#published 9/19/2024

[thevikingwoman]

written for @idrellegames Wayfarer’s 3rd anniversary!

Fandom: Wayfarer IF | Words: 740 | Read on Ao3

Illia Strand | before episode 1 | gen Rating: Teen. Illia receives bad news, contemplating your place in the world, spoilers for ep1, rough times, complicated family

Legacy

It’s beautiful weather when the news reach Illia Strand. The sun is out, but it’s not too hot and a pleasant breeze brings fresh air through the streets. The large port city is an oft used stopping spot for Wayfarers heading home – home to the Spire – so it’s not strange that Varyn’s letter finds her here. It takes her two times to understand the content of it.

The Spire is gone.

Her home is gone.

She’s numb. She stands there, in the street outside the apothecary that sometimes serves as a delivery hub for wayfarers. She has no idea how long time passes, or how many times she reads the letter. Illia doesn’t move until someone bumps into her, swearing and swearing again when they discover she’s magiani. She mumbles an excuse and puts the letter away, shoving it into her pack.

What if she’d received Sero’s summons in time? What if she’d been at the Spire?

She wanders aimlessly, cobblestone and dirt under her feet. The busy calls of the market, jumping aside for a noble in a carriage. She doesn’t really notice any of it.

It was too complicated getting out of Vestra. The civil war has ripped the country apart, people seeing enemies everywhere. The countryside torn up, dead cattle and fields burned or crops left to rot. It was a wonder she even got Sero’s letter at all. Varyn’s network is strong, though – but not strong enough to prevent an assault on their home. Is it burnt? Rubble? She wonders if her fellow wayfarers are dead, bloated corpses in the snow like those in war. Aeran… She balks at the thought, willing it away. It’s no use. Don’t dream up information you don’t have, Varyn always said. Illia sucks in air, attempting the calming breaths of her mentor. It doesn’t help much.

She finds herself at the harbor. The gulls scream and the port is bustling, busy sailors loading and unloading. Off-duty crew looking for entertainment, or just a nice meal and a change of view. It’s tedious to be at sea, she knows.

Of course, there’s a familiar flag on a large ship at the end of the dock. She knows her family has been busy. Her father keen on expanding his power, though for all she knows it’s Aristos who runs the business now. She has avoided the ships when she saw them, likely as she is to run into one of her siblings. Her parents’ legacy, a family trade empire, every child captain of their own ship if they should wish. All except one, of course.

Illia can’t help but walk closer, some sort of bitter curiosity perhaps. The ship is big, and must have been here long enough to trade, sailors bringing goods aboard. Familiar Coveran is barked out as orders and idle chit chat both. The captain is by the gangplank, arguing with an official. She freezes. The same brown hair and grey eyes as herself. Same freckles, just fewer of them, scattered across the bridge of their nose. Lorsan, their sibling.

To see them here, now –

Illia wonders what they would do if she went to them. Would she be welcomed or turned away? Would Lorsan even recognize her? She’s a far cry from the forgotten little sister who got shoved out of their life many years past. But, she’s alone now. The letter in her pack tells her so, tells her to run. And Tol Covere and the Strand fleet is one place to run. She imagines Lorsan, greeting her like the long lost sibling she is. Mother, tearfully hugging her. Her father, saying she did well for their name after all. Maybe that one is a stretch.

Lorsan opens their pack and draws out brass scale. The magic unfolds itself, the scale balancing in the air. Some last-minute haggling, spices probably. A simple instrument, easy to use, and every merchant’s stable if they can afford it. The Strand family can, but it’s not something she can use. She’d break the delicate magic with a simple careless touch.

No.

She does not belong in the Strand fleet. Their legacy is not hers.

She belongs with the Wayfarer Order, even if it no longer exists. Some were scatted, Varyn said. Perhaps she can find them. That is to be her legacy now, bitter as it is.

Illia turns from away the dock, her feet leading her back to the city.

[pucksandpower]

The Kinktober 2024 Masterlist

→ Formula 1 after dark 💋

Day 1 → Cockwarming 💋 Toto Wolff

Day 2 → Chastity 💋 Max Verstappen

Day 3 → Oral Fixation 💋 Charles Leclerc

Day 4 → Bruise Marking 💋 Lando Norris

Day 5 → Size Difference 💋 Oscar Piastri

Day 6 → Daddy Kink 💋 Carlos Sainz

Day 7 → Virginity Loss 💋 Toto Wolff

Day 8 → Breeding Kink 💋 Max Verstappen

Day 9 → Overstimulation 💋 Charles Leclerc

Day 10 → Exhibitionism 💋 Kimi Räikkönen

Day 11 → Sex Pollen 💋 Max Verstappen

Day 12 → Mirror Sex 💋 Oscar Piastri

Day 13 → Temperature Play 💋 Charles Leclerc

Day 14 → Innocence Play 💋 Lewis Hamilton

Day 15 → Thigh Riding 💋 Max Verstappen

Day 16 → Remote-Controlled Vibrator 💋 Jenson Button

Day 17 → Lactation Kink 💋 Lando Norris

Day 18 → Praise Kink 💋 Charles Leclerc

Day 19 → Spreader Bar 💋 Toto Wolff

Day 20 → Menthol Cream 💋 Oscar Piastri

Day 21 → Anal 💋 Lando Norris

Day 22 → Bedding Ceremony 💋 Charles Leclerc

Day 23 → Consensual Non-Consent 💋 Max Verstappen

Day 24 → Piercing 💋 Toto Wolff

Day 25 → Monsterfucking 💋 Carlos Sainz

Day 26 → Cum Marking 💋 Charles Leclerc

Day 27 → Hunter/Prey 💋 Max Verstappen

Day 28 → A/B/O 💋 Oscar Piastri

Day 29 → BDSM 💋 Toto Wolff

Day 30 → Innocence Kink 💋 Lando Norris

Day 31 → Mind Break 💋 Charles Leclerc

Tumblr won’t let me link the final five fics for some reason but they have been published!

[breelandwalker]

2024 Witches' Calendar

For all my witches out there, here's a handy list of the 2024 dates for the solstices, quarter days, full and new moons, and special events. I've listed my sources at the bottom.

Dates and times for all events are calculated for Eastern Standard Time, USA, Northern Hemisphere. Adjust for your location as needed and check the DarkSky Placefinder to see what special events will be visible in your area. Enjoy!

Solstices, Harvests, and Quarter Days

February 1-2 - Imbolc / Candlemas

March 19 - Spring Equinox / Ostara

April 30-May 1 - Beltane / May Day

June 20 - Summer Solstice / Midsummer / Litha

August 1 - Lughnasadh / Lammas / Summer Harvest

September 22 - Autumn Equinox / Mabon / Fall Harvest

October 31 - Samhain / Halloween / Final Harvest

December 21 - Winter Solstice / Yule

Full Moons

January 25 - Wolf Moon ♌

February 24 - Snow Moon ��

March 25 - Worm Moon ♎

April 23 - Pink Moon ♏

May 23 - Flower Moon ♐

June 21 - Strawberry Moon ♑

July 21 - Thunder Moon (aka Buck Moon) ♑

August 19 - Sturgeon Moon* ♒

September 17 - Harvest Moon* ♓

October 17 - Hunter's Moon (aka Blood Moon)* ♈

November 15 - Frost Moon (or Beaver Moon)* ♉

December 15 - Cold Moon ♊

*- Supermoon

Fun Fact: The title of Harvest Moon is given to either the September or October full moon, whichever falls closest to the autumn equinox. Once again this year, that month will be September.

New Moons

January 11 ♑

February 9 ♒

March 10 ♓

April 8 ♈

May 7 ♉

June 6 ♊

July 5 ♋

August 4 ♌

September 2 ♍

October 2 ♎

November 1 ♏

December 1 ♐

December 30 (black moon) ♑

Special Celestial Events

January 3-4 - Quadrantids meteor shower peak

March 25 - Penumbral Lunar Eclipse

April 8 - Total solar eclipse

April 22-23 - Lyrids meteor shower peak

May 6-7 - Eta Aquarids meteor shower peak

August 11-13 - Perseids meteor shower peak

August 19 - Sturgeon Supermoon / Seasonal Blue Moon

September 17 - Harvest Supermoon / Penumbral Lunar Eclipse

October 2 - "Ring of Fire" solar eclipse

October 17 - Hunter's Supermoon

October 21-22 - Orionids meteor shower peak

November 15 - Frost Supermoon

November 16-17 - Leonids meteor shower peak

December 13-14 - Geminids meteor shower peak

December 30 - Black Moon

(Check the DarkSky Placefinder to see what will be visible in your area!)

Mercury Retrogrades (in case you need them)

April 1 - April 24

August 4 - August 27

November 25 - December 15

Happy Witching!

SOURCES & FURTHER READING:

Bree's Lunar Calendar Series

Bree's Secular Celebrations Series

Moon Info - Full Moon Dates for 2024

Calendar-12 - 2024 Moon Phases

Full Moonology - 2024 Full Moon Calendar

AstroStyle - All the 2024 Full Moons

Your Zodiac Sign - Astrology Calendar 2024

Old Farmer's Almanac - Mercury Retrograde Dates 2023-2024

Lonely Planet - Best Star-gazing Events of 2024

Sea and Sky - Astronomy Calendar of Celestial Events 2024

DarkSky International - Dark Sky Placefinder for Stargazing

Pagan Grimoire - Wheel of the Year: The 8 Festivals in the Wiccan Calendar (2024 Edition)

=

If you're enjoying my content, please feel free to drop a little something in the tip jar or check out my published works on Amazon or in the Willow Wings Witch Shop. 😊

EDIT: Mercury is stationed direct on Jan 1st, 2024. The source I used which stated it was in retrograde until the 18th had a typo.

EDIT: Fixed the zodiac signs for the full moons using a new source.

[renthony]

Nimona: a Story of Trans Rights, Queer Solidarity, and the Battle Against Censorship

by Ren Basel renbasel.com

The 2023 film Nimona, released on Netflix after a tumultuous development, is a triumph of queer art. While the basic plot follows a mischievous shapeshifter befriending a knight framed for murder, at its heart Nimona is a tale of queer survival in the face of bigotry and censorship. Though the word “transgender” is never spoken, the film is a deeply political narrative of trans empowerment.

The film is based on a comic of the same name, created by Eisner-winning artist N.D. Stevenson. (1) Originally a webcomic, Nimona stars the disgraced ex-knight Ballister Blackheart and his titular sidekick, teaming up to topple an oppressive regime known as the Institution. The webcomic was compiled into a graphic novel published by Harper Collins on May 12, 2015. (2)

On June 11, 2015, the Hollywood Reporter broke the news Fox Animation had acquired rights to the story. (3) A film adaptation would be directed by Patrick Osborne, written by Marc Haimes, and produced by Adam Stone. Two years later, on February 9, 2017, Osborne confirmed the film was being produced with the Fox-owned studio Blue Sky Animation, and on June 30 of that same year, he claimed the film would be released Valentine’s Day 2020. (4)

Then the Walt Disney Company made a huge mess.

On December 14, 2017, Disney announced the acquisition of Twenty-First Century Fox, Inc. (5) Industry publications began speculating the same day about Blue Sky’s fate, though nothing would be confirmed until after the deal’s completion on March 19, 2019. (6) At first it seemed the studio would continue producing films under Disney’s governance, similar to Disney-owned Pixar Animation. (7)

The fate of the studio—and Nimona’s film adaptation—remained in purgatory for two years. During that time, Patrick Osborne left over reported creative differences, and directorial duties were taken over by Nick Bruno and Troy Quane. (8) Bruno and Quane continued production on the film despite Blue Sky’s uncertain future.

The killing blow came on February 9, 2021. Disney shut down Blue Sky and canceled Nimona, the result of economic hardship caused by COVID-19. (9) Nimona was seventy-five percent completed at the time, set to star Chloë Grace Moretz and Riz Ahmed. (10)

While COVID-19 caused undeniable financial upheaval for the working class, wealthy Americans fared better. (11) Disney itself scraped together enough to pay CEO Bob Iger twenty-one million dollars in 2020 alone. (12) Additionally, demand for animation spiked during the pandemic’s early waves, and Nimona could have been the perfect solution to the studio’s supposed financial woes. (13) Why waste the opportunity to profit from Blue Sky’s hard work?

It didn’t take long for the answer to surface. Speaking anonymously to the press, Blue Sky workers revealed the awful truth: Disney may have killed Nimona for being too queer. The titular character was gender-nonconforming, the leading men were supposed to kiss, and Disney didn’t like it. (14) While Disney may claim COVID-19 as the cause, it is noteworthy that Disney representatives saw footage of two men declaring their love, and not long after, the studio responsible was dead. (15) Further damning evidence came in February of 2024, when the Hollywood Reporter published an article quoting co-director Nick Bruno, who named names: Disney’s chief creative officer at the time, Alan Horn, was adamantly opposed to the film’s “gay stuff.” (16)

Disney didn’t think queer art was worthy of their brand, and it isn’t the first time. “Not fitting the Disney brand” was the justification for canceling Dana Terrace’s 2020 animated series The Owl House, which featured multiple queer characters. (17) Though Terrace was reluctant to assume queerphobia caused the cancellation, Disney’s anti-queer bias has been cited as a hurdle by multiple showrunners, including Terrace herself. (18) The company’s resistance to queer art is a documented phenomenon.

While Nimona’s film cancellation could never take N.D. Stevenson’s comic from the world, it was a sting to lose such a powerful queer narrative on the silver screen. American film has a long history of censoring queerness. The Motion Picture Production Code (commonly called the Hays Code) censored queer stories for decades, including them under the umbrella of “sex perversion.” (19) Though the Code was eventually repealed, systemic bigotry turns even modern queer representation milestones into battles. In 2018, when Rebecca Sugar, creator of the Cartoon Network series Steven Universe, succeeded in portraying the first-ever same-sex marriage proposal in American children’s animation, the network canceled the show in retaliation. (20)

When queer art has to fight so hard just to exist, each loss is a bitter heartbreak. N.D. Stevenson himself expressed sorrow that the world would never see what Nimona’s crew worked so hard to achieve. (21)

Nimona, however, is hard to kill.

While fans mourned, progress continued behind the scenes. Instead of disappearing into the void as a tax write-off, the film was quietly scooped up by Megan Ellison of Annapurna Pictures. (22) Ellison received a call days before Disney’s death blow to Blue Sky, and after looking over storyboard reels, she decided to champion the film. With Ellison’s support, former Blue Sky heads Robert Baird and Andrew Millstein did their damnedest to find Nimona a home. (23)

Good news arrived on April 11, 2022, when N.D. Stevenson made a formal announcement on Twitter (now X): Nimona was gloriously alive, and would release on Netflix in 2023. (24) Netflix confirmed the news in its own press release, where it also provided details about the film’s updated cast and crew, including Eugene Lee Yang as Ambrosius Goldenloin alongside Riz Ahmed’s Ballister Boldheart (changed from the name Blackheart in the comic) and Chloë Grace Moretz as Nimona. (25) The film was no longer in purgatory, and grief over its death became anticipation for its release.

Nimona made her film debut in France, premiering at the Annecy International Animation Film Festival on June 14, 2023 to positive reviews. (26) Netflix released the film to streaming on June 30, finally completing the story’s arduous journey from page to screen. (27)

When the film begins, the audience is introduced to the world through a series of illustrated scrolls, evoking the storybook intros of Disney princess films such as 1959’s Sleeping Beauty. The storybook framing device has been used to parody Disney in the past, perhaps most famously in the 2001 Dreamworks film Shrek. Just as Shrek contains parodies of the Disney brand created by a Disney alumnus, so, too, does Nimona riff on the studio that snubbed it. (28)

Nimona’s storybook intro tells the story of Gloreth, a noble warrior woman clad in gold and white, who defended her people from a terrible monster. After slaying the beast, Gloreth established an order of knights called the Institute (changed from the Institution in the comic) to wall off the city and protect her people.

Right away, the film introduces a Christian dichotomy of good versus evil. Gloreth is presented as a Christlike figure, with the Institute’s knights standing in as her saints. (29) Her name is invoked like the Christian god, with characters uttering phrases such as “oh my Gloreth” and “Gloreth guide you.” The film’s design borrows heavily from Medieval Christian art and architecture, bolstering the metaphor.

Nimona takes place a thousand years after Gloreth’s victory. Following the opening narration, the audience is dropped into a setting combining Medieval aesthetics with futuristic science fiction, creating a sensory delight of neon splashed across knights in shining armor. It’s in this swords-and-cyborgs city that a new knight is set to join the illustrious ranks of Gloreth’s Institute, now under the control of a woman known only as the Director (voiced by Frances Conroy). That new knight is our protagonist, Ballister Boldheart.

The film changes several things from the original. The comic stars Lord Ballister Blackheart, notorious former knight, long after his fall from grace. He has battled the Institution for years, making a name for himself as a supervillain. The film introduces a younger Ballister Boldheart who is still loyal to the Institute, who believes in his dream of becoming a knight and overcomes great odds to prove himself worthy. In the comic, Blackheart’s greatest rival is Sir Ambrosius Goldenloin, with whom he has a messy past. The film shows more of that past, when Goldenloin and Boldheart were young lovers eager to become knights by each other’s side.

There is another notable change: in the comic, Goldenloin is white, and Blackheart is light-skinned. In the film, both characters are men of color—specifically, Boldheart is of Pakistani descent, and Goldenloin is of Korean descent, matching the ethnicity of their respective voice actors. This change adds new themes of institutional racism, colorism, and the “model minority” stereotype. (30)

The lighter-skinned Goldenloin is, as his name suggests, the Institute’s golden boy. He descends from the noble lineage of Gloreth herself, and his face is emblazoned on posters and news screens across the city. He is referred to as “the most anticipated knight of a generation.” In contrast, the darker-skinned Boldheart experiences prejudice and hazing due to his lower-class background. His social status is openly discussed in the news. He is called a “street kid” and “controversial,” despite being the top student in his class. The newscasters make sure everyone knows he was only given the chance to prove himself in the Institute because the queen, a Black woman with established social influence, gave him her personal patronage. Despite this patronage, when the news interviews citizens on the street, public opinion is firmly against Boldheart.

To preserve the comic’s commentary on white privilege, some of Goldenloin’s traits were written into a new, white character created for the film, Sir Thoddeus Sureblade (voiced by Beck Bennett). Sureblade’s vitriol against both Boldheart and Goldenloin allowed Goldenloin to become a more sympathetic character, trapped in the system just as much as Boldheart. (31) This is emphasized at other points in the film when the audience sees Sureblade interact with Goldenloin without Boldheart present, berating the only person of color left in the absence of the darker-skinned man.

The day Boldheart is to be knighted, everything goes wrong. As Queen Valerin (voiced by Lorraine Toussaint) performs the much-anticipated knighting ceremony, a device embedded in Boldheart’s sword explodes, killing her instantly. Though Boldheart is not to blame, he is dubbed an assassin instead of a knight. In an instant, he becomes the most wanted man in the kingdom, and Queen Valerin’s hopes for progress and social equality seem dead with her. Boldheart is gravely injured in the explosion and forced to flee, unable to clear his name.

Enter Nimona.

The audience meets the titular character in the act of vandalizing a poster of Gloreth, only to get distracted by an urgent broadcast on a nearby screen. As she approaches, a bystander yells that she’s a “freak,” in a manner reminiscent of slurs screamed by passing bigots. Nimona has no time for bigots, spraying this one in the face with paint before tuning in to the news.

“Everyone is scared,” declare the newscasters, because queen-killer Ballister Boldheart is on the run. The media paints him as a monster, a filthy commoner who never deserved the chances he was given, and announce that, “never since Gloreth’s monster has anything been so hated.” This characterization pleases Nimona, and she declares him “perfect” before scampering off to find his hiding place.

It takes the span of a title screen for her to track him down, sequestered in a makeshift junkyard shelter. Just before Nimona bursts into the lair, the audience sees Boldheart’s injuries have resulted in the amputation of his arm, and he is building a homemade prosthetic. This is another way he’s been othered from his peers in an instant, forced to adapt to life-changing circumstances with no support. Where he was so recently an aspiring knight with a partner and a dream, he is now homeless, disabled, and isolated.

A wall in the hideout shows a collection of news clippings, suspects, and sticky notes where Boldheart is trying to solve the murder and clear his name. His own photo looks down from the wall, captioned with a damning headline: “He was never one of us—knights reveal shocking details of killer’s past.” It evokes real-world racial bias in crime reporting, where suspects of color are treated as more violent, unstable, and prone to crime than white suspects. A 2021 report by the Equal Justice Initiative and the Global Strategy Group compiled data on this phenomenon, focusing on the stark disparity between coverage of white and Black suspects. (32)

Nimona is not put off by Boldheart’s sinister media reputation. It’s why she tracked him down in the first place. She’s arrived to present her official application as Boldheart’s villain sidekick and help him take down the Institute. Boldheart brushes her off, insisting he isn’t a villain. He has faith in his innocence and in the system, and leaves Nimona behind to clear his name.

When he is immediately arrested, stripped of his prosthetic, and jailed, Nimona doesn’t abandon him. She springs a prison break, and conveys a piece of bitter wisdom to the fallen knight: “[O]nce everyone sees you as a villain, that’s what you are. They only see you one way, no matter how hard you try.”

Nimona and Boldheart are both outcasts, but they are at different stages of processing the pain. Boldheart is deep in the grief of someone who tried to adhere to the demands of a biased system but finally failed. He is the newly cast-out, who gave his entire life to the system but still couldn’t escape dehumanization. His pain is a fresh, raw wound, where Nimona has old scars. She embodies the deep anger of those who have existed on the margins for years. Where Boldheart wants to prove his innocence so he can be re-accepted into the fold, Nimona’s goal is to tear the entire system apart. She finds instant solidarity with Boldheart based solely on their mutual status as outsiders, but Boldheart resists that solidarity because he still craves the system’s familiar structure.

In the comic, Blackheart’s stance is not one of fresh grief, since, just like Nimona, he has been an outsider for some time. Instead, Blackheart’s position is one of slow reform. He believes the system can be changed and improved, while Nimona urges him to demolish it entirely. In both versions, Ballister thinks the system can be fixed by removing specific corrupt influences, where Nimona believes the government is rotten to its foundations and should be dismantled. Despite their ideological differences, Nimona and Ballister ally to survive the Institute’s hostility.

The allyship is an uneasy truce. During the prison break, Nimona reveals that she’s a shapeshifter, able to change into whatever form she pleases. Boldheart reflexively reaches for his sword, horrified that she isn’t human. She is the exact sort of monster he has been taught to fear by the Institute, and it’s only because he needs her help that he overcomes his reflex and sticks with her.

Nimona’s shapeshifting functions as a transgender allegory. The comic’s author, N.D. Stevenson, is transgender, and Nimona’s story developed alongside his own queer journey. (33) The trans themes from the comic are emphasized in the film, with various pride flags included in backgrounds and showcased in the art book. (34) Directors Bruno and Quane described the film as “a story about acceptance. A movie about being seen for who you truly are and a love letter to all those who’ve ever shared that universal feeling of being misunderstood or like an outsider trying to fit in.” (35)

When Boldheart asks Nimona what she is, she responds with only “Nimona.” When he calls her a girl, she retorts that she’s “a lot of things.” When she transforms into another species, she specifies in that moment that she’s “not a girl, I’m a shark.” Later, when she takes the form of a young boy and Boldheart comments on it, saying “now you’re a boy,” her response is, “I am today.” She defies easy categorization, and she likes it that way.

About her shapeshifting, Nimona says “it feels worse if I don’t do it” and “I shapeshift, then I’m free.” When asked what happens if she doesn’t shapeshift, she responds, “I wouldn’t die-die, I just sure wouldn’t be living.” Every time she discusses her transformations, it carries echoes of transgender experience—and, as it happens, Nimona is not N.D. Stevenson’s only shapeshifting transgender character. During his tenure as showrunner for She-Ra and the Princesses of Power (Netflix/Dreamworks, 2018-2020), Stevenson introduced the character Double Trouble. Double Trouble previously existed at the margins of She-Ra lore, but Stevenson’s version was a nonbinary shapeshifter using they/them pronouns. (36) While Nimona uses she/her pronouns throughout both comic and film, just like Double Trouble her gender presentation is as fluid as her physical form.

Boldheart, like many cisgender people reacting to transgender people, is uncomfortable with Nimona. He declares her way of doing things “too much,” and insists they try to be “inconspicuous” and “discreet.” He worries whether others saw her, and, when she is casually in a nonhuman form, he asks if she can “be normal for a second.” He claims to support her, but says it would be “easier if she was a girl” because “other people aren’t as accepting.” His discomfort evokes fumbled allyship by cisgender people, and Nimona emphasizes the allegory by calling Boldheart out for his “small-minded questions.” While the alliance is uneasy, Boldheart continues working with Nimona to clear his name. They are the only allies each other has, and their individual survival is dependent on them working together.

When the duo gain video proof of Boldheart’s innocence, they learn the bomb that killed Queen Valerin was planted by the Director. Threatened by a Black woman using her influence to elevate a poor, queer man of color, the white Director chose to preserve the status quo through violence.

Nimona is eager to get the video on every screen in the city, but Boldheart wants to deal with the issue internally, out of the public eye. He insists “the Institute isn’t the problem, the Director is.” This belief is what also leads the comic’s Blackheart to reject Nimona’s idea that he should crown himself king. He is focused on reforming the existing power structure, neither removing it entirely nor taking it over himself.

Inside the Institute, the Director has been doing her best to set Goldenloin against his former partner. Despite his internal misgivings and fear of betraying someone he loves, Goldenloin does his best to adhere to his prescribed role. As the Director reminds the knights, they are literally born to defend the kingdom, and it’s their sacred duty to do so—especially Goldenloin, who carries Gloreth’s holy blood. This blood connection is repeated throughout the film, and used by the Director to exploit Goldenloin. He’s the Institute’s token minority, put on a gilded pedestal and treated as a symbol instead of a human being.

Goldenloin is a pretty face for propaganda posters, and those posters can be seen throughout the film. They proclaim Gloreth’s majesty, the power of the knights, and remind civilians that the Institute is necessary to “protect our way of life.” A subway PSA urges citizens, “if you see something, slay something,” in a direct parody of the real-world “if you see something, say something” campaign by the United States Department of Homeland Security. (37)

The film is not subtle in its political messaging. When Boldheart attempts to prove his innocence to Goldenloin and the assembled knights, he reaches towards his pocket for a phone. The Director cries that Boldheart has a weapon, and Sureblade opens fire. Though the shot hits the phone and not Boldheart, it carries echoes of real-world police brutality against people of color. Specifically, the use of a phone evokes cases such as the 2018 murder of Stephon Clark, a young Black man who was shot and killed by California police claiming Clark’s cell phone was a firearm. (38) The film does not toy with vague, depoliticized themes of coexistence and tolerance; it is a direct and pointed allegory for contemporary oppression in the United States of America.

Forced to choose between love for Boldheart and loyalty to the Institute, Goldenloin chooses the Institute. He calls for Boldheart’s arrest, and this is the moment Boldheart finally agrees to fight back and raise hell alongside Nimona. When Goldenloin calls Nimona a monster during the ensuing battle, Boldheart doesn’t hesitate to refute it. He expresses his trust in her, and it’s clear he means it. He’s been betrayed by someone he cared about and thought he could depend on, and this puts him in true solidarity with Nimona for the first time.

During the fight, Nimona stops a car from crashing into a small child. She shapeshifts into a young girl to appear less threatening, but it doesn’t work. The child picks up a sword, pointing it at Nimona until an adult pulls them away to hide. When Nimona sees this hatred imprinted in the heart of a child, it horrifies her.

After fleeing to their hideout, Nimona makes a confession to Boldheart: she has suicidal ideations. So many people have directed so much hatred toward her that sometimes she wants to give in and let them kill her. In the real world, a month after the film’s release, a study from the Williams Institute at the UCLA School of Law compiled data about suicidality in American transgender adults. (39) Researchers found that eighty-one percent have thought about suicide, compared to just thirty-five percent of cisgender adults. Forty-two percent have attempted suicide, compared to eleven percent of cisgender adults. Fifty-six percent have engaged in self-harm, compared to twelve percent of cisgender adults.

When Boldheart offers to flee with her and find somewhere safe together, Nimona declares they shouldn’t have to run. She makes the decision every trans person living in a hostile place must make: do I leave and save myself, or do I stay to fight for my community? The year the film was released, the Trans Legislation Tracker reported a record-breaking amount of anti-trans legislation in the United States, with six hundred and two bills introduced throughout twenty-four states. (40) In February 2024, the National Center for Transgender Equality published data on their 2022 U.S. Transgender Survey, revealing that forty-seven percent of respondents thought about moving to another area due to discrimination, with ten percent actually doing so. (41)

Despite the danger, Nimona and Boldheart work diligently against the Institute. When they gain fresh footage proving the Director’s guilt, they don’t hesitate to upload it online, where it garners rapid attention across social and news media. Newscasters begin asking who the real villain is, anti-Institute sentiment builds, and citizens protest in the streets, demanding answers. The power that social media adds to social justice activism is true in the real world as it is in the film, seen in campaigns such as the viral #MeToo hashtag and the Black Lives Matter movement. (42) In 2020, polls conducted by the Pew Research Center showed eight in ten Americans viewed social media platforms as either very or somewhat effective in raising awareness about political and social topics. In the same survey, seventy-seven percent of respondents believed social media is at least somewhat effective in organizing social movements. (43)

In reaction to the media firestorm, the Director issues a statement. She outs Nimona as a shapeshifter, and claims the evidence against the Institute is a hoax. Believing the Director, Goldenloin contacts Boldheart for a rendezvous, sans Nimona. From Goldenloin’s perspective, Boldheart is a good man who has been deceived by the real villain, Nimona. He tells Boldheart about a scroll the Director found, with evidence that Nimona is Gloreth’s original monster, still alive and terrorizing the city. Goldenloin wants to bring Boldheart back into the knighthood and resume their relationship, and though that’s what Boldheart wanted before, his solidarity with Nimona causes him to reject the offer.

Though he leaves Goldenloin behind, Boldheart’s suspicion of Nimona returns. Despite their solidarity, he doesn’t really know her, so he returns home to interrogate her. In the ensuing argument, he reverts to calling her a monster, but only through implication—he won’t say the word. Like a slur, he knows he shouldn’t say it anymore, but that doesn’t keep him from believing it.

Boldheart’s actions prove to Nimona that nowhere is safe. There is no haven. Her community will always turn on her. She flees, and in her ensuing breakdown, the audience learns her backstory. She was alone for an unspecified length of time, never able to fit in until meeting Gloreth as a little girl. Nimona presents herself to Gloreth as another little girl, and Gloreth becomes Nimona’s very first friend. Even when Nimona shapeshifts, Gloreth treats her with kindness and love.

Then the adults of Gloreth’s village see Nimona shapeshift, and the word “monster” is hurled. Torches and pitchforks come out. At the adults’ panic, Gloreth takes up a sword against Nimona, and the cycle of bigotry is transferred to the next generation. The friendship shatters, and Nimona must flee before she can be killed.

After losing Boldheart, seemingly Nimona’s only ally since Gloreth’s betrayal, Nimona’s grief becomes insurmountable. She knows in her heart that nothing will ever change. She’s been hurt too much, by too many, cutting too deeply. To Nimona, the world will only ever bring her pain, so she gives in. She transforms into the giant, ferocious monster everyone has always told her she is, and she begins moving through the city as the Institute opens fire.

When Ballister sees Nimona’s giant, shadowy form, he realizes the horrific pain he caused her. He intuits that Nimona isn’t causing destruction for fun, she’s on a suicide march. She’s given up, and her decision is the result of endless, systemic bigotry and betrayal of trust. Her rampage wouldn’t be happening if she’d been treated with love, support, and care.

Nimona’s previous admission of suicidal ideation repeats in voiceover as she prepares to impale herself on a sword pointed by a massive statue of Gloreth. Her suicide is only prevented because Ballister steps in, calling to her, apologizing, saying he sees her and she isn’t alone. She collapses into his arms, once again in human form, sobbing. Boldheart has finally accepted her truth, and she is safe with him.

But she isn’t safe from the Director.

In a genocidal bid she knows will take out countless civilian lives, the Director orders canons fired on Nimona. Goldenloin tries to stop her, finally standing up against the system, but it’s too late. The Director fires the canons, Nimona throws herself at the blast to protect the civilians, and Nimona falls.

When the dust settles, the Director is deposed and the city rebuilds. Boldheart and Goldenloin reconnect and resume their relationship. The walls around the city come down, reforms take hold in the Institute, and a memorial goes up to honor Nimona, the hero who sacrificed her life to reveal the Director’s corruption.

Nimona, however, is hard to kill.

Nimona originally had a tragic ending, born of N.D. Stevenson’s own depression, but that hopelessness didn’t last forever. (44) Though Nimona is defeated, she doesn’t stay dead. Through the outpouring of love and support N.D. Stevenson received while creating the original webcomic, he gained the community and support he needed to create a more hopeful ending for Nimona’s story—and himself.

The comic’s ending is bittersweet. Nimona can’t truly die, and eventually restores herself. She allows Blackheart to glimpse her, so he knows she survived, but she doesn’t stay. She still doesn’t feel safe, and is assumed to move on somewhere new. Blackheart never sees Nimona again.

The film’s ending is more hopeful. There is a shimmer of pink magic as Nimona announces her survival, and the film ends with Boldheart’s elated exclamation. Even death couldn’t keep her down. She survived Gloreth, and she survived the Director. Though this chapter of the story is over, there is hope on the horizon, and she has allies on her side.

In both incarnations, Nimona is a story of queer survival in a cruel world. The original ending was one of despair, that said there was little hope of true solidarity and allyship. The revised ending said there was hope, but still so far to go. The film’s ending says there is hope, there is solidarity, and there are people who will stand with transgender people until the bitter end—but, more importantly, there are people in the world who want trans people to live, to thrive, and to find joy.

In a world that’s so hostile to transgender people, it’s no wonder a radically trans-positive film had to fight so hard to exist. Unfortunately, the battle must continue. As of June 2024, Netflix hasn’t announced any intent to produce physical copies of the film, meaning it exists solely on streaming and is only accessible via a monthly paid subscription. Should Netflix ever take down its original animation, as HBO Max did in 2022 despite massive backlash, the film could easily become lost media. (45) Though it saved Nimona from Disney, Netflix has its own nasty history of under-marketing and canceling queer programs. (46)

The film’s art book is already gone. The multimedia tome was posted online on October 12, 2023, hosted at ArtofNimona.com. (47) Per the Internet Archive’s Wayback Machine, the site became a Netflix redirect at some point between 10:26 PM on March 9, 2024 and 9:35 PM on March 20, 2024. (48) On the archived site, some multimedia elements are non-functional, potentially making them lost media. The art book is not available through any legal source, and though production designer Aidan Sugano desperately wants a physical copy made, there seem to be no such plans. (49)

Perhaps Netflix will eventually release physical copies of both film and art book. Perhaps not. Time will tell. In the meantime, Nimona stands as a triumph of queer media in a queerphobic world. That it exists at all is a miracle, and that its accessibility is so precarious a year after release is a travesty. Contemporary political commentary is woven into every aspect of the film, and it exists thanks to the passion, talent, and bravery of an incredible crew who endured despite blatant corporate queerphobia.

Long live Nimona, and long live the transgender community she represents.

_ This piece was commissioned using the prompt "the Nimona movie."

Updated 6/16/24 to revise an inaccurate statement regarding the original comic.

Like this essay? Tip me on Ko-Fi, pledge to my Patreon, or commission an essay on the topic of your choice!

_

Notes:

1. “Past Recipients 2010s.” n.d. Comic-Con International. Accessed June 10, 2024. https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipenties-2010s/.

2. Stevenson, ND. 2015. Nimona. New York, NY: Harperteen.

3. Kit, Borys. 2015. “Fox Animation Nabs ‘Nimona’ Adaptation with ‘Feast’ Director (Exclusive).” The Hollywood Reporter. June 11, 2015. https://www.hollywoodreporter.com/movies/movie-news/fox-animation-nabs-nimona-adaptation-801920/.

4. Riley, Jenelle. 2017. “Oscar Winner Patrick Osborne Returns with First-Ever vr Nominee ‘Pearl.’” Variety. February 9, 2017. https://variety.com/2017/film/in-contention/patrick-osborne-returns-to-race-with-first-vr-nominee-pearl-1201983466/; Osborne, Patrick (@PatrickTOsborne). 2017. "Hey world, the NIMONA feature film has a release date! @Gingerhazing February 14th 2020 !!" Twitter/X, June 30, 2017, 3:16 PM. https://x.com/PatrickTOsborne/status/880867591094272000. ‌

5. “The Walt Disney Company to Acquire Twenty-First Century Fox, Inc., after Spinoff of Certain Businesses, for $52.4 Billion in Stock.” 2017. The Walt Disney Company. December 14, 2017. https://thewaltdisneycompany.com/walt-disney-company-acquire-twenty-first-century-fox-inc-spinoff-certain-businesses-52-4-billion-stock-2/.

6. Amidi, Amid. 2017. “Disney Buys Fox for $52.4 Billion: Here Are the Key Points of the Deal.” Cartoon Brew. December 14, 2017. https://www.cartoonbrew.com/business/disney-buys-fox-key-points-deal-155390.html; Giardina, Carolyn. 2017. “Disney Deal Could Redraw Fox’s Animation Business.” The Hollywood Reporter. December 14, 2017. https://www.hollywoodreporter.com/news/general-news/disney-deal-could-redraw-foxs-animation-business-1068040/; Szalai, Georg, and Paul Bond. 2019. “Disney Closes $71.3 Billion Fox Deal, Creating Global Content Powerhouse.” The Hollywood Reporter. March 19, 2019. https://www.hollywoodreporter.com/news/general-news/disney-closes-fox-deal-creating-global-content-powerhouse-1174498/.

7. Hipes, Patrick. 2019. “After Trying Day, Disney Sets Film Leadership Lineup.” Deadline. March 22, 2019. https://deadline.com/2019/03/disney-film-executives-post-merger-team-set-1202580586/.

8. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

9. D’Alessandro, Anthony. 2021. “Disney Closing Blue Sky Studios, Fox’s Once-Dominant Animation House behind ‘Ice Age’ Franchise.” Deadline. February 9, 2021. https://deadline.com/2021/02/blue-sky-studios-closing-disney-ice-age-franchise-animation-1234690310/.

10. “Disney’s Blue Sky Shut down Leaves Nimona Film 75% Completed.” 2021. CBR. February 10, 2021. https://www.cbr.com/nimona-film-abandoned-disney-blue-sky-shut-down/; Sneider, Jeff. 2021. “Exclusive: Disney’s LGBTQ-Themed ‘Nimona’ Would’ve Featured the Voices of Chloë Grace Moretz, Riz Ahmed.” Collider. March 4, 2021. https://collider.com/nimona-movie-cast-cancelled-disney-blue-sky/.

11. Horowitz, Juliana Menasce, Anna Brown, and Rachel Minkin. 2021. “The COVID-19 Pandemic’s Long-Term Financial Impact.” Pew Research Center’s Social & Demographic Trends Project. March 5, 2021. https://www.pewresearch.org/social-trends/2021/03/05/a-year-into-the-pandemic-long-term-financial-impact-weighs-heavily-on-many-americans/.

12. Lang, Brent. 2022. “Disney CEO Bob Iger’s Rich Compensation Package Revealed, Company Says Bob Chapek Fired ‘without Cause.’” Variety. November 21, 2022. https://variety.com/2022/film/finance/bob-iger-compensation-package-salary-bob-chapek-fired-1235439151/.

13. Romano, Nick. 2020. “The Pandemic Animation Boom: How Cartoons Became King in the Time of COVID.” EW.com. November 2, 2020. https://ew.com/movies/animation-boom-coronavirus-pandemic/.

14. Strapagiel, Lauren. 2021. “The Future of Disney’s First Animated Feature Film with Queer Leads, ‘Nimona,’ Is in Doubt.” BuzzFeed News. February 24, 2021. https://www.buzzfeednews.com/article/laurenstrapagiel/disney-nimona-movie-lgbtq-characters.

15. Clark, Travis. 2022. “Disney Raised Concerns about a Same-Sex Kiss in the Unreleased Animated Movie ‘Nimona,’ Former Blue Sky Staffers Say.” Business Insider. https://www.businessinsider.com/disney-disapproved-same-sex-kiss-nimona-movie-former-staffers-say-2022-3.

16. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

17. St. James, Emily. 2023. “Mourning the Loss of the Owl House, TV’s Best Queer Kids Show.” Vanity Fair. April 6, 2023. https://www.vanityfair.com/hollywood/2023/04/loss-of-the-owl-house-tvs-best-queer-kids-show.

18. AntagonistDana. 2021. “AMA (except by ‘Anything’ I Mean These Questions Only).” Reddit. October 5, 2021. https://www.reddit.com/r/TheOwlHouse/comments/q1x1uh/ama_except_by_anything_i_mean_these_questions_only/; de Wit, Alex Dudok. 2020. “Disney Executive Tried to Block Queer Characters in ‘the Owl House,’ Says Creator.” 2020. Cartoon Brew. August 14, 2020. https://www.cartoonbrew.com/disney/disney-executives-tried-to-block-queer-characters-in-the-owl-house-says-creator-195413.html.

19. Doherty, Thomas. 1999. Pre-Code Hollywood : Sex, Immorality, and Insurrection in American Cinema, 1930-1934. New York: Columbia University Press. 363.

20. Henderson, Taylor. 2018. “‘Steven Universe’s’ Latest Episode Just Made LGBTQ History.” Pride. July 5, 2018. https://www.pride.com/stevenuniverse/2018/7/05/steven-universes-latest-episode-just-made-lgbtq-history; McDonnell, Chris. 2020. Steven Universe: End of an Era. New York: Abrams. 102.

21. Stevenson, ND. (@Gingerhazing). 2021. "Sad day. Thanks for the well wishes, and sending so much love to everyone at Blue Sky. Forever grateful for all the care and joy you poured into Nimona." Twitter/X, February 9, 2021, 3:32 PM. https://x.com/Gingerhazing/status/1359238823935283200

22. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

23. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

24. Stevenson, ND. (@Gingerhazing). 2022. "Nimona’s always been a spunky little story that just wouldn’t stop. She’s a fighter...but she’s also got some really awesome people fighting for her. I am excited out of my mind to announce that THE NIMONA MOVIE IS ALIVE...coming at you in 2023 from Annapurna and Netflix." Twitter/X, April 11, 2022, 10:00 AM. https://x.com/Gingerhazing/status/1513517319841935363.

25. “‘Nimona’ Starring Chloë Grace Moretz, Riz Ahmed & Eugene Lee Yang Coming to Netflix in 2023.” About Netflix. April 11, 2022. https://about.netflix.com/en/news/nimona-starring-chloe-grace-moretz-riz-ahmed-and-eugene-lee-yang-coming-to-netflix.

26. “’Nimona’ Rates 100% on Rotten Tomatoes after Annecy Premiere.” Animation Magazine. June 15, 2023. https://www.animationmagazine.net/2023/06/nimona-rates-100-on-rotten-tomatoes-after-annecy-premiere/

27. Dilillo, John. 2023. “’Nimona’: Everything You Need to Know About the New Animated Adventure.” Tudum by Netflix. June 30, 2023. https://www.netflix.com/tudum/articles/nimona-release-date-news-photos

28. Reese, Lori. 2001. “Is ‘“Shrek”’ the Anti- Disney Fairy Tale?” Entertainment Weekly. May 29, 2001. https://ew.com/article/2001/05/29/shrek-anti-disney-fairy-tale/.

29. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 255. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

30. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

31. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

32. Equal Justice Initiative. 2021. “Report Documents Racial Bias in Coverage of Crime by Media.” Equal Justice Initiative. December 16, 2021. https://eji.org/news/report-documents-racial-bias-in-coverage-of-crime-by-media/.

33. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

34. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 259-260. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

35. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 7. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

36. Brown, Tracy. 2019. “In Netflix’s ‘She-Ra,’ Even Villains Respect Nonbinary Pronouns.” Los Angeles Times. November 6, 2019. https://www.latimes.com/entertainment-arts/tv/story/2019-11-05/netflix-she-ra-princesses-power-nonbinary-double-trouble.

37. Department of Homeland Security. 2019. “If You See Something, Say Something®.” Department of Homeland Security. May 10, 2019. https://www.dhs.gov/see-something-say-something.

38. University of Stanford. n.d. “Stephon Clark.” Say Their Names - Spotlight at Stanford. https://exhibits.stanford.edu/saytheirnames/feature/stephon-clark.

39. Kidd, Jeremy D., Tettamanti, Nicky A., Kaczmarkiewicz, Roma, Corbeil, Thomas E., Dworkin, Jordan D., Jackman, Kasey B., Hughes, Tonda L., Bockting, Walter O., & Meyer, Ilan H. 2023. “Prevalence of Substance Use and Mental Health Problems among Transgender and Cisgender US Adults.” Williams Institute. https://williamsinstitute.law.ucla.edu/publications/transpop-substance-use/.

40. “2023 Anti-Trans Bills: Trans Legislation Tracker.” n.d. Trans Legislation Tracker. https://translegislation.com/bills/2023.

41. James, S.E., Herman, J.L., Durso, L.E., & Heng-Lehtinen, R. 2024. “Early Insights: A Report of the 2022 U.S. Transgender Survey.” National Center for Transgender Equality, Washington, DC.

42. Myers, Catherine. 2023. “Protests in the Age of Social Media.” The Nonviolence Project. February 11, 2023. https://thenonviolenceproject.wisc.edu/2023/02/11/protests-in-the-age-of-social-media/.

43. Auxier, Brooke, and Colleen McClain. 2020. “Americans Think Social Media Can Help Build Movements, but Can Also Be a Distraction.” Pew Research Center. Pew Research Center. September 9, 2020. https://www.pewresearch.org/short-reads/2020/09/09/americans-think-social-media-can-help-build-movements-but-can-also-be-a-distraction/.

44. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

45. Chapman, Wilson. 2022. “HBO Max to Remove 36 Titles, Including 20 Originals, from Streaming.” Variety. August 18, 2022. https://variety.com/2022/tv/news/hbo-max-originals-removed-1235344286/.

46. Iftikhar, Asyia. 2023. “Netflix CEO Slammed by LGBTQ+ Fans over Cancellation Comments: ‘They Are NOT Allies.’” PinkNews. January 24, 2023. https://www.thepinknews.com/2023/01/24/netflix-ceo-ted-sarandos-cancelled-shows-lgbtq-fans-reactions/.

47. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

48. “Wayback Machine.” n.d. The Internet Archive. Accessed June 10, 2024. https://wayback-api.archive.org/web/20240000000000.

49. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

[talkethtothehandeth]

If you have celiac and buy the brand Van’s for their waffles, please know that 9 days ago there was a recall because some of the packages of the gluten free waffles may contain “undeclared” wheat. And if you have celiac, you know “may” might as well mean “does”.

This recall only applies to boxes with the matching lot codes and numbers, and do not pertain to other products that Van’s has to offer. These boxes were distributed in AZ, CA, FL, GA, IL, NC, & WA. Please check your boxes immediately to ensure your own safety and save yourself the painful reactions to gluten. It’s advised the purchased packages be either thrown out (or given to someone who can eat wheat so as not to waste it) or return the product to where you’ve purchased it from.

“The U.S. Food & Drug Administration website published the recall July 3. It applies to certain packs of Van's Gluten Free Original Waffles with lot code UW40193L, expiration date Jan. 19, 2024, and UPC 0 89947 30206 4. According to the Van's recall, some of the packs of waffles may contain undeclared wheat.”

[thaoworra]

The Science Fiction and Fantasy Poetry Association recently released the poems that made it to the finalist stage for consideration for the 2024 Rhysling Awards for Short and Long Speculative Poems of the year. Congratulations to all of the nominees! This will be the 46th year these awards have been conferred!

Short Poems (50 finalists)

Attn: Prime Real Estate Opportunity!, Emily Ruth Verona, Under Her Eye: A Women in Horror Poetry Collection Volume II

The Beauty of Monsters, Angela Liu, Small Wonders 1

The Blight of Kezia, Patricia Gomes, HWA Poetry Showcase X

The Day We All Died, A Little, Lisa Timpf, Radon 5

Deadweight, Jack Cooper, Propel 7

Dear Mars, Susan L. Lin, The Sprawl Mag 1.2

Dispatches from the Dragon's Den, Mary Soon Lee, Star*Line 46.2

Dr. Jekyll, West Ambrose, Thin Veil Press December

First Eclipse: Chang-O and the Jade Hare, Emily Jiang, Uncanny 53

Five of Cups Considers Forgiveness, Ali Trotta, The Deadlands 31

Gods of the Garden, Steven Withrow, Spectral Realms 19

The Goth Girls' Gun Gang, Marisca Pichette, The Dread Machine 3.2

Guiding Star, Tim Jones, Remains to be Told: Dark Tales of Aotearoa, ed. Lee Murray (Clan Destine Press)

Hallucinations Gifted to Me by Heatstroke, Morgan L. Ventura, Banshee 15

hemiplegic migraine as willing human sacrifice, Ennis Rook Bashe, Eternal Haunted Summer Winter Solstice

Hi! I am your Cortical Update!, Mahaila Smith, Star*Line 46.3

How to Make the Animal Perfect?, Linda D. Addison, Weird Tales 100

I Dreamt They Cast a Trans Girl to Give Birth to the Demon, Jennessa Hester, HAD October

Invasive, Marcie Lynn Tentchoff, Polar Starlight 9

kan-da-ka, Nadaa Hussein, Apparition Lit 23

Language as a Form of Breath, Angel Leal, Apparition Lit October

The Lantern of September, Scott Couturier, Spectral Realms 19

Let Us Dream, Myna Chang, Small Wonders 3

The Magician's Foundling, Angel Leal, Heartlines Spec 2

The Man with the Stone Flute, Joshua St. Claire, Abyss & Apex 87

Mass-Market Affair, Casey Aimer, Star*Line 46.4

Mom's Surprise, Francis W. Alexander, Tales from the Moonlit Path June

A Murder of Crows, Alicia Hilton, Ice Queen 11

No One Now Remembers, Geoffrey Landis, Fantasy and Science Fiction Nov./Dec.

orion conquers the sky, Maria Zoccula, On Spec 33.2

Pines in the Wind, Karen Greenbaum-Maya, The Beautiful Leaves (Bamboo Dart Press)

The Poet Responds to an Invitation from the AI on the Moon, T.D. Walker, Radon Journal 5

A Prayer for the Surviving, Marisca Pichette, Haven Speculative 9

Pre-Nuptial, F. J. Bergmann, The Vampiricon (Mind's Eye Publications)

The Problem of Pain, Anna Cates, Eye on the Telescope 49

The Return of the Sauceress, F. J. Bergmann, The Flying Saucer Poetry Review February

Sea Change, David C. Kopaska-Merkel and Ann K. Schwader, Scifaikuest May

Seed of Power, Linda D. Addison, The Book of Witches ed. Jonathan Strahan (Harper Collins)

Sleeping Beauties, Carina Bissett, HWA Poetry Showcase X

Solar Punks, J. D. Harlock, The Dread Machine 3.1

Song of the Last Hour, Samuel A. Betiku, The Deadlands 22

Sphinx, Mary Soon Lee, Asimov's September/October

Storm Watchers (a drabbun), Terrie Leigh Relf, Space & Time

Sunflower Astronaut, Charlie Espinosa, Strange Horizons July

Three Hearts as One, G. O. Clark, Asimov's May/June

Troy, Carolyn Clink, Polar Starlight 12

Twenty-Fifth Wedding Anniversary, John Grey, Medusa's Kitchen September

Under World, Jacqueline West, Carmina Magazine September

Walking in the Starry World, John Philip Johnson, Orion's Belt May

Whispers in Ink, Angela Yuriko Smith, Whispers from Beyond (Crystal Lake Publishing)

Long Poems (25 finalists)

Archivist of a Lost World, Gerri Leen, Eccentric Orbits 4

As the witch burns, Marisca Pichette, Fantasy 87

Brigid the Poet, Adele Gardner, Eternal Haunted Summer Summer Solstice

Coding a Demi-griot (An Olivian Measure), Armoni “Monihymn” Boone, Fiyah 26

Cradling Fish, Laura Ma, Strange Horizons May

Dream Visions, Melissa Ridley Elmes, Eccentric Orbits 4

Eight Dwarfs on Planet X, Avra Margariti, Radon Journal 3

The Giants of Kandahar, Anna Cates, Abyss & Apex 88

How to Haunt a Northern Lake, Lora Gray, Uncanny 55

Impostor Syndrome, Robert Borski, Dreams and Nightmares 124

The Incessant Rain, Rhiannon Owens, Evermore 3

Interrogation About A Monster During Sleep Paralysis, Angela Liu, Strange Horizons November

Little Brown Changeling, Lauren Scharhag, Aphelion 283

A Mere Million Miles from Earth, John C. Mannone, Altered Reality April

Pilot, Akua Lezli Hope, Black Joy Unbound eds. Stephanie Andrea Allen & Lauren Cherelle (BLF Press)

Protocol, Jamie Simpher, Small Wonders 5

Sleep Dragon, Herb Kauderer, The Book of Sleep (Written Image Press)

Slow Dreaming, Herb Kauderer, The Book of Sleep (Written Image Press)

St. Sebastian Goes To Confession, West Ambrose, Mouthfeel 1

Value Measure, Joseph Halden and Rhonda Parrish, Dreams and Nightmares 125

A Weather of My Own Making, Nnadi Samuel, Silver Blade 56

Welcoming the New Girl, Beth Cato, Penumbric October

What You Find at the Center, Elizabeth R McClellan, Haven Spec Magazine 12

The Witch Makes Her To-Do List, Theodora Goss, Uncanny 50

The Year It Changed, David C. Kopaska-Merkel, Star*Line 46.4

Voting for the Rhysling Award begins July 1; a link to the ballot will be sent with the Rhysling Anthology, as well as with the July issue of Star*Line. More information on the Rhysling Award can be found here.

[multifandomgirl08]

Mini Verstappen Series Masterlist

Paring: Single Dad!Max Verstappen x Fem!Reader

At the end of 2020, Max Verstappen gets the surprise of his life when he finds out that his ex-girlfriend had given birth to a son, his son. A year and a half later Max's longtime girlfriend of 8 months finds out about his son Nico.

This is an ongoing series. I'm always adding to it. The masterlist changes often.

I do take requests for this. If there is anything that you want to see happen in this series just message me in my ask box. All of my normal request rules apply.

Reader Face Claim: Hande Erçel

Total Published Word Count: 62,997 Words

Disclaimer: This work below is fictionalized ideas and stories involving real people but does not directly reflect their thoughts, feelings, or behaviors. Please keep in mind that this is a work of fiction, so enjoy it as such.

𝑅𝑒𝑎𝑑𝑖𝑛𝑔 𝑂𝑟𝑑𝑒𝑟

0.0. Prologue - [December 10, 2020]

Max finds out that he has a son. And it changes his world.

0.1. Be Something You'll Love and Understand [December 11, 2020] Outtakes

He knew that he should have called his mom yesterday but he was still wrapping his head around the idea of being a father.

0.5. The Moment You Smiled At Me - [December 27, 2021]

The evening that started it all for Max and Reader.

1. Mini Verstappen - [August 15, 2022]

You get a small surprise the first time you visit Max’s apartment.

1.5. Girlfriend? - [November 1, 2022] Request

You meet Nico.

1.8. Caught - [June 4, 2023] 18+ Outtakes

Lando swears he knocked before walking into Max's hotel room, maybe he should have yelled before opening the door.

2. Change - [November 26, 2023 + January 2, 2024]

It’s the end of the F1 season. Some things are changing for the Verstappen's.

SMAU #1. The Secrets Out - [December 31, 2023 - January 1, 2024]

It’s the start of a new year. You and Max decide to tell the world about Nico.

3. A Lioness Protects Her Cub - [May 5 - 9, 16, 23, 2024] Request

Reporters are vultures and Max picks out a ring.

4. Day At The Karting Track - [June 14, 2024]

Nico starts karting. It opens a small can of worms.

4.5 The Engagement - [August 15 - 16, 2024]

He moved his hand over yours, moving the engagement ring that he placed on your finger, side to side.

SMAU #2. Through Max's Eyes - [March 8, July 30 - August 15, 2024]

Max’s Instagram posts about Y/N, and a small life update from the couple.

5. Something Bad, Something Good - [August 17 - 19, 2024] Request

Reader deals with the haters on Twitter, Nico calls Reader Mama. Max claps back at the haters on Instagram like the malewife that he strives to be.

5.5 Time to Move? - [August 25, September 15, 2024]

When Max had brought up moving, it was because the lease on his apartment was going to be up at the end of the year. Maybe it was time to find a new place for all of you.

6. Race Day - [October 20, 2024] Request

Nico tags along with Max during a race day in Monza, well as much as he can.

6.1 Wedding Headcanon - [February 2, 2025]

Headcanons from Max and the Reader's wedding. Social Media posts from their honeymoon.

6.5. Give and Take (Kind of Love We Make) - [February 28, 2025] 18+ Request (The Morning After)

Max had a plan in his head for the evening. He had mapped out the track before, and intended to keep to his strategy until they got home.

6.7. To Constantly Be Away - [March 9 & 10, 2025]

Second race of the season and Max is already having a tough time with the car. Missing his family only makes it worse.

7. From Three to Four - [April 4, 2025]

Reader tells Max that your expecting, he doesn't have the best reaction at first.

8. Stones To Throw At My Creator - [July 19, 2025]

He wasn't his father. He would never raise Nico like that.

SMAU #3. The Verstappens - [January 8, February 2, May 26, December 3, 2025]

Big things happen to Max and the reader in 2025. Moving, getting married, and a little surprise that neither of them were expecting.

8.7 Give Me Eyes To See - [December 8, 2025]

Nikita's first few days at home. Flashbacks to moments from the reader's pregnancy.

8.8 Nikita's First Christmas - [December 24-25, 2025]

Nico's first Christmas with his baby brother.

8.9 Ghost of Bittersweet Memories - [January 25, 2026]

A few of the drivers visit you and Max for the day, and you end up talking with Charles about a woman that he meets at an FIA event. (This is the conversation I referenced in Part 2 of Bittersweet.)

9. Glass Houses - [February 17, 22, 23, 2026]

When Raymond had called you about going and getting lunch, you should have known that something was going on.

9.5. All That I Can Give - [May 10, 2026]

Another Mother's Day and one of Nikita's firsts.

9.7. On Sleepless Roads, The Sleepless Go - [December 2-3, 2026]

It's the early hours of Nikita's first birthday, and you can't help but look back at the day you brought your son into the world.

SMAU #4. A Year in Moments - [February 10, May 28, August 2 & 27, October 22 & 31, 2026]

10. Redline - [May 25, 2027]

"I'm sorry, mijn leeuwin. I know you were excited to announce it to everyone."

10.5. Mommy and Me - [May 31 - June 6, 2027] Request

Late one evening after dinner Y/N brought up the idea to Max for her to take Nico out for the day.

11. X3 - [July 8-9, 2027]

“Hallo, kleine welp,” Max said.

11.5. She's Not Acid Nor Alkaline - [December 8, 2027]

Max and Reader have a night away from the kids in Santorini for the 2027 FIA Prize Giving Gala.

SMAU #5. Welcoming Another Verstappen - [2027]

12. Hey, Little Sister - [March 27 - November 20, 2028]

SMAU #6. - [2028]

13. The End of An Era - [November 2030]

The days leading up to Max retiring from Formula 1. The Article announcing his retirement. And the last race of his F1 career.

14. Right On Track - [2036]

Checking in with the Verstsppens in 2036.

15. Letters From The Past - [November 17, 2038]

Max and Reader sit down to read the letters that Amelia (Nico's birth mom) wrote.

𝐸 𝒳 𝒯 𝑅 𝒜 𝒮

Pinterest Board

Playlist

Paring Evolution

Timeline

Dividers made by @cafekitsune | Banner made by me

Mini Verstappen taglist: @karmabyfernando, @barcagirly, @sachaa-ff, @iamahallucinationnn, @musingsbyshreya, @glow-ish, @nonsensical-nonsence, @fanboyluvr, @champomiel, @gothicwidowsworld, @lighttsoutlewis, @itsalwaysgay, @minkyungseokie, @mynameisangeloflife, @ursforever129, @aundercover, @bborra, @mindless-rock, @cixrosie, @barcelonaloverf1life, @taylorslovesswifties13, @konsti081, @mellowarcadefun, @smnthnclj, @brekkers-whore, @lpab, @thedecalcomania-blog, @xoscar03, @em-gvf01, @haikyuen, @shelbyteller , @geniusalpaca, @princessria127 , @mysticalnightenthusiast , @green-thots , @leah-also-known-as-creatoronwp

[zvaigzdelasas]

In recent conflicts, such indirect deaths range from three to 15 times the number of direct deaths. Applying a conservative estimate of four indirect deaths per one direct death9 to the 37 396 deaths reported, it is not implausible to estimate that up to 186 000 or even more deaths could be attributable to the current conflict in Gaza. Using the 2022 Gaza Strip population estimate of 2 375 259, this would translate to 7·9% of the total population in the Gaza Strip.

Published 5 Jul 24

[trexiejan]

I have a theory that Tom Taylor copied/took a lot of inspirations from Dickkory.

I may or may not be wrong but I just can't help but notice the timing and the similarities. A lot of things in dickbabs relationship are not very original at all. Most of the time they just steal concept from other couples.

Now going back to Tom, I suspect he was in a lot of social media apps (twitter, reddit, instagram etc) and secretly lurked in nightwing fandom groups and have read their posts and conversations etc. including about dickkory.

1. The concept of visiting his parents' grave

This panel of Kory and Dick showing up in his parents graveyard was shared in the Nightwing subreddit 1 month ago. How come 1 month later Tom wrote a similar thing for Dick and Babs?

Also notice Dick told Kory "You shouldn't be here" but Tom wrote Dick telling Babs "Thanks for coming here" it seems to me Tom really saw the kory comic and wanted to make the dialougue different for dickbabs to make them look better.

2. The concept of wearing each other's superhero costumes.

This fanart of dick and kory exchanging costumes was created by Laurarts on March 4, 2024, it went viral on twitter and it was also shared on the nightwing subreddit.

How come 1 month later Tom Taylor wrote that Dick and Babs wear each other's costumes too in Nightwing #113 that was published in April 17, 2024. 💀.

3. The concept of being freaky

Now my suspicions of Tom stalking and copying Dickkory content was solidified when he literally posted this gif of Dickkory from the DCAMU, notice how Dick and Babs started acting horny and freaky in his run after he tweeted this and Babs started teasing Dick and making sexual jokes to him like Kory does to Dick in the dcamu. 💀💀💀

4. The concept of A crowd of heroes watching them.

I remember a year ago I posted this screenshot of an article discussing the original plan for dickkory in reply to a thread where Tom Taylor got tagged by the person i was talking to. The person was a dickbabs shipper who insisted NTT dickkory was bound to fail, I told OP it's not true, i showed her this screenshot of the article that discussed the original wedding plan for dick and kory and where it also says a crowd of heroes would watch Dick and Kory. How come a few months later Tom Taylor wrote this dickbabs wedding scene in his run and made a crowd of heroes watch dickbabs too??? 💀

5. Wally being a shipper

This panel of Wally in Teen Titans Academy #9 being a Dickkory shipper was published in December 14, 2021, how come a few months later, Tom Taylor wrote Wally being a dickbabs shipper in Nightwing #91 (April 19, 2022). Wally felt ooc because he never once talked about dickbabs before tom wrote him in his book💀

6. The concept of a woman teaching Dick to be more than just a hero

Seriously, Kory already taught him this 😭 She was literally the reason why he didn't become a Batman 2.0, He already learned the whole "you can be more than just a hero and be in a happy relationship" lesson from Kory.

But Tom Taylor just had to bring him back to square 1 so he can make Barbara say this to him too, making her act like Kory 💀 it's funny cuz Barbara never acted like this before, don't forget she was the one who keep rejecting him and making him feel bad for trying to be happy before 💀💀💀

So yeah sorry if i'm being annoying about this, I might be wrong but even if i'm wrong it still doesn't make dickbabs original since dickkory writers and fanartist did these concepts first.

and tom taylor is known to be an obsessed dickbabs shipper who tried to have beef with dickkory shippers on twitter so copying dickkory content as a form of secret revenge sounds like something he would do 😬

[covid-safer-hotties]

SARS-CoV-2 impairs male fertility by targeting semen quality and testosterone level: A systematic review and meta-analysis - Published Sept 9, 2024

Abstract Background Since the discovery of COVID-19 in December 2019, the novel virus has spread globally causing significant medical and socio-economic burden. Although the pandemic has been curtailed, the virus and its attendant complication live on. A major global concern is its adverse impact on male fertility.

Aim This study was aimed to give an up to date and robust data regarding the effect of COVID-19 on semen variables and male reproductive hormones.

Materials and methods Literature search was performed according to the recommendations of PRISMA. Out of the 852 studies collected, only 40 were eligible for inclusion in assessing the effect SARS-CoV-2 exerts on semen quality and androgens. More so, a SWOT analysis was conducted.

Results The present study demonstrated that SARS-CoV-2 significantly reduced ejaculate volume, sperm count, concentration, viability, normal morphology, and total and progressive motility. Furthermore, SARS-CoV-2 led to a reduction in circulating testosterone level, but a rise in oestrogen, prolactin, and luteinizing hormone levels. These findings were associated with a decline in testosterone/luteinizing hormone ratio.

Conclusions The current study provides compelling evidence that SARS-CoV-2 may lower male fertility by reducing semen quality through a hormone-dependent mechanism; reduction in testosterone level and increase in oestrogen and prolactin levels.

[cyber-dump-171]

Masterlist: Objection! Stand your ground! Marvelous! (Twisted Wonderland x Reader)

This work is also published on Ao3: Click here!

This work is also published on Wattpad: Click here!

Tag List: Want to be notified whenever a new chapter is uploaded? You can enter your username here.

Summary: A kendo student, an heir to a jewelry empire and the child of a detective and a lawyer are now stuck in a bizarre world where everyone can wield magic.

It was just a summer job at the police station where your father works. A distraction from the heat and extra money. But what happens when you join the ever expanding list of people who have mysteriously disappeared?

Notes:

The reader uses they/them pronouns.

At the beginning of each chapter, there will be a warning if there's any graphic content.

English is not my first language, so if I make any mistakes please point them out to me! I do my best to double-check everything but there might be a few details that slip out for me.

CHAPTER LIST:

Prologue: Missing - Published 16/7/2024

Chapter 1: Fire - Published 19/7/2024

Chapter 2: Weirdos - Published 29/7/2024

Chapter 3: Insomnia - Published 16/8/2024

Chapter 4: Crewel & Crowley - Published 25/8/2024

Chapter 5: Call a doctor! - Published 8/9/2024

To be added...

[dbdpromptober]

Dead Boy Detectives Promptober 2024!

The prompts:

1. mirrors

2. death

3. eternity

4. light

5. magic

6. books

7. blood

8. hell

9. past

10. lantern

11. dream

12. eight ball

13. demons

14. sorrow

15. crow

16. knives

17. mushroom

18. friendship

19. forest

20. investigate

21. lighthouse

22. downtime

23. sight

24. cats

25. dandelions

26. bones

27. snow

28. tricksters

29. doll

30. love

31. spooky

Rules:

1. Everyone can join!

Your work can be in any medium: art, fics, headcanons (yes, even a tweet counts), poetry, etc... Whatever you can think of!

2. You don’t have to do all days.

It’s for fun, so do what you’re able to or what inspires you the most.

3. Post on the same day or afterwards

We don’t have a deadline: you can post from the day of the prompt to October 2025 (next year), it’s fine. Just don’t skip forward! (i.e. post on Day 1 the prompt for day 3).

Where to post:

1. Twitter

Tag the account @DBDpromptober with the hashtag #DBDpromptober2024. You can add another hashtag used for the series and the save campaign, but no more than 2 per tweet as it could be seen as spam. Write the prompt of the day in the description.

2. Tumblr

Tag the account @DBDpromptober with the hashtag #DBDpromptober2024 and any other # used for the series. Write the prompt of the day in the description.

2. Instagram

Tag the account @DBDpromptober with the hashtag #DBDpromptober2024 and any othe # used for the series. Write the prompt of the day in the description.

3. AO3

Publish your work inside the collection DBDpromptober with the tag #DBDpromptober2024 and the prompt of the day. A tutorial on how to publish inside a collection is coming soon.

[richonneevents]

Richonne Fictober 2024 Rules, Guidelines, & Calendar

Richonne Fictober 2024 is a 31 day challenge for fanfiction writers/creators to write/create and publish a Richonne-centric story or related content everyday for the month of October.

Fics should be between 100 and 5,000 words. Rick and Michonne must be the main pairing. Richonne is an interracial pairing, so be mindful of tropes and language that perpetuates racism and misogynoir. Rick is a canonically disabled character, so be mindful of using tropes and language that is ableist. Fanartists should be mindful of not whitewashing Michonne, Andre, and RJ in their pieces.

Please tag @richonneevents and use the tag: #richonnefictober24

Be sure to tag your prompt and which day you are filling.

In addition to Richonne-centric fanfiction, creators are encouraged to make fanart; playlists; edits; moodboards; rec lists; graphics; podfics; gifsets; photo sets; fanvids etc.

WEEK 1

Day 1: Making Caramel / Candy Apples

Day 2: Seasonal Shopping (Clothes, decor, etc.)

Day 3: “The leaves are changing!”

Day 4: “Pumpkin spice...what?!”

Day 5: Autumn Breeze

WEEK 2

Day 6: Overcast Morning

Day 7: Bobbing for Apples

Day 8: Pumpkin Patch Visit

Day 9: Rainy Day

Day 10: Scarecrow

Day 11: Haunted Hayride / Haunted House

Day 12: Horror Movie Marathon

WEEK 3

Day 13: Jumping in A Leaf Pile

Day 14: Warm Apple Cider / Hot Chocolate etc

Day 15: Corn Maze

Day 16: By The Fire(place)

Day 17: Candles 

Day 18: Flannel

Day 19: Nestled Under Blankets

WEEK 4

Day 20: Festival 

Day 21: First Frost

Day 22: Kissing In The Rain

Day 23: Baking Pies

Day 24: Cemetery Stakeout 

Day 25: Black Cat

Day 26: Dead-End

WEEK 5

Day 27: Underneath The Sky

Day 28: Full Moon

Day 29: Carving Jack o’ Lanterns

Day 30: Costume Party

Day 31: Trick or Treat

[soobadnoonecanstopher]

Can I Stay?

Masterlist

A Baekhyun Story by @soobadnoonecanstopher

Chapter count - 23 + 1 Bonus

Word count - 181,363 (or 650 paperback pages)

Publish date - 06/22/2023

Completion date - 03/21/2024

Summary - What should do you do when your new assistant is much younger than you, much too handsome to be real, and also happens to be the boss’s son? Well first of all, (whoops) you definitely shouldn’t fall in love with him.

Start Reading Here:

Part 1 , Part 2, Part 3, Part 4, Part 5, Part 6

Part 7, Part 8, Part 9, Part 10, Part 11, Part 12,

Part 13, Part 14, Part 15, Part 16, Part 17, Part 18,

Part 19, Part 20, Part 21, The Letters (Bonus), Part 22 [FINAL]

[drewmeows]

Drew's Kinktober 2024

➤ please drop an ask in my inbox if you'd like to be added to the taglist! or feel free to turn on notifs!

➤ i am using this prompt list from @dreamlandcreations and will also be tagging all my posts under the hashtag #dlkinktober2024

➤ this is my very first kinktober and in fact, some of the first writing i've ever published so please go easy on me lol!!

➤ and last but not least, (almost) all of these fics are male character x gn!fem!reader, meaning pronouns are they/them for reader but they have a 'female' body. please be mindful of tags on individual posts, and enjoy!!

1. degradation with logan howlett (deadpool & wolverine, 2024)

2. wet dream with wade wilson (deadpool & wolverine, 2024)

3. phone sex with peter maximoff (apocalypse, 2016)

4. biting/marks with logan howlett (origins, 2009)

5. hunter/prey with logan howlett (pre x-men first class)

6. discipline with erik lehnsherr (first class, 2011)

7. praise kink with logan howlett (days of future past, 2014)

8. dirty talk with scott summers (x-men, 2000)

9. threesome with wade wilson & logan howlett (deadpool & wolverine, 2024)

10. mirror sex with erik lehnsherr (days of future past, 2014)

11. choking with wade wilson & logan howlett (deadpool & wolverine, 2024)

12. role reversal with logan howlett (days of future past, 2014)

13. daddy kink with logan howlett (logan, 2017)

14. face sitting with wade wilson (deadpool, 2016)

15. overstimulation with peter maximoff (apocalypse, 2016)

16. double penetration with wade wilson & logan howlett (deadpool & wolverine, 2024)

17. bath/shower sex with scott summers (x-men, 2000)

18. face-fucking with logan howlett (deadpool & wolverine, 2024)

19. competence kink with logan howlett (origins, 2009)

20. body worship with erik lehnsherr (days of future past, 2014)

21. thigh riding with logan howlett (logan, 2017)

22. size difference with wade wilson & logan howlett (deadpool & wolverine, 2024)

23. sleepy sex with charles xavier (first class, 2011)

24. temperature play with logan howlett (the wolverine, 2013)

25. somnophilia with logan howlett (pre x-men first class)

26. breeding with logan howlett (origins, 2009)

27. a/b/o with logan howlett (logan, 2017)

28. voyuerism with scott summers (x-men, 2000)

29. sex pollen with wade wilson (deadpool & wolverine, 2024)

30. age difference with logan howlett (deadpool & wolverine, 2024)

31. free choice with ...?

Header made by me

Dividers by @cafekitsune

[dawnoftime22]

"my love, darling, sweetheart."

| W.M ( -> N.R )

Undeserving of a love like yours, Chapter 1

Chapter Warnings: None (series warnings in series masterlist)

Summary: A peaceful day spent with Wanda.

Series Summary: When you're stuck in a complete hole of confusion and hurt with the one you thought you loved most, a certain redhead finds her way into your life.

Word Count: 2.1k

Category: Fluff, for now.

A/N: well here it is finally :] this is an old story of mine I never published that I decided to remake, finish up, and post gradually, that miiight also eventually break your heart...but I hope you all enjoy <3

| Started on 29/12/2023, 11:19 PM |

| Finished on 05/01/2024, 9:28 AM |

Masterlist | Series Masterlist | N.R Masterlist

Chapter 2 ->

“Let the sun kiss your skin softly.”

|——————————— ᗢ ———————————|

It was a sunny day. The sun kept shining in your eyes, and you had to shield yourself with your hands.

You held your hands out to the sky, as if touching it, but only the wind visits your hand. That is practically the sky, after all. Air. Wind. Moisture. You curl your fingers into a fist, firmly clenching it to perhaps capture the cool breeze, only to feel the warmth of your hand's skin against each other, making the cold fade away.

You end up letting your arm drop down to your side, and sigh. There was nothing better, truly, than soaking in a moment of calmness like this. Upon hearing footsteps though, you await what comes for you.

A familiar brunette appears in your view above, eradicating the sunshine and the bright blue sky. She looked down on you softly, your body laying restfully against the grass that moved along with the wind, but is flat underneath your back.

"I got us cakes," she says, sitting down beside you and putting the container down on the ground. You carefully prop yourself up with your elbows until you're sat up properly.

It was your favorite kind. Your lips turn up into a smile, and you grab the small fork while your legs settled into a criss-crossed position. Your hands reached to open the container, the corners clicking open.

The brunette watched you with amusement as you didn't hesitate to grab it. The bakery you loved was right near the park you're at, so it was the perfect time to go when it caught her eye. The man behind the counter had happily greeted her, knowing she's the partner to one of the patrons. The patron, is of course, you. But it was starting to become her new favorite bakery, too.

Wanda had also gotten a bag of warm freshly baked cookies, so she opted to unravel the top of the paper bag and take one, her cake sitting unopened next to yours.

You hum when the smell of the lovely cookies traveled to your nose, making you turn your head to her instead of your slice of cake. She was taking a bite of the cookie, the piece melting in her mouth.

Your hand leaves the fork in the cake container and goes to grab one for yourself, little crumpling noises making sound from the bag as it moved due to your hand.

While the both of you ate your delicacies, you soon space out far off in the distance of the park. Somewhere near there, someone sat at a bench with birds surrounding them and some seeds in their hand.

Beside the scene was another of a little golden retriever happily playing around with another dog, chasing each other around, and sometimes the two of them would stop, the husky looking dog teasing the other one by moving its paws forward, but not running again.

You soon stop focusing on those and turning your attention back to Wanda, but once you look at her, an irresistible smile grows on your face and you have to turn to your cake instead.

"What?" She asks, a breath of a laugh coming through the word. Wanda wondered why you would turn away so quickly. She knew she could make you blush easily, but she hasn't even said or done anything.

"Nothing, you just have some crumbs near your mouth." You shook your head, taking a spoonful of your cake to put in your mouth and look at her once more.

"Oh." Her hand goes up to wipe it off her face, but she went to the wrong side. Her eyes focused on you, visibly struggling to find it because she knows it's not gone due to simply your smile growing.

"No, the other side." You say, helping her. She gets it and looks at you expectantly. You nod, and put a thumbs up, making her reflect your smile.

"You got it." You finish off the last of your cake, and pop the lid back on. Soon your attention drifts off to the sky and the gold shining through the clouds. Wanda follows, and sees the sun behind you, making you glow like an angel.

"We should go to the lake. We can take some beautiful pictures there." She said, tiltng her head slightly, and you see her brunette hair starting to soak in the sunlight. Your eyes brightened at the sentence though, and a soft gasp comes from you.

"Yes! We should." Her lips rise up into a smile once more, and she grabs the bag of cookies before going to stand up. You follow along with your empty container and hers that still had a cake.

You turn to walk with her towards the nearby lake. Since the sunset was only just starting, you had more than enough time to arrive there. A cool breeze goes by, visiting your skins and your hairs. The water that started to come into your view properly, too, was moving with the wind.

The trees shaped the lake beautifully and openly. Not many people were around, especially because nighttime is soon coming around. But it made it all the more better.

Wanda took out her phone from her pocket and started taking some pictures. You stood by, but placed down the containers at a nearby bench and kneeled down to grab a couple small rocks to keep in the palm of your hand.

A thought to take some pictures, too, crossed your mind, but with the present reason of having forgotten to bring your camera, you decided against it.

You stood up and held only one rock in the other hand, throwing it on the water. It jumped lightly against it and splashed, until it dropped to below the water. Wanda turns her phone to you and you look at her.

"Nooo, don't take pictures of me! Look at the lake!" You point your finger towards it before throwing another rock. She moved her phone along the movement, and you assumed she was not just taking pictures, but videos. That rock went farther than the previous one.

"But you're more beautiful than the lake or the sunset!" She says, and you shake your head with a tinge of blush on your face. Once she was done, she walked closer to you with a smile and put her hand out.

You gave her the rest of the rocks in your hand except for one and she threw them. It only jumped twice and you try your hardest not to laugh or smile too wide.

"Okay, that was only my warmup." She says, looking at you with a warning before preparing for another throw. You only hum in response, knowing that it was an obvious excuse.

Wanda throws another, and it does skip farther, before it splashed entirely and disappeared into the water. The clouds had melted into the skies by now, and the last rock you had, you put into one of your pockets.

"I think that one jumped more than yours." You grabbed the cakes and turned away from the lake, now starting to walk to, perhaps, the car. The brunette was behind you anyways though, the place seemed to get darker, with the sun sinking down in the horizon.

"Nope, it did not." You say softly, glancing at her before focusing on the path towards the car once more. She raised her eyebrows at you. To be honest, the two of you got the same amount of jumps in the water with the rocks.

"Sure it did." She adds, wanting to be right. You were getting closer to the car, and she brought out her keys from her pocket, unlocking the car.

"Nope." You repeat, a playful smile on your face when she managed took a look at it at from her driver side just through the windows. She shakes her head with a smile of her own.

You pull the door handle and it opens. You sit in the passenger's side and close the door, your next move being to click the seatbelt on. Wanda had already done the same, and she's starting the engine.

The car powers up and the screens light on. She makes sure to adjust the ac temperature before moving from off the parking spot and into the main road slowly and carefully.

As the truck tires hit the road, the quiet humming of the car is added with the sound of concrete and small pebbles hitting the tires. You look out the window and watch the other cars pass by. There's people on the side of the street.

A florist, holding a boquet of flowers ready to go in a vase. Or perhaps a bought gift, as they're heading for their bicycle. The warm sunlight shone down on the florist, making out a pretty scene. Oh, dear, moments like these filled your heart with life.

Wanda looks at you softly for a second, seeing you spaced out the window. Her hand goes up to turn on the radio, finding a channel that holds good music. She focuses back on the road once she's gotten it.

The songs were calm. Perhaps even encapturing the entire feeling of today. Trees passed by. Streetlights passed by. The lights are on already, and the moon's showing up. Birds are retreating back to their houses, just as you are currently doing.

You look over to your other side, where Wanda sat, her fingers drumming, and her head nodding along the rhythm of the music. She was...so, so pretty. The car comes to a gentle stop, but you hadn't arrived just yet, only at a red light.

"I can see you staring," she says quietly with her eyes focused on the road. Her foot pushed on the pedal once more when the light turned green, and she went to make a turn.

"It's hard not to," you respond, saying only the truth. She glanced at you again, the corners of her lips raising. Buildings went by in her own window.

That is, until she goes into the driveway of your shared house. The car stops and Wanda slides her seatbelt off along with you. She turns the engine off, and the music turns into a quiet silence.

You grab the cookies and cake then open the door, getting out. She locked the car by the time the both of you had closed the doors, and she had grabbed all the items inside.

With the keys in her hands already retrieved from her pockets, she walks to the front door and inserts the key, unlocking it. You were waiting behind her on the porch, and she enters first with you at her back.

The lights in the house were flicked on by Wanda and she goes back to the front to close the door, considering your hands were full. You got your shoes off and went to place the small desserts in your hand onto the kitchen island.

When you looked behind you, the brunette was choosing a vinyl from her shelf to play, her face concentrated. She chooses one right as you went to sit on the couch, her hand carefully grabbing the disc out its sleeve to gently put on the turntable.

She plays the record and slowly drops the needle down on the vinyl, it eventually playing out a soft, mellow tune, one perfect for dancing.

When you see her walking towards you, you expected nothing more or less than an offer. You smile once she holds her hand out for you, a way to ask you to dance. You hesitate, but you gently take her hand, your body getting pulled up with your heart's answer.

She puts her hands around your waist and starts swaying gently to the music, while you settled with your head on her shoulder, your mind wandering with the thoughts of everything.

Outside, sounds of rainfall starts pattering down. The windows filled with drops of it all, but with the curtains closed you couldn't. Although the noise made it clear that it wasn't the record player, or anything else.

You looked up at Wanda, and you can see her gazing back down at you, her eyes meeting yours softly. A small smile goes on her face, the two of you ever so lost in the love you held.

She whispers softly, "I love you," and your heart did leaps in your chest. You've been together for a while, but she's never said such a sentence until this very moment. It came as a surprise.

"I love you, too." You lean back slightly to look at her more, and you can physically see the happiness that fills her face.

end of chapter 1. <3

Series Masterlist Chapter 2 ->

A/N: I am terribly sorry to say that there won't be this much happiness in the later chapters :')

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