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pikahlua · 8 months ago

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"A deuteragonist has a very different role in the MHA and that is a whole other post ."Can you please write this article? I am tired of Bakugo being constantly downplayed. There are very few people who understand his character and role in the story as well as you do.

Haha I mean hehe it's just hoho I never said fufu that Katsuki is the deuteragonist guffaw shucks haha I mean come on snort why are you putting words in my-

Katsuki Bakugou is the deuteragonist.

Katsuki Bakugou is the deuteragonist

"Of course you would say that. You're a Katsuki Bakugou stan! You are invested in inflating his importance in the story because you love him." - some people, probably

No. If that were true, I would be arguing Katsuki Bakugou is the protagonist. But I'm not.

Because Katsuki Bakugou is the deuteragonist.

It's not that I love him and therefore assert that he's the deuteragonist. I love him because he's the deuteragonist (plus many other reasons). He is an archetypal familiar shounen hero made interesting in part by the fact that he is NOT the protagonist and deliberately written in the deuteragonist role/function, and I will go into visceral detail about this momentarily.

I promise you I don't go around in other fandoms arguing my favorite non-main character is the deuteragonist. I fully embrace whatever role it is they play in the story. YOU WILL SEE THE EVIDENCE OF THIS VERY SOON, FOR EVERY CHARACTER IN MHA.

What is a deuteragonist?

A deuteragonist is a story archetype. They are the second-most important character in a story (which is a vague as hell definition). They are often known as the "secondary main character."

That's it. Everything else one might say about a deuteragonist is just a sub-archetype.

A deuteragonist can be a sidekick, a love interest, a rival, an antagonist, or even a neutral party. They are often, not always, written as foil characters to the protagonist. They often, not always, provide a different and yet similar outlook to the protagonist's. Their utility in a story can be quite varied. Sometimes they support the protagonist, and sometimes they oppose the protagonist. Often, they are used to help the protagonist complete their character arc.

Sometimes, there can be more than one deuteragonist.

What the hell is a deuteragonist?

The problem is, the function of a deuteragonist can change just depending on the type of story we're talking about. A deuteragonist in an ancient Greek tragedy (theatre), where the term originally came from, won't necessarily function the same way as a deuteragonist in a 2-hour contemporary movie. Things get even more complicated when we're talking about a TV series, a book series, or a comic book series in which the cast becomes so large we're likely to see MULTIPLE deuteragonists.

My Hero Academia, like many long-running shounen manga, has an ensemble cast. Would you be surprised if I told you My Hero Academia not only has multiple deuteragonists, not only has multiple antagonists, but also has multiple protagonists? Because it does!

Sometimes people wanna divide MHA into three or four acts and make the claim that the deuteragonist changes from act to act. I say they aren't going far enough. MHA is divided into arcs, and each arc has its own protagonist and antagonist and sometimes even deuteragonist. This is a STAPLE of ensemble cast shounen manga, where often there will be so many characters they get grouped off into trios (or more) and one among them will be the group's designated protagonist.

Sure, in most MHA arcs, Izuku is the protagonist. But he's not always. Who is the protagonist of the Pro Hero (Endeavor vs Hood) arc? Who is the deuteragonist? It's not Izuku and Katsuki; it's Endeavor and Hawks! What about the protagonist in the My Villain Academia arc? Tomura. The Hero License Supplementary Course arc? Katsuki and Shouto (who can't seem to decide if they're co-protagonists or protagonist and deuteragonist and who is which). The Overhaul arc? Izuku is the protagonist and Mirio is the deuteragonist. Some arcs really play with these roles or make it unclear who is playing which role or if the role even exists.

What is a deuteragonist in My Hero Academia?

So if we have a bunch of protagonists, does that mean the most important one is the series' overarching protagonist and the one second in importance is the deuteragonist? It COULD be, but it's not necessarily true.

There aren't that many arcs where Izuku is not the protagonist. If we look at the number of arcs where someone else is the protagonist, following the above logic, we could end up with All Might or Endeavor as the deuteragonist. Maybe some people would earnestly make the argument Endeavor is the deuteragonist--I don't know, I haven't met those people I guess. The problem with this approach in my eyes is that it entirely discounts the deuteragonists of each arc. Would it not follow that the overarching deuteragonist is the character who has played the deuteragonist in the largest number of arcs? What if that character is different from the character who has played protagonist the second-most number of times? And this is to say nothing about if the protagonist or deuteragonist are the same as the antagonist in a given arc! It's difficult to weight any one character in this fashion particularly when you have an ensemble cast.

This is getting into the question of focus and screentime. How much should we weight this metric? Admittedly this one can also be complicated, especially when it comes to long stories with ensemble casts. The question is how much does screentime actually convey how much a character is the focus of a story, and does that necessarily translate to protagonist and deuteragonist? Because for many the question is: could the deuteragonist be an antagonist in MHA?

It just gets a little harder to argue someone besides Katuski Bakugou is the main deuteragonist the more Katsuki's screentime allocation looks something like this:

Okay, perhaps that exact size of gap is hyperbole. But there is a clear, measurable gap between Katsuki Bakugou and everyone else and I don't think anyone has ever disputed that. Please check out this post by @dekusheroacademia that has compiled some of these statistics (they also make some excellent points about evaluating the elements of a deuteragonist and how various characters fit or don't fit those characteristics).

Still, this is merely supporting evidence, not conclusive. I am well aware of the concept of a false protagonist, where someone appears to be the protagonist until later someone else is revealed to be the story's true protagonist. And while I've never seen a false deuteragonist where someone SEEMS to be the deuteragonist and is later revealed in a twist not to be (as opposed to the deuteragonist just merely changing NOT as a deliberate twist where expectations were set to be otherwise), that doesn't mean it can't happen.

Tangentially related, we could also potentially look at marketing as another piece of supporting evidence. It's not conclusive that just because Katsuki Bakugou is one of the most merchandised characters in the franchise that he is more important to the story than those who aren't, but it's still notable supporting evidence. After all, based on Horikoshi's marketing of his own story i.e. who he draws in which orientations on chapter and tankoban covers, or how he lists characters on character intro pages, we could easily come to the conclusion as casual readers that Izuku is the protagonist. There are many cases where one could conclude Katsuki is the deuteragonist based on such presentations alone. But again, I concede this is not conclusive.

So, if we set aside individual story arc roles, screentime, and marketing, what does that leave us with?

What is THE deuteragonist in My Hero Academia?

Even if we can determine Izuku Midoriya is THE protagonist of MHA based on things like the number of times he's protagonist in story arcs, his screentime, and marketing, I'll set those aside for the deuteragonist and see if there's something else that can help us here.

What element are we missing? The overall story.

Sure, we can break down the story into arcs and assign deuteragonists that way, but that's not getting us to THE deuteragonist. So let's start with the protagonist. How do we know Izuku Midoriya is the protagonist of MHA without considering the previous metrics? The way the story focuses on him. It is easy enough for anyone to recognize the characteristics of a protagonist in him from a functional perspective. He is a POV character. We hear his thoughts. He narrates the story. We see the story over the timeline of his character growth. His character arc coincides with the overall story themes.

I've talked many times about how My Hero Academia at its core is a story that explores the question: what is a hero? MANY characters explore this question, but the character who compiles these answers together and rounds them all out and grows and has his perspective change and exemplifies the moral is: Izuku Midoriya.

So let's go back to the functional elements of a deuteragonist. Remember those sub-archetypes? Well, in a shorter story with no ensemble cast, what do a sidekick, a love interest, a rival, an antagonist, and even a neutral party all have in common? They are defined by their relationship to the protagonist.

You see, in a story where all the characters interact with each other and converge on the major theme of the story, ALL characters are defined by their relationship to the protagonist. But in particular, the function of a deuteragonist is to supplement the story with what the protagonist needs FUNCTIONALLY. When is a sidekick the deuteragonist of a story? When the story focuses on the adventures of the protagonist and their sidekick. When is a love interest the deuteragonist of the story? When the story focuses on the developing relationship between the protagonist and the love interest (i.e. the romance genre). CAN a story with a love interest deuteragonist focus on their adventures and individual character development too? Yes, but sometimes the result is that the love interest is ALSO the sidekick...or the rival. When is the rival the deuteragonist? When the story focuses on the clash and growth between the rivals. When is the antagonist the deuteragonist? When the story focuses on the battle between them. NOTE that when I write this, I don't mean it focuses on the protagonist's adventure that culminates in them meeting the antagonist at the end for a battle. I am talking about when the BATTLE ITSELF is the main focus of the story. See stories like Silence of the Lambs or Death Note for a clearer example of what I mean, where the focus of each is on the psychological games the protagonist and antagonist play with each other. The point is, the story on a structural level, on a meta level, has to focus on these sorts of interactions to determine its deuteragonist.

Obviously this gets more complicated with a large story and an ensemble cast because you could have bits of the story where the structure changes and seems to focus on new things. That's why I pointed out that the more immediate protagonist and deuteragonist and antagonist often change in MHA depending on the story arc.

When I try to determine who is THE deuteragonist of the entire story, I have to look at the entire story. I have to ask myself what the story is about. So what is the story about? What is MHA about?

If you said MHA is about Izuku falling in love with Ochako, I'm sorry but you're wrong.

If you said MHA is about Izuku taking on All Might's mantle, I'm sorry but you're wrong.

If you said MHA is about Izuku defeating/saving Tomura, I'm sorry but you're wrong.

If you said MHA is about Izuku rekindling his friendship with Katsuki, I'm sorry but you're wrong.

MHA is about Izuku Midoriya (and most everyone else) learning what it means to be a hero.

It's in the fucking title. MY HERO ACADEMIA. The story is about Izuku's education (as it takes many forms) to learn what it means to be a hero.

So who is the deuteragonist in the story about Izuku Midoriya learning what it means to be a hero? The character who is second-most important in how Izuku Midoriya learns what it means to be a hero.

A lot of characters do teach Izuku Midoriya what it means to be a hero or at least some piece. But who is MOST IMPORTANT?

See, My Hero Academia is LONG. If we just focus on the parts of the story in which Izuku tries to learn from All Might or take on his mantle, we lose ARCS of the story. The same is true if we focus on his love life, or his rivalry with Katsuki, OR EVEN HIS BATTLE WITH TOMURA AND ALL FOR ONE. In the case of the latter, we're basically excluding HALF the story: the school arcs!

MHA is structured such that it alternates between what we colloquially refer to as "school arcs" and "villain arcs." And while exploring the question of "what is a villain?" is an important subset of the main theme, it is not the entire story. You can't just label all the school arcs as "filler" (because they're not) and chuck them out. Each story arc contributes to the lessons Izuku learns and the theme of the main story.

I can think of something every character teaches Izuku with respect to this theme. I can think of a lesson Izuku has taken away from every encounter and every story arc. But who ELSE is present in nearly every story arc? Who represents the foil to Izuku who allows us, the audience, to learn alongside them what it means to be a hero? Who learns the bits Izuku does not need to learn because he already exemplifies those answers in spades? Who represents the other half of the hero equation that Izuku is missing? Who has his own blanks filled in by Izuku himself? Who has played all the sub-archetypes of a deuteragonist for Izuku Midoriya, including antagonist, rival, sidekick, and even arguably love interest (replace with platonic interest for the rekindling friendship angle if you want so we don't have to go into that whole thing here please, I'm talking about the generic structural elements within a story more than anything)?

Izuku Midoriya cannot possibly have learned the fundamental lessons of what it means to be a hero without Katsuki Bakugou's character arc to supplement him. Katsuki Bakugou is an irremovable, integral player in demonstrating the theme of collectivism that informs the main story, not just for Izuku to learn it but for THE AUDIENCE to see it too. He is one half of "win to save, save to win." He is the standard shounen manga archetype who has to learn the value of teamwork/collectivism so that he can teach it to Izuku Midoriya and save him from himself. The story is structured in such a way that it resembles LESSONS for the characters to learn, and Katsuki's "education" in this respect is VITAL to the story, second in importance only to Izuku Midoriya's.

P.S. Is it actually taking away from Katsuki to call someone else THE deuteragonist?

Yes. I know some people don't want to have to say it that way, but it is. Based on a number of metrics, Katsuki Bakugou is most widely recognized as the deuteragonist. If there's a default answer to the question of who is the deuteragonist but you think the deuteragonist is someone else, then in order to be persuasive you must not only argue why you think your chosen character is the deuteragonist but why Katsuki Bakugou is NOT the deuteragonist. If you want to argue someone else is the deuteragonist, you are taking on that onus, that burden of proof. You have to disprove Katsuki Bakugou is the deuteragonist.

Are there other characters who fit the deuteragonist function at times? Yes! There are multiple deuteragonists! But if in spite of the multiple protagonists we're still able to call Izuku Midoriya THE protagonist of My Hero Academia, then we are absolutely able to call Katsuki Bakugou THE deuteragonist as well.

tl;dr MHA is about learning what it means to be a hero and Katsuki Bakugou's story is second-most important to that theme, which makes him the deuteragonist

#anon ask #ask pika #my hero academia manga spoilers #final showdown spoilers #katsuki bakugou #meta #deuteragonist #now just because i care does that mean i actually CARE?#no not really #think what you want you aren't doing anything to ME

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aspoonofsugar · 22 days ago

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Some Millie and IMP Thoughts

I love Helluva Boss's new episode for all the reasons everyone else does! In particular, my favorite part is Millie getting fleshed out more.

I have always liked Millie and I disagree with people saying she is badly written. That said, the focus she got this episode adds a ton of depth to both her, her role in the series and the dynamics within IMP.

BLITZ AND IMP

Blitz is the titular character and protagonist of the series. He is the boss in Helluva Boss. As a result, everyone else is in the story for his sake. In particular, IMP is Blitz's found family:

Blitzo: Look, the point is, Loona is a valued member of our family, and we don't get rid of family. Moxxie: We aren't a family, sir! You are the boss! We are the employees!

Through them (and Stolas) Blitz gets to explore his ghosts and to heal. How is that so?

Loona and Moxxie seem to me two sides of the same coin:

-Loona is like Blitz, as she is told by the world she has no real value:

Adoption Center Lady: Oh, her? That's just Loona. What a nightmare. Serious attitude problems. She'll be out of our hair next month when she ages out. Good riddance, if you ask me. She'll never amount to anything much.

So, Blitz latches on her and adopts her. He showers her with the love he never got from his father.

-Moxxie is like Blitz, as he is abused by his father and loses his mother. As a result, he grows up unsure of himself and in need of love and approval:

Blitzo: Well, I'm glad everything ended up okay. Good to know we both have daddy issues, Mox.

However, Blitz often treats him poorly, downplays his abilities and mocks him.

So, Loona and Moxxie are Blitz's mirrors, as he projects on them in opposite ways. He treats Loona like he wishes his father treated him. He treats Moxxie similarly to how his father treated him. Obviously, Blitz isn't an abuser like Buckzo. He loves Moxxie and more importantly he is not his father. However, he and Moxxie do have a mentor-mentee dynamic and it is clear as day Moxxie wants Blitz's approval:

Blitzo: Gonna be honest, Moxxie- Not too bad for your first solo mission. Moxxie: Reeeeeally, siiiir? Blitzo: Nooo, no, not really. You're a fucking disgrace.

Still, Blitz is often unable to give it to him, despite the fact he clearly cares. This is also why Loona and Moxxie get often on each other's nerves:

Loona: How am I supposed to smell anything in this city? Moxxie: Can't you even do one thing right? Loona: Can't you finally do something about how fat you are?

Moxxie is the most critical of Blitz's favoritism towards Loona and is the one insisting Blitz calls her out on her poor attitude towards clients. This is not by chance. They are just like bickering siblings :''')

In a sense, this episode even subtly confirms this foiling:

Blitz: Loonie's perfect, and Moxxie's… probably got some good traits too and I'm sure we'll figure them out eventually.

Loona is perfect and Moxxie has no good traits. What about seeing the world in black and white?

So, where does Millie fit in all of this?

Blitzo: So I'm your best friend, huh? Millie: What do you think? Blitzo: I think…I- I've never had a real friend that I didn't wanna fuck.

She is the only one Blitz does not project over, so they grow into genuine friends. They are equals, value each other and love each other. So, Millie freely states what Loona and Moxxie also think, but can't properly convey:

Millie: He (Blitz) gave me so much…A career, a husband, a future. And now…He's my best friend. Blitzo: You… you don't hate me? Millie: Naw, never.

Blitz gave her, Moxxie and Loona a better future. He is their precious boss and a treasured family member.

MILLIE'S THEME

Helluva Boss has two main themes:

Relationships

Classism

Moxxie is linked to Blitz's unhealthy way to build relationships. Their bond is a complicated mix of friendship, family love, professional interest and a little bit of possessiveness on Blitz's part. That's why it is so complicated and contradictive. Millie ties into this as Moxxie's wife, since M&M's relationship is Blitz's ideal one.

Still, this episode makes clear Millie's true thematic relevance is for the topic of classism:

Millie: We… heh. We don't deserve this. We're just Wrathians, Blitzo. Muscle. It's all we're good for, all I'm good for. It's why you hired me. Any demon good at making a buck is welcome in Lust or Greed, but here? Demons like us ain't cut out for this.

Classism permeates Hell, which is built on a strong hierarchy. All characters have suffered the consequences of this, while being influenced by it at the same time. For example:

Blitz is an imp, who has been looked down and victimized by society. However, he also embraces classist prejudices and uses them as an excuse to push Stolas away.

Stolas is a Goetia, who has been a prisoner of his family's expectations and of his role in society. However, he is also unconsciously discriminating towards imps. He has no ill will towards them, but he calls them silly names and belittles them

Millie is the same. She is a wrathian imp of humble origins. In a sense, she is a stereotypical imp. She is incredibly strong, was born and lived the majority of her life in Wrath, aka imps' original ring. She fits the expectations of both her family and society. However, she deep down wishes for more, which is why she leaves the family ranch to become an assassin. This choice is already seen as subversive by her family, who expected her to stay home, so she could help with the family business. However, Millie herself has no high expectations for her future:

Millie: Bullshit! Who sent you? Millie: Who are you working for?! Blitzo: What? You don't believe me? Millie: Imps don't work for themselves, asshole.

She still sees herself stuck in Wrath. She will be one of many underpaid goons, who work for higher ranking demons. A life a little bit more adventurous than the one at the farm. Still, nothing extraordinary. Then, she meets Blitz:

Millie: Who's that? Your boss? Hah! Blitzo: HA he fucking wishes. No, I work for myself, lady.

Blitz is the first one, who recognizes her potential and who believes she can become more than what she is. He gives her the chance to explore the world outside the Wrath Ring and brings her up to Pride. When Millie doubts herself and her role in society, he is the one to reassure her:

Blitzo: Millie, I have spent too much of my time, energy, and holes into setting this up for us to entertain your bullshit. I brought you into this company for a reason, okay? You're tougher, smarter, and frankly more capable than anyone I've ever met in any ring.

Blitz gives Millie a new life, where she is free to be herself and to choose a husband she would have never chosen, if she had stayed home with her family.

Thanks to Blitz and her work at IMP she is by this point a different person than the one she was. She does not completely fit in Wrath anymore:

Sallie May: Heh, yeah, I mean, with so many exciting things here, it's no wonder you never make your way back home. SHIT! That slipped out. Millie: ..What? Sallie May: You know… the Wrath Ring, all that dirt and rust and boring nothingness. Not much of a thriving club scene down there, why visit that, right?

Which is why she is now slowly overcoming her prejudices:

Millie: Oh yeah! Y'all haven't met my boss Blitzo! And his hellhound! Loona: I'm not just his hellhound.

It is not by chance Millie is the one calling Loona Blitz's Hellbound, as if she were a pet. Moreover, it is not by chance she does so, while talking with her family. It is probably normal for wrathian imps to see hellbounds as property. So, when she visits home, she goes back to a familiar language and mindset, without even realizing how offensive it is. That is why it is relevant this episode has Millie share a bonding moment with Loona, where she calls her by name:

Millie: Thanks. Loona.

She is not only overcoming her self-insecurities, but she is also starting to see other demons differently. She is growing not only more happy, but also more open minded. All thanks to Blitz's impact on her life:

Millie: Most of my life I bought into the idea that all I could ever be was a simple farm girl. Or best an underpaid goon. Until I met some knucklehead who never gave a fuck about what anyone else said he could or couldn't be. He made me believe he could be anything. And that made me feel like I could be anything, too.

CHARLIE AND BLITZ

Hazbin Hotel and Helluva Boss are twin series. They are complementary stories, with different focuses and a shared heart. This is shown in Charlie and Blitz, their respective protagonists. They are opposites.

Charlie is a royal demon, a young rich girl, who is optimistic and idealistic. She is obsessed with seeing the good in others. Blitz is instead a humble imp, an adult man, who is cynical and genre-savy. He sees only the worst in people to protect himself. However, both disrupt the status quo:

Charlie decides to completely change the hierarchy between hell and heaven. She is breaking the system the world is built on and re-writing the laws of the universe.

Blitz changes things in little ways. He is not trying to reform society, but he still acts in ways society does not expect, so he subverts hierarchies and transforms people around him.

That's something that comes up several times:

Striker: Boss, huh…? Ohhh, so YOU'RE the bold imp to start his own killing biz? Blitzo: Yeah, well if you're good at somethin', you should probably capitalize. Striker: Not many Imps start businesses on their own. That's pretty impressive, sir.

Crimson: Oh, I'm sure. You got to be Blitz, with the silent "o", right? I've heard a lot of good things about you and your work. Blitzo: Really? What kind of shit has Moxxie been spreading about me? I'll fucking kill you Moxxie, don't you fucking test me! Crimson: No, no! From all over. Looks like you're building a bit of a name for yourself here, kid.

Both Striker and Crimson comment on Blitz's business, in two moments that are to be seen as parallels:

-Striker says so, as the group visits Millie's family. Millie's family is a relatively happy one, as they all clearly love each other. However, it is an economically struggling one:

Joe: We lost our old farm hand to one of them terrors last week.

Millie's parents are loving, but traditionalists and stuck in the old ways.

-Crimson says so, as the group meets him and discovers he is Moxxie's father. Crimson is an imp, who built an empire. Moreover, he is not scared to go against the hierarchy and to challenge even the deadly sins:

Crimson: You probably just asked if I know who I'm dealing with. And, oh yes, I know. The weakest and most non-threatening of the Sins. The king who will do whatever it takes to save the worst-kept secret in all of Hell. We both know you won't risk anything happening to the clown. So be a good little bitch boy, and do the thing. My lawyers will be over shortly with the contract of demands. You have until the witching hour to sign it. Hueheheheheheheh!

Still, he sacrifices everything else to greed. In order to climb up, he destroys everyone around him. He killed his wife and abused Moxxie, so his son leaves him the first chance he gets.

In other words, Blitz offers Millie the opportunity to social climb and he offers Moxxie true friendship and comraderie. He gives them what they miss and want.

STRIKER

Finally, this episode indirectly adds a new layer to Striker's character and his role in the series. So, Striker is clearly everyone's dark foil.

Specifically, he is Blitz's jungian shadow aka what Blitz represses:

Striker: Blitzo, come on. You know, the two of us are superior than most of our kind. And you were so above suckin' on a disgusting, rich, pompous Goetia, only to sneak topside for scraps and work for bitter sinners, who could care less who you are, when you could be slaying Overlords.

He embodies Blitz's darkest side and tempts him to give in to it. For example, he backs Blitz up in his fight with Fizz over Royal Demons:

Striker: As far as I'm concerned, you two are BOTH embarrassments to our kind for meddlin' with blue-bloods to begin with. But at least loud-mouth here has the sense to only fuck his rich bitch, instead of bein' a little purse dog. Blitzo: Oh, great. The fuckin' supremacist is on my side, wonderful. Fizzarolli: Neither of you filth bags know what you're even talkin' about. If you think you're superior to ANYONE, then you're no better than any royal— Striker: DON'T. You. Dare… Finish that sentence, clown…

And let's say it is not by chance Striker is burnt and probably gets some scars the same episode it is revealed Blitz accidentally set his family circus on fire:

He is clearly meant to embody the anti-theme, both when it comes to relationships and classism. He is who Blitz might become, if he gave in to his worst instincts. That is why he is the character physically threatening Stolas's life and calling him out on his privilege at the same time:

Striker: YOU. Don't get to talk over me! I don't have to listen to your bullshit! All you royals ever do is try to talk over us!

He challenges Stolas to see the darkness in Blitz he keeps ignoring. Moreover, Striker's attempt on Stolas only works because Blitz himself does not warn Stolas, believing that with his powers the goetia can easily survive an imp's attack:

Blitzo: Stolas got what? How?… He can get hurt?

In short, Striker is a key character for both Blitz and Stolas. That said, he does foil also Moxxie and Millie. (Which is why they get to fight him twice, just like Blitz - they lose the first time and win the second).

In his debut episode, he is openly juxtaposed to Moxxie. He is the ideal imp, the one Millie's parents would have liked their daughter to marry. He is a great farmer and an even better fighter. He is strong and charming and easily defeats Moxxie at everything, even music. That said, it turns out Moxxie is a far better person and husband and gets to call out Millie's parents on it, gaining their respect in the process:

Moxxie: Y'know, she protected me. And maybe I'm not a strong beefy dickhead, but Millie has the strength enough for both of us! You two are getting on her case about being hurt by a psychopath you hired?! Shaaaaame on you!

Ghostf***ckers instead makes Striker and Millie's foiling obvious. Both are wrathian assassins, who work as goons for others:

Millie: Not exactly a shortage of imp assassins in Wrath. Reputation is everything.

Here lies Striker's contradiction. He keeps saying he hates the hierarchy, but in the end he acts exactly as society expects him to:

Stolas: Well, you seem to be forgetting; you are working for a royal right now!

He hates royals, but takes orders from them. Even when he decides to leave Wrath, he goes to Greed, so exactly where "imps able to make a buck are welcome", according to Millie:

Crimson: HEY! Hick-for-hire! I said watch 'em, not fuck 'em. Keep ya hands off the merchandise!

See? Striker acts like some big shot, but in the end he operates within the system, rather than subverting it. Both Fizz and Blitz are far more successful at overcoming the hierarchy than he is. Fizz does not take orders from royals, but becomes a romantic and business partner to one. Blitz does not resort depending on royals or imps for his job. Rather, he takes orders only from himself and invents a new business.

Striker says not everyone gets the chance to live in Pride:

Striker: Look. Not every ring is some fancy-ass city, with some fancy-ass mansion, that only fancy-ass royals get to live in. Some of us have hard lives to live.

And yet, he is offered it by Blitz, just like Millie:

Blitzo: Isn't this guy great? It's gonna be nice workin' with him. Yeaaaah! I asked him if he wants to join I.M.P.

If he had joined IMP, he could have found a family, a strong business partner and could have embraced a new life. He did not and became IMP's enemy instead. On the contrary, Millie did and is now a happier and better person.

WHAT ABOUT LOONA?

Personally, I think Loona is gonna be key in Blitz's development, as both her past, arc and relationship with her dad are very well set up. If Moxxie focuses on relationships, whereas Millie on classism, Loona will probably offer a synthesis of both themes:

Loona is Blitz's adoptive daughter and the first member of his new found family.

Loona is a hellbound, so a demon even lower than imps.

I am very curious to see how her story develops and I am looking forward to discover more about her past and to see if her foiling with Bee gets explored more. After this episode I am more curious than ever!

#helluva boss #helluva boss meta #hellaverse meta #hb meta #blitzø #helluva boss millie #helluva boss moxxie #helluva boss loona #helluva boss striker #my meta

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solradguy · 6 months ago

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why is xtra hated? Does it have character inconsistencies or something else to have hate towards it?

Ok. So. For starters, one of the main characters is a girl named Mizuha that is very probably a child/young teenager and they draw her like this all of the time (sometimes even WORSE):

(her personality is... fine... I guess. she's just uncomfortably sexualized)

The plot is basic shounen genre trope soup. The other main character, Tyr, has a dragon/Gear arm and was sealed away for a mystery amount of years so he looks like a teenager but is older than Ky (who was ~24 in the canon at the time). They also did that thing where Ky ~just so happened~ to have seen Tyr on the battlefield when he was a kid before he joined the Holy Order, and Tyr is apparently working with/under Kliff. Very "we have a new character and need to speedrun making him relevant. let's shoehorn him into everyone else's backstories."

Tyr's Gear arm (it looks like a normal arm unless he activates it):

None of the characters ever bring any of this up ever again outside of Xtra. It's not mentioned in GG World, any of the guide books/encyclopedias, character profiles, novels, interviews, etc. Which you think it would be if Kliff knew A GUY WITH A GEAR ARM IN THE HOLY ORDER LOLL

The characters that are actually in the games make cameo appearances throughout the comic and I think the artist had more fun drawing them than they did the actual protagonists because they all look leagues cooler than anything Tyr or Mizuha end up doing

I will give Xtra credit for one thing though, and that's for giving us one of the rawest Sol Badguy scenes in the entirety of Guilty Gear:

I just don't get how the guy that wrote Lightning the Argent and Butterfly & Her Gale, two books that are still canon-relevant and generally enjoyed by the (JP) community, ended up writing such a bland story. Was it solely his idea? Was someone else forcing him to make changes to the plot and he just had to go with it?? This was GGX era so Guilty Gear was doing PRETTY GOOD in Japan at the time.

I have no idea why they felt the need to put out something with such an unoriginal premise in a series that frequently bends or breaks genre expectations. Daisuke Ishiwatari is included as an author on this, but I get the impression that was just a legality thing since he wrote basically the entire setting and cast outside of the few new ones introduced in Xtra. None of the Tyr lore beats line up with any of the established Gear lore, either pre- or post-Xtra.

Why did they write Xtra when they could have written something focused on the established cast instead. Going into Xtra for the first time is like when you pick up a cup expecting it to be pop and find out it's water instead but since you were expecting something sweet the water just tastes gross and extremely disappointing. Xtra is my least favorite Guilty Gear entry out of the entire library. Vastedge at least gave us Naoki Hashimoto and Isuka gave us A.B.A. Xtra just gave us wiki editors annoying homework.

You can read Xtra over on Mangadex if you wanna form your own opinions about it. It's only one volume and can be read pretty quickly: https://mangadex.org/title/911025e8-ae47-499c-8eff-453d18b6459a/guilty-gear-xtra

#asks #long post

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staerplatinum · 8 months ago

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Some of my favorite doodles from my headcanon/redesign concept sheets used as an excuse to list my headcanons about the main six (for an AU that I'm writing)! More under the cut!

Charlie Morningstar:

She's way more hot-headed than in canon, albeit still keeping her cheerful and gentle persona.

She loves food, and she's always hungry. I always loved the trope of protagonists (both male and female, like look at Goku himself, Usagi Tsukino or Minako Aino) and I think it could fit Charlie perfectly!

She loves planning (and this is already canon) and she has a lot of stationary gadgets. "Sure Alastor, you can borrow any pen! ... Not that one! :D" And takes good care of them.

Her birthday is February 29th. I thought that it wouldn't be strange if her birthday ended up being that day if she follows a demoniac calendar...

Vaggie:

It's canon that she likes everything to be clean and organized. I think she would help Niffty with the rooms and everything! They bond!

She and Angel Dust absolutely have BFFs vibes. Before Hazbin Hotel I remember they were meant to be a couple, but with the new canon they're still adorable as best friends and I love the dynamic more. They get into fights but it's never anything serious, they look like a big brother and a little sis, even though sometimes she definitely acts as a big sis to him. Angel sees Molly through her :(

As we know she doesn't really believe in herself, but she actually makes a very good leader!

In my fanfic, contrarily to the series, she was really fighting with burning hate towards the angels that cast her out. She holds a deep grudge and it's hard for her to come out of it. (I want Out for Love to be useful, it's my favorite song ç_ç)

Her name as a human was Agata Flores, she was born the 28th of June in 1993. If we still count 2014 as her death and if she was once a winner that then became sinner... my headcanon is that she died of a hate crime in March 25th 2014, aged 21.

Angel Dust:

He's not in drag 24/7. He really is feminine, but sometimes likes to try masculine outfits too. (which make Husk wonder "why am I staring??")

He's secretly a nerd. Or not so secretly. He owns video games, and especially likes RPGs and life sims.

He overanalyses everything. Well, almost everything but still. He actually likes reading, and this led him to analyse anything that comes into his eye. (Oh, I can't wait to write one of those scenes because I already had fun outlining it LMAOO)

He's probably Charlie's food buddy. Give them some food and they'll be happy (Valentino doesn't like this but get screwed Val, give him food too)

His name as a human was Anthony (canon) Cavallaro and had Neapolitan heritage. He's born in April 1st (and this is canon) 1912, he died of overdose (canon) in October 11th 1947, aged 35.

Alastor:

I loved his pilot persona more than the series', and most of the things are confirmed canon... but I do have some headcanons for him, too! (also yeah I don't think that will be my last radioapple drawing or doodle lol)

We know he either doesn't sleep or sleeps with his eyes open. Well, I imagine him that in the few rare occasions he actually sleeps, his radio works as a mental surveillance "camera". Also, he's a light sleeper and would definitely go "Do you fellows mind? I'm trying to sleep." like the old man he is.

I would like to explore Alastor's feelings for Charlie more, and how he sees her as a daughter. While we may not know if he was telling the truth, I think they both seeked each other as a fatherly and daughter figures in a way. Many in the fandom headcanon Alastor's father to have been shitty to him. If he truly sees Charlie as a daughter, it could be because he would like to be a better father than the one he had, and since he never had children, he grew affectionate to Charlie as such.

He knows how to handle alcohol well, but I like to think that when he's really drunk he doesn't even know what he's doing. Oh, you saw him playing with Angel's Nintendo Switch? He even brought it into his room to continue playing Animal Crossing by himself? He was totally wasted.

His name as a human was Alastor (which is apparently canon, but I wonder if it'll be retconned or not?) Boudreaux-Alexander. Boudreaux was his father's last name, Alexander was his mother's. He didn't like his mother taking her husband's last name and wanted to keep his mother's. He was born in March 7th 1901, and died in August 4th 1933, aged 32, after being shot by a hunter that confused him with a deer and was mauled by dogs afterwards. (Yikes, I'm so sorry)

Niffty:

She definitely has written lots of fanfics about her fellow hotel friends. Especially men. Yet, she loves Charlie and Vaggie too, so they're there as well.

We know both Niffty and Husk have deals with Alastor. She loves them both, I love to headcanon that when she feels lonely and can't sleep well or had nightmares, she either goes to Husk's or Alastor's room to sleep with them. They welcome her warmly ç_ç

Alastor and Husk most definitely know Niffty's story, which is why they care about her so much. She's childish for her age, but it could be tied to a past that only the two of them know very well.

Niffty knew Vox when they were alive. Now I know it could be a weird headcanon since Niffty is Japanese and Vox is American, but if Niffty's work brought her around the world it wouldn't be weird if they crossed paths. When Vox died Niffty was 19, she either saw him die in front of her eyes or something else happened.

As I mentioned in my concept sheets, she used to wear glasses when she was alive so she can't see really well without them after she died. Sometimes she borrows Alastor's monocle, and if we apply the headcanon that he's colorblind, without his monocle not only he can't see anything but can't even see colors LOL

Her name when she was alive was Sachiko Tanaka, born February 27th 1934. She died September 1st 1956, aged 22, there are popular headcanons about the way she died and yikes, if it's true she didn't have a good death either. Not at all.

Husk:

Maybe I'm overanalysing but what if the reason why he grew affectionate to Niffty was because he once had children? Or just one? Either he had a child and was with him but felt like he wasn't a good father or his ex-wife left him because of his gambling addiction and this made him feel guilty, not able to see his child ever again. (I feel bad just thinking about this but ç_ç)

Despite the fact he hates being on a leash and none other than Alastor's, he actually cares about him. If the two were friends when they were alive (including Mimzy), this could explain why he's still around Alastor even if reluctantly. (Sure he says he's forced, but in the pilot Alastor summoned him, so it's safe to assume either Alastor-Husk-Niffty were roommates before coming to the hotel and did their business without telling Alastor, or simply we need more explanations of Alastor's deals)

His name when he was alive was Ivan Goncharov, born January 29th 1900, and died in December 23rd 1967, aged 67. As I mentioned in my concept sheets, he was friends with Alastor and Mimzy when they were alive and he was the last one of them to die. He would often visit his friends' graves when he was still alive :(

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kinghijinx22 · 13 days ago

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Why Silent Hill 3 is my big favorite- a terrifying horror game about woman's experiences and the fears that come from existing as a woman in a patriarchal society

Silent Hill 3 is probably my favorite Silent Hill game and one of my favorite games of all time, and it has a story and themes that I've always really vibed with. It tells a remarkably progressive story for it's time that handles some intense themes that are still relevant even today, about experiences that a lot of woman go through and the fears that come from existing as a woman in a patriarchal society, what it's like having your own agency and bodily autonomy taken away from you, forced pregnancy and sexual assault, how harmful patriarchal societies are and this game really getting into the religious flavor of patriarchy in particular.

It's an incredibly scary game that uses a feminine sort of horror to great effect, with the design of the other world being as bloody as it is and the monster designs being representative of this. I mean there is a type of creature that are literally supposed to look like fetuses that start getting bigger throughout the game as the birth of God draws near and the giant worm boss for lack of a better way of putting, literally being a giant penis. I think the main complaint that I hear from people about this game is how slow the story is in the first half of the game, but I think the whole getting home late at night as a young woman contributes a lot to what this game is saying. And I absolutely love how this game ends with Heather literally aborting God and fighting it as the final boss, symbolizing her fully taking control of her life and rejecting all of the harmful expectations that were forced onto her. Main antagonist Claudia is such a tragic character though, someone who was so brainwashed by town's religion into think that someone HAS to give birth to God so hard that she did it herself and she suffered for it.

Also while not as intentional considering when it was written and they probably couldn't even write about this stuff if they wanted to, something that I think is worth noting is that I've heard from a lot of trans people who relate to this game as well and I can really see it. Considering it's about people who Heather knows from a past life, coming back to remind her of that past life and forcing it onto her, and Claudia referring to Heather as Alessa could be interpreted as deadnaming Heather. But yeah I've always really loved and connected with this game for how well it handles it's themes about woman's experiences and I think it's really cool how many trans people have been able to relate to it with those specific experiences as well.

Another of my favorite things about Silent Hill 3 is the main character Heather, because she really is one of the coolest characters that I've always really related to. Her struggles are incredibly relatable, but she's also inspiring in how she overcomes them and is always so confident. In fact I appreciate how her and her father subvert societal gender roles in opposite directions, with Heather being as confident and extroverted as she is, probably more then any other Silent Hill protagonist and willing to stand up to all of the men in the story like Douglas in the beginning, Vincent and Leonard, along with all of the monsters she has to fight. And Harry being a single parent who is as gentle and caring as he is, with his one track mind of looking as his daughter, he's kind of both a father and a mother in that way, and also being as physically weak as he is and the opposite of a action hero. She also easily has the most personality of any Silent Hill protagonist, like this girl is overflowing with charisma and is even a little jokey. In fact another detail that I like is how much personality comes through in her examine dialogue, where you actually get to hear her thoughts on everything instead of just basic observation "this is a thing" that the other games in the series do. Heather has opinions on everything, but how she's feeling throughout the game is also conveyed. The dialogue of her observations in the first half of the game has a much more playful and hopeful tone to it, but after Harry dies she becomes much more pessimistic, can only see the negatives in everything and just doesn't seem to care anymore.

Heather is an incredibly well written and nuanced character, and I'll be honest that this is the game I least want to see be remade because I know that they would find a way to fuck up the writing of her character and handling of the themes of this game. Even after the Silent Hill 2 remake being as good as it is, one of Blooperteams biggest flaws is being incapable of handling anything to do with woman's experiences or perspective. SH2 used to be my fav, but I came to realize that it was mostly just because it was the popular one and that I vibe a lot more with SH3 and 4. Especially because SH2 tells a story about misogyny but makes it all about the perpetrator rather then the victim, unlike Silent Hill 3 which does actually tell the story of someone on the receiving end of that type of violence and objectification. SH3 and 4 are my personal favorites, 3 because Heather is best protagonist and I really appreciate it's themes which are handled perfectly, and SH4 because it has a really cool narrative and horror concepts. I know opinions on SH4 are really split, and while I think there are some gameplay things that are jank, I love it's story and premise so much.

#Silent Hill 3 #Silent Hill 4 #Silent Hill 2 #Silent Hill #Heather Mason #Henry Townsend #James Sunderland #Harry Mason #Konami

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oakdll · 6 months ago

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things i desperately want for persona 6

- Femc

I know this is not an unpopular opinion, but I don’t even need a full femc route. It would be nice, but I think it would probably take up too much budget. All I want is a girl model of the protagonist that you can choose and some pronoun changes. It would be so easy to do, I’m begging for this

- Let people be gay

If they are doing a femc route like that, there will probably be romance options for male social links, so just keep that for the boy protagonist route. You literally don’t have to change anything except maybe a few voice lines, but you could also have the VA’s only use gender neutral pronouns. Just let you date every social link (as long as they aren’t like your dad or teacher or something) regardless of their gender.

- Keep the rewind feature from Reload

This is self explanatory, it’s maybe the single best quality of life feature in any Persona game, I NEED it for P6.

- Keep the palace system for the dungeons

The order of Persona games was me playing P5R, then P4G, then P3R. Going from P5’s palaces to the mediocre dungeons in P4 was super jarring. Tartarus in P3R is definitely an improvement, and I might even like it more than Mementos, but palaces are by far the best addition to the Persona series ever. Having unique levels for each arc was a stroke of genius, and if they don’t carry it over to P6 it will almost certainly be underwhelming compared to P5. I do like the randomly generated dungeons, but I think they work best as accompaniment to palaces. Something like Mementos would be great for P6 in accompaniment to Palaces.

- Have a better spawning method for The Reaper

I like to farm The Reaper a lot, and especially in P4, it was TORTURE. Having to open 21 chests and then requiring the 22nd to randomly spawn an enemy just to fight The Reaper was awful. Even the time based ones in P5 and P3 are not perfect. Literally just anything but the tedium of P4. Requiring RNG was awful, you could spend 20 minutes opening chests just to not get an enemy chest on the 22nd and have to restart.

- Have a post game

Sometimes I want to play Persona but I don’t want to have to start a 100 hour new playthrough. Persona genuinely has a great combat system, and I would love to be able to explore Mementos or rematch bosses after beating the game. Maybe bring back the Thieves Den (or something similar) but allow you to re-enter palaces and Mementos after getting the true ending. Something like being able to rematch bosses in the Mushroom Kingdom from Super Mario Odyssey. Maybe also bring the album thing on the couch in Persona 4 back. If you don’t remember, if you went to sit on your reading couch, you could view all of your maxed social links and replay each rank. You could even go to the social links you didn’t romance and see what their romance path was like, or vice versa. It was super cool!

- Keep confidant perks

Having the ranks of non-party member social links grant perks is one of my favorite additions to P5. It can really help incentivize you to prioritize them and go for all max social links. I think the main flaw with Persona 5 was that Atlus underestimates how powerful the perks would be. That’s why the game was so easy, not because of the gameplay, but because Atlus couldn’t balance some players having unlocked broken confidant perks and others having not. It would be difficult, but they need to be able to balance the perks more. Definitely keep them, but don’t let people just blitz through palaces if they have Ryuji’s confidant at rank 7.

- Bring over a rebalanced version of Ryuji’s instakill

Speaking of Ryuji’s rank 7 confidant ability, I want it to come back. It is by far the most broken ability in P5, but it also made grinding SO much more bearable. That said, it needs a rebalance. Make it so it doesn’t work in palaces, only P6’s version of mementos. Make it much harder to get than rank 7, maybe a late game social link’s rank 10 ability. It would still be a broken ability, but it is an ingenious solution to fixing tedious late game grinding. More games should have versions of this ability.

- Keep the completionist difficulty of P5R

I think Persona 5 Royal has the best balance in terms of how difficult it should be to max out all of your social links on a first playthrough. I got all achievements on my first playthrough, but not 100% on social links. I was rank 5 in Strength and rank 9 in Lovers. It was very close, but it had just the right amount of generosity. I think if someone tries hard, they should be able to 100% it on a first playthrough.

- Make it so hanging out with Velvet Room attendants doesn’t take up time

Unless it’s a social link like Marie, I think having it take up time just prevents people from actually doing it. With how valuable time is in Persona, wasting time slots on hanging out with a non-social link character isn’t super viable. In P5R, I almost never hung out with The Twins because it took up a time slot when it didn’t need to. In P3R, I always hang out with Elizabeth because you don’t need to take up a precious time slot to do it. Please keep this!!

- Keep the story based character progression

In P5, most of the character progression happens through confidants. Obviously confidants should have character progression, but it also means that without doing those confidants, the characters are super stagnant. In P3R, almost all of the characters develop over the course of the game without requiring you to do their social link. Junpei develops a bond with Chidori, Yukari has personal drama with Mitsuru, etc. In P5, the only time this happened was Morgana leaving the Phantom Thieves, which is by far the worst part of the game. If they can write the story to be more similar to P3, I think it would be an improvement.

- Battle mechanics

I think Theurgy (or something similar) should be brought over to Persona 6. Theurgy in Reload was very unbalanced, being able to charge Theurgy's before big battles and end it in 1 turn was way too broken. I think Theurgy's should only be able to be charged and used in the span of one battle. You wouldn't be able to pre-charge your Theurgy and Armageddon all the bosses away, as all of your charge would go away after finishing a battle. This way it can only really be used if the battle goes on for a while, making it feel more like an ultimate attack and less like a win condition.

I also want Baton Passes and Technicals to be brought over as well. It can have different names and slightly different functions, but I think they are great mechanics, they just need some balance. Baton Passes and Technicals are also super broken in P5R, especially with merciless difficulty making them do 1.5x damage. Baton Passes were absolutely overpowered. I think this might be a pretty severe nerf, but I think the best solution might be limiting Baton Passes to only work once in a row. Having Baton Pass chains where you hit a weakness, Baton Pass to an ally to hit another weakness, and keep chaining it to shred every battle was unreasonable.

- Have a good challenge difficulty

Persona games (Mostly P5R and P3R) are far too easy. I actually like having the option to make them easy, safe difficulty is a genuinely good addition to the game, however merciless leaves a lot to be desired. I think P4G's option to freely change difficulty settings was pretty perfect, but even then I think having an even more challenging difficulty would be nice for veterans. Give the option to have a TRUELY merciless difficulty, something like Terraria's for the worthy seed, or CHIMPS difficulty in Bloons TD6. I always view those modes as some of the best challenge difficulties in gaming history. They have a perfect amount of challenge for veterans, and having something of similar difficulty in P6 would be amazing. I’m thinking like super boss level difficulty for every boss fight, obviously scaled to the player level though. I want to have to prepare in advance instead of just grinding slightly and shredding every boss.

- STOP ADDING FUCKING PEDOPHILES TO THESE GAMES

KAMOSHIDA WAS GOOD BECAUSE HE WAS ACTUALLY A VILLAIN, YOU DIDN'T NEED TO MAKE KAWAKAMI, UEHARA, AND MS. TORIUMI PEDOPHILES TOO PLEASE STOP LETTING THE MC DATE THEIR TEACHER

#persona #persona 6 #persona6 #persona5 royal #persona 5 #persona 5 royal #persona5 #persona4 golden #persona 4 golden #persona 4 #persona4 #persona 3 #persona 3 reload #persona3 #persona3 reload

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electronickingdomfox · 1 month ago

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"Spock's World" review

Novel from 1988, by Diane Duane. In a similar vein as her previous work, "The Romulan Way", is a combination of novel and historical account, this time about Vulcans instead of Romulans.

The historical chapters present different moments in the life of the planet and its peoples, from the very creation of the rock known as Vulcan out of primordial stardust, to the initial career of Sarek as ambassador and his encounter with Amanda. Many of these chapters have a chilling, somber ending, always presided by the ever-watchful eye of T'Khut (Vulcan's moon, which isn't really a moon). My favorites were the ones dealing with primitive Vulcan, at a time when speech wasn't even invented and everything had a touch of the mythical, and the ruthless story of a family of Vulcan asteroid miners, destroyed by their greed for diamonds (this was before Surak, obviously). Some details about Vulcans seemed a bit weird to me, like their wide array of customized psychic abilities, or the technological advancement in pre-Reformation times. I had this image of pre-Reform Vulcan as some sort of "warrior and monk" society. Though this is probably a silly complaint, since not much is known about Surak's times... Yet I still have difficulty picturing Surak as a corporation accountant, I don't know... I liked more the version of Romulan history from the other book, though these episodes were also beautiful in their own way.

As for the main plot (if you can call it "main"; it doesn't take more pages than the history part), is set in post-TMP times. Vulcan threatens to leave the Federation, in a climate of political discontentment, so Kirk, Spock and McCoy are invited to join the public debate, to defend the pro-Federation position. It's a simple but compelling story, more focused on discussing the different worldviews than in actual plot. Though there's also a conspiracy for the protagonists to uncover, but I won't spoil it here. Despite the cover and the title, Spock doesn't have such a big role. McCoy is actually the one who's doing most of the investigations, having become kind of an expert in Vulcan (including learning the language and speaking it with a Southern accent). The plot also shakes a bit the usual status-quo, by turning a well-known character from the series into villain, and killing another. On the other hand, and as minor nitpicking, some things about Duane's Enterprise still seem strange to me. The wild parties aboard, and the opinion network of the ship (where everyone can freely publish their opinions about anything, including invectives against Vulcans) make the Enterprise seem more like college than a ship at times.

Spirk Meter: 1/10*. I can only think about the encounter between Spock and a vengeful T'Pring, who threatens him with taking away his career and his Captain, the same way that Spock made her lose Stonn (it's a long story). It would seem that, in her mind, Kirk means for Spock the same that Stonn meant for her... Though on the other hand, she could mean it just in a professional way.

For his part, McCoy has a tendency to whisper into Spock's ear, from time to time.

*A 10 in this scale is the most obvious spirk moments in TOS. Think of the back massage, "You make me believe in miracles", or "Amok Time" for example.

#star trek tos #star trek novels #novel review #spirk #k/s #spones

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aranarumei · 8 months ago

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you listed gsnk as an option and my dopamine receptors lit up. What dyou think about mikorin and mayu

ask me about a ship and I’ll give my opinions + classify them as does / doesn’t make sense, does / doesn’t compel me

heyyy surprise for you. yeah i actually was cleaning up my notes app today and realized I'd answered this and never posted this lol. gonna start off with a does make sense, does compel me and continue under the cut.

okay. hear me out. for a period of time I genuinely believe mayumiko was the gsnk duo closest to being, like, romantic. in a sense. horikashi, nozachiyo, and wakaseo have sure got a lot of development since then (in ch 60, kashima avoids hori and we get a REALLY good moment out of it) but like. just one chapter before that, we have ch 59. one of my favorite chapters. and at that point, I feel like the main couples have had their setup and they're really fun and comedic, but there hasn't been much... advancement, in a sense?

and then we hit ch 59, where "mayumayu" (nozaki mayu, who's been conned into posing as a girl) and "mamiko" (mikoshiba mikoto, who's posing as a girl so that he's not a creepy guy commenting on mayumayu's blog, unwittingly using the name of the protagonist of let's love by nozaki umetarou under alias of yumeno sakiko without knowing that he's the inspiration for the character's personality) basically immediately hit it off over text. seriously, past the first couple of texts where there's a bunch of people commenting on it, all they say is that they'll instantly reply to any texts that come their way. what commences is a hell of texting, probably, but it is a LOT of texting that happens. and that's not something that can be empty! both mikoshiba and mayu seem worn out by the amount of time they spend on it, but they don't seem worn out by each other in the slightest, judging by the fact that in ch 89, not only is mikoshiba still regularly checking mayumayu's blog, he's getting texts with extra art and well-wishes for his exams! they talk to each other about their lives! and it's not something that exists only online, too... mayu and mikoshiba are genuinely and obviously good friends outside of their online identities.

I'm aware not everyone sees it that way, but like, to me, ch 59 was like the most outright romantic the series had gotten. so it's very special to me. so is mayumiko! mayumiko’s so fun because they’re both soooo cool and soooo uncool. but while the mayumiko situation is objectively hilarious, the way they're friends is like... surprisingly understated? it's just something that happens and it works for both of them, even when it seems like it shouldn't. like, let's be real, mikoshiba can be kind of annoying, and mayu can be kind of grating. despite that they end up being really comfortable with each other. like. no wonder they could keep up that texting chain. they just click in general.

so we meet mayu in ch 33, and in ch 37, mikoshiba runs into him, and they've got this fun chapter together where miyako both compares them to cats. then in ch 49, mayu gets mikoshiba to lend him his... questionable? sure. questionable manga. calls him mikoto-san. and it just kind of... happens, them being friends. since they both hang out at nozaki's place. it's neat. in ch 64, post-The Incident, mikoshiba's comfortable enough to ask mayu for help with working out. and mayu knows mikoshiba enough to shout out the specific name of the fake high school from one of the games mikoshiba likes (sure, it's a super popular galge, but that's a strange thing to know well! especially for a guy who's traditionally lazy about everything but judo)

then of course we get to the mayu chapters where he's just so. iconic. in ch 76, mikoshiba needs to bring a guy to the mixer and then after nozaki rejects him sakura's like, ask mayu, who's been on the floor this whole time. side note i think its cute that when mikoshiba asks mayu, he calls himself "mikoshiba-nii-san." and mayu rejects him at first (also using "mikoshiba-nii-san" lol), but he ends up going once he's told he doesn't have to do that much work. and then he grills a girl about her boyfriend bc she says he does judo. and then tries to get some guy's number because he's apparently strong. judo freak (affectionate). and then, of course, as mikoshiba's thinking that "ah, they totally think mayu likes guys, but i guess it's fine since he doesn't seem to care" and when he's surrounded by girls mayu jumps in and says "he's mine," just like nozaki's shoujo manga advice had told him to do. love that for them. in ch 81, though it's a pain, mayu goes along with the idea that all the stuff in the back room is his and not mikoshiba's (though maybe he thought it was more of a pain to explain) and when talking about dating sims, mayu says, "well, guys or girls, both are pretty similar." love that guy for real.

then, in one of the moments of all time that make me insane, in ch 94, seo's pinning mikoshiba, and suddenly goes, it's boring without waka (makes sense! he's normally the guy she pushes around like this) and mikoshiba's like. oh! that's right! I haven't gotten a souvenir for mayu yet! (makes... sense...? because. because he's getting PINNED??? and we KNOW that mikoshiba hasn't done judo with mayu because it happens for the first time in ch 135, where after some really nice moments, mikoshiba sheepishly asks if mayu wants to try throwing him around too. it's a weird expression of care and also the fact that they're still friends after this fact, considering the violence nozaki translates it as, is a testament to their friendship.)

also in the extras for that volume, we see mikoshiba got him a smartphone case, which sucks because mayu's got a flip phone (though it's better than the hairpin nozaki got mayu) but then when mayu figures out a use for that smartphone case, he runs to mikoshiba to give him the good news! 'cause mikoshiba was sulking before... they're fun.

i think I've already said this but they really are close. and i think mayu's kinda clingy. in ch 114 when kashima rei asks to talk to him again, he's like, "go through mikoto-san." in ch 128 we find out that mayu shows girls in his class photos of mikoshiba so they make sure he doesn't get caught napping. this begs the question: HOW did this arrangement exist in the first place? because there's no way I can think about it that doesn't involve mayu and mikoshiba being at some level of closeness. and there's no way mayu can get so many nice looking photos of mikoshiba without being close to him. and in that same fucking chapter when nozaki’s making posts for his blog and turns mikoshiba into a girl, people think that he and mayu are dating. like oh my god. even in gekkan shoujo nozaki-san, when the main cast is meant to be a bit older than the canon timeline, mikoshiba and mayu are hanging out together at nozaki's place. and when mikoshiba and nozaki are getting all chummy with miyoshi, mayu walks in and he's like. ah. a challenger emerges (because he presumably wants to be pampered instead). my point is that they're close they just hang out. it's comfortable, which says a lot for both of them.

in ch 59 mayu's friends are like. his type is 1) someone who's stronger than him at judo or 2) someone older who'd take care of him and. mikoshiba's not #1 but he is #2. those two can be pretty sweetly considerate actually. as we see mayu gets dragged into quite a bit of stuff and does it. in ch 101 he actually finishes up the chapter of let's love while everyone's fallen asleep. and in the vol 14 extras mikoshiba gifts a water plant to a guy he barely knows. just because. so I feel like they're both sweet people underneath it all. and extra fact about ch 59 i know you'll feel crazy about. kobayashi (the guy who actually runs the mayumayu blog) calls mayu maa-kun. i am not joking.

anyways to me mikoshiba and mayu are both this weird security to each other. mayu’s someone who doesn’t care abt social graces and mikoshiba’s someone who cares too much. but when they’re weird to each other it’s like they accept everything. and I just think. despite all of the mistaken identity drama it’s like. idk. they just like each other. they just get along well. and for mikoshiba who’s so awkward with girls, this works out well. also the way that in ch 144 his fav ever gacha character is this kind of gloomy and lazy girl… fascinating thing you’re being charmed by. what a taste you have.

so in the end despite all of the wild situations i think it’ll be simple. mikoshiba will think a little too much and mayu a little too little. but they've gotten along well for so long that I think this will go pretty well, too. it'll just be a feeling that grows kind of slowly until it works for the two of them.

#ask #ask game #sunluvclub #mayumiko #gsnk #kiri.txt #my god i said. so much didnt i #in this essay i will

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fuckyeaharthuriana · 2 months ago

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mordred through time (movies, tv shows, opera and musicals)

Part 4: From 2014 to 2017

Other Parts: Part 1: From 1949 to 1981 -> here Part 2: From 1982 to 2002 -> here Part 3: From 2002 to 2010 -> here Part 5: From 2018 to 2023

For this part I just wanted to talk a bit about sympathetic Mordred.

Through time we started to see a more sympathetic Mordred. I think the first iteration in audio/movies/tv was the the Blind Guardian's song in 1995. For the first time we have Mordred as a protagonist, mainly lamenting of regret, pain and lonliness. While I do not know why they decided to focus on Mordred, it is also notable that writing a more sympathetic Mordred was already happening in novels, around the same time. I used the arthurian list of novels I made so I might have missed any, but at this time we have 1956 "The Great Captains" by Henry Treece, "Sword at Sunset" by Sutcliff, "The Wicked Day" (the first novel focusing on Mordred as protagonist) by Mary Stewart, 1982 "The Idylls of the Queen" (Phyllis Ann Karr), 1983 "The Mists of Avalon" (Marion Zimmer Bradley), Persia Wolley's 1987 Guinevere trilogy, 1988 "The road to Avalon" by Joan Wolf and 1988 "The Book of Mordred" by Hanratty all depicting Mordred as a more round character, as someone the reader can feel sympathy too or even enjoy or relate to.

A slighty sympathetic but still villanous potrayal can then be found in 2001 ("The Mists of Avalon" miniseries) but we have to wait till 2008 ("Merlin", BBC) to have a tv Mordred who is actually shown trying to do the right thing (at least for a bit), and working with Arthur. I think this is more due to the fact that "Merlin" often tries to depict villains' origins and motivations than a real conscious attempt to redeem Mordred or make him less villanous.

Other following examples are the kid movie 2010 "Merlin and Arthur the Lion King" and the album 2014 "High Noon Over Camelot" that positions Mordred in a co-protagonist role and fully allows the listeners to empathyze with him. The Fate franchise (the introduction of Mordred should be around 2012 in the novels) continues on this trajectory, making Mordred a main sympathetic and beloved protagonist in many of the adaptations.

2014 High Noon Over Camelot album by The Mechanisms: The song I used is "Peacemaker". The album has multiple arthurian characters sung by different artists, and Mordred is interpreted by Ashes O'Reilly. This is also the first time we have an explicitly queer Mordred (outside of novels), as Mordred is a trans man in this retelling. The story is a Western reimagining of arthuriana, and another case of a sympathetic Mordred - this time Mordred is more overtly sympathetic and even reconcile with his father Arthur at the end.

2011 recording of Albeniz's "Merlin": Piotr Prochera plays Mordred. This is another recording (no dvd, this has been shared by Piotr Prochera acor himself on youtube) of the "Merlin" opera.

2015 recording of "Le Roi Arthus": This opera is probably my favorite arthurian opera. It was created by Ernest Chausson between 1886 and 1895 and it is sung in French. Mordred is a bass and a classic villain, here jealous of Lancelot and the attention Guinevere gives Lancelot. This 2015 version was a modernized edition, with the knights depicted as modern soldiers. Mordred here is played by Alexandre Duhamel.

2016 Rex, youtube webseries: This series is on Severe Chill Studios' Youtube channel, with 48 short episodes. The series is a vlog of arthurian characters living in modern times (no reincarnations, just reimaginings). It follows Rex (Arthur) a student who is dealing with his abusive family and the brothers Merlin and Lancelot. Moore (Mordred) is Arthur's spoiled and arrogant friend (played by Daniel O’Sullivan). He lets Rex crash at his place for a bit, and is often depicted insulting his mother and calling her slurs. If you decide to watch this just know the series has some pretty heavy themes (a part from domestic abuse it also touches on terminal illness). Youtube link.

2017 Fate/Apocrypha: This is one of the many anime adaptation of the Fate franchise. Mordred is voiced by Miyuki Sawashiro. The Fate franchise is massive and deals with numerous spin-offs or even alternative realities to tell the tales of wars/battles for the Holy Grail mainly fought by Servants who are personification of historical/legendary figures. Fate/Apocrypha is based on a series of novel and is an alternative timeline to the previous Fate/Stay Night anime and also the first time we have Mordred in the anime. Mordred is here a Servant, they are the cloned-son of Saber (Arthur/Arturia, who is a woman) and Morgana. Their story is massive so let me just say I am using they/them for Mordred because the Fate series is very ambigous regarding theri gender. They are born as the close of a woman (Saber) and often referred with female pronouns through the series, they hate being called "a girl", and also hate being called "a boy". While I do not think the series was making an effort to actually depict a non-binary character, I do believe Mordred can easily be read as one.

2017 King Arthur and the Knights of the Round Table: 2017 was a wild year for arthuriana but nothing was as wild as this movie. The movie follows the life of some arthurian characters' descendant living in Thailand. Morgana and Mordred (banished in arthurian times) ended up in space, working with aliens, and are now back to destroy the descendants. The movie is full over dramatic close up, Morgana turning into a mecha, fighting scenes and more. Interestingly, given how ridiculous the movie is, Mordred is depicted as a sympathetic (almost) villain. He is played by Russell Geoffrey Banks.

2017 King Arthur: Excalibur Rising: The scene I used in the video is right at the start, as the movie is set after Arthur's death. While Mordred might seem sympathetic there he is actually a pretty violent villain for the rest of the movie. The story is focused on Owain (Arthur's illegitimate son) trying to take back the crown from Mordred and Morgana. Here Mordred (played by Gavin Swift) is Arthur's incestuous son with Morgana.

2017 Legend, youtube webseries: A webseries you can watch on Tufts University Television's channel (link here). The series has 7 episodes and an epilogue and is set in a university. Each student is an arthurian character, with Mordred (Morty) as the overly joking, friendly guy who is hiding some deep hatred and jealousy towards Arthur. Unfortunately I do not remember if Mordred is Arthur's half-brother or just a friend. Mordred is played by Yuval Ben-Hayun. The story and production were pretty good, so I recommend it!

2017 Mordred La Revolte: I cheated a bit as this movie is the end of a long webseries. The series started in 2013 and run till 2018 with two season and can still be found here on youtube. The series was created by Tommy-Lee Baïk (who also played Mordred) and is in French. Unfortunately I cannot really tell how arthurian the series is, but the plot does not mention other arthurian characters. If I am not wrong, la Revolte is simply S2 turned into a movie.

2017 Fate/Grand Order The stage - Divine Realm of the Round Table: Camelot: Part of the Fate saga but in the Grand Order timeline, this is a stage adaptation of one of the events in the videogame Fate/Grand Order. In particular, it should be the same story shown in the later movie Camelot part 1 as the full title is Fate/Grand Order THE STAGE - Divine Realm of the Round Table: Camelot Replica; Agateram. I will explain more about it in the next part of this Mordred series. Chihiro Kai plays Mordred.

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silverskye13 · 5 months ago

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I absolutely adore your writing style. You've mentioned being inspired by authors. Care to share which ones and/or some books you'd strongly recommend? I'm in a but of lurch on books I want to read right now and your writing style really scratches a certain itch so finding something similar would be lovely

I've answered this question a couple of times but! I will always answer again. I read a lot of books :3

I will warn you, I read a lot of epic/high fantasy. If that's not your thing, you probably won't like a lot of my recs, whoops.

This got really long I apologize. Once again. I read a lot.

T. Kingfisher

In my opinion, anything written by her is a win. Her World of the White Rat series of books are by far my favorite [Clocktaur Wars, Saint of Steel series, Swordheart], but she also writes very good horror, and her Sworn Soldier books are kickass.

She is a major inspiration for my writing style, especially internal thoughts and sense of humor. I try to emulate her way of having fantastic characters think and act on mundane things [i.e. a scary paladin man who gushes about knitting].

Blanket warning that all of her Temple of the White Rat books are romantasy, rated E for explicit. But as someone who normally hates [or just doesn't get / enjoy romance books] I still recommend them. The world is rich, some of them have intense horror and suspense moments, and the characters all have amazing dynamics and chemistry.

My favorites by her are: Paladin's Strength, Paladin's Faith, and What Moves the Dead

Nicholas Eames

Still on the style inspiration train. I really sat down and studied his use of description and character voice shortly before writing Redstone and Skulk. If you like how I handle descriptions, planting and worldbuilding, I recommend reading his work. I do a yearly reread of Kings of the Wyld, and while I didn't like Bloody Rose as much, it does an awesome breakdown of problematic heroes.

These books are rated R, for graphic depictions of violence and some pretty raunchy humor/language. The first book Kings of the Wyld has very light romance [unless you count Clay Cooper increasingly thinking about how awesome his wife is, or the group's barbarian falling in love with an avenging angel], but Bloody Rose does have a lesbian bard main character who falls in love with a kickass tattoo witch. I love them, your honor.

Terry Pratchett

I mean, yeah, everyone recommends Terry Pratchett, and if they don't, it's because they haven't read his books in a while and forgot to recommend him. I really like his Death books, and the Samuel Vimes books. For the standalones in Discworld, I also really, really liked Small Gods and Monstrous Regiment. If you like my style of optimistic storytelling [no matter how dark, there is always a happy ending] read his books. And if you like RnS's existentialism, the idea of struggling with, and against, death, read Morte and Reaper Man. Especially Reaper Man.

The Ranger's Apprentice Series by Jonathan Langan

YA fantasy at its finest! If you like how I handle character dynamics and ride-or-die friendships, you will like these books. I was reading these books a lot when I started really really writing in high school, and I didn't realize just how much they inspired my writing style until I reread them last year. Rated PG, maybe PG-13 in the later books when the characters are older and the stakes are a little higher. It's a fun low fantasy world set in Basically England, and it's just. Nice. Will and Horace are so dear to me.

Also apparently he is restarting? The series? Rebooting? New protagonists. I haven't read any of them yet but I am looking very interestedly.

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More books in no particular order that I am recommending you read because I love them:

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House of Open Wounds by Adrian Tchaikovsky

High fantasy, PG-13, Graphic Depictions of Violence, Religious Persecution, Fantasy Nazis

This is the second book in a series, but I couldn't get into the first book and only read this one, whoops. This book basically poses the question: what if Small Gods by Terry Pratchett, but the last man on earth who believes in God isn't as nice, and has some major character flaws, and also doesn't like God. Also also, what if this was set in Fantasy World War 2, and he was forced to work for the Nazis. This book is very grim, and focuses on a medical unit during Magical World War 2. There are a lot of wound descriptions and war crimes. But it made me feel a lot of things, and I was genuinely upset one of the characters stayed evil at the end of the book. There is no Good and Evil in this story, only Evil and Morally Gray. If that isn't your thing, give it a pass, and I mean that. There are Themes here that are made to make you uncomfy. But there is also found family, and some really strong questions about religion and morals, and the book really makes you Think about the character decisions. I liked it a lot.

The Tainted Cup by Robert Jackson Bennett

High fantasy mystery thriller, R, Graphic Depictions of Violence, Language

Oh it's good. It's so good. Holmes and Watson style mystery in a world where everyone has biological mutations and enhancements powered by Kaiju that rise up every year to try and murder everyone. It's really cool. I was hooked from beginning to end. The main character is amazing, with hilarious deadpan humor, and his Holmes is an eccentric autistic woman with zero filter. The "Rated R for Language" above is 98% because of her.

[Note: I'm not an authority on good autistic representation, but I feel like she stands out as really well done. It makes more sense in the context of the novel, but she's created a space for herself where things like noise/light sensitivity are used to her advantage, hyperfixations are portrayed both as useful to her craft in research and a hazard to the people she's interrogating, and she has managed to trick half the cast into thinking her "quirks" are because of augmentations she doesn't have. It was a really cool and original way of putting autism into a character without infantilizing or "unfeeling logical machine"-ing them in the process. If that's something you've been looking for representation-wise, I think this is worth checking out.]

Aside aside, the world building is cool. The characters are cool. They mystery makes sense. I just. I can't talk about this book too much or I'll tell you the whole story. I get too excited.

Aliens: Phalanx by Scott Sigler

Sci-fi horror, PG-13, Graphic Depictions of Violence, Major Character Death, Language

Ever wanted to get into the Aliens franchise but thought the sci-fi was a little much? Ever wanted to know how medieval peasants would handle a xenomorph invasion? Do I have the book for you!

This book is sci-fi horror that takes a turn for the vengeful at the end. Made me feel a lot of things. Got really emotional over some of the character deaths. But when the characters win, they win big, and their achievements feel weighty. You really get the sense of human tenacity clawing life back from the jaws of post-apocalypse. And also? Xenomorphs? Cool? If you've seen the movies, you'll really appreciate how this book takes the conventional tropes and spins them. And if you haven't, the story attacks them in an original way that explains it to the uninitiated. If you know nothing about the movies you will still know what's going on.

Penric's Demon by Lois McMaster Bujold

Fantasy adventure, PG-13, Minor depictions of violence, mystery/puzzle elements

Fun books? Fun books. Ever wondered what would happen if an uninitiated, but very kind and sweet 18 year old boy was possessed by an ancient demon with a great sense of humor and near limitless power? Now you know! Penric and his demon Desdemona have fantastic rapport, and every book in the series just further cements how awesome their relationship is. Fast little reads in a great little universe. And the gods are cool.

The Traitor Son Cycle by Miles Cameron

Epic fantasy, R, Graphic Depictions of Violence, major and minor character death, sexual themes, language

Gritty realistic knights -- fighting very unrealistic magical creatures. They're outmatched, but not out skilled! Especially with the Red Knight leading the way. These books had just, an awesome way of drawing me in. Cool world, interesting if flawed characters, and a growth arc that turns an entire company of criminals and mercenaries into basically paladins. Plus there is an awesome overarching plot involving god-like dragons and angels.

The only downsides to this series is there are a lot of characters and POVs, and the author is not afraid to kill them off at a moment's notice. Characters you've grown to love over three books will be killed off screen when a monster took flight, or a boglin hoard swarmed the front lines. I won't finish the final book in the series because I will be uh, incredibly pissed if one of my favorite characters dies, and I'm getting the vibes she probably will >:/

Alas, this is the nature of grim-dark fantasy.

Cameron has written other books under different pseudonyms, but to date this series is the only one that's really sunk its teeth in me.

Covenant of Steel Trilogy by Anthony Ryan

Low Fantasy, R, Graphic Depictions of Violence, Major and minor character death, religious persecution, language, sexual assault

What happens when a criminal's entire crew is slaughtered for their crimes, and the only survivor turns into a religious zealot? No wait come back it's good I promise! The Pariah starts pretty grim and heavy. We reach our character's emotional low point about a third of the way through the first book, but what blooms from that is a slow burn about faith, and the danger of a Saint who gets to build her own radicalozed morality, rising on the tide of her faithful followers. It is all told in memoir format by the main character, before the final chapters where we get a sense of his here and now, which is a format that Ryan loves writing in [his Bloodsong series does this as well, and while that series is good, it's clear every fumble he made writing that he tried to fix writing CoS]. If I had to really pin this book down, I would have to say it's the story of Joan of Arc if she had actually succeeded in her crusades, and how dangerous she would have been because of the blindness of her followers and her own feelings of personal holiness. The main character even falls for her charms, heck, I as a reader fell for her charms. It was only after she started massacring "heretics" that I started to go, "Wait a fucking second, she's the antagonist???" If you like really intense stories about how insidious the side of "good" can be, and the terrors of religion, and just the epic slow burn of that building up and breaking down, give this a read. However, this is a very dark series. Read with caution and care. By the end I was very burnt out on all the death and atrocity.

Cold Storage by David Koepp

Thriller/horror, PG-13, Depictions of Violence, Fungi-based body horror, Language

Not nearly as intense of the last rec! Cold Storage is the story of a mutated mold spore that works just like that stuff that makes ants do weird things -- but to people! Oh and also it's about some really funny main characters that don't know it exists, even though it's growing right below their feet. A lighter read that will give you some good scares, and a pair of characters you're desperately rooting for. I love it :3 it's a fun romp. Mind the exploding deer.

Murderbot Diaries by Martha Wells

Sci-fi, PG-13, Depictions of Violence, Language

Another fun romp! Murderbot is a security unit made to protect humans -- and it's hacked its programming and just wants to sit down and watch TV all day. Unfortunately, humans are very good at getting themselves killed, and SOMEONE has to keep them safe. At least Murderbot is programmed to do it correctly.

This story starts as fun sci-fi, and as the books progress, really breaks down the lines between human sentience and... Well, any other sentience. It asks hard questions about whether something Must be human in order to be accepted in a society, and how badly we as people want to fit everything into understandable boxes -- even if the things we want to understand don't fucking like it, thank you very much! There's a lot of fun action, a lot of characters that have really won my heart, and, man, I just want Murderbot to be happy.

The Blacktongue Thief by Christopher Buehlman

High fantasy, R, graphic depictions of violence, sexual assault, language, major character death

A thief accosts a knight on the road -- and ends up going on a road trip with her filled with witches, monsters, giant corvids, man-eating goblins, giants, and more! All to save a princess. This book really grew on me when I read it a second time. The magic system is cool, the world building is stellar, the goblins and giants are fucking scary. The character has a dirty mouth and his humor runs to the toilet a lot, so keep that in mind. This is by far the lightest and funniest book Buehlman has ever written though, so if you like it, brace yourself for grim dark if you read the rest of his work. Especially if you read Between Two Fires.

There's my book recs! Have fun!

#spazzcat barks #book recs #book recommendations #spazzcat reads #spazzcat books #i read over 100 books last year #and reading this list it really fucking shows pffpfpfpfff

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ben-talks-art · 2 months ago

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I like how Digital Circus seems to be Pro-kindness

Something I really liked in this episode of Digital Circus is the way the series seems to be cementing itself as a supporter of the act of being nice to others.

This probably sounds like a no-brainer, we should always try to be nice to others, but not every series is really that good at showing why.

A lot of times, "niceness" seems to be more of a tool used to hype up the main character of a story, showing them being helpful to others and solving their problems in order to send the idea of what a great person they are and how being nice to people makes you look good.

It's a way to get us to like and root for the main lead by saying straight to our face that they're a good person, and that when you're a good person, good things will come to you, as usually happens to protagonists.

The thing is... these types of stories usually happen to disguise the fact the protagonist doesn't have much personality besides "they're nice", and having the whole "be nice and good things will come your way" makes it seems like you should be a good person not because you are helping others, but because of the reward you might receive.

One of my favorite examples of a nice character is, the classic, Goku, the dude that can manage to be friends with anyone he meets, but they never make his kindness be his entire character nor do they make it be a cause for reward.

If Goku gets rewarded in Dragon Ball it's usually because he trained hard, used clever ways to solve his problems, or placed confidence in either his own skills or in the skills of his allies or friends.

The fact he's a super chill dude is just part of his appeal, not a tool to get us on his side.

Digital Circus seems to also have found a way to be pro-niceness in a non-exploitative way.

In this case, people who are kind are rewarded with Pomni's friendship. We're not using compassion to show why the main lead is so good, we're using it to show why the other characters are so good.

In the second episode, we see how she befriends that cowboy lizard candy guy, and in this one, we see her bonding with King and showing appreciation for Ragtha, and all it took was a little bit of love from all of them.

Meanwhile, on the other side of the coin, we get Jax, the guy who shows no interest in being nice to anyone or interest in changing the way he acts.

I think this episode finally made me realize what his role is meant to be... He's Joker from "The Killing Joke."

The same way Joker in that story was trying to seek validation for being a terrible person by trying to prove anyone could end up as him if they just had one bad day, Jax seems to be on a quest to validate his jerk-ish behavior by trying to show there is no point in trying to be a good person since their situation is hopeless.

Some sort of way of absolving himself by saying "I'm not the problem! The world is the problem! The situation is the problem! Everyone else is the problem!", in an attempt to try and justify his refusal to be a nicer person.

Which is why it was so satisfying when we reached the ending and he was expecting Pomni to have become just as cynical as him, and she never did!

Something I really want to see being done with Jax is have him go through some sort of Obito moment, have him try to hold on to this comfort zone and refuse to be friends with others, refusing to be nice, refusing to allow himself to be vulnerable and let others help, and show parallels with Pomni as she gets better and better while growing closer to the others.

I want to see the series showing that even though they're all in some sort of "digital hell" (which is kinda what many people think their lives is anyway), it doesn't mean that they should give up, be it give up on others or themselves.

It would be cool if the point was to try and escape this place, but if the point is just to say "Happiness can be anywhere if you surround yourself with people who love you and if you do your best to love them", I would be okay with that too.

I'm happy that instead of using other characters to hype up Pomni, Pomni is being used to hype up other characters. The way they interact, grow, and show more about themselves to us has all been executed in very clever and very fun ways, and I can't wait for more!

I am very excited to see which direction this show chooses to go.

#tadc #the amazing digital circus #digital circus #glitch

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sunniedesi · 3 months ago

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In Defense of Future Diary...

TW: lots of yapping.

Making a small essay for Future Diary is something I’ve been meaning to do for a while. Since my entire blog is dedicated to the series, it only feels right to put something like this out into the ether. However, I’m never sure of the topics that I want to discuss the most. Do I write a defense for the show? My reasons for loving it so much? Its relevance and importance for anime culture? An analysis of Yuno’s character? There’s so much I feel you could say, but I never find the right words to express my feelings coherently. Today, I’ll make the attempt, though. I’ll go over all of the aforementioned questions here, mostly focusing on my personal opinions and feelings regarding the show. I don’t have much experience writing essays or analyses of media, so sorry in advance if my yapping is all over the place.

To begin, I should probably address the elephant in the room: Future Diary, despite its popularity and almost cult-classic status, has turned into a show people love to hate. You see it everywhere, when it comes to reviews, comments, opinion pieces, you name it, if it has Future Diary on the title, people will let you know all the gripes they have with the show. And while I tend to feel defensive or even saddened when I see so much hatred directed at my favorite show… I don’t necessarily blame anyone for feeling that way. I don’t want to be one of those people who pretends to hold the intellectual high-ground, acting as if everyone else is media-illiterate and I’m the one who truly gets the meaning of the series. At the end of the day, it’s just an anime, it’s not that deep. Everyone’s gonna like what they like; we all have different tastes and interests, so it’s only natural we all hold such different opinions about the show, especially given its campy, gory and almost edgy nature. Future Diary is definitely a product of early 2000’s trends, which some people (me lol) appreciate, and others certainly don’t.

That being said, while I respect people disliking the show for personal reasons, there are certain criticisms I see thrown its way that are not necessarily warranted. These issues can be boiled down to the following categories: “plot-holes,” a weak protagonist and toxic pairings. I’ll delve into all of these in a second, but I must say, the amount of times I’ve seen these specific points parroted over and over again makes me believe that many of the people making these arguments are piggybacking off of one another. It’s almost like they’re following a trend, repeating how the protagonist “sucks ass” and that the plot makes zero sense, without showing any examples as to how.

It’s really common to find shallow arguments like those in comments sections and forums, but since I don’t want to feel like I’m barking up a tree in writing this essay, I decided to look for a source that encapsulated all of the common criticisms, while also backing them up with examples. Now, there are many good video essays out there on Future Diary, my personal favorite is by The Hot Box. But as far as critical pieces go, the one I found that goes the most in-depth is by the creator NezumiVA, titled: Mirai Nikki is Garbage, and Here’s Why. I’ll be referencing the video as I go along, but please note that while I disagree with many of this creator’s arguments, I don’t intend this to be a personal attack. As I said earlier, we’re all entitled to our different tastes and opinions, I can respect them disliking the series while having my own criticisms to give regarding the video. Just a little disclaimer so my intentions aren’t misconstrued here.

With that out of the way, let’s take a deeper look into the main three arguments I mentioned before:

“The plot-holes eat up the show”

If you’ve been in the fandom for a while, you know that this is probably one of the most common criticisms levied towards Future Diary, and perhaps the one that holds the most weight. Or at least it would be, if it weren’t for the fact that “plot-holes” aren’t exactly the issue people are pointing at here. To explain, I believe people who dish out this claim all have different understandings of the definition of “plot-hole,” so to clarify: a plot-hole is an inconsistency, a contradiction in the narrative. For example, Yuno’s diary is all about Yukki, if she were to have diary entries not about him, that could be considered a plot-hole, as it contradicts the original narrative. A smaller detail being unexplained or overlooked for the sake of pacing is not a plot-hole. A flaw, yes, but as long as it doesn’t contradict what’s already been established in the story, it’s not a plot-hole.

On one hand, it is true that there are certain Deus Ex Machina moments that aren’t properly explained in the show (heck, the god of this universe is called that for a reason), such as: how does 5th acquire all of his booby traps? Or where did 9th pull that motorcycle from? Why are characters so quick to forgive/forget certain events? These are smaller details that aren’t properly justified on-screen for the sake of pacing and making the show more interesting. You could possibly count this more as a case of poor characterization, particularly with 5th’s character having a lot of knowledge despite his age or Hinata quickly accepting the coin toss challenge despite having an advantage. Given the show only has 26 episodes, it’s only natural that detailed explanations for smaller details are omitted to make the show flow quicker and be more entertaining. While this may bother some people, I don’t find it to be such a big deal, or at least not a reason to dogpile on the show, when many other animes with shorter runtime fall victim to poor characterization as well.

Many deem the plot nonsensical for missing these smaller explanations, but again, I find that exaggerated as they’re much, much trivial details that the majority of people don’t think of or focus on when watching the show. The video I referenced touches on the plot being illogical several times, not necessarily mentioning plot-holes per se, but complaining that many of the justifications behind certain plot points are unrealistic or contrived, though let’s be real here… since when is anime realistic? Future Diary, I would argue, does a good job of balancing very unrealistic scenarios with some realistic characters (like Yukki, but we’ll get into that later), which is what makes it interesting to watch. After all, what’s the fun in watching a fantasy show if it’s completely grounded in reality? Not to mention that many of the points brought up in the video aren’t contrived, especially if you were paying attention to the show. For example, the scene of Yuno meditating to figure out Reisuke’s plan. This wasn’t a Deus Ex Machina moment, it was foreshadowing of the fact she has her first-world memories locked away, and the meditation was her trying to access those memories. Same thing with Bacchus having an overpowered diary, it isn’t for the sake of it, he literally designed it to be that way, because he was the one who presented the idea of the diaries to Deus in the first place.

I’m getting a little side-tracked here, but you get the point. Ultimately, the worst sin a show can commit is being boring, and while Future Diary has its flaws in pacing and characterization, it contributes in keeping the viewers hooked to the action, packing its small run of 26 episodes with quite a bit of entertainment. Moreover, a lot of people overreact to these so-called “plot-holes”, yet they also fail to pay attention as to why things happen as they do in the show. Many of these criticisms can be summed up as either: trivial details that are omitted since they have little relevance to the plot and/or people not paying attention to what’s going on.

Moving on, let’s tackle another very, very popular argument:

“Yukiteru is a total pushover (to put it nicely).”

This is, without a doubt, the most common criticism I’ve seen people have of the show. I’m not sure if this is because people are used to the upbeat, overpowered protagonist trope in anime, but people don’t realize that Yukki being frustrating, awkward and terrified is an important part of the show’s storytelling, not to mention relatively unique. Very rarely do we see a realistic portrayal of a teenage protagonist in anime, and it is important for the show since it serves as a contrast to the other characters, all dark, callous and obsessed with the goal of becoming a God. Yukki is the only character not interested in any of this at the beginning. All he wanted was to escape reality with his phone and imaginary friends, and he's now thrusted into this terrible and hopeless situation. How exactly is a young boy expected to react under these circumstances?

Teenagers are naive, dumb, selfish, all characteristics portrayed in Yukiteru, and these characteristics are put under scrutiny by every one of the diary owners, constantly telling him to grow a pair and stop using Yuno. This is easier said than done when you’re used to avoiding every little bit of responsibility in your life, and a girl who’s self-reportedly “crazy good at killing people” suddenly thrusts into your life ready to do all the work for you. Yukki is indeed a very flawed character, but that isn’t an accident, it is an intentional addition. It’s what makes him interesting; it pushes conflict into the show, and most importantly, drives home one of the main lessons of the show with Yukki’s development: fear doesn’t mean you’re not brave, it’s having that fear and pushing forward that makes you brave. A little corny, I know, but a valuable lesson for the Survival Game.

Every character has an incentive for becoming God, and they’re utterly consumed by it to the point of insanity. Even a character like 4th, who was originally concerned with the goal of bringing order and justice rather than more carnage to the game gets carried away when a proper incentive for God’s seat comes into play: saving his son. In a Survival Game where we're surrounded by the most cunning and twisted of characters, killers, terrorists, people in corrupt positions of power, Yukki stands out like a sore thumb for retaining his humanity throughout it all, unwilling to get his hands dirty, rather willing to see hope in everyone else. It comes across as naive and all-too trusting. This is especially true for his father, but considering how little people he has to rely on, plus his childish hopes of seeing his family back together, his forgiveness towards him makes sense. And the same can be said for Yuno, the one constant he’s got all throughout the game. Despite the abuse and manipulation, she’s ultimately got his best interests at heart, but I’m getting ahead of myself with this point.

Eventually, the circumstances that Yukki goes through (namely his parents’ death) put that humanity, kindness and mercy, the staples of his personality, to test. It’s a testament to how desperate situations can corrupt even the most innocent of individuals. Yukiteru goes from a hopeful individual to a callous killer, no different from Yuno and equally as selfish. Similarly enough, we know thanks to her third-world-self that Yuno was originally a normal, happy girl with the hopes of finally having a loving family taking care of her. All of this, to then be tortured by the people who were supposed to bring that peaceful family life to her.

Yukki being a weakling may be frustrating to some, it is certainly brought up many times during the video essay, but it’s an important factor that drives the plot and many of Future Diary’s lessons about growth and accountability. Besides, the anime certainly wouldn’t be as interesting to watch if every character was just an OP know-it-all like Akise. Which no hate to him, but the show wouldn’t be the same if every character were like him.

And speaking of Akise, I’ll take the opportunity to mention a point in the video essay that bothered me a bit. The creator says the show is “queerbaiting” with his character, because Akise’s attraction towards Yukki is forced, but I don’t see exactly how this is queerbaiting. Correct me if I’m wrong, but isn’t queerbaiting when a character is insinuated to be gay, yet it’s kept ambiguous enough to never address it? The show straight-up explains the reason behind Akise’s attraction to Yukki. His love is forced because it was created by Deus to further his investigation about Yukki and Yuno. Akise himself is a fabrication of Deus. It is literally explained in episode 23. You can’t bait the audience into believing a character is gay if you explicitly tell the audience the character is gay lol.

But that’s one of the smaller issues I had with the video’s criticisms. My biggest gripes were actually the following: at the beginning of the essay, this creator talks about how many of the plot points in the show are contrived and illogical, but at the same time, they dislike the characters having tragic backstories that explain how they went on to become twisted individuals. Isn’t it a little contradictory that you complain about a character acting unnatural, yet when the explanation for their behavior comes up, you completely disregard it? They go as far as to say Esuno hates women and is misogynistic for his portrayal of female psychosis, and the use of SA as a tragic backstory being distasteful. Because, according to this creator, people who have been victimized never go on to become terrible people themselves, and that this is a “problematic stereotype.”

To say that this worldview is incredibly simplistic and naive is putting it mildly. Being a victim doesn’t exempt you from the capability of hurting others, and in fact, the opposite is often true. Hurt people hurt people, that is another main theme in Future Diary, and one of the things I love about it so much. It doesn’t make its characters victims of terrible situations for the sake of pitying them, but to portray their natural descent into madness from being corrupted by a cruel and unrelenting world. Yuno, Yukki, Minene, Tsubaki, these characters all started out as normal until life turned them into the nihilistic monsters they became. They’re morally gray, an example of what you can become when your ethics and moral worldview is tested by society so many times, it ultimately turns you into a societal outcast. Which only makes it funnier that one of the questions asked in the video is “are we supposed to like these characters?” Yes and no, that’s the fun of writing morally gray characters.

I often see these takes with people who fail to understand that the portrayal of something in media ≠ endorsement. It’s the crux of people who lack media literacy, the failure to understand morally gray or just straight up evil characters as protagonists. The media itself isn’t telling you to repeat their actions, it is an exploration of how these actions manifest in the first place, a cautionary tale, if you will. I know that having evil or twisted protagonists isn’t everyone’s cup of tea, but to accuse the story or the author of malicious intent would be completely missing the point of the story’s purpose. Not to mention, that it is important for stories like this to exist, to put us in the shoes of those who enact harm, to understand why they do it and keep us from becoming like them.

The show doesn’t justify any of their actions, in fact, it often shows them for what they are: twisted and morally corrupt; it is on the characters themselves to bear the burdens of these actions. A clear example of this is the confrontation that Yukki has with his friends nearing the end of episode 22. It is probably one of my favorite scenes in the entire show: Yukki being forced to face all of his demons at once, realizing just how much damage he has caused, damage that he later has to mend in his final confrontation with Yuno to finally put an end to everyone’s suffering. It is dense, crude, and it is certainly necessary for both him and Yuno.

Funnily enough, this youtuber goes on to say the following about Yuno’s background: “I really don’t care what her (back)story pans out to look like… her actions are still not excusable.” Which is true, just because someone was abused doesn’t justify them perpetuating the same abuse later. However, they then crush their own point by claiming that Yuno’s obsessions started all because of “a passing conversation.” I guess they weren’t lying when they said that they didn’t care about Yuno’s backstory… because chalking up her obsession as solely a result of that scene is completely disregarding her background. That conversation in the classroom did start Yuno’s fixation towards Yukki, but it is not the root of her obsessive tendencies. Yuno herself believes it to be, but this is an idea that is squandered by Yukki in his final confrontations with her. Moreover, if you paid attention to her backstory, you would understand it is all due to her childhood neglect. And similarly, Yukki’s attraction towards Yuno stems from this as well.

This brings me to the final criticism:

“Yuno and Yukki’s relationship is problematic, toxic and makes no sense.”

There is no denying that Yuno and Yukki start out as an incredibly toxic and troublesome pairing, using each other for their own selfish wants instead of working with each other. This is the Achilles heel in their dynamic, and it is often the cause of their troubles. Yuno acts impulsive, unstable and manipulative towards Yukki due to her insecurities and debilitating obsession, while Yukki pushes all responsibility to Yuno due to his own lack of a spine. They hurt each time and time again, yet they can’t help but be with each other. And this is because, in a twisted way, they compliment each other.

On one hand, we have a social outcast, ignored by everyone including his family, visibly alone and afraid of being hurt by others, but still seeing the best in people. Then on the other hand, we have a popular girl from a prominent family, visibly perfect, but in reality just as alone due to abuse she experiences at home, making her view people as fundamentally cruel. On the outside they’re opposites, but deep down, they’re both lonely, and terrified of said loneliness. It is only when they meet, when Yukki shows her the kindness she was missing for years and when Yuno gives him the support he had always craved, that they fulfill each other’s needs. By becoming acquainted with Yuno and the Survival Game, Yukki becomes increasingly darker, eventually maturing at the end of the show, while Yukki awakens Yuno’s empathy and pulls her back from the darkness, as we see when she falters to hurt third-world Yuno and her parents.

Their complementary personalities are even referenced by their diaries, which only work seamlessly if paired. They balance each other out perfectly, bringing out the best of each other, but only after learning to push back on their worst characteristics, which is also true for real-life relationships. In truth, just like these two, people are flawed, traumatized and generally toxic to one another. There’s no such thing as people or relationships that start out perfect from the get-go, they need to learn to grow together.

In that sense, this is what makes the ending of the show so powerful to me. Yukki isn’t set on killing Yuno or becoming God anymore. He’s finally taking responsibility, coming to terms with the awful deeds he’s done, and the fact that he can’t undo them. Instead, he wants to help Yuno come to terms with her own demons, finally giving back to her what she needs and not something for his own benefit. Similarly, Yuno realizes just how off the deep-end she’s gone when she meets her past self, acknowledging that she’s lost her original goal, and that repeating the cycle of hurt won’t fix her already broken spirit. That world isn’t for her, and so she finally ends the hurt, giving her and Yukki the peace they need.

Many people don’t like Redial because they see it as an undeserved Happy Ending for two awful individuals, but the way I like to see it is as a form of redemption. Both characters, in the end, do what they have to do to restore order in the world. Yukki pays for his sins in the void, finally a God but at the cost of mourning what could’ve been. First-World Yuno ends the suffering she’s putting herself through so her new self can thrive, almost akin to breaking free from her past traumas to finally heal. The new self regains those memories, not to sulk, but to build from them, going back with Yukki to start a new world that isn’t characterized by their original hurt. In a way, it's a story about how the most downtrodden of individuals can find solace in love, break from their past and learn to heal together. For me, it’s cathartic and fulfilling to watch.

To finish this lengthy post, I feel it’s appropriate to mention the importance of Future Diary’s characters, and more specifically, Yuno. The video describes her writing as shallow and contrived, but I’ve already addressed that in the previous paragraphs. Many people love chalking her up to “cRaZy YaNdErE gUrL™ 🤪,” but she’s so, so much more than that. Her character actually has a lot of depth if you pay attention to her story: she’s a girl, an orphan who went on to be neglected by her foster father and abused by her foster mother, resulting in complex trauma, insecurities and fear of abandonment that she tries to hide and overcompensate for in her overly aggressive tendencies. Her obsession in avoiding the loss of the only person she has becomes her demise, as she lives in a loop of torment all for the sake of not being alone again, a cycle of hurt only she has the power of breaking if she finds the strength to do it. Whether it was intentional or not, Yuno portrays a lot of the issues people with mental illness, such as BPD, struggle with.

Now, claiming that Yuno is a perfect, one-to-one representation of BPD would be reducing this disorder to a caricature, there’s obviously so much more to BPD than what you see in this portrayal. But, I feel like out of the huge list of characters that fall under the “yandere” or crazy girl trope, she’s probably one of the best written ones in anime. I know she’s often dubbed the “yandere queen,” but seriously, it’s rare to see media committing to this trope and properly characterizing it. I would go as far as to say she’s the best character I’ve seen written in this genre, only sharing that spot with another character from a certain game (but given that the mere mention of its name is enough to ensue controversy, I’ll abstain from talking about it here 🙄). A big portion of characters within this trope are quite two-dimensional, without clear motives for their obsessions, or having their issues played up for laughs (I’m looking at you, Anna Nishikinomiya). Heck, many of the characters associated with the trope aren’t actual yanderes, like is the case for Shion Sonozaki or Lucy from Elfen Lied.

Yuno’s character is rich and interesting to watch, she isn’t just some “crazy girl” for the sake of it. She’s a product of tragedy, only motivated by the hope of finally having Yukki alleviate all of her insecurities and sorrows. I’ve always found the “yandere” trope interesting since it delves into the lengths people are capable of going over an obsession, and how these form to begin with. Given how complex, sensitive and even personal this topic can be, it’s important to have characters like this be properly written, and I’m glad that Yuno set a standard for this back in her day, even if many people don’t take her character seriously.

I think it’s important to close up this post repeating the sentiment I had at the beginning. My purpose in writing this defense isn’t so much to force people into liking the show, and even opinions I disagree with like the ones in NezumiVA’s video are valid in their own right, as everyone has different perspectives in interpreting media. This is simply my take as someone who’s been a fan of the show for a really long time, since I don’t see many in-depth essays for Future Diary out there. It is a show that has stuck with me for its lessons on learning to be brave, healing from the past and selfless love. As silly as it may sound talking about an anime, it’s something that I can always look back to and smile, laugh or cry along with. Despite people’s conflicting views and endless criticisms, it will never fail to have a special place in my heart. Given how much time I’ve dedicated to this series, it’s only fair I dedicated a little bit of that time explaining my love for it too. And if you made it this far down the post, I would also like to thank you for dedicating a little bit of your time to my shower thoughts as well!

#future diary #mirai nikki #the future diary #anime #yuno gasai #yandere #sakae esuno #essay #anime essay #long post

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