#rambling incoming
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stuff from a scraped emmk animatic i wanted to do
i try to run but emmk is faster
#my art#total drama#tdi 2023#total drama mk#td mk#tdi mk#total drama emma#td emma#tdi emma#emmk#total drama emmk#rambling incoming#i keep saying ohhhh im gonna finallynleave total drama#i have little to no stuff to actually DRAW FANART OF#i wanna watch shows but i genuinely cannot bring myself to actually sit down and watch media without drawing#i'll figure it out eventually
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I think being possessed by Bill has permanent side effects, actually.
#Gravity falls#stanford pines#ford pines#worm do draw#worm do doodle#gravity falls fanart#gravity falls stanford#Mini ramble in tags incoming#but think of the angst potential#imagine not even being able to look at the mirror without remembering your own mistakes#Yaoi so toxic it drastically and permanently alters your EYES
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My page for @kairizine. It was such a huge honor to be part of this wonderful book with everyone, I had so much fun!
[id in alt!]
#kingdom hearts#kh#kh kairi#kh xion#kh namine#i don't really feel proud of my own stuff usually but#i really think this is the drawing i'm most proud of from this past year!! it made me think 'oh maybe i can draw' haha#i'm still kinda bad with colors but something clicked with this one. and i feel like i got the sentimental feeling i wanted!#ooh but this project's about flower symbolism so ramble incoming:#protea symbolizes resilience transformation and diversity; hollyhock means 'please remember me.'#so my general theme was finding a sense of self.#these 3 have struggled with finding their own identity; they tend to get left behind both in-universe and in general plotwise#and naminé and xion both resemble kairi and were overshadowed by her memory. but i feel like all 3 have transformed into their own people#xion and naminé have their faces covered partially by hollyhock to show their wish to be remembered for who they are-#instead of the parts that they share with someone else#and the protea bouquets show how they each held on and resiliently grew into their own person despite it all#i put a little swervy path on the hill behind kairi to give that hopeful sense of growth and moving forward. it's a little hard to see#hopefully that makes sense! i really love symbolism but i think in visuals so i'm really bad with words#but gosh working with everyone on this project was so fun. it was like impossible not to get swept up by the team's hype for this zine#i need to hunt down everybody's work and rb it#ohh and everybody's flowers are so crisply drawn it's insane!! i think if i lined all these flowers and leaves i'd die haha#fan art#my art#project stuff
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For the past six years or so, this graph has been making its rounds on social media, always reappearing at conveniently timed momentsâŠ
The insinuation is loud and clear: parallels abound between 18th-century France and 21st-century USA. Cue the alarm bellsârevolution is imminent! The 10% should panic, and ordinary folk should stock up on non-perishables and, of course, toilet paper, because it wouldnât be a proper crisis without that particular frenzy. You know the drill.
Well, unfortunately, I have zero interest in commenting on the political implications or the parallels this graph is trying to make with todayâs world. I have precisely zero interest in discussing modern-day politics here. And I also have zero interest in addressing the bottom graph.
This is not going to be one of those "the [insert random group of people] Ă la lanterneâ (1) kind of posts. Â If youâre here for that, Iâm afraid youâll be disappointed.
What I am interested in is something much less click-worthy but far more useful: how historical data gets used and abused and why the illusion of historical parallels can be so seductiveâand so misleading. Itâs not glamorous, Iâll admit, but digging into this stuff teaches us a lot more than mindless rage.
So, letâs get into it. Step by step, weâll examine the top graph, unpick its assumptions, and see whether its alarmist undertones hold any historical weight.
Step 1: Actually Look at the Picture and Use Your Brain
When I saw this graph, my first thought was, âThatâs odd.â Not because itâs hard to believe the top 10% in 18th-century France controlled 60% of the wealthâthat could very well be true. But because, in 15 years of studying the French Revolution, Iâve never encountered reliable data on wealth distribution from that period.
Why? Because to the best of my knowledge, no one was systematically tracking income or wealth across the population in the 18th century. There were no comprehensive records, no centralised statistics, and certainly no detailed breakdowns of who owned what across different classes. Graphs like this imply data, and data means either someone tracked it or someone made assumptions to reconstruct it. Thatâs not inherently bad,  but it did get my spider senses tingling.
Then thereâs the timeframe: 1760â1790. Thirty years is a long timeâ especially when discussing a period that included wars, failed financial policies, growing debt, and shifting social dynamics. Wealth distribution wouldnât have stayed static during that time. Nobles who were at the top in 1760 could be destitute by 1790, while merchants starting out in 1760 could be climbing into the upper tiers by the end of the period. Economic mobility wasnât common, but over three decades, it wasnât unheard of either.
All of this raises questions about how this graph was created. Whereâs the data coming from? How was it measured? And can we really trust it to represent such a complex period?
Step 2: Check the Fine Print
Since the graph seemed questionable, the obvious next step was to ask: Where does this thing come from? Luckily, the source is clearly cited at the bottom: âThe Income Inequality of France in Historical Perspectiveâ by Christian Morrisson and Wayne Snyder, published in the European Review of Economic History, Vol. 4, No. 1 (2000).
Great! A proper academic source. But, before diving into the article, thereâs a crucial detail tucked into the fine print:
âData for the bottom 40% in France is extrapolated given a single data point.â
What does that mean?
Extrapolation is a statistical method used to estimate unknown values by extending patterns or trends from a small sample of data. In this case, the graphâs creator used one single piece of dataâone solitary data pointâabout the wealth of the bottom 40% of the French population. They then scaled or applied that one value to represent the entire group across the 30-year period (1760â1790).
Put simply, this means someone found one recordâmaybe a tax ledger, an income statement, or some financial dataâpertaining to one specific year, region, or subset of the bottom 40%, and decided it was representative of the entire demographic for three decades.
Letâs be honest: you donât need a degree in statistics to know thatâs problematic. Using a single data point to make sweeping generalisations about a large, diverse population (let alone across an era of wars, famines, and economic shifts) is a massive leap. In fact, itâs about as reliable as guessing how the internet feels about a topic from a single tweet.
This immediately tells me that whatever numbers they claim for the bottom 40% of the population are, at best, speculative. At worst? Utterly meaningless.
It also raises another question: What kind of serious journal would let something like this slide? So, time to pull up the actual article and see whatâs going on.
Step 3: Check the Sources
As I mentioned earlier, the source for this graph is conveniently listed at the bottom of the image. Three clicks later, I had downloaded the actual article: âThe Income Inequality of France in Historical Perspectiveâ by Morrisson and Snyder.
The first thing I noticed while skimming through the article? The graph itself is nowhere to be found in the publication.
This is important. It means the person who created the graph didnât just lift it straight from the articleâthey derived it from the data in the publication. Now, thatâs not necessarily a problem; secondary analysis of published data is common. But hereâs the kicker: thereâs no explanation in the screenshot of the graph about which dataset or calculations were used to make it. Weâre left to guess.
So, to figure this out, I guess Iâll have to dive into the article itself, trying to identify where they might have pulled the numbers from. Translation: I signed myself up to read 20+ pages of economic history. Thrilling stuff.
But hey, someone has to do it. The things I endure to fight disinformation...
Step 4: Actually Assess the Sources Critically
It doesnât take long, once you start reading the article, to realise that regardless of what the graph is based on, itâs bound to be somewhat unreliable. Right from the first paragraph, the authors of the paper point out the core issue with calculating income for 18th-century French households: THERE IS NO DATA.
The article is refreshingly honest about this. It states multiple times that there were no reliable income distribution estimates in France before World War II. To fill this gap, Morrisson and Snyder used a variety of proxy sources like the Capitation Tax Records (2), historical socio-professional tables, and Isnardâs income distribution estimates (3).
After reading the whole paper, I can say their methodology is intriguing and very reasonable. Theyâve pieced together what they could by using available evidence, and their process is quite well thought-out. I wonât rehash their entire argument here, but if youâre curious, Iâd genuinely recommend giving it a read.
Most importantly, the authors are painfully aware of the limitations of their approach. They make it very clear that their estimates are a form of educated guessworkâevidence-based, yes, but still guesswork. Â Â At no point do they overstate their findings or present their conclusions as definitive
As such, Â instead of concluding with a single, definitive version of the income distribution, they offer multiple possible scenarios.
Itâs not as flashy as a bold, tidy graph, is it? But itâs far more honestâand far more reflective of the complexities involved in reconstructing historical economic data.
Step 5: Run the numbers
Now that weâve established the authors of the paper donât actually propose a definitive income distribution, the question remains: where did the creators of the graph get their data? More specifically, which of the proposed distributions did they use?
Unfortunately, I havenât been able to locate the original article or post containing the graph. Admittedly, I havenât tried very hard, but the first few pages of Google results just link back to Twitter, Reddit, Facebook, and Tumblr posts. In short, all I have to go on is this screenshot.
Iâll give the graph creators the benefit of the doubt and assume that, in the full article, they explain where they sourced their data. I really hope they doâbecause they absolutely should.
That being said, based on the information in Morrisson and Snyderâs paper, Iâd make an educated guess that the data came from Table 6 or Table 10, as these are the sections where the authors attempt to provide income distribution estimates.
Now, which dataset does the graph use? Spoiler: None of them.
How can we tell? Since I donât have access to the raw data or the article where this graph might have been originally posted, I resorted to a rather unscientific method: I used a graphical design program to divide each bar of the chart into 2.5% increments and measure the approximate percentage for each income group.
Hereâs what I found:
Now, take a moment to spot the issue. Do you see it?
The problem is glaring:Â NONEÂ of the datasets from the paper fit the graph. Granted, my measurements are just estimates, so there might be some rounding errors. But the discrepancies are impossible to ignore, particularly for the bottom 40% and the top 10%.
In Morrisson and Snyderâs paper, the lowest estimate for the bottom 40% (1st and 2nd quintiles) is 10%. Even if we use the most conservative proxy, the Capitation Tax estimate, itâs 9%. But the graph claims the bottom 40% held only 6%.
For the top 10% (10th decile), the highest estimate in the paper is 53%. Yet the graph inflates this to 60%.
Step 6: For fun, I made my own bar charts
Because I enjoy this sort of thing (yes, this is what I consider funâIâm a very fun person), I decided to use the data from the paper to create my own bar charts. Hereâs what came out:
What do you notice?
While the results donât exactly scream âhealthy economy,â they look much less dramatic than the graph we started with. The creators of the graph have clearly exaggerated the disparities, making inequality seem worse.
Step 7: Understand the context before drawing conclusions
Numbers, by themselves, mean nothing. Absolutely nothing.
I could tell you right now that 47% of people admit to arguing with inanimate objects when they donât work, with printers being the most common offender, and youâd probably believe it. Why? Because it sounds plausibleâprinters are frustrating, Iâve used a percentage, and Iâve phrased it in a way that sounds âacademic.â
You likely wouldnât even pause to consider that Iâm claiming 3.8 billion people argue with inanimate objects. And letâs be real: 3.8 billion is such an incomprehensibly large number that our brains tend to gloss over it.
If, instead, I said, âHalf of your friends probably argue with their printers,â you might stop and think, âWait, that seems a bit unlikely.â (For the record, I completely made that upâI have no clue how many people yell at their stoves or complain to their toasters.)
The point? Numbers mean nothing unless we put them into context.
The original paper does this well by contextualising its estimates, primarily through the calculation of the Gini coefficient (4).
The authors estimate Franceâs Gini coefficient in the late 18th century to be 0.59, indicating significant income inequality. However, they compare this figure to other regions and periods to provide a clearer picture:
Amsterdam (1742): Much higher inequality, with a Gini of 0.69.
Britain (1759): Lower inequality, with a Gini of 0.52, which rose to 0.59 by 1801.
Prussia (mid-19th century): Far less inequality, with a Gini of 0.34â0.36.
This comparison shows that income inequality wasnât unique to France. Other regions experienced similar or even higher levels of inequality without spontaneously erupting into revolution.
Accounting for Variations
The authors also recalculated the Gini coefficient to account for potential variations. They assumed that the income of the top quintile (the wealthiest 20%) could vary by ±10%. Hereâs what they found:
If the top quintile earned 10% more, the Gini coefficient rose to 0.66, placing France significantly above other European countries of the time.
If the top quintile earned 10% less, the Gini dropped to 0.55, bringing France closer to Britainâs level.
Ultimately, the authors admit thereâs uncertainty about the exact level of inequality in France. Their best guess is that it was comparable to other countries or somewhat worse.
Step 8: Drawing Some Conclusions
Saying that most people in the 18th century were poor and miserableâperhaps the French more so than othersâisnât exactly a compelling statement if your goal is to gather clicks or make a dramatic political point.
Itâs incredibly tempting to look at the past and find exactly what we want to see in it. History often acts as a mirror, reflecting our own expectations unless we challenge ourselves to think critically. Whether you call it wishful thinking or confirmation bias, itâs easy to project the future onto the past.
Looking at the initial graph, I understand why someone might fall into this trap. Simple, tidy narratives are appealing to everyone. But if youâve studied history, youâll know that such narratives are a myth. Human nature may not have changed in thousands of years, but the contexts we inhabit are so vastly different that direct parallels are meaningless.
So, is revolution imminent? Well, thatâs up to youânot some random graph on the internet.
Notes
(1) A la lanterne was a  revolutionary cry during the French Revolution, symbolising mob justice where individuals were sometimes hanged from lampposts as a form of public execution
(2) The capitation tax was a fixed head tax implemented in France during the Ancien RĂ©gime. It was levied on individuals, with the amount owed determined by their social and professional status. Unlike a proportional income tax, it was based on pre-assigned categories rather than actual earnings, meaning nobles, clergy, and commoners paid different rates regardless of their actual wealth or income.
(3) Jean-Baptiste Isnard was an 18th-century economist. These estimates attempted to describe the theoretical distribution of income among different social classes in pre-revolutionary France. Isnardâs work aimed to categorise income across groups like nobles, clergy, and commoners, providing a broad picture of economic disparity during the period.
(4) The Gini coefficient (or Gini index) is a widely used statistical measure of inequality within a population, specifically in terms of income or wealth distribution. It ranges from 0 to 1, where 0 indicates perfect equality (everyone has the same income or wealth), and 1 represents maximum inequality (one person or household holds all the wealth).
#frev#french revolution#history#disinformation#income inequality#critical thinking#amateurvoltaire's essay ramblings#don't believe everything you see online#even if you really really want to
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â§ê°á â à»ê± ⧠Indicators of a less than well-off spouse &
the significance of the 8th house
<Img @ header source: pinterest>
This means they may have struggled with money, finances, and assets in their life. It can range from poverty stricken, an unhealthy relationship between money (i.e spending habits or addictions) to middle class or average life.
This post applies to the Juno, Briede, Groom persona charts & through derivative astrology. However, in the Groom or Briede persona chart, it manifests after the wedding.
â Saturn, Chiron, Mars, Lilith or Neptune in the 2nd house in the Briede 19029 (if you are interested in women), Groom 5129 (if you are into men) , and Juno 3 persona chart : means that your spouse will come from a lesser financial background than you. Money may have always been somewhat of an issue in their lives, so they spend much focus on obtaining it.
â If it's Chiron or Lilith in the Juno persona chart here specifically, they may be rather ashamed of it, or don't want to be a burden to you when it comes to money. This is most prominent when first getting to know each other. They may feel rather left out or seem like an outsider to your financial lifestyle.
â In the natal chart:
This is where we'll focus on the 8th house as it symbolizes the spouse's financial gain, shared resources and also their spending habits. That being said, it's also important to see the sign & degrees that they are in as well as aspects that it makes for more context. Please understand that these may manifest in their childhood or upbringing and their future may change. (See Beyonce's example on the bottom of this post. )
Note: If there are no planets in the 8th house, look at the 8th house ruler.
Stellium in the 8th house: It means that money is very important to your future spouse. They may attach a lot of meaning into their possessions. Money, as well as the things that they own have been a very integral part of their lives depending on what planet is there.
If Sun is here: than they may base their identity with what they have or what they wear. They could very much be someone who deeply values their aesthetics.
If Moon is here: they will have a strong emotional attachment to their money & belongings. They may have their natal moon in the 2nd house for example. They may like to keep collections of things, like figurines, trinkets, clothing from a specific brand or something.
If Venus is here: Their love language centers around luxurious attraction, they may enjoy spending money on beauty products A LOT. These are the type that will splurge for the sake of their looks or to raise their vibrations. All that glitters is gold to them. They also may earn a lot of money, or have always had what they want (or need) handed to them.
If Mars is here: They likely spend a lot of money, or have a habit of splurging or have zero impulse control when purchasing something. It may also mean that they are always looking for ways to earn money, and may have struggled to gain money i.e have multiple jobs, do a lot of hard work, physical labor.
Ex: See my post about Lana Del Rey's 8th house & her husband's career as an example in this post.
If Mercury is here: Their work may involve talking or communication, being quick witted, guiding people, teaching, etc. Your future spouse has money on their mind. This can sort of manifest in a multitude of ways, but they are very hard working. It doesn't really say definitively whether they are born wealthy or not, but it does give extra context on the sign or degree that it's in. They may talk about money or have a lot of ideas regarding how one can gain money.
If Jupiter is here: Most of you may have already read my rich spouse indicators post. You know how much Jupiter is raved to be the "wealthy spouse" indicator. Even if they did live a hard life, financially, they still had it much better than you did.
If Neptune is here: Similar to mars where they have no impulse control when it comes to spending or buying things. Being so entranced by the moment and ending up buying more than they set out to check out lmao. They may have an unreasonable or unrealistic approach to having money or towards their possessions at times.
If Saturn,Pluto, Chiron or Lilith is here: They may have grown up in poverty, perhaps their family has debt or are always struggling to make ends meet. Very common to see in spouses who grew up in broken homes, struggling because of the financial position they are born in.
Ex: Beyonce has Chiron (°22 Capricorn) in retrograde in her Taurus 8th house. Everyone that has heard any of Jay-Zs old songs knows that he did not grow up in wealth. He grew up in poverty, living in a public housing complex. His father left his family, which left his mother being the sole breadwinner of the family. At some point he had to sell cocaine to survive.
Though since it's in 22, he has struggled to turn his financial situation around i.e to get stacked lmao. The 8th house is in Taurus, which normally would mean that the spouse will have stable or good income. 22 as you know is "kill or be killed", and in this scenario he has come out extremely successful. Granted, Beyoncé also has the starr (4150) asteroid here in an aquarius degree. He is considered a legend in the industry for the unique contributions that he had made through his music. He's extremely influential.
If Part of fortune is here: Your spouse was likely born into a wealthy family, generational wealth. If not then they are very blessed in their career i.e always have a way to gain money or get a job. If they have a brand or business, it's likely that they can make a lot of money through that.
Materially stable signs in the 8th house:
Taurus, Libra, Sagittarius, Leo, Cancer
Somewhere in the middle:
Gemini, Capricorn (goes both ways), Virgo
Not as stable:
Aquarius, Scorpio, Aries, Pisces
(the sign it's in just gives more context, it's not the sole indicator.)
<< Important notice âđ» â ïž>>
If you have more than one planet, you have to combine their energies together, even if they may be contradicting. It doesn't "cancel each other out", but rather give you a progression or a clearer scenario. Please think wisely! Make sure to compare your Juno, Groom & natal chart together as well.
Thank you for reading âĄ
@northopalshore
@northopalshore spouse finance 2024 all rights reserved.
#spouse income#meeting spouse#future spouse astrology#astrology observations#astrology notes#astrology blog#astro observations#astro notes#astrology#astrology community#astrology content#astrology ramblings#future spouse indicators#rich spouse indicators#poor spouse indicators in astrology#planets in the 8th house astrology#8th house astrology#future spouse#8th house and spouse income
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âIt is better to be feared than loved, if you cannot be both." - NiccolĂČ Machiavelli, The Prince
One doesn't consider the loneliness such fear brings. What use is all the power in the world when you're lonely at the top?
#twisted wonderland#twst#malleus draconia#twst malleus#twst fanart#my art heh#!!! incoming ramble !!!#english lit. really changes you as a person...#the excerpt our teacher gave us of 'the prince' had such a grip on me#i may be going just a little crazy ;^))
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who we really are
#trigun#vash#vash the stampede#wolfwood#nicholas d. wolfwood#Agtavious Art#ermm so this has been sitting in my files for a while#a whole ramble incoming!! cant go one post without rambles in tags somewhat related to drawing LMAO#brain has been going thru the horrors if none of this makes sense#well.#been getting a lot of coins cause I buy bread from the bakery after classes#they always end in .25 or .50 cents so I have a LOOOOOOT of change#and well wouldnt u know it what else has coins#went back to like ch. 64 and this drawing crawled out of my brain#me when he knows he knows that he knows that he knows đš#just thought about how#wolfwood kinda got things off his chest in a way#and vash didnt#IF THAT MAKES SENSE#i saw the coin as smth for vash too???#they both knew smth was up with the other in some way but ww said it so like#srry if i sound crazy đ#thinking is hard classes deep fried my brain 20 times#ive been getting posting shyness toooo uuurarrrghhh đȘ#also#anyone know how to save drawings so the quality isnt shit?#idk what im doing wrong but it always looks blurry for me#tried changing res and canvas size but nothing works qwq
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We lived.
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[[ All Croissant Adventures (chronological, desktop) ]]
[[ All Croissant Adventures (app) ]]
#FELT THAT GOOD GOOD VINDICATION HOARDING SCROLLS THE ENTIRE TIME FOR ONE (1) TO FINALLY COME IN HANDY HAHAHAHAHAHFHGD#This fight was absolutely bananas - I was so close to restarting it when everything looked bleak but I didn't and I'm so glad#because it made for a very dramatic story lol#Rambling incoming:#I split the party really bad bc I wasn't super clear on the AOE lightning attack so when the second one rolled around Gale was the only-#-one able to take cover in the building...but I don't think it even worked??#Lae'zel was down long before then but Wyll and Croissant were in death saves#Used all of Gale's movement AND misty step to get to Croissant but he still couldn't get close enough & had to throw a potion#I think I used a potion of speed then so Croissant could cast globe of invuln right away#(and it took 10min of looking through my inventory to even see I had something to do bc otherwise we would've died right there don't @ me)#But then we were STILL too far away from Ansur for 60' spells so I had to keep running them out of the globe - using a spell - and then-#-mISTY STEPPING BACK INTO IT BC WE DIDN'T HAVE ENOUGH MOVEMENT SPEED#it was rough but we made it#bg3#baldur's gate 3#bg3 spoilers#act III spoilers#ansur quest#croissant adventures#tav#ansur#gale#gale dekarios#breadweave#gale x tav#YEAH WE'RE PUTTING IT IN THAT TAG#comics
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aside from my rice hereâs a doodle dump of my timeskip johto kiddos all scribbled during classes! forgot to upload this some time ago but it's a mix of silly doodles, profile studies and outfit ideations đ
#kagoodles#pokemon gsc#pokemon hgss#rival silver#trainer kris#trainer ethan#trainer lyra#tag wall incoming guys waHA#practicing with profiles is fun but keeping consistency at various angles? hoogh#alright time for more rambling abt these guys (specifically lyra and ethan) for a bit :D#I wanted lyra's champion dress to have a bit more inspo from filipiniana dresses but also retain parts from her sygna suit in pmex!#celebi inspired to honor her role as ilex's shrine protector when her grandparents pass that torch to her#not sure of a specific battle gimmick but it would involve hp recovery and defense/sp def buffing with a mix of lessening critical hits#and then she hits ya with the steel chair equivalent azumarill backed with huge power + belly drum!!!!!!!!! sweep em girl!!!!!!!!!!#silver and lyra would be the last guys you'd face for double battles at the battle tower but Watch Out#what else what else uhhh ETHAN#ethan's revolves around the pokeathlon so he's a bit more showy in competition compared to when he does photography work#he can jump between being a popular pokeathlete to intensely focused on taking wildlife pictures with like. several 'mons surrounding him#very dedicated to his research and study; his friends would find him in crazy phototaking positions just to take a pic of a heracross#i think it'd be funny that ethan and kris are rivals at the pokeathlon they would have some beef (they'd tally wins against each other)#I havenât forgotten abt everyone else tho I have so much on the mind I wanna draw#maybe Iâll finish some of these doodles for when I feel like working on my neocities but website building is a whole beast in and of itself#but Iâll persevere if the results come out decent >:]
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saw a video claiming that having two cars makes one upper middle class and a bundle of thoughts occurred to me that I'm struggling to word elegantly but it's something about how people can't tell between middle class and the upper middle class and the rich, and therefore don't realise just how rich actual filthy rich people are and how poor actual poor people are. also something about poverty being deemed a virtue, which makes it harder for people to recognise and especially admit their own privilege and luck, resulting in well-off people insisting they are poor and middle class people getting called rich for arbitrary things.
#GRANTED the video said upper middle class not rich. but many two-income families can afford two cars#the question i suppose becomes WHAT KIND of cars. nuance#and other things too. where do the people in question live? if housing is relatively cheap they might be able to afford two fancy cars#reminded me of the post on here where people say owning a laptop is a rich thing. like sweet summer children#nor's rambles
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i do a light chuckle once i remember hofmann and semmelweis are friends but then i remember semmelweis and marcus' suitcase interaction where they talk about her and i am once again inconsolable about this old woman's death
#reverse 1999#semmelweis#greta hofmann#certified storm moments#i miss hofmann so bad i know ill start sobbing when someone brings her up again in chapter 7#r1999 shitpost#i still think their canon ages are bullshit and theyre both older than canon in my head but yeah semmelweis is half hofmann's age (19 to 38#bluepoch i prommy you won't start profusely bleeding income if you make a character older than their mid twenties. i promise you that#nothing more but hofweis rambling after this you have been warned#anyways you mightve seen me here or there mention that i ship these two and. yes the age gap is a central theme to how i percieve them#semmelweis lived the dream (see how i say this in past tense) she bagged that old woman </3#the inherent angst of your partner being so much younger than you and close to death thanks to a terminal illness yet in the end#its actually you that dies first. and she ends up finding a cure to illness and ending up immortal. something something 'i will never see#how old age looks on you. you are breaking my heart.' and how it applies to both of their perspective towards the other#one went to vienna to (unknowingly) die and the other went there to live#koshka-sova said it best its a pair that dances round life and death. and can't forget about the inherent workplace yuri#also its funny thinking of marcus unwittingly finding out through either her arcane skill or some other method her mentor's coworker-friend#got it on with her. like i think the two start bonding because of hofmann but then one day marcus approaches her with haunted eyes and#shakily goes 'd...did you. did you and madam hofmann..? my arcane skill said. that you and. did you two......?'
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genuinely couldn't get to sleep last night because i was just thinking about eddie letting buck douse him in shitty perfume and ramble about scents that bees like/dislike before even thinking to ask why it has to be him that goes along with this plan.
#sami rambles#RARARARA#incoming insanity#heads up!!#911 spoilers#911 show#buddie#evan buckley#eddie diaz#buck x eddie
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I've decided that Mask would be a good big brother if he has some Time influence, and Warriors sees these two angsty babies and is like: "is anyone going to adopt them?" and just doesn't wait for an answer.
Sky: I would! I would adopt them!
Warriors: Too late!
Twilight: Keep them, I have to deal with these guys *baby Hyrule, Four, and Wild on leashes*
#linked universe#linkeduniverse#lu warriors#lu mask#lu legend#lu sky#lu hyrule#lu wild#lu wind#lu twilight#lu time#lu four#child fic incoming someday maybe#that's the plan at least#prosie rambles
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you know, kimâs max reputation is pretty low. laughably even. in order to get him to âtruly trust youâ during the tribunal you only need 8 pts. 8 pts and he's ride or die.
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I forgot to mention but Saturn being in the 8th house or 2nd house in the Juno Persona chart (as well as natal chart) usually indicates that your future spouse might've struggled financially i.e not financially stable/well-off. They could come from a lower income area or country, but also born into a low to middle class income household. Money has always been an issue or a hard aspect in their life.
#juno persona chart astrology#juno persona chart observations#poor astrology placements#spouse income#non wealthy spouse indicators#astrology observations#astrology notes#astrology blog#astro notes#astro observations#astrology content#astrology#astrology community#astrology ramblings#groom persona chart#groom persona chart observations#briede persona chart#juno pc#saturn in the 8th house
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Caretaker role but make it gardening
#veearts#south park#kyle broflovski#sp fanart#fan art#incoming ramble in the tags#i been thinking about this one post about kyle#it's where they point out he doesn't really have interests#or much to his own individual self aside from being reactionary#well. I am not a fan of this truth#so I decided to give him gardening#this is his interest now thanks#i mean he's so deep in the caretaker role#maybe he'd find comfort in choosing to do so with flora#also it's a nice contrast to how stan is such a fauna lover#they parallel hear me out
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