing in the trees when he finally inserted them fully inside you.

You were no stranger to pleasure; his letters sent to you scattered across your bed as you touched yourself to thoughts of him, the sound of his voice in your head encouraging you to do so over and over until you felt some satisfaction, knowing that nothing could ever compare to him once you had experienced something so divine.

“I need you to be mine,” he growled, his mouth smearing over your chest as he covered it in sloppy kisses, his other hand tearing your blouse open even more to let your breasts spill out.

“I am yours, Percy,” you complied, arching into him as he sucked at your nipples in turn, his fingers bringing you close to your high.

Your submission seemed to spark something more in him, hearing your own scream faint in your ears as he took your nipple between his teeth and tugged sharply on it, his fingers hooking inside you to rub against that tantalizing spot with purposeful movements.

He stopped his assault right when you were about to explode, his hands leaving your body to furiously unfasten his belt and trousers and whip out his cock, your eyes fixed on his large, leaking member that had your mouth watering and more arousal accumulating between your legs.

You took hold of it, sliding your hand up and down his length in a careful grip, seeing him melt into you, his cheeks flinching as his teeth clenched together, his hips angling back and forth to meet your pace.

He cursed under his breath, opening his eyes to peer down at you working him before his gaze traveled up your disheveled form, watching your heaving breasts before landing on your swollen lips that he brought his thumb up to hold, the blue of his irises darkened with pure lust as he crashed his mouth against yours in a rush.

Deft hands rucked up your skirts again, gathering them at your waist where both of you pushed them as much out of the way as you could, feeling his groin line up to yours, a gasp blowing out of your lungs when his cock nudged at your aching core.

Percy settled between your folds, not pushing past your threshold but instead letting himself linger, both of you breathing and enjoying the sensation.

You kissed him, both urgently and with a hint of hesitation, waiting for him to make his next move.

He broke the seal of your lips, breathing heavily against you, your desperate bodies eagerly wishing for this tormenting tease to end.

“We shouldn't be doing this.”

His words came off his breath in a mix of humour and agony, pretending like he was trying to do the honourable thing by attempting to refuse what you both knew you couldn’t resist any longer.

“No,” you replied, half a question and half a lie.

He moved slightly, his head slipping from between your folds, feeling yourself adjust so that you made contact again, his shaky breath fanning on your lips as he inched forward and his cock returned to where it had been, pressing a little deeper inside you.

Percy kissed you, focusing on the dance of your mouths as you allowed for him to remain no more than an inch within your walls, almost as though this wouldn’t count as being a scandal and frowned upon by those who took purity until marriage seriously.

The thrill only encouraged you more, your hips rocking back and forth on his leaking tip as if you had no control, your kisses growing harder and faster while your hands clawed furiously at each other, feeling your wetness spread out over his cock each time you brought him in and back out again.

“Percy, please!” you begged, pausing your kiss to make your desperate plea and take a breath. “Take me…”

“Is that what you want?” he spoke, his tone low and rough, his eyes flitting over your needy form.

He continued to tease your entrance, having not yet pushed past the depth he had penetrated, his gaze dropping to watch his tip move in and out of you.

“More than anything.”

Percy’s hand wrapped under one of your legs, lifting it and pushing it outward so to spread you more, his fingers digging into your flesh as he pushed further inside you, a low moan sounding from him as he filled you completely, your breath hitching in your throat as your body stretched to fit him.

His lips teased yours, brushing against them before capturing them completely, his kiss frantic to match the way he started thrusting in and out of you, his body moving powerfully into yours that was secured against the tree behind you, the way the bark was scratching into your back going unnoticed.

Your hands wove through his dark blond hair, tugging at it when your pleasure almost became too much, feeling the sweat coating the back of his neck when you let them fall down to his shoulders, hanging onto him as if you were trying to have all of him as part of you.

His pace quickened, each blow against your hips harder and making your body thud violently against the tree, and like the gentleman Percy always was, he wrapped his hands around your back to act as a barrier between you, his hands now taking the brunt of the assault.

Without the support of him holding your leg, you hooked it higher on his hip and squeezed him into you, allowing for each thrust to hit deeper, working with him as you began to feel that build to your release grow inside you.

“Percy…” you whined against his mouth, his name shaky off your tongue as you felt your body start to succumb to his efforts.

“That’s it,” he encouraged, not changing the tempo of his movements. “Let go for me. I want to feel you.”

It would’ve been impossible to hold back even if you wanted to, that blinding, electrifying heat weaving through every inch of you, your entire form tensing as you clenched tightly around him, feeling yourself soak his length as your wails filled the air, the sound of him joining you making each second all the more blissful.

Broken groans fell from his mouth as his hips stuttered into you, his mouth hanging slack against your collarbone while he pumped in and out of you, his thick, hot seed filling your walls and spilling out with each drag.

His breath cooled your heated, dewy skin as he worked to catch it, the messy markings that had resembled kisses turning to be soft and caring, pressing all along your neck and jawline until he met your lips again and brought his hands up to hold either side of your face.

“I have loved you for so long,” he confessed, his thumb rubbing your flushed cheek as his forehead rested on yours.

A small laugh escaped you despite feeling so overcome by emotion, feeling moisture pooling at the corners of your eyes as you smiled, the upward movement of your cheeks making the tears spill out.

“I love you too, Percy.”

You felt him release the breath he had been holding, relieved to know you felt the same, his nose nuzzling your face as he continued to relish in this moment.

“I am going to make you my wife,” he vowed, and you saw an earnest, devoted look dress his features when you took hold of his face and angled to look at him, his eyes as wet as the waters they resembled.

A joyous laugh was exchanged between you as you worked to believe this was all real, having imagined a moment like this time and time again in your days of yearning for him while he was away at war, his lips meeting yours in a kiss that made you trust this was something you would never have to wait for again.

---

Taglist:

@sotwk @dailydragon08 @sunnys-day @thedreadandthefugitivemind @glassgulls

@littlenosoul @glitterypirateduck @momia2910 @maggotzombie @rmwarn90

@paintlavillered @stealfromthedevil @kmc1989 @justreblogginfics @spaghettificationandpretzels

@whatever-lmaoo @steviebbboi

#percy fawcett #the lost city of z #percy fawcett x female reader #charlie hunnam #percy fawcett x reader #percy fawcett smut #charlie hunnam characters

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janitorhutcherson · 1 year ago

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hey bitches!! it’s e, i’m backkkk. i had a fic idea, something i think i’ll use for a lot of new content if y’all react well to it. to give y’all a run down before we get into it, this is a famous!mike schmidt au.

basically mike is josh hutcherson. reader (you) are his live in PR assistant. not sure the perfect word for it, but basically you manage his social media presence, the way he dresses, how he is in public, attend all events with him to monitor him, etc…… kinda like a babysitter….. also, could technically be a part of olderbf!mike because reader is 22, mike is 31. anywaysss..! it’s a new idea, i just wanted to set the scene. the way i’m writing this is different from usual. plz let me know what you think! if y’all like i’ll write more in this universe🤭

summary: ur actor mike schmidt’s assistant!!

warnings: angsty, just an introduction to an idea.

————————

mike schmidt was a mess, and everybody knew it. that was part of what was so appealing to the public. he was a celebrity, a famous actor, known for various movies, tv shows. he was glamorized, lived in LA just like the rest of them, edits to upbeat songs all over social media with his hips swaying from some random snippet of a trailer. yes, mike schmidt was a heart throb, but he wasn’t your typical golden boy. he wore jeans and raggedy t-shirts to interviews. his brown curly locks were always tangled and sticking in fifty different directions. his stubble was always a little too rough, his hands calloused and bruised to masculine perfection. he wore snap backs and had no sense of what a filter was. he said things as they were on stages, into microphones, or on livestreams, silly phrases coming out of his pink lips. he was carefree, not glamorous nor slouchy but instead some odd middle ground that left women with slack jaws and puddles of drool. he was what every woman actually wanted when they said they wanted a man ‘written by a woman,’ or so they thought he was.

in reality, mike was the biggest pain in the ass to walk the earth. while most 22-year-olds got to save pictures of him to their pinterest boards and kick their feet every time he came into their tv screen, you were stuck managing his every move, saving his ass from letting the wrong thing fall from his mouth in front of the wrong audience. you were his manager, of everything, really. you managed his social media, coached him through what to say during interviews, inspected the clothing he wore before events… there wasn’t quite anything you didn’t do for mike. the two of you had a weird connection since you’d started, not quite foes but certainly not friends. the air was always somewhat tense, something you were all too aware of whenever you’d have an interaction with him. you knew it needed to change, and fast.

you’d gotten the job fresh out of college, extremely eager to take such a high paying position. you were lucky and you were aware, your gratitude something you showed through your endless devotion to being the best manager, and hopefully one day friend, mike could have. when you’d first been offered the position, part of what made it so appealing was knowing not only were you being paid, but you were given a room to stay, in the same home as mike. it was crucial, living alongside your boss in order to keep him in check. when you’d walked into a meeting room after you’d accepted the position, you were debrief about mike, told he was… difficult, to put up with. he tended to push his previous managers to the limit, his somewhat childlike demeanor sending them running the other direction. you accepted this as a challenge, something to motivate you to prove that you were worth more than the other old and dried up pieces of talent they’d had in here.

oh boy, did you have another thing coming. you weren’t any different to mike. sure, you were gorgeous, your eyes a color he could drown in, your laugh something he grew oh so fond of over the past few months you’d lived with him, but you were just another manager… right? it was his job to make this difficult for you. that’s how he saw it. so, you fought like you were pulling teeth, demanding he go change before going out like he was your 14-year-old daughter when he’d come out in a bleach stained t-shirt. you’d have to keep him from posting selfies of him smoking a joint on FACEBOOK just to cause a stir. for gods sake, you didn’t care if he put them anywhere else, just please, not where all the old people were. you’d argue late at night when you’d both head back to his place, your eyes filled with fiery anger after he’d drop some stupid shit in an interview, accidentally saying something about how one of his older costars were a “dried up old fashioned hag who needed to get some.” was he wrong…? no. but that didn’t mean he could say it.

he’d always yell back, his eyes filled with just as much anger. you went about this charade almost every time something had to be done. it could be a red carpet event, an awards dinner, an interview, even simply a live stream, there was always something with mike, something to yell and scream about. you constantly tried your hardest to stress how much you cared about this job, about him even too, sometimes blurring the line between professionalism and feelings as you’d get a little too intimate about the things you’d left behind, desperate for him to understand you, to see you.

it wasn’t until one night you’d finally had enough. he’d changed outfits right before a big interview that could’ve got him in front of multiple big directors, something big, even more groundbreaking for him. he’d been in an elegant outfit that fit his body so well, just like a glove, you could only imagine. of course, he hated it. he hated being coaxed into things, told what to do, to say, and currently, both were happening. when no one was watching, he’d slipped himself into a pair of black jeans and a tank top, walking out just like that, then proceeding to insult every director there individually. you were dumbfounded. no, he wasn’t drunk. no, he wasn’t high, medicated, or under any influence. this was just… mike, and you were starting to have enough.

the moment the two of you entered the house, you’d went at it, your face red from anger. how could he? how could he go out and blatantly go against everything you’d said purely out of boredom? he was a grown man, you’d think he could do better than this. you were embarrassed, not even for yourself as who represented him even though you should’ve been, but for him. you wanted this for him. your eyes locked on his, the moment you slammed the door shut. his big, beautiful brown eyes you most definitely didn’t mind looking into, no matter how angry you were. “mike, what the fuck,” was all you could say before he stuck his hand up. he went to turn on his heel, not even bothering to listen to a word you’d have to say.

that’s when you did something you didn’t think you’d do. this time, you’d let something slip, something you’d wished you hadn’t. “mike, if this shit doesn’t stop i’m fucking quitting, i’m leaving.”

that’s all it took.

that’s all it took for him to turn back on his heel to face you, frozen. his mouth was slightly parted, his eyes wider than you’d seen them before. he looked… angry.. confused.. no, not even. he looked… sad? he fluttered his eyes, his mouth opening and closing a little. you’d known you’d lasted longer than most, but this wasn’t what you were expecting.

“don’t,” was all he said, taking a couple of steps toward you. you stood there, frozen and tense as who was basically your boss slowly moved towards you, his demeanor different than you’d seen before. he was like a lost and wounded puppy, his dark brown eyes glistening with an emotion you’d never seen in him before. he reached out, touching your shoulder. you flinched, not even because you didn’t want him to but out of instinct.

“just, don’t go, y/n. i couldn’t take it, okay? i-i’m sorry, i’m sorry i fuck around too much, i’m sorry.. i just.. i don’t want you gone,” he said, his voice was low and growly. oh. he wanted you to stay. this was the first time he’d shown any interest in you in any way other than arguing, and you didn’t know what to do. with that being said, you did what you knew how to do best.

“okay,” you simply said, nodding your head as you went to your room. that night, you’d laid in your bed conflicted about the side of the man you lived with that you saw tonight. meanwhile, while you tossed and turned in your own sheets, mike did the exact same. little did you know, you were the only person mike had ever felt a real connection with. you were the only one patient, loving, thoughtful enough to be there for him, even through his hissy fits. he adored you, your style, your walk, your laugh, your humor, and he hated it. you were in his mind 24/7 and he hated it. but no, he could never get closer, because he knew you’d leave, just like the rest, and tonight was proof.

no, if mike were to ever attempt to get closer, you’d be the one to start it. and perhaps.. perhaps you would be, perhaps this encounter would be so engrained into your brain that you think about it daily, dissecting the look on his face. but who knows? maybe next week you’ll change your mind and pack your things, walk out the door. only the narrator knows quite what’s in store for the two of you…

#josh hutcherson x reader #mike schmidt fluff #mike schmidt x reader #mike schmidt #mike schmidt imagine #josh hutcherson #josh hutcherson fanfic #josh hutcherson fluff #josh hutcherson imagine #mike schmidt smut

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