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#perspective writing
silentvacancy · 2 years
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dead roses
they’re the first flowers anyone had ever bought me. we weren’t even dating yet, but we had been acting as such for almost two years. i was twenty-one and no one had ever gotten me flowers before.
well, anyone that wasnt my mother.
they were red roses—five of them. theyre dead now, but they were so beautiful and perfect back then, unlike us. i didnt even have a vase to put them in—i had fit them in one of my old glass kombucha bottles. i put in the fertiliser and water in the bottle, standing in the kitchen while he walked down the hall and made himself comfortable in my bed.
no one had ever gotten me flowers before.
they were an apology—for some horrendous things he had said to me the night before. i dont remember what they were. i only remember the sweet look on his face as he carefully pulled the flowers out of his bag.
i was so surprised. happy, even. no one had ever gotten me flowers before. especially not red roses—we weren’t dating and he bought me red roses.
we were up until 7am the night before. fighting. we were both so tired. we fought a lot back then—it was so painfully characteristic of us. i could always tell as soon as it started, that it would be a long night ahead. we weren’t even dating and the fights kept me up all night, what felt like every night.
when we started dating, he kept bringing me flowers. i wish i could say “once a week, on wednesdays, like clockwork,” because i know that’s what he wanted to do. it’s what he intended. “i’ll never let you see dead flowers,” he said.
promises unfulfilled.
it was the thought that counts.
i glanced up at the dead flowers on my desk as i packed my things. the first flowers anyone had ever gotten me—i saved them. i couldnt get rid of them, i didnt have the heart, then. until the realisation approached:
he bought me my first flowers. but he wont be the last.
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lipikkawrites · 7 months
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If life can remove people you never dreamt of losing, it can replace them with someone you never dreamt of having.
-@lipikkawrites
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lovelyreviews1 · 9 months
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Books that I wrote for sale on amazon!
Poetry-Poems Written Through Poetic Eye's
Mystery-Mystery of Egar Cartell
Perspective Short Story The Story of the Underwood Typewriter
Fantasy Fiction SYFI-Cosmic Hearts: A Space Cowboy's Odyssey
Fantasy Fiction-The Powerful Freaks eBook
Creepy Short Stories-Don't Scream, Tales to tell in the dark!!
Affirmation- 11 daily affirmations
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gammija · 4 months
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tiefling jon's first day at the Archives
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minimalist-quotes · 25 days
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A lot will go wrong before everything goes right. Keep moving forward
-@lipikkawrites
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mokeonn · 5 months
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me and kirby getting peeps on sale at winn-dixie :)
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remxedmoon · 1 month
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hey. you 🫵. isat fan. you should read slay the savior. like right now. this is an order. i’m talking directly into your ear like the green m&m.
ANYWAYS!!! fanart for my friend @basilpaste’s au!!!!!! because it recently wrapped up and it is rotating in my mind forever. i would probably put a whole ramble here if it wasn’t past midnight so just. go read it!!! and look at the designs!!!!!!!! because they’re really good!!!
(also!! tap the image for better quality and stuff! tumblr crunched up the preview for this one…)
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satelliteduster · 2 years
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oh my god i forgot to post my absolute favorite strip from gay comix (issue #2, 1981)
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courfee · 11 days
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it's been exactly a year since the last chapter of Operation Walburga's Arbitrary No Kissing Ever Rule and I still miss it. This scene is probably one of my favourite things I've ever written and I've wanted to draw it for forever, so now seemed like an appropriate time
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asoftepiloguemylove · 6 months
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BUT WHO COULD LOVE ME? I AM OUT OF MY MIND // IVAN & TILL
pinterest // VIVINOS Alien Stage, "ROUND 6" (via youtube) // Anne Sexton Complete Poems of Anne Sexton, "The Papa and Mama Dance" // Fall Out Boy Hum Hallelujah // VIVINOS Alien Stage, "ROUND 6" (via youtube) // Ernest Hemingway The Garden of Eden // Florence + the Machine Grace // Elliot Wake Black Iris // The National Daughters of the Soho Riots // VIVINOS Alien Stage, "ROUND 6" (via youtube) // Mitski I Guess // Adam Silvera They Both Die at the End // Lorde Writer in the Dark // VIVINOS Alien Stage, "ROUND 6" (via youtube) // Margaret Atwood Cat's Eye // Chris Abani Dog Woman // VIVINOS Alien Stage, "ROUND 6" (via youtube) // Warsan Shire Souvenir, "Our Men Do Not Belong to Us" // VIVINOS Alien Stage, "ROUND 6" (via youtube) // Louise Glück Faithful and Virtuous Night
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crimeronan · 1 year
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i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!
(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)
listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.
but the things discussed in the post Can and Should improve your execution!
you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it
BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.
so i have outlined some basic important concepts about polyamory.
MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun
future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.
i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)
sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.
here we go:
compersion!
compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.
compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.
by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.
i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.
it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.
(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)
if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.
metamours!
a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.
the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.
there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.
the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."
(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)
of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)
open versus closed polyamorous relationships!
i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown
google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).
this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.
an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.
some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!
with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.
i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.
feelings for multiple people!
i was gonna tack this on to the previous section but decided it warranted its own lil bit.
a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.
this is perfectly fine!
the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.
for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"
some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!
some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)
or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)
i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.
like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?
that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it
alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?
it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.
i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad
first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:
how does each pair act when alone?
how do they act differently alone compared to when they're with their third partner?
are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?
if so, what are they?
are there any boundaries or hard limits within this dyad that aren't shared with the third partner?
if so, what are they?
partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?
(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)
what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?
what problem do These Two Specifically need to solve in the story before their relationship will work?
how is that problem DIFFERENT from the problems being solved within the other two dyads?
doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.
those questions should be enough to get you started, i hope
then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?
but the main goal is to figure out how to Differentiate each relationship!
a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.
(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")
AND FINALLY.
if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)
you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.
polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.
seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.
in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.
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lipikkawrites · 29 days
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A lot will go wrong before everything goes right.
Keep moving forward.
-@lipikkawrites
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dr3amfyr-e · 2 months
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brat. - j.v. ( w. 4.5k )
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꒰ in which the boy you see every summer enrolls in the same university as you. ꒱ — modern!jacaerys velayron x reader
୨ ⎯ i cannot stress enough, football means ⚽️ not 🏈. childhood-friends-to-lovers, but you have to get through my 2000 word psychoanalysis and backstory first. light angst. mention of the death of a parent. lots and lots of talk about the velaryon-targaryen-hightower family dynamic. light make out action. reader's family is implied to be wealthy enough to have a summer home. almost everyone lives au. set in the uk, not westeros. omitted daemon rhaenyra marriage because there’s no way to to make it even semi-normal. realizing now i omitted daemon entirely erm sorry. pushing the laenor agenda bc he’s my favorite character. this is abhorently long. extreme overuse of the em-dash. uhh the perspective is wonky in a few places. will prob get a pt.2. ⎯ ୧
i had to write this twice. i'm offering this to you with shaking hands, like a peasent child begging for coins. i may write a part two because i have more to say, but i don't want to figure it out rn.
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On the cold January morning that Jacaerys Velaryon-Targaryen was born, the media went into a frenzy. 
The Targaryens were old money, their fortune rooted a century back in good investments. Historically adept at finding their way into things, the empire had a string to pull in every industry. From art and law to technology and shipping, if business prospects looked good there would be a Targaryen investment.
And then there were the dogs — regal greyhounds, with long, thin bodies and sleek coats. The Targaryens bred them as far back as bloodline records went. The pups were never for sale; sometimes they were used as show dogs, and successful show dogs they were, but more often they were pets. It was a status symbol, to nonchalantly own such a coveted creature. 
The Targaryens were idolized in the public eye. They were all stunning, with sharp features and silver hair, and each member of the family seemed to possess a Midas touch. But, where Valyrian blood ran hot, so did the press. It was no surprise when magazines started to turn a profit from silver heads plastered across their glossy covers. It was the price that came with God-like aristocracy.
From editorials to gossip columns, people devoured the insider life of the untouchables. When Aemma Targaryen died, there was a four-page spread in nearly every magazine; complete with pictures and quotes. Business papers filled with opinion pieces about Rhaenyra’s inheritance claim to her family’s empire; magazines exploded with the announcement of her engagement to Laenor Velaryon, and subsequently Viserys’ marriage to Alicent Hightower, the daughter of his lawyer. 
When Jacaerys was born, reporters lined up outside of the hospital doors. There were cameras and microphones and crew trucks, and Rhaenyra hated it. It wasn’t the way she wished to welcome her child into the world — swarmed by people who didn’t know nor care for him.
Laenor had always been good at navigating the attention, and Rhaenyra was constantly grateful. So, when he pulled his gaze from the babe and steeled himself to deal with the onslaught of reporters outside, tears pricked at her eyes. Appreciation, exhaustion, adoration? She couldn’t be sure. 
Looking down at her son, she thought, he’s perfect. He had a smattering of dark hair, and he was quiet but not concerningly so. Wispy lashes fell upon his cherub cheeks, and when he eventually blinked up at her his eyes were dark. He looked nothing like her — she didn’t care. 
She refused to talk to anyone outside of her family, and had the curtains in her private room drawn. To expose her son, her heart, to the prying eyes of the bored masses with nary a care for his well-being was a nightmare. She wouldn’t have him exploited. 
At the time of Jacaerys’ birth, she and Laenor had been married for a little over a year. Laenor’s father, Corlys, managed the bulk of the import and export for Viserys’ company. Corlys was a good man, he hadn’t dreamed of marrying his son off. But Laenor and Rhaenyra were both in the same impossible situation: the wiles of youth mixed with the ever critical public. 
They had both fallen into scandalous relationships, both preyed on by paparazzi. If they married one another, it would save face for both of their families. Plus — both being the eldest and heir, this would clear the expectation of a dignified marriage. They agreed to leave each other to whatever youthful fun they wanted to have, as long as everything was discreet. 
Both the Velaryons and the Targaryens kept a summer home in Dragonstone, a private community in coastal Wales. It was the perfect place for Rhaenyra and Laenor to begin their life — far from her father, close to his parents, and out of the line of sight for any nosy journalist. 
The public eye had looked to other things by the time Lucerys was born, two years later. Again, Laenor dealt with the small gathering of reporters with the utmost grace, and Rhaenyra submitted a written statement. 
Alicent divorced Viserys that same year. 
As she watched her boys grow up, full of energy and life, Rhaenyra thought, there was no one better to parent with than her best friend — a title Laenor had rightfully earned. They hadn’t had much choice in knowing each other, and they certainly would never have chosen to be married, but he made a bearable roommate. They had things in common; they liked the same music, and the same men. They drank the same wine and frequented the same restaurants. And, they both loved their boys. 
As Jace and Luke grew up, they found the best company in each other — the school in Dragonstone was so small, though, that there were very few other options. They both played on the school’s small football team, and Jace took piano lessons while Luke learned to fence. Where Jace was driven by emotion, Luke was level-headed; where Luke was cautiously quiet, Jace spoke his mind. It was an ideal childhood, the Welsh coast was an idyllic backdrop to grow up upon, with the sea in their backyard. 
They were ten and eight when Joffrey was born, both excited for their new brother. Their mother brought him home, bundled in a soft red blanket. The boys sat on the couch beside Rhaenys and stared at him for upwards of an hour. 
Hardly a week had passed when Harwin Strong died. He was a family friend, a frequent presence in their home and life — Jace and Luke had been upset by this, of course. 
In time they came to understand the situation fully. Jacaerys first, fitting the pieces together with the evidence he found in the mirror. Neither Rhaenyra nor Laenor had dark hair, like he and his brothers. 
His matriline was uncontestable though, as he grew into himself. He possessed the same nose, jaw, brow, and high cheekbones that Rhaenyra wore. The comparisons between the two became more frequent as he grew older, and he found himself to be quite proud to look like her. 
Her attitude lived in him as well, the temperament she had been so notorious for as a girl festered in her eldest son. She had once been christened ‘The Princess of Dragonstone’ after flipping off a reporter at their summer home. Jacearys earned it for himself when he was fifteen, after loudly berating a reporter. He had been defending Luke, but no one seemed to care when they deigned him ‘The Prince of Dragonstone’. He took it with grace, claiming that he couldn’t help but be his mother’s child.
It instilled a sense of public propriety he strove to uphold. 
Rhaenyra remarried the same year — to Alicent Hightower — and moved her children from Wales to London. It took a while to adjust to the new life — Jace liked his new school, but he detested his step-brothers. No matter how hard he tried, he couldn’t come around to the idea of living with Aemond and Aegon, who took so much pleasure in making he and his brothers miserable. 
After the first month, Jacaerys fell in brilliantly. He performed well in school, quickly being enrolled in the advanced literature and history courses. He got on well with his peers, and made a number of friends. He joined the football team and spent his Sunday afternoons learning piano concertos. 
Living in London made him a more publicly prominent figure in his family's legacy. He knew how to play his role as heir; he carried himself perfectly — confident and charming and elegant. He didn’t particularly like being in the public eye, but there was a certain sense of satisfaction when he did something to receive positive public attention. 
King’s Landing, much like where he had grown up, was a community reserved for the upper echelon. Situated in Northwest London, and surrounded by wrought iron gates, it was regal and dignified. The house had high, vaulted ceilings, large stained glass windows, and more than enough bedrooms. It rained more, Jacaerys noticed in the first month. When it had rained in Dragonstone he would watch the droplets bounce off the sea, where it lapped at the sandy bay. Here the rain splattered unceremoniously upon the pavement. 
For as wonderful as life in London had turned out, Jacaerys found himself longing for what was left behind in Dragonstone. Laenor lived there still, and while he called often and visited as much as he could, it wasn’t the same. Jace’s childhood bedroom remained, along with all of the memories in the house he grew up in. And his friends. There was an assortment of people he only saw between late May and early September; the children of the other seasonal residents. The number had dwindled in years past, with fewer of them returning for break — favouring more interesting places, like Ibiza or Rome, as they got older. 
Far too few of his childhood friends he kept in contact with, especially after the move to London. You were the exception. 
He was grateful, on days when it stormed in London, to receive a silly text or too-long voice note. It made things feel less dull — you had a way of doing that. 
He took to reading theory around the time he turned seventeen. It’s queer theory, at the suggestion of his cousin Baela, who lent him his first Judith Butler book. He finished it that weekend. 
His aunt Laena and her two daughters lived in London, and Jace found a close comrade in Baela. She played competitive tennis and listened to riot grrrl, she was much cooler than him and he knew it. Her bedroom held two massive bookshelves, and she let him pillage her collection for De Bouvier and Didion and Gay. Hours were spent lying across the floor in Laena’s house, studying, or reading, or talking. He enjoyed Baela’s company more than any of his school friends, favouring anything with her over anything with the boys from his football team. 
His youngest sister, Visenya, turned one around the same time. Baela, staying with Jacaerys while he babysat one night, inducted him into the eldest daughter club. 
“You’re so keen on driving your siblings around, and taking care of them. Plus, aren’t you your mother’s closest confidant?” She asked. 
True, Jace supposed. He was the oldest of Rhaenyra’s children, and the most responsible of his brothers and step-siblings. His mums both worked full time, they were busy but as involved as possible. Jace just did the menial things. He made Joffrey breakfast, picked Luke up after school, and watched Visenya when necessary. He didn’t mind.
Baela argued that he should mind. 
He had been a sensitive child, more so than his brothers, but it made him incredibly emotionally adept as he aged. So many boys his age prided themselves on stoicism, but that was never something Jace felt connected to. He always felt things too deeply to bottle them up — it accounted for the occasional temper that flared up when he was upset, but also how empathetic and kind he was. 
Jacearys was set to graduate with honours in the first week of May. It was three months before when college acceptance letters began to appear in the mail. He had applied to a number of places, and been accepted everywhere. The University of the Vale was where his hopes hinged though. 
Just after Valentine's Day, it showed up. The envelope was wide and stuffed full, and sealed with a wax stamp. His acceptance letter was on the very top of the stack of papers — the thick paper heavy in his hands, as he admired the blue printed border and silver flocking. 
Rhaenrya sorted through the informational packets while Jace reread the letter. Part of him couldn’t believe it was real.
He sends you a picture of the letter, and you respond in kind with one of an identical nature. 
You hadn’t planned to go to the same university, but it certainly was a happy coincidence. 
After graduation, he was beyond excited for the reprieve that Dragonstone granted. The promise of early morning hikes, and evenings spent on the beach — the once empty house, full of life and bustling with bodies. 
You were the first thing Jacaerys thought to look for when he set his bags down in the summer home. 
It was late May, and you were guaranteed to be out of school. I’ll text after I unpack, he thought, pulling clothes and books from his suitcase. 
His room in Dragonstone had once been his childhood bedroom. The walls were a warm tone of white, and the small bed was still covered with his blue and white checkered duvet. Piano scales and pictures of his brothers and friends adorn the walls. There was a soccer trophy on the back edge of his desk, something he had won when he was eleven. It was stuffy from nine months of stagnance, but familiar all the same. 
He pushed the curtains back from the window to let sunlight filter into the dusty room, gazing down at the beach, when he spotted your figure. He was quick to rush downstairs, out the backdoor, and across the stone path that leads from the patio to the beach. He greets you with a call of your name and a tight hug, sunglasses perched atop his head and linen shirt half buttoned. 
It had been a year since he’d last seen you. You had kept in touch during the school year; Jace favoured Snapchat and FaceTime, delighted with the pleasure of seeing the mundane things you were up to. There was a nearly constant text thread, and voice memos passed back and forth. But, it all paled in comparison to physical company. 
He abandoned his housekeeping duties, keen to sit on the beach and talk. And you did so for hours, about everything and nothing. He tells you about his last year of school and listens as you do the same. When the sun dipped past the treeline, he leaned back on his elbows, watching the water crest on the sand. He felt more at ease than he had in a while, enraptured by the ease of your presence. The conversation flowed, there were no awkward lulls and no pressure to talk about something dignified. It was comforting to be so close to someone who didn’t see much of his life in London — you knew the best version of him. 
Your friendship had always felt like that, from a young age. On days that smelled of sunscreen and sea salt in his mind, you would meet in the mornings and depart past dark and then do it again the next day, never tiring of each other. Your parents knew his, so you had always been welcome in his home — invited or not. You had shared a bed during sleepovers, drunk from the same cup, and fallen asleep on the couch during movie nights countless times. Quick glances and imperceptible expressions were a language you communicated in, reading each other without words. In your presence, Jace was the most comfortable.
The summer slipped away as it always did, taking long nights and leaving memories of sand and sunshine. The days were ambled away in the water, on rocky hiking paths, or in the meadow that sat a mile away from all of the homes. 
Jace had started The Hobbit before school ended — most days he found himself sprawled out in the park or on the beach, reading. He had also taken to running with his dog, Vermax, in the mornings. He relied on the serotonin boost to start the day, and with no football to play a jog was a decent alternative. 
When the summer drew to a close, the typical melancholy that befell the return to the real world wasn’t present in Jace’s mind. He presumed it had everything to do with the fact that he would see you every day now
You have one college class together — a nine a.m. medieval literature discussion. 
Clinging to familiarity in the new environment, he glued himself to your side for the first week of classes. He memorized the way to your dorm, meeting you outside every morning to walk together to your first lessons. The meandering conversation was a good start to the day, and he silently relished in your tired eyes and quiet voice, not yet used to the early schedule. 
On Friday he all but begged you to come back to his dorm after the discussion; it was your only class that day so you had given in. You hadn’t seen his living quarters yet, and he wanted to spend time with you, worried for when your schedules would fill up and you would lose room for each other. 
The discussion had been mind-numbing. You reviewed the same syllabus as the lecture, and went over the same rules and policies as every other class. With the thirty-five minutes remaining, the teaching assistant made everyone watch an incredibly monotone video about the history of medieval England. 
Jace linked his arm into yours in the hallway after class, pulling you to the doors. The cool morning air was refreshing, waking you up more as you walked across campus. His dorm building was new and modern, seventeen floors with grey siding and big windows. It was private housing, clearly expensive. 
He had a single room with an adjoining bathroom and a small common space. The walls were typical dorm white, with laminate wood flooring. Joffrey’s school photo is hung on one wall, the frame clearly decorated by the child with glitter and string. Scattered across the other walls were photographs in thin silver frames, a large world map, a clock, and a cross-stitch of a rainbow stag beetle.
Sitting on the couch, you observed the unframed photos that lay across the coffee table, inspecting a leggy grey dog as you plucked it from the pile, “Who is this?”
Jace leaned into your side, gazing at the photo, “My mum’s dog, Syrax,” He reached over you to tap the picture, “Syrax is my dog’s mum.” 
He slipped his hand into yours as you walked with him to his second class of the day.
In the third week of school, Jace asks you to attend a mixer for a pre-law society with him. He doesn't know anyone, and doesn't want to be alone at the party. You meet at his dorm at a quarter-to-six so you can walk to the event together. 
The dress-code is emi-formal, and when he opens the door to you his hair is slicked back with water and he smells like his cologne — musk, sandalwood, and amber. 
“Are your clothes pressed?” You ask, grinning at his freshly ironed slacks and the three buttons undone on his shirt. 
He rolls his eyes, locking the door behind him as he escorts you down the hallway. The walls of the elevator in his dorm are mirrored, and you laugh at him when you catch him taking pictures of himself. He makes you take one with him, and sets it as his lock screen. 
The mixer was in the dean of law’s massive house, buzzing with young people in smart outfits. Jace abandons you about fifteen minutes in, spotting a group of poli sci majors from his social psychology class. 
From his childhood spent between galas and his mother’s business meetings, Jace was good at navigating these situations. He was charming, leveling the professors with charismatic smiles and confident posture. He was good at holding an intelligent conversation, discussing theory and strategy. 
You were on the patio, watching the stars, when he found you an hour later.
His arms brushed yours as he leaned against the railing, “Sorry for leaving you,” His voice was quiet, and he stared at your profile, watching the way the moonlight illuminated your skin. 
You wave his apology off and make him buy you coffee in recompense on the way home. 
You’re stood talking together on the quadrangle a few weeks later, a cup of hot chocolate warming your mitten-less hands, when you realise just how cold it’s gotten. It's just too cold for the thin jacket that you try to sink further into, hiding from the wind that bites at your delicate skin.
Jace watches you shiver, observing your lack of appropriate attire. 
“Are you cold?” He asks, reaching out to run his hands up and down your arms, half to warm you, half to gauge how thick your jacket is. Not very. 
You nod, “I didn’t check the weather this morning.” 
He sighs with exaggerated exasperation and slides his arms around you, careful of the paper cup you held. Of course, he’s worn the right coat, and you feel the downy material of his hood against your cheek as he rubs your back to generate some warmth. You smell the cologne on his collar and the expensive shampoo he uses; he grumbled something about taking better care of yourself. 
Then, one particularly cold Friday morning he has forgotten his coat. Dressed in a hoodie, he mirrors your excuse from the week prior, smiling sheepishly — face flushed from the chilly air, dark curls blowing around his head like a halo. You take pity on him, slipping your scarf off. You loop it around his neck, tucking the ends down into the collar of his sweater, and leave him with a fond peck on the cheek; his skin is cold. 
He's appreciative, though the scarf does little against the cold wind cutting through his sweater. Still, he doesn't give the scarf back. 
With the cold, comes midterms. You’re the first person Jace asks to study. 
Your dorm room is closer to the central part of campus, and thus a shorter walk in the bitter cold. Jace brushes snow out of his hair as you unlock your door, ushering him inside. It's small. Two twin-sized beds, one on each wall, with nary enough room for two bodies between them; a desk is crammed into the small space between your bed and the window. You let him take the desk, spreading your books and notes out across your bed.
Your dorm is old, and the room has very little ventilation. Despite the frigidity outside, the room is stuffy and almost hot with both of your bodies inside. An hour into studying Jace shrugs off his heavy, knit sweater and pushes his glasses up into his hair. 
“What are you working on?” You ask, leaning forward. You’re bored, working on the same power point you started yesterday. You want to talk to him, though he doesn’t seem keen on the idea
He doesn’t look up from typing as he speaks, “Analysing The Art of War.” 
You shut your laptop, bent on distracting him, “The book?” 
He nods but doesn’t give a verbal response. 
“Who's that by?” You ask, fighting to suppress a grin
This time he does look up, glaring at you over his glasses, “Sun Tzu.” 
His tone is short, but it's amusing to annoy him so you grin, suppressing a giggle, “Sounds very interesting.” 
“What do you want?” He asks after a beat, still holding your gaze. 
You shrug, “Nothing. I’m bored,” 
The next time you study is even less productive, school work discarded on his floor in a matter of minutes. 
“We can’t be trusted to work together,” He tells you, watching as you calculate his astrological chart, geometry homework forgotten. 
You attend your first college party together in November. When you arrive at his dorm, he’s dressed much more casually than normal. 
You reach out to tug at the thin silver chain peeking out from his shirt collar, “This is fun,” You tease, giggling, “Aiming to impress tonight?”
He rolls his eyes in mock-offence, turning you around by the shoulders to shove you out of the doorframe. 
The lights in the house are dim, and they strobe slowly through different colours. It’s too dark and too bright all at once. The music is almost unbearably loud and people are packed in like sardines, it’s all incredibly overstimulating. 
When he senses your unease, Jace takes your hand, pulling you tight against your side to lead you through the throng of bodies. He’s looking for someone, but you’re unsure who, and he canvases the whole space before giving up on finding them.
The backyard of the house is quieter, but the ground still vibrates from the bass of the music. People are scattered about, smoking cigarettes and sipping from bottles of cheap beer. 
You both learn what Jell-O shots are, and make out in the bathroom back at his dorm. It’s not the first time you’d kissed each other, trying it a few times in your adolescence just to see what it was like. But this is different, tipsy and sloppy, as you giggle into his mouth. 
It's forgotten in the morning, when you wake up in his bed still dressed in your going-out clothes, head pounding.
But then it happens again, the week before finals.
You had stayed at the library far too late studying, leaving the pair of you to walk back to his dorm in the dark. It's positively frigid, cold December air whipping snow into your face. 
There are still snowflakes in your hair as you shed the thick coat you’re wearing, pulling off your gloves and hat. 
There's a bottle of wine in Jace’s freezer, left by Aegon the weekend before. It's expensive and rich and red, and Aegon would likely skin you if he found out you were drinking it — but, that's part of the fun. There's a baking show on the small television, and you’re curled into Jace’s side to steal some of the warmth from his body.
When the program lulls he brings his hand to your hair, combing through the tangled strands. You pay it little mind, leaning into his touch as you watch a contestant on-screen whip macaron batter. His fingers slide down to your jaw, turning your head so your eyes meet his. He’s studying your face, cheeks flushed from the wine or the cold. 
The attention is odd, and you giggle nervously under his gaze. His hands come to cradle your jaw as he leans towards you, nose brushing yours. The air is charged with an unusual tension, his mouth a breath away from yours. 
When he kisses you, he’s slow and gentle, his whole body angled into yours. Everything feels warm, a welcome contrast to the weather outside, and you chalk it up to the glasses of wine coursing through your bloodstream. 
It's pleasant, different from times past; this certainly doesn’t feel like an innocent, experimental kiss. It's heated, tinged with passion. He uses the placement of his hand to ease your jaw open, tongue sliding slowly into your mouth. 
There's a vibe, something you hadn’t felt before with him. It's communicated through the gentle touch of his hands, and how his breath hitches when you kiss him back with the same sort of force. 
The moment is broken by the announcement of a winner on the television. His hands slide down, resting on your shoulders, pulling your frame into his. 
You don’t talk about it afterwards. 
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irisbaggins · 10 months
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In rewatching the season, I'm noticing how clever Aabria and Brennan were in crafting Tula's story. How well thought out everything was.
Specifically, the bear. It's been mentioned so many times before, but with the context of the completed season, I cannot help but be in awe at the skilful storytelling at display here. The way in which the Blue is described to appear wrong only in reference to Tula and her heart, the way in which Tula talks about curiosity and and having experienced knowing someone who died because of it. Of how Aabria describes to Izzy how Tula looks when she heals the bear, of how Aabria specifically points out that Tula recognises the commonalities between herself and the bear. These breadcrumbs that mean little in the beginning, that tell everything at the end. It's amazing, stunning, masterful storytelling. I am in awe.
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jays-doodle-spool · 1 month
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someone should write a story where there’s ppl stuck in a time loop, but the pov is from someone who rlly doesn’t care. there’s a whole ‘protagonist group’ or whatever trying to figure out how to escape the loop but this dude has just kept living their life so no one has noticed that they’re also stuck. they’re just sipping the exact same coffee order for the hundredth time watching the group strategize at an adjacent table and thinkin “man, wonder if they’re gonna figure out how to fix that today.”
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valgodd · 10 months
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You lie in our bed and watch me struggle to button my pants.
”Damn” I mutter under my breath, trying to force the button into the loop.
”Whats wrong babe” you say innocently.
”They just wont close” I say exasperated.
You quietly enjoy the show for a while beforing rising to your feet.
”Here, let me help you darling…”
”Absolutely not” I push you away.
”Dont be silly love. You obviously need a little help with those”
I sigh. 
”Okay. Fine” 
You come up behind me. Your hands linger for a while on my protrouding belly.
”Poor baby” you whisper in my ear, your lips touching my earlobe. ”Did you gain s little weight?” I grunt in response. ”Mhm… Okay love… I need you to suck it in. Can you do that for me babe? Okay…here we go…”
”Godness me” I huff, looking at my swollen reflection in the mirror as you try to do my pants. ”well i think my love for your cooking is starting to show”
After a few attempts, the button gets in the loop. You squeeze my muffin top that is spilling over the waistband.
”There you go. Can you sit down im them?”
I carefully sit down on the edge of the bed, the button creaking.
”Its digging in a bit but its-”
With a snap the button pops off and lands on the floor. My belly oozes out.
”Oh shoot. I-I think I could stand to loose a couple of pounds”
You sit down beside me, one arm over my shoulder, the other one rubbing my belly in comforting circles.
”Dont be so hard on yourself babe. You let go a bit recently, but you can get back into shape in no time. Hey how about some breakfast? I… could make your favourite. The golden pancakes with jam and whipping cream”
I hold back a moan at your suggestion.
”Mm that would be…lovely”
You give my belly a little squeeze.
”Okay love. Just stay here in bed and I’ll soon be back, okay?”
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