#product strategy workshop

[quellsoft]

Transform your ideas into market-ready products with QuellSoft expert product development strategy services! Our team guides you through every stage, from concept to launch, ensuring your product meets market demands & exceeds customer expectations.

[soupdreamer]

absolutely love how the ART gatsby marketing team is essentially doing the exact opposite of what the broadway/paper mill gatsby has been doing

[farmerstrend]

Boosting Kenya’s Dairy Sector: JKUAT and Tassels Farm Enter Partnership on Dairy Farming

“Discover how JKUAT’s partnership with Tassels Farming Ltd is transforming Kenya’s dairy sector through advanced training, modern infrastructure, and sustainable practices in agribusiness education.” “Explore the impact of JKUAT and TSL’s collaboration on Kenya’s dairy industry, focusing on high-yield breed development, practical farmer training, and sustainable dairy farming innovations.” “Learn…

[jambandatl]

Universal Development: Year One - Year Two

Expanded Curriculum Focus 1. Integrate Technology Mindfully: Utilize interactive e-books or apps that allow your child to interact with the story by touching parts of the screen to hear sounds or change images. This can enhance his engagement and make reading time even more dynamic. Consider short, child-friendly videos that tie into your weekly themes, like watching real animals for “Animal…

[aos-presents]

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The ultimate dream team template for growing and developing your business strategy. Follow the link for a deep dive.

Credit : Matt Gray

[astrocafecoffee]

💫Your future spouse's career based on your Juno persona chart 💫

✨ For entertainment purposes only. Enjoy.✨

🌜what to check?

- just check your Industria (389) asteroid in your Juno persona chart.Find out in which house it falls in!!

Why this asteroid?

- Juno persona chart tells about your future spouse and Industria(389) asteroid is a long term career related asteroid. So this asteroid in your juno persona chart can give a insight about your future spouse's career.

🌜SOME SHORT TERMS I USED HERE :

- FS = FUTURE SPOUSE

-JPC = JUNO PERSONA CHART

Leshh go!

🌆 Industria in 1st house of JPC : 1st house represent one's identity, personality and how they present themselves to the world.This asteroid in 1st house suggests that their career may be tied to their personal identity and innovative spirit. Now some possible career of your fs-

*Entrepreneurial scientist - they may excel in entrepreneurial pursuits within the scientific community. They may innovate new technologies, products that have a significant impact in their field.

* Industry leader - they maybe known for their innovative idea and proactive attitude to their work. They can easily be a leader of their respective industry.

* visionary consultant - they may excel in their field as a respectful advisor, who offers solutions to businesses or individuals seeking guidance.

* Creative director- career in creative leadership such as creative director in advising, film, fashion, or design.

* makeup artist

* Model

* engeneering

* design/ work in media.

🌆 Industria in 2nd house of JPC : Their career may be closely related to their values resources, managing or utilising assets and their sense of stability. Some possible career of your fs -

* wealth management specialist - they helps individuals or organizations maximize their financial resources and investments through innovative and strategic approach.

* Creative Financial analyst - specialised in creative or innovative analysis methods.

* Financial innovator- innovates new financial products, services or strategies.

* asset manager

* Entrepreneurial investor

* can sing well

* accountant

🌆 Industria in 3rd house of JPC : 3rd house represents one's communication style, mental persuits, and interaction within immediate environment. When this asteroid in your 3rd house this can indicate that your fs may excel in the career of innovative communication methods or technologies. Some possible career of your fs -

* They may into journalism, media, broadcasting, or public relations where someone uses their creative ideas.

* technology writer/ blogger: their career path may involve writing / blogging about technologies or industry trends or sharing their ideas with wide audience.

* Workshop/ educational outreach programs.

* small business owner

* excel in troubleshooting skills, problem solving abilities, explaining complex concepts in simple terms.

🌆 Industria in 4th house of JPC : their career tied to their home , family roots, and emotional well-being.some possible career of your fs -

* career in real estate - specialize in designing sustainable, eco friendly, or technologically advanced buildings.

* e- commerce, consulting, freelance work.

* Family councillor or therapist - they may help individuals and families navigate challenges, fostering harmony and growth within te hone environment.

* interior designer

* Home renovation specialist

* Family owned business owner.

* childcare provider

🌆 Industria in 5th house of JPC : 5th house is associated with creativity,joy, children and hobbies. It governs one's individual approach to work, self expression and personal fulfillment. So your fs career strongly related to this area of life. Possible careers -

* creative artist/ entertainer - Excels in creative profession like music , theater , film, writing etc.

* event planer- organizing wedding, festivals or social gathering.

* teacher/ coach - inspiring or guiding others in academic subject/ sports.

* youth councillor - natural affinity to work with young people and helping them to discover their talents.

* atrs nd crafts business owner.

* fitness instructor

* dance teacher

* entertainment industry professional.

🌆 Industria in 6th house of JPC : 6th house is associated with employment, daily task, health and service to others. So possible career of your fs -

* health care professionals - career related to healthcare, nursing, doctor, medicine, and pharmacy.

* nutritionist/ dietician - helping others to improve their dietary habits , manage health condition.

* fitness trainer/ coach - motivates others to adopt healthy lifestyle.

* administrative professional - may indicate talent for efficiency, attention to detail, making career in administrative or office management appealing.

* environmental scientist

* social worker

* reasearch assistant

🌆 Industria in 7th house of JPC : 7th house is related to marriage, buisness partnership, legal matters, and one-on-one interactions. Possible career domains of your fs-

*legal professional - career related as mediators, legal consultant, specialization in areas such as contrat law , family law or dispute resolution.

* business consultant - expertise in the area of strategy, negotiation, and partnership development.

* marriage and family therapist - helping couples navigate challenges, improve communication and strengthen their bonds through therapy or councilling sessions.

* international business manager

* foreign affair specialist

* event coordinator

*public relation specialist

* human resources manager

🌆 Industria in 8th house of JPC : 8th house is associated with themes such as mysteries, psychology, healing, emotional connection. So possible careers of your fs -

* psychologist/ psychotherapist - your fs may excel in trauma therapy, helping others to navigate profound emotional experiences , uncover hidden truth.

* forensic investigator/ crime analyst- they may be focused on uncovering hidden truths and solving mysteries.

*massage therapist - specialize in modalities such as deep tissue massage, craniosacral therapy or helping clients release emotional/ physical tension through healing.

* reasearch scientist - may excel in fields such as psychology, quantum physics, or consciousness studies.

* occultist - astrologer, tarot reader, or spiritual councillors.

* healer/ energy worker

* heal others through their respective fields. Can be. Singer too .

🌆 Industria in 9th house of JPC: 9th house is associated with themes such as higher learning, expansion of horizons , seeking truth, broadening one's perspective through travel/ exploration. Possible careers of your fs -

* international relations specialist - involve promoting international cooperation, resolving conflicts, forming mutual understanding between nations and cultures.

* spiritual teacher/ guru- your fs may pursue careers as spiritual teachers, gurus, mentors, guiding others on their spiritual journey.

* tour guide

* philosopher

* religious leader - may pursue careers as priests, ministers, guiding and supporting communities in matters of faith and spiritual growth.

* global NGO worker

* foreign language teacher

🌆 Industria in 10th house of JPC: 10th house is associated with themes such as career aspirations, social status, reputation, and professional achievements. This asteroid influences the individual's approach to career, public image, authority, ambition. So possible careers of your fs -

* media personality/ influencer - television hosts , journalist, bloggers, social media influencer , reaching a wide audience.

* creative director/ artist - artist, designer, performers.

* CEO

* startup founder, business owner, or self employed professionals.

* legal professional/ lawyer

* educational administrator

🌆 Industria in 11th house of JPC: when your industria asteroid in this house your fs may excel in the career of social network, group affiliation, humanitarian causes, collaboration etc. So possible careers of your fs -

* social entrepreneur - creates innovative solutions to adress social challenges.

* Tech entrepreneur, start-up founder.

* content creator - social media influencers, bloggers, using their platforms to inspire/ educate peoples.

* environment activist

* advocate

* community organizer

* designing educational platforms , or promoting digital literacy.

🌆 Industria in 12th house of JPC: 12th house is often associated with hidden strengths, spirituality, and working behind the scenes. So possible careers of your fs -

* they might work in reserch and development, data analysis or logistical planning behind the scenes.

* astro- spiritual researcher

* music industry

* astrologer

*song writer.

* mystical or spiritual advisor.

* environmental conservationist.

⚡ Note : these are only some possibilities of careers of your fs. And guys check the degrees to , it's like cheery on top 💌

🌜Don't forget to check my other observations too 👀

That's it guys , see you soon 💝

- piko 💖

[audreyscribes]

Ω PJO DEMIGOD HEADCANONS: 🦉 ATHENA: Goddess of Wisdom & Reason, of Strategy & Warfare, Crafts & Arts 🧠

author's note: I had a sudden idea about writing some headcanons Camp Halfblood demigods being claimed and what it's like for each respective god and cabin, followed by a small blurb afterwards. Thank you for reading and please like and reblog! The order is not in order of the cabin numbers. [PJO DEMIGOD HEADCANONS MASTERLIST]

When you get claimed, it's after a moment of brilliance. You could be giving someone an insightful observation, successfully mediating two opposing forces, creating your own invention, or when you successfully performed a maneuver. You’ve shown your intellect and Athena claims you at that moment. 

The Athena cabin cheers for you and welcomes you in. 

You look in awe at the architectural structure of your cabin. You can tell the foundation and the base of the cabin was structured like the rest of the other cabins, but over the years, it was elevated. 

You’re shown where you’ll be sleeping but as you set up, you immediately clock in how everything is placed. All the bunks are pushed to the side, row by row and then there are desks lining along the same way with dual tables, and there are the rows of books and a workshop further in the back. You see inventions being made, architectural models, and more. 

Among the children of Athena, you slowly figure out which intellectual you lean more towards: Educated (developing theories and plans), Productive (philosophy, literary criticism, sociology, law, medicine, etc), or an Artistic (literature, music, painting, sculpture, etc). Whichever you are or of those you find yourself in, you’re in good company. 

If you want to bounce off ideas of someone, there’s no shortage of siblings to have a sound board of. 

Whatever craft you find yourself in, you’re immediately put into consultation and you find yourself either being asked to get an input on or seeking input from others. 

Fortunately and unfortunately, since demigods aren’t allowed to use the internet, your cabin is the next best option for Google. 

Spider repellents everywhere. There’s not a single dust bunny in sight, not even in the corners or behind the unseen books. Aside from the piling books, scrolls, and tools (and the few coffee cups), the Athena cabin is the cleanest cabin after the Apollo cabin. 

When there was a spider somehow, you witness everyone scream and grab several torches before incinerating the arachnid into nothingness. 

That or an overly complicated set up of a machine to destroy that one spider. Then you find out that there’s a lot of contraptions that they’ve built for one, very specific, function.

You just had pulled off an emergency strategy maneuver during the Capture the Flag. It was a close call with the new camper but you couldn’t mistake them for not being a child of Ares. They were a monster on the field and you had to make sure at least get some upper hand. 

You managed to take out half of the other team’s numbers, using the layout of the forest and its terrain to your advantage, and your eyes noticing the body language of your opponent. 

You still lost because the new camper, who has the undeniable glow of Ares on them, demolished through your forces, but it wasn’t half-bad since the casualty was the same on both sides. 

“You’re fast on your feet. A bit foolish, but it was a nice maneuver.”

You jumped at the voice and turned to it, seeing a blonde girl with gray eyes. You knew her, Annabeth Chase, daughter of Athena. 

“Oh, uh, yeah” you said lamely, dusting yourself off as an attempt to keep your hands from shaking. “I figured at that point, we could at least make it fair or we just lose really badly.” 

Annabeth nodded, as she smiled. “I guess, there’s plenty of time to hone your intelligence with us.”

“Wait what?”

Annabeth gestured up your head and you looked to see the glowing image of an owl over your head. You made a “oh” and looked owl-eyed at your new sister as she held out her hand. 

“Welcome to the Athena cabin, I’m Annabeth Chase. Cabin Leader and your new half-sibling.”

[astroismypassion]

✨PART OF FORTUNE IN SIGNS AND HOUSES SERIES: 11TH HOUSE✨

Credit: Tumblr blog @astroismypassion

ARIES PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Aries and Aquarius Sun people in your life. You can earn money via launching or joining a tech startup, focused on innovative technologies or disruptive business model, via work in community organization or activism, via work in digital marketing or social media management, via providing consulting services to businesses or organizations, advising them on innovation strategies, product development or new market exploration, via work in crowdfunding or fundraising. You feel abundant when you align with social causes, focus on group dynamics and embrace innovation.

TAURUS PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Taurus and Aquarius Sun people in your life. You can earn money via work in investment management, focusing on building and managing portfolios that provide stable returns, via art colleting, dealing or curation focusing on pieces that have enduring value, via work in interior design, via work in hospitality management (in luxury hotels, resorts or event planning). You feel abundant when you embrace sustainable and ethical practices, when you practice patience and persistence.

GEMINI PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Gemini and Aquarius Sun people in your life. You can earn money via engaging in activism, advocacy work, via work in public relations, graphic design, via creative writing, screenwriting, content creation, teaching, tutoring, joining or starting a tech company focused on innovative products or services. You feel abundant when you are focused on community, collective goals, when you stay versatile and adaptable.

CANCER PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Cancer and Aquarius Sun people in your life. You can earn money via pursuing a career in early childhood education or childcare, nursing, caregiving, mental health services, via work in family and parent education, pursuing culinary arts or catering, engaging in art and design. You feel abundant when you focus on community, social connections, embrace technology and innovation, promote security and stability and use your intuition and emotional intelligence.

LEO PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Leo and Aquarius Sun people in your life. You can find abundance by managing a charitable organisation. You can earn money via work as a creative director or manager, overseeing projects in fashion, advertising or design, via writing, blogging, content creation focused on inspirational and motivational themes, via work in charity or fundraising, work in teaching (drama, art, public speaking). You feel abundant when maintain confidence in your vision and abilities, when you embrace charisma, leadership and when you pursue a creative career.

VIRGO PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Virgo and Aquarius Sun people in your life. You can earn money via work in tech support, quality assurance, systems analysis, work in non-profit management, pursuing teaching or training roles, engage in environmental research, when you organise workshops or seminars on practical skills, health and wellness. You feel abundant when you focus on health, wellness, when you network, collaborate and when you use technology.

LIBRA PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Libra and Virgo Sun people in your life. You can create wealth by creating and selling DIY kits or tutorials. You could also learn digital or 3D art. You could sell photos on sites like Shutterstock or Adobe Stock. You earn money via event planning, specializing in weddings, social events and community events, work in legal services, such as family law, meditation or contract negotiation. You feel abundant when you embrace collaboration and partnerships, focus on aesthetics and creativity.

SCORPIO PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Scorpio and Aquarius Sun people in your life. You can earn money via holistic healing, alternative medicine, energy work, via astrology, metaphysical studies, spiritual counselling, via biotechnology, healthcare technology, environmental technology, via work in cybersecurity, data analysis or investigative journalism. You feel abundant when embrace deep, transformative work, engage in financial and strategic roles.

SAGITTARIUS PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Sagittarius and Aquarius Sun people in your life. You can earn money via career in diplomacy, teaching, lecturing, work in tourism industry, work in educational publishing, work in broadcasting or journalism, work in editing or translation. You feel abundant when you engage in social and humanitarian causes, focus on education and communication, when you embrace international cultural perspectives.

CAPRICORN PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Capricorn and Aquarius Sun people in your life. You can earn money via real estate development, work in corporate training and development, taking on leadership roles in non-profit organizations that focus on social justice, community development or environmental sustainability. You feel abundant when emphasize practical, realistic approach, when you use network and social connections.

AQUARIUS PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Aquarius Sun people in your life. You can earn money via streaming on platforms (Twitch), participating in esports or creating gaming content. You earn money via scientific research, when you create or support educational programs that focus on skills for the future (digital literacy, innovation), when you create content that explores futuristic concepts, technology trends or social change using platforms like YouTube, a blog, podcast. You feel abundant when you focus on technology and future trends and when you stay true to your unconventional nature.

PISCES PART OF FORTUNE IN THE 11TH HOUSE

You feel the most abundant when you have Pisces and Aquarius Sun people in your life. You can earn money via storytelling, work in holistic healing fields, massage therapy, via painting, writing, music or film, via offering spiritual or life coaching services. You feel abundant when stay true to your intuitive insights, embrace spiritual and healing practices and when you focus on humanitarian and compassionate work.

Credit: Tumblr blog @astroismypassion

[cjgladback]

I went to my first fiber festival this past weekend! Hoosier Hills Fiber Festival; if I'm still in this state come June next year, I'll probably be back and would love to meet anybody else there. Socializing/hanging out/talking to people without feeling like I was obstructing Real Customers was the one thing I missed, though I didn't really get to any of the free lectures so maybe that's where I could've met some people. Since it was an unknown situation with a lot of people and nearly an hour drive each way, I strategized to make sure I'd go:

First day, I signed up for a couple volunteer shifts. Absolutely a recommended strategy.

Got to be helpful!

They happened to have goodie bags, to help me justify the gas and time (I now have a nice tape measure to replace the one that's been vacationing with a missing sewing kit for a couple years and a lasercut wood two-inch gauge window that might help me with consistency versus my suboptimal practice of just trying to knit perfect squares when swatching in pattern)

I got to learn things about the layout and schedule I wouldn't know to ask when answering questions and acting as a gofer -- especially true working two different locations

And of course, some people were pretty much guaranteed to be happy to see me!

Second day, I signed up for a workshop in the morning so I'd be there and able to shop for anything I needed at the end. Ombre yarn dyeing was the class! It's acid dyes, something I'm several years off from wanting to get into enough to commit to dedicated cookware, full pots of dye powder, etc. The room with the workshop was a barn that had plenty of outlets--but they did not represent plenty of breakers. So there weren't quite enough functional heating elements for the class to have sufficiently cooked our yarn before leaving, and I did need to risk a giant stock pot at home for three batches of four jars, almost-simmering in a water bath for thirty minutes each, of the yarn that hadn't proven it was done (all but the two palest greens). I was a little worried the delay/drawn out heat situation would affect the results but if it did it wasn't much; I got pretty much exactly what I was hoping for with my two color gradient and the single is great too!

The single dye gradient is the color Moss, which did some interesting things with the red portion separating out once they were heated. Every skein has redder blotches, so I'm not bothered about any inconsistency -- if anything it'll help my finished product camouflage stains. Though it was definitely a surprise for me and the other Moss user in the class when our first yarn to have exhausted the dye was the complementary color to what it went in as.

The two color gradient used Rhodamine Red on one end, which was one end of one of our instructor's samples where she chose a cool-green for the other end to show how multi-component dyes mix less predictably than most paint. (It was kinda like shading with markers where you can still see washes of the pink and green in what you squint at and call a grey-brown.) The other end was Cantaloupe, which was one of the maybe three colors she didn't have a sample cut of yarn for. But she described it as the flesh of a perfect ripe cantaloupe and obviously I had to see that, and it sounded like it would be fairly guaranteed to combine nicely with the magenta while being just enough around a bend in the color wheel to be interesting--warm orange versus cool pink. As I said, it turned out pretty much exactly as I was picturing. Not anticipated was how much the jars looked like they were full of some delicious dragonfruit-mango beverage. Were I still a barista I'd be trying to recreate this for my shift drink.

Image descriptions under the cut.

[ID: Five images following fourteen small skeins of sock yarn dyed in individual glass jars, in two gradients. One gradient is six skeins from a medium forest green through a pale creamy pink, the other is eight skeins from a vibrant yellow orange through an even more vibrant magenta. The first photo is inside under fluorescent lights, showing the 32oz glass canning jars with metal lids and rings, full of dye and yarn on a table at the end of the class in which they were filled and heated for a short time.

The next two images are animated gifs. The first gif is two frames showing the finished dye jars sitting in grass, with their yarn and with it removed. The green gradient left only transparent blue color in its jars, and most of the pink to orange gradient's water looks more orange without its yarn, aside from the third and fourth jars from the orange end, which shade toward a neon lilac with the peachy pink yarn removed. The second gif is a view of the inside of the bright green wash bucket, with just the pink-orange yarn in it, then all of them mixed up, all as they were after a soak with the rust-brown water, in the first rinse, and that rinse water alone showing its transparent but still brown tint.

The last two photos show the gradients lined up along a weathered wooden bench on the side of a deck. The first photo has the wet piles of yarn bundled in front of each of their respective jars with remaining dye. The final photo has the clean, dry yarn wound into center-pull balls and still vibrant in the direct sunlight. End ID]

[centrally-unplanned]

I have been taking my fit-and-starts second stab at playing Victoria 3 - I did a Japan run, and a Korea run, and this is a very frustrating game. It bothers me because its deep core is probably the best of Vicky so far. It understands that the appeal of these game is Factorio-esque; you want to build up this cool little supply chain that goes chug chug chug I make-a the widgets and numbers go up.

Vicky 1 was ofc just pure cheese; most goods could just be dumped on the global market with no buyer and do fine, certain goods were just hard-coded to be profitable, and insane things like 100% of import costs coming out of the government's budget pushed you towards a kind of samey, slapdash hyper-industrial mercantilism. Vicky 2 was the opposite - so opaque in its function that you as the player didn't really have agency over it, as the vaunted World Market just does its thing. Your strategies "worked" no matter what you really did though, so you just kind of followed basic "build factory in same territory as RGO" logic and let the system run itself. Both of these systems made for functional-but-not-exceptional gameplay loops.

Vicky 3 is more complicated than its predecessors, but in ways that makes how the economic system functions more concrete. You have local prices for goods, wider markets with clearly labelled high-and-low demand, and clearly defined "production methods" where buildings can commit to better tech at the cost of different inputs. As a player you can build factories, farms, and mines of a dozen different types anywhere, so you always have agency - and those new production lines gives you goals. Invent steel tools, so now your tooling workshops can make more tools but will need steel instead of iron as a input? You can switch over the lines...but make sure you have enough steel mills! And oh, that drives down the price of tools once you do it...so now your cattle ranches can justify switching their line to tool-assisted butchers! And now you make more meat, your local cost is low, but oh in the Russian market meat prices are high - as shown by that little gold coin icon it - so you can export it now!

Things are looped, contingent, and based on your decisions. It is simple, of course, you are making lots of little, easy calls that build you up over time - which is what makes it fun. It has to be simple, because otherwise it is a dizzyingly complex web of a million markets, it would never work. You feel like you are actually building the economy without being overwhelmed by it.

Which would be great if it wasn't stapled to one of the worst political & military systems I have ever seen, played with a UI God abandoned in shame.

So you can join the markets of other countries? Like you have your own market as a default, so you can click the "market" tab and it will show you how much wheat your country makes, how much iron it buys, etc. All good. But if you join another country's market, now that tab shows the collective market, everyone's wheat, iron, etc. Useful but like obiously I am not playing the market, I am playing the country; so how do I see how much wheat I make?

You can't.

You actually can't! Idk maybe they patched it in recently, but I couldn't find it and all the reddit threads I google from 2023 say you can't. Are you planning to declare independence and wanna see if you make enough food for your people? Too bad! Fuck around and find out I guess. I saw one thread where someone's advice was "save the game, declare independence, screenshot the new market, then reload". Quantum timeline level of experimental design going on in these guys' Bureau of Labor Statistics.

It isn't even the gameplay implications that bother me the most - this is a game about building an economy. You want to see what you built! And they stop you. It is baffling, and is just the tip of the iceberg - there are so many things like this. One of my favourites is that your "construction sector" is a hybrid of government and private projects, sometimes it is you spending the money, sometimes investors. Okay, cool, when it is you spending it comes out of your treasury, right? Well, yes, but the way they show that is when everyone spends it comes out of your treasury, but the private sector reimburses you for their share. Which you will not understand your first ~3 games, and instead just see huge red numbers on your budget screen and panic. And you are just left asking why? Why do that?

Beyond UI, the political system is just half-baked. It is "interest groups", each has baseline popularity, and verrrry slowly that changes as your economic structure changes (or revolutions). And to change laws you initiate campaigns to drum up support with roll dice to pass/fail. Which isn't a bad baseline, but it completely fails to capture how political change occurred in the era. Like the Meiji Restoration is "done" by you putting industrialists in power and kicking out the "landlords" lol. Japan didn't have industrialists then! Landlords are the ones who did the restoring of Meiji.

More importantly than inaccurate it isn't fun - to change a law you just arrange a coalition in power than kind of backs it, then pray you get good random events. In Vicky 2 they had a lot more railroad-style decisions and stuff you could do to capture history, "hit this military score benchmark and launch a civil war" kind of stuff. It wasn't complicated, and it was less organic, but it was pro player agency, you could take active steps to achieve it. In Vicky 3 it is mainly waiting or cheese - people often talk about getting the Meiji Restoration by deleting all your armies at game start and launching a civil war immediately that the AI will lose by default. A checkbox decision is better than that!

The military mechanics are the epitome of their "systems over gameplay" approach. What they wanted to do was two-fold; reduce micro in Vicky 2 where it is "click army to province" over and over, and "balance" the game by making combat not reward micro where players could cheese the AI. Very valid goals, I totally support it. What they did was built a system where armies auto-move to "fronts" and their AI can't handle it, but now as a player my agency over my units is gone so I can't fix it. The UI is awful, you can't even really tell armies to attack or defend, they just ~whim. You have to do a lot of clicking to fight the system - yes it is less clicking than Vicky 2, but in Vicky 2 that wasn't mentally taxing, it was fun enough to wage the war you wanted to wage. Everything was concrete and in your control.

Here...look, as Korea I declared war on China to gain independence. Then the UK - not my ally, just separately, declared war on China as well. So now we are kindaaaa on the same side? At which point half my army auto-reployed to Hong Kong because a "new front" had "appeared". One my one boat. Then the UK declared war on me as well and then 50% of my army was fighting the UK in the South China Sea alongside the Russians (???) while the other half of my army is sitting there at home facing the Qing troops along the Yalu River going "bro, wtf?". At one point a newly spawned army of mine tried to auto-redeploy to Senegal.

All of this is just so preventable - you wanna reduce micro? Make combat provinces really big. You just invade "Manchuria", no clicking from Jilin to Mukden, and have bordering armies support each other defensively or something like that so you don't have to dash back and forth. Don't try to make your AI "do it for you" because it clearly can't and you want to play your own game. I'm sure the above will get better as I learn the system but I can just see the hundreds of players who saw this system and insta-quit, because until you "understand" it, it stabs you in the back. Not what you want out of a game.

Anyway enough me whinging about the game for way too long - the fundamentals are strong in the end. I will test out mods, I could see an overhaul mod really fixing everything except maybe the combat (and then you just cope). I definitely want it to work, the potential is high.

[tallerthantale]

I think it's time to stop fixating on arguments with the active Good Omens fandom.

Yes, the efforts to keep Good Omens 3 that don't mention the allegations are immensely frustrating. But I don't think it's coming from people who disbelieve the allegations or don't care about them. I think it's coming from people who are taking it for granted that Good Omens 3 won't happen with Gaiman attached beyond IP holder. They think the only two possibilities are Gaiman removed as far as possible or outright cancellation. From their perspective it doesn't seem necessary to mention the allegations, they think Gaiman is already a full blown pariah who's career is in shambles.

That is not how these things work. The allegations still don't have widespread media attention, and he still has countless ongoing publishing deals. The bubbles we are in are very aware of the allegations, but those bubbles are largely made up of people who are terminally online. The wider world is still broadly unaware.

While I would prefer it if efforts to salvage Good Omens 3 consistently made their support explicitly contingent on Neil Gaiman's public sacking, I think there are more productive uses of time and energy then getting into flame wars about it. Overwhelmingly the Good Omens fandom is onboard with efforts to metaphorically launch Neil Gaiman into the sun. They are more allies than adversaries. Let them have spaces to keep talking about their blorbos, don't go into those spaces to accuse them of not believing the allegations or not caring about SA survivors.

Gaiman's ability to maintain wealth, power, and influence is far more connected to his public appearances and publishing deals than it is to a show's fandom that already wants him axed (but forgets that they still have to say that because they think it's obvious.) I don't like the organized 'stream the show more' efforts, but the IP residuals off of additional streamed views are typically very small compared to book sales.

If the goal is to take down Neil Gaiman's ability to use his career to access victims, the primary objective is shutting down public appearances. No convention appearances, no teaching workshops, no book signing events, no speaking engagements. I don't think those sorts of things are likely in the near future, as the current PR strategy looks like an attempt to lay low and avoid the Streisand effect. However, if things do start blowing over in the future, public appearances might start creeping back, and they can be met with in person protest.

The next objective IMO is no new TV / movie deals, no new publishing deals. The general public scandal will suppress new deals for a while, but it won't hold up if the story is only circulated in the fringes and then forgotten about. The methods of raising awareness need to focus on bringing the message to people who haven't heard about the allegations yet, and that's going to mean going real world about it. Leave stickers on power line poles, on bus stop shelters, on bookshop shelves, on shopping carts / trollies. Ask your local news media to cover the story.

The challenge target if those main objectives hold is cancelling current publishing deals. That won't just be about calling on publishers to drop Neil Gaiman, it will also be about calling on people to stop buying his work, so that the publishers have a capitalist justification for dropping him. Always remember, you are not appealing to their better nature, you are appealing to a spread sheet.

The target audience for the 'stop buying NG books and comic books' message is people who haven't heard about the allegations yet. It is not the terminally online wing of the Good Omens fandom, which is already in favor of not purchasing from him.

Current publishing deals are not an easy target. Boycotting efforts are notoriously difficult to organize effectively, and there are plenty of objectively terrible people widely known as such who still get published. Some thoughts I have on it are starting with foreign language publishers in regions where Gaiman isn't as commercially successful, or seeing if local book stores are open to not purchasing more of his books. Keep in mind though, as with any boycotting push, you are asking the most vulnerable people to make the biggest sacrifice. A locally owned small bookshop has the most to lose by not stocking a popular author. Stay kind and respectful.

Edit Note: A previous version of this mentioned a specific user. They have asked to be removed from the post.

[whencyclopedia]

Wari Civilization

The Wari Civilization flourished in the coastal and highland areas of ancient Peru between c. 450 and c. 1000 CE. Based at their capital Huari, the Wari successfully exploited the diverse landscapes they controlled to construct an empire administered by provincial capitals connected by a large road network. Their methods of maintaining an empire and artistic style would have a significant influence on the later Inca civilization.

The Wari were contemporary with those other great Middle Horizon (c. 600 - 1000 CE) cultures centred at Tiwanaku and Pukara. The more militaristic Wari were also gifted agriculturalists and they constructed canals to irrigate terraced fields. The economic stability and prosperity this brought allowed the Wari to implement a combined strategy of military might, economic benefits, and distinct artistic imagery to forge an empire across ancient Peru. Their superior management of the land also helped them resist the 30-year drought period which during the end of the 6th century CE contributed to the decline of the neighbouring Nazca and Moche civilizations.

The Wari were undoubtedly influenced by contemporary cultures, for example, appropriating the Chavin Staff deity — a god closely associated with the sun, rain, and maize, all so vital to cultures dependent on agriculture and the whims of an unreliable climate. They transformed it into a ritual icon present on textiles and pottery, spreading their own branded iconography and leaving a lasting legacy in Andean art.

Huari

The capital at Huari (25 km north of modern Ayacucho) is located at an altitude of 2,800 m and is spread over 15 square kilometres. It was first settled around 250 CE and eventually had a population possibly as high as 70,000 at its peak. Huari shows typical features of Andean architecture: densely packed wall-enclosed rectangular structures which can be further divided into a maze of compartments. The city's walls are massive (up to 10 metres high and 4 metres thick) and built using largely unworked stones set with a mud mortar. Buildings had two or three stories, courtyards were lined with stone benches set in the walls, and drains were stone-lined. The floors and walls of buildings were generally covered with plaster and painted white.

There is little distinction in Wari architecture between public and private buildings and little evidence of town planning. A royal palace has, however, been identified in the northwest section of the city, its oldest area of habitation and called Vegachayoq Moqo. A now ruined temple was located in the Moraduchayuq compound in the southeast of the city. It was built in the 6th century CE and had subterranean parts with the whole structure once painted red. Like other buildings at the site it was deliberately destroyed and ritually buried. The city seems to have been abandoned c. 800 CE for reasons unknown.

Tombs have been excavated at Huari which contained fine examples of Wari textiles. Ceramics are also amongst finds at the site. A royal tomb was discovered in the Monjachayoq zone which consists of 25 chambers on two different levels, all lined with finely cut stone slabs. In addition, a shaft descends to a third level chamber which has the shape of a llama. Finally, a circle chamber was cut out at a fourth level down. The llama-shaped tomb, looted in antiquity, was the royal resting place and dates to 750-800 CE.

Huari was once surrounded by irrigated fields and fresh water ran through the city via underground conduits. Further indicators of prosperity are the presence of areas dedicated to the production of specific goods such as ceramics and jewellery. Precious materials for these workshops and imported goods indicate trade with far-flung places: shells from the coast and Spondylus from Ecuador, for example. The presence of buildings used for storage at Huari and other Wari cities also indicates a centrally controlled trade network spread across ancient Peru.

Continue reading...

[anarchopuppy]

You are invited to join for the first annual Weelaunee Food Autonomy Festival March 10-13. Together we will build our capacity in the forest by meeting each other, planting hundreds of fig, pawpaw, and persimmon saplings, grafting onto callery pears, and sharing in a variety of food autonomy workshops and discussions.

As we experience intensifying climate instability, economic disparity, and ecological destruction, our hands have been in the dirt, working to share food and growing techniques within the communities we inhabit. Across the continent, diverse collectives, farms, and mutual aid hubs have organized themselves, especially since 2020, and have been busy creating autonomous food systems, developing grassroots crop breeding, building food production and distribution systems for collective resilience and communal luxury—outside of the market or USDA management. These efforts at mutual aid and horizontal experimentation challenge state violence, racist dispossession, and the myth of scarcity.

At the same time, a movement in Atlanta enters a third year defending a 300 acre forest, which is threatened by construction of a police training facility (dubbed Cop City) and what would be the largest soundstage in the world, solidifying Atlanta as the new Hollywood. Those defending the forest from these dystopian projects are also creating a world outside of the market or state's control. Eggplants and fig trees sunbathe at the edge of the creek, a cold frame awaits spring germination, foragers commune with the undergrowth, and carpenters improvise structures on the ground and high in the canopy.

Restoring this forest, scarred with a history of indigenous dispossession and prison slave labor, is a complicated task. But we know autonomous food production can break the dirty cycle of land displacement and dependence on the capitalist food system. Moving in this way, towards food autonomy, is essential to the vitality of all life inhabiting the forest. We want to take this opportunity to share lessons and knowledge in all things plants, and learn from the ideas and work of others from all over, inside the fertile context of a forest occupation. Now is the perfect time to combine practical discussions of food autonomy with the movement work of defending the Atlanta forest, in what Cooperation Jackson calls a strategy of "building and fighting."

Learn more

[13-going-on-30]

Tips and Tricks for Writing Your First Book I have learned as a Newbie Writer

Writing a book is a thrilling, yet daunting, journey. Whether you’re crafting a novel, memoir, or non-fiction, the process requires dedication, creativity, and a bit of strategy. Here are some tips and tricks to help you navigate the path to becoming a published author.

1. **Start with a Strong Idea**

Every great book begins with a compelling idea. Spend time brainstorming and refining your concept. Ask yourself:

- What message or story do I want to share?

- Who is my target audience?

- What makes my idea unique?

A well-defined idea serves as a solid foundation for your book.

2. **Create an Outline**

An outline helps organize your thoughts and provides a roadmap for your writing. It doesn’t have to be detailed, but it should cover the main points or chapters. This structure will keep you focused and prevent you from straying too far off track.

3. **Set Realistic Goals**

Writing a book is a marathon, not a sprint. Set achievable daily or weekly word count goals. Consistency is key. Even writing a small amount each day can lead to significant progress over time.

4. **Establish a Writing Routine**

Find a time and place where you can write without distractions. Whether it’s early in the morning, during lunch breaks, or late at night, stick to your routine. Consistent writing habits will help you stay disciplined and productive.

5. **Just Write**

Don’t get bogged down by perfectionism. Your first draft doesn’t have to be flawless. Focus on getting your ideas down on paper. You can always revise and polish later. The most important thing is to keep moving forward.

6. **Embrace Revisions**

Writing is rewriting. Once you’ve completed your first draft, take a break before revising. This will give you a fresh perspective on your work. Be prepared to make significant changes. Consider feedback from trusted readers or editors to improve your manuscript.

7. **Research and Read**

If you’re writing non-fiction, thorough research is crucial. For fiction writers, reading widely in your genre can provide inspiration and insight into what works and what doesn’t. Analyze the structure, style, and character development in books you admire.

8. **Develop Your Characters**

For fiction writers, creating believable and relatable characters is essential. Spend time developing their backstories, motivations, and personalities. Characters should drive your plot and engage your readers.

9. **Stay Organized**

Keep track of your research, notes, and drafts in an organized manner. Use digital tools like Scrivener, Evernote, or Google Docs to store your materials. Staying organized will save you time and reduce stress.

10. **Take Care of Yourself**

Writing can be mentally and physically demanding. Take regular breaks, stay hydrated, and get enough sleep. Exercise and relaxation techniques can help maintain your overall well-being and keep your creativity flowing.

11. **Join a Writing Community**

Connecting with other writers can provide support, motivation, and valuable feedback. Join writing groups, attend workshops, or participate in online forums. Sharing your experiences and challenges with others can make the writing process less isolating.

12. **Stay Persistent**

There will be times when you feel stuck or discouraged. Remember that every writer faces these challenges. Keep pushing forward, even when it’s difficult. Persistence is often the difference between an aspiring writer and a published author.

13. **Learn About Publishing**

Whether you choose traditional publishing or self-publishing, educate yourself about the process. Research agents, publishers, and platforms. Understand the pros and cons of each route to make informed decisions about your book’s future.

14. **Celebrate Milestones**

Writing a book is a significant achievement. Celebrate your progress, whether it’s finishing a chapter, hitting a word count goal, or completing your first draft. Acknowledging your accomplishments will keep you motivated and positive.

Conclusion

Writing a book is a rewarding journey that requires dedication, creativity, and patience. By following these tips and tricks, you’ll be better equipped to navigate the writing process and bring your story to life. Remember, every author’s journey is unique. Find what works best for you and keep writing!

Happy writing!

[jacobwren]

"The defining works of Brechtian epic theater – such as The Threepenny Opera, Mother Courage and the Lehrstücke, among others – are collective productions; yet these texts have been subsumed into the life work of one person and “Brecht” has come to stand in for an author like many others. Even against considerable active and passive resistance from subjects’ own attempts to create meaning and a narrative and their writing practices, individual authorship is reproduced. The institutions of publishing, literary scholarship, biography and journalism all have stakes in producing Brecht as an author like other authors to solve their particular problems of coordination and strategies of reproduction. For the collaborators this contributed to their alienation. Their work came to confront them as something external and their recognition by others was mediated through the construction of “Brecht.” Is this alienation inevitable? How could authorship be more in tune with actual writing practices? Authorship is institutionally firmly entrenched and in order to formulate and identify oppositional projects, it is not enough to simply deconstruct authorship or try to undo it by unconventional writing or reading practices. It is worth investigating more closely in these terms how the relationship between practices and authorship has changed historically and in particular in the last decades. Has authorship become more democratic? Here, I can only hint at some of the developments worth considering. The gender inequalities in the literary field that have made possible the Brechtian workshop seem to have lessened. Women today find it easier to publish on their own and access to stages may be more open to female playwrights. The prominence of Sarah Kane, Carol Churchill and Elfriede Jelinek bear witness to the new possibilities that have opened up for female playwrights." - Monika Krause, Practicing Authorship: The Case of Brecht’s Plays