#poor Octavia

[anemicjellyfish]

I've been thinking it probably will be ever since I first saw the trailer... all I could think was "oh, she's getting a song (wasn't confirmed/I wasn't aware of sources saying that it was) and it's gonna be a callback or reprise of You Will Be Okay..."

What if Octavia's song is simply a reprise of "You Will Be Okay". What Then.

[funhouse-mirror-barbie]

The Decay of Complex Characters and Character Development in Helluva Boss (Stolas and Octavia’s Relationship: Part 1 of 2)

Part 2 here

I’ve seen this in a few different places, but it’s been on my mind in particular since the animated “Look My Way” music video that dropped a while back.

The way the song was updated for the animated music video made the changes to Stolas’ character stick out even more to me, and I really want to talk about what I perceive as some really flawed writing decisions around Stolas’ character.

If you’re a fan of HB please know that I’m not trying to attack the creators or change whatever opinions or feelings you have about the story. If you love this show and this character and they mean a lot to you that’s great! My goal is never to spread negativity or toxicity—it’s always to talk openly about media and how we interact with it. ☺️

I want to start by saying I was a big fan of Helluva Boss, and of Stolas, up until the second season started. And before the second season, my favorite episode by far was “Loo-loo Land”.

(TLDR at the end of the post if you don’t have time to read thru!)

I still really like the episode now, and I especially love the opening scene and song. It’s beautiful, and the song “You Will be Okay” has brought me to tears more than once. It’s one of the best songs in the entire series, and I think the only one that tops it for me is probably “The House of Asmodeus”.

The whole sequence of “You Will be Okay” is both heartening and heartbreaking—it captures the unconditional love and protection a parent promises to give their child, while also expressing the sad truth about that promise that only a parent can know—that you can’t and won’t always be around for your child.

No matter how much you want to protect them from the dangers of the world, you can’t—parents have to let their kids go out into the world and become their own person—the most a parent can do is try to always be there in any way they can for their kids, even if they can’t be there physically.

The lyrics and tone of the song tell us as much. It’s very clear that Stolas is acutely aware that something may happen to him and that he needs to let Octavia know that while he may not be there with her physically, his love for her will always be with her, protecting her.

The build up to the song’s crescendo matching the visuals around Stolas and Octavia bring everything in the scene together really well, and Bryce’s performance is so good that it made me believe for a second that he would keep his promise to Octavia. That he would never abandon her, and would always put her needs as his child first.

That, somehow, he will truly be with her always protecting her, and that she really will be okay.

For a moment it was possible for me to forget the dramatic irony of the situation. That this was the past, that I already knew for a fact that Stolas would cheat on Stella and jeopardize his family life.

The song comes to a close, and through all the seemingly random chaos happening in space around them, Stolas keeps Octavia safe, and lulls her back to sleep. They return to her room, and the scene ends on Via in bed sleeping peacefully.

The whole sequence does such a fantastic job of showing you what Stolas’ and Octavia’s relationship was like when she was a child. She trusts him implicitly, and, at least at this time in her life, he seems to have been a present and loving father.

What makes this scene work even better though, is the transition to the present that follows RIGHT after it.

At the end of the song we get this jarring and sharp match-cut of a teenage Octavia being jolted awake by the shrill screaming and fighting of her parents in the background. In that instant, we as the audience see her going from feeling safe and having a seemingly idyllic childhood, to being a moody and neglected teen with a turbulent and unstable family life.

The music change that accompanies this not only fits the change in mood perfectly, but it quite literally tells us what she is feeling—her whole world is crashing down around her.

To this day, I think this transition is wonderful.

The visuals do such an amazing job conveying the changes that have happened in the Goetia family through Octavia’s perspective. And it’s extremely important because it immediately shows the audience that Stolas broke his promise.

I watched this episode when it came out, and when the only other Helluva Boss story and world-building we had was the Pilot and S1E1-“Murder Family”. While it could be assumed that Stella would not be happy about her husband’s cheating, we didn’t know anything about her personality and how she would react.

So. while it was clear that Stella wasn’t acting appropriately or maturely in the next scene, it was also VERY clear that Stolas was at fault for breaking up their relationship by cheating.

I will be talking about Stella’s character in “The Circus”, and how she is used as tool to absolve Stolas of any wrongdoing in season 2 later. For now, I want to stress that I will NOT be talking about future development of her character here.

After Stella leaves Stolas tries to connect with Octavia like they used to and just continuously fails. It’s clear that she’s still very angry with him for cheating on her Mom, and that his trying to carry on like nothing is wrong is irritating her.

Stolas asks her if she slept well and all she can sarcastically say is “Is that a serious question?”

What Stolas does next to try and reconnect with Octavia is very very important because it shows that he’s still being extremely selfish.

He decides they’re going to LooLoo Land, in a poor attempt to recapture some of their old good memories together and does not once LISTEN to Octavia and what she actually wants to do.

They go, but he uses the trip as an excuse to meet up with Blitzø, and behaves inappropriately and flirts with him the whole time, right in front of Octavia.

This, rightly, is extremely upsetting to her, and she runs away. Stolas follows after her and they have a heart to heart where he FINALLY FINALLY takes the time to listen to some of her concerns and why she is upset.

The episode ends on a happy note-with Stolas asking Octavia what SHE wants to do and what her interests are, and Octavia admitting to Stolas that, “You’re okay sometimes”.

This episode is extremely important to Stolas’ character because it does such a good job of getting across to the audience that Stolas is not a perfect person. That he’s someone who has people he genuinely cares about and loves, but that he can still royally fuck up. He’s sleazy, he doesn’t respect Blitzø’s boundaries, he neglects his daughter, and he doesn’t listen to her, putting his own desires and needs ahead of hers.

And the resolution to this episode is important, not because it fixes everything, but because it is the first STEP in the right direction for Stolas becoming better and becoming the father his daughter needs him to be again.

This episode ends with Stolas meeting the BARE MINIMUM to START making amends with Octavia. He doesn’t even say sorry, just that he would never leave her to run off with Blitzø. There is still a lot that Stolas needs to do to make amends with her, and to repair the ruptures in their relationship.

Due to this, at the time this episode came out, I thought that this was just the very beginning of Stolas’ first character arc—realizing his actions could truly HURT those he cared about, and having to come to terms with the fact that he was in the wrong. That something he did, hurt those around him, and that he would need to take responsibility for that.

“Loo-loo Land” went to such great lengths to show us that Stolas is imperfect. That he is someone who is capable of mistakes and doing the wrong thing, of being oblivious and selfish, and of needing to do better.

And before “The Circus” and “Seeing Stars”, I believed that the writers could develop his character to grow and change and become a better person for his loved ones.

This doesn’t happen however, as again the writers bend over backwards to make sure that Stolas never has to actually directly answer for his mistakes. So much so that they literally don’t let him say “Sorry” to Octavia the next time he breaks a promise to her and doesn’t consider her needs before his own.

After S2E2 of Helluva Boss, “Seeing Stars”, came out, I officially lost any faith in the writers to have Stolas ACTUALLY take ownership and responsibility for the ways he harms those he loves. That first step he took on the path to healing his relationship with Octavia from “Loo Loo Land” has been totally erased, and I can’t imagine whatever resolution they come up with for his character will be satisfying.

I have no doubt that Stolas will receive a happy ending, but I predict it will be one with 0 stakes, and 0 satisfaction, because it will not have been earned. I worry that with any character flaw or upset he causes, another character will be swept under the rug in order to make Stolas appear as if he was always in the right.

As I’ve said before, if that’s the story the writers want to tell, that’s fine. It’s their story, not mine.

I just personally cannot imagine not wanting to explore those character faults and acknowledge them. Maybe, hopefully, I’ll be pleasantly surprised. I’d really like that.

I’ll be following up to this post with a critique specifically of how “Seeing Stars” is very much a retread of “Loo Loo Land”, but in all the worst ways possible.

TLDR;

-In my opinion, the initial handling of Stolas as a flawed and complex character who could make mistakes and be in the wrong was really well done.

-The first canon episode that gives Stolas focus, “Loo Loo Land”, goes to great lengths to show us the ways in which Stolas has failed Octavia.

-This was a great set-up for character development and for Stolas to have to come to terms with his actions and change, but future episodes do not follow through on this set up.

-Will be talking about the episodes that undo the set ups for Stolas’ character development in Part 2.

EDIT:

I made the mistake of missing a part of “Loo Loo Land” where Stolas DOES apologize to Octavia properly—missing this was my mistake—I made an addendum post here that goes over this briefly—Apologies.

[owl127]

Can youuuu…mayyybe…please write something containing a 🗡️ character and a jockstrap. Ugh something about jockstraps, mouth guards, and feminine girls doing masculine things is so hot🥵

read on Ao3

Reading @lexa-griffins talk about wanheda’s dagger got me inspired, so… *throws confetti in the air*

Lexa’s boots kicked dirty on her way to the bus stop.

“Lexa!” The cries behind her continued, along with the annoying click of cleats against asphalt. “Lexa, wait!”

Ignoring the girl running after her, Lexa climbed onto the bus without looking back. The driver looked her pursuer and rolled her eyes, signaling for the dirty athlete to hop into the campus bus.

“Thanks, Carla!” Lexa heard, and of course she would be friends with the bus drivers, because apparently, Clarke Griffin is very friendly with people. Girls in particular.

Lexa looked straight ahead as Clarke Griffin, captain of the soccer team, president of the debate club, LGBTQ+ alliance vice-president, and a fucking player sat next to her. Clarke swore at the mud tracks following her and lowered her socks with a long sigh.

“Lexa—” Clarke tried, but Lexa mmf-ed and turned her back to the alpha. “Okay, this is getting ridiculous.”

“You’re the one tracking mud on school property.”

“Brittany is like, nothing, she’s—”

“Have you slept with her?” Lexa turned to look into Clarke’s eyes, searching for honesty, trust, anything that would make the last three months she dedicated to this woman worth it. She found honesty, yes, but regretted it immediately.

“Not recently!” Clarke defended. “She likes to cheer in every game, and she keeps saying we’re seeing each other, but Lex, I haven’t been with her since before I met you!”

Lexa squinted her eyes, watching a bead of sweat forming on Clarke’s forehead.

“Okay, maybe once after we met, but we weren’t exclusive back then!”

The logic part of Lexa’s brain argued that Clarke had a point, and even Lexa had been on a fruitless date after she met Clarke. Had she thought about Clarke all the time? Totally. Did it in the end it help her see she was actually into the charming athlete? Yes, but irrelevant at the moment, since now the unreasonable part of Lexa’s brain kept replaying Brittany’s voice: “And that’s Clarke, number 10. She’s the captain. She’s also delicious.” A pink tongue over lipstick gloss had accompanied that statement, and a graphic image of that girl on her knees for Clarke had made Lexa escape the match as soon as she could.

Clarke had seen the iteration from the sidelines and had abandoned the bench in obvious pursuit.

“Are we exclusive?” Clarke asked when Lexa refrained from commenting. “I… I thought we were.” The girl swallowed, setting her face in the same hard angles as when she kicked a penalty. “I want us to be,” she said, extending a hand between them.

Lexa signed and took the offered hand in hers, feeling how warm it was, despite the fall leaves rushing past the bus window. She loved how warm Clarke’s hands were, a dichotomy to her always freezing extremities. Lexa mumbled something, and Clarke leaned closer, asking, “what was that?”

“Maybe I overreacted,” Lexa confessed, the almost empty bus a witness to the fact. “I hated seeing that girl talking about your dick like she owned it.”

Red crept into Clarke’s cheeks, making its way to her ears. “Well… she doesn’t,” Clarke said, one hand around Lexa’s waist. “You do,” she whispered, and Lexa’s face flushed with heat. “I want to be exclusive. If there’s any girl out there bragging about my dick, I want it to be you.”

“How romantic.”

“You’re into it,” Clarke argued, her bright eyes following Lexa’s scarf until it hid inside her jacket.

Logic once more piped up in Lexa’s mind that the girl had a point. The thong she had worn to celebrate Clarke’s game dampened with proof.

“You didn’t bring your phone or anything?” Lexa asked. “You just ran after me?”

“Of course. I couldn’t let you go looking pissed like that! And Octavia will pick up my shit.”

“So it’s not the first time you abandon your team celebration to pursue a girl?”

Panic flashed in Clarke’s eyes and Lexa felt merciful. “I guess from now on you’ll only be doing this for me.”

“Yeah.” Clarke kissed Lexa’s cheeks, sighing in relief. “My apartment is not far from here,” she said, the kiss lingering. “And I’m in desperate need of a shower.”

“Oh.” Lexa’s heart picked up, her cold hands warming up in her fingerless gloves. “If it’s out of desperation, we need to stop.”

“You’re so kind.”

With Octavia and the rest of the team still back at the football complex, there was no reservation for stripping as soon as they stumbled into Clarke’s apartment. The spare key with her neighbor was worth it (the assistant professor had looked the couple up and down and threw the key in their direction before closing the door and turning her TV colossally loud). Clarke’s shirt and cleats didn’t make it to the hallway, and Lexa’s pants puddled by the bathroom’s door. Lexa pulled the athletic shorts down and met the hard resistance of a jockstrap cup.

“Isn’t it uncomfortable?” she asked, drumming her fingers on top of the hard carbon fiber.

“Right now it’s pretty uncomfortable.” Clarke chuckled and kissed Lexa’s neck hard enough to bruise. “But that’s your fault.”

Lexa focused on Clarke’s high ponytail next, letting the blonde tresses free under the white light. “Yeah,” Lexa said, “it is.”

“Feeling possessive, huh?” Clarke nipped at the soft skin under Lexa’s chin while stepping out of her shorts, completely nude. Clarke moaned at the hands exploring her broad shoulders, digging into her trapezius, and scratching her deltoids. Lexa admired Clarke’s curves, but she salivated at her muscles.

A moan froze in a gasp as Lexa felt for Clarke’s erection, now free from the confines of jock straps and tight, athletic shorts. “Very possessive,” Lexa said, moving her hand in deliberate slowness, pushing eager hips back when Clarke tried to increase the pace. “You can be the leader of your team, but here” — a strong squeeze that made Clarke whine — “I’m captain.” The exhale on Lexa’s shoulder was nothing but a moan.

“Fuck,” Clarke said, her head surrendering to Lexa’s biceps as she mercifully started moving her hand.

Clarke smelled like sweat, and heat, and vetiver, and Lexa had it all for herself. She inhaled deeply, her brain creating a new pathway for that scent of love, need, and lust. Lexa prided herself on being an omega in full authority of her body and desires, but as Clarke groaned on her neck, Lexa surrendered to the primal need of control.

“Come for me, babe,” she said, softly albeit with a command, and poor Clarke followed like a trained puppy.

Lexa held her close as Clarke trembled, expending the last of her strength over Lexa’s olive skin. When Clarke’s knee threatened to buckle, Lexa guided the exhausted girl under the hot shower stream.

“I’m sorry.” Clarke mumbled as water covered her mouth. Lexa distracted herself with shampooing Clarke’s hair, and the fresh scent of mint and vetiver filled the fogging air.

“About what?”

Clarke turned to look Lexa in the eyes, all half-lidded and yawning. “I’m sorry for not being clear about being exclusive before. I was afraid.”

Lexa nuzzled the shampoo suds away from Clarke’s cheek. “Afraid?” she asked.

Clarke hugged her under the water, their wet bodies molding together. The water soothed Lexa’s skin, but Clarke remained her major source of warmth. “I was afraid you’d say no.”

“How could I not?” Lexa kissed her girlfriend — seemed safe to call her that way — until they were out of breath. “I hate sports, and you got me outside in a chilly morning just to watch you kicking some balls.”

“It’s one ball.”

“Whatever. Come here.”

Clarke obeyed, her hand sliding down beautiful curves to elicit a moan from Lexa. She responded in kind, hardening between them.

Octavia was pissed when she arrived home from their game and there was no hot water.

[cujokroggo]

"Dear, baby girl I'm sorry that your father not active inside your world He don't commit to much but his music, yeah, that's for sure He a narcissist, misogynist, livin' inside his songs Try destroy families rather than takin' care of his own"

[stewwa-gweesha]

YOU. YOU. YOU. YOU GET IT!!!!!!!!!!

I deleted my original post comparing Stolas to Valentino since, while they do have a few similarities, Valentino is obviously worse compared to Stolas. So I decided to remake it using Stella instead. I’m very much aware there will be people disagreeing with me in comments/reblogs, mostly because one is a man and the other is a woman, but this is fandom so I expect this. Octavia deserves better parents.

[celtrist]

I really want to see a more fucked up version of Charlie in canon. Like, okay, I am a die-hard for sweet bubbly girls in media. But I always see how some people make Charlie actually, oh I dunno... demonic? And it's so refreshing for her type of character. I could honestly see her having low empathy (and we kinda see this with how she handled Angel's situation or even Vaggie's nervousness about taking control on an activity). An exploration of that trait (if it was intended) would be interesting to see for a protagonist, especially when her main goal is about helping others. I would love to see her actually have a level of difficulty in understanding others' feelings from the other residents, sinners, and even her father.

But give her a fucked up side. Not a "she gets more power when she's angey uwu", but a "oh, she's a little fucked in the head". It would give so much to her character that she just doesn't have.

@/murmurmurena (don't wanna bother them so slash there we go) has some fun ideas with Charlie. I highly encourage people to check their stuff out! So many fun dark ideas with her character while also still keeping to her canon personality pretty well! Personally, I think Charlie being a bit more naive to her own messed up traits would work best but her also being aware of these traits can make for some interesting character for her.

THIS FIC, "A Game Between You and I". RIGHT HERE WITH THE FIRST CHAPTER. A bit of spoil for the fic here: but I love how they handled Charlie’s absolute ignorance as to why the idea of Russian roulette is horrifying to Angel Dust. It doesn't feel like her being intentionally malicious or aware that she's the odd man out here. This is also a pretty old fic going by only the pilot, but the point still stands that it was such a fun take for her character!

Charlie is one of my favorite characters in the show in part of the POTENTIAL she could have as being the most bubbly sweetheart character while also being the most messed up character in the show. I can't say I have strong confidence with the show's writing and fully expect them to stick with Charlie being the "nice girl but oh no, don't get her angry or she gets scarwy". Which isn't bad for a character mind you, there's just so much more potential to Charlie outside of that trope, especially when you get into the theories of her either being a doll, Roo's biological daughter, or what have you. And for the MAIN CHARACTER of the show, it would be not only interesting but also bring the spotlight back to her.

There's really no question that the side characters steal the show, particularly all the male characters. If I'm honest, Charlie does not feel like she gets a lot of love from the show itself when she's supposed to be the main character. She feels far more flat compared to the rest of the characters (again, the male cast in this "female-lead" show has more depth than most of the female cast currently. I wouldn't be pointing this tidbit concerning the genders of characters if it weren't for the fact Viv defended Helluva's lack of development with their female cast by saying "Hazbin is a female-lead show and Helluva is a male-lead" and Hazbin ended up with it not feeling female lead (to me) and the male cast just completely stealing the show. I don't normally care about gender stuff, especially since I do personally lean interest towards male characters. But using one show as a defense for poor development of the female characters, and then that show not really holding up with no very interesting well-developed feeling female characters irritates me. It's just very clear that these shows don't seem to care much about the female cast :/)

If you like how Charlie is written that's totally fine. PERSONALLY, I just think they're missing so much opportunity with her character by just making her the standard female character type. I honestly don't have a lot of faith they'll actually do something with Charlie's character though. She's a pretty static character in S1 being the same from start to end. Not changing or learning anything to create any development. What does the end of season Charlie do that start of season Charlie wouldn't do? Fight back? Because we see with the pilot (which is the “first episode”) that Charlie does fight people if pushed like with Katie Killjoy and even Valentino. Static characters can work in media depending on the show or their role. But Charlie is the MC of a show about “bettering one's self”. So to have her as a static with not a lot of strong dilemmas for herself (like we see with Angel Husk Al and even Vox) seems silly. Plus, considering Hazbin is telling a whole story and it's not a fun episodic thing, characters are expected to grow on some level. Or else, what was the point of their hero's journey?

[akirathedramaqueen]

Octavia's and Blitzø's potential relationship development

I believe that the show, despite Octavia openly hating Blitzø, gives us some hints that they have much more in common than it seems. I’ve noticed a couple of moments where Blitzø and Octavia are… pretty much in sync, if that makes sense.

Here are those moments I’ve noticed… maybe stretched in some places, but! Hear me out!

1. Here, they don’t hear each other, but both are repulsed by Stolas’s obnoxious language and express the same reaction. It’s funny that Stolas is the one calling them out.

[Blitzø]: WHAT [Octavia]: THE [Blitzø]: FUCK [Octavia]: DAD?! S1EP2, Loo Loo Land, 4:52

2. They also share a distaste for Stolas’s behavior throughout the episode, albeit in slightly different ways. In fact, this serves as a great demonstration of how deaf and blind Stolas is to obvious social cues at the beginning of the series—he doesn’t stop even when directly asked to do so on multiple occasions.

Blitzø is disgusted by Stolas’s awkward, overly sexual advances and demeaning language towards him and his work.

[Stolas]: You are so cute when you are serious! S1EP2, Loo Loo Land, 6:06

Octavia is taken aback by essentially the same. However, she blames both of them, understandably failing to recognize that Blitzø is just as uncomfortable as she is. From her perspective, Blitzø is a homewrecker who contributed to destroying her parents' marriage.

[Stolas]: You know, it's quite thrilling to see you on the job, Blitzy.[Blitzø]: Save it, bitch, I am working. [Octavia]: You both need to get a room. S1EP2, Loo Loo Land, 8:20

3. They share the hate for the same clown!

[Blitzø and Octavia]: I hate that fucking clown. S1EP2, Loo Loo Land, 8:50

4. They seem to have similar tastes in music! The song My World Is Burning Down Around Me, which Octavia plays to tune out Stella’s screaming, is also heard in Blitzø’s van when he comes to pick up Loona in the Queen Bee episode, although it’s only instrumental. Here, have a look. If, for some reason, the service with the timeframes isn’t working, I’ll also provide the timings in writing so you can check it yourself on YouTube.

Octavia turns on the song, and for a while, we can hear the lyrics before it fades into the background as the scene shifts to Stella yelling at Stolas and later to Stolas’s conversation with Octavia. S1EP2, Loo Loo Land, 2:52 - 3:50

The song’s instrumental version can be heard when Blitzø’s van arrives, and the background noise at Queen Bee’s club is different, so there’s no chance for misinterpretation. It is the music Blitzø’s was listening to. S1EP8, Queen Bee, 8:20 - 9:14

5. Haha, they freak out in the same way in the Seeing Stars episode! I know it’s probably just a stylistic choice to transition from Octavia’s initial experience with LA to Blitzø having to contact Stolas and explain what happened. However, I might be indulging in a bit of wishful thinking, suggesting that this similarity in their stress responses could have some deeper meaning.

S2EP2, Seeing Stars, 4:42

So-o... What am I trying to say with all these points I've made?

Like the kind of delulu who yells, "Ghostfuckers, save us!" (we know Viv, we know how trying to put our hopes up ends, haha), I draw a complete unhinged card and I am going to make a very bold claim:

I think that once Stolas and Blitzø finally get their shit and themselves back together, and Octavia realizes there’s much more to the story than, “Oh, it’s just horny dad cheated on my mum with a red lizard dickhead and my dad ruined my family,” Octavia could actually bond with Blitzø quite nicely, and he would make a good second dad to her! Well, don’t get me wrong. She might never want to take it to that level. Also, we don’t know how things will turn out, nor do we know her relationship with her mum, Stella.

But I do believe that their parallels were thrown in for a reason. Despite the circumstances, they can, and maybe will, be on much better terms than they currently are.

Go on, call me delusional and leave me be in my complete denial corner. <3 I admit I do tend to forget the current state of the Stolitz relationship in the series, as in my world, where I’m prioritizing my time working on that fic, they are finally together. I am bitter-sweetly excited that @tealvenetianmask and I are slowly but surely getting close to finishing it. :)

(Yes, yes, it was shameless self-promotion—sue me for the unlawful use of a speculatory-analytical post space to promote our version of Stolitz working hard to sort out their issues post Apology Tour and having some silly and horny fun along the way.)

[freikdreinaslaw]

[drama-glob]

EEEE!!! My stickers came!!! ^_^<3<3<3 They're so cute!!! I can't wait to use them!!! ^_^<3<3<3

*I still feel bad for Ozzie getting the raw-end of the deal when it came to goodies since his were made by Fizz. ;) XD XD XD

[a-hell-of-a-time-archive]

"McRib what now?" Was it better than the Filet o Fish her grandfather hated?

[whyeverr]

"I was thinking, would you want to come over for lunch this afternoon?"

"What, like a date?"

"Whoa, haha—"

"—I'd love to."

"Alright! Swing by the depot in an hour or so. Let me see what I can whip up."

[cloudyvulpine]

"this is my precious child" i say as i hold up a murderer

[trashogram]

If I were Octavia, and I learned that the parents I thought were in love and wanted me actually hated each other this whole time and only had me because it was an obligation, I’d be devastated and traumatized.

[okmcintyre]

Bellamy and Octavia remember one of the ways he kept her safe on the Ark

[aurorasilverthorne]

Uh oh...Andrealphus is in trouble...

Disclaimer: I OWN NOTHING!!! Mrs. Mayberry & Marquis Andrealphus belong to Vivziepop.

[starsaught]

Does Via fear being married off to another Goetia from another family?

Octavia's biggest fear is being married. The cycle is ever constant, toxic & self-destructive ; she's seen what it did to her parents, she's afraid of being forced into a loveless marriage to supply another cautionary heir, such as the reason of her birth.

Via will do everything to avoid being married ; she will willingly give up her family name & leave. She doesn't want to end up like her parents. She won't be like them. Will she?