#published 9/19/2024

[thevikingwoman]

written for @idrellegames Wayfarer’s 3rd anniversary!

Fandom: Wayfarer IF | Words: 740 | Read on Ao3

Illia Strand | before episode 1 | gen Rating: Teen. Illia receives bad news, contemplating your place in the world, spoilers for ep1, rough times, complicated family

Legacy

It’s beautiful weather when the news reach Illia Strand. The sun is out, but it’s not too hot and a pleasant breeze brings fresh air through the streets. The large port city is an oft used stopping spot for Wayfarers heading home – home to the Spire – so it’s not strange that Varyn’s letter finds her here. It takes her two times to understand the content of it.

The Spire is gone.

Her home is gone.

She’s numb. She stands there, in the street outside the apothecary that sometimes serves as a delivery hub for wayfarers. She has no idea how long time passes, or how many times she reads the letter. Illia doesn’t move until someone bumps into her, swearing and swearing again when they discover she’s magiani. She mumbles an excuse and puts the letter away, shoving it into her pack.

What if she’d received Sero’s summons in time? What if she’d been at the Spire?

She wanders aimlessly, cobblestone and dirt under her feet. The busy calls of the market, jumping aside for a noble in a carriage. She doesn’t really notice any of it.

It was too complicated getting out of Vestra. The civil war has ripped the country apart, people seeing enemies everywhere. The countryside torn up, dead cattle and fields burned or crops left to rot. It was a wonder she even got Sero’s letter at all. Varyn’s network is strong, though – but not strong enough to prevent an assault on their home. Is it burnt? Rubble? She wonders if her fellow wayfarers are dead, bloated corpses in the snow like those in war. Aeran… She balks at the thought, willing it away. It’s no use. Don’t dream up information you don’t have, Varyn always said. Illia sucks in air, attempting the calming breaths of her mentor. It doesn’t help much.

She finds herself at the harbor. The gulls scream and the port is bustling, busy sailors loading and unloading. Off-duty crew looking for entertainment, or just a nice meal and a change of view. It’s tedious to be at sea, she knows.

Of course, there’s a familiar flag on a large ship at the end of the dock. She knows her family has been busy. Her father keen on expanding his power, though for all she knows it’s Aristos who runs the business now. She has avoided the ships when she saw them, likely as she is to run into one of her siblings. Her parents’ legacy, a family trade empire, every child captain of their own ship if they should wish. All except one, of course.

Illia can’t help but walk closer, some sort of bitter curiosity perhaps. The ship is big, and must have been here long enough to trade, sailors bringing goods aboard. Familiar Coveran is barked out as orders and idle chit chat both. The captain is by the gangplank, arguing with an official. She freezes. The same brown hair and grey eyes as herself. Same freckles, just fewer of them, scattered across the bridge of their nose. Lorsan, their sibling.

To see them here, now –

Illia wonders what they would do if she went to them. Would she be welcomed or turned away? Would Lorsan even recognize her? She’s a far cry from the forgotten little sister who got shoved out of their life many years past. But, she’s alone now. The letter in her pack tells her so, tells her to run. And Tol Covere and the Strand fleet is one place to run. She imagines Lorsan, greeting her like the long lost sibling she is. Mother, tearfully hugging her. Her father, saying she did well for their name after all. Maybe that one is a stretch.

Lorsan opens their pack and draws out brass scale. The magic unfolds itself, the scale balancing in the air. Some last-minute haggling, spices probably. A simple instrument, easy to use, and every merchant’s stable if they can afford it. The Strand family can, but it’s not something she can use. She’d break the delicate magic with a simple careless touch.

No.

She does not belong in the Strand fleet. Their legacy is not hers.

She belongs with the Wayfarer Order, even if it no longer exists. Some were scatted, Varyn said. Perhaps she can find them. That is to be her legacy now, bitter as it is.

Illia turns from away the dock, her feet leading her back to the city.

[pucksandpower]

The Kinktober 2024 Masterlist

→ Formula 1 after dark 💋

Day 1 → Cockwarming 💋 Toto Wolff

Day 2 → Chastity 💋 Max Verstappen

Day 3 → Oral Fixation 💋 Charles Leclerc

Day 4 → Bruise Marking 💋 Lando Norris

Day 5 → Size Difference 💋 Oscar Piastri

Day 6 → Daddy Kink 💋 Carlos Sainz

Day 7 → Virginity Loss 💋 Toto Wolff

Day 8 → Breeding Kink 💋 Max Verstappen

Day 9 → Overstimulation 💋 Charles Leclerc

Day 10 → Exhibitionism 💋 Kimi Räikkönen

Day 11 → Sex Pollen 💋 Max Verstappen

Day 12 → Mirror Sex 💋 Oscar Piastri

Day 13 → Temperature Play 💋 Charles Leclerc

Day 14 → Innocence Play 💋 Lewis Hamilton

Day 15 → Thigh Riding 💋 Max Verstappen

Day 16 → Remote-Controlled Vibrator 💋 Jenson Button

Day 17 → Lactation Kink 💋 Lando Norris

Day 18 → Praise Kink 💋 Charles Leclerc

Day 19 → Spreader Bar 💋 Toto Wolff

Day 20 → Menthol Cream 💋 Oscar Piastri

Day 21 → Anal 💋 Lando Norris

Day 22 → Bedding Ceremony 💋 Charles Leclerc

Day 23 → Consensual Non-Consent 💋 Max Verstappen

Day 24 → Piercing 💋 Toto Wolff

Day 25 → Monsterfucking 💋 Carlos Sainz

Day 26 → Cum Marking 💋 Charles Leclerc

Day 27 → Hunter/Prey 💋 Max Verstappen

Day 28 → A/B/O 💋 Oscar Piastri

Day 29 → BDSM 💋 Toto Wolff

Day 30 → Innocence Kink 💋 Lando Norris

Day 31 → Mind Break 💋 Charles Leclerc

Tumblr won’t let me link the final five fics for some reason but they have been published!

[breelandwalker]

2024 Witches' Calendar

For all my witches out there, here's a handy list of the 2024 dates for the solstices, quarter days, full and new moons, and special events. I've listed my sources at the bottom.

Dates and times for all events are calculated for Eastern Standard Time, USA, Northern Hemisphere. Adjust for your location as needed and check the DarkSky Placefinder to see what special events will be visible in your area. Enjoy!

Solstices, Harvests, and Quarter Days

February 1-2 - Imbolc / Candlemas

March 19 - Spring Equinox / Ostara

April 30-May 1 - Beltane / May Day

June 20 - Summer Solstice / Midsummer / Litha

August 1 - Lughnasadh / Lammas / Summer Harvest

September 22 - Autumn Equinox / Mabon / Fall Harvest

October 31 - Samhain / Halloween / Final Harvest

December 21 - Winter Solstice / Yule

Full Moons

January 25 - Wolf Moon ♌

February 24 - Snow Moon ♍

March 25 - Worm Moon ♎

April 23 - Pink Moon ♏

May 23 - Flower Moon ♐

June 21 - Strawberry Moon ♑

July 21 - Thunder Moon (aka Buck Moon) ♑

August 19 - Sturgeon Moon* ♒

September 17 - Harvest Moon* ♓

October 17 - Hunter's Moon (aka Blood Moon)* ♈

November 15 - Frost Moon (or Beaver Moon)* ♉

December 15 - Cold Moon ♊

*- Supermoon

Fun Fact: The title of Harvest Moon is given to either the September or October full moon, whichever falls closest to the autumn equinox. Once again this year, that month will be September.

New Moons

January 11 ♑

February 9 ♒

March 10 ♓

April 8 ♈

May 7 ♉

June 6 ♊

July 5 ♋

August 4 ♌

September 2 ♍

October 2 ♎

November 1 ♏

December 1 ♐

December 30 (black moon) ♑

Special Celestial Events

January 3-4 - Quadrantids meteor shower peak

March 25 - Penumbral Lunar Eclipse

April 8 - Total solar eclipse

April 22-23 - Lyrids meteor shower peak

May 6-7 - Eta Aquarids meteor shower peak

August 11-13 - Perseids meteor shower peak

August 19 - Sturgeon Supermoon / Seasonal Blue Moon

September 17 - Harvest Supermoon / Penumbral Lunar Eclipse

October 2 - "Ring of Fire" solar eclipse

October 17 - Hunter's Supermoon

October 21-22 - Orionids meteor shower peak

November 15 - Frost Supermoon

November 16-17 - Leonids meteor shower peak

December 13-14 - Geminids meteor shower peak

December 30 - Black Moon

(Check the DarkSky Placefinder to see what will be visible in your area!)

Mercury Retrogrades (in case you need them)

April 1 - April 24

August 4 - August 27

November 25 - December 15

Happy Witching!

SOURCES & FURTHER READING:

Bree's Lunar Calendar Series

Bree's Secular Celebrations Series

Moon Info - Full Moon Dates for 2024

Calendar-12 - 2024 Moon Phases

Full Moonology - 2024 Full Moon Calendar

AstroStyle - All the 2024 Full Moons

Your Zodiac Sign - Astrology Calendar 2024

Old Farmer's Almanac - Mercury Retrograde Dates 2023-2024

Lonely Planet - Best Star-gazing Events of 2024

Sea and Sky - Astronomy Calendar of Celestial Events 2024

DarkSky International - Dark Sky Placefinder for Stargazing

Pagan Grimoire - Wheel of the Year: The 8 Festivals in the Wiccan Calendar (2024 Edition)

=

If you're enjoying my content, please feel free to drop a little something in the tip jar or check out my published works on Amazon or in the Willow Wings Witch Shop. 😊

EDIT: Mercury is stationed direct on Jan 1st, 2024. The source I used which stated it was in retrograde until the 18th had a typo.

EDIT: Fixed the zodiac signs for the full moons using a new source.

[renthony]

Nimona: a Story of Trans Rights, Queer Solidarity, and the Battle Against Censorship

by Ren Basel renbasel.com

The 2023 film Nimona, released on Netflix after a tumultuous development, is a triumph of queer art. While the basic plot follows a mischievous shapeshifter befriending a knight framed for murder, at its heart Nimona is a tale of queer survival in the face of bigotry and censorship. Though the word “transgender” is never spoken, the film is a deeply political narrative of trans empowerment.

The film is based on a comic of the same name, created by Eisner-winning artist N.D. Stevenson. (1) Originally a webcomic, Nimona stars the disgraced ex-knight Ballister Blackheart and his titular sidekick, teaming up to topple an oppressive regime known as the Institution. The webcomic was compiled into a graphic novel published by Harper Collins on May 12, 2015. (2)

On June 11, 2015, the Hollywood Reporter broke the news Fox Animation had acquired rights to the story. (3) A film adaptation would be directed by Patrick Osborne, written by Marc Haimes, and produced by Adam Stone. Two years later, on February 9, 2017, Osborne confirmed the film was being produced with the Fox-owned studio Blue Sky Animation, and on June 30 of that same year, he claimed the film would be released Valentine’s Day 2020. (4)

Then the Walt Disney Company made a huge mess.

On December 14, 2017, Disney announced the acquisition of Twenty-First Century Fox, Inc. (5) Industry publications began speculating the same day about Blue Sky’s fate, though nothing would be confirmed until after the deal’s completion on March 19, 2019. (6) At first it seemed the studio would continue producing films under Disney’s governance, similar to Disney-owned Pixar Animation. (7)

The fate of the studio—and Nimona’s film adaptation—remained in purgatory for two years. During that time, Patrick Osborne left over reported creative differences, and directorial duties were taken over by Nick Bruno and Troy Quane. (8) Bruno and Quane continued production on the film despite Blue Sky’s uncertain future.

The killing blow came on February 9, 2021. Disney shut down Blue Sky and canceled Nimona, the result of economic hardship caused by COVID-19. (9) Nimona was seventy-five percent completed at the time, set to star Chloë Grace Moretz and Riz Ahmed. (10)

While COVID-19 caused undeniable financial upheaval for the working class, wealthy Americans fared better. (11) Disney itself scraped together enough to pay CEO Bob Iger twenty-one million dollars in 2020 alone. (12) Additionally, demand for animation spiked during the pandemic’s early waves, and Nimona could have been the perfect solution to the studio’s supposed financial woes. (13) Why waste the opportunity to profit from Blue Sky’s hard work?

It didn’t take long for the answer to surface. Speaking anonymously to the press, Blue Sky workers revealed the awful truth: Disney may have killed Nimona for being too queer. The titular character was gender-nonconforming, the leading men were supposed to kiss, and Disney didn’t like it. (14) While Disney may claim COVID-19 as the cause, it is noteworthy that Disney representatives saw footage of two men declaring their love, and not long after, the studio responsible was dead. (15) Further damning evidence came in February of 2024, when the Hollywood Reporter published an article quoting co-director Nick Bruno, who named names: Disney’s chief creative officer at the time, Alan Horn, was adamantly opposed to the film’s “gay stuff.” (16)

Disney didn’t think queer art was worthy of their brand, and it isn’t the first time. “Not fitting the Disney brand” was the justification for canceling Dana Terrace’s 2020 animated series The Owl House, which featured multiple queer characters. (17) Though Terrace was reluctant to assume queerphobia caused the cancellation, Disney’s anti-queer bias has been cited as a hurdle by multiple showrunners, including Terrace herself. (18) The company’s resistance to queer art is a documented phenomenon.

While Nimona’s film cancellation could never take N.D. Stevenson’s comic from the world, it was a sting to lose such a powerful queer narrative on the silver screen. American film has a long history of censoring queerness. The Motion Picture Production Code (commonly called the Hays Code) censored queer stories for decades, including them under the umbrella of “sex perversion.” (19) Though the Code was eventually repealed, systemic bigotry turns even modern queer representation milestones into battles. In 2018, when Rebecca Sugar, creator of the Cartoon Network series Steven Universe, succeeded in portraying the first-ever same-sex marriage proposal in American children’s animation, the network canceled the show in retaliation. (20)

When queer art has to fight so hard just to exist, each loss is a bitter heartbreak. N.D. Stevenson himself expressed sorrow that the world would never see what Nimona’s crew worked so hard to achieve. (21)

Nimona, however, is hard to kill.

While fans mourned, progress continued behind the scenes. Instead of disappearing into the void as a tax write-off, the film was quietly scooped up by Megan Ellison of Annapurna Pictures. (22) Ellison received a call days before Disney’s death blow to Blue Sky, and after looking over storyboard reels, she decided to champion the film. With Ellison’s support, former Blue Sky heads Robert Baird and Andrew Millstein did their damnedest to find Nimona a home. (23)

Good news arrived on April 11, 2022, when N.D. Stevenson made a formal announcement on Twitter (now X): Nimona was gloriously alive, and would release on Netflix in 2023. (24) Netflix confirmed the news in its own press release, where it also provided details about the film’s updated cast and crew, including Eugene Lee Yang as Ambrosius Goldenloin alongside Riz Ahmed’s Ballister Boldheart (changed from the name Blackheart in the comic) and Chloë Grace Moretz as Nimona. (25) The film was no longer in purgatory, and grief over its death became anticipation for its release.

Nimona made her film debut in France, premiering at the Annecy International Animation Film Festival on June 14, 2023 to positive reviews. (26) Netflix released the film to streaming on June 30, finally completing the story’s arduous journey from page to screen. (27)

When the film begins, the audience is introduced to the world through a series of illustrated scrolls, evoking the storybook intros of Disney princess films such as 1959’s Sleeping Beauty. The storybook framing device has been used to parody Disney in the past, perhaps most famously in the 2001 Dreamworks film Shrek. Just as Shrek contains parodies of the Disney brand created by a Disney alumnus, so, too, does Nimona riff on the studio that snubbed it. (28)

Nimona’s storybook intro tells the story of Gloreth, a noble warrior woman clad in gold and white, who defended her people from a terrible monster. After slaying the beast, Gloreth established an order of knights called the Institute (changed from the Institution in the comic) to wall off the city and protect her people.

Right away, the film introduces a Christian dichotomy of good versus evil. Gloreth is presented as a Christlike figure, with the Institute’s knights standing in as her saints. (29) Her name is invoked like the Christian god, with characters uttering phrases such as “oh my Gloreth” and “Gloreth guide you.” The film’s design borrows heavily from Medieval Christian art and architecture, bolstering the metaphor.

Nimona takes place a thousand years after Gloreth’s victory. Following the opening narration, the audience is dropped into a setting combining Medieval aesthetics with futuristic science fiction, creating a sensory delight of neon splashed across knights in shining armor. It’s in this swords-and-cyborgs city that a new knight is set to join the illustrious ranks of Gloreth’s Institute, now under the control of a woman known only as the Director (voiced by Frances Conroy). That new knight is our protagonist, Ballister Boldheart.

The film changes several things from the original. The comic stars Lord Ballister Blackheart, notorious former knight, long after his fall from grace. He has battled the Institution for years, making a name for himself as a supervillain. The film introduces a younger Ballister Boldheart who is still loyal to the Institute, who believes in his dream of becoming a knight and overcomes great odds to prove himself worthy. In the comic, Blackheart’s greatest rival is Sir Ambrosius Goldenloin, with whom he has a messy past. The film shows more of that past, when Goldenloin and Boldheart were young lovers eager to become knights by each other’s side.

There is another notable change: in the comic, Goldenloin is white, and Blackheart is light-skinned. In the film, both characters are men of color—specifically, Boldheart is of Pakistani descent, and Goldenloin is of Korean descent, matching the ethnicity of their respective voice actors. This change adds new themes of institutional racism, colorism, and the “model minority” stereotype. (30)

The lighter-skinned Goldenloin is, as his name suggests, the Institute’s golden boy. He descends from the noble lineage of Gloreth herself, and his face is emblazoned on posters and news screens across the city. He is referred to as “the most anticipated knight of a generation.” In contrast, the darker-skinned Boldheart experiences prejudice and hazing due to his lower-class background. His social status is openly discussed in the news. He is called a “street kid” and “controversial,” despite being the top student in his class. The newscasters make sure everyone knows he was only given the chance to prove himself in the Institute because the queen, a Black woman with established social influence, gave him her personal patronage. Despite this patronage, when the news interviews citizens on the street, public opinion is firmly against Boldheart.

To preserve the comic’s commentary on white privilege, some of Goldenloin’s traits were written into a new, white character created for the film, Sir Thoddeus Sureblade (voiced by Beck Bennett). Sureblade’s vitriol against both Boldheart and Goldenloin allowed Goldenloin to become a more sympathetic character, trapped in the system just as much as Boldheart. (31) This is emphasized at other points in the film when the audience sees Sureblade interact with Goldenloin without Boldheart present, berating the only person of color left in the absence of the darker-skinned man.

The day Boldheart is to be knighted, everything goes wrong. As Queen Valerin (voiced by Lorraine Toussaint) performs the much-anticipated knighting ceremony, a device embedded in Boldheart’s sword explodes, killing her instantly. Though Boldheart is not to blame, he is dubbed an assassin instead of a knight. In an instant, he becomes the most wanted man in the kingdom, and Queen Valerin’s hopes for progress and social equality seem dead with her. Boldheart is gravely injured in the explosion and forced to flee, unable to clear his name.

Enter Nimona.

The audience meets the titular character in the act of vandalizing a poster of Gloreth, only to get distracted by an urgent broadcast on a nearby screen. As she approaches, a bystander yells that she’s a “freak,” in a manner reminiscent of slurs screamed by passing bigots. Nimona has no time for bigots, spraying this one in the face with paint before tuning in to the news.

“Everyone is scared,” declare the newscasters, because queen-killer Ballister Boldheart is on the run. The media paints him as a monster, a filthy commoner who never deserved the chances he was given, and announce that, “never since Gloreth’s monster has anything been so hated.” This characterization pleases Nimona, and she declares him “perfect” before scampering off to find his hiding place.

It takes the span of a title screen for her to track him down, sequestered in a makeshift junkyard shelter. Just before Nimona bursts into the lair, the audience sees Boldheart’s injuries have resulted in the amputation of his arm, and he is building a homemade prosthetic. This is another way he’s been othered from his peers in an instant, forced to adapt to life-changing circumstances with no support. Where he was so recently an aspiring knight with a partner and a dream, he is now homeless, disabled, and isolated.

A wall in the hideout shows a collection of news clippings, suspects, and sticky notes where Boldheart is trying to solve the murder and clear his name. His own photo looks down from the wall, captioned with a damning headline: “He was never one of us—knights reveal shocking details of killer’s past.” It evokes real-world racial bias in crime reporting, where suspects of color are treated as more violent, unstable, and prone to crime than white suspects. A 2021 report by the Equal Justice Initiative and the Global Strategy Group compiled data on this phenomenon, focusing on the stark disparity between coverage of white and Black suspects. (32)

Nimona is not put off by Boldheart’s sinister media reputation. It’s why she tracked him down in the first place. She’s arrived to present her official application as Boldheart’s villain sidekick and help him take down the Institute. Boldheart brushes her off, insisting he isn’t a villain. He has faith in his innocence and in the system, and leaves Nimona behind to clear his name.

When he is immediately arrested, stripped of his prosthetic, and jailed, Nimona doesn’t abandon him. She springs a prison break, and conveys a piece of bitter wisdom to the fallen knight: “[O]nce everyone sees you as a villain, that’s what you are. They only see you one way, no matter how hard you try.”

Nimona and Boldheart are both outcasts, but they are at different stages of processing the pain. Boldheart is deep in the grief of someone who tried to adhere to the demands of a biased system but finally failed. He is the newly cast-out, who gave his entire life to the system but still couldn’t escape dehumanization. His pain is a fresh, raw wound, where Nimona has old scars. She embodies the deep anger of those who have existed on the margins for years. Where Boldheart wants to prove his innocence so he can be re-accepted into the fold, Nimona’s goal is to tear the entire system apart. She finds instant solidarity with Boldheart based solely on their mutual status as outsiders, but Boldheart resists that solidarity because he still craves the system’s familiar structure.

In the comic, Blackheart’s stance is not one of fresh grief, since, just like Nimona, he has been an outsider for some time. Instead, Blackheart’s position is one of slow reform. He believes the system can be changed and improved, while Nimona urges him to demolish it entirely. In both versions, Ballister thinks the system can be fixed by removing specific corrupt influences, where Nimona believes the government is rotten to its foundations and should be dismantled. Despite their ideological differences, Nimona and Ballister ally to survive the Institute’s hostility.

The allyship is an uneasy truce. During the prison break, Nimona reveals that she’s a shapeshifter, able to change into whatever form she pleases. Boldheart reflexively reaches for his sword, horrified that she isn’t human. She is the exact sort of monster he has been taught to fear by the Institute, and it’s only because he needs her help that he overcomes his reflex and sticks with her.

Nimona’s shapeshifting functions as a transgender allegory. The comic’s author, N.D. Stevenson, is transgender, and Nimona’s story developed alongside his own queer journey. (33) The trans themes from the comic are emphasized in the film, with various pride flags included in backgrounds and showcased in the art book. (34) Directors Bruno and Quane described the film as “a story about acceptance. A movie about being seen for who you truly are and a love letter to all those who’ve ever shared that universal feeling of being misunderstood or like an outsider trying to fit in.” (35)

When Boldheart asks Nimona what she is, she responds with only “Nimona.” When he calls her a girl, she retorts that she’s “a lot of things.” When she transforms into another species, she specifies in that moment that she’s “not a girl, I’m a shark.” Later, when she takes the form of a young boy and Boldheart comments on it, saying “now you’re a boy,” her response is, “I am today.” She defies easy categorization, and she likes it that way.

About her shapeshifting, Nimona says “it feels worse if I don’t do it” and “I shapeshift, then I’m free.” When asked what happens if she doesn’t shapeshift, she responds, “I wouldn’t die-die, I just sure wouldn’t be living.” Every time she discusses her transformations, it carries echoes of transgender experience—and, as it happens, Nimona is not N.D. Stevenson’s only shapeshifting transgender character. During his tenure as showrunner for She-Ra and the Princesses of Power (Netflix/Dreamworks, 2018-2020), Stevenson introduced the character Double Trouble. Double Trouble previously existed at the margins of She-Ra lore, but Stevenson’s version was a nonbinary shapeshifter using they/them pronouns. (36) While Nimona uses she/her pronouns throughout both comic and film, just like Double Trouble her gender presentation is as fluid as her physical form.

Boldheart, like many cisgender people reacting to transgender people, is uncomfortable with Nimona. He declares her way of doing things “too much,” and insists they try to be “inconspicuous” and “discreet.” He worries whether others saw her, and, when she is casually in a nonhuman form, he asks if she can “be normal for a second.” He claims to support her, but says it would be “easier if she was a girl” because “other people aren’t as accepting.” His discomfort evokes fumbled allyship by cisgender people, and Nimona emphasizes the allegory by calling Boldheart out for his “small-minded questions.” While the alliance is uneasy, Boldheart continues working with Nimona to clear his name. They are the only allies each other has, and their individual survival is dependent on them working together.

When the duo gain video proof of Boldheart’s innocence, they learn the bomb that killed Queen Valerin was planted by the Director. Threatened by a Black woman using her influence to elevate a poor, queer man of color, the white Director chose to preserve the status quo through violence.

Nimona is eager to get the video on every screen in the city, but Boldheart wants to deal with the issue internally, out of the public eye. He insists “the Institute isn’t the problem, the Director is.” This belief is what also leads the comic’s Blackheart to reject Nimona’s idea that he should crown himself king. He is focused on reforming the existing power structure, neither removing it entirely nor taking it over himself.

Inside the Institute, the Director has been doing her best to set Goldenloin against his former partner. Despite his internal misgivings and fear of betraying someone he loves, Goldenloin does his best to adhere to his prescribed role. As the Director reminds the knights, they are literally born to defend the kingdom, and it’s their sacred duty to do so—especially Goldenloin, who carries Gloreth’s holy blood. This blood connection is repeated throughout the film, and used by the Director to exploit Goldenloin. He’s the Institute’s token minority, put on a gilded pedestal and treated as a symbol instead of a human being.

Goldenloin is a pretty face for propaganda posters, and those posters can be seen throughout the film. They proclaim Gloreth’s majesty, the power of the knights, and remind civilians that the Institute is necessary to “protect our way of life.” A subway PSA urges citizens, “if you see something, slay something,” in a direct parody of the real-world “if you see something, say something” campaign by the United States Department of Homeland Security. (37)

The film is not subtle in its political messaging. When Boldheart attempts to prove his innocence to Goldenloin and the assembled knights, he reaches towards his pocket for a phone. The Director cries that Boldheart has a weapon, and Sureblade opens fire. Though the shot hits the phone and not Boldheart, it carries echoes of real-world police brutality against people of color. Specifically, the use of a phone evokes cases such as the 2018 murder of Stephon Clark, a young Black man who was shot and killed by California police claiming Clark’s cell phone was a firearm. (38) The film does not toy with vague, depoliticized themes of coexistence and tolerance; it is a direct and pointed allegory for contemporary oppression in the United States of America.

Forced to choose between love for Boldheart and loyalty to the Institute, Goldenloin chooses the Institute. He calls for Boldheart’s arrest, and this is the moment Boldheart finally agrees to fight back and raise hell alongside Nimona. When Goldenloin calls Nimona a monster during the ensuing battle, Boldheart doesn’t hesitate to refute it. He expresses his trust in her, and it’s clear he means it. He’s been betrayed by someone he cared about and thought he could depend on, and this puts him in true solidarity with Nimona for the first time.

During the fight, Nimona stops a car from crashing into a small child. She shapeshifts into a young girl to appear less threatening, but it doesn’t work. The child picks up a sword, pointing it at Nimona until an adult pulls them away to hide. When Nimona sees this hatred imprinted in the heart of a child, it horrifies her.

After fleeing to their hideout, Nimona makes a confession to Boldheart: she has suicidal ideations. So many people have directed so much hatred toward her that sometimes she wants to give in and let them kill her. In the real world, a month after the film’s release, a study from the Williams Institute at the UCLA School of Law compiled data about suicidality in American transgender adults. (39) Researchers found that eighty-one percent have thought about suicide, compared to just thirty-five percent of cisgender adults. Forty-two percent have attempted suicide, compared to eleven percent of cisgender adults. Fifty-six percent have engaged in self-harm, compared to twelve percent of cisgender adults.

When Boldheart offers to flee with her and find somewhere safe together, Nimona declares they shouldn’t have to run. She makes the decision every trans person living in a hostile place must make: do I leave and save myself, or do I stay to fight for my community? The year the film was released, the Trans Legislation Tracker reported a record-breaking amount of anti-trans legislation in the United States, with six hundred and two bills introduced throughout twenty-four states. (40) In February 2024, the National Center for Transgender Equality published data on their 2022 U.S. Transgender Survey, revealing that forty-seven percent of respondents thought about moving to another area due to discrimination, with ten percent actually doing so. (41)

Despite the danger, Nimona and Boldheart work diligently against the Institute. When they gain fresh footage proving the Director’s guilt, they don’t hesitate to upload it online, where it garners rapid attention across social and news media. Newscasters begin asking who the real villain is, anti-Institute sentiment builds, and citizens protest in the streets, demanding answers. The power that social media adds to social justice activism is true in the real world as it is in the film, seen in campaigns such as the viral #MeToo hashtag and the Black Lives Matter movement. (42) In 2020, polls conducted by the Pew Research Center showed eight in ten Americans viewed social media platforms as either very or somewhat effective in raising awareness about political and social topics. In the same survey, seventy-seven percent of respondents believed social media is at least somewhat effective in organizing social movements. (43)

In reaction to the media firestorm, the Director issues a statement. She outs Nimona as a shapeshifter, and claims the evidence against the Institute is a hoax. Believing the Director, Goldenloin contacts Boldheart for a rendezvous, sans Nimona. From Goldenloin’s perspective, Boldheart is a good man who has been deceived by the real villain, Nimona. He tells Boldheart about a scroll the Director found, with evidence that Nimona is Gloreth’s original monster, still alive and terrorizing the city. Goldenloin wants to bring Boldheart back into the knighthood and resume their relationship, and though that’s what Boldheart wanted before, his solidarity with Nimona causes him to reject the offer.

Though he leaves Goldenloin behind, Boldheart’s suspicion of Nimona returns. Despite their solidarity, he doesn’t really know her, so he returns home to interrogate her. In the ensuing argument, he reverts to calling her a monster, but only through implication—he won’t say the word. Like a slur, he knows he shouldn’t say it anymore, but that doesn’t keep him from believing it.

Boldheart’s actions prove to Nimona that nowhere is safe. There is no haven. Her community will always turn on her. She flees, and in her ensuing breakdown, the audience learns her backstory. She was alone for an unspecified length of time, never able to fit in until meeting Gloreth as a little girl. Nimona presents herself to Gloreth as another little girl, and Gloreth becomes Nimona’s very first friend. Even when Nimona shapeshifts, Gloreth treats her with kindness and love.

Then the adults of Gloreth’s village see Nimona shapeshift, and the word “monster” is hurled. Torches and pitchforks come out. At the adults’ panic, Gloreth takes up a sword against Nimona, and the cycle of bigotry is transferred to the next generation. The friendship shatters, and Nimona must flee before she can be killed.

After losing Boldheart, seemingly Nimona’s only ally since Gloreth’s betrayal, Nimona’s grief becomes insurmountable. She knows in her heart that nothing will ever change. She’s been hurt too much, by too many, cutting too deeply. To Nimona, the world will only ever bring her pain, so she gives in. She transforms into the giant, ferocious monster everyone has always told her she is, and she begins moving through the city as the Institute opens fire.

When Ballister sees Nimona’s giant, shadowy form, he realizes the horrific pain he caused her. He intuits that Nimona isn’t causing destruction for fun, she’s on a suicide march. She’s given up, and her decision is the result of endless, systemic bigotry and betrayal of trust. Her rampage wouldn’t be happening if she’d been treated with love, support, and care.

Nimona’s previous admission of suicidal ideation repeats in voiceover as she prepares to impale herself on a sword pointed by a massive statue of Gloreth. Her suicide is only prevented because Ballister steps in, calling to her, apologizing, saying he sees her and she isn’t alone. She collapses into his arms, once again in human form, sobbing. Boldheart has finally accepted her truth, and she is safe with him.

But she isn’t safe from the Director.

In a genocidal bid she knows will take out countless civilian lives, the Director orders canons fired on Nimona. Goldenloin tries to stop her, finally standing up against the system, but it’s too late. The Director fires the canons, Nimona throws herself at the blast to protect the civilians, and Nimona falls.

When the dust settles, the Director is deposed and the city rebuilds. Boldheart and Goldenloin reconnect and resume their relationship. The walls around the city come down, reforms take hold in the Institute, and a memorial goes up to honor Nimona, the hero who sacrificed her life to reveal the Director’s corruption.

Nimona, however, is hard to kill.

Nimona originally had a tragic ending, born of N.D. Stevenson’s own depression, but that hopelessness didn’t last forever. (44) Though Nimona is defeated, she doesn’t stay dead. Through the outpouring of love and support N.D. Stevenson received while creating the original webcomic, he gained the community and support he needed to create a more hopeful ending for Nimona’s story—and himself.

The comic’s ending is bittersweet. Nimona can’t truly die, and eventually restores herself. She allows Blackheart to glimpse her, so he knows she survived, but she doesn’t stay. She still doesn’t feel safe, and is assumed to move on somewhere new. Blackheart never sees Nimona again.

The film’s ending is more hopeful. There is a shimmer of pink magic as Nimona announces her survival, and the film ends with Boldheart’s elated exclamation. Even death couldn’t keep her down. She survived Gloreth, and she survived the Director. Though this chapter of the story is over, there is hope on the horizon, and she has allies on her side.

In both incarnations, Nimona is a story of queer survival in a cruel world. The original ending was one of despair, that said there was little hope of true solidarity and allyship. The revised ending said there was hope, but still so far to go. The film’s ending says there is hope, there is solidarity, and there are people who will stand with transgender people until the bitter end—but, more importantly, there are people in the world who want trans people to live, to thrive, and to find joy.

In a world that’s so hostile to transgender people, it’s no wonder a radically trans-positive film had to fight so hard to exist. Unfortunately, the battle must continue. As of June 2024, Netflix hasn’t announced any intent to produce physical copies of the film, meaning it exists solely on streaming and is only accessible via a monthly paid subscription. Should Netflix ever take down its original animation, as HBO Max did in 2022 despite massive backlash, the film could easily become lost media. (45) Though it saved Nimona from Disney, Netflix has its own nasty history of under-marketing and canceling queer programs. (46)

The film’s art book is already gone. The multimedia tome was posted online on October 12, 2023, hosted at ArtofNimona.com. (47) Per the Internet Archive’s Wayback Machine, the site became a Netflix redirect at some point between 10:26 PM on March 9, 2024 and 9:35 PM on March 20, 2024. (48) On the archived site, some multimedia elements are non-functional, potentially making them lost media. The art book is not available through any legal source, and though production designer Aidan Sugano desperately wants a physical copy made, there seem to be no such plans. (49)

Perhaps Netflix will eventually release physical copies of both film and art book. Perhaps not. Time will tell. In the meantime, Nimona stands as a triumph of queer media in a queerphobic world. That it exists at all is a miracle, and that its accessibility is so precarious a year after release is a travesty. Contemporary political commentary is woven into every aspect of the film, and it exists thanks to the passion, talent, and bravery of an incredible crew who endured despite blatant corporate queerphobia.

Long live Nimona, and long live the transgender community she represents.

_ This piece was commissioned using the prompt "the Nimona movie."

Updated 6/16/24 to revise an inaccurate statement regarding the original comic.

Like this essay? Tip me on Ko-Fi, pledge to my Patreon, or commission an essay on the topic of your choice!

_

Notes:

1. “Past Recipients 2010s.” n.d. Comic-Con International. Accessed June 10, 2024. https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipenties-2010s/.

2. Stevenson, ND. 2015. Nimona. New York, NY: Harperteen.

3. Kit, Borys. 2015. “Fox Animation Nabs ‘Nimona’ Adaptation with ‘Feast’ Director (Exclusive).” The Hollywood Reporter. June 11, 2015. https://www.hollywoodreporter.com/movies/movie-news/fox-animation-nabs-nimona-adaptation-801920/.

4. Riley, Jenelle. 2017. “Oscar Winner Patrick Osborne Returns with First-Ever vr Nominee ‘Pearl.’” Variety. February 9, 2017. https://variety.com/2017/film/in-contention/patrick-osborne-returns-to-race-with-first-vr-nominee-pearl-1201983466/; Osborne, Patrick (@PatrickTOsborne). 2017. "Hey world, the NIMONA feature film has a release date! @Gingerhazing February 14th 2020 !!" Twitter/X, June 30, 2017, 3:16 PM. https://x.com/PatrickTOsborne/status/880867591094272000. ‌

5. “The Walt Disney Company to Acquire Twenty-First Century Fox, Inc., after Spinoff of Certain Businesses, for $52.4 Billion in Stock.” 2017. The Walt Disney Company. December 14, 2017. https://thewaltdisneycompany.com/walt-disney-company-acquire-twenty-first-century-fox-inc-spinoff-certain-businesses-52-4-billion-stock-2/.

6. Amidi, Amid. 2017. “Disney Buys Fox for $52.4 Billion: Here Are the Key Points of the Deal.” Cartoon Brew. December 14, 2017. https://www.cartoonbrew.com/business/disney-buys-fox-key-points-deal-155390.html; Giardina, Carolyn. 2017. “Disney Deal Could Redraw Fox’s Animation Business.” The Hollywood Reporter. December 14, 2017. https://www.hollywoodreporter.com/news/general-news/disney-deal-could-redraw-foxs-animation-business-1068040/; Szalai, Georg, and Paul Bond. 2019. “Disney Closes $71.3 Billion Fox Deal, Creating Global Content Powerhouse.” The Hollywood Reporter. March 19, 2019. https://www.hollywoodreporter.com/news/general-news/disney-closes-fox-deal-creating-global-content-powerhouse-1174498/.

7. Hipes, Patrick. 2019. “After Trying Day, Disney Sets Film Leadership Lineup.” Deadline. March 22, 2019. https://deadline.com/2019/03/disney-film-executives-post-merger-team-set-1202580586/.

8. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

9. D’Alessandro, Anthony. 2021. “Disney Closing Blue Sky Studios, Fox’s Once-Dominant Animation House behind ‘Ice Age’ Franchise.” Deadline. February 9, 2021. https://deadline.com/2021/02/blue-sky-studios-closing-disney-ice-age-franchise-animation-1234690310/.

10. “Disney’s Blue Sky Shut down Leaves Nimona Film 75% Completed.” 2021. CBR. February 10, 2021. https://www.cbr.com/nimona-film-abandoned-disney-blue-sky-shut-down/; Sneider, Jeff. 2021. “Exclusive: Disney’s LGBTQ-Themed ‘Nimona’ Would’ve Featured the Voices of Chloë Grace Moretz, Riz Ahmed.” Collider. March 4, 2021. https://collider.com/nimona-movie-cast-cancelled-disney-blue-sky/.

11. Horowitz, Juliana Menasce, Anna Brown, and Rachel Minkin. 2021. “The COVID-19 Pandemic’s Long-Term Financial Impact.” Pew Research Center’s Social & Demographic Trends Project. March 5, 2021. https://www.pewresearch.org/social-trends/2021/03/05/a-year-into-the-pandemic-long-term-financial-impact-weighs-heavily-on-many-americans/.

12. Lang, Brent. 2022. “Disney CEO Bob Iger’s Rich Compensation Package Revealed, Company Says Bob Chapek Fired ‘without Cause.’” Variety. November 21, 2022. https://variety.com/2022/film/finance/bob-iger-compensation-package-salary-bob-chapek-fired-1235439151/.

13. Romano, Nick. 2020. “The Pandemic Animation Boom: How Cartoons Became King in the Time of COVID.” EW.com. November 2, 2020. https://ew.com/movies/animation-boom-coronavirus-pandemic/.

14. Strapagiel, Lauren. 2021. “The Future of Disney’s First Animated Feature Film with Queer Leads, ‘Nimona,’ Is in Doubt.” BuzzFeed News. February 24, 2021. https://www.buzzfeednews.com/article/laurenstrapagiel/disney-nimona-movie-lgbtq-characters.

15. Clark, Travis. 2022. “Disney Raised Concerns about a Same-Sex Kiss in the Unreleased Animated Movie ‘Nimona,’ Former Blue Sky Staffers Say.” Business Insider. https://www.businessinsider.com/disney-disapproved-same-sex-kiss-nimona-movie-former-staffers-say-2022-3.

16. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

17. St. James, Emily. 2023. “Mourning the Loss of the Owl House, TV’s Best Queer Kids Show.” Vanity Fair. April 6, 2023. https://www.vanityfair.com/hollywood/2023/04/loss-of-the-owl-house-tvs-best-queer-kids-show.

18. AntagonistDana. 2021. “AMA (except by ‘Anything’ I Mean These Questions Only).” Reddit. October 5, 2021. https://www.reddit.com/r/TheOwlHouse/comments/q1x1uh/ama_except_by_anything_i_mean_these_questions_only/; de Wit, Alex Dudok. 2020. “Disney Executive Tried to Block Queer Characters in ‘the Owl House,’ Says Creator.” 2020. Cartoon Brew. August 14, 2020. https://www.cartoonbrew.com/disney/disney-executives-tried-to-block-queer-characters-in-the-owl-house-says-creator-195413.html.

19. Doherty, Thomas. 1999. Pre-Code Hollywood : Sex, Immorality, and Insurrection in American Cinema, 1930-1934. New York: Columbia University Press. 363.

20. Henderson, Taylor. 2018. “‘Steven Universe’s’ Latest Episode Just Made LGBTQ History.” Pride. July 5, 2018. https://www.pride.com/stevenuniverse/2018/7/05/steven-universes-latest-episode-just-made-lgbtq-history; McDonnell, Chris. 2020. Steven Universe: End of an Era. New York: Abrams. 102.

21. Stevenson, ND. (@Gingerhazing). 2021. "Sad day. Thanks for the well wishes, and sending so much love to everyone at Blue Sky. Forever grateful for all the care and joy you poured into Nimona." Twitter/X, February 9, 2021, 3:32 PM. https://x.com/Gingerhazing/status/1359238823935283200

22. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

23. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

24. Stevenson, ND. (@Gingerhazing). 2022. "Nimona’s always been a spunky little story that just wouldn’t stop. She’s a fighter...but she’s also got some really awesome people fighting for her. I am excited out of my mind to announce that THE NIMONA MOVIE IS ALIVE...coming at you in 2023 from Annapurna and Netflix." Twitter/X, April 11, 2022, 10:00 AM. https://x.com/Gingerhazing/status/1513517319841935363.

25. “‘Nimona’ Starring Chloë Grace Moretz, Riz Ahmed & Eugene Lee Yang Coming to Netflix in 2023.” About Netflix. April 11, 2022. https://about.netflix.com/en/news/nimona-starring-chloe-grace-moretz-riz-ahmed-and-eugene-lee-yang-coming-to-netflix.

26. “’Nimona’ Rates 100% on Rotten Tomatoes after Annecy Premiere.” Animation Magazine. June 15, 2023. https://www.animationmagazine.net/2023/06/nimona-rates-100-on-rotten-tomatoes-after-annecy-premiere/

27. Dilillo, John. 2023. “’Nimona’: Everything You Need to Know About the New Animated Adventure.” Tudum by Netflix. June 30, 2023. https://www.netflix.com/tudum/articles/nimona-release-date-news-photos

28. Reese, Lori. 2001. “Is ‘“Shrek”’ the Anti- Disney Fairy Tale?” Entertainment Weekly. May 29, 2001. https://ew.com/article/2001/05/29/shrek-anti-disney-fairy-tale/.

29. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 255. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

30. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

31. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

32. Equal Justice Initiative. 2021. “Report Documents Racial Bias in Coverage of Crime by Media.” Equal Justice Initiative. December 16, 2021. https://eji.org/news/report-documents-racial-bias-in-coverage-of-crime-by-media/.

33. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

34. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 259-260. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

35. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 7. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

36. Brown, Tracy. 2019. “In Netflix’s ‘She-Ra,’ Even Villains Respect Nonbinary Pronouns.” Los Angeles Times. November 6, 2019. https://www.latimes.com/entertainment-arts/tv/story/2019-11-05/netflix-she-ra-princesses-power-nonbinary-double-trouble.

37. Department of Homeland Security. 2019. “If You See Something, Say Something®.” Department of Homeland Security. May 10, 2019. https://www.dhs.gov/see-something-say-something.

38. University of Stanford. n.d. “Stephon Clark.” Say Their Names - Spotlight at Stanford. https://exhibits.stanford.edu/saytheirnames/feature/stephon-clark.

39. Kidd, Jeremy D., Tettamanti, Nicky A., Kaczmarkiewicz, Roma, Corbeil, Thomas E., Dworkin, Jordan D., Jackman, Kasey B., Hughes, Tonda L., Bockting, Walter O., & Meyer, Ilan H. 2023. “Prevalence of Substance Use and Mental Health Problems among Transgender and Cisgender US Adults.” Williams Institute. https://williamsinstitute.law.ucla.edu/publications/transpop-substance-use/.

40. “2023 Anti-Trans Bills: Trans Legislation Tracker.” n.d. Trans Legislation Tracker. https://translegislation.com/bills/2023.

41. James, S.E., Herman, J.L., Durso, L.E., & Heng-Lehtinen, R. 2024. “Early Insights: A Report of the 2022 U.S. Transgender Survey.” National Center for Transgender Equality, Washington, DC.

42. Myers, Catherine. 2023. “Protests in the Age of Social Media.” The Nonviolence Project. February 11, 2023. https://thenonviolenceproject.wisc.edu/2023/02/11/protests-in-the-age-of-social-media/.

43. Auxier, Brooke, and Colleen McClain. 2020. “Americans Think Social Media Can Help Build Movements, but Can Also Be a Distraction.” Pew Research Center. Pew Research Center. September 9, 2020. https://www.pewresearch.org/short-reads/2020/09/09/americans-think-social-media-can-help-build-movements-but-can-also-be-a-distraction/.

44. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

45. Chapman, Wilson. 2022. “HBO Max to Remove 36 Titles, Including 20 Originals, from Streaming.” Variety. August 18, 2022. https://variety.com/2022/tv/news/hbo-max-originals-removed-1235344286/.

46. Iftikhar, Asyia. 2023. “Netflix CEO Slammed by LGBTQ+ Fans over Cancellation Comments: ‘They Are NOT Allies.’” PinkNews. January 24, 2023. https://www.thepinknews.com/2023/01/24/netflix-ceo-ted-sarandos-cancelled-shows-lgbtq-fans-reactions/.

47. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

48. “Wayback Machine.” n.d. The Internet Archive. Accessed June 10, 2024. https://wayback-api.archive.org/web/20240000000000.

49. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

[talkethtothehandeth]

If you have celiac and buy the brand Van’s for their waffles, please know that 9 days ago there was a recall because some of the packages of the gluten free waffles may contain “undeclared” wheat. And if you have celiac, you know “may” might as well mean “does”.

This recall only applies to boxes with the matching lot codes and numbers, and do not pertain to other products that Van’s has to offer. These boxes were distributed in AZ, CA, FL, GA, IL, NC, & WA. Please check your boxes immediately to ensure your own safety and save yourself the painful reactions to gluten. It’s advised the purchased packages be either thrown out (or given to someone who can eat wheat so as not to waste it) or return the product to where you’ve purchased it from.

“The U.S. Food & Drug Administration website published the recall July 3. It applies to certain packs of Van's Gluten Free Original Waffles with lot code UW40193L, expiration date Jan. 19, 2024, and UPC 0 89947 30206 4. According to the Van's recall, some of the packs of waffles may contain undeclared wheat.”

[thaoworra]

The Science Fiction and Fantasy Poetry Association recently released the poems that made it to the finalist stage for consideration for the 2024 Rhysling Awards for Short and Long Speculative Poems of the year. Congratulations to all of the nominees! This will be the 46th year these awards have been conferred!

Short Poems (50 finalists)

Attn: Prime Real Estate Opportunity!, Emily Ruth Verona, Under Her Eye: A Women in Horror Poetry Collection Volume II

The Beauty of Monsters, Angela Liu, Small Wonders 1

The Blight of Kezia, Patricia Gomes, HWA Poetry Showcase X

The Day We All Died, A Little, Lisa Timpf, Radon 5

Deadweight, Jack Cooper, Propel 7

Dear Mars, Susan L. Lin, The Sprawl Mag 1.2

Dispatches from the Dragon's Den, Mary Soon Lee, Star*Line 46.2

Dr. Jekyll, West Ambrose, Thin Veil Press December

First Eclipse: Chang-O and the Jade Hare, Emily Jiang, Uncanny 53

Five of Cups Considers Forgiveness, Ali Trotta, The Deadlands 31

Gods of the Garden, Steven Withrow, Spectral Realms 19

The Goth Girls' Gun Gang, Marisca Pichette, The Dread Machine 3.2

Guiding Star, Tim Jones, Remains to be Told: Dark Tales of Aotearoa, ed. Lee Murray (Clan Destine Press)

Hallucinations Gifted to Me by Heatstroke, Morgan L. Ventura, Banshee 15

hemiplegic migraine as willing human sacrifice, Ennis Rook Bashe, Eternal Haunted Summer Winter Solstice

Hi! I am your Cortical Update!, Mahaila Smith, Star*Line 46.3

How to Make the Animal Perfect?, Linda D. Addison, Weird Tales 100

I Dreamt They Cast a Trans Girl to Give Birth to the Demon, Jennessa Hester, HAD October

Invasive, Marcie Lynn Tentchoff, Polar Starlight 9

kan-da-ka, Nadaa Hussein, Apparition Lit 23

Language as a Form of Breath, Angel Leal, Apparition Lit October

The Lantern of September, Scott Couturier, Spectral Realms 19

Let Us Dream, Myna Chang, Small Wonders 3

The Magician's Foundling, Angel Leal, Heartlines Spec 2

The Man with the Stone Flute, Joshua St. Claire, Abyss & Apex 87

Mass-Market Affair, Casey Aimer, Star*Line 46.4

Mom's Surprise, Francis W. Alexander, Tales from the Moonlit Path June

A Murder of Crows, Alicia Hilton, Ice Queen 11

No One Now Remembers, Geoffrey Landis, Fantasy and Science Fiction Nov./Dec.

orion conquers the sky, Maria Zoccula, On Spec 33.2

Pines in the Wind, Karen Greenbaum-Maya, The Beautiful Leaves (Bamboo Dart Press)

The Poet Responds to an Invitation from the AI on the Moon, T.D. Walker, Radon Journal 5

A Prayer for the Surviving, Marisca Pichette, Haven Speculative 9

Pre-Nuptial, F. J. Bergmann, The Vampiricon (Mind's Eye Publications)

The Problem of Pain, Anna Cates, Eye on the Telescope 49

The Return of the Sauceress, F. J. Bergmann, The Flying Saucer Poetry Review February

Sea Change, David C. Kopaska-Merkel and Ann K. Schwader, Scifaikuest May

Seed of Power, Linda D. Addison, The Book of Witches ed. Jonathan Strahan (Harper Collins)

Sleeping Beauties, Carina Bissett, HWA Poetry Showcase X

Solar Punks, J. D. Harlock, The Dread Machine 3.1

Song of the Last Hour, Samuel A. Betiku, The Deadlands 22

Sphinx, Mary Soon Lee, Asimov's September/October

Storm Watchers (a drabbun), Terrie Leigh Relf, Space & Time

Sunflower Astronaut, Charlie Espinosa, Strange Horizons July

Three Hearts as One, G. O. Clark, Asimov's May/June

Troy, Carolyn Clink, Polar Starlight 12

Twenty-Fifth Wedding Anniversary, John Grey, Medusa's Kitchen September

Under World, Jacqueline West, Carmina Magazine September

Walking in the Starry World, John Philip Johnson, Orion's Belt May

Whispers in Ink, Angela Yuriko Smith, Whispers from Beyond (Crystal Lake Publishing)

Long Poems (25 finalists)

Archivist of a Lost World, Gerri Leen, Eccentric Orbits 4

As the witch burns, Marisca Pichette, Fantasy 87

Brigid the Poet, Adele Gardner, Eternal Haunted Summer Summer Solstice

Coding a Demi-griot (An Olivian Measure), Armoni “Monihymn” Boone, Fiyah 26

Cradling Fish, Laura Ma, Strange Horizons May

Dream Visions, Melissa Ridley Elmes, Eccentric Orbits 4

Eight Dwarfs on Planet X, Avra Margariti, Radon Journal 3

The Giants of Kandahar, Anna Cates, Abyss & Apex 88

How to Haunt a Northern Lake, Lora Gray, Uncanny 55

Impostor Syndrome, Robert Borski, Dreams and Nightmares 124

The Incessant Rain, Rhiannon Owens, Evermore 3

Interrogation About A Monster During Sleep Paralysis, Angela Liu, Strange Horizons November

Little Brown Changeling, Lauren Scharhag, Aphelion 283

A Mere Million Miles from Earth, John C. Mannone, Altered Reality April

Pilot, Akua Lezli Hope, Black Joy Unbound eds. Stephanie Andrea Allen & Lauren Cherelle (BLF Press)

Protocol, Jamie Simpher, Small Wonders 5

Sleep Dragon, Herb Kauderer, The Book of Sleep (Written Image Press)

Slow Dreaming, Herb Kauderer, The Book of Sleep (Written Image Press)

St. Sebastian Goes To Confession, West Ambrose, Mouthfeel 1

Value Measure, Joseph Halden and Rhonda Parrish, Dreams and Nightmares 125

A Weather of My Own Making, Nnadi Samuel, Silver Blade 56

Welcoming the New Girl, Beth Cato, Penumbric October

What You Find at the Center, Elizabeth R McClellan, Haven Spec Magazine 12

The Witch Makes Her To-Do List, Theodora Goss, Uncanny 50

The Year It Changed, David C. Kopaska-Merkel, Star*Line 46.4

Voting for the Rhysling Award begins July 1; a link to the ballot will be sent with the Rhysling Anthology, as well as with the July issue of Star*Line. More information on the Rhysling Award can be found here.

[trexiejan]

I have a theory that Tom Taylor copied/took a lot of inspirations from Dickkory.

I may or may not be wrong but I just can't help but notice the timing and the similarities. A lot of things in dickbabs relationship are not very original at all. Most of the time they just steal concept from other couples.

Now going back to Tom, I suspect he was in a lot of social media apps (twitter, reddit, instagram etc) and secretly lurked in nightwing fandom groups and have read their posts and conversations etc. including about dickkory.

1. The concept of visiting his parents' grave

This panel of Kory and Dick showing up in his parents graveyard was shared in the Nightwing subreddit 1 month ago. How come 1 month later Tom wrote a similar thing for Dick and Babs?

Also notice Dick told Kory "You shouldn't be here" but Tom wrote Dick telling Babs "Thanks for coming here" it seems to me Tom really saw the kory comic and wanted to make the dialougue different for dickbabs to make them look better.

2. The concept of wearing each other's superhero costumes.

This fanart of dick and kory exchanging costumes was created by Laurarts on March 4, 2024, it went viral on twitter and it was also shared on the nightwing subreddit.

How come 1 month later Tom Taylor wrote that Dick and Babs wear each other's costumes too in Nightwing #113 that was published in April 17, 2024. 💀.

3. The concept of being freaky

Now my suspicions of Tom stalking and copying Dickkory content was solidified when he literally posted this gif of Dickkory from the DCAMU, notice how Dick and Babs started acting horny and freaky in his run after he tweeted this and Babs started teasing Dick and making sexual jokes to him like Kory does to Dick in the dcamu. 💀💀💀

4. The concept of A crowd of heroes watching them.

I remember a year ago I posted this screenshot of an article discussing the original plan for dickkory in reply to a thread where Tom Taylor got tagged by the person i was talking to. The person was a dickbabs shipper who insisted NTT dickkory was bound to fail, I told OP it's not true, i showed her this screenshot of the article that discussed the original wedding plan for dick and kory and where it also says a crowd of heroes would watch Dick and Kory. How come a few months later Tom Taylor wrote this dickbabs wedding scene in his run and made a crowd of heroes watch dickbabs too??? 💀

5. Wally being a shipper

This panel of Wally in Teen Titans Academy #9 being a Dickkory shipper was published in December 14, 2021, how come a few months later, Tom Taylor wrote Wally being a dickbabs shipper in Nightwing #91 (April 19, 2022). Wally felt ooc because he never once talked about dickbabs before tom wrote him in his book💀

6. The concept of a woman teaching Dick to be more than just a hero

Seriously, Kory already taught him this 😭 She was literally the reason why he didn't become a Batman 2.0, He already learned the whole "you can be more than just a hero and be in a happy relationship" lesson from Kory.

But Tom Taylor just had to bring him back to square 1 so he can make Barbara say this to him too, making her act like Kory 💀 it's funny cuz Barbara never acted like this before, don't forget she was the one who keep rejecting him and making him feel bad for trying to be happy before 💀💀💀

So yeah sorry if i'm being annoying about this, I might be wrong but even if i'm wrong it still doesn't make dickbabs original since dickkory writers and fanartist did these concepts first.

and tom taylor is known to be an obsessed dickbabs shipper who tried to have beef with dickkory shippers on twitter so copying dickkory content as a form of secret revenge sounds like something he would do 😬

[covid-safer-hotties]

SARS-CoV-2 impairs male fertility by targeting semen quality and testosterone level: A systematic review and meta-analysis - Published Sept 9, 2024

Abstract Background Since the discovery of COVID-19 in December 2019, the novel virus has spread globally causing significant medical and socio-economic burden. Although the pandemic has been curtailed, the virus and its attendant complication live on. A major global concern is its adverse impact on male fertility.

Aim This study was aimed to give an up to date and robust data regarding the effect of COVID-19 on semen variables and male reproductive hormones.

Materials and methods Literature search was performed according to the recommendations of PRISMA. Out of the 852 studies collected, only 40 were eligible for inclusion in assessing the effect SARS-CoV-2 exerts on semen quality and androgens. More so, a SWOT analysis was conducted.

Results The present study demonstrated that SARS-CoV-2 significantly reduced ejaculate volume, sperm count, concentration, viability, normal morphology, and total and progressive motility. Furthermore, SARS-CoV-2 led to a reduction in circulating testosterone level, but a rise in oestrogen, prolactin, and luteinizing hormone levels. These findings were associated with a decline in testosterone/luteinizing hormone ratio.

Conclusions The current study provides compelling evidence that SARS-CoV-2 may lower male fertility by reducing semen quality through a hormone-dependent mechanism; reduction in testosterone level and increase in oestrogen and prolactin levels.

[suzuran777]

BL game magazine Cool-B will be ceasing publication this month

After 20 years, BL visual novel magazine Cool-B is publishing its final issue at the end of this month. As someone who was always looking forward to the new information featured in the magazine, I'm sad to see it go, though I do understand the reasoning behind it. Due to rising manufacturing costs, in 2024 Cool-B was re-branded to Cool-B Kiwami, and the publishing schedule was changed to quarterly instead of bi-monthly. So for some time, it seemed like the magazine would continue with this new schedule. However, unfortunately in October 2024, another announcement was made on their social media in which they mentioned that the magazine would end publication in January 2025, as the contract with their publisher was also coming to an end.

Compared to 20 or even 10 years ago, the BL visual novel market has changed a lot and the number of newly released games is much smaller nowadays. Despite that, Cool-B continued publishing information, working closely with BL visual novel writers and artists to publish short stories and illustrations. The opinions of fans were important to them too, as they would organize yearly popularity polls and included game sales statistics and information about which new games people were looking forward to the most. The magazine's editors always seemed passionate about their work and even in their final statement, they mentioned that they want to find a way to continue, though right now they are unsure how.

Cool-B started publication in 2005, though its predecessor Binetsu Ouji released its first issue in 2002. Around this time, there were several other magazines which published information about BL visual novels, which I've written about in this blog post. All of them were eventually discontinued, which resulted in Cool-B becoming the only BL visual novel magazine. The other day the official Twitter/X account revealed the cover of the final issue, and instead of featuring a single game on the cover, they decided to include all of the previous covers. The text "最終号:BLゲームは不滅です" roughly translates to ''Final issue: BL games are immortal" implying that there will always be BL game creators who are passionate about their projects who will continue making new games in the future. And I think they're right, as earlier this week Parade (known for NO, THANK YOU!!!, Room No.9 and Lkyt.) announced their fourth game "lesson" which is scheduled to be released this year. The cover of the final Cool-B issue also teases a completely new project by Yura from Tennenouji (known for Miracle No-ton, Luckydog1 and Friendly Lab) as well as a completely voiced remake of a BL visual novel that was released in 2001 called Seraphim Spiral. Carnelian's new project Tokyo Gentou (or Tokyo Phantasmagoria) is also scheduled to be released this year, as well as the second part of Ooe which many BL fans are looking forward to, as part 1 was incredibly well received.

Including the final issue, Cool-B published 118 issues of the magazine between 2005 and 2025. They also had their own otome game magazines, Sweet Princess and Bitter Princess. As it's a bit difficult to see what's on each cover in the image above, I uploaded another image which should make it a bit easier to see. I also compiled a list of all the games/game franchises featured on each cover which you can check below. Some official game titles are rather long, so sometimes I wrote the name fans typically use when they refer to these games, but I think you should still be able to find it on vndb (visual novel database) if you want to learn more about these games.

1) Gakuen Heaven. 2) White Shadow. 3) Hanamachi Monogatari. 4) Torus Zero. 5) Lamento. 6) Messiah. 7) Gakuen Heaven. 8) Laughter Land. 9) Messiah. 10) Lamento. 11) Lamento. 12) Kichiku Megane. 13) Magia Mystica. 14) Ore no Shita de Agake. 15) Square na Kankei. 16) Maid★Hajimemashita. 17) Messiah. 18) Fanatica. 19) Togainu no Chi. 20) sweet pool. 21) Messiah. 22) sweet pool. 23) Kichiku Megane. 24) Luckydog1. 25) Hanakage. 26) Luckydog1. 27) Gakuen Heaven. 28) Hanakage. 29) Luckydog1. 30) STEAL! 31) sweet pool/Lamento/Togainu no Chi. 32) Luckydog 1. 33) Gakuen Heaven. 34) Togainu no Chi. 35) DRAMAtical Murder. 36) Gakuen Heaven.

37) Luckydog1. 38) Shingakkou. 39) Luckydog1. 40) Taishou Mebiusline. 41) Luckydog1. 42) DRAMAtical Murder. 43) Luckydog1. 44) DRAMAtical Murder. 45) DRAMAtical Murder. 46) Luckydog1. 47) DRAMAtical Murder. 48) Omertà. 49) DRAMAtical Murder. 50) Gakuen Heaven. 51) Luckydog1. 52) Si-Nis-Kanto. 53) Omertà. 54) Taishou Mebiusline. 55) Luckydog1. 56) DRAMAtical Murder. 57) DRAMAtical Murder. 58) Luckydog1. 59) Tsumi naru Rasen no Ori. 60) Togainu no Chi. 61) Gakuen Heaven. 62) Tokyo Onmyouji. 63) Luckydog1. 64) Luckydog1. 65) Taishou Mebiusline. 66) Luckydog1. 67) Togainu no Chi/Lamento/sweet pool/DRAMAtical Murder. 68) New World Order. 69) Luckydog1. 70) Luckydog1. 71) Taishou Mebiusline. 72) Omega Vampire.

73) Luckydog1. 74) Togainu no Chi/Lamento/sweet pool/DRAMAtical Murder. 75) Taishou Mebiusline. 76) Luckydog1. 77) Hashihime. 78) Paradise. 79) Luckydog1. 80) Luckydog1. 81) Paradise. 82) Nie no Machi. 83) Luckydog1. 84) Omega Vampire. 85) Luckydog1. 86) Nie no Machi. 87) Luckydog1. 88) Luckydog1. 89) Uuultra C. 90) Tokyo 24-ku. 91) Friendly Lab. 92) Lkyt. 93) Uuultra C. 94) Dystopia no Ou. 95) Uuultra C. 96) Slow Damage. 97) Luckydog1. 98) Tokyo 24-ku. 99) Hashihime. 100) Luckydog1. 101) Luckydog1. 102) Hashihime. 103) Friendly Lab. 104) Suito wa Hakumei. 105) Haiiro no Arcadia. 106) Hashihime. 107) Hashihime. 108) Hashihime. 109) NU:Carnival. 110) Tokyo Satsujinki. 111) Friendly Lab. 112) Luckydog1. 113) Hashihime. 114) Psychic Eclipse. 115) Luckydog1. 116) Ooe. 117) Luckydog1/Friendly Lab/Miracle Noton.

Some additional information which I thought was interesting -There are three games featured on the cover of the magazine that were never actually released and cancelled, which are White Shadow (2), Torus Zero (4) and New World Order (68), so you won't be able to find these on vndb as it unfortunately deletes these entries. I did include all three of them in a previous post about cancelled/unreleased BL visual novels if you want to check them out! (I just noticed all the typos in these older blog posts…please bear with me). Two of these game developers are still around, as Core recently returned as Procyon, and Holicworks still releases games, so perhaps some of their ideas were re-purposed, or scrapped for other ideas. There's actually a fourth game which hasn't been released yet which is Suito wa Hakumei featured on issue 104, though its status is currently unknown.

-In total, 31 of the covers feature characters from the Luckydog1 games, therefore Tennenouji is also the creator that was featured the most on the covers. Friendly Lab also has 3 covers (4 if you include the one with all of the Tennenouji game characters), therefore the total number of Tennenouji covers is 34, which is almost 40% of the covers. I'm assuming that Cool-B staff always worked closely with Yura, but Luckydog1 does have many different games, with the covers featuring Luckydog1, Gian-carlo's LUCKY HAPPY LIFE, Gian no Tame Nara Sekai o Kowasu, Luckydog1 + Badegg, Mr. Giancarlo and the Vita and Nintendo Switch ports of the first game. In the 117th issue, Yura did mention that the series was finished now with the release of the PC version of Mr. Giancarlo, and that she wants to focus on a completely different series now.

-The company with the second largest number of covers is Nitro+CHiRAL, with a total of 20 covers (about 23%). Among the Nitro+CHiRAL, games, DRAMAtical Murder has the most covers, advertising the first game, fandisc, anime and vita port. Of course, Nitro+Chiral is also known for its crossovers between their own games, so there are multiple covers which feature characters from different games together, promoting events such as the Chiral Night. Some of these feature the Chiral Night's mascot Naito-kun as well.

By the way, the magazine would always come with different postcards if you pre-ordered it from a specific website, and these postcards would feature new art from even more games, so fans had a lot of things they could collect. These were limited-edition, but you can still find people selling them second-hand on websites like Surugaya, Yahoo auctions, Mercari and more. Other than publishing magazines, Cool-B also released several artbooks, such as the Hashihime, Uuultra C, and Taishou Mebiusline official artbooks. I'm not quite sure what will happen to the sales of this as other stores like Stellaworth also sell them and they're often out of stock, but only time will tell.

To conclude this, I do hope they will be able to continue publishing information as they're clearly passionate about what they do. I always had a lot of fun guessing what kind of game would be on the next cover, as well as collecting postcards of games I liked. It's kind of sad that any future games won't have this, as the magazine would often publish original short stories and promotional material about these new games too. Even if the development of some games took a long time, it never really felt long as we would usually get updates every two months when Cool-B was released. Cool-B would often publish new chapters of manga too, such as the Paradise and Hashihime manga, so I do wonder what will happen to these and if they will be published somewhere else.

[cyber-dump-171]

Masterlist: Objection! Stand your ground! Marvelous! (Twisted Wonderland x Reader)

This work is also published on Ao3: Click here!

This work is also published on Wattpad: Click here!

Tag List: Want to be notified whenever a new chapter is uploaded? You can enter your username here.

Summary: A kendo student, an heir to a jewelry empire and the child of a detective and a lawyer are now stuck in a bizarre world where everyone can wield magic.

It was just a summer job at the police station where your father works. A distraction from the heat and extra money. But what happens when you join the ever expanding list of people who have mysteriously disappeared?

Notes:

The reader uses they/them pronouns.

At the beginning of each chapter, there will be a warning if there's any graphic content.

English is not my first language, so if I make any mistakes please point them out to me! I do my best to double-check everything but there might be a few details that slip out for me.

CHAPTER LIST:

Prologue: Missing - Published 16/7/2024

Chapter 1: Fire - Published 19/7/2024

Chapter 2: Weirdos - Published 29/7/2024

Chapter 3: Insomnia - Published 16/8/2024

Chapter 4: Crewel & Crowley - Published 25/8/2024

Chapter 5: Call a doctor! - Published 8/9/2024

To be added...

[lexreadsdiversely]

Second year of my adult reading adventure (context: read a lot when I was younger, only read one book over the course of 8 years, started again January of 2024), and I'm doing the 2025 bingo created by @batmanisagatewaydrug ! I'm super excited and want to share my (tentative) picks for the board.

1. Literary Fiction: Little Fires Everywhere by Celeste Ng

2. Short story collection: Unaccustomed Earth by Jhumpa Lahiri

3. Sequel: The World We Make by N.K. Jemisin

4. Reread a childhood favorite: The Baby-Sitters Club: The Ghost at Dawn's House by Ann. M. Martin

5. 20th century speculative fiction: Kindred by Octavia E. Butler

6. Fantasy: The Book Eaters by Sunyi Dean

7. Published before 1950: The Picture of Dorian Gray - Oscar Wilde

8. Indie publisher: Her Body and Other Parties: Stories by Carmen Maria Machado, published by Graywolf Press

9. Graphic novel, comic book, or manga: Tomie by Junji Ito

10. Animal on the cover: Never Whistle at Night, edited by Shane Hawk and Theodore C. Van Alst Jr.

11. Set in a country you have never visited: Little Rot by Akwaeke Emezi

12. Science fiction: Catnip by Vyria Durav

13. 2025 debut author: Make Sure You Die Screaming by Zee Carlstrom

14. Memoir: The Night Parade: A Speculative Memoir by Jami Nakamura-Lin

15. Read a zine and make a zine: DROPS "Secrets We Long For" by Gio (very excited for this one - I love making zines!)

16. Essay collection: Your Silence Will Not Protect You: Essays and Poems by Audre Lorde

17. 2024 award winner: Ink Blood Sister Scribe by Emma Törzs

18. Nonfiction, learn something new: One of my wife's wild birds of eastern north america books

19. Social justice & activism: Care Work: Dreaming Disability Justice by Leah Lakshmi Piepzna-Samarasinha

20. Romance novel: A Wolf Steps in Blood by Tamara Jerée

21. Read & make a recipe: Apple crumble roses

22. Horror: We Don't Swim Here by Vincent Tirado

23. Published in the aughts (2000-2009): Leslie by Omar Tyree

24. Historical fiction: Last Night at the Telegraph Club by Malinda Lo

25. Bookseller/Librarian Rec: Pedro and Me by Judd Winick

[vintagelasvegas]

Timeline of La Concha & El Morocco motels

Photo: Newly opened La Concha Motel, June 1961

The two motels were build by M.K. Doumani, sons Edward and Fred Doumani, and operated as one.

'55: Billboards on site advertising the "1000 room El Morocco Hotel" to be built by El Morocco Enterprises, 39 Broadway, New York NY. Blurb in the Review-Journal says the group was backed by Richard Edelman of New York and planned to sell stock to fund the construction. (RJ 5/26/55)

'61: Jun., La Concha Motel opened. M.K. Doumani, sons Edward & Fred Doumani, owners. Paul R. Williams Associates, architect. Possibly designed by H. H. Whiteley.

'64: El Morocco Motel opened. Paul R. Williams Associates, architect.

'65: Cafe Morocco opened in the El Morocco building by Ash Resnick. “Morocco a Go-Go” nightclub operated by Resnick and Dave Victorson, including “Discotheque dancing to one of the world’s finest collections of computer music” (RJ 7/2/65 p19; Forrest Duke column, RJ 7/6/65 p9). Cafe Morocco lasts about a year.

'73: El Morocco casino opened, licensed to Mel Wolzinger. Reader board added to El Morocco sign.

'74: 9-story tower addition, rear of property between La Concha and El Morocco (exact date unknown).

'76: El Morroco sign altered, ’76 or 77.

'83: El Morocco casino closed, becomes gift shop, later a restaurant

'94: “Motel” section of La Concha Motel sign section removed, possibly damaged by storm 7/19/94.

'03: La Concha closed. Rooms demolished, lobby remains.

'04: El Morocco closed, demolished along with the 9-story tower.

'05: La Concha lobby moved to 770 Las Vegas Blvd N.

Photos of La Concha Motel | Photos of El Morocco Motel

La Concha, circa '64, and construction of El Morocco.

La Concha, El Morocco, and the 9-story tower, circa '88

Originally published 10/17/2016; updated 12/13/2024.

[breelandwalker]

2025 Witches' Calendar

For all my witches out there, here’s a handy list of the 2025 dates for the solstices, some commonly-referenced holidays, full and new moons, and special astronomical events. I’ve listed my sources at the bottom.

Dates and times for all events are calculated for Eastern Standard Time, USA, Northern Hemisphere. Adjust for your location as needed and check the DarkSky Placefinder to see what special events will be visible in your area.

On a related note, readers are encouraged to create their own seasonal calendars, holidays, and observances based on your local biome and personal preferences. Enjoy!

Solstices, Harvests, Quarter Days, Some Common Dates

February 1-2 - Imbolc / Candlemas / High Winter

March 20 - Spring Equinox / Ostara

April 30-May 1 - Beltane / May Day / Walpurgisnacht

June 20 - Summer Solstice / Midsummer / Litha

August 1 - Lughnasadh / Lammas / Summer Harvest

September 22 - Autumn Equinox / Mabon / Fall Harvest

October 31 - Samhain / Halloween / Final Harvest

December 21 - Winter Solstice / Yule

Full Moons

January 13 - Wolf Moon ♋

February 12 - Snow Moon ♌

March 14 - Worm Moon ♍ (Lunar Eclipse)

April 12 - Pink Moon ♎

May 12 - Flower Moon ♏

June 11 - Strawberry Moon ♐

July 10 - Thunder Moon (aka Buck Moon) ♑

August 9 - Sturgeon Moon (aka Corn Moon) ♒

September 7 - Harvest Moon ♓ (Lunar Eclipse)

October 6 - Hunter's Moon (aka Blood Moon) ♈

November 5 - Frost Moon (aka Beaver Moon) ♉ (Supermoon)

December 4 - Cold Moon ♊ (Supermoon)

* The full moons in September and October are almost EXACTLY equidistant from the Autumn Equinox this year, so whether you'll have a Harvest Moon in September or October depends on where you live!

New Moons

January 29 ♒

February 27 ♓

March 29 ♈

April 27 ♉

May 26 ♊

June 25 ♋

July 24 ♌

August 23 ♍

September 21 ♍ (Seasonal black moon, second new moon in Virgo)

October 21 ♎

November 20 ♏

December 19 ♐

Special Celestial Events

March 14 - Worm Moon Total Lunar Eclipse

March 29 - Solar Eclipse

September 7 - Harvest Moon Total Lunar Eclipse

September 21 - Seasonal Black Moon / Solar Eclipse

November 5 - Frost Moon Supermoon

December 4 - Cold Moon Supermoon

(Check the DarkSky Placefinder to see what will be visible in your area!)

Mercury Retrogrades (in case you need them)

March 14 to April 6

July 17 to August 10

November 9 to November 29

Happy Witching!

SOURCES & FURTHER READING:

Bree’s Lunar Calendar Series

Bree’s Secular Celebrations Series

Moon Info - Full Moon Dates for 2025

Calendar-12 - 2025 Moon Phases

Full Moonology - 2025 Full Moon Calendar

AstroStyle - All the 2025 Full Moons

Your Zodiac Sign - Astrology Calendar 2025

Old Farmer’s Almanac - Mercury Retrograde Dates 2024-2025

Sea and Sky - Astronomy Calendar of Celestial Events 2025

DarkSky International - Dark Sky Placefinder for Stargazing

Patheos - 2025 Wheel of the Year Astrological Calendar

Image Source - How Stuff Works

=

If you’re enjoying my content, please feel free to drop a little something in the tip jar, tune in to my podcast Hex Positive, or check out my published works on Amazon or in the Willow Wings Witch Shop. 😊

[dbdpromptober]

Dead Boy Detectives Promptober 2024!

The prompts:

1. mirrors

2. death

3. eternity

4. light

5. magic

6. books

7. blood

8. hell

9. past

10. lantern

11. dream

12. eight ball

13. demons

14. sorrow

15. crow

16. knives

17. mushroom

18. friendship

19. forest

20. investigate

21. lighthouse

22. downtime

23. sight

24. cats

25. dandelions

26. bones

27. snow

28. tricksters

29. doll

30. love

31. spooky

Rules:

1. Everyone can join!

Your work can be in any medium: art, fics, headcanons (yes, even a tweet counts), poetry, etc... Whatever you can think of!

2. You don’t have to do all days.

It’s for fun, so do what you’re able to or what inspires you the most.

3. Post on the same day or afterwards

We don’t have a deadline: you can post from the day of the prompt to October 2025 (next year), it’s fine. Just don’t skip forward! (i.e. post on Day 1 the prompt for day 3).

Where to post:

1. Twitter

Tag the account @DBDpromptober with the hashtag #DBDpromptober2024. You can add another hashtag used for the series and the save campaign, but no more than 2 per tweet as it could be seen as spam. Write the prompt of the day in the description.

2. Tumblr

Tag the account @DBDpromptober with the hashtag #DBDpromptober2024 and any other # used for the series. Write the prompt of the day in the description.

2. Instagram

Tag the account @DBDpromptober with the hashtag #DBDpromptober2024 and any othe # used for the series. Write the prompt of the day in the description.

3. AO3

Publish your work inside the collection DBDpromptober with the tag #DBDpromptober2024 and the prompt of the day. A tutorial on how to publish inside a collection is coming soon.

[richonneevents]

Richonne Fictober 2024 Rules, Guidelines, & Calendar

Richonne Fictober 2024 is a 31 day challenge for fanfiction writers/creators to write/create and publish a Richonne-centric story or related content everyday for the month of October.

Fics should be between 100 and 5,000 words. Rick and Michonne must be the main pairing. Richonne is an interracial pairing, so be mindful of tropes and language that perpetuates racism and misogynoir. Rick is a canonically disabled character, so be mindful of using tropes and language that is ableist. Fanartists should be mindful of not whitewashing Michonne, Andre, and RJ in their pieces.

Please tag @richonneevents and use the tag: #richonnefictober24

Be sure to tag your prompt and which day you are filling.

In addition to Richonne-centric fanfiction, creators are encouraged to make fanart; playlists; edits; moodboards; rec lists; graphics; podfics; gifsets; photo sets; fanvids etc.

WEEK 1

Day 1: Making Caramel / Candy Apples

Day 2: Seasonal Shopping (Clothes, decor, etc.)

Day 3: “The leaves are changing!”

Day 4: “Pumpkin spice...what?!”

Day 5: Autumn Breeze

WEEK 2

Day 6: Overcast Morning

Day 7: Bobbing for Apples

Day 8: Pumpkin Patch Visit

Day 9: Rainy Day

Day 10: Scarecrow

Day 11: Haunted Hayride / Haunted House

Day 12: Horror Movie Marathon

WEEK 3

Day 13: Jumping in A Leaf Pile

Day 14: Warm Apple Cider / Hot Chocolate etc

Day 15: Corn Maze

Day 16: By The Fire(place)

Day 17: Candles 

Day 18: Flannel

Day 19: Nestled Under Blankets

WEEK 4

Day 20: Festival 

Day 21: First Frost

Day 22: Kissing In The Rain

Day 23: Baking Pies

Day 24: Cemetery Stakeout 

Day 25: Black Cat

Day 26: Dead-End

WEEK 5

Day 27: Underneath The Sky

Day 28: Full Moon

Day 29: Carving Jack o’ Lanterns

Day 30: Costume Party

Day 31: Trick or Treat

[soobadnoonecanstopher]

Can I Stay?

Masterlist

A Baekhyun Story by @soobadnoonecanstopher

Chapter count - 23 + 1 Bonus

Word count - 181,363 (or 650 paperback pages)

Publish date - 06/22/2023

Completion date - 03/21/2024

Summary - What should do you do when your new assistant is much younger than you, much too handsome to be real, and also happens to be the boss’s son? Well first of all, (whoops) you definitely shouldn’t fall in love with him.

Start Reading Here:

Part 1 , Part 2, Part 3, Part 4, Part 5, Part 6

Part 7, Part 8, Part 9, Part 10, Part 11, Part 12,

Part 13, Part 14, Part 15, Part 16, Part 17, Part 18,

Part 19, Part 20, Part 21, The Letters (Bonus), Part 22 [FINAL]