#probably going to make this a series

[thegirlwholikesstims]

starry night

⭐️ ✨ ⭐️

✨ 🌙 ✨

⭐️ ✨ ⭐️

divider by @thecutestgrotto

[ciderjacks]

despite Laios low self esteem making him think that if he’d been eaten, Chilchuck and Marcille wouldn’t have helped Falin,

theres a small part of me that thinks the reason Chilchuck stayed with the party and went back in the dungeon in the first place was because he didn’t want to leave Laios alone. That Laios was moreso the reason he stayed.

[tibby-art]

erm what the grian

[hellenhighwater]

I was doing research on the ArtPrize thing, because research is how I handle very nearly any issue, and I'm trying to set my expectations reasonably, given that it's one of the largest and most lucrative art competitions in North America. And I was reading up on the voting process, because some of the prizes are awarded based on popular vote. The first vote by an individual has to be placed on a smartphone in the geographic region of Grand Rapids, MI, but subsequent votes (one a day per entry) can be from anywhere, so long as the phone started in GR. There's $600,000 in awards and grants this year, so voting matters in determining who gets not-insignificant amounts of money.

You know how many votes were cast last year? 30,000. Thirty thousand. Across every category, not just for the winning art piece. That is not actually that many votes. I have more than that number of you right here, my poor captive audience.

Now, if I can just figure out how to get all of you into Grand Rapids during the month of September, I'd have this in the bag. It wouldn't have to be for long. Just a brief convention of fellow tunglr users, for just a moment, just a quiiiick....dash...c

[batri-jopa]

I love my life highly satisfied just being myself

(Check the OTHER VERSION too✌️)

[pharawee]

I'm alone. There's no one else here, really.

[stupiderat]

I absolutely adore the 72 version of moomin, so here are some doodles of snufkin becoming like his dad!

Twitter | Tiktok

[red-velvet-0w0]

honestly the reason I love life series and that sort of content is because you hear the line "I think were soulmates but youre too busy chasing fairies!" and you think its from some sort of complex drama but no its just 2 queercoded cube men

[hypewinter]

Bruce was busy sweet talking yet another heiress at the gala when he felt a tug at his suit. He looked down to see a child very reminisce of his own brood.

The child looked up at him with big blue eyes and asked, "Do you have games on your phone?"

[tswwwit]

Cipher's Personal Portable Portal

'How they meet' won the poll!

So just to make things fully contextualized, as far as they're gonna be - here's the full first chunk of this stupidly long fic I'm writing.

I hope you enjoy!

Standing in the wreckage of the burnt-out building, Dipper wishes he didn’t know who did it.

Anyone else would have left some trace sign. A scrape of blood, a hint of burnt hair. A friggin’ decent eyewitness report, even.

But here, like last time, and the time before that, and the time before that - there's absolutely zero traces. No video footage, nobody around at the time of the crime. Not even footprints.

Dipper kicks one of the remaining supports, sending a puff of charcoal up from the impact. 

If he knew the bastard’s name, he’d curse it all to hell.

With a sigh of exhaustion, Dipper sits on a chunk of scorched foundation. He pulls his shoe off to tip the ashes out of it; there’s enough that the resulting cloud leaves him coughing. 

Around him, the scoured west wing of the museum is silent, still, and empty. A grey-black skeleton of its former self, filled with dust and charcoal.

This arson is yet another one in a very, very long line of crimes. They’re not just ‘unrelated incidents’, or ‘bizarre coincidences’. Dipper’s not ‘being paranoid’ or ‘coming up with some pretty weird conspiracy theories’. 

There’s only one person who could manage this. The same guy who turned a bank upside down - literally -  and the same one who impaled a mob boss on an oversized silly straw and gave tails to half of a household last week.

It’s all connected.

Each crime is marked with the same style, mostly by how remarkably weird they are. Along with a thread of magic, distinct in its composition. One so distinctive that it's almost a flavor. Though admittedly, without certain magical analysis, it’s pretty hard to detect. 

And if other freelance magicians would take the time and look at Dipper’s notes, maybe one of them would help find this asshole.

Dipper stalks through the burned building, fists balled in his pockets. He stumbles over a fallen support column, and nearly trips before he makes a hopping retreat back. 

Though the culprit has been at his game - whatever ‘game’ that is - for a good half a year now, this is the most destructive ‘incident’ so far. Nobody was hurt, since it happened in the middle of the night. The one relief from a terrible crime, that only objects were obliterated in the process - 

But the ashes speak for themselves.

Here, there’s nothing left.

He breathes in slowly. Then regrets the attempt at calming himself as he coughs again.

Whatever the culprit’s initial motive was, it hasn’t lasted. He’s grown not only in ambition, but also in his abilities. Things are escalating at a rate Dipper doesn’t like to think about.

Someone has to get to the bottom of this. Before it’s too late. Dipper’s got his number, metaphorically speaking, so. Well, might as well be him. 

And when he proves that all of this chaos was created by the same person - 

Well. A little boost to his meager reputation couldn’t hurt. Maybe a few medals and accolades. There isn’t a trophy for best monster hunter, but he can imagine standing on a podium and -

Dipper waves that thought off, swearing under his breath. Stupid. He has better things to focus on.

He’s the only freelancer on the case. Definitely the only one taking this seriously, the only one who thinks it’s the same person to begin with -  and even he’s starting to have some doubts about ever finding the bastard. 

Six months of tracking this guy down, and what does he have to show for it? A ramshackle compilation of incidents, a vague feeling of magic, and a description that could fit any bottle-blond actor with bad fashion sense. Scraps. He might as well pin them up and connect them with red string for all the good it does him.

Another kick sends Dipper hopping back, clutching his foot with a swear. He winces at the hole in the tip, he nearly punctured his foot on a nail.

Just his luck. Wrong place, wrong time, always just barely avoiding disaster. Dipper shows up whenever there’s an event, he’s got the means to follow the guy - but he’s always just a little too late.

Even worse, lately the guy’s been picking places… not at random, exactly. More like he causes trouble wherever it’d be the most annoying to follow.

The culprit must know someone is on his trail. But he’s not making it impossible to keep up, or even majorly difficult for a determined pursuer. Just really, really irritating, like making moves at three in the morning, or pausing just long enough for someone to catch up, then heading right back where he came from. At one point Dipper had to trudge through a literal swamp, only to find that bastard had sauntered in by baking himself a neat little trail right through the damn thing. There wasn’t even footprints to follow.

It’s a repeated point in Dipper’s notes. Whoever this is, they’re a total, absolute dick.

With a sigh, Dipper runs his fingers through the ash on the museum’s floor. Not a single thing is left beyond the shattered glass of some display cases, and the charred remains of the building. Even the enchanted metal tools have been melted into slag. 

The day before yesterday, he could tell something was up. Building energy, something that felt like it was made by the culprit. Something with the twinge of a powerful curse, coiled and being wound up like a spring. 

Dipper spent that evening convincing - okay, maybe also bribing, thank you Stan for the idea - the museum to let him borrow materials. The day after that, he spent all night, morning, and most of the afternoon running around slapping up anti-curse emblems. The entire south of the city warded, in a fine careful net of spellcraft. The work was exhausting. Both in running around, and in the amount of magic he’d needed to use.

But it was worth it. That evening, in the quiet and very uncursed city, all the emblems activated. Dipper would have sworn he sensed someone in the distance, cursing his own name. That night he went to bed with a smug sense of satisfaction, floating on a cloud of triumph.

Which is probably why the bastard burned down the museum next.

With another sigh, Dipper tucks his notebook back into his knapsack. He’s gleaned all he’s going to for today; in the fading evening light, searching more is pointless.

So much for all the magical artifacts. Most of those had come in really useful in messing with the guy. 

…How the hell did the culprit know where they came from, though? He’d need a near encyclopedic knowledge of artifacts to know which ones Dipper used, then track them back to their origin. 

Or maybe he just searched on the internet. It’s hard to tell.

Dipper just wishes there were more clues. But just like every other incident, the guy up and freakin�� vanished.

No human can disappear like that without some very irresponsible use of power. That hope is one Dipper’s hanging his hat on. After six months? He has to be reaching his limits. He’ll burn himself out before he can manage too many more incidents. Maybe Dipper will find him by stumbling on his withered, dissolving corpse.

Whoever this is is pretty strong, but no power is infinite. He can’t hide forever.

It can’t be too much longer. Won’t be. Dipper has a plan, he’s gotten really close, and - He’s good at his job, damn it. He knows he is. 

Taking a deep, slow breath, Dipper lets it out. Patience is the name of the game here. He’s just gotta keep moving.

One day, he’s going to catch up with that bastard. He’ll see the guy in the flesh. Then he’ll grab that stupid dick before he can escape, again, and wipe that presumably smug look off his probably ugly face.

Turning around one last time, Dipper surveys the destruction, stuffs his hands in his pockets - and pauses. 

A speck of light glints in the pile of ash. The last bit of evening sun, shining off a metallic surface.

Alert with surprise, Dipper scrambles over to the pile. Kneeling down, he brushes the dust carefully aside, careful not to disturb anything fragile that might shatter if handled wrong. 

One thing did survive. Thank fuck, it’s not an absolute total loss. Just, uh… Ninety-nine percent of it.

He scuffles through the still-warm ashes, cupping his palms underneath the lump and lifting it from its bed. The motion sends white puff rising up as ash slips away from the artifact.

A small black, squarish thing rests on the pile, a bit larger than both his palms put together. The material is faintly warm from residual heat, insulated by the ash it laid in - and there’s not a mark on it. Not even a scratch. 

Dipper turns the artifact over in his hands with a frown. The shining black surface reveals no obvious buttons or secrets. Just a kind of phone-ish shape, though more square and squat. If he didn’t know any better, he’d say a guest dropped it on the rush to escape. 

The fact that it’s still intact though. Nearly glowing with magic, a tremulous feeling under his palms - this is not dropped by some clumsy tourist. Not even Ford could put this together.

 Wiping at the object with his sleeve, Dipper manages to clean off most of the smooth surface. On one of the sides, dust clings to the thinnest of engravings. The very faint outline of an equilateral triangle. No runes or other magical scribing, just… a shape.

Dipper thinks back but - no, he doesn’t remember seeing this in the collection. A quick check online reveals…

Basically nothing. There are - were - a bunch of stone and metal slabs in the archives, all described so poorly as to be useless. Some are even bunched up in groups. ‘Magical slab 1-24’ and ‘Metal artifact 1-78’, no description involved.

Not surprising. Probably dug up in some mass excavation site, transported here, then never really looked at again. The bulk nature of the shipment means it was overlooked, its magical properties never discovered.

After today, he’s just glad that even one item escaped this onslaught. 

The other artifacts must not have had much to them. But some magical property in this artifact’s making must have saved it from the blaze. Fireproofing, perhaps? Against weird fire? That’s unusual. Maybe even unique.

As the only survivor, it really needs investigating. 

Dipper glances over his shoulder, then around. With everyone evacuated, it’s quiet in the rubble. Nobody here would notice if, say… a clue wandered off.

The artifact slips easily into his pocket. The shape conveniently looks just like a phone, even if the shape’s a bit off. Not something that would attract any attention.

Whistling nonchalantly, ducking out of the way of local law enforcement and any onlookers - Dipper makes his escape. 

Another day of pursuit. Another scene of disaster, the culprit there and gone in the blink of an eye. 

He’ll be up to something new, next. Never the same thing twice, never in the same place. 

Dipper will follow in his evil tracks, of course. But for tonight - his fate is another crappy hotel room. 

He ditches his backpack by the door, slumping against the wall and its chipped paint. He could start going through his notes, and the pictures of the arson. Put in more work, find further connections - 

But it’s been a long day, and he’s tired. He might be magical, but he’s only got so much to work with. A reasonable night’s sleep, if he can manage, will make the task loom less horribly over his tired brain.

With a sigh, he drops back on the mattress. There’s some bounce to it, springs squeaking like they’re full of mice. Hell, maybe they are. The type of room he can afford isn’t exactly decadent.

That, though, should be temporary. Dipper’s career is only just starting; freelancers in the ‘solving magical problems’ scene don’t get great rates. Especially as a beginner. Definitely without a partner; it makes him look super young. Like he’s just starting out, fresh-faced and not having any inroads.

Because this field is really stupid, and doesn’t pay attention to results. Dipper’s been fine on his own for years, and he’s done really cool things without that ‘networking’ crap. 

All by himself. Totally cool with that, because Dipper’s a cool guy, sometimes. If Mabel hypes him up enough on one of their phone calls, he almost believes it too.

Though it would be nice to have some backup, it’s hard to find someone who really gets the job. Or does it in the way that Dipper goes about it. The number of people who are willing to take long treks in hyper-magical territory to search for an obscure clue, or set up really complicated traps for  dangerous monsters, or talk over high-level magical theory while sitting in the rain all night just to get one body-snatcher are…

Well, besides Ford, who recently retired, there aren’t any. Only Dipper himself.

One day, things are going to change for him. All his effort will pay off. If he keeps solving mysteries, and fighting monsters, he’ll forge a reputation as someone who always gets the job done. No matter how hard it is, he can handle it. The work is picking up, too. The last six months have shown the biggest series of magical incidents in decades. 

And he’s gonna be the one to get to the bottom of it.

Dipper Pines, the guy who proved it’s all connected. He’ll have it laid out in facts and math, all the evidence. They’re all gonna see that he was totally right.

Once he finally gets this guy, everything’s going to start looking up. 

The sheets rustle as Dipper settles back, holding the artifact up over himself. He stares into the black surface, and a slightly distorted reflection narrows its eyes back at him. 

A good mystery always intrigues him. This one should take his mind off the other, irritating one for a while.

The only remaining object from the fire is clean and smooth. A mysterious creation, of unknown purpose. Clearly riddled with magic, too; Dipper feels it running just under the surface like a rapid current. It gives the artifact a weight that has nothing to do with mass. 

Power.

Did the criminal see this artifact, still intact after all the other magical objects were gone? Did he try to destroy it too, and fail? Or simply not notice he’d missed one out of thousands?

Whatever it is, it’s got a lot more going on than meets the eye.

Dipper casts a quick identifier, which comes back with nothing. He’s not surprised. That’s the first thing anyone would try. If it was that simple, he’d already have the full description off the site. 

With a shrug, he traces another set of runes, his own version, adding a little more oomph behind it - 

And the magic leaps back instantly, with the bizarre sensation of a bouncy ball hitting concrete.

“Huh,” Dipper says, thoughtfully. He sits up, hunching over the slab in his hands. “Now that’s new.”

A more subtle approach, then. Tracing the lines of energy with the barest brush of magic upon magic reveals something deeply complex. Thin layers twist together deep under the surface, building an entire circulatory system. Dipper has to put it down for a moment, suddenly worried that it is organic. 

When a cautious prod doesn’t get a response, he relaxes. Not fleshy, just complicated. Which also proves he was right earlier - the artifact’s just as powerful as he’d thought. The spellcraft is unlike anything he’s ever seen. 

Dipper rubs his hands together, starting to smile. 

Even if he doesn’t find the guy he’s after, figuring this out could be a heck of a win.

Several attempts later, he’s beginning to get why this bastard brick got tossed in with all the other junk. 

Nothing here is working. It simply deflects. Standard spells poing off of it like rubber, while giving his magical senses an odd, back-of-the brain afterimage of a circle with a slash through it; a firm ‘nah’. 

Dipper nearly chucks the thing across the room in frustration, before shutting his eyes and taking several, calming breaths. 

Okay, weird thing, weird enchantment. The ordinary stuff won’t work. The magical logic is… twisted in a way that leaves it incompatible with most everything. He’ll have to find a different approach. 

“What are you?” Dipper says, low and frustrated. He gives the artifact a shake, as if he can knock the secrets out like a rock from a shoe. “What secrets are you hiding in there?” 

No response, not that he expected one. With a wry smile, he taps the sleek surface with a finger, twice. “C’mon, man. Talk to me.” 

Huge yellow letters flash onto the black surface. 

HEY

Dipper throws the artifact, a bit awkwardly since he’s lying on his back. It sails in the air in a high thin arc, landing with a thump between his legs. He scoots rapidly backward, sheets pulling up behind him. 

The artifact lies where it landed, an unmoving brick.  There’s magic in the air now, but no sense of any spell building, ready to unleash power to blow his face off. The latent spellcraft of the artifact has just been activated.

More text displays on the surface, bare except for the glowing letters. 

To the jerk that’s swiped my private stuff: You got some nerve! I expect this back by interdimensional mail in a week, or trust me - there will be consequences.

Dipper waits a full minute before he lets go of the headboard. Tentatively, he kneels near the…

 Is this a phone? 

Clearly it’s a communication device of some sort, with the freaking text messages. A phone is the obvious equivalent, only - he thought it looked far older than that, something way before mobile phones. Possible ancient. Is that a coincidence, maybe, or is it secretly modern?

Dipper taps the ‘screen’, just below the glowing words. To his surprise, there’s actually a keyboard, what the hell. This thing keeps getting weirder.

Since it hasn’t already thrown a horrible curse at him, or burst into flames - it’s reasonably safe to assume that it’s simply ‘on’. Not ‘explosive’. 

With hands that are definitely not shaking, he picks it up, and types,

Who is this? 

His own text pops up in blue. A strange contrast to the yellow, but he’s guessing it’s for convenience - there’s no bubbles to tell who’s said what otherwise.

A few seconds of nervous waiting later, there’s a response. 

Oh hey, you answered! Well, human - You’re talking to the one and only Bill Cipher, Dream Demon, all-powerful master of the Mindscape! I’d say it’s nice to meet ya but you’re not supposed to have a direct line to me!

Dipper raises an eyebrow. 

Now that’s one hell of an introduction. It might even have been interesting, if it didn’t smell of complete bullshit. 

Complicated spellwork, sure. Incomprehensible architecture? Maybe. Dipper can admit it; he’s never seen anything with a web of spells on it this complex, in such small of a package.

But the idea that Dipper just stumbled onto a demonic artifact of all things. One that wasn’t instantly detected, recorded, then ritually destroyed is…

Someone’s fucking with him. 

Dipper rolls his eyes as he types back,

Really? Demon? You can’t expect me to believe that. 

What, you calling me a liar? ‘Cause I am, but not about this! I got better things to mislead mortals about. This is my property, not something for your grubby mortal mitts.

Dipper snorts. Guess this person’s sticking with the bit. Obviously whoever created this would want it back - but too bad. Whether they’re delusional, stupid, or just a flat-out liar, they’re really good at enchanting. It’d be a waste not to study their work. 

He lies back on the bed as he replies.

Sure, have fun roleplaying, or whatever, it doesn’t make a difference. Finders keepers, losers weepers.

ARE YOU CALLING ME A LOSER. MORTAL.

Hmm, I’m detecting a certain amount of ‘crying about it’, so. Yeah. Suck it, loser.

Smirking, Dipper settles back - then his half-smile drops, as he holds the ‘phone’ a little further away from himself. 

Though the blue fire building up in the screen looks like a bad sticker effect, the artifact’s also getting a alarmingly warm. It vibrates in his hands - then suddenly stops, cooling down. 

Ha! Alright, alright, I admit - you got some balls.

Maybe you’ll change your tune once you REALLY know what you’re dealing with! Might wanna check the connection, if you’re even capable of it! Mortal magic doesn’t reach across dimensions!

With a grimace, Dipper taps his fingers on the phone. It’s slightly cooler now, but still worryingly reactive to… whatever happened on the other end. 

Damn. Whoever this is, they’re not only really really good at enchanting, they’re also pretty confident that tracking them down won’t spoil their game. The confidence exuding from this ‘Bill’s’ words feels genuine.

Honestly, though, the suggestion is a good one. Dipper should have tried to trace the call the second he knew someone else was on the line. 

Maybe ‘Bill’ thinks he won’t manage to find him. Joke’s on him, though; Dipper’s amazing at finding stuff. He’s the best tracker of magical anything in years. Maybe decades. With a solid, stable connection right in front of him? Hell, he could do this one in his sleep. 

Time to call the bluff.

He casts the tracing spell, though it takes longer than usual. A few gestures and muttered ritual aren’t gonna cut it; he has to improvise around the strange construction of the enchantment. Even trailing along the magic seems harder than usual, like it resists mixing with his own, and it takes him a few attempts to match the signal. 

Once he finds the right way to tune it… the lead snaps along the already-existing connection, and zips away to find its source.

The line extends out from the shabby hotel room, a plucked string in Dipper’s senses. It twists around the phone, rising slowly. Invisibly passing through the walls and the - 

Ceiling? Dipper looks up on instinct, even though nothing is visible.

From there it swirls around in the air like a silly straw on steroids, and then - out, very far, in a way that isn’t up or down or left or right, just  

Away.

Dipper has to cut off the tracing spell before vertigo has him reeling. The swirling sense of standing on top of a skyscraper is followed by a flip in his stomach. That he’s using a device he barely understands that reaches out into something even more incomprehensible.

He drops the phone-artifact, trying to clear his head by shaking it rapidly. 

That’s not nearby. Not on this planet. Possibly, genuinely, not even in this dimension. 

Shit. Bill wasn’t bluffing.

Dipper wipes sweating palms on the sheets. To pick up the phone again takes an effort, willing himself to grasp it in unsteady hands.

A demon. 

All the monsters he’s fought, curses he’s broken, years of work tucked into his belt, and he’s never seen one of those. 

Demons are dangerous, evil, and very, very powerful. Consorting with them is by all accounts a terrible idea. He should never have picked this up. He should hang up, and throw the damn artifact out the window, hoping that nobody else makes as dumb a mistake as he just did. 

On the screen, there’s a long long scroll of yellow letters, filling the entire surface. ‘HA HA HA HA’ over and over and over again. 

Before he can think better of it, Dipper starts a response. He’s halfway through a sentence - what the fuck, that’s not funny- before he pauses.

Terrible evil monster. Stupid powerful. Probably Bill sensed the tracing of the connection, like he did with Dipper’s other testing. Bill wanted the result startle him. Because he thinks it’s funny.

Dipper grits his teeth, and glares at the screen. 

Actually, screw this guy. Dipper’s keeping the stupid phone. If for no other reason than spite. This ‘Bill’ guy seems pretty full of himself, like he’s totally above some human. He’s in for a bad time, then, because Dipper’s not going to let one little surprise scare him off.

Besides.  The average guy would get into horrible, even deadly trouble, whereas Dipper… sort of knows what he’s doing.  No, he is good at his job. Finding secrets, solving mysteries, thwarting evil jerks who think they’re oh-so-hilarious, the whole shebang. He does it all.

Taking another breath, hissing through clenched teeth - Dipper lets it out. Losing his temper isn’t going to help deal with an extradimensional being. He has to be careful.

He thinks for a long moment before he responds. 

Okay. Let’s say I believe you. Maybe. Then you should know I didn’t steal your… whatever this is. I found it lying around, and I just. Got kind of curious. 

HA HA HA! Of course you were! Careful with that impulse, kid, it kills more than just cats!

A jerk who definitely thinks he’s hilarious. Dipper rolls his eyes, then, rather pettily, decides to ignore that statement. 

More pressing questions take the lead. Like what the fuck he’s holding right now, and if there are any other nasty tricks in store. A little bit of him, bubbling under the surface, wonders what being a demon is like. What they get up to, common habits. Ways they could be tracked down and, y’know, defeated, maybe. 

Theoretically, he’s got a line to a bunch of innocent, totally not-thwarting-related information that could be super useful to someone trying to, maybe, be a super cool monster-fighter.

Dipper backspaces a bunch over some poorly thought out questions. First things first. Like what the hell he’s holding right now.

So. What is this?

Good question! The gadget you’re poking at with your sweaty meat-paws is paired to the one I have here at my place. A little one-on-one communication assistant, if you will. Once you started groping around with your magic, it wasn’t hard to tell someone had picked it up!

Dipper raises an eyebrow. Though he already has an idea… a little confirmation never hurts. 

Like, you got a notification? Or literally felt?

The latter! Kinda like smell, but by touching things with your eyeballs. And with all your prodding around you might as well have been stinking up the place! Your spells aren’t real subtle!

Hey, they’re subtle! Having weird extra senses is just cheating.

Sucks to be human, then! In that you suck at everything! What’s a LOSER like you gonna do about it?

Dipper nearly throws the stupid artifact again - but he holds back, gripping it tight. Instead he sits up, leaning down and hauling his backpack up from the side of the bed. 

Maybe Bill thinks he can’t do anything. That he’s some ignorant nobody, who doesn’t have any real skills or talent or doesn’t have any friends - but he’s got that wrong. Dipper’s not a loser. Bill’s not getting away with that bullshit.

One quick unzip and a bit of rifling around later, he finds what he was looking for. Carefully, Dipper bounces the heft of a flashlight battery in his hand. Shutting his eyes, he focuses on crafting a quick working.

Magic is all about energy, and its direction. Focusing power, conveying it from one place to another. Pushing anything across dimensions would take impossible amounts of energy, stuff Dipper doesn’t have. If it weren’t for a very convenient connection, already in his hand.

Dipper has nothing on hand to actually exorcise the guy - he’s not sure that’s even possible when Bill’s where he should be - but retribution is in order.

More text lines appear on the artifact. He ignores them. Changing this up to work with the demon device is a challenge, but after figuring out how to alter the tracking spell changing this one up isn’t hard. He adjusts the flow of magic this way, into the tangle of not-veins in the device that way, finishes the chant-

Then touches his tongue to the battery.

The jolt passes through him painlessly, following the spell. It zips along his nerves, down into his hand and from there - into the artifact itself. 

Where it should, theoretically end up right at that bastard.

Dipper tosses the battery back into his backpack. Picking up the ‘phone’, hunching over to stare at the screen. 

That worked. He felt the energy move… unless he got the math wrong. Or a detail of his spell. Or maybe demons are immune to electricity, and he just did something totally pointless. 

God. It might even prove Bill right, and wouldn’t that be the worst - 

The next line of text comes in. 

What the hell? A joy buzzer? That’s some real petty prank stuff! You seriously pulled that bullshit? And across dimensions?

A tense pause. Dipper taps the phone, checking for it heating up again - but another line pops up after a few seconds.

Y’know what, kid? I think I might actually like you! You’re FEISTY.

Dipper nearly does a double-take. 

But no, that - what? Aren’t demons supposed to be vengeful? He was half-sure he’d have to chuck the phone out the window before it exploded in his hands. 

In fact, you’re in luck! ‘Cause I’m pretty bored, and I can totally show you how to improve that jinx of yours! If you can keep up with a little theory, that is.

Because that’s not suspicious or anything. Conversation with a demon can only lead to ruin and disaster. He should absolutely, definitely stop this right in its tracks.

Still, Dipper shrugs, and types, 

Try me.

[poorly-drawn-mdzs]

you are so whimsical i qant to check out this mdzs (..??) because of your whimsical nature thank you sorry im very high and your art moved me emotionally

This is simultaneously the sweetest and funniest thing someone has sent me, thank you.

[riacte]

imo the biggest clowning evidence for false joining life series isn’t the fact that she asked grian. or the bits with ren and martyn. or that she was in scott’s escape room video. or winning demise 2. it’s actually because she was in the recent amongus stream. oh that’s a lot of evidence tbh

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[hellenhighwater]

Have you taken any pottery classes or were you entirely self taught? I REALLY want to get into it but classes are quite expensive

I took some sculpting in undergrad, but it was in the context of casting and mold-making, not ceramics. So I'm fairly comfortable with clay as a medium but not so much with clay as an end product--not being able to do armatures and having to think about firing is weird. (If I had the opportunity to do bronze casting again, though, I would, no hesitation.) That puts me in the minority of my current pottery peers, who are largely self-taught or only learned in our studio.

I do pottery now at a co-op studio space, and technically that means that I'm taking classes there--but the classes are more like guided lab time? There's not really assignments or anything, and there's only a couple other people who sculpt, none of whom are in my class. Mostly the class just means that the person in charge demonstrates a technique or two once a week and then lets us do our thing.

Personally I think that shared studio space is the absolute best way to go. You spend less in startup costs (kilns are EXPENSIVE, running kilns is expensive, glaze is expensive) and it plugs you directly in to a group of fellow artists who can help and support you at whatever skill level you're at. Yes, classes are expensive--my class is $250 per season. But for me that includes lab space, 50 lbs of clay per season, almost all of the glaze I use, kiln time, and other people doing all the maintenance and kiln loading/unloading etc. Very much money well spent.

Artist-run shared spaces are often not turning a profit on anything with studio fees, just covering operations costs, so while it's pricey, it generally is just...what it costs to do that hobby. And it is sooooo much easier to be motivated when you're going to what is, basically, Grown-Up Art Club.

But if costs are prohibitive for you to do pottery via classes, and you want to learn to sculpt, then get some polymer clay and see what you can do. It's a different game than actual clay, but form is form, and the medium is secondary to figuring out how to translate an idea into reality.

Polymer clay is relatively affordable and doesn't require nearly the infrastructure of ceramics. If you can't spend the money on classes or a shared studio, then polymer clay is a great way to develop technique and an eye so that when you're in a position to spend the money, you already have the skills to make it worth what you're spending.

[stardynamite]

While rewatching ducktales, I realised that they looove foreshadowing, they do it all the time, sometimes they even give the whole plot of an episode in the very first scenes without the viewer noticing lol.

Anyway, I realised that they foreshadowed the whole “duke of making a mess” thing that Huey had in the sword of swanstantine episode!

THE THING IS, EVEN on my first watch, I could tell that this was supposed to be a multiple episode arc but they HAD to make it shorter because ducktales was getting cancelled and I’m PISSED. LIKE ALL OF MY FAVOURITE CARTOONS, THIS COULD HAVE BEEN SO MUCH MORE.

DEWEY had his own arc where he’s trying to uncover his mom’s dissaperance with Webby. LOUIE had his own arc where he was struggling with his place in the family and HUEY. DIDN’T.

Ughhh they foreshadowed the Duke of making a mess in the intern episode and even in Scrooge’s birthday!!

Those are BOTH season 1 episodes (I’m not gonna list more foreshadowing because you get my point) SO THEY’VE BEEN BUILDING UP THIS ARC SINCE THE BEGINNING AND THEY DIDNT GET TO CASH IT INNNNN RAHHHHHH 🗣️‼️‼️‼️‼️

When watching the ONE episode where he appears, you could IMMEDIATELY tell that it should’ve been a bigger deal. I mean come onnnn, they enter Huey’s mind scape and there’s a huge closed up door??? With locks??? DUUUDE THAT WOULD’VE BEEN AWESOMMMMEEE

I’m saying all of this but this is just to vent some frustration about how animation shows will just be cancelled without the chance to say all that they’ve wanted to say… and as the one who wants to hear it: *cries and wails and pees on the floor*

Ducktales was planning so many more seasons and only got 3, like every other great animation show nowadays i fear

[spaghetticat3899]

When you absolutely despise something a lot of people like, and no matter what way you look at it you cannot see the appeal, but you know you can’t talk about it in public or else you’ll get dogpiled to hell and back, so you just kinda sit there frothing at the mouth like this