#people refused to look or hear him

[codenamesazanka]

I always thought this was Toga (disguised as Camie) simply talking about her ‘disappearing’ technique, but I realize - this could be applied to her life pre-crime.

Hiding herself - her true self - from everyone. Stop thinking for herself, think of nothing at all, just move on automatic, obeying without thought. The whole “not thinking” is the hard part - we have brains for a reason. We have a mind and heart unique to ourselves, thinking our private thoughts - but now you need to shut that away.

When people stop breathing, they die. If Toga ‘stops breathing’, she dies. Toga Himiko dies, then there’s no longer a ‘Toga Himiko’, no longer a self.

Be empty and dead inside, and you can blend in with the crowd. Have no sense of self, and you can be whoever people want you to be. Had Toga stop being herself, then her parents will stop yelling at her, people will accept her.

She can live a ‘normal’ life, but only if she’s a hollow shell.

[starry-bi-sky]

*grips Shen Qingqiu by the shoulders*

aren't you tired of being nice? Don't you want to crack under the pressure of the system and the robbed autonomy of being forced into a role you had no choice in but have to play anyways? don't you want to buckle under the realization that, to you, no matter what you do your life is going to end in a horrific death? Whether that be under Luo Binghe's hands or the System's?

Don't you want to realize that no matter all the good you have done and the lives you have changed and saved, you're still standing at the ledge of a cliff with a sword to your disciple's chest?

Shouldn't it be you at the edge instead? Balancing on the crumbling dirt's end of death on either side, and you can either walk into it or be forced?

don't you want to go apeshit?

[flamestar126]

him.

(click for better quality)

Minor spoilers below for those who haven't watched it yet

Tell me this isn't how it went rn/j

Dying in the theaters when Floyd's attempt for sympathy/persuasion immediately backfired on him. I wanted his reaction to it so bad

[fallloverfic]

I'm pretty sure that's not what's happening, but whenever I hear Polites echo Odysseus', "You and I'll go ahead" in Full Speed Ahead, I think of that moment someone says something as a joke and then people are like, "yeah let's do that," and the person who first said it is like, "Wait I didn't mean me!/I didn't think you'd take me seriously!" -internal panic- And they sort of look like Shaggy from Scooby-Doo.

Polites, excited: Look! There in the distance, I see an island I see a light that faintly glows Maybe they're people lighting a fire Maybe they'll share some food, who knows?

Odysseus: All right, let's you and I go.

Polites: You and--Wait I didn't mean me! And alone?!

[bruciemilf]

Haunted by gladiator! Bruce and consort Clark/Talia thoughts

[voidscreamns]

./

[gifti3]

another thing I enjoy about asmos character is that we get hints about some of his past romantic relationships

Im sure the other brothers have engaged with others in the past but actually getting to read about it is interesting to me

[thegreenleavesofspring]

.

[separateways]

ADA WONG in Resident Evil 4 Remake (2023)

[medicinemane]

Mike johnson has so god damn much blood on his hands, obviously Ukrainian blood, but also plenty of American blood

Refusing to renew something that helps vets exposed to atomic blast and Americans who were downwind of the fall out... it's just sick. I can't fucking stand mike johnson, he's one of the worst scum to ever be in congress, and that's fucking saying something

"Johnson refused to allow House members to vote on bipartisan legislation to renew and improve the program"

Fucking quivering little pimple seems to have a real MO for just wringing his hands while insisting it's not his fault, he just can't do the one fucking part of his job of putting shit up to a vote... oh boo hoo, so sad, he'll just have to unilaterally let funding expire on things instead of literally just putting it up to our elected representatives to see if they want to vote yay or nay

Single handedly make the choices but it's not his fault when they work out how they do

Murderer

[todayisafridaynight]

Ichiban looks like a beautiful lady ☺️

real and true

[girlhorse]

truly been at my limit for a long time now and i dont know what to do anymore

[the-ferocious-kittyrose]

Simon gets a message from reader while he’s on base. It’s a video. The thumbnail looks like a blurred image of a store isle

Once he has a moment to himself, he’s able to sit back and finally check out what you had sent.

The camera pans down to show yours and simon’s two year old daughter. She has half a mini chocolate muffin clutched in her little baby fist and chocolate smudges on her nose and bright pink cheeks. She’s standing, staring at something out of frame.

The camera is a bit shaky and Simon can hear you trying desperately to hide your laughter.

“Baby,” you say, “baby, look at me.” You bend down to bring the camera closer to your daughter, who only turns to look at you for a second before going back to staring at the same spot out of frame.

“Who is that?”

Your daughter raised one of her chocolate covered hands to point towards whatever it was that had been captivating her the entire video. “Daddy.”

Simon here’s more of your pained stifled laughter and the camera follows your daughter’s gaze, revealing a cheaply made Halloween grim reaper statue, with dusty purple robes, a plastic scythe, and a hilariously misshapen skull face.

He reads the accompanying texts that had followed the video.

[She just started saying “daddy daddy” over and over and it took me forever to figure out what she was talking about]

[for a second I thought, “oh is he here?”]

[Im so dense lol]

[she really misses you ]

[I miss you too]

The next text was a picture of your daughter fast asleep in her car seat. Now cleaned of chocolate, she had replaced her muffin with a giant plastic rat that she hugged to her chest like a teddy bear.

[she refused to leave without it]

Simon smiles. It had been a long time since he had a family. People who loved waiting for him to come home.

Your texts had been sent hours ago, and he felt bad about not responding all day.

[that’s unfair. My mask is made of much better materials]

[I miss you both too. If everything goes right I should be home by Monday]

[and don’t call yourself dense]

Simon thinks for a moment, something eating at him about that video

[I wish she didn’t know about the mask. I don’t want her to see me that way]

You respond quickly, making Simon feel worse about his delayed reply

[Dont worry about that honey. She’s only two, and I think she only saw you wear in mask once once or twice. She’ll forget in a month.]

[She doesn’t see you as anything other than her daddy]

[her daddy and her jungle gym]

[lol yes that too]

[Im sorry I don’t have a lot of time. I’ll try and call you tomorrow]

[ok Im heading to bed now anyway]

[goodnight I love you ❤️]

[goodnight I love you too ❤️]

[weaselle]

i want to talk about real life villains

Not someone who mugs you, or kills someone while driving drunk, those are just criminals. I mean VILLAINS.

Not like trump or musk, who are... cartoonishly evil. And not sexy villains, not grandiose villains, not even satisfyingly two dimensional villains it is easy to hate unconditionally. The real villains.

I had a client who was a retired executive for one of the big oil companies, i think it was Shell or Chevron. Had a home just outside of San Francisco that was wall to wall floor to ceiling full of expensive art. Literally. I once accidentally knocked a painting off the wall because it was hanging at knee height at the corner of the stairs, and it had a little brass plaque on it, and i looked up the name of the artist and it was Monet's apprentice and son-in-law, who was apparently also a famous painter. He had an original Andy Warhol, which should have been a prize piece for anyone to showcase -- it was hanging in the bathroom. I swear to god this guy was using a Chihuly (famous glass sculptor) as a fruit bowl. And he was like, "idk my wife was the one who liked art"

I was intrigued by this guy, because in the circles i run this dude is The Enemy. right? Wealthy oil executive? But as my client, he was... like a sweet grandpa. A poor widower, a nice old man, anyone who knew him would have called him a sweetheart. He had a slightly bewildered air, a sort of gentle bumbling nature.

And the fact that he was both of these things, a Sweet Little Old Man and The Enemy, at the same time, seemed important and fascinating to me.

He reminded me of some antagonist from fiction, but i couldn't put my finger on who. And when i did it all made sense.

John Hammond.

probably one of the most realistic bad guys ever written.

If you've only ever seen the movie, this will need some explaining.

Michael Crichton wrote Jurassic Park in 1990, and i read it shortly thereafter. In the movie, the dinosaurs are the antagonists, which imo erases 50% of the point of the story.

book spoilers below.

In the book, John Hammond is the villain but it takes the reader like half the book to figure that out. Just like my client, John is a sweet old man who wants lovely things for people. He's a very sympathetic character. But as the book progresses, you start to see something about him.

He has an idea, and he's sure it's a good one. When someone else dies in pursuit of his dream, he doesn't think anything of it. When other people turn out to care about that, he brings in experts to evaluate the safety of his idea, and when they quickly tell him his idea is dangerous and needs to be put on hold, he ignores his own experts that he himself hired, because they are telling him that he is wrong, and he is sure he is right.

In his mind, he's a visionary, and nobody understands his vision. He is surrounded by naysayers. Several things have proven too difficult to do the best and safest way, so he has cut corners and taken shortcuts so he can keep moving forward with his plans, but he's sure it's fine. He refuses to hear any word of caution, because he believes he is being cautious enough, and he knows best, even though he has no background in any of the sciences or professions involved. He sends his own grandchildren out into a life-threatening situation because he is willfully ignorant of the danger he is creating.

THIS is like the real villains of the world. He doesn't want anyone to die. Far from it, he only wants good things for people! He's a sweet old man who loves his grandchildren. But he has money and power and refuses to hear that what he is doing is dangerous for everyone, even his own family.

I think he's possibly one of the most important villains ever written in popular fiction.

In the book, he is killed by a pack of the smallest, cutest, "least dangerous" dinosaurs, because a big part of why we read fiction is to see the villains face thematic justice. But like a cigarette CEO dying of lung cancer, his death does not stop his creation from spreading out into the world to continue to endanger everyone else.

I think it is really important to see and understand this kind of villainy in fiction, so you can recognize it in real life.

Sweetheart of a grandfather. Wanted the best for everyone. Right up until what was best for everyone inconvenienced the pursuit of his own interests.

And my client was like that too. His wife had died, and his dog was now the love of his life, and she was this little old dog with silky hair in a hair cut that left long wispy bits on her lower legs. Certain plant materials were easily entangled in this hair and impossible to get out without pulling her hair which clearly hurt her. When i suggested he ask his groomer to trim her lower leg hair short to avoid this, he refused, saying he really liked her usual hair cut.

I emphasized that she was in pain after every walk due to the plant debris getting caught in her leg hair, and a simple trim could put an end to her daily painful removal of it, and he just frowned like i'd recommended he take a bath in pig shit and said "But she'll be ugly" and refused to talk about it anymore.

Sweet old man though. Everyone loved him.

[apollos-olives]

before i forget to tell you all

on wednesday my history professor pulled me out into the hall and asked me how me and my family doing. i told him about how we're trying to get people out of gaza but it's getting harder and egypt is upping the prices to leave. he nodded and then said "today i wanted to talk about the biden administration and how they're handling the situation in class" and i nodded and right before we headed back in, i stopped him and said "by the way palestinians are really sensitive over using the correct words for this situation. we don't like hearing 'conflict' or 'war' because that implies there are two militaries against each other and palestinians don't have a military, and 'war' implies it's an equal fight when it's not." and he nodded and said "okay what words do you want me to use" and i said "genocide. call it a genocide, that's what it is." and the LOOK. the LOOK he gave me. i can't even describe how horrible it was. just a pure look of surprise shock and disgust and it was like every single microaggression i've ever received all put in one face. you could instantly tell he was uncomfortable. i then said "you can also call it a humanitarian crisis" and he stared at me for a while and then nodded uncomfortably and said "yeah i'll just call it a humanitarian crisis". i shrugged, nodded, and we walked back into class.

the fact that people are SO uncomfortable with using the word genocide and refusing to use it to describe the situation in palestine is just so fucking frustrating. of COURSE genocide is uncomfortable, it SHOULD make you uncomfortable. but palestinians are suffering from censorship and people refusing to call it genocide is not helping our cause. call it what it is. a genocide.

[steveyockey]

To be aware you might be trans but unwilling to do anything about it is to create endlessly bigger boxes within which to contain yourself. When you are a child, that box might encompass only yourself and your parents. By the time you are a gainfully employed adult, that box will contain multitudes, and the thought of disrupting it will grow ever more unthinkable. So you cease to think of yourself as a person on some level; you think not of what you want but what everybody expects from you. You do your best not to make waves, and you apologize, if only implicitly, for existing. You stop being real and start being a construct, and eventually, you decide the construct is just who you are, and you swaddle yourself up in it, and maybe you die there. There is still time until there isn’t.

This reading of TV Glow’s deliberately anticlimactic, noncathartic ending cuts against the transition narrative you typically see in movies and TV, in which a trans person self-accepts, transitions, and lives a happier life. Owen gets trapped in a space where he knows what he must do to live an authentic life but simply refuses to take those steps because, well, burying yourself alive is a terrifying thing to do. The transition narrative posits a trans existence as, effectively, a binary switch between “man” and “woman” that gets flipped one way or another, but to make our lives so binary is to miss how trans existences possess an inherent liminality.

Humans’ lives unfold in a constant state of becoming until death, but trans people are uniquely keyed in to what this means thanks to the simple fact of our identities. You can get lost in that liminality, too, forever trapped in a midnight realm of your own making, stuck between what you believe is true (I am a nice man with a good family and a good job, and I love my life) and what you know, deep in your most terrified heart of hearts, is real (I am a girl suffocating in a box).

And yet if you want to read the film as being about the dangerous allure of nostalgia, you’re not wrong. I Saw the TV Glow totally supports that interpretation, too! But in tempting you with that reading, the film creates a trap for cis viewers that will be all too familiar to trans viewers. Somewhere in the middle of Maddy’s story about The Pink Opaque being real, you will make a choice between “This kid has lost it!” and “No. Go with her, Owen,” and in asking you to make that choice, TV Glow is simulating the act of self-accepting a trans identity.

See, the grimmer read of the film’s ending truly is a nihilistic one. It leaves no hope, no potential for growth, no exit. Yet you must actively choose to read that ending as nihilistic. If you are cis and the end of I Saw the TV Glow left you with a gnawing sense of dissatisfaction, a weird but hard-to-pin-down feeling that something had broken, and a melancholy bordering on horror — congratulations, this movie gave you contact-high gender dysphoria.

In an infinite number of possible universes, there is at least one where I am still living “as a man,” embracing my fictionality, avoiding looking at how much more raw and real I feel when I “pretend” to be a woman. I think about that guy sometimes. I hope he’s okay.

Consider, then, my cis reader, that TV Glow is for both you and me, but it is maybe most of all for him. I hope he sees it. I hope he breaks down crying in the bathroom afterward. I hope he, after so many years locked inside himself, hears the promise of more life through the hiss of TV static.

Emily St. James, “I Saw the TV Glow’s Ending Is Full of Hope, If You Want It to Be,” Vulture. June 4, 2024.