#please don't take my characters too seriously

[always-just-red]

A/N: So I threatened a while back to write MC arresting Sylus since he literally won’t shut up about it. Thought this would be a silly fic but it ended up an angst-driven exploration of how his time with MC is probably finite and ill-fated?? Anyway Sylus is too soft for this, I’m sorryyyy (Sy I love you! I would never do this to you! ‘Didn’t it come from your imagination, though?’ Ssshhhh you don’t know what you’re saying!! 🥰)

To Remain Silent

Sylus x Reader 🩸

Summary: Sylus has told you to arrest him one too many times...

Genre: Emotional rollercoaster honestly? Some angst, some comfort (and a lil spice for flavour)

Warnings/Additional tags: gn!reader, vaguely established relationship, gets a little steamy at the end (mostly kissing tbh), artistic licence applied liberally since this would be WAY too risky for MC to actually attempt 😭😭

| Word count: 2.7k | Masterlist | Opt-in to my taglist here!

Disclaimer: Characters belong to Love and Deepspace. All work is my own, so please don't repost or plagiarise!

Sylus knows this isn’t real.

You watch him through the glass of his cell, and the subtle tint to it lets you know that he can’t watch you back. He’s sat on the single bench inside, leaning against the far wall, his long legs stretched out before him. His hands are cuffed— tucked away behind his back— but he still looks comfortable. More than comfortable: at ease. At home. Bored.

“You think I can’t feel those pretty little eyes of yours on me?” he mutters, head back, eyes closed. “I’m at your mercy, kitten. Are you really only going to look?”

You tap a button on the glass. “You should start taking this seriously.”

He smiles at the sound of your voice, but his eyes don’t open; there’s still nothing to see. “I’m taking it very seriously, sweetie.”

“I don’t think you are.”

The smile turns even more smug: a confession, all by itself. He sits up and leans forward, like someone who’s found a change of conversation to be interesting. His eyes open— managing to find you, somehow, and— can he see you? No. It’s an educated guess, he’s just selling it with confidence.

Leisurely, he rises from his seat and saunters over to the glass. “Let me see you,” he orders, then bargains: “Please? This is so very—” he toes the division— “one-sided.”

You can’t look him in the eyes, can you? This is hard enough without the windows to your soul baring your heart and your mind to him, like they always do. You should have worn those sunglasses he bought you for that undercover assignment. This is what they’re for, right? Hiding.

With a circular swipe of your finger, the glass before you clears and Sylus meets your gaze.

“Hi,” he teases.

You fold your arms across your chest. “Hey.”

“This is quite some effort you’ve gone to, kitten. And all for me, no less.”

“What effort?” you dismiss plainly. “You practically slapped those handcuffs on yourself.”

It’s not an exaggeration: from the cuffs to the ride here, not a single stage of his arrest has been resisted. The closest he’s gotten to a lack of cooperation was when you’d first restrained and dragged him from his study, where he’d been inclined to point out that the bedroom was the other way.

“Well, I didn’t want to cause a fuss,” he smirks. One of his hands is brought forward, and his handcuffs now hang uselessly from a finger. “Tell me,” he says, letting them swing as he holds your gaze, “what am I to expect now I’ve been so masterfully captured?”

You glance at the restraints, unmoved. “That isn’t for me to decide.”

A door behind you slides open, and— right on time— an altogether more impressive presence joins you before the cell. Sylus glances her up and down as the click of her heeled boots come to a stop; he has never met your captain, but he knows her face.

“You really cashed in all your favours, didn’t you, sweetie?” he observes. He turns to address the woman beside you: “We haven’t been introduced. I’m—”

“I know who you are,” Jenna interrupts, her tone as incorruptible as yours.

Sylus’s arm lifts, resting on the glass above you so he can tower over you, despite the partition. “Is that right?” he purrs absent-mindedly, dropping his head so he can speak into your ear. “Sweetie… I thought you could keep a secret.”

He’s goading you into your usual game, but the stakes don’t interest you. “You were wrong.”

You’re at your own table, dealing your own cards. Does he want to play? You think he might. His lips are curving at the delicious prospect of a challenge. You’ve given him a taste of it. He wants more.

Jenna is studying her clipboard, acting oblivious. She senses the impasse. Asks Sylus: “Do you know why you’re here?”

He huffs impatiently. “Enlighten me.”

“Sylus,” you scold.

Red eyes widen a fraction.

You see it.

Good.

…

Sylus thinks this might be real.

You said his name. His real name: the one with sharp, bloody strings attached. The one on all the posters. The one in your precious Association’s archives, linked to stacks of files and crime scene photos, most of which he isn’t even responsible for.

Sylus. You said: Sylus. 

It was worthy of a grand reveal— the sort of plot twist that delivered the suspense of so many thrillers— but here you are, speaking it like it’s nothing. Not a slip of the tongue; not a mistake. And it’s different here. He’s not your Sylus. He’s theirs.

Their murderer. Their monster. Their convenient little scapegoat for everything dark and unholy.

The captain is reading him a list, reeling off every crime— each alleged sin. As if he needs a reminder. As if all the time in the world could ever let him forget. “Needless to say, Mr Sylus,” she summarises, “due to the nature of these crimes, you may prove exempt from our standard procedures. A case like this is… unprecedented. Onychinus has much to answer for. You have much to answer for.”

Sylus hasn’t really been listening; it’s all senseless bureaucracy. “You have the wrong man,” he says, because whatever you’re doing— whatever stunt this is— a confession is sure to derail it. You know that, don’t you? You must be counting on it: holding that guilty breath of yours and hoping he’s smart enough to not be Sylus.

You don’t look worried in the slightest. You must have an awful lot of faith in him.

He studies you, waiting for a small, deliberate smile or a moment of weakness. Give him a sign, don’t give him a sign— it doesn’t matter; he’ll find one. His intentions must be clearer than yours, because you step up to the glass to face him.

Do it, your silence says, even though the rest of you is illegible. You want to look? Look.

His eye could light like a crimson fire— could burn the truth out of you— but it won’t. It’s a promise he made what feels like a lifetime ago, not long after you’d met: Your thoughts and desires are yours to give, not his to take.

Even here. Even now. He’s a man of his word, after all.

Impressed? You smile faintly, but there’s no warmth to it. “Captain,” you speak, your eyes not leaving his, “can you give us a minute? Please?”

“Of course,” the woman answers with a nod.

Sylus does not see her go. He hears it: the retreating rhythm of her shoes. He feels it: it’s just the two of you, alone again. Well, the two of you and that ‘hidden’ camera in the far corner of the room. “Whatever game this is,” he grins good-naturedly, his teeth gritted, “it stops. Now.”

“It’s not a game, Sylus. I told you to take this seriously.”

“What are you doing?” he snaps, and that good-natured grin didn’t last very long. 

Your hands land on your hips. “My job.” When he scoffs, you continue: “Did you really think this would end any other way? After everything you’ve done?”

He laughs and it’s deeply sardonic. He’s no saint— to try to convince you he was would be a crime worthy of punishments far worse than this. But you know him. You know the line and what stands on each side of it: everything he’s done, yes, and everything he’s been made to take the fall for.

You wouldn’t do this to him. Would you? “You want to play pretend? Fine,” he hisses. He wants to wrap his Evol around that godforsaken camera and annihilate it. “You caught the big, bad boss of Onychinus— congratulations, sweetie. Sure. Let’s say that’s who I am. A man like that has power, right? So what’s to keep him— me— from escaping? Right now?”

“You’re not going to leave, Sylus. Wanna know why?”

He’s sure you’re going to tell him, and you do:

“Because you’re all talk. All smoke and mirrors. You want to go? Go. But there’s not a single person in this building who wouldn’t give their life to bring you back. Someone will catch up to you eventually, and what then?”

“I’ll have a lot of fun, I imagine.”

“You’ll do nothing,” you correct. “Because those people out there? They’re my friends. My family. You hurt them? You hurt me. Make all the threats you want, Sylus— we both know the truth.”

He towers over you, still, but it’s hard not to shrink at your next words:

“You don’t have it in you.”

Your eyes are sharp: whetted with resentment. Sylus is your reflection— your worthy opponent, always— but he just can’t look at you like that.

There’s a quiet hiss as you slide a finger over the cell’s control panel. White, neon light carves through the glass partition: two vertical lines that bleed upwards, either side of him, before bending to meet each-other. The glass between them shimmers, then fades.

Sylus stands on the precipice of the doorway, cool air crawling past him. He stares up at the camera, then down at you. Your arms have folded again as you watch him— a narrative of apathy.

“How about it, Sylus?” you ask bitterly. “Still think you can outrun fate?”

“No.” Not since it started wearing your face. Fate is you, putting a bullet in his heart, and him, waking up so you can do it over and over again. Maybe this is real. Maybe it isn’t. “What do you want from me?” he entreats softly, because you’ll get it— either way.

“Isn’t it obvious?” you sneer, and your hand shoots out, grasping a fistful of his shirt. You use it to drag him out of the cell, closer, lower, so that his face is mere inches from yours.

“No,” he repeats. “Say it.”

Your eyes burn like pyres: so dangerous, so beautiful, so suited to being the death of him. “I want you—” you begin, as they flit briefly to his lips— “to tell me…”

“What?”

“How you cheat at kitty cards.”

Oh. Oh.

You’re going to be insufferable about this, aren’t you?

Sure enough, you drop his shirt and burst into laughter— irrepressibly you again. The fire in your eyes has simmered down into something warm, safe, and comfortable, and— gods— you’re even crying. You’re doubled over, holding your stomach as though it hurts. You lift a hand to wipe your wet cheek. “Your face,” you get out between gasps, “oh, your face!”

Yours is not the only laughter, but it’s the only laughter Sylus hears.

“We so got you, Skye!” Tara’s vaguely familiar voice resounds from an intercom.

There’s some confusing static with it— more tittering voices— and Sylus suspects he’s found himself the star of your colleagues’ after-work entertainment. He puts his hands on his hips as he looks up at the camera. “Is the whole office—”

“Yeah,” you manage, wiping away another tear. “Figured it would be good for morale. Good practice, too.”

“Practice?”

“Mmhmm,” you confirm with a hum. You’ve apparently gotten a handle on the hilarity of the situation, because you approach him with something close to composure. Meditatively, you smooth down the fabric of his shirt. Straighten his collar. “For when we catch the real Sylus one day.”

He captures your wrists; that’s a lot of tenderness for someone who just tried to give him a heart attack. Maybe he’s a little too rough, because you pout at him in a way that makes him instantly soften his grip.

“You ok, Skye?” you enquire with an ironic smile and an adorable tilt of your head.

His thumbs are feathering over your pulse points, and slowly, he leans in to deliver a message, just for you: “If I say no, will you make it up to me?”

…

Sylus knows this is real.

His mouth is on yours and it’s relentless, desperate; you made him wait for it. How long has he been wanting to trap you against the nearest wall, just like this, so he can kiss you until he forgets just how cold you can be? 

He’s been very patient. He didn’t roll his eyes or utter a word of complaint when you’d dragged him to join your colleagues for dinner. It was your victory party, your ‘I made you look like an idiot’ party, but he was his usual, charming self, and your friends all adored him for it. They’d spun him the tale of his ‘arrest’— the planning, the preparation, and your lightbulb moment: 

“Hey, guys, have you ever thought about how Skye kinda looks like Sylus?”

Only he could understand how wickedly clever it was. His eyes had sought yours as he listened, lazy, content, and so obviously biding his time. You’d smiled at him. He’d smiled back. 

And he’d stayed smiling, even after the party was over and you’d had to walk a slightly-tipsy Tara home. She’d refused a taxi, insisted Sylus escort her— oh, and you could come, too! He’d lent her his arm: humoured every squeeze and chuckled at each remark about the size of it. You’d had to swat her away, in the end.

“I’m just teasing, y’know?” she’d giggled as the three of you arrived at her front door. “Skye knows I’m just teasing. You’re such a sweetheart, Skye. Imagine! You— the leader of Onychinus!”

She’d laughed, much too loud for such a quiet street, and with a less-than-subtle wink, left the two of you alone. Which is how you’d ended up here, in an alley around the back of her building, because it was Sylus’s turn to drag you somewhere. 

His attentions have moved lower; there’s a subtle clink as his fingers find the clasp of your shirt collar and he peels it back, exposing your neck. His lips leave yours, trailing down, down— past the line of your jaw and over the soft, vulnerable column of your throat. You gasp as he brushes over a sensitive spot, and you could swear you feel him smile.

He’s always been passionate, but this is a different fire, fuelled by something you can’t ignore, no matter how much you want to:

Relief. 

“Sy,” you murmur breathlessly, your hand in his hair, tugging gently. “Sy, stop.” 

“Mmm?” he acquiesces, voice sinfully low as the cold evening air takes his place kissing your neck. His eyes shine like blood spilt in the dead of night— lingering on you. He looks drunk.

You lift a hand to cup his face and run your thumb over his cheek. “I’ll never let anything happen to you, Sylus. You know that, right?”

Those dark eyes find clarity with your words, full of apprehension for just how naive you can be. The future will turn on you just as quickly as a wild animal someone boasts about having tamed, and aren’t you foolish, thinking you can control something like that? 

Besides, that’s his job.

“I know,” he says like he’s supposed to— ever the martyr, following the script. He goes to nuzzle into you again, but your hand is still tight in his hair and he groans as you use it to pull him back. 

“I mean it,” you reassert, forcing him to look at you. You don’t care that it’s ridiculous. You don’t care that fate is so hot on your heels that you have to keep running. You’re tired. He’s even more tired.

Isn’t it nice to stop and catch your breath?

Pretend you have time: His gaze is full of faith and oh, the world is going to enjoy punishing the two of you. “I know,” he insists, because this is the second time you’ve fooled him tonight. You feel his hand on your face and you let him kiss you— again, then again— so achingly slow, so arrogant. 

The world can wait; he wants to punish you first. 

“Do you really want to know—” he distracts as he finds that sensitive spot on your neck again— “how I cheat at kitty cards?”

The pad of his finger is chasing the path of his mouth; it tickles. You whine: “Tell me later, Sy.”

“Ok,” he breathes against you.

Later. There’ll be a later.

Won’t there?

[nikki152006]

the letter | Hawks X Reader

oneshot; (wrote it some 3 yrs ago and edited the narration here)

(it was a result for a "write a letter to mha characters" quiz of mine)

.

"Calm down, will you?" Tokoyami says over the phone, "I can not believe it's me of all people who needs to console you."

"Well, it was your idea." you pace your room in stress.

"It was dark shadow's idea." Tokoyami doesn't sound happy at your accusation, "I even warned you against trusting him just like that. His maturity level is down in the drain. That all put aside, I really do think you should relax. Definitely, sensei wouldn't hate you."

"He wouldn't hate me?" you frown and take a deep inhale, "I wrote that guy a love letter and we left it in his office, Tokyo!"

"I do not see how that should make him hate you.. " Tokoyami sounds confused, "Hawks sensei has quite a following, it would only be normal to him if you ended up having feelings for him too. Relax, it's no big deal."

"Oh my God." you clutch your head, "Is this how you're consoling me? I don't know what to do– is there a chance he wouldn't have seen it? I really just want to bring the letter back now."

"Wow." Dark shadow's voice sounds, "That's really spineless of you," you gasp at that, "relax, (Name)-chan. Everything's gonna be fine. If Hawks sensei ignores you, I'll fight him for you."

You pause, "Ignores? You know what, I'll call you and Dark Shadow back later, Tokyo. The both of you are only increasing my anxiety."

"Okay." Tokoyami sighs, "And stop calling me Tokyo."

"No." you hang up right after.

Continuing to pace in the room, you begin to prepare yourself for the worse. It's true Hawks could just ignore you if he gets uncomfortable with the whole thing. If not that, he could just reject your feelings.

After all, he does get thousands of letters per day (though none are found at his table top in his office) and like Tokoyami said, it would be only normal for him to have a little girl crush on him.

You're two weeks away from your birthday and do not at all wish to be crying over his rejection on the day you turn eighteen. 

"It's alright." you try to console yourself, "There's a lot more beauty in this world to cry over just one guy." but it's easier said than done.

No matter how true your words are, they do nothing to ease the way your throat suffocates in anxiety."

Your phone buzzes with notifications on the side and you pick it up to distract yourself with whatever they're from only to find an unknown number having texted you.

__________________________

XXXXXXX

heyy

you really thought you'd 

send him a letter and BOOM

he's into you, huh

haha, bitch

stop daydreaming

look at this 

seriously

stop embarrassing yourself

there's other important ppl

in his life

__________________________

Your brain processes the texts way too slow. Once it does, however, you feel something in your heart shatter.

A picture of Hawks blushing and another of him covering his face combined with the texts you've received explain a lot. 

There's other important people in his life.

It makes sense– you don't know much about his person life. You only know Hawks the hero not the person who he is away from the limelight.

It makes sense, absolute sense, but it hurts. 

"It's okay." you mumble futile and empty words to yourself, one hand making way to your chest and rubbing it hard. The ache lying within overpowers even the peak of control you can exert over yourself.

A tear rolls down your cheek. At this point, you don't even know what else you were expecting.

"I am just another fangirl." you tell yourself, "It's alright. That's what happens, I'm no one special– I barely know about his personal life."

A ding brings in new messages from the same number.

__________________________

XXXXXXX

we've got some things to settle

fifteen minutes from now

on your dorm roof

lets fight

YOU

lets please talk it out

it's nothing serious

I guess I'm just a fangirl

XXXXXXX

ask me if I give a fuck

__________________________

It hurts you to reply this way but this is just the truth.

But how can someone enter U.A.? I don't think non pro heroes would be allowed to enter.

And this thought leads to the rather painful realization that the person texting you might just be Mirko, you know Hawks is good friends with her so there could always be things between them that you aren't aware of.

It's just best to go and talk to her and clear out any misunderstandings. Who knows what sort of ruckus might follow.

You violently rub your teary eyes and swallow hard, "Well then."

There's no one on the roof when you reach there. With a sigh, you walk over to the boundary and lean against it taking in the view of the night at your school.

The suffocating weight on your chest remains constant but the worry about what Hawks would think of you beats it.

It hurts to remember how seriously you had written the letter and poured all of your ehart into it. Now, you only feel like an idiot.

Why the fuck did I even think this was okay?

If you could, you'd make everything go back to before you'd written it. All the worry, all the nervousness and this painful rejection-- you sigh.

"Pretty, isn't it?"

You haven't paid attention to the view until now. At once, you blink focusing your gaze in front. A small smile rises up your face, "It's beautiful." and then you pause.

"You didn't even notice me sneaking up to you." the way too familiar from the snort makes a tsunami of heat crash against your body, you snap your head to where Hawks is leaned to the boundary by your side.

"Hawks." your jaw falls a mile below.

"Yup." he smiled, "I had to come, didn't I?"

On reflex, you look around to see if someone else has come with him but not another soul is around.

"You're.. " you swallow hard, a mountain of shame settling in your face, "Uhm... well.. "

Hawks hums, his face turned towards the school building in view, "I thought I'd just talk to you face to face. I was on my way to Musutafu anyways."

"O-Oh.. ?"

"So you wrote me a letter." there's the tiniest bit of tease in his voice, "You think I'm handsome, eh, (Name)-chan? Boy, I did not know that."

Your face falls into your hands. You wish the earth would swallow you whole.

"Well," he hums a moment later, "I sort of saw the letter in front of Mirko and she urged we should prank you so she took those pictures of me while I was reading the letter. I don't know what she's texted you though. She said you'd be happy to see me in person."

It takes you a while to process the thing about the pictures.

You don't have it inside you to face him anymore but the relief you feel on knowing this was a pranks expresses itself as a sharp exhale.

Hawks' face turns to you again, a sly smirk rising to his face, "You weren't getting jealous, were you? Ahh, I really want to see a jealous (Name)-chan. Your little crush on me makes this so much easier."

With great difficulty, you manage to separate your face and hands and try to lift your head.

"Oh right," Hawks snorts, "it's not a crush, it's love."

"Come on." you whine, turning your face away.

Hawks laughs, "You're adorable, (Name)-chan. Don't you worry, you'll still be on my priority list of little girls crushing on me."

"Look at how proud you are about that." you roll your eyes hysterically, "Shameless chicken."

"Aw, don't you think being mean to me makes me not want to hang out with you?" he dramatizes, "I thought we get careful when we get a puppy crush."

You're honestly just glad he isn't hating or getting creeped out by you.

"You were on your way to Musutafu?" you try to change the topic, "For what?"

Hawks hums a little, his gaze focused on the distantly visible city, "Say, (Name)-chan. You're of age, right? Your birthday was three months ago so you should be eighteen already."

"I am, yeah." your gaze rests on him for a bit- Hawks looks beautiful in the low night light.

He turns to you, "I was coming to Musutafu for this date I have to be on. I realized I should confirm your age outside the school. Nezu looked pretty relaxed when I said I want to visit you so that was relieving."

You blink, "I'm sorry?" there's a darker shade settling on his face now that you focus.

"Takami Keigo." he hums, "That's my real name."

The sudden revelation takes you by surprise, "Oh? I.. wow. That's a nice name."

"Of course," he snorts though there is now something adorably nervous to his voice, "your crush on me makes everything about me nice."

"Other than your personality, yes." you pout, "Look at you insensitively teasing me. Are you wishing to see me cry later?"

"Ne ne, (Name)-chan, you really think I'd let you cry?" he turns you towards himself.

You blink, "H-Huh?"

Hawks smiles nervously, "D'you.. you know.. want to go out with me tonight?"

It takes an eternity for your brain to process it. Once you do, your jaw drop in shock only to tug upwards immediately into a smile.

"What? What.. seriously?"

"Of course." his hand rubs the back of his head, Hawks looks embarrassed, "I-I mean.. it's not important that your crush is one sided.. "

"You like me?" you don't remember when the last time you'd been filled with such pure thrill was. You're basically jumping on your feet.

"If you're going to behave like this, how do you expect me not to?" he pouts and speaks in a small voice.

"Wow." your gaze locks into his, "That's just... "

"Sweet?" his hand boops your nose, "It is. But anyways, should we?" he holds his hand out.

You're about to put your hand onto his put pause, "Has Aizawa sensei allowed you to take me out." you pause, "Shit, I'm not even dressed right." and you continue to freak out more in happiness than in worry.

Hawks chuckles, "You're being pretty reasonable for someone who gets to be with the sexy hot number two." and the sassy reply he expects doesn't come.

You wrap your hands around him instead, "I am."

A gush of red burns his cheeks, Hawks lips part, "Wh-Whoa.. okay." his eyebrows jerk, and his head turns to the side now radiating with heat.

"Shit." you step away from him, "I'm not making you uncomfortable or something, am I?"

"Not at all." Hawks's eyes lock into yours, "That's.. actually leave the date. Let's go to your room and watch a movie or something."

"Boys aren't allowed in our side of the dorm." you make a sad face.

"I'm a man if you haven't noticed." he frowns, "Take me down there, I'll make sure you never miss my manliness again."

Your eyes widen and avert to the side and a buzz rises up your skin. Hawks looks pretty dead set with his little tease and is happy to see the reaction he was expecting.

It's risky sneaking Hawks inside so he sends in a feather first. Thankfully, there's no one in the hallways at this hour.

You let Hawks inside first and enter after securing the area. Little do you realize you've pushed him right into the one wall full of posters of him. You thank yourself for not having pasted hearts or something of the sort around.

"Looks like you have a major crush on this pro hero Hawks." he looks smug but the warm red tint of his ears adds more to the story, "That's so cute."

Your cheeks flare up, "W-Well.. th-there's nothing to hide anymore.. I guess."

Hawks hums, "You'll be knowing me as Keigo no onwards." he leans forward and pulls a poster down, crushes it and throw it to the side.

"What are you doing?" you frown in confusion.

"There's a lot of other things you need space to stick on the walls." he says, "Things about Takami Keigo and not Hawks," a teasing smirk rises up his face again, "and then you can continue to thirst over a sexier side of your hero crush."

You pout and turn away, face now warming up the air all around, "You're so mean, Hawks." there's a silence, "K-Keigo-san.. "

"Good girl." he hums, making all hair on your body rise on their ends, "Try it less formal."

You swallow, "Keigo-kun.. ?"

"Yeah." his hand strokes your cheek, you feel your legs getting weak, "That's more like it, babybird."

"You're literally so mean." your gaze averts to the ground, "Coming all the way here just to tease me.. "

"And maybe also to see you get excited like a little kid when I say it's mutual." he winks, then plops onto your bed, rubbing his face into the pillow.

The thing about the number two pro hero is that the confidence seeps out of all pores in his body. Even if he is shy and nervous, Hawks would unapologetically spread around knowing it would not at all change anything about your feelings for him unless it makes them more intense.

He knows that because he has seen the expression on your face when the two of you would mess around and do weird stuff to annoy Tokoyami (although it was mostly you).

Hawks would have a bigger hand in verbal teasing.

"S-So... " you fiddle with your fingers, cheeks heating up more at the thought of his scent settling onto your sheets. Hawks turns to you.

"Movie?"

"I-If you want to."

"Or maybe we could just.. you know," he playfully winks.

You freeze momentarily, "What... ?"

Hawks snorts, his hand taking his visors and ruffling his hair. He beckons you to come sit with him while taking his shoes and jacket off.

You now find it hard to not stare at his torso.

"Should we have a photoshoot?" he turns to you, eyes full of adoration.

It's too bad that your dirty mind is not able to process anything rationally on being exposed to his biceps now. And it just so happens that you and Hawks are awfully comfortable with teasing and insults on being friends for so long (all thanks to Tokoyami).

That is why the words slip out of your mouth before you can realise, "If you strip, yes."

Hawks blinks, his ears visibly getting a hot shade of red but expressions forced to remain straight, "You really have some wild fantasies about me, babygirl. Tokoyami told me all of them."

You blink, "What?"

He smiles cheekily, "If I strip, you'll lose your head."

"No- Tokoyami did what?"

"Told me some stuff." he hums, "Told me I should get a spine to propose to you but then boom, you send the letter and it gets easier for me."

"He knew you liked me back?"

"Of course he did." Hawks pushes his boots to the side with his foot, "Don't you go getting mad at him," his hands plant on your hips, cheeks blooming red, "this is my payment for this request."

In another second, you're sitting in his lap.

"So, photoshoot." he clears his throat, unable to properly talk now that your body is pressed against his with your adorable eyes looking up at him in shock and embarrassment, "I-I'll use my phone."

[sosadraws]

Since Art Fight is like a month away, I think it's a good time to start introducing some silly OCs I have. So here's a silly little gal that loves books and gossip like nobody else.

A more detailed character description on my AF: https://artfight.net/character/4081180.klbr-s1204-winzig-signalis

In a modern AU she's probably the type of person to type like "OMG hiiiii!!!!! ^_^ ❤❤", but if you piss her off enough or you mess with any of her eules, she pulls out screenshots your search hystory and threatens you unless you apologize.

[wizardyandcheesesammich]

Taking into account the new announcements

[butterflysonnets]

yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.

to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!

i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.

also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.

they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.

they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.

i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.

[octodrawn]

I was cleaning out my files and made a Russell folder.

[wallbeatjournal]

JIMIN MENTION. Riverdale characters as BTS members

unfortunately i did workshop this with the army gc and i think i have a proposal. it doesn't totally work because of gender dynamics and the way the universes of corporate-competitive art performance and riverdale aren't really quite aligned, but i think i got somewhere.

RIVERDALE MAINS AS BTS MEMBERS:

jughead = rm / kim namjoon. iconoclast. the lyricist-narrator of the whole deal. the link to the big corporate-bureaucratic metaplot in the sky. a typewriter kind of guy. there are so so so many of him and sometimes they interact. queerbait-complicit and yet sidestepping it.

reggie = jin / kim seokjin. the negotiator. the big-city boyfriend from the hallmark movie. the nation's son-in-law but DID flirt with your grandmother and your dad at the function. fed that mean old man from his bare hand. schemes and scams, less opportunistically than as a vocational calling. second place to karl marx and knows it.

betty = suga / min yoongi. she's resisting her idol image with her gratuitously-edgy secondary persona but she's still your poor little meow meow, your baby. she's alert! she's fractured! her amygdala is working sooo hard. her shadow grows and grows and she's avoiding it she's looking at it she's avoiding it she's looking. don't say tangerine.

veronica = j-hope / jung hoseok. idk it's about perfectionism. it's about how CRYING 👏 DOES 👏 NOT 👏 FIT 👏 WITH 👏 HER 👏 LIFE'S 👏 VIBE. it's about lean-in girlbossism. it's about success not creating psychological safety (but she wants more anyway bc what else is she here to do). she's nice but she's ruthless but she loves you!! and on several tragic levels iykyk: she da bus driver all of a sudden.

kevin = jimin. compulsive joiner. compulsive people-pleaser. compulsive flirt. compulsive. mapplethorpe fanboy. gender outlaw. a smoke-show, now. most likely to charm a late night talk show host. queerbaiter of the cruising-coded-crowd-scene variety. most likely to put it all on the line for a little cabaret ♥

cheryl = v / kim taehyung. questionable art appreciator. questionable painter. questionable self portrait accumulator. high-aesthetic curator of Scenes and Situations. president of gay fanservice (self-appointed). glamorous alien OR reclusive little freak. if the high-aesthetic, melodramatic-literary closet case lament fits.

archie = jungkook. golden boy all-rounder. beefcake-on-display. designated himbo. Wants To Help. will NOT contribute to a conversation so don't even try. gives kind of a sincere wounded baby animal quality at times. queerbait via lore-relevant chime card sponcon (this isn't jarchie but it does make you ask yourself "is charlie puth sort of jugheadcore, if jughead sucked (derogatory) instead of sucking (complimentary)?")

[fandomcrazy]

This is all based on a dream I had that woke me up coughing my lungs out (not related to the dream, I've just been sick the past few days)

Hawks quirk (from mha if it wasn’t clear) being Robyn's quirk

Her apartment is in the sky (like actually I'm not even joking, it's just hanging there by pure magic) and right across from the lecture hall she takes notes from with her super vision (part of the quirk ig)

Steve becomes her roommate

Before she meets steve she's known nancy for a while now

Nancy think steve might not know Robyn's a lesbian but Robyn let's her know that "no yeha I told him everything we've been talking about this hot girl that literally everyone in town knows and how her nose is so perfect and how she's so graceful and-"

"Yes Robyn I get the point" Nancy says.

Steve up until this point just thought they were making conversation and was getting to know his potential date. His world view comes crashing down after only hearing Robyn's side of the conversation with Nancy on the phone.

Steve has a mental quirk so it doesn't outwardly show that much except for the little details around his body. Robyn doesn't know what the quirk is (neither do i honestly) and doesn’t remember to ask. Steve appreciates this and is large bonus to having Robyn as his roommate/friend(?).

Most people don't like going to Robyn's apartment because you need to activate your quirk to get there and you need to be synced up with her security feed, which takes a lot of patience and time to do. Steve feels conflicted about hearing this. On one hand it's good because that guarantees almost no one will be able to get to him here but he has to use his quirk everytime he wants to go home.

Now the rest of the Hawkins gang have all been synced up to the security monitor just in case, except for the quirkless and mutation type quirks but they still have a system for that. Almost everyone asks Robyn once in a while if she can just fly them there instead of them activating probably dangerous or embarrassing or not easily accessible quirks. No one else except robyn in the Hawkins gang has a transmutation quirk until Eddie comes along with bat wings on his back at all times. Robyn are the same in that sense, that they can both fly but Eddie can't exactly fly over large bodies of water and he's not as fast as her. No one is as fast as Robyn everyone in the party has agreed.

Robyn knows what she's capable of. She knows she could easily cheat during tests or quizzes at her university without getting caught but she just. Doesn't want to. She wants to prove to herself that she can accomplish something without resorting to taking the easy way out. If she has to bomb 3/4 of tests she takes than so be it as long as she doesn't get thrown put of the university she doesn't care. She'll work double shifts if it means getting to prove that she can do things herself. (This might or might not lead to her slowly neglecting herself and her needs, needing someone to make her understand spreading herself so thin she can barely hold her wings up in the sky is not proving anything to anyone, especially herself(Steve says all this yall, maybe less eloquently but the point gets across)). Maybe this all started from a young age when her parents expected a lot from her, expected her to solve all their problems for them (maybe financial? Idk) and it just made her more convinced to not do anything for themn, but for herself. And although, at the time, this kind of thinking was healthy, it was not sustainable in the long run after separating herself from them in the future.

Oh uhhh heros and villains don't exist, quirks and criminals exist. There is technology created that stuns a persons quirk factor and makes them immobile (paralyzed) temporarily. This technology was used on Steve as a child to make him more "docile".

I like to give as much angst to characters that I think would look hot being pathetic wet dogs-

Robyn and Nancy end up together obvi (if you didn't catch it up there, Nancy was a little jealous of Robyn talking about someone she might be interested in like that that isn't her (that was literally her who Robyn described but whatever)).

Steve and Eddie

And literally anyone else you want to ship I'm a big elmax or elumax supporter and Dustin being steddie's kid basically

Also why the fuck is nobody talking about the sass potential with Dustin and Erica friendship?? They're like copy paste stobyn but with a different font that makes them roast everyone else instead of each other

Anyway don't take any of this too seriously it only took like 30 minutes (that's a lot fo time holy shit 💀😭😭 I'm a slow writer) and no brain power because, again, I just woke up with a coughing fit that probably made me lose a lung. I should probably check on that.

Anyway, BYEEEEE

[the-eclectic-wonderer]

A big thanks to @witchybitchybisexual who tagged me in this amazing 30-questions Golden Girls-themed game; I had a *great* time answering these! I look forward to reading everyone's answers (including yours, @witchybitchybisexual!).

I'm hiding all questions after #1 under a cut, because this got long haha!

1. How did you find out about the show?

Via another show I love -- Good Omens! Or, actually, via the amazing book that inspired it. One of the main characters, the demon Crowley, is a big fan of The Golden Girls; there's a great scene in which the forces of hell hijack one of Rose's monologues to send him a message while he's watching the show! I was in need of something new to watch at the time, and I figured if Crowley liked it so much, it was at least worth checking out. :)

2. One storyline you’d eliminate?

Hmm... probably Miles' witness protection program storyline? I don't mind it that much (it gave us some fun jokes and some memorable scenes!), but I feel like that was a turning point in Miles' character, and I just don't like the person he became after that turning point.

There was no question 3 here, so I made up my own! Hope that's not an issue :)

3. Best guest star/character?

Lynnie Greene takes the cake as the best guest star, for sure. I adore her and she played a phenomenal young!Dorothy. The second place goes to Dick Van Dyke, just because I love him in general!

As for the best guest character, I think the honour goes to Angela, Sophia's sister! She's absolutely hilarious and her comedic chemistry with Sophia is stellar. I also have to mention John Neretti from S6E23 What A Difference A Date Makes for being the best man in the series imho.

4. Character you most relate to?

Dorothy! My personality nowadays is a bit of a mix between Dorothy and Rose, I feel, but the Dorothy side is prevalent (and it was even more prevalent a few years back). I love reading and literature (and I enjoy learning about history, although I don't have her passion for it); I share her love for teaching (although I'm not a teacher); I was a great student in school, but not a popular kid at all; I'm level-headed and responsible, but I can be impulsive under the right circumstances; I'm very protective of the people I love; I'm Italian and was brought up a Catholic; I'm often the tallest girl in the room (I'm just a bit shorter than Bea Arthur was!) and I'm not attractive (not that Dorothy isn't -- but she is perceived as unattractive in the show), so I also understand her self-esteem issues fairly well.

I'm not as quick-witted as she is, unfortunately, and nowadays my outlook on life is more positive and easy-going than hers, but she's still the one I relate to the most.

5. Favourite character?

Blanche, although the other Girls are very, very close. I adore them all and I especially love to see them interact, but if I have to pick one, then it's Blanche. She's the one who surprised me the most! At the start of the show I kind of wrote her off as 'the man-crazy one', and that's as far removed from me as possible, so I didn't really focus much on her at the beginning. Then came S1E4 The Transplant, and then came her family issues, and then came all her memories of George, and before I knew it I was head-over-heels in love with her. Rue was masterful in how subtly she played her; she showed Blanche's depth as a character little by little, letting the audience peek behind the mask only for moments at a time, so when I realized I hadn't given her the attention she deserved, I was already in too deep.

6. Favourite story of a cast member?

Oh, so many good ones to choose from! The first one that comes to mind is Bea's anecdote about the time she was Tallulah Bankhead's understudy. The awe with which she describes her coming down the stairs is palpable -- but I mostly admire how she took Bankhead's mean comment and turned it into motivation. And Bea did get her 'coming down the stairs to thunderous applause' moment (more than once!), so her vow came true!

A fun one that involves all four main actresses is this blooper related to Blanche's Christmas gift to the girls, the 'The Men Of Blanche's Boudoir' calendar. Watching all of them lose their marbles over this prank is priceless -- it always puts a big smile on my face!

(Is this what you meant by this question? I wasn't sure!)

7. Which was the episode that got you hooked?

The pilot, lmao. It might be a cheesy answer, but it's true! I was immediately hooked from S1E1 scene one. Dorothy's incredible entrance got me.

8. You could wear one girl’s wardrobe for the rest of your life, who would you pick?

It's a toss-up between Blanche's and Dorothy's.

9. How many kids do you think they all actually had?

... this ask made me realize there are doubts about this, lmao. I've never done the math! Had to go check on wikipedia 😂

As far as I can tell, it's fairly set in stone that Rose had five children, of which we meet two (Kirsten, with two different faces 😂, and Brigit, who I assume is her youngest one).

It also seems reasonably certain that Dorothy had two kids -- Kate and Michael. I will say I've always thought Kate was much younger than she should have been in her appearances on the show, considering Dorothy was pregnant with her when she married, but maybe she just looked much younger than she actually was, I don't know.

Blanche is more complicated. We see both of her daughters, Janet and Rebecca, and in S3E3 Bringing Up Baby she mentions three sons, Matthew (also known as 'Skippy'), Doug, and Biff. In that same episode, though, she also says she's had four kids! I get where the disconnect comes from, haha. To be precise, her quote is:

"I have had four kids, I have never had a Mercedes."

This is just off the top of my head, but I wonder if she means 'I have had' in the sense of 'I have given birth to' here? This would imply one of her children is actually adopted (which is very interesting to think about!!). Since she directly mentions her three sons after this quote, I suppose our suspects are Janet and Becky. I'll have to give this some more thought, though -- for now my answer is that Blanche has five kids, and that 'four' is a continuity error on the writers' part.

10. Do you think the actresses would’ve gotten along with their characters if they met in real life? Why/Why not?

Interesting question! I think so, yes.

Dorothy and Bea seem fairly similar already -- as far as I know Bea was a big sweetheart, a private, gentle person, and Dorothy's a big sweetheart too. Plus I feel like Dorothy would have been respectful of Bea's introverted nature, and Bea would have been understanding and accepting of Dorothy's personal history (not to mention, she wouldn't have mocked her for not dating/for her appearance).

In all the interviews I've seen, Estelle seems very respectful and very fond of old people in general -- I think she'd find Sophia a riot! I seem to remember a clip in which she actually says she likes Sophia, so I feel pretty secure in stating they'd get along.

There's this famous quote by Rue in which she essentially says that she's similar to Blanche in everything but the fact that she's not from Atlanta 😂 so I feel justified in assuming they would have had fun with each other! Rue's stated that she felt an immediate connection to Blanche as a character, and that playing Blanche helped her gain more self-esteem and confidence, so I think meeting her in person would have had a similar effect! And Rue (being a very open, honest, compassionate person) might have helped Blanche drop her mask a little bit.

The only one I have an inkling of doubt about is Betty -- mostly because she'd run circles around Rose! But ultimately I think any 'mocking' would be gentle and affectionate, much like the Girls' jokes in the show. I think they would have liked each other -- and they could have bonded on their common love for animals alone!

11. What are your other comfort shows?

Apart from the aforementioned Good Omens, I'm also very fond of Only Murders In The Building, a really fun show about solving murders and found family that I wholeheartedly recommend. Derry Girls is another recent favourite. Oh, if you like cartoons too, I recommend Steven Universe, Hilda, and Avatar: The Last Airbender.

12. Headcanons? (Feel free to list as many as you’d like)

Oh, my god. I have so many and I'm for sure going to forget some. Let's see...

I've already said some time ago that in my mind Dorothy drives stick shift. Reasoning for this is that Italians (including yours truly, haha!) drive stick shift, and she's of Italian descent, so... she knows how to drive an automatic car, she just learned how to drive on a stick shift one (and in the streets of Brooklyn, no less!). Still on Dorothy: I think she has a very neat handwriting (she feels like the type of person who consciously decided to improve her handwriting at some point in her life), but she's prone to leaving ink stains on the page (and on her hands!!), especially when she's writing in a hurry.

Rose is really strong! Physically strong, I mean. I know she was a housewife for most of her life, but she was a farm girl first! Farming takes a lot of physical resilience, and that's the kind of strength that stays with you, I think. She's the one who lifts up the furniture when they clean (S2E12 The Sisters), and I don't think they'd let her do that if she couldn't handle it. Plus, remember that time she broke a whole ceramic cup with one bare hand (in S7E19 A Midwinter Night's Dream)? Yeah. I also subscribe to some mutuals' hc that she's autistic (although they'll be able to comment on it much better than I can, if they want to!).

Regarding Blanche, I really enjoy @\eeblouissant's hc that she has a permanent tan! She's from the South, she's lived near the coast for ages, *and* she's expressed an appreciation for sunbathing in the show, so it makes perfect sense to me. Also: she's a cover hog! In the show Rose is the one who admits to stealing the covers (in S2E5 Isn't It Romantic?, iirc), but I like to think Blanche is the worst offender. It's a good way to complete the Girls' trifecta of sleeping annoyances (Dorothy snores, Rose sleeptalks, Blanche steals the covers!), and I think it's thematically appropriate for her -- considering her Southern origin, I think she's more sensitive to the cold than Dorothy and Rose are, and she's always looking for affection, so...

Oh, regarding their sexuality: I don't have a marked preference for any of them, but I tend to think of Blanche as a bisexual with a lot of internalized homophobia. Rose is also bi, and somewhere on the asexual spectrum (and I have textual evidence for this!). @\hecatesbroom has completely convinced me to read Dorothy as a repressed lesbian, but I'm fine with people considering her bisexual too. I prefer queer interpretations of all of them, but I'm honestly fine with any take, as long as the strong (platonic or romantic) bond between them is preserved.

Most of my headcanons on Sophia are just traits borrowed from my grandmothers -- for example, I like to think that she started getting into gardening once she moved in with the Girls, and she's really gifted at it (like my grandma!).

13. What would you change (if anything) about the show/ characters if it was set in the modern day?

This is a really hard question to answer properly, because while the show is still very relevant to the present day, some aspects are so grounded in their time that a lot of things don't make as much sense when transposed into the future. For example -- would Dorothy end up marrying Stanley and staying married to him for 38 years if he'd gotten her pregnant in the 90s? Single mothers weren't exactly celebrated back then either (Madonna's Papa Don't Preach is from 1986), but they still had it much better than they did back in the 40s-50s -- and divorce has become much more accessible (and socially acceptable) in the past few decades. Would she have left him earlier? Would she have married him at all?

And what about Sophia? Being an Italian immigrant in the 50s seems different from being an Italian immigrant in the 20s -- there was a whole World War between the two, for starters. Would she still emigrate to the US? Would she even emigrate at all? How would she have survived the fascist regime in Italy?

Blanche and Rose are perhaps less grounded in their time. St Olaf is so absurd it might as well be the exact same in the present day (and dying in childbirth is unfortunately still too common, so it's not strange to think that Rose would be an orphan in any case), and considering how some people still think and behave nowadays, Blanche's biography and opinions seem plausible even when transposed 30-40 years into the future (at least to me). But still -- many of the issues they deal with were grounded in their time. Take Rose's AIDS scare: would she react in the same way in the present day, knowing that care for HIV patients has progressed so much?

To be fair, apart from all these questions, all of the Girls are still plausible (and relatable) characters from a modern POV; but society has changed a lot in the past 30-40 years, and I think a groundbreaking, socially advanced show like Golden Girls would necessarily have to change as a consequence. It's just in the spirit of the show! The core idea of four women sharing a life is still a perfect premise, but the problems the Girls face, their careers, their economic stability, their ideas on love and relationships -- there's a lot that could be different when transposed to the present day! I feel like this question requires much more space, time, and analysis to be answered properly.

One thing I like to think is that at least some of the Girls might have been explicitly queer if the show was set in the present day! Which opens up a lot of avenues for plot-lines and relationships :)

14. Which other Fictional Characters would you like each one of the golden girls to meet?

I have a storyboard in my notes for a little comic in which the Girls travel to England and meet Aziraphale and Crowley from Good Omens, so them, definitely 😂

Also, the Derry Girls! Check out this great crossover fic on Ao3 -- the chaotic energy is just off the charts, I love it.

15. Who were your favourite duo?

Oh, I can't choose. Any duo within the Girls. Their 1:1 interactions are all amazing, there's no way I can pick just one. I love the bond between Dorothy and Sophia, I love Dorothy and Blanche's chemistry, I love how fun and silly Blanche and Rose get to be together, I love the ironclad trust between Dorothy and Rose, I love Blanche and Sophia's love-(fake) hate friendship, I love the way Sophia hides her immense affection for Rose under a veil of humour and the way Rose sees right through it. I could write an essay on each pair of them.

15. Who should’ve got more 1:1 screen time with each other?

I'm pretty happy with the amount of 1:1 time each pair of Girls got with each other, actually! One of the strengths of the show imho is how well-balanced the interactions between the main cast are. If I really have to nitpick, I think I might have liked a couple of episodes specifically on Dorothy and Rose in the last couple of seasons; it feels like they interacted 1:1 less after S5, but that might just be me.

I also think the Girls' interactions with secondary characters and guests were well-balanced, in general; I can't think of any specific example where I wished for one of the Girls to have more interactions with a certain character.

... okay, there is one instance, but it's not really a matter of screen time, more of what happened during said screen time. I really, really wanted to see Blanche (with Rose as support) tear into Stan. I think we deserved a scene where she tells him off for the way he treats Dorothy -- she's already pretty caustic in the show when it comes to him (except in S6, for some reason...), and a proper confrontation would have been glorious.

16. Calmest season?

Is there one? 😂 the first season, I guess? It feels a bit more 'domestic' and contained in scope, likely because it was the first -- but it's still a wild ride!!

17. Most chaotic season?

Season 3, for sure. It's a bit all over the place, and it contains some of the wildest premises in the whole series -- I mean, Bringing Up Baby? Letter to Gorbachev? Mister Terrific? I could go on -- there's lots of chaotic episodes in there! (Just to be clear: I love the chaos! S3 is not my favourite season, but it's still great -- and it's got some amazing episodes!)

18. Favorite Season?

I think the honour goes to season 5! It would probably be S6, if not for the whole 'Dorothy falls back in love with Stan' plot line. S7 is the one that contains the highest count of favourite episodes for me, but I think S5 is stronger as a whole, and it's got some true gems.

19. If the girls hadn’t had their established careers, what other ones could you picture them doing?

Oh, let's see! Stan mentions Dorothy always wanted to open an antique shop back in S1E11 The Return of Dorothy's Ex, and I think that really fits her. I can also see her as a (very passionate) librarian! And, of course, she'd be great as a college professor / history researcher.

Despite the Girls' lack of confidence in her ability to keep things alive, I think with proper training Rose would work well as a nurse. She already volunteers for the hospital, she can be competent when given the chance, she's a giving person, and she loves taking care of people, so I think she at least has the right attitude for it -- although I'd never place her in a stressful unit, especially at the start of the show! Apart from this, anything to do with animals, of course -- a zoo, a farm, a pet shop, she'd excel in all of them!

I can see Blanche thriving as a trophy wife, haha 😂 but that's not properly a career, so it's not a valid answer. Taking her keen artistic eye into account, I think she'd be great as a designer -- either a fashion designer, or an interior decorator. She also showed some talent and interest in psychology during the series, although I'm not sure she'd manage to remain completely professional as a psychologist. 😅

As for Sophia, I think she'd do well in any position that allows her to be a motivator! She's great at encouraging people through a bit of tough love, and she's a very driven person herself -- so I think she'd do well as a manager of sorts, although the kind of manager that still works hands-on too. I believe she'd manage to hold her own in more or less any field; she's very adaptable! I do think she's at her best in a kitchen, though.

20. Best aspects of the show in your opinion?

There's a lot! The writing, the performances, the costume department, it was all exceptional. I think the best aspect to me is the premise, and how seriously they took it! The idea of a show centered on four older women living together is groundbreaking, especially since it didn't make a mockery of them -- the Girls are serious, well-rounded characters, with full lives, written with lots of love and respect. I think this show really convinced me that life isn't over once you hit 30, and that there's plenty to look forward to as you age! A lot of people my age are terrified of growing older, and here I am, eager to see what's coming next -- and I owe at least some of this attitude to this show. I'm really grateful!

21. (This question is for my fellow cheesecake lovers) favourite cheesecake flavour?

:) Great question! I love cheesecakes in general, but I'm especially partial to raspberry cheesecakes.

22. Storyline you wished they had expanded upon?

The show has an unfortunate tendency to introduce characters and then forget about them, which allowed for more variety in the stories they chose to tell, but I would have liked to see some of the Girls' relatives and friends return! Like, I don't know -- Jean, for example, or Blanche's nephew from back in S1. Some of the guests' arcs are complete within their episode (as happens eg for Lily, Rose's sister), but others remained a bit 'in the air', and I think it would have been nice to see them again.

Oh, and also -- I would have liked some little references to the Girls' issues and problems outside of the episodes they're tackled in! References to Blanche's pacemaker, for example, or to Rose's addiction, or to Dorothy's CFS (or her hearing aid!!). I understand that the time was limited, but even a small callback or two would have been nice!

23. Questions you’d ask the actresses?

Does 'will you marry me' count? 😭

I'm not sure -- knowing me, I'd probably be unable to utter a word in their presence! Rather than ask questions, I think I'd just thank them for bringing such an incredible, wonderful show to life. It wouldn't have been the same without them.

24. Episode that brings you the most comfort?

Most of them, really. Even the sad ones; I hear the first few notes of the opening theme and my spirits are already lifted. I can pick one per season, if that's alright:

S1E25 The Way We Met

S2E17 Bedtime Story

S3E3 Bringing Up Baby

S4E4 Yokel Hero

S5E23 The Mangiacavallo Curse Makes a Lousy Wedding Present

S6E26 Henny Penny -- Straight, No Chaser

S7E23/24 Home Again, Rose

But honestly there's so many more I could mention! I just love these ladies so much and I love to watch them in situations, haha.

25. Episode that made you laugh the hardest?

This is a cruel choice! Golden Girls is infamous in my house as 'the show that makes the-eclectic-wonderer howl with laughter', and I think that speaks for itself 😂

Let me pick at least three: S2E4 It's a Miserable Life, S7E2 The Case of the Libertine Belle, and S7E4 That's For Me To Know.

26. Which other work that the actresses did you enjoy the most?

I believe most of Estelle's career prior to The Golden Girls was in the theater, so I'm not sure it's even possible to watch her other works, unfortunately.

Show me Bea Arthur singing literally anything and I will be on my knees in seconds. Her musical performances are peak. Also -- I still haven't watched Maude, but I already know I'll love it.

Maude includes Rue as well -- I cannot wait to fall in love with her as Vivian too! And I have one of her early movies in my watch list, although I'm waiting for the right moment to watch it (homegirl plays a stripper and I'm not sure I can handle it in company without making a fool of myself, considering my big gay crush on her).

As for Betty -- Life With Elizabeth, absolutely. She's so funny and so beautiful and so captivating in it! She's simply charming, I love her to bits.

27. Best St Olaf Story?

The Great Herring War from S1E25 The Way We Met, no question. It's not necessarily the strongest from a comedy point of view (although it's certainly up there -- it's hilarious!), but the context and the way Dorothy and Blanche contribute to it make it the most memorable one, imho. It's my favourite, for sure.

(The story of Gunilla Bjorndunker, St Olaf's tallest woman, as told in S6E3 If At Last You Do Succeed is in second place).

28. Best slut story?

It changes every time I hear one, lmao! I love all of Blanche's stories!

If I must pick one -- I really enjoy Blanche's retelling of that time she realized she was even more devastating by moonlight in S1E25 The Way We Met, if only for that incredible final line ("It was at that moment I realized my bosoms had the power to make music!"). I'm not sure if it counts, because it's so brief, but her involuntary remembrance of that time she had to call a cab to get home because the sailor she hooked up with wouldn't wake up (S2E17 Bedtime Story) always has me in stitches -- I love how unexpected and effective it is!

Oh, and I'm really fond of the one she tells her mama in S3E25 Mother's Day. I'm very sensitive to the theme of loved ones getting older and having trouble remembering stuff, so that whole flashback hits close to home for me, and I love how Blanche's story helps her and her mama connect over shared memories. It's really touching (and Rue's acting is spectacular).

29. Best Sicily story?

Sophia's alleged encounter with Pablo Picasso, as narrated in S6E24 Never Yell Fire In A Crowded Retirement Home: Part 1. I somehow didn't anticipate the punchline, and I lost my shit when Sophia name-dropped Picasso. I still lose my shit every time I listen to it. It's a classic.

30. Which girl would you be most interested in seeing a prequel of? And at which point in their life?

I would pay dearly for a young!Dorothy show. It might be depressing (because her life with Stan was... well... yikes) but also imagine -- Dorothy learning how to be a mom, her life at college, building herself a life... so many possibilities!!! And it would be even better if it featured some flashbacks to Sophia's life in Sicily!

I would enjoy a show about teenage Blanche's adventures, too, but a part of me thinks those stories are at their best when retold by Blanche herself (ie when there's a good amount of doubt as to their veracity, lmao).

[leavemetoexist]

I finished all 4 Studio Investigraves games and I have opinions. (Spoilers to all the games by the way but you already know that)

I played them all backwards from the most recent to least recent by complete accident hence why I shall be reviewing them from least recent to most recent. I'll be judging them based off gameplay, characters and story. Of course don't take this too seriously it's my general opinion and I wouldn't mind hearing other people's personal tier list about which game was their favourite. My interpretation of the characters can of course vary from others opinions as well so keep that in mind.

4. Eloquent Countenance

Gameplay: the gameplay in this one wasn't actually bad, I quite liked doing the different tasks however with that being said, I also got lost multiple times about what I was supposed to do (I think i'm to blame for this once honestly because it was spelled out for me). Overall I still liked it but again I had issues. I did however adore the mix of 3d modelling and 2d models.

Story: The story isn't bad, if anything it leaves room for so many things. The explanation to the end did confuse me though because I couldn't tell if Forcas was talking to the woman trapped in the body or if he was talking to the angel that had taken over the body. And also why did us the angel decide that we did want to give the body back to her? Again a lot of questions that I think can be expanded on if they ever to second game. (I think this is mostly me wanting a second game so badly lol)

Characters: Our character Lisa is alright, I have no grievances with her, she's funny and sarcastic as hell and honestly my favourite. Forcas on the other hand... I like his shenanigans, but there is only so much fourth wall breaking one can take before it isn't very special, I guess? The way he speaks is like how I would write an overpowered annoying know-it-all character when I was 13. So yea not my favourite. I do love their characters designs though, absolutely gorgeous in my opinion.

3. Cold Front

Gameplay: I had no problem with the gameplay, except maybe when I was running from the monster, that was the only hard part. This was a shorter game so there wasn't too much gameplay and coming down to the end I was honestly a little annoyed that we'd basically ceased gameplay and had started basically just started reading out the rest of the story. I wish there was a boss fight to the end, a little something something to really close it off would've been nice.

Story: It was heartwarming (ironic). I can not express it enough that I really love how well done the story is, both endings really got me. One was a happy ending technically with only Augustine living and it was so dark that he was happy to finally feel seen again once Winnie was dead. Winnie had no idea that he was breaking a lot of Augustine's boundaries but at the same time, these two just needed some communication and they were fine in the end which was perfectly okay with me. They both reflected and became better people together.

Characters: No notes, they were good. I loved the fucked up anxiety version of Augustine and Winnie, it really shows how anxiety is and how overthinking and keeping everything in can really harm a friendship.

2. Dead Plate

Gameplay: There is so much that needs to be talked about with the gameplay. First of all, our character Rody, does not have a side and back angle so that you can tell which way you're facing, which messed me up a lot when I tried to serve tables. When I first booted up the game it took me way too long to figure out the what to do in the tutorial (This one might be on me tbh so I won't be too mean to the game about it). The various customers did not make any facial expressions as to help indicate to the players their level of annoyance going from good-> annoyed-> angry-> leaving. I really wished they had that, even if it weren't a face at least some sounds would've been nice.

Story: I adored the story, it's fucked up, it's nice and it's overall really good. Genuinely no notes, it's cut and dry, nothing overally complicated and I loved it.

Characters: I loved the characters. Rody is so deeply in love with his girlfriend (Marieanna) and loses his sense of self. He literally does not know who he is without her and instead of listening to her and improving himself and becoming his own person, he makes himself think that if he just had enough money, that she would take him back. Vince on the other hand, woah that motherfucker is a little mad in the head isn't he? I was expecting your usual obsessive yandere esc character but no. He becomes not really obsessed but more like testing a theory. He has never tasted food and wants so desperately to make food where you can taste the love in it so when he found out about Rody whiles dating Marieanne, well he just had to put this theory to the taste test right? I also live for the theory of him wanting to express his love to Rody by feeding him the thing that he loved most (I think this theory is actually pretty solid tbh and I'm not sure if it's a theory or confirmed within the game. I played this so long ago that I've kind of forgotten).

1. Elevator Hitch

Gameplay: This one might be obvious to most people who follow me but Elevator Hitch is literally my absolute favourite. The gameplay itself was quite fun, I enjoyed the puzzles and tasks that had to be done and the uniqueness of each floor. I had one problem where I didn't realise you could look around the elevator, I wished there were some arrows to indicate you could do that but overall the gameplay was solid.

Story: The story is simple, simple in a fun complicated way. It certainly didn't answer why the building is the way it is but that was alright with me. I enjoyed especially the small glimpses at protag's life before he got stuck in the elevator. I loved the ending, the fact that he had no real choice but to go back was *chef's kiss* Sad ending for Protag but that's okay, solid story.

Characters: One of my favourite head cannons about this game is that coworker is actually pretending to be stupid about the situation that we the player are experiencing and I can be more than be convinced about that. Our main character definitely has shit going on, as saw in the end he needed that job and well the fourth floor with his parents. I loved the dialogue options and the dynamic going on between the two of them. They're both silly and share one brain cell and I adore them for that.

[yuriyuruandyuraart]

Opinions on Dream? :^

SO many feelings about him omgg rant under cut please forgive me

okay so i don't really talk or draw him much cause honestly,,,most of the times i just think he's a bit....boring? or more accurately plain? not in a mean way either but just in a 'fades into the background' type of way like don't get me wrong!! he's a really nice friend to his peers, his feelings about his powers and aura making his relationships harder to navigate and trust along with his whole conflict with nightmare and morality about what's good and bad IS very cool!! and i love it whenever they write him to be complex and not on this black and white mentality or when he's just straight up following along his friends with no free will or with a dubious purpose without ever addressing his issues or feelings! it's just unsatisfying to me :')

or when they're making him the 'naive' and oblivious, (sometimes childish?) character being marked as the obstacle and villain along with the other star sanses from the fic's pov, always talking about doing good things while fighting his brother and not hearing him out about the balance, (and for weak reasons most of the time. like it's been so long and you STILL haven't sat down with him when he's, generally, basically begged you to just have a talk? guys please :'( ) or when they go for the victim sad dream always missing the old nightmare, where corrupted nightmare is the incarnation of evil, with no sympathy or emotion except anger and sadistic glee, killing and hurting everyone and dream's just trying to protect the multiverse and dream's always been in the right. such extremes!!!

LIKE!! i hope i'm not the only one that thinks a 500+ year old should have had enough time to idk. learn things? about people and manipulation and deceit? after knowing what the villagers did to night? about the bad things in the world and how there's a lot of grey areas in life and that he maybe reflected on his past enough to process and ask himself if there should to be a convo to settle his differences with nightmare (and you can make nightmare the stubborn one too! or have them BOTH be petty and imperfect and have some things wrong and some right at the same time like why do i always see the good guy vs bad guy cliché with these two when they're the perfect example of why positivity doesn't have meaning without the negativity!! as long as there's a satisfying evolution or growth that doesn't leave me empty i'm good yknow?)

plus i believe dream really isn't as dumb as people view him. i do get some of you saying he probably can't read or write since that's actually a pretty interesting idea to explore! but in general please let him have emotions other than pure sunshiny happiness or endless sadness like he's gotta have more depth than that! let him make mistakes, have flaws that don't just make him the bad guy that's always in the wrong by default, and be angry or suspicious or jealous or bitter or battling his mental health problems/depression or malicious or smart or witty or mischievous and silly or sarcastic or ANYTHING dude i just want him to be put into different scenarios where he can be serious or lighthearted like it doesn't even have to be long or perfect but make him feel real.

it could definitely be that i don't read or see much art about dream or really look for it hard enough but also i just. i feel bad for even saying this fr and i wanna be honest about why i don't enjoy most stories about him cause he always gets the worst treatment along with ink!!! especially ink omg the poor guy has it the worst i think like wow do they mess him up :'(

always one dimensional in non shippy fics, or too plain or easily replaceable by other, more entertaining people in the significant other's life in most of his ships like man. i have read fics out there that made me genuinely FEEL and root for him and love his character so much it restored all hope for me!!! but i can only name one on top of my head and the others? it's been so long i don't even remember their names i just legit feel terrible cause i love him still and i can't find many headcanons that fit my interpretation of him yknow?

not to say people who write him very happy, mislead or sad are ruining him like that's silly- if i see something i don't like i just. move on bro i wouldn't force people to feel or think the same way i do about him cause anyone can have whatever headcanons they want!!! just talking about what i personally look for in him and why i can't exactly find it since most of the stuff out there just isn't my cup of tea :')

hopefully i didn't set anyone off with this rambling opinionated essay i just pulled hhh xD i know i know he's a popular character and i know a lot of people like dream so *sobs* please please recommend me artists and fics about him that you think is good it's been so looong since i've read or seen anything new that makes me attached to this little guy aughg<33333

[shikai-the-storyteller]

Maximus: How would you describe your relationship with Cellbit?

Roier: Pretty. Beautiful. Exciting. [Bonita. Linda. Apasionante]

[aloneonceagainaspredicted]

my brother in christ, you need to stop hating what people are posting about mark hoffman and start posting all the deep character analysis your heart desires or something because being pissy at the fandom won't achieve shit, i'm being sincere

[sosadraws]

Behold! The character has has been living in my head rent-free since january/february, but just recently I sat down to draw.

…idk, this is deeply inspired by my own characterization of MYNAH units, where they're the kind of replika that avoid confrontation at all costs, never act/present themselves in a way that could be considered "threatening," even at the cost of their own comfort, and avoid acknowledging negative emotions, leaving it as an "it is what it is" kind of thing. This is combined with the usual eusan replika mindset of having a back-and-white way of thinking, never questioning what's going on in their surroundings, and just doing what they're told to do.

So I think it would be interesting to have this mynah (originally named MNHR-S2307 “Eisen”) stumble upon this pair of gestalts who have also been on Leng. They slowly warm up to her and share their own experiences there that (as well as the typical persona degradation stuff) clash with her own world views, recontextualize her old memories, and slowly erode all her layers of denial. She finally comes to terms with her gestalt identity, how often she got taken advantage of at S-23, and how terrible the Nation can actually be. While discovering the truth takes a big toll on her, she decides to use her newfound freedom and wisdom to build herself a new life under the name of “Sasha” and do her best to bring happiness to the two people who genuinely view her as family.

[lemonduckisnowawake]

Male Lead, introducing himself in some story: I'm a playboy with -

Me: I hate you

Male Lead: You didn't let me finish

Me: Ah, right. Sorry for interrupting. Go ahead

Male Lead: I'm a playboy who plays with women's hearts but secretly has a heart of gold, simply searching for the one I will cherish and who will open my eyes to the love I've been seeking through my shallow relationships

Me: I hate you and you need Jesus, not a romantic partner

[bee-in-a-box]

more marcus headcanons?

Thank you for asking, Anon! Yes I do have headcanons >:)

(prepare for me looking way too deep into things)

I'm a very big fan of the theory/headcanon that Marcus' eyebrow raise is him turning off the safety on his heat vision

I really like how it changes the context of his eyebrow moments from

"haha I'm so smug and evil >:)"

to

"This situation is escalating, so I'm getting ready to attack you if you become aggressive + haha I'm so smug and evil >:)""

it kind of gives off the idea it might be out of anxiety

because him raising his eyebrows is a survival reflex.

okay next one

I think Marcus' body is made of aluminum

because

Marcus is waterproof in canon and aluminum is resistant to corrosion

Marcus' body uses hydraulics to move and aluminum is used often in hydraulics and robotics because it's lightweight

he has heat vision and fireballs/energy spheres that come from his hands and aluminum can withstand extreme temperatures

NOT ONLY THAT, but Metal detectors need to have certain settings changed to detect aluminum over other metals, so that's why Leo's metal detector didn't detect Marcus

on that note, I like to think he's like a terminator and that he's got "living tissue over a metal endoskeleton" so his outside is flesh and blood, and the inside is all robotic

because I would honestly HATE to think he has plastic skin and artificial hair. That really bothers me fhdjfjk

The living parts of Marcus are Douglas' DNA for sure

Which goes really well with my headcanon that Marcus was designed to look like young Donald

Douglas just, casually reverse engineering his genetic code in order to make his surrogate robot son look like his brother

I also think that Marcus' bionic intelligence is what gives him his sentience. Like, a lot of himself comes from his programming, but I think the bionic intelligence gives him the ability to learn and adapt, and have negative emotions.

There's no way Douglas would design one of his creations to defy him, but he can't really control how Marcus uses his bionics. So that's kind of my reasoning for that plot-fix

I have more headcanons, but these are the ones I was thinking of off the top of my head since it's been a while since I thought about Lab Rats lore. Let me know if y'all want another of these! Or headcanons of other characters!