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Writing Notes: Hate

TRIANGULAR THEORY OF HATE

Typically hate is thought of as a single emotion.

But there is reason to believe that hate has multiple components that can manifest themselves in different ways on different occasions.

According to a triangular component of the duplex theory of hate, hate potentially comprises 3 components.

As with love, hate can be captured by both feelings triangles and action triangles.

Feelings may or may not translate themselves into actions, and actions may or may not represent genuine feelings.

People may interpret actions as meaning different things, depending on their mappings of feelings into actions and vice versa.

There are 3 components of hate: negation of intimacy, passion, and commitment.

Negation of intimacy - involves the pursuit of distance, often because the hated individual arouses repulsion and disgust.

Passion - expresses itself as intense anger or fear in response to a threat.

Commitment - is characterized by cognitions of devaluation and diminution through contempt for the targeted group.

The 3 components give rise to 7 different types of hate (plus non-hate), based on the particular combination of aspects involved:

Non-hate: No feelings of hate (none of negation of intimacy, passion, or commitment)

Cool hate: Disgust (disgust of negation of intimacy alone)

Hot hate: Anger/Fear (anger/fear of passion alone)

Cold hate: Devaluation/Diminution (devaluation/diminution of decision/commitment alone)

Boiling hate: Revulsion (disgust of negation of intimacy + anger/fear of passion)

Simmering hate: Loathing (disgust of negation of intimacy + devaluation/diminution of decision/commitment)

Seething hate: Revilement (anger/fear of passion + devaluation/diminution of decision/commitment)

Burning hate: Need for annihilation (disgust of negation of intimacy + anger/fear of passion + devaluation/diminution of decision/commitment)

THEORY OF HATE AS A STORY

The theory of hate as a story proposes that hate emerges from different kinds of stories. Some of the most common stories, deriving from the work of Sam Keene, Anthony Rhodes, Robert Zajonc, and others, are:

Stranger (vs. in-group) - Negation of Intimacy + Commitment

Impure-other (vs. pure in-group) - N

Controller (vs. controlled) - C

Faceless foe (vs. individuated in-group) - C

Enemy of God (vs. servant of God) - Passion + C

Morally bankrupt (vs. morally sound) - N + C

Death (vs. life) - N + C

Barbarian (vs. civilized in-group) - N + P + C

Greedy enemy (vs. financially responsible in-group) - N + C

Criminal (vs. innocent party) - C

Torturer (vs. victim) - N + P + C

Murderer (vs. victim) - N + P + C

Seducer/rapist (vs. victim) - N + P + C

Animal-pest (vs. human) - N + P

Power-crazed (vs. mentally balanced) - C

Subtle-infiltrator (vs. infiltrated) - C

Comic-character (vs. sensible in-group) - C

Thwarter/destroyer of destiny (vs. seeker of destiny) - C

Instigation of hate covers roughly 5 steps. Not all steps need to occur in order for hate to come into being. Indeed, even one step may start the process. The steps are:

The target is revealed to be anathema.

The target plans actions contrary to the interests of the in-group.

The target makes its presence felt.

The target translates plans into action.

The target is achieving some success in its goals.

Finally, perception becomes reality.

There may be elements of truth in some stories.

Example: A particular opponent may be loathsome in any number of ways.

But the power of stories is that their perception becomes, for the individual experiencing the stories, reality.

The individual typically does not question whether a given story is true. For him or her, it simply is true.

Sources: 1 2 ⚜ More: Writing Notes & References

Writing Notes: Love Click "Keep reading" for more examples. Warning: Very long text.

taxonomy of types of hate

The three components of hate generate, in various combinations, seven different types of hate. They are probably not exhaustive, and, because they represent limiting cases, are not mutually exclusive. Particular instances may straddle categories.

Non-Hate. Strangers on the street are likely to fall into this category, as may members of one’s family or one’s friends. But family members may arouse mixed emotions, so there is the possibility that some degree of hate exists toward family members, even coactively with feelings of love. In a healthy society (and a healthy person), most feelings one has toward other people are non-hate.

Cool Hate: Disgust. Cool hate is characterized by feelings of disgust toward the targeted group. The hater wishes to have nothing to do with the targeted group. Members of the targeted group may be viewed as subhuman, perhaps as vermin of some kind or as garbage. Visceral prejudice may be expressed as cool hate. The Sidney Poitier movie Guess Who’s Coming to Dinner depicted the visceral reaction of disgust of parents of a White woman who brought a Black man (her new beau) home to have dinner with her parents. Because the main feeling is a “cool” one, the reaction may be one of aversion rather than confrontation.

Hot Hate: Anger/Fear. Hot hate is characterized by extreme feelings of anger and/or fear toward a threat, and the reaction may be to run away or to attack (flight or fight). Sudden flare-ups of hate, such as road rage, are examples of hot hate. Gang members may kill others if they feel disrespected by the comments or even gestures of others. Riots often are accompanied by hot hate. People who feel only cool hate most of the time may be provoked and stirred up by the passion of the moment and find their hate converting into hot hate. The conversion may be short-lived. After the mutual egging on of the riot is over, those involved in it may revert to feelings of cool hate.

Cold Hate: Devaluation/Diminution. Cold hate is characterized by thoughts of unworthiness directed toward the target group. There is something wrong with the members of this group. Indoctrination often portrays the group as evil, as in Ronald Reagan’s conjuring up of the “Evil Empire” in referring to the former Soviet Union. This kind of use of metaphor invokes a number of free associations, all of which are stereotypically negative. The indoctrination may be against any group – Communists or capitalists in the Cold War (which was “cold” in more ways than one). Cold hate can be instilled even among those who have never encountered members of the target group. For example, it is not uncommon to find anti-Semitism or anti-Islamic cognitions among people who have never actually met a Jew or a Muslim. People are often unaware of their own cold hate. It is simply too much a part of who they are and how they were brought up. The cold hate may lie dormant unless the people are forced or inadvertently come into contact with members of a hated group.

Boiling Hate: Revulsion. Boiling hate is characterized by feelings of revulsion toward the targeted group. The group may be viewed as subhuman or inhuman and as a threat, and something must be done to reduce or eliminate the threat. The targeted group may change from time to time. In the earlier stages of the Third Reich, the Soviet Union was perceived as bad and revolting. Then, when Hitler made a pact with Stalin, the Soviet Union was perceived as good. Then, later, it was perceived as bad again. There was no sense of permanent commitment to any belief about the Soviet Union and Soviets. Negative intimacy and passion were instilled with a distinct absence of commitment. The change was later captured in George Orwell’s novel, 1984, where the identity of the enemy changed from one day or even one moment to another, and people were expected to adapt their hatreds to those chosen for them at any given moment by the government.

Simmering Hate: Loathing. Simmering hate is characterized by feelings of loathing toward the hated target. The targeted individual/s may be viewed as disgusting and as likely always to remain this way. There is no particular passion, just a simmering of hate. Ruthless, calculated assassinations often take this form. There is nothing sudden about such assassinations, which may be planned over periods of time, as Lee Harvey Oswald’s assassination of President Kennedy apparently was. Alfred Hitchcock’s movie Strangers on a Train depicts an individual who has felt simmering hate over a long period of time, and has devised a plan to have a murder committed without his actually having directly to take part in it.

Seething Hate: Revilement. Seething hate is characterized by feelings of revilement toward the targeted individual/s. Such individuals are a threat and always have been. Planned mob violence, often preceded by fiery oratory, sometimes takes on the characteristics of seething hate. The goal is to arouse the mob to violence, as in the Krystallnacht, where mobs were sent to destroy shops of Jewish shopkeepers who were portrayed as seeking to destroy the economy of Germany. In these cases, the targeted group may be portrayed not as subhuman but as more than human, for example, as being engaged in a worldwide plot of domination or conquest. Fears among U.S. militia groups of black helicopters sent by the forces of world government show this kind of hate. The enemy is not subhuman, but superhuman in its massive organization and conspiracy to take over the world. The Left Behind series of novels, portraying a world very loosely based on the biblical book of Revelations, describes the efforts of the Anti-Christ and his allies to take over the world and the people in it.

Burning Hate: Need for annihilation. Burning hate is characterized by all three components of hate. The haters may feel a need to annihilate their enemy, as postulated by Kernberg (1993) for extreme forms of hate. Some years back, Eli´an Gonzalez, a Cuban boy who was found clinging to a boat off the shores of Florida, was seized from his Miami relatives by the U.S. government. There were massive demonstrations in Miami, Florida, and Union City, New Jersey, as well as elsewhere, against Fidel Castro and the U.S. government, which was seen as in league with Castro. The outpouring of hate was powerful. The targeted group may be viewed as diabolical destroyers, and indeed, a poster shown on CNN depicted then Attorney-General Janet Reno with the horns of the Devil.

relations of the components of hate to terrorism, massacres, and genocides

The triangular theory of the structure of hate speculatively holds that hate is related to terrorism, massacres, and genocides through the number of components of hate experienced.

Danger Level 0: No Hate-Based Danger, results when none of the components of hate is present.

Danger Level 1: Mild Hate-Based Danger, results when one of the components of hate is present.

Danger Level 2: Moderate Hate-Based Danger, results when two of the components of hate are present.

Danger Level 3: Severe Hate-Based Danger, results when three of the components of hate are present.

Massacres and genocides are much more likely to result, arguably, when all three components are present. They are also a product of stories.

stories underlying the development of hate

The Stranger Story. The hated enemy is a stranger. Propaganda typically shows the object of hate as very strange looking. One Nazi propaganda poster shows a Jew with a Star of David tattooed on his forehead, with evil-looking squinting eyes, with a grossly asymmetrical face, with a twisted lip and a double chin, and with large ears notably sticking out from his head. No one can look at this poster and identify with the individual depicted: He is a stranger. We usually think of strangers as people we do not know and never have known. But they need not be. Often the stranger is someone who is familiar to us, and whom we thought we knew, but who, on reexamination, now appears to be someone else – someone strange and perhaps incomprehensible. The stranger story can apply to interpersonal relationships. We may be in a relationship with a partner whom we think we know quite well. Then we discover, to our astonishment, that the partner is having an affair, or has a sizable private bank account that he or she has hidden for many years. The person whom we thought we knew well may now come to seem like an utter stranger, and we may find ourselves wondering what other things about the partner that may be detrimental to our well-being he or she has not revealed.

The Impure Other Story. The hated enemy is impure or contaminated. Typically, the enemy is trying to spread this contamination. The enemy must be stopped before the contamination gets out of control (or to stop contamination that already is out of control). The euphemism “ethnic cleansing” may call to mind images of an enemy that needs to be eliminated from a society that otherwise would be pure in much the same way dirt needs to be eliminated from holy relics. In a close relationship, hate may be generated by the discovery that the partner has been contaminated, as by an extramarital affair or a disfiguring disease. In some societies, it is sufficient for a woman to be raped for her elimination to seem necessary to certain men with this story. The woman now is no longer viewed as pure and therefore may be seen as having ceased to serve her purpose. Curiously, and with unabashed sexism, the impurity applies only to the wronged female, not the male who wronged her.

The Controller Story. The hated enemy is trying to control you and perhaps the world. One German propaganda poster shows a Jew riding on top of the shoulders of Roosevelt, Churchill, and Stalin, who is knee-deep in water. The only happy face in the poster is that of the Jew on top. Stories, such as the controller story, may have elements of truth. For example, the Sunnis in Iraq, although a minority, controlled the country for a long time. Some of them built up a system of oppression and repression that was, although brutal toward all Iraqis, especially arbitrary and invidious toward Shiites (Ghosh, 2007). But the stories may also be completely false, as when a group is targeted as controlling a society when in fact they are powerless and persecuted.

The Faceless Foe Story. The hated enemy has no face and indeed has few distinguishing human characteristics. For example, one political cartoon shows a dozen Soviet leaders who all look exactly the same, and have few, if any, distinguishing human characteristics. They are faceless and indistinguishable from each other. In a close relationship, one may reconceptualize one’s partner as faceless – as ordinary – and feel one’s love dissipate and even turn into hate if one feels tricked into having (previously) believed that the partner was special. Sometimes, perpetrators seek to be faceless. Torturers may hide their identities so that their victims cannot later identify them. Other times, victims are made to be faceless. Bombardiers may find it easier to destroy a whole town from an aircraft because, to them, the enemy is faceless.

The Enemy of God Story. The hated enemy is not only your enemy, but also, an enemy of God. The stories, as tends to be the case historically, are created by cynical and destructive individuals who seek to use others as their tools for wreaking havoc and destruction. This story can apply to individuals in intimate relationships in which one or both are religious. If one of the partners comes to be perceived by the other as having committed a mortal sin, then a loving relationship can turn to hate as the couple struggles with the (perceived) sin of the blamed partner. In a religion story of love, a reconceptualization of the partner as of the Devil rather than of God can suddenly turn love into hate.

The Moral Bankruptcy Story. The hated enemy is immoral or must be eliminated on moral grounds (as proposed by Zajonc, 2000). The enemy is doing immoral things, such as praying to the wrong god or gods, or to no god at all. Or the enemy is defiling holy sites or simply insulting the morality of God or humans by its very existence. During the Salem witch craze, one excuse for the elimination of alleged witches was their immoral pact with Satan. In close relationships, a spouse who comes to be viewed as immoral may be hated on account of the alleged immorality.

The Death Story. The hated enemy represents death. One Italian propaganda photo shows the Statue of Liberty carrying its torch and igniting a city. At the same time, it is taking off its mask to reveal a skull underneath. Enemies often do represent death. For example, the Janjaweed militias in contemporary Sudan come as close to representing death as any destroyers can. But these militias, following historical patterns, portray themselves as protecting the lives that are “worth” protecting, and the civilization that they claim to represent.

The Barbarian Story. The hated enemy represents a barbarian. Rome was eventually overthrown by enemies that the Romans viewed as barbarians. Today, the world faces attacks on many fronts from enemies viewed as barbarians. The barbarians, in turn, are likely to view those they attack as morally decadent and themselves as saviors coming to sweep away the decadence they believe they see among those they attack.

The Greedy Enemy Story. The hated enemy is exceptionally greedy. When gasoline prices reached high levels in the United States, one oil company produced a greater profit than any U.S. company in the history of the country. A CEO had just retired from this company with an exceptionally generous retirement package. The problem is that sometimes hated objects act in ways that promote rather than destroy the story that they would wish to have dissociated from them.

The Criminal Story. The hated enemy is a criminal, and needs to be dealt with as such. The hated person or group may have stolen something away from one, such as a loved one or some object of value. Propaganda photos frequently are made to look like wanted posters. One such poster from World War II, produced in the United States, shows Hideki Tojo, Prime Minister of Japan during World War II, in such a wanted poster. In a close relationship, discovering criminal behavior on the part of one’s partner may turn love into hate, especially if the criminal behavior is directed toward oneself. The behavior need not be legally criminal. If one perceives it as morally criminal, that may be enough to generate this story.

The Torturer Story. The hated enemy is a torturer. Some propaganda posters show actual portraits of individuals who have been tortured by enemies. In a close relationship, one may come to conceive of one’s partner as a torturer, and come to feel hate rather than love toward the partner. The torturer story is one of the most powerful stories of hate. In modern day Argentina, Chile, South Africa, and other countries, victims and their family are still trying to come to grips with a long history of government perpetrated torture. And attempts are still being made to identify the people responsible for the torture – both the torturers themselves and those who commissioned them to execute the torture.

The Murderer Story. The hated enemy is a murderer. Sometimes actual photographs are used, such as a widely distributed photo of right-wing students hanging and simultaneously hitting a left-wing student over the head with a chair. The right-wing students are smiling and cheering as the act progresses. In a close relationship, sometimes individuals feel that their lives are threatened, literally or symbolically, by their partners, and may come to feel hate rather than love toward their partners.

The Seducer/Rapist Story. The hated enemy is a seducer or a rapist. One German propaganda poster shows an older, ugly Jew seducing a beautiful woman. An American poster shows unclothed women in cages being inspected by Nazi soldiers. In close relationships, an individual (usually a woman) may come to feel that sex is no longer consensual but forced, and may come to experience hate rather than love for the partner. Unfortunately, many hated targets are rapists. Soldiers in war frequently use rape to satisfy their own lust, and to demoralize and humiliate the enemy. Rapes may occur in intimate relationships as well as in any others. They may also occur in families (incest).

The Animal Pest Story. The hated enemy is an animal pest, such as a germ, an insect such as a cockroach, a reptile, or some kind of a beast. One World War II German propaganda poster shows the Jew as a rat, with the heading “Rotten.” A World War II Italian propaganda poster shows the American G.I. as an ape. In a close relationship, one may come to view one’s partner as animal-like – a pig or a rat – and may come to feel hate rather than love for the partner. These stories become more powerful as those who perceive themselves as victims feel that the violations occur on a repeated basis.

The Power Monger Story. The hated enemy is crazed with the lust for power. A World War II German propaganda poster shows Roosevelt embracing the globe, his face crazed with the lust for power. In a close relationship, one may come to view one’s partner as totally absorbed by power aspects of the relationship, and as seeking total domination. One may feel one’s love convert into hate. The leaders of some countries come to be seen as power mongers. Unfortunately, they may act in ways that promote the stereotype. Whatever their intentions, their efforts to combat hate may then be belied by their own actions.

The Subtle Infiltrator Story. The hated enemy is a subtle infiltrator. One British poster shows a group of Army officers talking while a beautiful woman is sitting amongst them, pretending to be “dumb” but listening carefully to all that is said. Stalin used the subtle infiltrator story to induce hate of certain groups. Beginning in 1927, he staged a series of show trials designed to show that various groups were actually subtle infiltrators in league with the enemies of society. For example, managers, engineers, academics of various kinds, people associated with religious movements – all were portrayed as in league with and in the pay of world capitalists to destroy Soviet society (Mace, 1997). Similar stories are still used today to target individuals and groups.

The Comic Character Story. The hated enemy is a comic character. During World War II, American comic books often portrayed comical Nazi soldiers as being demolished by American super-heroes. A Walt Disney cartoon showed Donald Duck throwing a tomato at the face of a comical Adolph Hitler. Charlie Chaplin played a comic Hitler as well. Nazi propaganda portrayed Jewish women as fat, ugly, and stupid. In a close relationship, one may come to view one’s partner as a comic figure – as a buffoon or a fool – and feel one’s love turn into hate. This story may be less effective in inducing hate than some of the other stories, because it is likely to instill neither anger nor fear. Indeed, it may lead people to view a threat as less serious than it is, and, because of its comical portrayal, to dismiss any danger the threat poses.

The Thwarter/Destroyer-of-Destiny Story. The enemy is hated because of its role in thwarting or destroying a certain destiny. For example, the murderer of a loved one may be hated because the murderer has destroyed what should have been the destiny both of the loved one and of the one who has offered the love.

structure of the stories of hate

Because the stories of hate tend to be simple, some people might prefer to view them simply as negative stereotypes, or as negative images of the enemy.

Why use the story concept at all? Because, arguably, each is associated with an anticipated set of events.

The key point is that the threat represents a dynamic story, not just a static image or stereotype.

Whereas stereotypes tend to be somewhat one-dimensional, immobile, and static over time, stories are multidimensional, fluid, and changeable over time.

1. The Target Is Revealed to be Anathema At some point, often long in the past (and probably more often than not, in the imagined past), the target reveals itself to be worthy of hatred. Perhaps members of the group killed God, or slaughtered members of what is now the in-group, or plotted the destruction of the in-group, or revealed themselves to be dirty or greedy or whatever. Although the events giving rise to the groups’ being labeled as anathema may have occurred long ago, they can remain in a metaphorical sort of Jungian “collective unconscious.” In some cases, the events may never have occurred at all. They may merely be imagined to have occurred, such as when they are part of an oral history of dubitable validity.

2. The Target Plans Actions Contrary to the Interests of the In-Group One may not become aware of this problem right away. But at some point, one becomes aware that for some time, often a long time, the target has been planning actions contrary to the best (and often, any good) interests of the in-group. Whatever the problem is, it is no longer historical in nature; it is current. Because members of the in-group often do not realize they have been “plotted against” until what they perceive to be rather late in the plotting process, they may feel a sense of desperation and urgency. Of course, in many instances, the planned actions are imaginary, which does not make them any less “real” psychologically to those who are being manipulated into hating the members of the target group.

3. The Target Makes Its Presence Felt The story often first becomes perceptible when the target appears significantly on the scene. The target may come from outside, either legally (through legal immigration) or illegally (through illegal immigration, invasion, or imposition by outside powers). But the target also may come from inside. Perhaps it has been there a long time. Indeed, people often feel that they were blinded, and that only now are they realizing the threat that has been there for some time. Now the target is becoming powerful, and hence is becoming a force to be reckoned with, before it is too late. Stalin was notorious for devising elaborate plots that were alleged to have been hatched against the government, which had no more reality than the proverbial will o’ the wisp.

4. The Target Translates Plans into Action Members of the in-group believe they are becoming aware that the period of plotting is over for the target. The target is actively translating thought into action, and thus has become a true threat, not just a hypothetical one. Sometimes the action is now perceived to be already quite far along before individuals realize what is going on; other times the action is perceived to be just starting up. The exact type of action depends on the content of the story. In many instances, the only action is that of the perpetrators against the targets, who were never planning any action in any event. Enemies of God actively work against God. Beasts cause wanton destruction. Rapists, of course, rape men, women, and children. Subtle infiltrators covertly try to take things over. Thwarters of destiny try to make sure that the in-group cannot achieve the goals it deserves to achieve. In each case, the target group works against the in-group. What differs is how they achieve their goals. Often, they may achieve their goals in multiple ways through multiple stories.

5. The Target Is Achieving Some Success in Its Goals Unsuccessful targets may be viewed as pathetic, such as members of very small groups that have dreams of taking over the world. But once the target is not only acting, but achieving some success in its actions, feelings of hatred and perhaps the desire to act upon these feelings become a force to be reckoned with. In sum, the images, in themselves, are the contents that fill in the story schema. In a sense, the precise story is less important than how many of the above steps the target group has (in the minds of the in-group) managed to enact. The more steps the target group enacts, the more of a threat they become, and the “hotter” the hate is likely to be (i.e., the more the number of components that are likely to be operative).

mapping to the triangle of hate

Different stories are likely to induce different components of hate, but which are induced probably depends in part upon the person.

Consider a few examples:

Stories of individuals or groups as vermin or as impure are likely to induce negation of intimacy.

Stories of individuals or groups as murderers or rapists are “hot” and thus are likely to induce passion.

Stories of individuals or groups as greedy or as dominators are “cooler” and thus are more likely to induce commitment.

the relation of hate to love

Often, love is viewed incorrectly as the opposite of hate.

They are thought to constitute just one single dimension on which a person can move from love to hate, from hate to love, and so forth.

Hate is neither the opposite nor the absence of love. Rather, the relationship between love and hate is multifaceted.

Therefore, love and hate can exist at the same time in the same person with regard to the same object.

The opposite of love is rather indifference.

Hate and love have a lot in common. Both involve very intense emotions and attraction of a certain kind.

Love and hate both have three components, which are interrelated.

In one case, the components are inverses of each other. In the other two cases, they are actually the same, but are experienced differently.

Different people have different combinations of these components so, structurally, may experience hate (or love) differently.

The stories of love are also susceptible to turning. Consider some of the stories of love, and how they can contain within them the seeds of destruction:

1. Addiction. An addiction story involves one partner’s feeling addicted to the other, or less frequently, both partners feeling addicted to each other. Addictions are usually, in themselves, love–hate relationships. One feels bound to something or someone, but feels also one’s freedom to escape is restricted. Feelings of love especially can turn to hate if one feels that one’s addiction is self-destructive, as when one feels an addiction toward someone who is abusive toward oneself or others.

2. Business. In a business story, two people essentially view each other as investments, much like they might invest in people in any other business. The difference is that this is a particularly important investment. A business story succeeds by virtue of both partners feeling that the business is equitable and works to their mutual advantage. But if the business goes bad – one partner makes poor decisions that lead to financial or other forms of distress, or if one partner proves to be untrustworthy, the relationship can go bad rather quickly, and turn love to hate.

3. Fantasy. In a fantasy story, the partners view each other much the way characters would in a fairy tale. The success of a fantasy story in love typically depends upon the partners respectively occupying the roles of prince and princess, king and queen, or similar roles. But just as frogs can change to princes, so can princes change to frogs. And just as kings or queens can be perceived as beneficent, so can they be perceived as malevolent or as imperious. The success of the fantasy story thus depends on the partners maintaining positive images in the roles they occupy. Should the images become negative, hate can replace love.

4. Horror. Horror stories are stories based on one partner’s terrorizing the other. Relationships based on horror stories are almost always love–hate relationships to begin with. One is attracted by, and simultaneously repelled by, the abuse that characterizes such relationships. In some cases, the individual who is the object of the terror in such a relationship may come to hate the perpetrator, much as the victim comes to hate the perpetrator in a massacre. There is also a psychological phenomenon called “Stockholm Syndrome,” in which the victim of a hostage-taking develops positive emotions toward the hostage-takers.

5. Mystery. In a mystery story, one partner seems mysterious, and the other acts as a detective trying to solve the mystery. A mystery story gains its interest by virtue of the fascination of one partner with the mystery represented by the other. The individual peels away one layer of mystery after another. But one may find that, at bottom, the story is not a pleasant one. For example, the mystery may be that the partner is exploiting one, or is involved with other people as well. Love can then turn to hate.

6. Travel. In a travel story, two partners travel through life together, trying to the extent possible to stay on the same or at least proximal paths. A travel story can go bad if a partner feels that the other partner has departed from the path they set out together, or has started to regress on the path. If the paths diverge too much, and one partner does not like the path the other is taking, that dislike or even hate may transfer to the partner. This can happen, too, when one of the partners goes through a physical, psychological, or social transformation that changes him or her. When he or she makes new friends his/her partner dislikes or gets on a career trajectory that makes him or her much more successful than the partner and leaves that partner jealous, hate can develop as well.

7. War. In a war story, two partners enjoy fighting with each other. They seem constantly to be at war with each other. Love may turn to hate if the war becomes a serious one, and the partners find that the fights lose whatever good nature they originally may have had. The war story perhaps provides the best transition from a consideration of love to a consideration of hate.

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Writing Notes: Love

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mayullla · 11 months ago

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Title: Obsessive Passion

Character(s): Witch's Apprentice (Unnamed character/original work)

Summary: You didn't know how much jealousy and hatred he had in his heart and you didn't know how desperate his love was too. He was greedy and was even willing to break you so that you would love him back. Tags/Warnings: male!yandere, fem!reader, apprentice!yandere x witch!reader, both are adults, general yandere themes, brainwash/hypno, drugging, manipulation, dubious consent, 3.4k words

You were a famous witch in the kingdom. Many sought you out for your spells and potions, and the things created by your hand were highly coveted. You were a woman who had reached fame for her talents in magic, knowledge, and powers at a young age. Many sought you out, including the royal family. However, instead of seeking more fame and money, you chose to leave the public eye and live a quiet life away from the capital. Only a few trusted friends and acquaintances knew where you were. You still made many potions and helped whenever the situation required it, but for the most part, you wanted to make time for yourself. You wanted to research and create spells and potions of your interest instead of what was requested and demanded.

With you, you took your apprentice, a man who had talents similar to yours, yet not as fully developed. Many said that he would not be able to achieve what you have due to his lack of mana, but you believed that he would be able to do more, even with that weakness. You knew he was smart, smart enough to figure out how to overcome that hurdle.

But maybe you should have been more careful with him.

You didn't know of the crazed love he had for you, a lust mixed in with unchecked jealousy and hunger. He loved you, he was so madly in love with you that sometimes he felt that it was driving him insane.

You were, in a sense, his savior, someone who took him out of a dark hole and showered him with positive love and attention. You were the one who saw his potential even with his lack of magic when others tossed him aside due to his limits.

It was an innocent crush at first, his heart beating faster when you got close to him as you helped him figure out a new spell that he was trying to create. He was deeply touched when he found out that you created a spell to move your mana to him when he started to run out, effectively stopping him from making progress in a lot of his work and studies.

To him, whenever you poured your energy onto him, he could not help but feel a shiver down his spine. His face flushed into a dark shade of red, perverted thoughts in his mind. All you needed was skin-to-skin contact, holding each other's hand, or you should hold his shoulder. But to him, it was more than that, more than a hug, more than a kiss. It was far more intimate than that when he felt your magic coiling with his, mixing together in his body. It was addicting.

It was difficult for him to hold himself, some days when you saw him panting so heavily after it, he had to make an excuse of some sort.

However, he also had too much anger and too much pride. He resented those who looked down on him, their judgmental eyes ranking his worth in their minds. You were the only one who looked at him in a different light.

You always told him to think of the good for the kingdom, that even when they looked down on him, he could show them what he could do and then their thoughts would change. You were always too kind and so positive.

You weren't naive. If you were, you would have long become a mere pawn of someone malicious, working endless hours for something empty, rather than being free to do whatever you want. But he had always been the more sly one.

That was what he loved about you but also hated. He hated how talented you were compared to him. He hated that you were more powerful than him, that he was in a sense below you. Because you were gifted, you had access to all kinds of magic spell books, even those that belonged to the royal library, while he was not even allowed into the room. He hated your magic because you had so much, unlike him.

He hated your pity.

You did know of his anger, anger towards the world and around him, but you never knew the extent of it. While you also believed that he could do more, you didn't realize what he could already do.

It was just headaches at first when you woke up. Headaches that would never go away no matter what you did. No potion or spell would cast away the pain in your head. Some days it was a numb pain that you could still function throughout the day, but with a few momentary breaks here and there. Sometimes you could go through your day like normal with a very light headache. Sometimes you could do nothing but sit in one place the whole day, unable to think because of the painful throbbing that almost felt like your skull was cracking.

Moments like those always made you mentally note to create another seal for your mind so that you could avoid these sorts of headaches in the future. But by then, it would be too late.

Your apprentice had taken care of most things while you had those serious headaches, giving him work that he could do when you weren't able to do them.

But while doing those tasks, he always took time to take care of you too, handing you tea that was supposed to soothe headaches. While it didn't work for the most part, you appreciated his gesture. Maybe if you were a little more aware and less in pain, you would notice something about the tea that he gave you.

Deep in your sleep, you would never notice how your apprentice would loom over you, having a smile on his lips, cheeks flushed as he played with your mind.

Being famous, you had always been careful of hidden threats and placed many seals in your body to protect yourself. One was on your mind, a seal that you had placed to protect you from any mind magic and dark magic. Much to your apprentice's amusement, he found it very cute that you were that cautious when dark or mind magic had become so rare.

It was taboo and illegal to dabble in such magic after all. Many who were found to be able to do so were mostly killed and burned on torture stakes. It had been years since someone could use such magic. Most magic of that sort was inherited after all, yet when they continued to kill most who could, there was no heir for such magic.

But it wasn't like all dark magic was gone.

He could not help but laugh when he thought of it, how you were so overly cautious of such magic yet took in an apprentice who could use dark magic. This was something you did not know, nor did you know much of. This was what he had over you.

Your seal, while effective if magic was used suddenly to get in your mind, was weak if it was something gradual, slowly chipped away. You would never notice it, not when your headaches started to worsen and worsen the more he chipped your little seal.

It felt like your mind was ripping apart, yet you could not wake up, a sleep potion that paralyzed you, keeping you in deep slumber no matter what he did to you. The torturous pain would be nothing but a nightmare the moment you wake up. He could not help but pity you a little, yet also find a certain thrill to it. A certain satisfaction that he could make you like this.

That he held power over you.

Your body reacted greatly to the broken seal, stiffening as sounds left your mouth, no matter how much he tried to minimize the pain. When it was forcibly broken, there was bound to be some backlash. Yet just as quickly, the sleep potions dragged you back to sleep, unable to react to the shattered seal, unable to see him right above you.

He could not help but laugh, holding it back as he covered his mouth with his hands. His lovely teacher, the teacher who trusted him so much, now at his mercy. He would finally watch you fall from your little stage right under his arms, weak and nothing like the powerful witch you were.

It was a complicated seal that he created just for you, drawn with magic above your head. It was made just for you, like the spell that you had created for him. It would replace the seal that he had broken, and you would be none the wiser. Even if you checked the seal, you would see and feel that same seal that he had broken still there.

One by one, he would change your thoughts, amusing himself in your confusion as he continued to slowly change your mind to his liking, doing things for his pleasure, yet none the wiser.

It took a while, but when you woke up, the headache you had for weeks was suddenly gone.

It was surprising when you realized that you didn't feel like someone was hitting you constantly with a hard, dull hammer every time you even blinked. You were suspicious of the change, but you also felt nothing more than relief. Even when you checked the seals that you placed in your body, nothing was strange.

Yet you just could not help but feel that something was off. That something was not right, but you just could not place a finger on it. You checked the potions and cabinets in the house to see if you misplaced something or if something was stolen, but it wasn't the case. Your apprentice took care of most of the cleaning and potion making while you were resting in bed. Anyone who visited your apprentice had given them the requested items and potions without any problem, but something just felt off.

"Is something the matter?"

You were startled by his voice, jumping a little as if you were caught doing something you shouldn't do. Turning to him, you could not help but frown. "It is nothing, I am just a little confused right now. I can't help but feel like I am missing something."

You honestly replied to your apprentice, wondering and maybe hoping that he had the answer why you were like this. "I am not sure," he answered, having a worried look on his face, wondering if he had made a mistake while you were resting. "Did I make a mistake of some sort?"

Looking at his thinking face, probably trying to calculate expenses or thinking where stuff in where, you shook your head, raising your hand to stop him. "No, it is fine. Thank you for taking care of everything." Seeing that soft smile on his lips, you decided to give your worries a rest.

Yet it always lingered in the back of your mind. As days passed, you started to pay more attention to your apprentice. When you were in the middle of your own research, your mind sometimes thought of him unconsciously, wondering what he was doing and where he was. If he was in the room, you became overly conscious of him. Your eyes could not help but look at him some days, falling into a daze until you snapped out of it with him calling you with a worried look on his face.

It wasn't like you ignored him in the past; you tried to teach him when you were not caught up with your own research. In fact, you were able to give more time to him after you moved to the village, having more time to do whatever you wished. You invested more time into helping him train and learn.

However, this was different.

Your mind just could not think straight sometimes, finding it hard to concentrate when your mind kept thinking of him. He was your apprentice, and while not really far in age, sometimes you thought of him more as an assistant. He was mature and helped you a lot too back then when you had so much work to do. Even now, when he followed you to the countryside, he continued to help you when you needed it. He was reliable.

It wasn't on purpose when you unconsciously started to look over him more often, seeing and checking what he was doing. You took even more time away from your own research to help him learn more about magic and his own research. A quick learner, you always thought, when he picked up a lot of the things you taught him. He was faster… way faster than you when you studied magic around his level.

As more days passed, you started to think that he was better than you, clearly way more talented than you. More often than before, you would compliment him. You complimented him a lot before too, yet you started to do it more and more often. And every compliment seemed to remind you that he was far better than you, that he was better than you.

But it never changed the fact that, unlike you, his magic reserves were smaller than yours. You frowned at the predicament. You were still researching how to help your apprentice's problem, yet you still didn't find a way to fix it. One's own limits were decided the day they were born, and not much could change to make it larger or smaller. The only way you could help your apprentice was to give him your own.

A light touch on his hand or arms, you concentrated on moving your own magic to him. Yet even that took a long time.

Pushing all your other research away, you started trying to find a way to make the transfer quicker and more clean, as there were moments when magic would just leak out and largely go to waste. You were fine with it, to be fair, born with large reserves that it was difficult to use them all in one day anyway, yet you just could not forget your apprentice's face, the jealousy in his eyes when he looked at you.

"Good job. You are doing so well." Compliments continued to leave your lips. Yet as soon as it did, darkness coiled in your stomach as you patted his head. He… he was better than you… Far, far better than you.

You looked down at his sitting form, a smile on his lips, your hand still on his hair as you zoned out deep in thought. "You should really stop patting my head," he told you in a cheery voice, "I am not like some elementary kid who should be rewarded with head pats." You thought for a moment. Looking at him, you could not help but think that it was true, he was far too old for such a thing, but just that you had a habit of doing so.

As soon as you thought that, you tried to take your hand away from his hair, unconsciously wondering if you offended your apprentice or not, yet your hand was stopped by a larger hand. "Ah, I didn't mean it like that!" he said, looking almost surprised when his teacher suddenly started to avoid him. "It is fine to touch my hair, you know… I don't mind," he told you a flush on his face, looking else ever as he tried to hide his cheeks with one hand, "I always know that you like touching my hair, don't you? What I mean to say is that you can touch it whenever... but I am not a kid."

Yes… nothing was wrong… Nothing was wrong at all.

From there, it spiraled again. You were able to function in your daily life, but there were just moments when your memories blanked, and you barely remembered anything. At one point, you thought it was the tea that you were drinking, the one that your apprentice would always make for you.

You were suspicious of the liquid inside your cup, pausing as you stared at it with narrowed eyes. "Is something the matter, teacher?" You looked up at your apprentice, who was looking at you in wonder, an eyebrow raised as he tilted his head. "Do you not like the tea? I made it as you have always liked."

"It is nothing," you said, moving the tea closer to your lips. The smell hit your nose, the same fragrance that you were always familiar with. For a moment, you hesitated, but when you were watched by your student, you chose to take a drink of the tea…

"It is adorable how cautious my teacher is." Your eyes were glazed over as you blankly stared at the floor. Your fingers that were holding the teacup lost their strength, letting the glass fall to the floor and shatter. "Clumsy. Clumsy~" Your apprentice had a mocking tone as he looked at your sitting form. There was no recognition in your eyes, whatever sliver of it was quickly dragged back into the haze. "What would you do without me?"

Moving in front of you, he spelled the glass teacup to rise from the floor and mend itself. When it was placed onto the table, it looked as if it was never broken from the start.

Looking at you, he moved his hands to gently grab your face, forcing you to look at him. "But then again, I always loved my teacher. So much so that it drives me insane sometimes." Your unfocused eyes stared back at him, making him feel chills that he was the one who caused this. That he was the one who made you like this.

He could not help but burst out laughing.

My precious teacher… my precious, precious teacher!" He kept on chanting, in the middle of a quiet forest where there was nothing to hide. His eyes were red with lust and lovesickness.

"My cautious little teacher, slowly you will fall into my arms, and when I finally have you all to myself, I will chain you to me so that you will never be able to leave me. I will make you think of me just as much as I think of you." One by one, he told you all the things he would do to you when you finally could not think for yourself. When your mind breaks and shatters, he will never mend it; instead, he will accept it into his heart.

Then he will create a piece with it that is submissive to him, that yearns for him, that begs for him. One that places him in a high stage that demands others' attention, yet he will give none to them when his eyes are on you, just as he had forced yours to his. You will tell others that he is your heir and that you will be fully retiring.

He will be the one to take care of you, he will take all your magic from your body, greedily taking everything, leaving you unable to even sit up from the bed. He will take care of your body, telling you how well you have done, letting you rest as he fulfills orders for potions and creates spells without limit, looking for you again and again when he runs out.

He will make you sign a contract to become forever his, he will make you sign your name into something that will relinquish everything that belongs to you and give it to him. He will make you give up your talents, your knowledge, your wisdom. He will take everything and gobble it up, as you scream in pain and anguish he will comfort you in his arms and hushed loving words.

You will be his and nobody will be the wiser. Nobody will notice how broken you become as you can do nothing but follow his orders, when you will tell others that he has now inherited your shop and that you will instead become something of a sort of helper. Nobody will know that it is hard for you to make simple potions as he teaches you how to make an easy potion, when you barely even have enough magic to use for yourself as he continues to steal from you.

He will make you clingy, he will make you feel useless and desperate just as he had felt as he looked at you in the past.

You made him insane, and he will show you what it was like as you drowned in his love.

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moronkombat · 1 year ago

Note

Yandere Bi Han with his very pregnant wife runs away from him seeing how he turned to and stay with her brothers in laws as she wants to protect the baby

How would each brothers perspective when reader did that?

this is some good food. tw: yandere, pregnancy, afab pronouns

General headcanons

Bi-Han met her just once but it was enough for him to be consumed by her memory

He doesn't understand why he thinks of her so much and that bothers him. He hates that she is all he thinks about. He can't stand it

She must be his. It is the only way for him to stop thinking of her all the time. Yes, if she were right here in front of him, he wouldn't long so desperately for her

Bi-Han gradually builds up a relationship her and it seems to go fairly well between them and he finally begins to feel at ease knowing she is by his side

The love between them is sweet but Bi-Han a slow acting poison and his corruption grows and grows until there is nothing left of him any longer

He craves to have a son with her, to continue his legacy and so he tries to conceive with her frequently but he is never cruel during it

It soon becomes an obsession of his to have his wife deliver him a son worthy of the Lin Kuei name and finally it seems his efforts pay off but his mind continues to warp and break

He becomes suffocating, all consuming when it comes to his wife and unborn child. Bi-Han never lets her leave or go anywhere

Bi-Han tells her she doesn't need to be anywhere else expect home and in bed as their child grows inside her

Things only worsen when he is brought away by Liu Kang and given that taste of freedom. It destroys him and the world begins to crash down

He tells her how the Lin Kuei will be better and stronger. That they should rule and lead the world instead of serving it. She is horrified, terrified. Where is the soft and gentle man she married?

All but gone that man is...replaced by someone savagely obsessed with power and greatness. She is helpless to change it, to change him back to the man she loved

Bi-Han tells her that his brothers are traitors, better off dead but not to worry because he will never let her leave. She will be with him forever and ever

She cries at night, thinking about all the horror Bi-Han has started to act upon. These suits of armor, weapons of horrible destruction...this isn't right

This isn't the peaceful life he promised her and their child. This is a hellish war and Bi-Han tell her how their son will be his legacy. How he will use his son as a tool for domination

She can't stand it. She begs for Bi-Han to stop this and to come back to her as the man she fell in love with. This impossible and Bi-Han lashes out

He strikes her, hard and firm. As she crashes to the floor with blood dripping down her lip, he scolds her for being so weak and for trying to betray him

Bi-Han tells her that she will learn to accept this life because if she doesn't then she will never see her child once they are born and that is when she can no longer stay with him

She flees, running far away from her crazed husband and how horribly she cries as she does this. Her hands cradle her now heavy stomach, Bi-Han's son is due soon but she must never let him know his father

What is she to do? She is alone and heavily pregnant with the heir to the Lin Kuei. Her heart hangs heavy and she can only think of two people

The two people she had come to know as family but was told were traitors. They were her hope. Not just for her but for her son. If they refused her, she could live with that but they must take in her son once he is born. Bi-Han must never find him

To say he is shocked would be a grave understatement. Kuai Liang thought he would never see her again. Not since what happened between him and Bi-Han

He knew of your pregnancy and was happy for you and Bi-Han. The last he knew, the two of you were happy together

Because of this Kuai Liang is suspicious and even a bit threatening when he sees her at the Shirai Ryu villa

He would draw is weapon and warn you that he will not give you mercy if you are here on Bi-Han's behalf

Kuai Liang watches as through labored breaths you cry and sob, falling to your knees unable to get out what you want to say

His resolve begins to weaken as he watches her fall apart and he is reminded of the fond memories between the two of them

She was his friend before she become a sister-in-law and Kuai Liang still cherishes that friendship but is unsure of how to act

Tomas convinces him to lower his weapons and hear you out and when he does, he is at a loss of words and full of despair

To hear what his brother has become, how he has treated her is enough to break his heart all over again and he knows he cannot refuse sheltering her

Kuai Liang treats her with kindness from that point on. He tells her that she may stay as long as needs and that her baby will be safe here

Though he knows Bi-Han will not sit idly and allow this. He knows this will bring great danger to his home and family but she is his family too and so he will house and protect her

Tomas had always been fond of his brother's wife and cared for her deeply

Truth be told, he was always a bit envious that Bi-Han was her husband but she seemed so happy that he kept quiet

Imagine his shock when he finds her kneeling on the ground and sobbing like he's never heard before

His eyes are instantly drawn to her stomach that she holds so tenderly and he rushes to her side

Tomas would kneel down next to her, unsure of what to do with his hands. He settles for lightly holding onto her shoulders before looking up to Kuai Liang

He tells him to put down that weapon and listen to her. Tomas asks him if he doesn't see how scared and frightened she is and finally Kuai Liang hears her out

When he hears all that has happened, Tomas is enraged. He has never felt such a wrath before and when she finishes her story, he takes her into a tight hug and tell her everything will be alright

For him it was never a question whether she could stay or not. The Shirai Ryu would be her new home and Tomas would protect both her and her unborn son

He doesn't care that it is Bi-Han's child she carries. The child is innocent and is clearly loved so dearly by its mother

Tomas is no fool. He knows Bi-Han will come looking for her and will raise every hell possible in order to obtain his wife but it doesn't matter to him. He will take care of her and her unborn child

It hurts to hear her try and be hopeful that Bi-Han will stop this madness and return back to how he used to be. Tomas knows that will never happen but he doesn't have the heart to tell her that. So he is left to letting her dream of such an unrealistic wish

There is no greater rage in all the realms than what Bi-Han burns with. How dare she leave. How dare she run away with his son

She belongs to him and so does their child. How could she leave him? How could she abandon him just like everybody else?

It can't be true. It just can't. His wife, his dearest love and mother to his child couldn't leave him. Something must have poisoned her mind

Surely that is it. There some twisted thoughts planted in her head that leads her away from him

Bi-Han thinks to himself that when he finds her will have to put her in a pretty little cage just like a songbird

Yes, if he kept her hidden away, only exposed to him then she would never think of leaving again. He must bring her back home and lock her away in a place known only to him

There is a seething wrath knowing his son has been taken from him. That was his prodigy, his grand design to lead the Lin Kuei. How dare his son be withheld from him

Great deal of punishment will be delt to the mother of son in order to teach her the importance of having a father and son know each other

There will be even more suffering brought upon those who keep his family away from him. How dare they keep that what is his from him

Bi-Han knows where his wife has fled to. How could he not? He is in the clutches of his wretched brothers

He vows to kill them, to snuff out the life from their souls while she watches and hears them scream

He will tear them apart as a bear does to a doe. He will leave nothing left of them expect mangled gore and echoing screams

Only then will he bring his lovely wife and son home. He will never let them leave again. If he must break her pretty legs so that she may not run then so be it

Bi-Han will teach her that a wife's place is that next to her husband. That is something that will never change. That is where she belongs and he will keep her there until she accepts her role as his wife and mother to his children

War will be waged in order to bring his wife back. Nothing and no one will stop him

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kurara-black-blog · 8 months ago

Text

Radioapple Thoughts that live rent free in my mind

Alastor being the most jealous bastard in Hell because he's a possessive and obsessive little shit whose love only manifests as intense, crazed devotion

Lucifer knows by heart Alastor's measurements and has made many clothes for him, some he even sewed by hand

Alastor is jealous of Cat Alastor (no one gets it because the cat is basically him??? Or maybe not??? What even is that thing???)

Alastor's cane is sentient and it will play some love songs if Alastor is ever lost in his thoughts of Luci or sharing a quiet moment with Luci

Alastor is jealous of Angel Dust (Al, Angel flirts with everyone, chill)

Lucifer is the strongest being in Hell, period, and Alastor goes feral whenever he sees his little King show his true powers

Alastor is jealous of Adam (he knows Lucifer would not want anything with the guy that almost killed his daughter, but still, he feels nauseous when Luci talks about his time in Eden with the first man for a friend)

Lucifer, despite mostly using he/him, doesn't really have a concept of gender and he abhors gender roles in general, meaning he'll take whatever form he feels more comfortable with himself at the moment... And meaning Alastor will dress him up in all fashion choices from his time period as much as he can

Alastor is jealous of Lilith (ok, that one is forgiven. Also, it's always a treat to see the little king plead him to not hunt his ex wife even though his entire face is yellow and his eyes are twinkling in gratitude)

Lucifer and Alastor don't engage in sexual activities frequently, but they do adore the intimacy of being naked and vulnerable with someone who chose not to kill you. Shared baths where they clean and polish each other's hooves are common

Alastor is jealous of his own shadow (again, CHILL, that's literally a part of you!!! It just wanted to give Luci a pretty flower!!!!!)

Instead of a wedding band or a promise ring, they gifted each other rings made with the bones of their own ring fingers. In fact, body parts being used as accessories become very common for them. Lucifer usually gifts cufflinks while Alastor gifts earrings

Alastor is jealous of Stolas (that's the literally the most outlandish one, like, Stolas is a hellborn noble, Luci is only his boss. Ok, maybe they bonded over the bad divorce, the shitty parental figures, the beloved daughters they have no idea how to interact with... But Stolas has a boyfriend! That he clearly loves! Do not kill the first friend Luci made after the divorce)

The only times Alastor willingly watches TV is when he cuddles with Lucifer in the couch and they spend the next hour shit talking Vox' show

Alastor is jealous of Vox, but he'd rather be shot again than admit it (Luci said he wouldn't mind a quickie with the TV guy and said TV guy's far too much interested in Alastor's relationship with the King [Alastor, please, he likes you])

The "keep the musical pieces at 2 per day" rule is not for Charlie, but for them

Alastor is jealous of Alastor (all Luci did was make an offhand comment about Alastor looking more handsome while alive. Thank God time traveling is not possible for sinners)

Lucifer has terrible abandonment issues and Alastor being willing to fight for their relationship against threats that aren't even there while not even once blaming Lucifer for other people's action makes him feel very loved

Still can't eat Stolas, Alastor. Nor Angel. Nor the cat. Adam might give you a tummy ache.

#hazbin hotel #hazbin hotel lucifer #hazbin lucifer #lucifer morningstar #lucifer hazbin hotel #alastor hazbin hotel #hazbin hotel alastor #alastor #radioapple #appleradio #duckiedeer

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pscottm · 1 month ago

Text

The Power of Dumb

Part of Trump’s power has always been that his dumb decisions strike his opponents like a series of blows to the head, leaving them woozy and spluttering. The amount of analytical power that non-Republicans have dedicated to trying to process Trump’s actions over the past decade could fuel all the nation’s data centers. We scrutinize each apparently idiotic policy or quote or appointment for signs of hidden strategy, like crazed numerologists trying to pull meaning out of a random number generator. This serves to exhaust the intellectual opposition, while Trump World proceeds merrily on its way. We can do ourselves a tactical favor by coming to terms with the role of one integral factor in what is about to happen to America: Dumbness.

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scramblescrew · 4 months ago

Note

I think it’s time for the cult of the lamb stuff too begin (do the first one)

Male Black Cat!Follower Reader Being the “sibling” of the Bishops of The Old Faith

TW: [Unhealthy Relationship, beatings, drugging, forced sibling relationship, gaslighting]

Relationship type: Platonic but unhealthy

Since your birth after the banishment of The One Who Waits, your life had been filled with luxury. Being in the likeness of the bishop of death had its perks. for a few examples; you were widely respected among the old faith, you got special exemptions for certain rituals such as fight pits and Flesh sacrifices, higher positions in the old faith, and at some points, you were even given offerings. But there WERE downsides, the attention you had gotten from the four bishops was a bit unnerving. they seemed crazed since the day they met you! All four bishops treated you like their own blood..? And even though your name was [Y/N], they kept calling you Narinder....you always asked why you were given the nickname you were but Heket or Shamura would always tell you that that there would be a time and place for that. But it wasn’t now….

As you've gotten older, you were given a gold skull necklace, a charm that gave you everlasting life as long as you wore it. but with your age and more knowledge, you had also noticed a pattern of behaviors in the bishops you've now accepted as your "siblings."

Leshy:

- god d*mn. This gremlin

- he uses his domain, Darkwood, to trap you in for extended of time, forcing you to cuddle him and to hear you eventually purr.

- is he delusional? ….kind off

- he knows you aren’t Narinder, but you were the closest thing to him

- and GODS- he was so angry for what his brother did to him

- this boi is fluffy!

- when giving hugs and just hanging out in general, the density and softness of his fur(?) makes the Camilia flower fields his domain is known for feel like brittle hay in comparison!

-he essentially uses you as a tiny feline teddy bear

- speaking of Camilia flowers, since they are used for healing, Leshy might withhold them from you in order for you to depend on him even more.

- leaving you ill and consequently suffering for sometimes days before giving you Camilia flowers and bed rest

- only because his siblings begged him to give you some mercy

“Who’s tough now, huh!? Who’s the one with the power now, Narinder!? ME-“

Heket:

-WOULD SHANK SOMEONE!

- anyways- she IS VERY protective but she has good intentions/reasoning for that

- to her, you are so weak and kind of pathetic but that would be ok to her

- as long as you stay with either her or her siblings

- in case you ever got any ideas of running off in order to escape, she would periodically use the mushrooms around her grounds of Anura to brainwash you into being subdued and making you docile

- despite her crown helping her talk to some extent, Heket still expects you to help her get her point across when she can’t voice them

- she (along with Kallamar) tries to dilude herself with the thought that you are indeed Narinder returned from banishment and trying to repent for his actions, no matter how futile that would be

-but that wasn’t the truth and she knew it. She knew you were an innocent follower that was given a name and title that didn’t belong to you

-she almost pities you

“Just eat…….the mushrooms….Narinder…..you’ll feel…better..soon.”

Kallamar:

-He wholeheartedly believes you’re just Narinder without your crown…therefore…powerless…

- and he absolutely takes advantage of that delusion

- on the beaches bordering anchor deep, he’d be found throwing you around and shrieking about everything “you” did to your “siblings”!

- you took his handsome ears, Heket’s ability to speak-her voice, Leshy’s eyes, SHAMURA’S MIND-

-he’d curse you with everything’s he had, just wanted to hurt you for things that you would never think of doing

- but eventually he’d calm down and see you in a curled up ball on the ground, crying and bleeding in pain, the pain of the attacks and illness taking over you as you writhed

- he’d gasp, rushing to you and picking you up and holding you close

-he’d shake and tear up as he runs to his siblings for Mushrooms, to ease the pain, and Camilia flowers, you heal you

-he’d immediately be scolded and forbid from seeing you period

- this severed communication between you two would lead to him taking it easy, thankfully

- after he was allowed to be around you again, he’d just take you to the docks

-you two would catch fish together and feast on your catches. Talking about Kallamar’s old happy memories with Narinder as if you shared the same happiness and were there

“I’m sorry, brother…you’ve just caused us so much pain…I-…I still love you though

Shamura:

-Two words.

-MANIPULATION and DELUSIONAL

-they were the closest to Narinder back before his banishment, so they would be the one to spend most time with you

- you be using the silk found around to make thread and making clothing for Shamura’s followers when the spider bishop themself would come up behind you, pick you up, and take you back to her temple

-they’d warn and advise you against spending unnecessary time around followers

-They wouldn’t want you to get that much power getting to your head…

-“you wouldnt want to be sent away again, do you?”

-Shamura would also gaslight you into thing that you’re crazy for thinking they were anything but loving to you

“What? We love you!- We’re your siblings, you’re acting like we’re some sort of captors and you’re a prisoner! You were a prisoner when we sent you to the underworld! But you’re back now! Just let us be a family again, damn it!”

-similar with Heket, if you tried to escape Silk Cradle, Shamura would fly into a rage and chase after you, grabbing you, and secure you in a spider silk cocoon that was in a safe area of their temple before calming down

-you could try to struggle and scream but “your eldest sister” would just hug you close and sing to you

“Narinder..Dear brother..please stop fighting. You’ll only hurt yourself more…”

UP NEXT: DEPRESSED READER X ANCIENT COOKIES

#requests closed #cotl narinder #cotl au #cotl heket #cotl leshy #cotl kallamar #cotl shamura #cotl headcanons #forced sibling relationship #siblings #Cotl #cult of the lamb #gaslighting #platonic yandere

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odo-apologist · 5 months ago

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Thinking about Out of Time, specifically the ending, which, in my opinion, is one of the best Rimmer scenes of the franchise. It's one of those moments- like his sacrifice for Nirvannah in Holoship or his insistence that Lister burn his soldiers in Marooned as a gesture of friendship- that hint at the potential that he has, deep down, of being noble, heroic, kind. What's particularly interesting about this scene, though, is that up to this point, Rimmer has often been shown as having a fascination with power, with militarism and fascist aesthetics. This is among his worst, most dangerous traits. You see the extreme outcome of it in Meltdown, what I think is Rimmer at his most abhorrent; he is the cause of the death of an entire group of people all because he wanted to live out his power fantasy of being a strategic military general, watching the battle at a distance like he describes in Marooned. Of course, as others have pointed out in their own posts, Rimmer's desire for/adoration of power likely comes more from his desire to be loved and prove he's deserving of love, but its consequences can be horrific. In Out of Time, when he encounters a version of himself that is an *actual* fascist sympathizer/apologist, he is disgusted. He is the one who wants to fight and who says, "Better dead than smeg." Whereas his future self says he would rather die than live like rats as the present crew do, our Rimmer would rather die fighting than live a life of ease and comfort while rubbing shoulders with bloodthirsty, power-crazed dictators.

And I think it's really interesting that the episode before this one is Rimmerworld. The aspect I often think about (that I wouldn't be surprised a lot of other fans also often think about) is Rimmer's 550+ years of imprisonment. It's such a disturbing concept, being kept in solitude for that inconceivably long, that its apparent dismissive treatment as a joke and lack of any real impact on Rimmer haunts me a little bit and I'm glad there are a few fics out there that explore the aftermath more thoroughly. But before he ends up in that situation, he 1. Abandons the others- the seemingly only people who have ever come close to caring about him- to die, leaving them to flee in an escape pod, and 2. Creates a civilization of clones of himself that he clearly bases off of the Roman Empire (a notable inspiration for many fascists). The first is significant because it shows the contrast between his cowardice in that situation and his lack of it in Out of Time. But the second point here, about the creation of his civilization, may show why that contrast happens between episodes, the reason for it. The civilization of Rimmerworld, based on an obsession with power, inspired by what we can assume is Rimmer's own idealized view of the Romans and empire in general, is the same that causes his centuries of suffering. So the next episode, when he sees another version of himself willing to get along with the kind of people like those who imprisoned him (who, albeit, were also versions of him)...I don't know, maybe the events of Rimmerworld did have some notable effect on him after all, at least for a while; maybe that's why he was so sure in his decision that the crew fight even though he knows they'll die trying.

Or maybe I'm just being ridiculous and overthinking things

#Sorry! having Thoughts and had to ramble about them #Also I'm blanking on if Rimmer still shows intetest in dictators and the like after series 6 #There are still episodes about his admiration with authority (Officer Rimmer Mechocracy etc.)#But besides a comment in Timewave Kryten makes about him collecting figurines #I can't recall many others #Red Dwarf #Arnold Rimmer #Original Post #Oh wait! I remembered he has books listed on his revision timetable in The Beginning #can't recall who by though and I'm too lazy to look it up right now lol

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wealmostaneckbeard · 5 months ago

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The Perfect Protagonist in a Horror Campaign:

Every other mech in Lancer is designed like a slasher movie killer or a cosmic horror monster. But Harrison Armory's Napoleon frame is Final Girl coded. Wearing this suit of powered armor guarantees that you will survive to see the end credits. Every scary thing that a GM could throw at you, you'll be able to say "Nuh Uh" to:

"You'll have to dismount from your mech in order to access the control room!"

Nope, you're Size 1/2. Whatever wants to kill you is going to have to get through your armor.

"The crazed space-pirate can inflict 20 points of damage in one hit thanks to their ship-killer cannon!"

Thanks to Heavy Shielding and Flash Aegis that's probably going to be reduced to 1 point of damage. Maybe even less if Stasis Bolt is active.

"The MONIST class entity can hack any electronic device, even your mech, and turn it against it's user!"

Can't hack a brick, which is what the Napoleon become when you Activate Aegis. Also you'll only be taking 1 point of damage, thank you... maybe even less thanks to Stasis Bolt.

"Your Friend is going to be murdered right in front of you!"

Your Stasis Barrier mildly disagree. Stasis Generator and Blinkshield vehemently and in the strongest terms disagrees. Stasis Bolt is in the back, shaking its figurative head disapprovingly, but it's not clear if it's actually going to do anything. But if your friends DO die, that's fine, it's necessary for the narrative, can't have a horror movie without a body count.

"I'm sorry but the Displacer isn't that great..."

What happened to the other guy? Whatever. That's a great point to end on. Look, the Napoleon's Displacer is not supposed to be used at the start of the movie, when your friend hears something and says "I'm going to go check it out, brb." It's supposed to be used after the killer has taken so much damage that his mask has been ripped off, he's bleeding out, and he wants to score one last kill. It is the gas tank rigged to explode. It is the dead cop's shotgun with one last shell in the chamber. It is the big red self destruct button that sets off an ominous countdown.

In conclusion: The Napoleon is for you if you want to survive in the most dramatic way possible.

#lancer rpg #ttrpg #mech #mecha #harrison armory #napoleon #power armor #final girl #final girl coded

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leo-interactive-fiction · 3 months ago

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Progress Report 10/2/2024

Hello all! I hope you're having a good week so far. For my part, things have been calming down a bit, and I've been enjoying the small extra free time developing the upcoming scenes.

They are turning out well, as I've progressed about 1/5 of the way as I'm finishing up one of the father's scenes, with 3 more to go, along with Rachael's specialization scenes.

I'd like to go a little more in depth on these scenes, as they will basically flesh out the MC's personal development going forward. I wanted to give some hints at how the MC's S.T.E.M. ability will generally progress going forward. To this end, all of the scenes have a combat oriented focus, but I also wanted to focus on giving a bit more story and lore to the fathers and the organizations they occupy.

For MC's that have chosen to follow their military origin and hone their swordsmanship, your father will request a duel to see what you have learned from Lin, and determine whether or not you are ready for the path ahead. It will not be the practice and training you have undergone with him before. You will have to bring your all to bare against the full martial prowess of a seasoned war hero.

For MC's that have chosen to follow their scientific origin and seek to research S.T.E.M. in Rosaline's facility, your father will conduct his own tests to see if this newfound power is worth the risk, or an endangerment to you. Though this isn't the peaceful, carefree life he wished to give you as a father, he will spare no cost to at least ensure your safety against every unknown he could think of, even if it means disregarding protocols.

For MC's that have chosen to follow their performing heart and find themselves ingratiated in Simon's troupe, your father will be interested in seeing what new tricks you've come up with in his absence. With less and less guards to patrol the city, opportunists have set their sights on raiding and stealing from the seemingly defenseless Bermuda troupe. They could not have expected the troupe to contain its own secrets.

For MC's that have chosen to follow their parent's legacy of covert operations, Hoft leads them to the underground catacombs where a final initiation of the Faction of Beggars takes place: The Lightless Gauntlet. Overseen by a faceless jury, your actions will be the determining factor on your placement as either a clandestine Operative or a lethal Agent.

And for MC's that have chosen to pursue Rachael's offer, the fathers will be present as Rachael conducts tests to push the MC's limits and fully measure the potential of the S.T.E.M. product she's developed, even should there be pain and possible chance of dysmorphia involved. Depending on the father present, they will comment or even intervene in different ways. Thankfully, Rachael is not so crazed to risk everlasting harm or death to their subjects! On a good day, at least...

I'll be very interested to see how these new scenes will be recieved. I've also thought to implement some new stylistic choices in the writing with giving the character's named skills. It gives it a bit more of a gamey feel, and I will have to see how it feels going forward, I'm mostly using this as a test. I will probably cover that at a later date once it is closer to release haha.

I hope you enjoy what I have in store!

#triaina academy #progress report

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knickynoo · 7 months ago

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Do you think Marty would develop a fear/phobia of thunderstorms due to all of the trauma he goes through that are centred around a thunderstorm?

I think post-trilogy Marty ends up with a handful of new things that range from just making him uneasy to approaching phobia territory. These include

• thunderstorms

• the sound of gunshots/loud gunshot-like sounds in general (fireworks, cars backfiring, etc)

• train whistles (mostly due to the whole almost being pulverized into a million pieces by a train thing after he arrives back in 1985)

• oh, and you know how in pt iii when Marty goes to get his truck and Biff startles him, and Marty's instant reaction is to put up his fists and want to punch Biff? I think he remains very fearful of Biff for...well, probably forever if we're being honest. It doesn't matter that this "new" Biff is humbled and goofy and seems to have a decent relationship with the McFlys. Marty's seen firsthand what Biff is capable of when the right set of circumstances present themselves. He stood on a rooftop while a crazed Biff pointed a gun at him and made a joke about killing George.

I actually think Biff might prove to be Marty's biggest "trigger" once returning home. He can work on overcoming his fears relating to thunder and loud sounds and whistles, but he'll always know that the guy in the track suit out front waxing the cars once destroyed an entire timeline (destoyed his family) solely because he gained wealth and power.

I do think it's a little funny when you think about it from Biff's perspective (normal 1985 Biff), though. The guy must be baffled. Like, "Why does my little buddy Marty suddenly want to punch me every time he sees me???"

Sorry, you asked specifically about storms, and I went down a different route. Yes, I do think thunderstorms would make Marty jumpy for a good long while. I can see a storm rolling in—thunder booming and lightning flashing—and it makes George and Lorraine all lovey-dovey as they reminisce on the night at the dance, meanwhile, Marty's sitting there shaking like a nervous chihuahua.

Thanks for the ask!

#asks #back to the future #bttf #marty mcfly

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okkotsuus · 1 year ago

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ex encounters (bllk pt.4) !

features: alexis ness ... tabito karasu ... eita otoya ... kenyu yukimiya

contents: bad exes, general tw, confrontation, harassment, google translate german, strong language

tw for the exes: controlling, domineering, power struggle, accusations, fighting, public scenes, revenge, grabbing (shoulder), trying to get back together, harassment, manipulation, gaslighting, falling out of love, wanting you back, possessive themes

notes: FINALLY FINISHING THIS SERIES and desperately hoping this will cure my writer's block </3

pt.1 — pt.2 — pt.3

like kaiser, ness would be so pressed that your ex would even have the audacity to so much as even think of you. but unlike kaiser, ness would not be trying to throw hands: bro would just be gaslighing your ex into thinking he can't stand a chance against him.

you met ness online, trying to learn german through an anonymous messaging forum: where he was trying to learn your native language. the both of you had no clue who the other was, becoming online friends for years, long before you had ever even met your ex.

when your ex came into your life, ness noticed that you were online less and less. when asked, you gave the sheepish answer that your boyfriend didn't support you learning german, not wanting you to know a language that he didn't.

despite the red flag that was, and all his other warning signs, you stayed with him. you still learned german, now only messaging your pen pal when your lover slept or was away.

but, one day, you came home to your (now ex) boyfriend sitting on the couch. he found out you were still messaging ness, and he was mad.

it lead to a blow-out fight, you ended up having to flee and stay with a friend, collecting your stuff over a week while he was at work. you never saw him again.

eventually, you finished learning german. after a long discussion, ness agreed to meet you at the airport. the second you touched down in berlin, you rushed out the gates to see that cute boy with caramel hair and magenta tips holding your name on a sign. that would be the man you'd come to love so very dearly.

eventually, you and ness moved in together in germany, for his soccer career. you returned home with him for the holidays, to visit family.

as ness and you walked hand in hand through the streets of your hometown, bantering idly in german, you stumbled across a face you thought you'd never see again.

"ah, i see that i was right to not want you to learn german..." his voice said from a little further away, eyes glaring at the two of you. you instantly stiffened, and ever perceptive ness instantly figured out what was happening, muttering a quiet "verdammt" under his breath.

as your ex sauntered closer, ness wordlessly stood in front of you. though he wasn't the most imposing figure, you could see his distaste written plainly on his face, sneering at your ex.

"you left me for a german terrier... i see your standards really lowered..." your ex mumbled, chuckling as he glanced at ness. "keep it up, just try me schwein..." ness threatened, squaring his shoulders.

this went back and forth enough until ness had finally barked out enough insults with that near-crazed look on his face that had him shaking his head and storming away.

your boyfriend, turned to you, like a dog awaiting praise. it had you giggling and cupping his face to press scattered kisses along his cheeks. "thank you, mein held..."

"anything for you, mein schätzchen. i'd do it for you in a heartbeat..."

karasu would be smug at first before quickly getting annoyed. he would want to throw hands, shoving the guy away and mocking him, probably gets the cops called on him. at least he doesn't look bad in cuffs ig??

when karasu was introducing you to a group of fans who watch bllktv, you didn't expect to see your ex. "wow, y/n, what are you now... a gold-digger?" he taunts, stepping into your view.

your boyfriend was off to the side, signing things, blissfully unaware to your torment as his back was turned to you. so, you decided to be the bigger person and just ignore him.

your ex was one of those run-of-the-mill revenge people, would make fun of you at any given chance now that you were separated. you don' even remember why you broke up, probably some snide comment of his that ticked you off. but one thing about him was that he hated being ignored.

karasu, who heard a guy's voice and figured you were getting hit on. he knows that you're a catch, and he trusts you, so usually he lets you humble people on your own unless things get out of hand. well, things got out of hand.

he spun around when he heard you yelp, eyes meeting the hand that gripped your shoulder. in an instant he was shoving your ex away from you, guiding you so gently behind him that it contrasted with the same movement he had used against your ex.

"trash shouldn't touch treasure." he spits, glaring down as you ex stumbles on his feet. just like that, with a shout, your ex charges back at karasu.

like a professional, karasu throws him back again, this time with more force. but desperation does something to inhibition and your ex lunges back again, sending a punch across your boyfriend's face.

karasu just chuckles, wiping the blood from his nose as he grabs your ex's collar with one hand and socks him with the other, sending him to the ground.

they continue this one-sided fighting until flashes of blue and red flare in the corner of your peripheral. then they're both in cuffs and all three of you including those fans from earlier are being questioned.

then, karasu walks away from his cops, rubbing his now-restraint-free wrists as he saunters up to you with that coy smirk. "hey there pretty thing, your jailbird's back..."

he's taken aback as you jump into his arms, hugging him tight as your hands hold him like he was fragile. he just smiles, wrapping his arms around you and kissing he side of your head with a gentle affection.

"hey now, don't cry. i'd gladly get cuffed again for keeping you safe."

otoya is another smug one, but unlike karasu he is not eager to be fighting. otoya's smart and knows just what to do, plays innocent if it ever gets to the point where cops come in.

of all people in the world, otoya has certainly had his share of running into an unpleasant ex. he's the one who will understand you best, which is why he stands next to you with a cocky grin as your ex desperately tries to explain how he's better for you than him.

"i don't have a history of cheating... unlike present company..." your ex digs, shooting a smug look at otoya, who grumbles out a "c'mon, it was one time..."

you just chuckle, shaking your head in exasperation with a heavy sigh. "no, you didn't cheat. but you're still a manipulative asshole." he huffs, rolling his eyes and mumbling curses under his breath.

"you pretentious bitch, i never once hurt you. it was all for your betterment because you can't take care of yourself." your ex spits, getting closer until otoya puts an arm between you two.

"don't talk to what's mine like that, back it up bud." otoya muses with a grin, pushing your ex back lightly, putting himself between you two. your ex stammers, glaring at you over your boyfriend's shoulder.

seemingly, all was fine until the next time you were out with otoya, your ex appeared again: delivering the same take-me-back speech. it was getting tiring and you felt your patience begin to wear thin with every emotionally-charged word that spilled from his lips.

you groaned, running your hands down your face with a tired sigh, otoya silently wrapping an arm around your shoulder.

"listen, i think you should just go, man. this is getting pretty pathetic... i know that y/n's a real catch, but sometime's you gotta know when you can't reel a babe in..." otoya says, somehow getting even more smug as he presses you into his side, leering down at your ex.

eventually, after a few more snide remarks from otoya, your ex finally gave up. allowing you to slump in your boyfriend's arms, letting ot a tired sigh as you kissed his cheek. "thanks, 'toya..."

"i know why he's so desperate, there really is no one like you. makes me happy that i ended my player streak for you..."

an angel sent from heaven. arguably the best person to run into your ex with. yukimiya is calm and composed enough if your ex is temperamental, and he's tall and handsome to scare anyone else away. 10/10 literal perfect man.

yukimiya’s a pretty boy, he’s tall and lean with an angelic smile. he’s a catch, by far the best man you’ve ever dated. he only proves this to be even more true when the two of you run into your ex.

there wasn’t necessarily any bad blood between you two, he had just suddenly broken up with you on the claim that “he fell out of love.” it hurt you like hell, of course, but there was no reason for you to resent him for it. so you two left on good terms, occasionally wishing a happy birthday to the other until the friendship too fizzled out.

then you met yukimiya through a mutual friend and fell hard, but he fell harder. so here you are, happily sipping a blue slushy while yukimiya held your hand and chattered about soccer.

“blue was always our favorite…” a voice rang from behind you, yukimiya stopped drinking his red slushy as he turned with you. there he was, your ex with a sheepish grin.

you quirked a brow, confused. you hadn’t talked to him in nearly a year, ever since you and yuki had started dating.

he smiles sweetly at you, the kind that has you realizing where this is leading. “sorry, i’ve just been nostalgic about us lately…” he said with a chuckle, hand rubbing the back of his neck.

your eyes flit over to your boyfriend, catching the furrow of his brow. yukimiya was a really nice guy, he wasn’t a fan of confrontation. but you are.

so you grin at your ex, waving a hand dismissively. “sorry man, i’m in a very happy relationship…”

the second he tries to protest you swiftly shut him up, sticking out your tongue. at first, your ex was confused, then he realized that your tongue was purple. his eyes flit between your blue slushy and yukimiya’s red one, sighing and walking away.

yukimiya’s face goes bright red as he stares at you, “that’s not why your tongue is purple, you just wanted to try mine!” he protests.

you chuckle, grinning at him, “yeah, but he doesn’t have to know that…” yukimiya just sighs before grinning back at you.

"i don’t like lying, so why don’t you let me do it authentically…"

okkotsuus 23

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