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pikahlua · 6 months

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"A deuteragonist has a very different role in the MHA and that is a whole other post ."Can you please write this article? I am tired of Bakugo being constantly downplayed. There are very few people who understand his character and role in the story as well as you do.

Haha I mean hehe it's just hoho I never said fufu that Katsuki is the deuteragonist guffaw shucks haha I mean come on snort why are you putting words in my-

Katsuki Bakugou is the deuteragonist.

Katsuki Bakugou is the deuteragonist

"Of course you would say that. You're a Katsuki Bakugou stan! You are invested in inflating his importance in the story because you love him." - some people, probably

No. If that were true, I would be arguing Katsuki Bakugou is the protagonist. But I'm not.

Because Katsuki Bakugou is the deuteragonist.

It's not that I love him and therefore assert that he's the deuteragonist. I love him because he's the deuteragonist (plus many other reasons). He is an archetypal familiar shounen hero made interesting in part by the fact that he is NOT the protagonist and deliberately written in the deuteragonist role/function, and I will go into visceral detail about this momentarily.

I promise you I don't go around in other fandoms arguing my favorite non-main character is the deuteragonist. I fully embrace whatever role it is they play in the story. YOU WILL SEE THE EVIDENCE OF THIS VERY SOON, FOR EVERY CHARACTER IN MHA.

What is a deuteragonist?

A deuteragonist is a story archetype. They are the second-most important character in a story (which is a vague as hell definition). They are often known as the "secondary main character."

That's it. Everything else one might say about a deuteragonist is just a sub-archetype.

A deuteragonist can be a sidekick, a love interest, a rival, an antagonist, or even a neutral party. They are often, not always, written as foil characters to the protagonist. They often, not always, provide a different and yet similar outlook to the protagonist's. Their utility in a story can be quite varied. Sometimes they support the protagonist, and sometimes they oppose the protagonist. Often, they are used to help the protagonist complete their character arc.

Sometimes, there can be more than one deuteragonist.

What the hell is a deuteragonist?

The problem is, the function of a deuteragonist can change just depending on the type of story we're talking about. A deuteragonist in an ancient Greek tragedy (theatre), where the term originally came from, won't necessarily function the same way as a deuteragonist in a 2-hour contemporary movie. Things get even more complicated when we're talking about a TV series, a book series, or a comic book series in which the cast becomes so large we're likely to see MULTIPLE deuteragonists.

My Hero Academia, like many long-running shounen manga, has an ensemble cast. Would you be surprised if I told you My Hero Academia not only has multiple deuteragonists, not only has multiple antagonists, but also has multiple protagonists? Because it does!

Sometimes people wanna divide MHA into three or four acts and make the claim that the deuteragonist changes from act to act. I say they aren't going far enough. MHA is divided into arcs, and each arc has its own protagonist and antagonist and sometimes even deuteragonist. This is a STAPLE of ensemble cast shounen manga, where often there will be so many characters they get grouped off into trios (or more) and one among them will be the group's designated protagonist.

Sure, in most MHA arcs, Izuku is the protagonist. But he's not always. Who is the protagonist of the Pro Hero (Endeavor vs Hood) arc? Who is the deuteragonist? It's not Izuku and Katsuki; it's Endeavor and Hawks! What about the protagonist in the My Villain Academia arc? Tomura. The Hero License Supplementary Course arc? Katsuki and Shouto (who can't seem to decide if they're co-protagonists or protagonist and deuteragonist and who is which). The Overhaul arc? Izuku is the protagonist and Mirio is the deuteragonist. Some arcs really play with these roles or make it unclear who is playing which role or if the role even exists.

What is a deuteragonist in My Hero Academia?

So if we have a bunch of protagonists, does that mean the most important one is the series' overarching protagonist and the one second in importance is the deuteragonist? It COULD be, but it's not necessarily true.

There aren't that many arcs where Izuku is not the protagonist. If we look at the number of arcs where someone else is the protagonist, following the above logic, we could end up with All Might or Endeavor as the deuteragonist. Maybe some people would earnestly make the argument Endeavor is the deuteragonist--I don't know, I haven't met those people I guess. The problem with this approach in my eyes is that it entirely discounts the deuteragonists of each arc. Would it not follow that the overarching deuteragonist is the character who has played the deuteragonist in the largest number of arcs? What if that character is different from the character who has played protagonist the second-most number of times? And this is to say nothing about if the protagonist or deuteragonist are the same as the antagonist in a given arc! It's difficult to weight any one character in this fashion particularly when you have an ensemble cast.

This is getting into the question of focus and screentime. How much should we weight this metric? Admittedly this one can also be complicated, especially when it comes to long stories with ensemble casts. The question is how much does screentime actually convey how much a character is the focus of a story, and does that necessarily translate to protagonist and deuteragonist? Because for many the question is: could the deuteragonist be an antagonist in MHA?

It just gets a little harder to argue someone besides Katuski Bakugou is the main deuteragonist the more Katsuki's screentime allocation looks something like this:

Okay, perhaps that exact size of gap is hyperbole. But there is a clear, measurable gap between Katsuki Bakugou and everyone else and I don't think anyone has ever disputed that. Please check out this post by @dekusheroacademia that has compiled some of these statistics (they also make some excellent points about evaluating the elements of a deuteragonist and how various characters fit or don't fit those characteristics).

Still, this is merely supporting evidence, not conclusive. I am well aware of the concept of a false protagonist, where someone appears to be the protagonist until later someone else is revealed to be the story's true protagonist. And while I've never seen a false deuteragonist where someone SEEMS to be the deuteragonist and is later revealed in a twist not to be (as opposed to the deuteragonist just merely changing NOT as a deliberate twist where expectations were set to be otherwise), that doesn't mean it can't happen.

Tangentially related, we could also potentially look at marketing as another piece of supporting evidence. It's not conclusive that just because Katsuki Bakugou is one of the most merchandised characters in the franchise that he is more important to the story than those who aren't, but it's still notable supporting evidence. After all, based on Horikoshi's marketing of his own story i.e. who he draws in which orientations on chapter and tankoban covers, or how he lists characters on character intro pages, we could easily come to the conclusion as casual readers that Izuku is the protagonist. There are many cases where one could conclude Katsuki is the deuteragonist based on such presentations alone. But again, I concede this is not conclusive.

So, if we set aside individual story arc roles, screentime, and marketing, what does that leave us with?

What is THE deuteragonist in My Hero Academia?

Even if we can determine Izuku Midoriya is THE protagonist of MHA based on things like the number of times he's protagonist in story arcs, his screentime, and marketing, I'll set those aside for the deuteragonist and see if there's something else that can help us here.

What element are we missing? The overall story.

Sure, we can break down the story into arcs and assign deuteragonists that way, but that's not getting us to THE deuteragonist. So let's start with the protagonist. How do we know Izuku Midoriya is the protagonist of MHA without considering the previous metrics? The way the story focuses on him. It is easy enough for anyone to recognize the characteristics of a protagonist in him from a functional perspective. He is a POV character. We hear his thoughts. He narrates the story. We see the story over the timeline of his character growth. His character arc coincides with the overall story themes.

I've talked many times about how My Hero Academia at its core is a story that explores the question: what is a hero? MANY characters explore this question, but the character who compiles these answers together and rounds them all out and grows and has his perspective change and exemplifies the moral is: Izuku Midoriya.

So let's go back to the functional elements of a deuteragonist. Remember those sub-archetypes? Well, in a shorter story with no ensemble cast, what do a sidekick, a love interest, a rival, an antagonist, and even a neutral party all have in common? They are defined by their relationship to the protagonist.

You see, in a story where all the characters interact with each other and converge on the major theme of the story, ALL characters are defined by their relationship to the protagonist. But in particular, the function of a deuteragonist is to supplement the story with what the protagonist needs FUNCTIONALLY. When is a sidekick the deuteragonist of a story? When the story focuses on the adventures of the protagonist and their sidekick. When is a love interest the deuteragonist of the story? When the story focuses on the developing relationship between the protagonist and the love interest (i.e. the romance genre). CAN a story with a love interest deuteragonist focus on their adventures and individual character development too? Yes, but sometimes the result is that the love interest is ALSO the sidekick...or the rival. When is the rival the deuteragonist? When the story focuses on the clash and growth between the rivals. When is the antagonist the deuteragonist? When the story focuses on the battle between them. NOTE that when I write this, I don't mean it focuses on the protagonist's adventure that culminates in them meeting the antagonist at the end for a battle. I am talking about when the BATTLE ITSELF is the main focus of the story. See stories like Silence of the Lambs or Death Note for a clearer example of what I mean, where the focus of each is on the psychological games the protagonist and antagonist play with each other. The point is, the story on a structural level, on a meta level, has to focus on these sorts of interactions to determine its deuteragonist.

Obviously this gets more complicated with a large story and an ensemble cast because you could have bits of the story where the structure changes and seems to focus on new things. That's why I pointed out that the more immediate protagonist and deuteragonist and antagonist often change in MHA depending on the story arc.

When I try to determine who is THE deuteragonist of the entire story, I have to look at the entire story. I have to ask myself what the story is about. So what is the story about? What is MHA about?

If you said MHA is about Izuku falling in love with Ochako, I'm sorry but you're wrong.

If you said MHA is about Izuku taking on All Might's mantle, I'm sorry but you're wrong.

If you said MHA is about Izuku defeating/saving Tomura, I'm sorry but you're wrong.

If you said MHA is about Izuku rekindling his friendship with Katsuki, I'm sorry but you're wrong.

MHA is about Izuku Midoriya (and most everyone else) learning what it means to be a hero.

It's in the fucking title. MY HERO ACADEMIA. The story is about Izuku's education (as it takes many forms) to learn what it means to be a hero.

So who is the deuteragonist in the story about Izuku Midoriya learning what it means to be a hero? The character who is second-most important in how Izuku Midoriya learns what it means to be a hero.

A lot of characters do teach Izuku Midoriya what it means to be a hero or at least some piece. But who is MOST IMPORTANT?

See, My Hero Academia is LONG. If we just focus on the parts of the story in which Izuku tries to learn from All Might or take on his mantle, we lose ARCS of the story. The same is true if we focus on his love life, or his rivalry with Katsuki, OR EVEN HIS BATTLE WITH TOMURA AND ALL FOR ONE. In the case of the latter, we're basically excluding HALF the story: the school arcs!

MHA is structured such that it alternates between what we colloquially refer to as "school arcs" and "villain arcs." And while exploring the question of "what is a villain?" is an important subset of the main theme, it is not the entire story. You can't just label all the school arcs as "filler" (because they're not) and chuck them out. Each story arc contributes to the lessons Izuku learns and the theme of the main story.

I can think of something every character teaches Izuku with respect to this theme. I can think of a lesson Izuku has taken away from every encounter and every story arc. But who ELSE is present in nearly every story arc? Who represents the foil to Izuku who allows us, the audience, to learn alongside them what it means to be a hero? Who learns the bits Izuku does not need to learn because he already exemplifies those answers in spades? Who represents the other half of the hero equation that Izuku is missing? Who has his own blanks filled in by Izuku himself? Who has played all the sub-archetypes of a deuteragonist for Izuku Midoriya, including antagonist, rival, sidekick, and even arguably love interest (replace with platonic interest for the rekindling friendship angle if you want so we don't have to go into that whole thing here please, I'm talking about the generic structural elements within a story more than anything)?

Izuku Midoriya cannot possibly have learned the fundamental lessons of what it means to be a hero without Katsuki Bakugou's character arc to supplement him. Katsuki Bakugou is an irremovable, integral player in demonstrating the theme of collectivism that informs the main story, not just for Izuku to learn it but for THE AUDIENCE to see it too. He is one half of "win to save, save to win." He is the standard shounen manga archetype who has to learn the value of teamwork/collectivism so that he can teach it to Izuku Midoriya and save him from himself. The story is structured in such a way that it resembles LESSONS for the characters to learn, and Katsuki's "education" in this respect is VITAL to the story, second in importance only to Izuku Midoriya's.

P.S. Is it actually taking away from Katsuki to call someone else THE deuteragonist?

Yes. I know some people don't want to have to say it that way, but it is. Based on a number of metrics, Katsuki Bakugou is most widely recognized as the deuteragonist. If there's a default answer to the question of who is the deuteragonist but you think the deuteragonist is someone else, then in order to be persuasive you must not only argue why you think your chosen character is the deuteragonist but why Katsuki Bakugou is NOT the deuteragonist. If you want to argue someone else is the deuteragonist, you are taking on that onus, that burden of proof. You have to disprove Katsuki Bakugou is the deuteragonist.

Are there other characters who fit the deuteragonist function at times? Yes! There are multiple deuteragonists! But if in spite of the multiple protagonists we're still able to call Izuku Midoriya THE protagonist of My Hero Academia, then we are absolutely able to call Katsuki Bakugou THE deuteragonist as well.

tl;dr MHA is about learning what it means to be a hero and Katsuki Bakugou's story is second-most important to that theme, which makes him the deuteragonist

#anon ask #ask pika #my hero academia manga spoilers #final showdown spoilers #katsuki bakugou #meta #deuteragonist #now just because i care does that mean i actually CARE?#no not really #think what you want you aren't doing anything to ME

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solradguy · 3 months

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why is xtra hated? Does it have character inconsistencies or something else to have hate towards it?

Ok. So. For starters, one of the main characters is a girl named Mizuha that is very probably a child/young teenager and they draw her like this all of the time (sometimes even WORSE):

(her personality is... fine... I guess. she's just uncomfortably sexualized)

The plot is basic shounen genre trope soup. The other main character, Tyr, has a dragon/Gear arm and was sealed away for a mystery amount of years so he looks like a teenager but is older than Ky (who was ~24 in the canon at the time). They also did that thing where Ky ~just so happened~ to have seen Tyr on the battlefield when he was a kid before he joined the Holy Order, and Tyr is apparently working with/under Kliff. Very "we have a new character and need to speedrun making him relevant. let's shoehorn him into everyone else's backstories."

Tyr's Gear arm (it looks like a normal arm unless he activates it):

None of the characters ever bring any of this up ever again outside of Xtra. It's not mentioned in GG World, any of the guide books/encyclopedias, character profiles, novels, interviews, etc. Which you think it would be if Kliff knew A GUY WITH A GEAR ARM IN THE HOLY ORDER LOLL

The characters that are actually in the games make cameo appearances throughout the comic and I think the artist had more fun drawing them than they did the actual protagonists because they all look leagues cooler than anything Tyr or Mizuha end up doing

I will give Xtra credit for one thing though, and that's for giving us one of the rawest Sol Badguy scenes in the entirety of Guilty Gear:

I just don't get how the guy that wrote Lightning the Argent and Butterfly & Her Gale, two books that are still canon-relevant and generally enjoyed by the (JP) community, ended up writing such a bland story. Was it solely his idea? Was someone else forcing him to make changes to the plot and he just had to go with it?? This was GGX era so Guilty Gear was doing PRETTY GOOD in Japan at the time.

I have no idea why they felt the need to put out something with such an unoriginal premise in a series that frequently bends or breaks genre expectations. Daisuke Ishiwatari is included as an author on this, but I get the impression that was just a legality thing since he wrote basically the entire setting and cast outside of the few new ones introduced in Xtra. None of the Tyr lore beats line up with any of the established Gear lore, either pre- or post-Xtra.

Why did they write Xtra when they could have written something focused on the established cast instead. Going into Xtra for the first time is like when you pick up a cup expecting it to be pop and find out it's water instead but since you were expecting something sweet the water just tastes gross and extremely disappointing. Xtra is my least favorite Guilty Gear entry out of the entire library. Vastedge at least gave us Naoki Hashimoto and Isuka gave us A.B.A. Xtra just gave us wiki editors annoying homework.

You can read Xtra over on Mangadex if you wanna form your own opinions about it. It's only one volume and can be read pretty quickly: https://mangadex.org/title/911025e8-ae47-499c-8eff-453d18b6459a/guilty-gear-xtra

#asks #long post

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staerplatinum · 6 months

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Some of my favorite doodles from my headcanon/redesign concept sheets used as an excuse to list my headcanons about the main six (for an AU that I'm writing)! More under the cut!

Charlie Morningstar:

She's way more hot-headed than in canon, albeit still keeping her cheerful and gentle persona.

She loves food, and she's always hungry. I always loved the trope of protagonists (both male and female, like look at Goku himself, Usagi Tsukino or Minako Aino) and I think it could fit Charlie perfectly!

She loves planning (and this is already canon) and she has a lot of stationary gadgets. "Sure Alastor, you can borrow any pen! ... Not that one! :D" And takes good care of them.

Her birthday is February 29th. I thought that it wouldn't be strange if her birthday ended up being that day if she follows a demoniac calendar...

Vaggie:

It's canon that she likes everything to be clean and organized. I think she would help Niffty with the rooms and everything! They bond!

She and Angel Dust absolutely have BFFs vibes. Before Hazbin Hotel I remember they were meant to be a couple, but with the new canon they're still adorable as best friends and I love the dynamic more. They get into fights but it's never anything serious, they look like a big brother and a little sis, even though sometimes she definitely acts as a big sis to him. Angel sees Molly through her :(

As we know she doesn't really believe in herself, but she actually makes a very good leader!

In my fanfic, contrarily to the series, she was really fighting with burning hate towards the angels that cast her out. She holds a deep grudge and it's hard for her to come out of it. (I want Out for Love to be useful, it's my favorite song ç_ç)

Her name as a human was Agata Flores, she was born the 28th of June in 1993. If we still count 2014 as her death and if she was once a winner that then became sinner... my headcanon is that she died of a hate crime in March 25th 2014, aged 21.

Angel Dust:

He's not in drag 24/7. He really is feminine, but sometimes likes to try masculine outfits too. (which make Husk wonder "why am I staring??")

He's secretly a nerd. Or not so secretly. He owns video games, and especially likes RPGs and life sims.

He overanalyses everything. Well, almost everything but still. He actually likes reading, and this led him to analyse anything that comes into his eye. (Oh, I can't wait to write one of those scenes because I already had fun outlining it LMAOO)

He's probably Charlie's food buddy. Give them some food and they'll be happy (Valentino doesn't like this but get screwed Val, give him food too)

His name as a human was Anthony (canon) Cavallaro and had Neapolitan heritage. He's born in April 1st (and this is canon) 1912, he died of overdose (canon) in October 11th 1947, aged 35.

Alastor:

I loved his pilot persona more than the series', and most of the things are confirmed canon... but I do have some headcanons for him, too! (also yeah I don't think that will be my last radioapple drawing or doodle lol)

We know he either doesn't sleep or sleeps with his eyes open. Well, I imagine him that in the few rare occasions he actually sleeps, his radio works as a mental surveillance "camera". Also, he's a light sleeper and would definitely go "Do you fellows mind? I'm trying to sleep." like the old man he is.

I would like to explore Alastor's feelings for Charlie more, and how he sees her as a daughter. While we may not know if he was telling the truth, I think they both seeked each other as a fatherly and daughter figures in a way. Many in the fandom headcanon Alastor's father to have been shitty to him. If he truly sees Charlie as a daughter, it could be because he would like to be a better father than the one he had, and since he never had children, he grew affectionate to Charlie as such.

He knows how to handle alcohol well, but I like to think that when he's really drunk he doesn't even know what he's doing. Oh, you saw him playing with Angel's Nintendo Switch? He even brought it into his room to continue playing Animal Crossing by himself? He was totally wasted.

His name as a human was Alastor (which is apparently canon, but I wonder if it'll be retconned or not?) Boudreaux-Alexander. Boudreaux was his father's last name, Alexander was his mother's. He didn't like his mother taking her husband's last name and wanted to keep his mother's. He was born in March 7th 1901, and died in August 4th 1933, aged 32, after being shot by a hunter that confused him with a deer and was mauled by dogs afterwards. (Yikes, I'm so sorry)

Niffty:

She definitely has written lots of fanfics about her fellow hotel friends. Especially men. Yet, she loves Charlie and Vaggie too, so they're there as well.

We know both Niffty and Husk have deals with Alastor. She loves them both, I love to headcanon that when she feels lonely and can't sleep well or had nightmares, she either goes to Husk's or Alastor's room to sleep with them. They welcome her warmly ç_ç

Alastor and Husk most definitely know Niffty's story, which is why they care about her so much. She's childish for her age, but it could be tied to a past that only the two of them know very well.

Niffty knew Vox when they were alive. Now I know it could be a weird headcanon since Niffty is Japanese and Vox is American, but if Niffty's work brought her around the world it wouldn't be weird if they crossed paths. When Vox died Niffty was 19, she either saw him die in front of her eyes or something else happened.

As I mentioned in my concept sheets, she used to wear glasses when she was alive so she can't see really well without them after she died. Sometimes she borrows Alastor's monocle, and if we apply the headcanon that he's colorblind, without his monocle not only he can't see anything but can't even see colors LOL

Her name when she was alive was Sachiko Tanaka, born February 27th 1934. She died September 1st 1956, aged 22, there are popular headcanons about the way she died and yikes, if it's true she didn't have a good death either. Not at all.

Husk:

Maybe I'm overanalysing but what if the reason why he grew affectionate to Niffty was because he once had children? Or just one? Either he had a child and was with him but felt like he wasn't a good father or his ex-wife left him because of his gambling addiction and this made him feel guilty, not able to see his child ever again. (I feel bad just thinking about this but ç_ç)

Despite the fact he hates being on a leash and none other than Alastor's, he actually cares about him. If the two were friends when they were alive (including Mimzy), this could explain why he's still around Alastor even if reluctantly. (Sure he says he's forced, but in the pilot Alastor summoned him, so it's safe to assume either Alastor-Husk-Niffty were roommates before coming to the hotel and did their business without telling Alastor, or simply we need more explanations of Alastor's deals)

His name when he was alive was Ivan Goncharov, born January 29th 1900, and died in December 23rd 1967, aged 67. As I mentioned in my concept sheets, he was friends with Alastor and Mimzy when they were alive and he was the last one of them to die. He would often visit his friends' graves when he was still alive :(

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oakdll · 4 months

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things i desperately want for persona 6

- Femc

I know this is not an unpopular opinion, but I don’t even need a full femc route. It would be nice, but I think it would probably take up too much budget. All I want is a girl model of the protagonist that you can choose and some pronoun changes. It would be so easy to do, I’m begging for this

- Let people be gay

If they are doing a femc route like that, there will probably be romance options for male social links, so just keep that for the boy protagonist route. You literally don’t have to change anything except maybe a few voice lines, but you could also have the VA’s only use gender neutral pronouns. Just let you date every social link (as long as they aren’t like your dad or teacher or something) regardless of their gender.

- Keep the rewind feature from Reload

This is self explanatory, it’s maybe the single best quality of life feature in any Persona game, I NEED it for P6.

- Keep the palace system for the dungeons

The order of Persona games was me playing P5R, then P4G, then P3R. Going from P5’s palaces to the mediocre dungeons in P4 was super jarring. Tartarus in P3R is definitely an improvement, and I might even like it more than Mementos, but palaces are by far the best addition to the Persona series ever. Having unique levels for each arc was a stroke of genius, and if they don’t carry it over to P6 it will almost certainly be underwhelming compared to P5. I do like the randomly generated dungeons, but I think they work best as accompaniment to palaces. Something like Mementos would be great for P6 in accompaniment to Palaces.

- Have a better spawning method for The Reaper

I like to farm The Reaper a lot, and especially in P4, it was TORTURE. Having to open 21 chests and then requiring the 22nd to randomly spawn an enemy just to fight The Reaper was awful. Even the time based ones in P5 and P3 are not perfect. Literally just anything but the tedium of P4. Requiring RNG was awful, you could spend 20 minutes opening chests just to not get an enemy chest on the 22nd and have to restart.

- Have a post game

Sometimes I want to play Persona but I don’t want to have to start a 100 hour new playthrough. Persona genuinely has a great combat system, and I would love to be able to explore Mementos or rematch bosses after beating the game. Maybe bring back the Thieves Den (or something similar) but allow you to re-enter palaces and Mementos after getting the true ending. Something like being able to rematch bosses in the Mushroom Kingdom from Super Mario Odyssey. Maybe also bring the album thing on the couch in Persona 4 back. If you don’t remember, if you went to sit on your reading couch, you could view all of your maxed social links and replay each rank. You could even go to the social links you didn’t romance and see what their romance path was like, or vice versa. It was super cool!

- Keep confidant perks

Having the ranks of non-party member social links grant perks is one of my favorite additions to P5. It can really help incentivize you to prioritize them and go for all max social links. I think the main flaw with Persona 5 was that Atlus underestimates how powerful the perks would be. That’s why the game was so easy, not because of the gameplay, but because Atlus couldn’t balance some players having unlocked broken confidant perks and others having not. It would be difficult, but they need to be able to balance the perks more. Definitely keep them, but don’t let people just blitz through palaces if they have Ryuji’s confidant at rank 7.

- Bring over a rebalanced version of Ryuji’s instakill

Speaking of Ryuji’s rank 7 confidant ability, I want it to come back. It is by far the most broken ability in P5, but it also made grinding SO much more bearable. That said, it needs a rebalance. Make it so it doesn’t work in palaces, only P6’s version of mementos. Make it much harder to get than rank 7, maybe a late game social link’s rank 10 ability. It would still be a broken ability, but it is an ingenious solution to fixing tedious late game grinding. More games should have versions of this ability.

- Keep the completionist difficulty of P5R

I think Persona 5 Royal has the best balance in terms of how difficult it should be to max out all of your social links on a first playthrough. I got all achievements on my first playthrough, but not 100% on social links. I was rank 5 in Strength and rank 9 in Lovers. It was very close, but it had just the right amount of generosity. I think if someone tries hard, they should be able to 100% it on a first playthrough.

- Make it so hanging out with Velvet Room attendants doesn’t take up time

Unless it’s a social link like Marie, I think having it take up time just prevents people from actually doing it. With how valuable time is in Persona, wasting time slots on hanging out with a non-social link character isn’t super viable. In P5R, I almost never hung out with The Twins because it took up a time slot when it didn’t need to. In P3R, I always hang out with Elizabeth because you don’t need to take up a precious time slot to do it. Please keep this!!

- Keep the story based character progression

In P5, most of the character progression happens through confidants. Obviously confidants should have character progression, but it also means that without doing those confidants, the characters are super stagnant. In P3R, almost all of the characters develop over the course of the game without requiring you to do their social link. Junpei develops a bond with Chidori, Yukari has personal drama with Mitsuru, etc. In P5, the only time this happened was Morgana leaving the Phantom Thieves, which is by far the worst part of the game. If they can write the story to be more similar to P3, I think it would be an improvement.

- Battle mechanics

I think Theurgy (or something similar) should be brought over to Persona 6. Theurgy in Reload was very unbalanced, being able to charge Theurgy's before big battles and end it in 1 turn was way too broken. I think Theurgy's should only be able to be charged and used in the span of one battle. You wouldn't be able to pre-charge your Theurgy and Armageddon all the bosses away, as all of your charge would go away after finishing a battle. This way it can only really be used if the battle goes on for a while, making it feel more like an ultimate attack and less like a win condition.

I also want Baton Passes and Technicals to be brought over as well. It can have different names and slightly different functions, but I think they are great mechanics, they just need some balance. Baton Passes and Technicals are also super broken in P5R, especially with merciless difficulty making them do 1.5x damage. Baton Passes were absolutely overpowered. I think this might be a pretty severe nerf, but I think the best solution might be limiting Baton Passes to only work once in a row. Having Baton Pass chains where you hit a weakness, Baton Pass to an ally to hit another weakness, and keep chaining it to shred every battle was unreasonable.

- Have a good challenge difficulty

Persona games (Mostly P5R and P3R) are far too easy. I actually like having the option to make them easy, safe difficulty is a genuinely good addition to the game, however merciless leaves a lot to be desired. I think P4G's option to freely change difficulty settings was pretty perfect, but even then I think having an even more challenging difficulty would be nice for veterans. Give the option to have a TRUELY merciless difficulty, something like Terraria's for the worthy seed, or CHIMPS difficulty in Bloons TD6. I always view those modes as some of the best challenge difficulties in gaming history. They have a perfect amount of challenge for veterans, and having something of similar difficulty in P6 would be amazing. I’m thinking like super boss level difficulty for every boss fight, obviously scaled to the player level though. I want to have to prepare in advance instead of just grinding slightly and shredding every boss.

- STOP ADDING FUCKING PEDOPHILES TO THESE GAMES

KAMOSHIDA WAS GOOD BECAUSE HE WAS ACTUALLY A VILLAIN, YOU DIDN'T NEED TO MAKE KAWAKAMI, UEHARA, AND MS. TORIUMI PEDOPHILES TOO PLEASE STOP LETTING THE MC DATE THEIR TEACHER

#persona #persona 6 #persona6 #persona5 royal #persona 5 #persona 5 royal #persona5 #persona4 golden #persona 4 golden #persona 4 #persona4 #persona 3 #persona 3 reload #persona3 #persona3 reload

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aranarumei · 6 months

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you listed gsnk as an option and my dopamine receptors lit up. What dyou think about mikorin and mayu

ask me about a ship and I’ll give my opinions + classify them as does / doesn’t make sense, does / doesn’t compel me

heyyy surprise for you. yeah i actually was cleaning up my notes app today and realized I'd answered this and never posted this lol. gonna start off with a does make sense, does compel me and continue under the cut.

okay. hear me out. for a period of time I genuinely believe mayumiko was the gsnk duo closest to being, like, romantic. in a sense. horikashi, nozachiyo, and wakaseo have sure got a lot of development since then (in ch 60, kashima avoids hori and we get a REALLY good moment out of it) but like. just one chapter before that, we have ch 59. one of my favorite chapters. and at that point, I feel like the main couples have had their setup and they're really fun and comedic, but there hasn't been much... advancement, in a sense?

and then we hit ch 59, where "mayumayu" (nozaki mayu, who's been conned into posing as a girl) and "mamiko" (mikoshiba mikoto, who's posing as a girl so that he's not a creepy guy commenting on mayumayu's blog, unwittingly using the name of the protagonist of let's love by nozaki umetarou under alias of yumeno sakiko without knowing that he's the inspiration for the character's personality) basically immediately hit it off over text. seriously, past the first couple of texts where there's a bunch of people commenting on it, all they say is that they'll instantly reply to any texts that come their way. what commences is a hell of texting, probably, but it is a LOT of texting that happens. and that's not something that can be empty! both mikoshiba and mayu seem worn out by the amount of time they spend on it, but they don't seem worn out by each other in the slightest, judging by the fact that in ch 89, not only is mikoshiba still regularly checking mayumayu's blog, he's getting texts with extra art and well-wishes for his exams! they talk to each other about their lives! and it's not something that exists only online, too... mayu and mikoshiba are genuinely and obviously good friends outside of their online identities.

I'm aware not everyone sees it that way, but like, to me, ch 59 was like the most outright romantic the series had gotten. so it's very special to me. so is mayumiko! mayumiko’s so fun because they’re both soooo cool and soooo uncool. but while the mayumiko situation is objectively hilarious, the way they're friends is like... surprisingly understated? it's just something that happens and it works for both of them, even when it seems like it shouldn't. like, let's be real, mikoshiba can be kind of annoying, and mayu can be kind of grating. despite that they end up being really comfortable with each other. like. no wonder they could keep up that texting chain. they just click in general.

so we meet mayu in ch 33, and in ch 37, mikoshiba runs into him, and they've got this fun chapter together where miyako both compares them to cats. then in ch 49, mayu gets mikoshiba to lend him his... questionable? sure. questionable manga. calls him mikoto-san. and it just kind of... happens, them being friends. since they both hang out at nozaki's place. it's neat. in ch 64, post-The Incident, mikoshiba's comfortable enough to ask mayu for help with working out. and mayu knows mikoshiba enough to shout out the specific name of the fake high school from one of the games mikoshiba likes (sure, it's a super popular galge, but that's a strange thing to know well! especially for a guy who's traditionally lazy about everything but judo)

then of course we get to the mayu chapters where he's just so. iconic. in ch 76, mikoshiba needs to bring a guy to the mixer and then after nozaki rejects him sakura's like, ask mayu, who's been on the floor this whole time. side note i think its cute that when mikoshiba asks mayu, he calls himself "mikoshiba-nii-san." and mayu rejects him at first (also using "mikoshiba-nii-san" lol), but he ends up going once he's told he doesn't have to do that much work. and then he grills a girl about her boyfriend bc she says he does judo. and then tries to get some guy's number because he's apparently strong. judo freak (affectionate). and then, of course, as mikoshiba's thinking that "ah, they totally think mayu likes guys, but i guess it's fine since he doesn't seem to care" and when he's surrounded by girls mayu jumps in and says "he's mine," just like nozaki's shoujo manga advice had told him to do. love that for them. in ch 81, though it's a pain, mayu goes along with the idea that all the stuff in the back room is his and not mikoshiba's (though maybe he thought it was more of a pain to explain) and when talking about dating sims, mayu says, "well, guys or girls, both are pretty similar." love that guy for real.

then, in one of the moments of all time that make me insane, in ch 94, seo's pinning mikoshiba, and suddenly goes, it's boring without waka (makes sense! he's normally the guy she pushes around like this) and mikoshiba's like. oh! that's right! I haven't gotten a souvenir for mayu yet! (makes... sense...? because. because he's getting PINNED??? and we KNOW that mikoshiba hasn't done judo with mayu because it happens for the first time in ch 135, where after some really nice moments, mikoshiba sheepishly asks if mayu wants to try throwing him around too. it's a weird expression of care and also the fact that they're still friends after this fact, considering the violence nozaki translates it as, is a testament to their friendship.)

also in the extras for that volume, we see mikoshiba got him a smartphone case, which sucks because mayu's got a flip phone (though it's better than the hairpin nozaki got mayu) but then when mayu figures out a use for that smartphone case, he runs to mikoshiba to give him the good news! 'cause mikoshiba was sulking before... they're fun.

i think I've already said this but they really are close. and i think mayu's kinda clingy. in ch 114 when kashima rei asks to talk to him again, he's like, "go through mikoto-san." in ch 128 we find out that mayu shows girls in his class photos of mikoshiba so they make sure he doesn't get caught napping. this begs the question: HOW did this arrangement exist in the first place? because there's no way I can think about it that doesn't involve mayu and mikoshiba being at some level of closeness. and there's no way mayu can get so many nice looking photos of mikoshiba without being close to him. and in that same fucking chapter when nozaki’s making posts for his blog and turns mikoshiba into a girl, people think that he and mayu are dating. like oh my god. even in gekkan shoujo nozaki-san, when the main cast is meant to be a bit older than the canon timeline, mikoshiba and mayu are hanging out together at nozaki's place. and when mikoshiba and nozaki are getting all chummy with miyoshi, mayu walks in and he's like. ah. a challenger emerges (because he presumably wants to be pampered instead). my point is that they're close they just hang out. it's comfortable, which says a lot for both of them.

in ch 59 mayu's friends are like. his type is 1) someone who's stronger than him at judo or 2) someone older who'd take care of him and. mikoshiba's not #1 but he is #2. those two can be pretty sweetly considerate actually. as we see mayu gets dragged into quite a bit of stuff and does it. in ch 101 he actually finishes up the chapter of let's love while everyone's fallen asleep. and in the vol 14 extras mikoshiba gifts a water plant to a guy he barely knows. just because. so I feel like they're both sweet people underneath it all. and extra fact about ch 59 i know you'll feel crazy about. kobayashi (the guy who actually runs the mayumayu blog) calls mayu maa-kun. i am not joking.

anyways to me mikoshiba and mayu are both this weird security to each other. mayu’s someone who doesn’t care abt social graces and mikoshiba’s someone who cares too much. but when they’re weird to each other it’s like they accept everything. and I just think. despite all of the mistaken identity drama it’s like. idk. they just like each other. they just get along well. and for mikoshiba who’s so awkward with girls, this works out well. also the way that in ch 144 his fav ever gacha character is this kind of gloomy and lazy girl… fascinating thing you’re being charmed by. what a taste you have.

so in the end despite all of the wild situations i think it’ll be simple. mikoshiba will think a little too much and mayu a little too little. but they've gotten along well for so long that I think this will go pretty well, too. it'll just be a feeling that grows kind of slowly until it works for the two of them.

#ask #ask game #sunluvclub #mayumiko #gsnk #kiri.txt #my god i said. so much didnt i #in this essay i will

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silverskye13 · 3 months

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I absolutely adore your writing style. You've mentioned being inspired by authors. Care to share which ones and/or some books you'd strongly recommend? I'm in a but of lurch on books I want to read right now and your writing style really scratches a certain itch so finding something similar would be lovely

I've answered this question a couple of times but! I will always answer again. I read a lot of books :3

I will warn you, I read a lot of epic/high fantasy. If that's not your thing, you probably won't like a lot of my recs, whoops.

This got really long I apologize. Once again. I read a lot.

T. Kingfisher

In my opinion, anything written by her is a win. Her World of the White Rat series of books are by far my favorite [Clocktaur Wars, Saint of Steel series, Swordheart], but she also writes very good horror, and her Sworn Soldier books are kickass.

She is a major inspiration for my writing style, especially internal thoughts and sense of humor. I try to emulate her way of having fantastic characters think and act on mundane things [i.e. a scary paladin man who gushes about knitting].

Blanket warning that all of her Temple of the White Rat books are romantasy, rated E for explicit. But as someone who normally hates [or just doesn't get / enjoy romance books] I still recommend them. The world is rich, some of them have intense horror and suspense moments, and the characters all have amazing dynamics and chemistry.

My favorites by her are: Paladin's Strength, Paladin's Faith, and What Moves the Dead

Nicholas Eames

Still on the style inspiration train. I really sat down and studied his use of description and character voice shortly before writing Redstone and Skulk. If you like how I handle descriptions, planting and worldbuilding, I recommend reading his work. I do a yearly reread of Kings of the Wyld, and while I didn't like Bloody Rose as much, it does an awesome breakdown of problematic heroes.

These books are rated R, for graphic depictions of violence and some pretty raunchy humor/language. The first book Kings of the Wyld has very light romance [unless you count Clay Cooper increasingly thinking about how awesome his wife is, or the group's barbarian falling in love with an avenging angel], but Bloody Rose does have a lesbian bard main character who falls in love with a kickass tattoo witch. I love them, your honor.

Terry Pratchett

I mean, yeah, everyone recommends Terry Pratchett, and if they don't, it's because they haven't read his books in a while and forgot to recommend him. I really like his Death books, and the Samuel Vimes books. For the standalones in Discworld, I also really, really liked Small Gods and Monstrous Regiment. If you like my style of optimistic storytelling [no matter how dark, there is always a happy ending] read his books. And if you like RnS's existentialism, the idea of struggling with, and against, death, read Morte and Reaper Man. Especially Reaper Man.

The Ranger's Apprentice Series by Jonathan Langan

YA fantasy at its finest! If you like how I handle character dynamics and ride-or-die friendships, you will like these books. I was reading these books a lot when I started really really writing in high school, and I didn't realize just how much they inspired my writing style until I reread them last year. Rated PG, maybe PG-13 in the later books when the characters are older and the stakes are a little higher. It's a fun low fantasy world set in Basically England, and it's just. Nice. Will and Horace are so dear to me.

Also apparently he is restarting? The series? Rebooting? New protagonists. I haven't read any of them yet but I am looking very interestedly.

--------------

More books in no particular order that I am recommending you read because I love them:

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House of Open Wounds by Adrian Tchaikovsky

High fantasy, PG-13, Graphic Depictions of Violence, Religious Persecution, Fantasy Nazis

This is the second book in a series, but I couldn't get into the first book and only read this one, whoops. This book basically poses the question: what if Small Gods by Terry Pratchett, but the last man on earth who believes in God isn't as nice, and has some major character flaws, and also doesn't like God. Also also, what if this was set in Fantasy World War 2, and he was forced to work for the Nazis. This book is very grim, and focuses on a medical unit during Magical World War 2. There are a lot of wound descriptions and war crimes. But it made me feel a lot of things, and I was genuinely upset one of the characters stayed evil at the end of the book. There is no Good and Evil in this story, only Evil and Morally Gray. If that isn't your thing, give it a pass, and I mean that. There are Themes here that are made to make you uncomfy. But there is also found family, and some really strong questions about religion and morals, and the book really makes you Think about the character decisions. I liked it a lot.

The Tainted Cup by Robert Jackson Bennett

High fantasy mystery thriller, R, Graphic Depictions of Violence, Language

Oh it's good. It's so good. Holmes and Watson style mystery in a world where everyone has biological mutations and enhancements powered by Kaiju that rise up every year to try and murder everyone. It's really cool. I was hooked from beginning to end. The main character is amazing, with hilarious deadpan humor, and his Holmes is an eccentric autistic woman with zero filter. The "Rated R for Language" above is 98% because of her.

[Note: I'm not an authority on good autistic representation, but I feel like she stands out as really well done. It makes more sense in the context of the novel, but she's created a space for herself where things like noise/light sensitivity are used to her advantage, hyperfixations are portrayed both as useful to her craft in research and a hazard to the people she's interrogating, and she has managed to trick half the cast into thinking her "quirks" are because of augmentations she doesn't have. It was a really cool and original way of putting autism into a character without infantilizing or "unfeeling logical machine"-ing them in the process. If that's something you've been looking for representation-wise, I think this is worth checking out.]

Aside aside, the world building is cool. The characters are cool. They mystery makes sense. I just. I can't talk about this book too much or I'll tell you the whole story. I get too excited.

Aliens: Phalanx by Scott Sigler

Sci-fi horror, PG-13, Graphic Depictions of Violence, Major Character Death, Language

Ever wanted to get into the Aliens franchise but thought the sci-fi was a little much? Ever wanted to know how medieval peasants would handle a xenomorph invasion? Do I have the book for you!

This book is sci-fi horror that takes a turn for the vengeful at the end. Made me feel a lot of things. Got really emotional over some of the character deaths. But when the characters win, they win big, and their achievements feel weighty. You really get the sense of human tenacity clawing life back from the jaws of post-apocalypse. And also? Xenomorphs? Cool? If you've seen the movies, you'll really appreciate how this book takes the conventional tropes and spins them. And if you haven't, the story attacks them in an original way that explains it to the uninitiated. If you know nothing about the movies you will still know what's going on.

Penric's Demon by Lois McMaster Bujold

Fantasy adventure, PG-13, Minor depictions of violence, mystery/puzzle elements

Fun books? Fun books. Ever wondered what would happen if an uninitiated, but very kind and sweet 18 year old boy was possessed by an ancient demon with a great sense of humor and near limitless power? Now you know! Penric and his demon Desdemona have fantastic rapport, and every book in the series just further cements how awesome their relationship is. Fast little reads in a great little universe. And the gods are cool.

The Traitor Son Cycle by Miles Cameron

Epic fantasy, R, Graphic Depictions of Violence, major and minor character death, sexual themes, language

Gritty realistic knights -- fighting very unrealistic magical creatures. They're outmatched, but not out skilled! Especially with the Red Knight leading the way. These books had just, an awesome way of drawing me in. Cool world, interesting if flawed characters, and a growth arc that turns an entire company of criminals and mercenaries into basically paladins. Plus there is an awesome overarching plot involving god-like dragons and angels.

The only downsides to this series is there are a lot of characters and POVs, and the author is not afraid to kill them off at a moment's notice. Characters you've grown to love over three books will be killed off screen when a monster took flight, or a boglin hoard swarmed the front lines. I won't finish the final book in the series because I will be uh, incredibly pissed if one of my favorite characters dies, and I'm getting the vibes she probably will >:/

Alas, this is the nature of grim-dark fantasy.

Cameron has written other books under different pseudonyms, but to date this series is the only one that's really sunk its teeth in me.

Covenant of Steel Trilogy by Anthony Ryan

Low Fantasy, R, Graphic Depictions of Violence, Major and minor character death, religious persecution, language, sexual assault

What happens when a criminal's entire crew is slaughtered for their crimes, and the only survivor turns into a religious zealot? No wait come back it's good I promise! The Pariah starts pretty grim and heavy. We reach our character's emotional low point about a third of the way through the first book, but what blooms from that is a slow burn about faith, and the danger of a Saint who gets to build her own radicalozed morality, rising on the tide of her faithful followers. It is all told in memoir format by the main character, before the final chapters where we get a sense of his here and now, which is a format that Ryan loves writing in [his Bloodsong series does this as well, and while that series is good, it's clear every fumble he made writing that he tried to fix writing CoS]. If I had to really pin this book down, I would have to say it's the story of Joan of Arc if she had actually succeeded in her crusades, and how dangerous she would have been because of the blindness of her followers and her own feelings of personal holiness. The main character even falls for her charms, heck, I as a reader fell for her charms. It was only after she started massacring "heretics" that I started to go, "Wait a fucking second, she's the antagonist???" If you like really intense stories about how insidious the side of "good" can be, and the terrors of religion, and just the epic slow burn of that building up and breaking down, give this a read. However, this is a very dark series. Read with caution and care. By the end I was very burnt out on all the death and atrocity.

Cold Storage by David Koepp

Thriller/horror, PG-13, Depictions of Violence, Fungi-based body horror, Language

Not nearly as intense of the last rec! Cold Storage is the story of a mutated mold spore that works just like that stuff that makes ants do weird things -- but to people! Oh and also it's about some really funny main characters that don't know it exists, even though it's growing right below their feet. A lighter read that will give you some good scares, and a pair of characters you're desperately rooting for. I love it :3 it's a fun romp. Mind the exploding deer.

Murderbot Diaries by Martha Wells

Sci-fi, PG-13, Depictions of Violence, Language

Another fun romp! Murderbot is a security unit made to protect humans -- and it's hacked its programming and just wants to sit down and watch TV all day. Unfortunately, humans are very good at getting themselves killed, and SOMEONE has to keep them safe. At least Murderbot is programmed to do it correctly.

This story starts as fun sci-fi, and as the books progress, really breaks down the lines between human sentience and... Well, any other sentience. It asks hard questions about whether something Must be human in order to be accepted in a society, and how badly we as people want to fit everything into understandable boxes -- even if the things we want to understand don't fucking like it, thank you very much! There's a lot of fun action, a lot of characters that have really won my heart, and, man, I just want Murderbot to be happy.

The Blacktongue Thief by Christopher Buehlman

High fantasy, R, graphic depictions of violence, sexual assault, language, major character death

A thief accosts a knight on the road -- and ends up going on a road trip with her filled with witches, monsters, giant corvids, man-eating goblins, giants, and more! All to save a princess. This book really grew on me when I read it a second time. The magic system is cool, the world building is stellar, the goblins and giants are fucking scary. The character has a dirty mouth and his humor runs to the toilet a lot, so keep that in mind. This is by far the lightest and funniest book Buehlman has ever written though, so if you like it, brace yourself for grim dark if you read the rest of his work. Especially if you read Between Two Fires.

There's my book recs! Have fun!

#spazzcat barks #book recs #book recommendations #spazzcat reads #spazzcat books #i read over 100 books last year #and reading this list it really fucking shows pffpfpfpfff

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sunniedesi · 23 days

Text

In Defense of Future Diary...

TW: lots of yapping.

Making a small essay for Future Diary is something I’ve been meaning to do for a while. Since my entire blog is dedicated to the series, it only feels right to put something like this out into the ether. However, I’m never sure of the topics that I want to discuss the most. Do I write a defense for the show? My reasons for loving it so much? Its relevance and importance for anime culture? An analysis of Yuno’s character? There’s so much I feel you could say, but I never find the right words to express my feelings coherently. Today, I’ll make the attempt, though. I’ll go over all of the aforementioned questions here, mostly focusing on my personal opinions and feelings regarding the show. I don’t have much experience writing essays or analyses of media, so sorry in advance if my yapping is all over the place.

To begin, I should probably address the elephant in the room: Future Diary, despite its popularity and almost cult-classic status, has turned into a show people love to hate. You see it everywhere, when it comes to reviews, comments, opinion pieces, you name it, if it has Future Diary on the title, people will let you know all the gripes they have with the show. And while I tend to feel defensive or even saddened when I see so much hatred directed at my favorite show… I don’t necessarily blame anyone for feeling that way. I don’t want to be one of those people who pretends to hold the intellectual high-ground, acting as if everyone else is media-illiterate and I’m the one who truly gets the meaning of the series. At the end of the day, it’s just an anime, it’s not that deep. Everyone’s gonna like what they like; we all have different tastes and interests, so it’s only natural we all hold such different opinions about the show, especially given its campy, gory and almost edgy nature. Future Diary is definitely a product of early 2000’s trends, which some people (me lol) appreciate, and others certainly don’t.

That being said, while I respect people disliking the show for personal reasons, there are certain criticisms I see thrown its way that are not necessarily warranted. These issues can be boiled down to the following categories: “plot-holes,” a weak protagonist and toxic pairings. I’ll delve into all of these in a second, but I must say, the amount of times I’ve seen these specific points parroted over and over again makes me believe that many of the people making these arguments are piggybacking off of one another. It’s almost like they’re following a trend, repeating how the protagonist “sucks ass” and that the plot makes zero sense, without showing any examples as to how.

It’s really common to find shallow arguments like those in comments sections and forums, but since I don’t want to feel like I’m barking up a tree in writing this essay, I decided to look for a source that encapsulated all of the common criticisms, while also backing them up with examples. Now, there are many good video essays out there on Future Diary, my personal favorite is by The Hot Box. But as far as critical pieces go, the one I found that goes the most in-depth is by the creator NezumiVA, titled: Mirai Nikki is Garbage, and Here’s Why. I’ll be referencing the video as I go along, but please note that while I disagree with many of this creator’s arguments, I don’t intend this to be a personal attack. As I said earlier, we’re all entitled to our different tastes and opinions, I can respect them disliking the series while having my own criticisms to give regarding the video. Just a little disclaimer so my intentions aren’t misconstrued here.

With that out of the way, let’s take a deeper look into the main three arguments I mentioned before:

“The plot-holes eat up the show”

If you’ve been in the fandom for a while, you know that this is probably one of the most common criticisms levied towards Future Diary, and perhaps the one that holds the most weight. Or at least it would be, if it weren’t for the fact that “plot-holes” aren’t exactly the issue people are pointing at here. To explain, I believe people who dish out this claim all have different understandings of the definition of “plot-hole,” so to clarify: a plot-hole is an inconsistency, a contradiction in the narrative. For example, Yuno’s diary is all about Yukki, if she were to have diary entries not about him, that could be considered a plot-hole, as it contradicts the original narrative. A smaller detail being unexplained or overlooked for the sake of pacing is not a plot-hole. A flaw, yes, but as long as it doesn’t contradict what’s already been established in the story, it’s not a plot-hole.

On one hand, it is true that there are certain Deus Ex Machina moments that aren’t properly explained in the show (heck, the god of this universe is called that for a reason), such as: how does 5th acquire all of his booby traps? Or where did 9th pull that motorcycle from? Why are characters so quick to forgive/forget certain events? These are smaller details that aren’t properly justified on-screen for the sake of pacing and making the show more interesting. You could possibly count this more as a case of poor characterization, particularly with 5th’s character having a lot of knowledge despite his age or Hinata quickly accepting the coin toss challenge despite having an advantage. Given the show only has 26 episodes, it’s only natural that detailed explanations for smaller details are omitted to make the show flow quicker and be more entertaining. While this may bother some people, I don’t find it to be such a big deal, or at least not a reason to dogpile on the show, when many other animes with shorter runtime fall victim to poor characterization as well.

Many deem the plot nonsensical for missing these smaller explanations, but again, I find that exaggerated as they’re much, much trivial details that the majority of people don’t think of or focus on when watching the show. The video I referenced touches on the plot being illogical several times, not necessarily mentioning plot-holes per se, but complaining that many of the justifications behind certain plot points are unrealistic or contrived, though let’s be real here… since when is anime realistic? Future Diary, I would argue, does a good job of balancing very unrealistic scenarios with some realistic characters (like Yukki, but we’ll get into that later), which is what makes it interesting to watch. After all, what’s the fun in watching a fantasy show if it’s completely grounded in reality? Not to mention that many of the points brought up in the video aren’t contrived, especially if you were paying attention to the show. For example, the scene of Yuno meditating to figure out Reisuke’s plan. This wasn’t a Deus Ex Machina moment, it was foreshadowing of the fact she has her first-world memories locked away, and the meditation was her trying to access those memories. Same thing with Bacchus having an overpowered diary, it isn’t for the sake of it, he literally designed it to be that way, because he was the one who presented the idea of the diaries to Deus in the first place.

I’m getting a little side-tracked here, but you get the point. Ultimately, the worst sin a show can commit is being boring, and while Future Diary has its flaws in pacing and characterization, it contributes in keeping the viewers hooked to the action, packing its small run of 26 episodes with quite a bit of entertainment. Moreover, a lot of people overreact to these so-called “plot-holes”, yet they also fail to pay attention as to why things happen as they do in the show. Many of these criticisms can be summed up as either: trivial details that are omitted since they have little relevance to the plot and/or people not paying attention to what’s going on.

Moving on, let’s tackle another very, very popular argument:

“Yukiteru is a total pushover (to put it nicely).”

This is, without a doubt, the most common criticism I’ve seen people have of the show. I’m not sure if this is because people are used to the upbeat, overpowered protagonist trope in anime, but people don’t realize that Yukki being frustrating, awkward and terrified is an important part of the show’s storytelling, not to mention relatively unique. Very rarely do we see a realistic portrayal of a teenage protagonist in anime, and it is important for the show since it serves as a contrast to the other characters, all dark, callous and obsessed with the goal of becoming a God. Yukki is the only character not interested in any of this at the beginning. All he wanted was to escape reality with his phone and imaginary friends, and he's now thrusted into this terrible and hopeless situation. How exactly is a young boy expected to react under these circumstances?

Teenagers are naive, dumb, selfish, all characteristics portrayed in Yukiteru, and these characteristics are put under scrutiny by every one of the diary owners, constantly telling him to grow a pair and stop using Yuno. This is easier said than done when you’re used to avoiding every little bit of responsibility in your life, and a girl who’s self-reportedly “crazy good at killing people” suddenly thrusts into your life ready to do all the work for you. Yukki is indeed a very flawed character, but that isn’t an accident, it is an intentional addition. It’s what makes him interesting; it pushes conflict into the show, and most importantly, drives home one of the main lessons of the show with Yukki’s development: fear doesn’t mean you’re not brave, it’s having that fear and pushing forward that makes you brave. A little corny, I know, but a valuable lesson for the Survival Game.

Every character has an incentive for becoming God, and they’re utterly consumed by it to the point of insanity. Even a character like 4th, who was originally concerned with the goal of bringing order and justice rather than more carnage to the game gets carried away when a proper incentive for God’s seat comes into play: saving his son. In a Survival Game where we're surrounded by the most cunning and twisted of characters, killers, terrorists, people in corrupt positions of power, Yukki stands out like a sore thumb for retaining his humanity throughout it all, unwilling to get his hands dirty, rather willing to see hope in everyone else. It comes across as naive and all-too trusting. This is especially true for his father, but considering how little people he has to rely on, plus his childish hopes of seeing his family back together, his forgiveness towards him makes sense. And the same can be said for Yuno, the one constant he’s got all throughout the game. Despite the abuse and manipulation, she’s ultimately got his best interests at heart, but I’m getting ahead of myself with this point.

Eventually, the circumstances that Yukki goes through (namely his parents’ death) put that humanity, kindness and mercy, the staples of his personality, to test. It’s a testament to how desperate situations can corrupt even the most innocent of individuals. Yukiteru goes from a hopeful individual to a callous killer, no different from Yuno and equally as selfish. Similarly enough, we know thanks to her third-world-self that Yuno was originally a normal, happy girl with the hopes of finally having a loving family taking care of her. All of this, to then be tortured by the people who were supposed to bring that peaceful family life to her.

Yukki being a weakling may be frustrating to some, it is certainly brought up many times during the video essay, but it’s an important factor that drives the plot and many of Future Diary’s lessons about growth and accountability. Besides, the anime certainly wouldn’t be as interesting to watch if every character was just an OP know-it-all like Akise. Which no hate to him, but the show wouldn’t be the same if every character were like him.

And speaking of Akise, I’ll take the opportunity to mention a point in the video essay that bothered me a bit. The creator says the show is “queerbaiting” with his character, because Akise’s attraction towards Yukki is forced, but I don’t see exactly how this is queerbaiting. Correct me if I’m wrong, but isn’t queerbaiting when a character is insinuated to be gay, yet it’s kept ambiguous enough to never address it? The show straight-up explains the reason behind Akise’s attraction to Yukki. His love is forced because it was created by Deus to further his investigation about Yukki and Yuno. Akise himself is a fabrication of Deus. It is literally explained in episode 23. You can’t bait the audience into believing a character is gay if you explicitly tell the audience the character is gay lol.

But that’s one of the smaller issues I had with the video’s criticisms. My biggest gripes were actually the following: at the beginning of the essay, this creator talks about how many of the plot points in the show are contrived and illogical, but at the same time, they dislike the characters having tragic backstories that explain how they went on to become twisted individuals. Isn’t it a little contradictory that you complain about a character acting unnatural, yet when the explanation for their behavior comes up, you completely disregard it? They go as far as to say Esuno hates women and is misogynistic for his portrayal of female psychosis, and the use of SA as a tragic backstory being distasteful. Because, according to this creator, people who have been victimized never go on to become terrible people themselves, and that this is a “problematic stereotype.”

To say that this worldview is incredibly simplistic and naive is putting it mildly. Being a victim doesn’t exempt you from the capability of hurting others, and in fact, the opposite is often true. Hurt people hurt people, that is another main theme in Future Diary, and one of the things I love about it so much. It doesn’t make its characters victims of terrible situations for the sake of pitying them, but to portray their natural descent into madness from being corrupted by a cruel and unrelenting world. Yuno, Yukki, Minene, Tsubaki, these characters all started out as normal until life turned them into the nihilistic monsters they became. They’re morally gray, an example of what you can become when your ethics and moral worldview is tested by society so many times, it ultimately turns you into a societal outcast. Which only makes it funnier that one of the questions asked in the video is “are we supposed to like these characters?” Yes and no, that’s the fun of writing morally gray characters.

I often see these takes with people who fail to understand that the portrayal of something in media ≠ endorsement. It’s the crux of people who lack media literacy, the failure to understand morally gray or just straight up evil characters as protagonists. The media itself isn’t telling you to repeat their actions, it is an exploration of how these actions manifest in the first place, a cautionary tale, if you will. I know that having evil or twisted protagonists isn’t everyone’s cup of tea, but to accuse the story or the author of malicious intent would be completely missing the point of the story’s purpose. Not to mention, that it is important for stories like this to exist, to put us in the shoes of those who enact harm, to understand why they do it and keep us from becoming like them.

The show doesn’t justify any of their actions, in fact, it often shows them for what they are: twisted and morally corrupt; it is on the characters themselves to bear the burdens of these actions. A clear example of this is the confrontation that Yukki has with his friends nearing the end of episode 22. It is probably one of my favorite scenes in the entire show: Yukki being forced to face all of his demons at once, realizing just how much damage he has caused, damage that he later has to mend in his final confrontation with Yuno to finally put an end to everyone’s suffering. It is dense, crude, and it is certainly necessary for both him and Yuno.

Funnily enough, this youtuber goes on to say the following about Yuno’s background: “I really don’t care what her (back)story pans out to look like… her actions are still not excusable.” Which is true, just because someone was abused doesn’t justify them perpetuating the same abuse later. However, they then crush their own point by claiming that Yuno’s obsessions started all because of “a passing conversation.” I guess they weren’t lying when they said that they didn’t care about Yuno’s backstory… because chalking up her obsession as solely a result of that scene is completely disregarding her background. That conversation in the classroom did start Yuno’s fixation towards Yukki, but it is not the root of her obsessive tendencies. Yuno herself believes it to be, but this is an idea that is squandered by Yukki in his final confrontations with her. Moreover, if you paid attention to her backstory, you would understand it is all due to her childhood neglect. And similarly, Yukki’s attraction towards Yuno stems from this as well.

This brings me to the final criticism:

“Yuno and Yukki’s relationship is problematic, toxic and makes no sense.”

There is no denying that Yuno and Yukki start out as an incredibly toxic and troublesome pairing, using each other for their own selfish wants instead of working with each other. This is the Achilles heel in their dynamic, and it is often the cause of their troubles. Yuno acts impulsive, unstable and manipulative towards Yukki due to her insecurities and debilitating obsession, while Yukki pushes all responsibility to Yuno due to his own lack of a spine. They hurt each time and time again, yet they can’t help but be with each other. And this is because, in a twisted way, they compliment each other.

On one hand, we have a social outcast, ignored by everyone including his family, visibly alone and afraid of being hurt by others, but still seeing the best in people. Then on the other hand, we have a popular girl from a prominent family, visibly perfect, but in reality just as alone due to abuse she experiences at home, making her view people as fundamentally cruel. On the outside they’re opposites, but deep down, they’re both lonely, and terrified of said loneliness. It is only when they meet, when Yukki shows her the kindness she was missing for years and when Yuno gives him the support he had always craved, that they fulfill each other’s needs. By becoming acquainted with Yuno and the Survival Game, Yukki becomes increasingly darker, eventually maturing at the end of the show, while Yukki awakens Yuno’s empathy and pulls her back from the darkness, as we see when she falters to hurt third-world Yuno and her parents.

Their complementary personalities are even referenced by their diaries, which only work seamlessly if paired. They balance each other out perfectly, bringing out the best of each other, but only after learning to push back on their worst characteristics, which is also true for real-life relationships. In truth, just like these two, people are flawed, traumatized and generally toxic to one another. There’s no such thing as people or relationships that start out perfect from the get-go, they need to learn to grow together.

In that sense, this is what makes the ending of the show so powerful to me. Yukki isn’t set on killing Yuno or becoming God anymore. He’s finally taking responsibility, coming to terms with the awful deeds he’s done, and the fact that he can’t undo them. Instead, he wants to help Yuno come to terms with her own demons, finally giving back to her what she needs and not something for his own benefit. Similarly, Yuno realizes just how off the deep-end she’s gone when she meets her past self, acknowledging that she’s lost her original goal, and that repeating the cycle of hurt won’t fix her already broken spirit. That world isn’t for her, and so she finally ends the hurt, giving her and Yukki the peace they need.

Many people don’t like Redial because they see it as an undeserved Happy Ending for two awful individuals, but the way I like to see it is as a form of redemption. Both characters, in the end, do what they have to do to restore order in the world. Yukki pays for his sins in the void, finally a God but at the cost of mourning what could’ve been. First-World Yuno ends the suffering she’s putting herself through so her new self can thrive, almost akin to breaking free from her past traumas to finally heal. The new self regains those memories, not to sulk, but to build from them, going back with Yukki to start a new world that isn’t characterized by their original hurt. In a way, it's a story about how the most downtrodden of individuals can find solace in love, break from their past and learn to heal together. For me, it’s cathartic and fulfilling to watch.

To finish this lengthy post, I feel it’s appropriate to mention the importance of Future Diary’s characters, and more specifically, Yuno. The video describes her writing as shallow and contrived, but I’ve already addressed that in the previous paragraphs. Many people love chalking her up to “cRaZy YaNdErE gUrL™ 🤪,” but she’s so, so much more than that. Her character actually has a lot of depth if you pay attention to her story: she’s a girl, an orphan who went on to be neglected by her foster father and abused by her foster mother, resulting in complex trauma, insecurities and fear of abandonment that she tries to hide and overcompensate for in her overly aggressive tendencies. Her obsession in avoiding the loss of the only person she has becomes her demise, as she lives in a loop of torment all for the sake of not being alone again, a cycle of hurt only she has the power of breaking if she finds the strength to do it. Whether it was intentional or not, Yuno portrays a lot of the issues people with mental illness, such as BPD, struggle with.

Now, claiming that Yuno is a perfect, one-to-one representation of BPD would be reducing this disorder to a caricature, there’s obviously so much more to BPD than what you see in this portrayal. But, I feel like out of the huge list of characters that fall under the “yandere” or crazy girl trope, she’s probably one of the best written ones in anime. I know she’s often dubbed the “yandere queen,” but seriously, it’s rare to see media committing to this trope and properly characterizing it. I would go as far as to say she’s the best character I’ve seen written in this genre, only sharing that spot with another character from a certain game (but given that the mere mention of its name is enough to ensue controversy, I’ll abstain from talking about it here 🙄). A big portion of characters within this trope are quite two-dimensional, without clear motives for their obsessions, or having their issues played up for laughs (I’m looking at you, Anna Nishikinomiya). Heck, many of the characters associated with the trope aren’t actual yanderes, like is the case for Shion Sonozaki or Lucy from Elfen Lied.

Yuno’s character is rich and interesting to watch, she isn’t just some “crazy girl” for the sake of it. She’s a product of tragedy, only motivated by the hope of finally having Yukki alleviate all of her insecurities and sorrows. I’ve always found the “yandere” trope interesting since it delves into the lengths people are capable of going over an obsession, and how these form to begin with. Given how complex, sensitive and even personal this topic can be, it’s important to have characters like this be properly written, and I’m glad that Yuno set a standard for this back in her day, even if many people don’t take her character seriously.

I think it’s important to close up this post repeating the sentiment I had at the beginning. My purpose in writing this defense isn’t so much to force people into liking the show, and even opinions I disagree with like the ones in NezumiVA’s video are valid in their own right, as everyone has different perspectives in interpreting media. This is simply my take as someone who’s been a fan of the show for a really long time, since I don’t see many in-depth essays for Future Diary out there. It is a show that has stuck with me for its lessons on learning to be brave, healing from the past and selfless love. As silly as it may sound talking about an anime, it’s something that I can always look back to and smile, laugh or cry along with. Despite people’s conflicting views and endless criticisms, it will never fail to have a special place in my heart. Given how much time I’ve dedicated to this series, it’s only fair I dedicated a little bit of that time explaining my love for it too. And if you made it this far down the post, I would also like to thank you for dedicating a little bit of your time to my shower thoughts as well!

#future diary #mirai nikki #the future diary #anime #yuno gasai #yandere #sakae esuno #essay #anime essay #long post

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ikatakoirl · 1 year

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We need to normalize criticizing our favorite works, pointing out shortcomings in representation while simultaneously celebrating how far that representation has come. I’ll go first.

The Riordanverse (Percy Jackson and its spin-offs) is hands-down one of the best examples of mainstream queer representation for kids. It was probably the biggest formative element of my early queer journey, and I am so grateful for everything Rick Riordan has done for the community. I will continue to support him and his works with all of my heart.

That being said, he has a problem with squeezing his representation into the very last pages of the book, confirmed but not explored. We have three confirmed queer relationships involving demigods:

Nico and Will, confirmed in the last chapter of the series

Piper and Shel, confirmed on the very last page of The Burning Maze.

Magnus and Alex, confirmed in the last chapter of the series (they did kiss a bit earlier)

P.S. I forgot about Lavinia until just before posting, but her entire lesbianism also is introduced and concluded in the span of about a page.

As you can see, it’s extremely consistent. Like I said, these are the only three examples of queer teenage relationships over Riordan’s five series, and they all happen right at the end. We also find that most of the straight pairings (Percy/Annabeth, Frank/Hazel, Jason/Piper, Tyson/Ella, and even things like Hedge/Mellie are confirmed in the middle of the series and given room to grow our at least be referenced back to.

It’s unclear whether this was a conscious or unconscious decision. Perhaps Riordan felt constrained by his publisher. Perhaps he was afraid that he didn’t have the proper background knowledge to accurately write the details of a queer relationship. Both of these are understandable and valid, if a bit disappointing, and I would much rather that he wrote them as he did than not at all.

However…

The good news is that it seems like he’s trying to fix it! He sprinkled in enough of Will and Nico in the first book of the sequel series Trials of Apollo for me to forgive him for their lackluster confirmation in Heroes of Olympus. But then he surprised us all by making Nico and Will two of the five main characters on the Trials of Apollo’s finale (The Tower of Nero), and I can tell you that the fandom ate it up!

But in case that wasn’t enough, soon after the release of The Tower of Nero, Riordan announced The Sun and the Star, now set for release this May! In this book, Nico and Will are the protagonist and deuteragonist, meaning the story will be entirely focused around them! And just to make sure Riordan absolutely knows what he’s doing, he’s decided to co-write it with a gay author Mark Oshiro to make sure they can represent the characters accurately!

And… and the best part… Riordan has done his fair share of novellas and short stories, and ever since the announcement I had assumed that that’s what this was, but no! It’s a full-length book with 480 pages! To compare, that’s strangely enough the exact same page count as The Tower of Nero! I’m so blown away by how much Riordan has gone above and beyond with this book, and I’m insanely excited for it. Sorry this turned into The Sun and the Star propoganda, I didn’t know that the publication date was so close or how long it was until just now.

Anyway, where I’m going with this is that I have extreme respect for a creator who’s willing to listen to feedback from the kinds of people he is writing about and constantly grow from those mistakes! He’s still by far my favorite author of all time. Love you, Uncle Rick!

#lgbtq #rick riordan #solangelo #nico do angelo #will solace #magnus chase #alex fierro #piper mclean #percy jackon and the olympians #trials of apollo #heroes of olympus #magnus chase and the gods of asgard #the sun and the star

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ianthe-is-a-bitch-and-i-love-her · 4 months

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@meowyautistickitten you didn't explicitly say, but I'm gonna limit myself to books with a butch or masculine woman as a primary protagonist. Since you didn't specify genre, I'll try to give a variety, and I'll focus on characters who think about themselves in butch or masculine terms, rather than just those with a butch or masculine style.

Backwards to Oregon is a historical romance novel about a woman named Luke who lives primarily as a man and is traveling the Oregon trail in the hopes of starting a horse ranch. She has a run in with a prostitute named Nora and her young daughter and, on an impulse, offers to marry Nora so that her daughter can grow up with legitimacy and better prospects. What follows is a very sweet romance obstructed by the fact that Luke is desperate to keep her true gender hidden from Nora, while Nora is desperate to figure out what the fuck Luke's deal is and how she can make sure she and her daughter don't get abandoned. You could probably construct an argument for Luke being transmasc of some variety, but my read was very much that Luke's main objection to being perceived as a woman is all the limits that would put on her behavior - they wouldn't let a woman wear pants and be one of the boys, after all. Be aware that this is set during the US westward expansion and is not particularly interested in interrogating the ethics and politics of that movement. It's not egregiously racist towards native Americans, but their voices definitely aren't being centered. Also, on account of being an older book, some of the ways the author writes about gender read weird to a modern audience.

She Who Became the Sun is historical fantasy fiction following Zhu, a peasant girl in Yuan dynasty China who steals the identity of her dead brother to try to avoid her prophecied fate of oblivion, and winds up involved in a rebel movement. This one has romance, but is much more focused on political and military maneuvering, with a large emphasis on interpersonal conflict. Fair warning that the time period is both brutal and quite prejudiced, and Zhu is absolutely ruthless. Zhu is also much more gender ambiguous, not necessarily butch - her modes of behavior with people who know that she is not a cis man, and the ways she thinks about herself, read to me as some shade of nonbinary.

The Traitor Baru Cormorant follows the titular Baru as she works to infiltrate the government of the imperial power that colonized her homeland and bring it down from within. The series deals extensively with gendered expression and expectations and how those vary across cultural lines - I don't know that I'd call Baru strictly butch, but she definitely enjoys playing a masculine role from time to time, with one of her plots later in the series hinging on the fact that a particular culture would consider her a man because of how she acts and presents herself. This is probably my favorite series of all time; if you somehow hadn't heard about it from me already, be warned that these books deal extensively with colonialism, homophobia, sexism, and racism, and they don't pull any punches. The first book will probably break your heart - if you don't do well with tragedies, then approach with caution.

Hopefully one of those sparks your interest! Thanks for the ask :)

#asks #meowyautistickitten #the wlw review

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ramiethewizard · 4 months

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I have many critiques on Keeper of the Lost Cities. Don’t get me wrong, I love it as a series. But like any series, there are both obvious and unobvious flaws. Since I finally have a place online to talk about them I thought I’d share my thoughts! (Disclaimer: this is not bashing on Shannon Messenger or the series in any way!)

1. Too many protagonists

The series was fairly okay with the original gang in the earlier books. That group being Sophie, Keefe, Fitz, Biana, and Dex. There was a chance to connect with all of the characters and grow on each of them. I know I know, characters like Biana and Dex were still pushed aside a bit but they had a better chance at being involved again. But then only more and more protagonists joined. Adding Tam and Linh was iffy, but fine. Then you add Marella, Maruca, Wylie, Stina, all those people. We don’t have a chance to connect with the characters.

2. Obvious favoritism

A few people have pointed this out already, and I thought I’d do the same. Shannon has very clear favorites of the series - which is fine, don’t get me wrong. But sometimes it’s used a little too much. Keefe is a very obvious favorite. We constantly focus on him and his story. At this point, Sophie AND Keefe are the protagonists. I love Keefe, but I want to learn about the injustices and discrimination of Bad Matches from Dex. I want to learn about the expectations of being a Vacker from Fitz and Biana. See what I’m saying?

3. Little plots abandoned

I feel like there have been so many times where Shannon starts this little idea and then throws it away. If you reread the books, you seem to find so many instances where there’s something, and then it’s just abandoned. For example, Magnate Leto (Forkle) says in I think Exile how he doesn’t have a wife and he seems quite sad about it. Or the time in…Flashback I believe where we meet Tinker. Tinker is such an interesting character. She freaks out when Forkle talks about explosives and he said that he wouldn’t make her build them - ‘not again’. HUH? And we’ve gotten no more out of it.

4. Overly focused on romance

Probably my biggest pet peeve with the series is that it is so so focused on romance. Having romance in the series is fine but there’s so much. I feel like Sophie barely even has any character left. You can tell that Shannon was just really excited to write the romantic relationships because even in the first book (WHEN SHES TWELVE) there are already intense moments. And the biggest thing is that characters like Keefe and Fitz (the love interests) are so much more important than characters like Biana and Dex (the friends). It’s a weird thing because Sophie should be apart of both groups but there’s just a weird focus on the guys that she’s into.

5. Lack of diversity

This is something that I think should just be improved in general. Most of the protagonists are very stereotypical and don’t have any diversity. Most of the main characters are white - which is fine but when it gets to be that ALL of the protagonists are, it just gets a little…you know? I mean, Tam, Linh, and Wylie are not white but they’re also not focused on at all in the series. It’s one of the reasons why people headcanon the Vackers to be POC so much. There’s also no LGBTQ+ characters - which again, fine for the most part but also…people of the queer community are incredibly common and the KOTLC characters seem so…not straight. So the fact that it’s been like ten books and there hasn’t been anything is just a little eh. Same with mental health, or physical abilities. Just a lack of diversity.

I love this series a lot, but like anything, it can always improve. Thanks for coming to my Ted Talk.

#keeper of the lost cities #kotlc fandom #kotlc thoughts #dex dizznee #fitz vacker #keefe sencen #sophie foster #biana vacker #tam song #linh song #writing #shannon messenger #books and reading #books

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elvensemi · 9 months

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I'm Publishing Serial Webnovels

Hi guys! I'm @elvensemi, and some of you might know me from writing Dragon Age fanfic Keeping Secrets, or from writing weird gargoyle porn with @unpretty, or from that time I accidentally told a popular blog I write dragon porn on my main blog @solitarelee, or maybe from that one fanfic where the knight with a crossdressing kink fails at slaying a dragon so hard he gets seduced!

I've graduated college, and you know what that means! Student loans Free time! And so I'm finally pursuing my long term dream and publishing serial webnovels. The short version is: ebooks, I'm publishing ebooks via Patreon to see if it works because I don't want to deal with Amazon and marketplaces. Chuck Tingle does it, kind of!

I am writing such things as!

The Problem with Faeries An urban fantasy series for fans of Holly Black, featuring faeries and a librarian who has been cursed by a witch to turn into a tiny dog at night.

Everything at Once A coming of age fantasy novel set in a post-post-apocalyptic world full of many monsters and very few humans, with a nonbinary (genderfluid) protagonist and a rotating cast of gods and monsters.

The Demon Isles An adult romance series set in the same world as Everything at Once, this one's for the monsterf*ckers. Step into the shoes of an escaped slave who's been stranded in Fantasy Australia But All The Dangerous Things Can Be Seduced.

A Place Among the Stars An adult sci-fi political space opera that is also technically just solidly omegaverse sm*t plus space dragons. That's right, one of my friends dared me to write omegaverse and I overdid it and now they're aliens! All for you my friend.

Novelizations of works that previously existed only as RPs, such as Sanctuary and The Kingdom of Aeris.

AND SO MUCH MORE.

For $5 you get access to SFW material, and for $10 you get access to that and the things that are not SFW. You can view a full summary of the serials I'm working on at tinyurl.com/SemiSerials , or click the read more.

The Demon Isles (NSFW, Second Person)

Oceanside is a world full of elves and gods, monsters and magic. You, however, a human with no magic, no martial training, and a fear of... most things. Stranded on an unfamiliar island full of monsters, you must learn to harness humanity’s true power in order to survive. The issue with that is, as far as anyone can tell, humanity’s true powers are friendship and fuckability.

The Demon Isles is a erotic, second-person monsterfucking romp through the dangerous Demon Isles. The second person character is referred to by gender neutral terminology and they/them pronouns, physical appearance left ambiguous. Sex scenes have two versions with different sets of genitalia for the main character. Tags and content warnings are available for each chapter.

The Problem with Faeries (SFW, Third Person)

The problem with faeries is that we love them. We know all the sharp and cruel ways they twist us apart and we love them with a helpless, hopeless foolishness that never fades until it destroys us.

Bree is a human living in Valesport, a small town on the east coast of the United States that functions as a secret haven for the supernatural. As a cursed human, it’s one of the safer places for her... at least, safe from other humans. Everything else Valesport has to offer remains a threat. She’s already had her run-ins with werewolves, vampires, and whatever the hell Jean Cernunnos is... so, in retrospect, she was probably due to get into trouble with the Fae.

A fan favorite finally finding a venue of publication, The Problem with Faeries is a SFW urban fantasy with a side of romance perfect for fans of Holly Black. It is third person and follows the point of view of the protagonist, Bridget “Bree” Corey, as she finds herself tangled up trying to navigate faerie drama and her own personal feelings, neither of which she is particularly equipped to handle.

Everything at Once (SFW, First Person)

Babs wants everything the world has to offer... everything except what it’s actually prepared to hand over. As the eldest child of the ruling noble family--or what passes for it--of the only human village remaining old and large enough to still have a ruling noble family, even if just in name, Babs’s whole life has been laid out in front of them since the moment they were born. And they want none of it. However, after a bold escape from the village they knew all their life, they find themselves adrift in an unfriendly world of monsters and magic that seems much larger and much less friendly than they had hoped.

Everything at Once is a SFW fantasy novel set all over the world of Oceanside as our determined protagonist, Babs, attempts to explore all there is to explore and experience all there is to experience (it is possible they have not thought this through). Babs is a non-binary, gender fluid illusionist referred to varyingly by he, she, and they pronouns based on presentation. The story is a first person mixed POV exploring a wide range of characters and topics, but always staying focused on the many transformations of the main character as they learn what it is they want... and what it is to want.

Future Projects: Projects that are in development but do not have a set release date yet.

A Place Among the Stars [Working Title] (NSFW)

A Place Among the Stars is a NSFW erotic political space opera featuring Omegaverse style aliens and also space dragons, amongst other alien races. It features two protagonists: an exiled and excommunicated Saint who once led a cult that threatened the peace and stability of his homeworld, and a mid level government official presiding over the walled ghetto where the Ab’ed keep all foreign visitors and immigrants to their planet. They quickly find themselves entangled: politically, as the Saint once again threatens the stability of the world around him--in more ways than one--and sexually, as the tension between the two reaches a fever pitch.

Sanctuary (NSFW, Third Person)

Most people would consider Ren unlucky. After all, she’s been homeless since she was a child, has no living family she knows of, and she was recently kidnapped by sex traffickers and ripped away from the city she had been living in for years. But as far as Ren is concerned, she’s the epitome of good luck: not only has she survived all the things life has thrown at her, but she’s escaped said sex traffickers and even found shelter in an abandoned, boarded up cathedral. The fact that the cathedral, undisturbed for a century or more, is home to a guardian whose only experience with the world is violently murdering intruders, well... once again, whether that’s good or bad luck is based purely on interpretation.

Sanctuary is a NSFW urban fantasy erotic romance featuring a cis female protagonist and a male (as these things go) gargoyle love interest, as well as a mix of other romantic interests (primarily M/F with some F/F or NB/F thrown in). Tags and content warnings are available for each chapter. This fan-favorite returns in serialized, ebook form for easy reading. Follow Ren’s journey anew from mixed perspectives as she explores the streets of Valesport and finds something she’s never had before; a place to call home.

#writers on tumblr #writeblr #webnovel #writing #authors of tumblr #fiction #web series #web serial

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1moreff-creator · 9 months

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Happy Birthday Teruko Tawaki!

It's the protag's turn for a birthday post! You know what that means! Small character analysis, fun facts and songs that remind me of her! Let's celebrate! Just make sure to bring out the fire extinguisher before lighting any candles... actually just keep the extinguisher handy in general :v

-Being the protagonist of the series, we actually know quite a lot about her backstory. Enough to know it's quite sad in general terms. This is because she appears to have supernaturally horrendous luck, which she claims affects her and those around her. She's mentioned several instances of highly unlikely, unlucky situations she gets into constantly. From washing machine explosions, vehicles crashing, theaters being "too flammable" for her, all the way to being stuck in a killing game where she gets betrayed, stabbed, her friends die, etc.

-She's an orphan who's never known her parents. She had a brother who was compassionate, but constantly hurt by her misfortune. That brother got adopted when Teruko was around five, and she's never seen him since.

-She doesn't have an ID, which meant she had to attend schools by stealing uniforms and infiltrating them. She then usually gets caught and repeats the process several times a year. She is also in a lot of medical debt as a result of her constant injuries. Given all of this, she actually prefers living trapped in the killing game, though obviously she'd rather not have people killing each other around her.

CW Suicide

-That said, it seems her luck prevents her from dying. She told Xander that she wouldn't die because she was the Ultimate Lucky Student, and it was implied she's unsuccessfully attempted suicide by hanging.

CW over

-This misfortune has led her to develop a tremendously pessimistic view of the world and her life, believing her fate can't be changed and resigning herself to her bad luck.

-This also extends to her relationships. She tried to be amicable at the beginning of the killing game, but after Xander stabbed her, she decided to stop trusting everyone else. She now carries around her unique weapon, a hunting knife, for self-defense. This is a pretty understandable reaction given everything she's gone through, but it will inevitably go wrong (prediction).

-Her numeral in the David MV is unlucky number 13 (XIII). Go to 1:22:20 on this video for an explanation!

-The secret quote on her page's source code is "It is an equal failing to trust everybody, and to trust no one at all." Probably something she'll say in the final trial, given that this is one of the main messages the series seems to be aiming for.

-The quote on Mai's page attached to Teruko is "Some years ago, she was searching for someone named ‘Teruko Tawaki.’"

...

-Yeah, Teruko's relationship with Mai is one of the most mysterious parts of this series. Given that quote, it's very possible they knew each other several years before the killing game, got separated, and reunited some time before the killing game. After all, Teruko does remember meeting with Mai in the CH 1 Ep 6 dream sequence. If you want to read some of my other opinions on Teruko and Mai, I'll recommend reading the related portion of this post.

-Though adding to that, Teruko and Mai seem to have matching phone charms :D

-There is a lot more to talk about with Teruko, but I'm done for the day :v

Fun facts!

-Her nationality is "legally in question", whatever that means.

-She's left-handed, the only lefty in the cast!

-In kanji, her name is spelt 田脇【た・わき】暁子【てる・こ】

-She has prosopagnosia, aka face blindness. And fun fact about me, I actually have this too! I may have learnt about it when Teruko was a bit too relatable in that one conversation-

-Her favorite color is red due to "association." Possibly because it's Mai's hair color. Her least favorite color is pitch black because it's unsettling.

-Her hair recently started turning grey, probably from stress. Wild.

-Her favorite ice cream flavor is red bean.

-Her sexuality is unlabeled.

-She smells of dirt, sawdust, and burnt smell.

-Straight from a Q&A, "Her fashion sense diverges from what she’d actually wear. Secretly she wants to wear girly, cute things, but is unable to afford that kind of thing. She likes skirts."

-She likes fresh food, food which can be prepared without endangering herself with knives and stoves.

-Her birthday, January 7th, lands on "distaff day", "I am a mentor day", "old rock day", "bobblehead day"... still don't know how these come about. I think my favorite for this day is "I'm not going to take it anymore day." That's hilariously in character for Teruko xD

Songs!

-Again by Crusher-P

-The Things I Deserve by Ghost & Pals

-God-ish by Pinocchio P

-The Medical Anomaly by RIProducer

-End-World Normopathy by Ghost & Pals

-Scapeg∞at by Ghost & Pals

-Chronic Wasting Disease by RIProducer

-Those Who Carried On by Ghost & Pals

And Happy Birthday! Well, that was fun. Now I have to deal with the meteorite which struck me midway through writing this post! Take care!

(to be clear the meteorite thing is a joke)

#drdt #danganronpa despair time #teruko tawaki #character birthday

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