#probably more realistically like

[sabertoothwalrus]

UHMMMMM what if T4T labru

[platoapproved]

louis + cruelty

[sysig]

Permission to headbutt: Granted (Patreon)

[blaithnne]

Good luck babe

[solargeist]

grian and his watcher studies

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[candyje11yfish]

wip💖

[zoe-oneesama]

Adrien’s about to have a terrible day.

Episode 43 Part 2

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Season 1, Season 2, Season 3, Season 4, Season 5

Ep 41, Ep 42, Ep 44, Ep 45, Ep 46, Ep 47

Ko-fi | Patreon

[ccelicaa]

Touch

i rushed the hell out of this SO IF IT LOOKS FUNNY MY BAD but!!! just a quick thing i made in between my free time

An AU where Seolhee and Sebastian are dating during their 6th/7th year idk

(it’s kinda hard to see but Seolhee’s like playing with his shirt collar, and dipping her fingers into it ykwim)

[occasional-ratiorine]

day 13 // drawing exercise

[myfairkatiecat]

“Sophie became exactly like Keefe in Stellarlune”

Loud incorrect buzzer

Sophie, beginning in Neverseen and slowly in increasing amounts begins to pick up Keefe’s way of speaking/his form of snarkiness/his style of humor because she spends a TON of time around him and our speech patterns are influenced by those around us. Also, she got older and more confident, so a lot of her shyness melted away. But she is the girl she’s always been—just a lot more confident and making a lot more of the same style of jokes as one of her closest relationships. That is way more realistic than y’all give it credit for

[suja-janee]

I don’t really take them too seriously but here’s (almost) all my kny ocs that aren’t fan children of the hashira or any of the main cast.

I know kny takes place during the taisho period in Japan so most of my characters being of mixed race makes little sense but the way I see it, if Mitsuri can have pink and green hair or practically half of the hashira have blue/ purple highlights in their hair- then there’s no issue making them mixed 🤷‍♀️

I dunno, I think some folks on insta take this too seriously

[voidshrub]

This week may be a busy one so have this while I do things :3

They are overwhelmed

Click (all pinks) belongs to @brightgoat and Link (green) belongs to @e40536 ^.^

Based on that one sonamy(?) image (under cut)

[anghraine]

Speaking of the social context of P&P and Austen in general, and also just literature of that era, I'm always interested in how things like precisely formulated hierarchies of precedence and tables of ranked social classes interact with the more complex and nuanced details of class-based status and consequence on a pragmatic day-to-day level. I remembered reading a social historian discussing the pragmatics of class wrt eighteenth-century English life many years ago and finally tracked down the source:

"In spite of the number of people who got their living from manufacture or trade, fundamentally it was a society in which the ownership of land alone conveyed social prestige and full political rights. ... The apex of this society was the nobility. In the eyes of the Law only members of the House of Lords, the peerage in the strictest use of the word, were a class apart, enjoying special privileges and composing one of the estates of the realm. Their families were commoners: even the eldest sons of peers could sit in the House of Commons. It was therefore in the social rather than in the legal sense of the word that English society was a class society. Before the law all English people except the peers were in theory equal. Legal concept and social practice were, however, very different. When men spoke of the nobility, they meant the sons and daughters, the brothers and sisters, the uncles and aunts and cousins of the peers. They were an extremely influential and wealthy group.

"The peers and their near relations almost monopolized high political office. From these great families came the wealthiest Church dignitaries, the higher ranks in the army and navy. Many of them found a career in law; some even did not disdain the money to be made in trade. What gave this class its particular importance in the political life of the day was the way in which it was organized on a basis of family and connection ... in eighteenth-century politics men rarely acted as isolated individuals. A man came into Parliament supported by his friends and relations who expected, in return for this support, that he would further their interests to the extent of his parliamentary influence.

"Next in both political and social importance came the gentry. Again it is not easy to define exactly who were covered by this term. The Law knew nothing of gentle birth but Society recognized it. Like the nobility this group too was as a class closely connected with land. Indeed, the border line between the two classes is at times almost impossible to define ... Often these men are described as the squirearchy, this term being used to cover the major landowning families in every county who were not connected by birth with the aristocracy. Between them and the local nobility there was often considerable jealousy. The country gentleman considered himself well qualified to manage the affairs of his county without aristocratic interference.

"...The next great layer in society is perhaps best described the contemporary term 'the Middling Sort'. As with all eighteenth-century groups it is difficult to draw a clear line of demarcation between them and their social superiors and inferiors. No economic line is possible, for a man with no pretensions to gentility might well be more prosperous than many a small squire. There was even on the fringe between the two classes some overlapping of activities ... The ambitious upstart who bought an estate and spent his income as a gentleman, might be either cold-shouldered by his better-born neighbours or treated by them with a certain contemptuous politeness. If however his daughters were presentable and well dowered, and if his sons received the education considered suitable for gentlemen, the next generation would see the obliteration of whatever distinction still remained. The solid mass of the middling sort had however no such aspirations, or considered them beyond their reach.

"...This term [the poor] was widely used to designate the great mass of the manual workers. Within their ranks differences of income and of outlook were as varied as those that characterized the middle class. Once again the line of demarcation is hard to draw..."

—Dorothy Marshall, Eighteenth Century England (29-34)

(There's plenty more interesting information in the full chapter, especially regarding "the poor," and the chapter itself is contracted from a lengthier version published earlier.)

[koinotame]

boob windows. that's it that's the fic

word count: 1.1K content warnings: this is meant to be yandere au and sagau/self aware au so uh. hint of that, but mostly just crack. nothing Super Nsfw but the whole thing is raunchy and suggestive humour

characters included: mostly ei, but childe, kaeya and briefly zhongli also make an appearance with some others mentioned

a/n: this is a repost (slightly edited)! this was on my to-edit-&-repost list for a while now and this seemed like a good day to do so lol. alas this was originally written before the sumeru release so while editing there wasn't really an opportunity for me to add in wriothesley apparently out-butting zhongli or lyney's tigh high garters and i only just realised kaveh could technically also count here so uh. forgive me. i'll write something for them some day

"is… is everything alright, your grace?"

you loudly suck up another boba pearl, not moving your gaze from where it’s been lodged the past several minutes. "mm, everything’s fine."

ei fidgets in front of you, the cup held tightly in her hands still almost full. she looks unsure, but decides that she knows better than to question you. "if you say so."

it’s clear this isn’t what she had in mind when she personally came to see you instead of sending the raiden shōgun to greet and attend to you. the one time she comes out of her plane, all you’re seemingly doing is ignoring all table manners and gawking at her chest.

yes, that’s right, you’re ogling her chest. or, more accurately, you’re ogling her tiddy window.

between her and kaeya, she’s showing off much more chest. but then kaeya knows what he’s doing, while ei just seems to have it there for convenience over aesthetic…

you squint at her while you get lost in thoughts, and ei’s fidgeting intensifies.

ah shit. you forgot about itto. he wins in terms of who shows off their chest the most, you guess. he’s even wearing that… you’re not sure what to call it but tit belt fits well enough. anyway, the tit belt accentuates his pecs very, very nicely, although they do hide his nips from sight. alas.

you suppose gorou and cyno also exist, but they don’t have the same appeal. oh, and navia and la signora, but both of them are just wearing a sleeveless, collarless dress, so you’re not sure that counts either.

but then by that argument, does itto count? he’s not even wearing a shirt. cyno isn’t wearing a shirt either. and what gorou has is more of a tummy window than anything… but he does have that little window?

between gorou and childe, gorou is definitely winning though. you’d apologise for slandering your poor ajax but between the little triangle he shows off and gorou’s entire tummy out… you’re not sorry. though… there’s something to be said about a small slither of skin inviting you to stick your hands into that gorou having his whole tummy out doesn’t have.

wait, wait. you just had a genius idea. actually, two.

first of all, zhongli with a tiddy window… you are considering. then again, you guess his biggest asset is his bubble butt.

second, and way bigger: an idol group with some of your characters… but they all have tiddy windows.

"…your grace?"

you’re brought out of your stupor by ei, who is gazing in concern at you. you blink at her.

she struggles to find words. "are… are you sure everything is alright? is something not to your liking?"

it’s then that you realise you’ve started drooling at some point. shit.

you hurriedly wipe at it and clear your throat. "yeah, I’m sure. sorry, were you saying anything?"

she looks taken aback. "no, please don’t apologise. I should be the one to… I shouldn’t have interrupted your thinking."

it’s then that childe happens to walk by, and, like the attention hog he is, tries to get a foot into the conversation. you stay mostly unresponsive while the two chat (which seems to be mostly childe trying to hold a conversation with you while ei admonishes him), your eyes drifting back to ei’s tiddy window.

you really could stare at that for the rest of your life.

childe then follows your line of sight and chokes.

…though more because of him trying to laugh while choking on the dango he was eating than embarrassment at having caught onto your very appropriate thoughts.

ei looks confused but makes no move to help him other than pushing his head away from the table so he doesn’t make a mess. you honestly can’t bring yourself to be embarrassed.

he finally manages to swallow properly (you almost want to pat him on the back and praise him for swallowing like a good boy) before turning to you.

"do you want me to strip? my chest looks much nicer, I assure you."

you and ei stare at him.

he raises his eyebrows, pointing at her. "her skin looks way too soft and pampered." she looks almost offended. "mine’s covered in scars and I have actual muscles, doesn’t that feel much better for fondling?"

"what if…" you lean closer to him mischievously, like you’re about to tell him some big secret. "I prefer soft chests?"

he deflates. ei flushes, ducking her head into her still-near-full cup of bubble tea. "well, if that’s what you prefer… I can’t get rid of the scars, but I can stop working out. hmm…" he looks like he’s starting to make serious plans.

"no, I honestly don’t really care. all tiddy is good tiddy." you clap your hands. "anyway! it’s more about the boob window. you already have a (sad) tummy window, so it wouldn’t work."

"why not? wouldn’t that be double the sexy?"

"no, it cancels out."

you’re going to ignore whatever gorou has going on, because that works pretty well.

ei looks unfathomably lost.

"and anyway, if we’re talking about tummy windows, gorou wins."

he deflates further.

then he perks up.

"what about…" he brings his fingers to his face. you think it’s an attempt at looking cool. "butt window?"

you deadpan. "have fun getting arrested for public indecency."

he winks at you. "I wouldn’t mind getting arrested if you’re the one punishing me."

you have to physically hold the electro archon back.

"why, I wasn’t expecting to run into any of you here. what are you three up to?" kaeya’s voice cuts through ei’s snarls all of a sudden. he seems amused, but there’s an edge in the way he eyes childe.

"I am definitely sexier than any archon or soldier," childe says at the exact same time that you say "we’re discussing tiddy windows."

kaeya lets out something between a snort and a chuckle. it’s a pretty sound, but you can’t let yourself be distracted by him. he knows what he’s doing.

"oh? in that department, don’t I win?"

you stare intently at his.

"do you want to touch?"

you move your stare to his face. "am I allowed to?"

he smiles, mirth in his eye. "you needn’t ask. all of me belongs to you, and that includes my chest."

you seriously consider it and childe takes the opportunity to shove himself between the two of you.

"wait, wait! I offered first! ignore him, I’m right here!" "your grace," ei cuts in, "if you’d like to, I don’t mind you touching any part of me."

"ugh, fine, fine! I’ll just sample all of you then. if you’re sure you’re okay with it."

zhongli, somehow, picks the absolute worst moment to walk in.

the look on his face is priceless (you can’t tell if he looks offended or jealous), but even that doesn’t compare to the feeling of soft tiddy in your hands.

you were right, tiddy windows really are the best.