#please read these comics everyone

[bio-prime]

“Do you have the slightest idea how little that narrows it down?”

[stil-lindigo]

lead balloon (the tumblr post that saved me)

if this comic resonated with you, it would mean the world to me if you donated to this palestinian family's escape fund.

--

no creative notes because this isn't that kind of comic.

I know I don’t owe any of you anything but I still felt compelled to write about my long term absence. And I feel far enough away from the dangerous spot I was in to be able to make this comic. I have a therapist now, and she agreed that making this could be a very cathartic gesture, and the start of properly leaving these thoughts behind me. I am still, at seemingly random times, blindsided by fleeting desires to kill myself. They’re always passing urges, but it’s disarming, and uncomfortable. I worry sometimes that my brain’s spent so long thinking only about suicide that it’s forgotten how to think about anything else. Like, now that I've opened that door for myself, I'll never be able to fully shut it again. But I’m trying my best to encourage my mind in other directions. We'll see how that goes.

I am still donating all proceeds from my store to Palestinian causes. So far, I've donated over $15K, not including donations coming from my own pocket or the fundraising streams which jointly raised around $10K. In the time since I made my initial post about where this money would be going, the focus has shifted from aid organisations to directly donating to escape funds.

If you'd like to do the same, you can look at Operation Olive Branch, which hosts hundreds of Palestinian escape funds or donate to Safebow, which has helped facilitate the safe crossing and securing of important medical procedures for over 150 at-risk palestinians since the beginning of the genocide.

[akanemnon]

That's two jailbreaks in one day!

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference sheets)

[poorly-drawn-mdzs]

This wine tastes like pigs blood!

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[xxplastic-cubexx]

your krakoa era cherik art has altered my brain chemistry

more krakoa era is to come from me my friend so i worry for your brain

[saccharind]

from Prokaryote Season by Leo Fox

[emilinqa]

on an increasingly urgent mission to get everyone to read the star trek year five comics

[elizzsush]

Deadpool coded reader:

Reader: dramatically and sadly, “Day 925, the bats show no sign of releasing me- a totally normal and amazing citizen from this prison.”

Reader; “he has left the second scariest Robin to guard me, Jason.”

Red hood: a little offended; “Second?”

Reader: shuttering looking like she’s reliving something, “Damien is like a angry dog, he bites.”

Reader: “also is this lega- and he walked away. Hey! I want to speak to a lawyer!!”

Reader: now yelling “I have rights!!! I think- do you have rights in Gotham?”

_______________

Batman: finally shows up.

Reader: “hey It’s You! You know if I head a penny for a rich completely normal guy who is the center of a multi million  franchise of hero’s- while also being a hero himself through the means of money… well Id have two pennies!”

Dick: “what…?”

[chiscribbs]

Grown Apart AU - Musical Style ✨

What is This Feeling from Wicked pretty perfectly encapsulates GA Donnie and Leo's first impressions of each other, so the musical nerd within me couldn't resist doing this (lol).

Context within the plot: After saving Mikey's life (by total coincidence), Donnie manages to infiltrate the Hamato residence as a spy, planning to capture the oozesquitos and hand them over to Big Mama, thus gaining her favor. Leo, however, sees through his act easily and has been keeping an eye on him since he arrived. Due to circumstances outside of their control - i.e. Splinter's decision - the two of them are forced to share a room with each other, which neither party is particularly thrilled about.

----------------

I just found out that, apparently, Grown Apart has made into the @tmntaucompetition preliminaries!!!! ASDFGHJKJH;!! Thank you to anyone who sent in a nomination! I guess we can officially call this "propaganda" now, so look forward to seeing much more in the very near future!

[nauti-ca]

it is actually crazy having been a transformers fan for 5+ years now seeing people come in bc of tfone like. consuming megop without the 6 million year divorce proceedings. like aww wait i think these robots are gay! yeah buddy no kidding. wait til you see what kids they get shared custody over

[turrondeluxe]

IDW MIGHTY MORPHIN POWER RANGERS/ TEENAGE MUTANT NINJA TURTLES: HUMAN DESIGNS OF THE BROTHERS

[windcarvedlyre]

I've been following @druidposting's DR2 playthrough on discord and we just had a really good discussion about DR's Closing Arguments. Specifically the way the murderer is depicted as grey and featureless, which until now I found a bit annoying.

In Danganronpa it's repeatedly the case that we don't have the full picture until the talking actually stops- which always goes beyond the end of the trial. We generally vote first and come to understand what the murderer's actual motive was, sometimes filling in important pieces of the timeline in the process, afterwards.

But none of that matters for the killing game because characters' emotions aren't directly relevant to who was the 'blackened'- the only thing that matters to Monokuma- so it comes out afterwards and does nothing to change their execution. It doesn't matter how sympathetic they are (basically everyone) or whether other people share responsibility for the situation (eg. Hanamura, Pekoyama, Momota) or whether they intended to murder at all (Nanami). They objectively pulled the trigger and nothing else matters. Nothing about them as a person matters.

The Closing Argument mechanic might illustrate that problem- literally. They're a dramatic, conclusive summary of the entire case... constructed before the vote even happens, before we know if we're actually right, and they're missing something really important:

The actual perpetrator.

We quite literally don't even begin to see the real person behind the crime, any real exploration of their mental state, anything besides the cold, hard facts of the murder that are necessary to convict them, until the comic finishes and the protagonist makes their final accusation- replacing the grey figure with their real appearance in a shot that's often intensely emotional.

And these comics lack crucial parts of the case's timeline and sometimes important parts of the very scenes they depict that we only find out about afterwards. And those are what we know; characters may die with some pieces of the truth and prevent us from ever learning them. These aren't objective depictions of the murder, they're the protagonist's subjective attempt to connect the facts they have. A join-the-dots portrait of someone with missing dots and no colour.

Even characters' expressions may not match how they truly feel, with the grey placeholder potentially looking way more confident and sinister than they were in reality. Pasting Falter's commentary here since they put it well.

For obvious reasons this could especially be a problem for characters that die before the trial- the ones we never get a post-vote testimony from. DR1 chapter 4 really highlighted that in the way Asahina's huge misinterpretation of Oogami's feelings took up a lot of the post-trial discussion, only for Monokuma to reveal Oogami's real suicide note and recontextualise everything.

It might really be a problem for how Komaeda's depicted in DR2 chapter 5. While he isn't greyed out, we get panel after panel where he's either level-headed or maniacally evil, and even the depictions of his self-torture and death don't humanise him:

But we know that his real feelings were more complicated than that. We have his actual corpse to compare the last page to.

He died afraid.

If we approach the comic as Hinata's mental image of him instead of reality, he died without anyone truly understanding him. He was alarming, very hard to relate to, actively fought against people doing so, ensured even the killer didn't watch him die, and the survivors couldn't begin to understand his motive until a chapter later. The Closing Argument reflects that.

Early in DR1 Togami calls out the rest of his class for judging others by their own standards. However, he, too, is doing this, maybe more so than many other characters; his inability to view other people through anything but the cold, brutal logic of the killing game bites him in the ass in chapter 4. In DR2 chapter 2 voting without a good understanding of Pekoyama's motive or Kuzuryuu's involvement nearly got everyone killed. Komaeda's a walking embodiment of the problems with flattening people into caricatures and not empathising with them, suffered from people doing that back to him, and his case- the Closing Argument for which turned everyone else into grey placeholders- was impossible to solve with objective facts. It was only survivable because the survivors cooperated and one person tried to analyse things the way he would.

The games have always been a critique of the justice system and Japanese society and push us to care about others as individuals, not reduce them to- and judge their right to exist by- something they've done or their net impact on society. There are always consequences when someone neglects to do that, and the above might be yet another way the games explore that theme.

[bogkeep]

mannnnnn now that i've actually started medical transition it seems that i will, hopefully, someday, get through to the other side of the limbo tunnel and can hopefully explore more permanent masculine attire. which is as exciting as it is daunting. like, i'm under no illusions that there's a tangible cutoff point where i will Suddenly be out of the limbo state (though top surgery will certainly help if i can get it), and there's no one thing holding me back from exploring this space *now*, but it's. Difficult ,

the List of challenges i must navigate:

- men's fashion is on a surface level very sad and boring and i crave whimsy :( i know knowledge and experience will help but it's like playing on hard mode compared to being a Weird Girl (tm). i am currently gnc against my will and i desire to be gnc Intentionally and on my own terms

- hashtag short king problems. masculine attire was never made with me in mind. almost every time i observe an aspirational example of Men's Fashion it's on a tall lanky guy and that will never be me and that's okay but throw me a bone pleas

- the Autism Sensibilities. collars too close to the neck depletes me of HP. wearing accessories for too long depletes me of mana. if a button up is made of a slightly too stiff material it will give me rashes. i cannot wear binders because i value my ability to breathe comfortably. i can only do so many layers at once before i hit a game over screen. i MUST be comforble

- the restrictions of my circumstances, such as the safety rules of the watchmaker workshop or the mercy of scandinavian weather gods

i'm sure i will figure things out with time. i'm going to need patience. i'm probably going to have to learn how to tailor trousers. i will need to Observe how others dress. but it's so much!! ahh!!!!

[veinsfullofstars]

🐾 Quite beastly! 🐾

(ID: Kirby series fanart of @jojo-schmo’s Elfilis & Bandee from her Forgotten Land Roleswap AU. Elfilis leaps towards our right, reaching away and glancing at the light over their shoulder, flowers scattering in their wake. Bandee hovers parallel to them, glaring at the viewer and holding his spear-turned-scythe across his shoulders, the blade curving beneath him and catching the light in sharp sparkles, his ragged cape billowing around him, and red feathers floating behind him. END ID.)

Started 01/17/25, finished 01/18/25.

[poorly-drawn-mdzs]

Why would you—That's not—I just wanted to ask for help, why did you have to go and make it awkward???

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[t00thpasteface]

my arcade/king blackout wedding fic is DONE and since it takes place the morning after, i wanted to treat everyone to this flattering snapshot of what i left out. read the fic here:

"someone dishonoring their marriage vows? NOT IN VEGAS!"