#please come talk to me about him

[wonderlandflamingo]

For the character ask game:

Seto Kaiba

1, 5, 6, 12, 16

:)

1: Why do you like or dislike this character?

I think his unwavering faith in himself is pretty great. Like sure sometimes he's so overconfident in himself that he blows it big time, but I love him anyway. He contains so much hubris. But, he carries it so well. Like of course he can do that single-handedly, he's Seto Fucking Kaiba. (I wish I had half his confidence)

5: What's the first song that comes to mind when you think about them?

Gonna be honest it's this number from the dub. The first season dub had some bops. It's pretty much the only thing dubs at the time were good at. And I know Kaiba isn't in this scene at all, but the vibes are right. If I made a mixtape for him this song would be on it.

6: What's something you have in common with this character?

Unfortunately, we both had to grow up too fast. He got adopted by an evil billionaire. I grew up being surrounded by adults with an overprotective mom who wouldn't let me play with other kids. It's different, but the end results are similar. Kaiba and I both got real good at interacting with adults and we suck at making friends our own age. "Yay"

12: What's s headcanon you have for this character?

That he gets along really great with children, but refuses to admit it. He has a little brother. So, while his childhood made him bad at interacting with people his own age, he's pretty good at interacting with people younger than him. Also, it's canon that he's building amusement parks that orphans can go to for free. (The boy likes kids. Which makes him a better person than me cuz I hate them)

16: What's your least favorite ship for this character?

Probably Joey and Kaiba. I think Kaiba needs a friend that will actually tell him no. He needs someone to call him on his bullshit and Joey is great at that, but I feel like adding romance complicates that in a way I personally don't like. (But, I'm actually not super into enemies to lovers dynamics in general)

21: If you're a fic writer and have written for this character, what's your favorite thing to do when you're writing for this character? What's something you don't like?

Much like the show I love putting him in situations where he has to preform mental gymnastics to prove the very real magic isn't real. This is unfortunately something I don't like too. If the story is better served by him growing as a character and coming to terms with the magical element than he doesn't sound like himself. Or at least it's very hard to make him sound like himself. Kaiba is sort of notoriously bad at character growth and it can be tricky to introduce that without turning him into a completely different character. (I just need to git gud)

[egophiliac]

CROWLEY SSR THOUGHTS

there is zero basis for this, but I can't get this thought of my head

I don't know why I decided to draw it this way

[muirmarie]

jim being canonically the shortest one of the triumvirate is genuinely so important to me lmao, like yesssssss, let that beefy babe be shorter than both his boyfriends!!!!

[cruel-hiraeth]

꒰ FLESH OF MY FLESH; BLOOD OF MY BLOOD ꒱ KAMO CHOSO X READER — ft. itadori yuuji

warnings ⟢ dead dove: do not eat. minors do not interact—i will block you! incest. yandere elements. implied drugging. noncon. slight forced feminization (choso uses “sister” and she/her pronouns to refer to reader, but reader is nb). religious imagery. reader is yuuji’s twin, but no physical descriptors are used. reader has a vagina.

word count ⟢ 963

notes ⟢ this is part of @ficsforgaza’s kinktober event! my prompt was choso + incest. i have an au with big brother choso and twins yuuji and reader, so this was the perfect opportunity to explore their dynamic. a huge thank you to my dearest lexi—@drleggman—for requesting this (and for allowing me to go full degenerate) <3

“Yuu…”  “Yuu…ji…” “Yuuji…”

Your twin’s name ambles from your petal-soft lips, voice laden with slumber, muted snores drifting through the gaps. The bedroom you share is swathed in midnight’s gloom; moonbeams peek through the cheap apartment blinds, luminous stripes cutting across the men huddled above your nude figure.  

“Our baby sister seems to be having sweet dreams,” Choso states, mouth reluctantly detaching from your nipple, a silvery thread of spider silk connecting his lips to your tender flesh. “She’s naughty, though—calling out to you when I’m the one pleasuring her.”

Choso removes two thick digits from your weeping hole, examining the twitch of your jaw as he strums your clit with calloused fingertips. He experimentally increases the speed and pressure of his caresses, humming when you let out a whimper. As your breath grows heavier and your eyes flicker and dance beneath your lids, he pauses to smear your slick across your pubic hair, and scrapes his teeth up your neck to nip at your pulse point. 

Yuuji lies beside you, honeyed gaze soaking in the tranquil curves of your dreamy expression. He strokes the hair at your temple with the care of a collector admiring his choicest possession; he can’t help but drag his nose across your cheek, blotting a kiss at the hollow behind your earlobe.  

The reverence Yuuji treats you with starkly contrasts the way his muscular body presses against your softness, his bare cock dribbling pre onto the plush of your thigh. It’s something of a punishment that Choso doled out—not being able to indulge in you fully—upset with your twin for being secretive and possessive of you. But as far as Yuuji is concerned, to be anywhere in the halo of your presence is a heavenly gift. To merely witness your divinity, to press his lowly, sweaty skin flush to yours—it’s more than he deserves. 

“Don’t be too rough with them,” Yuuji fusses when Choso abruptly presses your knees to your chest, leveling his face with your spread cunt. “W-wait—I wanna taste, too.” 

After Yuuji shuffles over to join Choso, two sets of broad shoulders hunch over to marvel at your beauty. Yuuji fully expects to be chewed out again—perhaps even shoved off the bed or thrown out of the room; he swallows his pride and formulates a half-hearted apology, prepared to grovel for a chance to revel in you.

Instead, he grunts in surprise when he’s pulled into a kiss.

Chapped, chilly lips slip against his own, urging Yuuji’s mouth open, wet muscles intertwining. A shiver skitters across his limbs when he discovers the little silver ball that pierces Choso’s tongue—now bumping along the expanse of his palate, tracing the velvet of his gums. It’s a sloppy exchange of spit and teeth and tongue, too frenzied to be mistaken as purely passionate. Choso reaches over to swipe a thumb across Yuuji’s fat, leaking cock head. Yuuji keens into his brother’s mouth before ripping himself away, swollen lips parted, blooming rose from the tips of his ears down to his heaving chest.

“Let’s taste her together,” Choso rasps.

Not waiting for a reply, he pecks the fat of your hip before dipping down to lap at the arousal leaking from your hole; Yuuji watches heatedly, letting saliva pool on his tongue and drip onto your clit. He then cleans his mess with noisy sucks, occasionally tugging at your folds. Too preoccupied with coaxing your unconscious body to orgasm, the brothers don’t realize how you begin to stir, fingers and toes flexing and relaxing. They savor your eventual high, admiring your glistening release.

“I’ll have her first,” Choso announces thickly, Adam’s Apple bobbing as he swallows. He’s practically vibrating—pale skin dewy with desire—having fantasized about this exact scenario more times than he can count. “You should prop her up.”

Yuuji leans against the headboard and pulls you between his strong legs, your head resting on his chest. Choso angles your hips and pumps his throbbing length a few times before nudging your entrance. Your breathing shallows and you yawn; Yuuji’s heart catches in his throat.

“Fuck—how much did you give them? Clearly not enough,” he hisses, arms tightening around your waist. “I think they’re about to wake up.”

For the first time all evening, Choso smiles at Yuuji. It’s an unsettling sight: his knife-sharp inscisors gleam in the dusk, irises black as bruised plums. “Relax,” he soothes. “She’s going to enjoy this, too. It will become a treasured memory for us all.”

Before Yuuji can respond, your eyelids flutter open. “Ch-Choso…Yuuji…” you murmur, words slow and slurred as molasses, “what are you—”

The air is promptly punched from your lungs, a strangled yelp interrupting your train of thought as Choso enters you in a single thrust—cock so deep you swear you can taste it. One of Yuuji’s rough palms rests on your belly and meanly presses down with the movement; you throw your head back and warble a moan.

“Call me ‘onii-chan,’” Choso grits out, refusing to succumb to the squeeze of your cunt so soon.

“W-what?” you sniffle. Your brain is foggy from whatever concoction they gave you, incapable of piecing together your predicament.

He grasps your chin firmly, forcing your glazed stare to focus on him. “Onii-chan,” he repeats with a harsh snap of his hips.

You squirm, trying to turn to Yuuji for help, unaware of the tears carving hot rivulets down your cheeks. But Choso won’t let you go. His heavy frame eclipses yours, trapping you in place. “We’re family,” he huffs, fucking you steadily, umber strands falling to curtain his face.

“Everything we do, we do together. You have both been—nnghhh—selfish. It’s time to make it up to onii-chan.” 

[racke7]

De-aged and injured Danny

Danny is found out by his parents. They don't take it well.

Clockwork is very upset about this, because he'd gambled on almost-certain odds of them being chill about it. So now he has to run damage-control before this very unlikely time-line goes even further off the deep end.

Unfortunately, Danny needs to be in the living world, not the Infinite Realms. Which means that Clockwork needs to put Danny somewhere safe. Somewhere where nobody will find him.

And double-unfortunately, the only place that remotely fits this bill is to contact Lady Gotham.

City-spirits aren't... super-reliable. They're Neverborns who very very rarely consider "humanoid shapes" worth figuring out. So they just kind of... exist. An ectoplasmic presence that's undeniable, but also extremely difficult to have a conversation with.

Thankfully, Lady Gotham is (for all of her... quirks) generally very hero-aligned. Which is why she's the best one to ask for sanctuary for Danny.

Danny who Clockwork de-aged as a way to "limit his injuries" of being vivisected.

Lady Gotham agrees, but she only has one "safe place" to put him. And her Knight is a little bit too paranoid for her to just dump an injured child in his lair, without causing more trouble than it's worth.

But it's hardly a difficult thing, to arrange a few things, and place Danny in a spot where his injuries will cause her Knight to hurry to his aid.

Such as... in a room filled with medical equipment, right next door to where Joker has just lost a fight with Batman.

Things escalate somewhat when Batman finds him and makes some assumptions about what Joker has been up to. Tempers run a bit high, someone loses a few extra teeth, someone else has to physically drag Bruce off Joker's body before he beats him to death, and the Joker considers the whole thing a grand old laugh (he has no idea what's going on, but it sure pissed off Batty, and that's always a treat).

Of course, the Batfam has to actually investigate the scene, evacuate Danny, give Danny medical aid, and then also ask Danny about what happened.

Danny wakes up and is very confused about a lot of things.

He's no longer being vivisected. Great. Love that part.

He's somewhere he doesn't recognize (the Batcave). Could be good, could be bad. At least the bed is pretty nice?

He's very small. This feels like a personal attack. He might not have gotten a good growth-spurt yet, but taking away what he had is cruel and unusual.

And there's a weirdo in an... armored bat-costume? Who isn't setting off his ghost-sense? What the hell kind of "normal" person wears something like that?

Still, Danny does answer the questions that Batman asks him, because... well, there's a green post-it-note in his pocket that says he shouldn't lie.

So Danny tells Batman about his parents cutting him up "for science". And Batman hears that the Joker somehow managed to hire two mad scientists who (upon the tiniest bit of suggestion from the Joker, who'd definitely seen the similarities between Danny and Jason and thought it would be a "funny prank") had leapt at the opportunity to vivisect their own son.

This is definitely worrying, because from the phrasing, they'd been "wanting to do it for a long time". And considering Danny's slow heartbeat and low body-temperature? They'd been wanting to do it because he was a meta.

So, somewhere out there (the Bats had found no trace of the two) were two deranged lunatics who wanted to cut open metas to "see how they worked".

Batman does the very reasonable thing and actually contacts the rest of the Justice League with their descriptions, just in case they'd managed to leave Gotham before the Bats had tracked them down.

[flamingthespian]

Idea: Sebastian is trans, Sam and Sebastian are dating and have been since before seb came out, which happened while kent was deployed. So when kent left for war he knew his teenage son had a “girlfriend,” and when he comes back, his young adult son now has a boyfriend, and he doesn’t realize it’s the same person, so he’s like, “why did Sam never write to me about breaking up with that girl or coming out as queer and starting to date this guy,” and doesn’t understand why Sam’s new boyfriend that he’s never met is acting somewhat familiar with him

[ratatatastic]

Vanha Kauppahalli date: en full, a 2 minute 50 second masterpiece...

Primetime Panthers | 11.6.24 (x)

[shrinevandal]

his bug-eyed looks and autistic personality have captivated me

[toastybugguy]

Fanon perception:

The actual text of the show:

guys the huge difference is actually really funny when I’m not actively crying about it

[quirkle2]

i have GOT to stop drawing things for fics i haven't written yet

[baselicoc]

i know that atsv and spiderverse in general is probably not including Gabe for various reasons and therefore when Mig took his alt selfs place he wasnt actually leaving anyone behind. he said something along the lines of “i found a universe where i was happy” which kinda screams that something was fucked up with his home one, i’d like to think more than usual because the other explanation is that he just left like all his family behind. Which is extremely messed up but also on the other hand a little funny

like imagine being gabe here. Imagine your older brother fucks off to another universe because of his depression and comes back with even worse depression ranting some shit about canon events. You have to be told where he went by his AI because god knows your brother has all the communication skills of a rusty spoon. Have to be told he fucking left with no intention of coming back

[robynrocksforbrains]

Mike Wheeler is important and there's nothing wrong with analyzing him

Since y'all wanna be insufferable bitches about it I'm gonna explain to you why he's important, why Will loves him, why his struggles should be acknowledged, and why his character depth is pivotal to byler endgame being a satisfying conclusion for both Mike AND Will. Deal with it!

We are not seeing smoke where there isn't a flame. We are seeing smoke where there is a literal fucking forest fire.

Starting off with something a lot of people aren't ready for but I've seen more people talking about: Mike is the main character of s1 at the very least. He is the character that brings us into the world of stranger things. He is the character that the writers chose for this. Mike is the main character of s1 and it was an instant hit. The writers love Mike. Contrary to popular belief, giving a character an arc where they are struggling and their behavior changes from what is normal for the character we know and love does NOT mean the writers hate that character. It means they deliberately chose to give that character complexity and depth. Your inability to like characters that do anything wrong ever is not the fault of the writers. Your decision to act as if a character is not important is not reflective of the actual narrative because it in fact is in direct opposition to the narrative. So just to be clear, if you genuinely believe that Mike isn't important, or that the writers hate him, or don't care about him, or that his story "takes away" from any other character's - ESPECIALLY WILL'S - you are simply wrong.

In s1 and s2 Mike is established as an extremely caring person. He's loving, loyal, brave, intelligent, and trying his best. He is also established to be hot headed, someone who speaks without thinking quite often, someone who is capable of hurting his friends despite that being the last thing he wants to do. He is all of these things and more. He is a human. He is a kid. So in s3, when suddenly he is entirely different, it is completely logical to assume that there is a reason for that. He did not just wake up one day and decide he wanted to be an asshole, push Will away, make his friends feel abandoned, and echo the same sentiments their bullies held. Something is happening with him. He has so much going on in his head and it is painfully obvious. He's holding something in, he's hiding from everyone and from himself. We see glimpses of what he's trying to hide after Will calls him out on his behavior. Will gets through to him. Mike is usually unresponsive to tough love, except for when it's coming from Will. After their fight, it is obvious that he's trying to be better. But he still doesn't wanna face certain things, and he doesn't know how to navigate that. Because he's 13 years old.

There is a reason for all of that internal conflict. There is a reason it comes pouring out of him at certain times. He's crumbling. He is quite literally falling apart because he's holding on to too much. It's not a stretch to assume that, it just takes basic media literacy. Why would the writers have Mike act this way if he was just supposed to be a one dimensional character? Why would Finn be directed to portray Mike the way he does if there was nothing more going on? There are times where Mike looks like he's in physical pain because of his internal conflict. There is a reason for that. And acknowledging that DOES NOT mean people are taking away from Will. That's the most idiotic thing I have ever heard. Do y'all seriously not understand that more than one character can have emotionally complex storylines? Genuinely asking, is this a new concept for you?

Will's love for Mike

Will is head over heels in love with Mike. That is very much established. So when you're dismissing the emotional depth of Mike's individual arc because you think acknowledging it "takes away from Will" you are actually diminishing the significance of a huge aspect of Will's emotional arc. By taking away the significance of Mike, you take away from the significance of Will.

Let's do a quick recap of the very significant role Mike has played in Will's entire life:

Mike is Will's first friend.

They have grown up together and it can be assumed that they've reached important milestones together.

Mike has always been a safe person for Will. He's been a constant in Will's very chaotic and unfair life. Until the summer of '85, Mike had always been something good in Will's life. (That's not to say he is no longer something good, but it can be assumed that the summer of '85 is the first time Mike has been a causal factor in Will's unhappiness)

When Will went missing, Mike did not hesitate to search for him. It wasn't even a question of if. The moment he knew Will was missing he knew exactly what he'd be doing that night. He spearheaded the search amongst the party. He was the leader.

When Will came back, Mike was the only person that didn't treat him like he was gonna break. He cared for him, and he was there for him, but he didn't treat him differently; Will tells us as much. Which means we can infer that the way Mike was with Will in s2 - how gentle and loving he was - was nothing new. He had just always been like that.

When Will was possessed, Mike stayed by his side. Even when it was scary, even when it could've gotten him killed, he stayed. Because once again, for him, it wasn't even a question. That's just where he knew he needed to be. He was in the shed when they were trying to get through to Will. He was set apart from Lucas and Dustin, but he also wasn't equated to family. And his retelling of the story of the day they first met was the final push Will needed to find a way to communicate.

After a year of things being "weird" between them, Mike tells Will that he didn't deserve to be treated the way he had been. Mike tells him that he wants them to be okay again, and for the rest of the season he puts in the work.

Things get rough in s3, and at the beginning of s4, and despite all of that, Will confesses his love (albeit veiled). In a moment where Mike is feeling awful about himself, he tells him that he loves him and needs him, and he tells him why. And to him it doesn't matter that he's breaking his own heart to do it, because it's Mike. Mike, who makes him feel like he's not a mistake at all, and that he's better for being different. For Will, there was no other option. The person he loves was hurting and he knew how to help, and so he did.

Mike is the first person Will tells about Vecna still being alive. Because they're back to being a team. He knows he can trust Mike, and Mike seems to be very determined to prove him right.

SO.

These are all real and canon aspects of Mike's presence in Will's life. Will falling in love with Mike isn't something that just happened for no reason. Will fell in love with Mike because of who Mike is. When you acknowledge that, and when you acknowledge the reasons they've set out for why Will loves him - the reasons Will literally told us - you can better understand Will. But when you dismiss all of these things about Mike, you are dismissing a large portion of Will's emotional and romantic arc. You aren't being a Will Warrior. You are erasing so much of him and his feelings and his lived experience. That is not the hill you wanna die on.

Will loves a person. Not a feeling. Yes, he says that Mike makes him feel like he's not a mistake and that he's better for being different. But that's not why he loves him. He feels that way because he loves him.

Mike is a fully fleshed out character with his own feelings and struggles and fears and traumas and motivations. He's not a plot device. He's not just an accessory to Will's arc. He's not a character that was written only to be Will's love interest. He's Will's love interest because he's Mike.

If Mike didn't matter, and if Mike didn't play a significant role in byler, then they would be able to write in a love interest for Will in s5 and have it be somewhat satisfying. But they can't do that. Will's love for Mike has so much depth because Mike has so much depth. It is genuinely crazy that this has to be stated and that I have to back up this claim because it is simply a canon fact.

So yes, the rain fight affects Mike's character development and his involvement in it is important. Yes, the van scene literally could not exist without Mike and therefore his involvement in it is incredibly important. Yes, every single byler moment has an impact on Mike, and Mike has an impact on it because they are BYLER moments. Yes, Mike will have a lot of significant moments - with Will AND on his own - in s5 because his arc deserves and needs as much attention as Will's in order to execute byler endgame in a satisfying way.

No, none of these facts negate Will's importance or take away from his story. If anything, they add to it because Mike and Will's arcs are corresponding and intertwined.

Mike's struggles

To name a few

Dysfunctional family

Has been bullied his entire life

Extreme self worth issues

Inferiority complex

Hero complex

Lack of self preservation

Suicidal ideation (has been on display since SEASON ONE)

Internalized homophobia

To get this out of the way: Mike's internalized homophobia is allowed to be discussed. Discussion of it is not the dismissal of Will's internalized homophobia. Surprise surprise, two queer kids in the 80s have internalized homophobia! Who'd'a thunk it?! Their internalized homophobia presents in different ways but it is there for both of them. I personally relate to the way Mike's is portrayed way more than I relate to Will's. So why is it that we can't discuss it without being accused of erasing Will's experience? Or without people saying that we're "copy and pasting" Will's story? Because quite frankly, that feels dismissive of my - and likely many others' - real and lived experience. So please for the love of all things that are good just stop with this talking point because it will never hold up.

Moving on

I'm not gonna do a full breakdown of all of Mike's issues. Because contrary to popular belief, there are a lot. And that would be exhausting and I'd get carried away and it's not the point of this post. The point of this post is to defend the acknowledgement and mere existence of them.

If you're a byler that for some reason thinks Mike only exists to be Will's love interest and his trophy as compensation for his trauma, let me ask you this: Have you considered how awful it would be to have a queer character's individuality and emotional depth completely ignored for the sake of focusing on the queer character that "really matters"?

If Mike's own issues, with his queer identity and otherwise, aren't thoroughly explored... What's the point of all this? If Mike really is insignificant in this storyline and his individuality has no effect on it.. where's the emotional payoff? If his perspective doesn't matter... Why have the writers gone to such great lengths to ensure we don't have that piece of the puzzle yet?

Analyzing Mike and understanding Mike is very important to understanding byler. Once again, I think it's crazy that this needs to be said.

I also think it's important to note that characters can have similar struggles. There's no rule against that. Just like real life. Characters having similar struggles is not a bad thing, and acknowledging that their struggles are similar is not dismissive of either character. We're talking about STRANGER THINGS. Jonathan and Nancy's thing is "we've got shared trauma". They have literal matching scars. Shared experiences are some of the main building blocks for this show's romances. Byler has a TON of shared experience, basically their entire lives. We already know that. So wouldn't it be so beautiful for them to learn that they've been struggling with the same thing this whole time? That the entire time they felt alone in what they were going through when really they had each other and they never even knew it? Wouldn't it be so beautiful for Mike's acceptance of Will and Will's love for him was also a step toward accepting himself? Wouldn't it be beautiful for Will to learn that his love makes Mike feel like he's not a mistake? None of that would be in the realm of possibility if Mike didn't have emotional depth and if his individuality wasn't important.

And that leads me to my concluding point...

A satisfying execution of byler endgame hinges on Mike's individual emotional arc being handled well

God I hope this isn't controversial to say. I sincerely hope most people haven't forgotten that.

Here's a hypothetical:

Imagine season five has been released. You're watching it, and you notice that Mike has been relegated to just a supporting character for Will. We don't get any of his perspective. We don't get any explanation for his s3 and early s4 behavior. His breakup with El doesn't have any real tangible effect on him, it's really just used for El's character development. We never see him pining for Will like we saw Will pining for him. And then suddenly Mike is learning about the painting and then suddenly he's confessing his love and then suddenly byler is canon and official.

Now wouldn't that just be awful? Wouldn't that be unfair to the audience, to Mike, and to Will? For us to never learn just how much Mike had to go through to even be able to say it out loud? For Mike to never get the chance to prove to himself through word and action that he is the heart? For Will to never get an explanation for why things did get so "weird" between them? It would leave us with one big, nagging question: What was the point of everything Mike has said and done throughout the entire show if his conclusion is that lackluster?

Disregarding Mike for a moment (I know that's incredibly ironic given what the entire point of this is but just bear with me) - how would that be a satisfying conclusion for Will? I mean, Will's s4 arc was basically dedicated to showcasing his struggle with his sexuality and with his love for Mike. We were shown just how deep that love is. We were shown how patient, unselfish, unwavering, and beautiful that love is. So how would it be satisfying for Mike's love for him to not be shown with just as much depth? How would it be satisfying for Mike to just be a one dimensional character whose s5 arc is essentially "break up with girlfriend, wait to find out best friend is in love with him, say he loves him back, then they live happily ever after"? I think Will deserves for his love to be returned with the same intensity at which he gives it. And I think it should be clear to the audience and to Will himself.

Back to Mike!

Mike has been through so much shit. I don't think anyone that is denying that actually believes he hasn't been through shit. Because you'd actually have to watch the show on mute and with your eyes closed to think this kid hasn't had just the worst time. It's so ignorant to act as if this stuff hasn't affected him. There's stuff we've seen but there's stuff we also haven't seen. There are issues he has that date back to his childhood pre-canon. Just like Will, Mike has been a queer kid growing up in 80s smalltown conservative america. Acknowledging the pain he 100% carries because of that is so important. His perspective has been withheld from us, not because it's unimportant, but because it's the final puzzle piece. If we had Mike's perspective in s4, byler wouldn't be a "will they won't they" (even though we all know they will). If we got his perspective in s4, byler would be a "100% certain without a doubt they will". But the thing about his perspective is that it's so much more than just loving Will. It's fear. It's pain. It's insecurity. It's doubt. It's the belief that his happiness just doesn't matter all that much. All of that has to be explored. All of that has to be laid out in the open for us in order for byler endgame to feel earned. Mike's emotional payoff will lead to byler's emotional payoff.

Mike has known he loves Will. In s5 we will see him make a deliberate and active effort to overcome the things keeping him from doing something about it. And then he will do something about it.

And so when it finally happens. When both Mike and Will finally know that their feelings are requited, and when their arcs end with us knowing that they will face whatever life has in store for them together, that will feel earned. That will feel like the logical conclusion for both of them. Not just for Mike. Not just for Will. For both.

And Mike is just as important to that conclusion as Will is.

And one last thing...

Some people are going to talk about Mike more. Some people are going to talk about Will more. Because newsflash, people have preferences. Some people just relate to Mike more, or they find his emotional arc extremely compelling, or they just like him. It isn't an attack on Will or any other character. No one is saying Mike is more important than any other character (I'm sure there are people that say that but they are a vocal minority and they are simply wrong). We are just saying that he is important. If you wanna engage in media analysis, please understand that "main character" or "central character" does not mean "only important character" and "only character that should be analyzed". If you wanna talk about Will and only Will, that's fine. But you don't get to act like people that talk about other characters are doing a disservice to your fave, because that's not how any of this works.

[sallymew4]

kids when they hear that their dad is back in town VS. kids when theyre hanging out with a conman that accidentally stole their wallet once

im not even joking btw

bonus heres me being crazy about them in dms ^^^

[sysig]

Don’t be silly! Okay, be a little silly (Patreon)

[halfhumanhalfasleep]

anakin: why doesn’t anyone want to sit with me? :((

how anakin thinks he looks:

how he looks to the other padawans:

[crimescrimson]

Ada Wong & Leon S. Kennedy: The History [ Resident Evil 4 (2023) ]