#over how genuinely everybody I know was forced to internalize this at some point on some level

[carmineskiesandspidereyes]

N O .

[scripttorture]

My setting is like the real world but with various mythical otherworlds secretly connected to ours. One character with powers of psychic illusion was raised by an MiB-style intelligence and/or secret police force (tasked with keeping otherworldly beings from causing trouble in our world) that trained her to mentally torture people. I want to make this character somewhat sympathetic, so it is plausible for her to be indoctrinated as a torturer from childhood? Does it depend how young they start?

Anon I don’t think this is a good idea. There’s an awful lot to unpack here about why that is so I’m going to start off with a simple question that effects how you move forward: what’s most important for you about this character?

 Is it that she’s sympathetic? That she’s effective at her job? That she’s highly skilled and trained? That she’s part of a productive organisation that can actually do the tasks it sets out to?

 Because if she’s a torturer then realistically she would be none of those things. And making her any of them is (in my opinion) torture apologia: because it is portraying a torturer in an extremely unrealistic way that favours the torturer and excuses the abuse they carry out.

 You would, literally, be repeating lies popularised by real life torturers.

 Torture does not work. It is impossible to get accurate, timely information by using torture. Here’s an introduction to why. Here’s a post on what torture does to investigations. Here’s a guide to writing what torture does to interrogations. Here’s a list of investigative strategies that actually work. Here’s a post on the damage torture does to human memory. Please read these masterposts and take a look at my sources as well.

 Torturers are not indoctrinated radicals. The organisations that torturers are part of actively try to screen out anything they see as radical, deviant or a product of illness. There aren’t enough studies on torturers for me to give you a break down of their politics but my impression from the anecdotes and interviews I’ve read? Their politics is ‘normal’ and mainstream for the organisation they are part of. Whatever that organisation is.

 Torturers are not taught from a young age because torture is not complex. It does not take months to learn how to hit someone. Torturers learn on the job by assisting other torturers.

 Torture is simple. It is functionally easy. I really can’t stress that enough. The most common tortures globally right now are: hitting people, depriving them of food and depriving them of sleep. I don’t think it’s an exaggeration to say that six year olds could come up with that list.

 Hurting people is not complicated. It requires no skill and no training.

 The evidence we have suggests torturers lose skills as they turn to torture, a process Rejali calls ‘de-skilling’. The basic idea is pretty simple: if you spend all day hitting people instead of practicing what you were trained for (gathering evidence for example) you get so out of practice that you start to forget how to do those things.

 And then there’s the effect that torture has on torturers. They get symptoms. They develop lasting, serious, mental health problems which directly effect their ability to do their jobs.

 I have a list of the common symptoms here as well as a rough guide for how many symptoms you should be considering for torturers and torture survivors.

 Separate to the symptoms is the general pattern of behaviour torturers exhibit. We don’t have a lot of high quality studies on torturers and there are a lot of questions we do not have clear answers to. However the studies and the anecdotal evidence of survivors, witnesses and torturers themselves points to some consistent behaviours.

 Torturers don’t work alone. They form little sub-cultures within larger organisations. These groups are incredibly aggressive, competitive, self-important, hyper-masculine and violent. Torturers look down on everybody else. They are convinced that they are the most important people in their organisation, the only one’s doing ‘real work’. They have an arrogant, puffed up pride that combines with mental illness and seeing their colleagues as competition to create the worst asshole you’ve ever had the misfortune of working with.

 They do not cooperate with other people. They use abuse as a pissing contest, competing to see who can be the most brutal in order to try and ‘impress’ fellow torturers.

 They define strength and group loyalty by hurting other people.

 They have a fracturing effect on organisations, because they don’t obey orders and see their colleagues as competition or useless. At the low end of the scale this means cliques, secrets from the larger organisation and a terrible working environment as they bully and belittle their colleagues. At the high end of the scale there are cases where torturers have attacked and murdered people within the same organisation.

 Does any of that sound sympathetic?

 I like a challenge when I write. I’ve described my writing style as ‘hold my beer’ because I tend to take ideas other people dismiss as impossible to pull off and try my best to make them work. I do this because I love exploring human complexity through fiction.

 A torturer who is currently torturing is not a sympathetic person. They are a bullying, violent, arrogant brute who contributes nothing useful to the organisation they latch on to, sucking up time and resources like a tick. They see other people as garbage. And they lack insight into their own crimes. Which means they do not appreciate or acknowledge the pain and damage they cause.

 Now I have written a character who is an ex-torturer who I think is sympathetic in some ways. But getting to the point where they could be sympathetic meant them having to leave the organisation they were part of on a stretcher.

 Their fellow torturers turned on them. They lost a leg. They changed sides and in the middle of a messy civil war they dedicated themselves to keeping their friend’s children safe.

 And I had to set the story twenty years after these events to get that character out of their own ass enough for them to be sympathetic.

 Even then, I’d say they’re sympathetic in spite of having been a torturer. Because they’re still clinging to that insistence that they did something meaningful. They still can’t accept the extent of their own crimes or the effects those crimes had.

 But their pride broke. And they did keep those children alive. They helped raise them. And the tie to those children is what makes them sympathetic by the time of the story.

 Torturers are not sympathetic people. They are self absorbed abusers who bend over backwards to downplay the harm they did to their victims and to justify their crimes.

 Is that really what you want to write?

 I say that, not to be harsh, but because it sounds to me as though what you actually want to write is a genuine investigator with psychic powers.

 It sounds as though you want to write a character who is good at her job. Who is skilled and dedicated and a great person to work with.

 If that’s the case my advice is to ditch the torture entirely. Look at the masterpost on genuine investigation instead and write a character who is good at interviewing people.

 Have her use her psychic powers to present herself as sympathetic to the criminals she’s interviewing. Because she can walk into a room and know their politics, their religious beliefs, their internal justifications for what they’ve done. And she can use that, may be even manipulatively, to seem like someone the prisoner would like, someone they’d agree with.

 That gets people talking.

 And if you want to show her as ruthless, as having an edge to her, that can still work.

 Imagine someone sitting down across from a suspect, holding their hands, smiling, talking to them gently. Imagine them gradually, kindly, getting this suspect’s life story. Imagine them being sympathetic about the reason the suspect murdered someone, validating the murder’s feelings and may be even actions… Right up until they have the information they need.

 Then they turn on a dime. The persona drops, the false-sympathy drains away. They stand up with a sneer and say they hope the murderer never sees the light of day again. And walk out.

 Think about what you want from the story Anon. A character who tortures, or a character who is competent, smart and sympathetic.

 Because it really is one or the other.

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[neon--nightmare]

thinjks about. fresh

​THINKIN ABT…. his whole survival at whatever cost to other people, yourself before everything and everyone else mindset and how he assumes everyone else thinks that way too because he can’t comprehend anyone thinking different… but how he ALSO understands on a logical level that people with emotions will do irrational things for the ones they care about, and that he can use that, but it still baffles and even frustrates him…

thinks abt how he calls them stupid to justify it to himself and give himself a reason that makes sense, otherwise he’d just be mentally endlessly going around in circles on something he can’t comprehend, so he tells himself they’re just stupid and emotional and don’t make sense so HE doesn’t have to give it more thought

THINKS ABT….. in recovery, how hard he’d have to work past that mindset that everyone around him could be an active threat to him at any time, that if they call him over somewhere private, that they aren’t waiting to ambush and kill him, because that’s a mindset he’s been FORCED to learn, that he’s learned since he was created because otherwise he wouldn’t have even survived the three years he’s been alive, he HAD to live like this and internalize it and he’s never known any different

that he met the only person who loved him as he was, unconditionally (his first experience with any familial bond, he’d never had anything close to a family, he’d always been on his own and he LIKED it that way because other people are too unpredictable, and irrational, and even temporary allies were just tools to be used too that he would turn on in a heartbeat to get the upper hand instead of them doing it to him)

but in every single way that he thought about it, pacifrisk couldn’t be getting close to try and hurt or kill him unless they were planning with the others in a galaxy-brained plan just to get him to let his guard down before they struck, but he’d be prepared for that, or if they were somehow predicting all of his reactions, even the completely irrational ones where he got angry and lashed out that surprised himself just to attack him at his most vulnerable, but they put themselves in so much danger that wouldn’t make sense either, they believed in him so genuinely and unconditionally, and then he lost them right before his eyes,

and that reinforced every single negative belief he had, that trusting and loving people would only hurt them AND himself, blaming himself for letting them get too close, blaming himself for letting HIMSELF get attached because he knew this would happen, that it’d only end badly and it did, that all of his paranoia was proven right and that was the first time he ever felt grief

thinks abt how fresh physically, mentally couldn’t feel happiness, or comfort, living a life where the only emotions he could ever access were anger, fear, and sadness, and he couldn’t cope with those three because he never learned how, that he lived in a multiverse where everybody he met could experience positive emotions but they were always out of his reach, and he was jealous, deep down, while telling himself it was just because he was BETTER than them, and made to be better, perfectly designed

and if he kept pushing the flaws down it was like they weren’t there at all and he could keep telling himself he would never sink to their level and be like the irrational, childish, emotional other people he manipulated every single day, not because he’d feel pity for them, but because it would mean he was like them, that he was weak, that he wasn’t above them at all, that he wasn’t perfect and not being perfect and in top 100% form all the time he would be erased and replaced with another just like him, but without his flaws

THINKS ABT…. How part of his recovery is accepting that being at the level of other people doesn’t make him inferior, or pathetic, it just means they live their own lives too and have value, and that if he got attached to someone he probably wouldn’t recognize that they were like the hosts he possesses and tortures unless the person specifically points it out and explains it to him because he’s always just seen them as toys, pieces in a chess game, served an important purpose and provided entertainment, or got in the way, and then he’d move on to the next one because it was just what he did and needed to do to survive

and hurting others was made to be the only way he could feel anything slightly positive, even then it was just a shell of what ordinary people with emotions felt daily but at least it was something, he was made for a purpose and designed in every way to fulfill it

thinks abt… how hard fresh would have to unlearn those mindsets in recovery, that he’d have to be in a safe place where he wasn’t able to be killed for showing weaknesses, how he’d have to tackle everything he’d repressed so heavily throughout his literal entire life, learn to accept that he isn’t perfect and that’s okay, that some people are nice just because they can be, and it doesn’t mean that they’re trying to manipulate him, or are waiting to hurt or kill him, that sometimes kindness is unconditional and real, that he can be loved just the way he is

and it wouldn’t be easy, it’d be so so hard, but i think that’s important too, and how even though all of his life experiences would always leave a permanent mark on him, and always be a part of who he is, if he wanted to (which is the most important thing, more important than you’d think, it would mean letting his entire world crumble down around him with only a chance it would be built back up, of which he would have to take the word of other, emotional, people, which he’s built the biggest bias against throughout his entire life and everything he knows, and and and)

but if he wanted to, and had people who cared about him, which could definitely be dangerous for them at times if he lashed out, and it’d be a long process, and he’d never be able to make up for all he’s done, all of this is so much harder than i make it sound, but…

he could heal, and be happy. accept other people as his equals. not live in only fear, anger, and grief. live a life where he could trust people, and be trusted back. and i think that’d be just amazing

[illuminatedquill]

Nevertheless, Episode 9

More Thoughts/Analysis

“So it’s true, when all is said and done, grief is the price we pay for love.”

- E.A. Bucchianeri

Jae Eon’s Self Sabotage

Chekov’s Gun is the dramatic principle that details within a story will contribute to the overall narrative. You might have heard of this before in its simplest form: if there is a gun shown in Act 1, it absolutely must go off in Act 2 or 3. In episode 9 of Nevertheless, we have this scene right at the beginning:

Yes, that scene. Park Jae Eon sees Yang Do Hyeok standing off to the side as he waits outside Na Bi’s apartment to retrieve his stuff. Na Bi doesn’t know Do Hyeok is nearby. Jae Eon makes the calculation in his head and manipulates his way inside Na Bi’s apartment, knowing exactly what it looks like to Do Hyeok. It’s petty revenge for seeing Na Bi and Do Hyeok together on campus from earlier.

This is the gun. And it backfires on Jae Eon big time. Throughout the entire episode, his acts of sincerity towards Na Bi seem genuine and heartfelt, yet his action in that one scene undermines anything he attempts. It doesn’t work; to his mounting frustration, Na Bi and Do Hyeok continue to talk and meet as if nothing happened.

(We know that’s not the case as seen from Do Hyeok’s alone time but I’ll talk about that later in this post.)

It’s a ticking time bomb and it goes off at last in the rain scene. Nothing is working for him. He is desperate not to lose Na Bi. And he goes off in a drunken rage on Na Bi after she returns home on that fateful rainy night.

And he loses her. The gun goes off. Everything sincere he did turns rotten in Na Bi’s eyes after he reveals his actions. Actions have consequences, always rippling forward and affecting change in moments not yet experienced. He ruined his chances because of his petty cruelty towards Do Hyeok in the beginning. His sincerity only extended towards Na Bi and it was only to get her attention once more.

Jae Eon lost. Not so much to Do Hyeok, as he lost to Na Bi, who cares about him deeply. He underestimated her feelings towards Do Hyeok, assuming, like so many other viewers, that he was an an irritating distraction that refused to go away.

He can’t fathom why Do Hyeok still seems to like Na Bi after seeing them enter her apartment together. Is he really that incredible a person? What makes him so special?

Well, let’s talk about it.

Do Hyeok’s Crisis Playbook

We see from Do Hyeok’s time alone after his initial visit to Seoul that he is taking it pretty hard; I can’t really blame him, considering what he saw that night. His struggle is open, honest, and raw; like Na Bi, it affects him to the point that he can’t focus on his work (anyone seem to notice that Jae Eon’s work never seems to be affected by his feelings?).

It’s jealousy and insecurity eating away at him. Just like Jae Eon. He’s also desperate not to lose Na Bi but doesn’t want to do anything untoward or overboard because he’s afraid of ruining their friendship. Once again, his consideration is for Na Bi and how she feels, but he cannot ignore what he saw and how he feels about it.

So, what is our favorite Potato Boy to do? Park Jae Eon already made his move by staging that whole scene of him and Na Bi going into her apartment together. How does Do Hyeok fight back? What’s his playbook in this time of crisis?

He doesn’t fight back. And that’s how he stays in the game. Do Hyeok is not a player like Jae Eon; there isn’t a manipulative or deceptive bone in his body. Do Hyeok does what he always does and doubles down on his sincerity, on the strength of his feelings, and his faith in Na Bi.

Do Hyeok doesn’t play the game Jae Eon tries to involve him in. He always lays it all out on the table with Na Bi so there is no room for misunderstandings. That’s one of the reasons why their relationship works so well; they talk more. Not just about feelings or romance but about school or their day to day life. What they’re building now is something that can last a lifetime.

So he talks to her about it. And admits his jealousy. She wasn’t even aware that he had seen them and yet it sounds like he’s the one who is apologizing (even though he never let his hurt feelings show in his conversations with Na Bi, DO HYEOK YOU ARE TOO GOOD). He lays himself bare to her once more. We don’t see Na Bi’s response other than her shocked and guilty expression, which is annoying because it would definitely be interesting to see how she reciprocated his frankness.

(Underrated super cute scene between them in this episode; when they meet up at night and bring drinks for each other. It’s even the exact same drink. I was grinning like a maniac.)

But Na Bi is familiar with Jae Eon’s game. And when she finds out how badly Do Hyeok was hurt by Jae Eon’s actions (and how he involved her in it) Na Bi finally is snapped to her senses and severs the thread still binding her and Jae Eon together.

Na Bi’s choice isn’t shown as a redemptive or heroic moment. It never was supposed to be. Although I’m sure a lot of us were cheering in that moment, her moments of unrestrained grief alone afterwards are the sobering reality that love, as always, comes with a price.

Nabi’s Choice (The Review)

This is a follow up to my earlier post before episode 9 came out. So, now we see what Na Bi decides and, maybe, how it will all play out in the next episode (barring any last minute twists).

First, let’s address the still ongoing criticism I see regarding Na Bi and Do Hyeok’s relationship: lack of passion, no romantic vibes, blah blah blah. I wrote at length in a previous post why that isn’t true - at least on Do Hyeok’s part (one of the reasons why we don’t get internal monologue from Do Hyeok is because what else is he thinking about other than Na Bi?).

Na Bi, on the other hand, is still ambivalent about her feelings towards Do Hyeok. Episode 9 provided more clarity for her stance towards Jae Eon - he’s the dog shit she stepped on and was promptly wiped away in the grass - but Do Hyeok is still a mystery. Yes, she’s friendly, she cares, and genuinely enjoys being with him but the spice, the passion is missing. And that is kinda important for a romantic relationship.

Well. Look no more. Na Bi has spice for Do a Hyeok and it shows not once, but twice this episode. Where’s the passion? Jae Eon fucked around and found out. Very kind of him. Turns out Na Bi, like all of us who like Do Hyeok, will not tolerate any Do Hyeok slander and I am 100 PERCENT here for it.

There’s a scene shortly before the climatic rain fight where Na Bi is having another meeting with her assistants: the junior (does he have a name? Jin-su?) and Jae Eon. The junior talks to Na Bi about her and Park Jae Eon: the usual tired gossip of whether or not they’re dating. Na Bi waves it away like dandelion fluff.

And then the junior mentions Do Hyeok. “What about the noodle shop guy? Ever since the camp meeting, people have been saying there’s a higher chance you’re dating him.”

And Na Bi just . . . we’ve never seen this from her before, even when she broke up with Jae Eon in episode 5. Her whole demeanor turns ice cold and her voice is wicked sharp as she proceeds to shut down that avenue of questioning. The junior physically leans back from the force of her anger and wonders aloud why she’s so upset (you’re talking about her love life as gossip, idiot, why do you think she’s so upset). Jae Eon walks in and doesn’t see the foreshadowing; he just hears Do Hyeok and it feeds his jealousy.

There it is, everybody. Evidence of Na Bi’s feelings for Do Hyeok and what he means to her. Her protectiveness over him and her refusal to let him be involved in the drama surrounding herself and Jae Eon. Her desire to be the better around him; not because he asks (and he would never) but because his feelings for her make her think she might be worthy of such a love.

And then there’s the rain scene. Na Bi and Jae Eon, vulnerable in the rain. Na Bi admits to her faults in the relationship, how she brought this upon herself. No, she hasn’t been nice or good this whole time; in fact, she’s been kind of terrible. But Jae Eon revealing what he did and how it was to hurt Do Hyeok wakes her up and convinces that the time has come to end this “game”. It got Do Hyeok hurt because of her inability to end it with Jae Eon and good people don’t let that happen to people they care about.

So Na Bi ends it with Jae Eon and chooses herself. At last. And to do so, she has to cut out this malignant tumor of a relationship and, God, does it hurt so much to end it, but she gets it done and takes the first step to being a better person for herself.

The cinematography in this drama is top tier and we see her situation presented so viscerally. She’s alone, in the light, but it’s not a warm, redemptive light; it has a sickly, yellow tint and is surrounded by darkness.

But she’s still there. She still made it.

One Last Observation, I Promise

Last thing I noticed from this episode that I want to talk about: the professor’s critique of Na Bi. She specifically mentions that a good artist can inspire others and Na Bi, whether she realizes it or not, actually does do that.

Na Bi helps Do Hyeok with his videos, giving advice that helps boost their popularity and making them better.

Jae Eon is inspired to make the butterfly bracelet for Na Bi and gifts it to her.

The difference between the two? Do Hyeok actually thanks Na Bi for her help and points out that it was her influence that made his videos better.

Jae Eon obviously means his gesture to be romantic and sincere but he again fails to talk about why he’s doing it. The implication is there but Na Bi needs more than some vague nonsense.

Communication is at the heart of this episode and how, without it, relationships stagnate and fail. Bit Na + Gyu Hyun and Soljiwan couple - their relationships only progress because the couples voice their concerns and fears to one another. And instead of being rejected or being hurt, it allows their partners to reassure them and move forward with their relationship.

Why do Na Bi and Jae Eon fail? They. Don’t. Talk. Na Bi is stuck inside her head and Jae Eon relies on vague gestures and sexual chemistry to express himself.

Why do Na Bi and Do Hyeok succeed? Because they talk. About everything. Their dialogue is clear and honest and sincere without any hidden meanings or motives. And you see why Na Bi is rapidly moving more and more towards Do Hyeok and not Jae Eon.

(The preview does raise some questions about how it will all end but I don’t think the show is going to pull a bait and switch and have Na Bi end up with Jae Eon. I also don’t think it’s likely they’ll have an open ending, either. I’ll talk about that in another post.)

My next post will be what I envision to be the best version of a Na Bi and Do Hyeok endgame and what I mean by that since Na Bi shouldn’t be dating anyone right now. So, look forward to that.

Until next time, everybody. Thanks for reading this long ass post. Hope you enjoyed it.

[missskzbiased]

Betting Big

Summary: As the one and only Seo Changbin, you would never think that you would be willing to pay for someone to go out with you. At least not until you met her. To be honest, not even after you met her but here you were now… Agreeing with splitting the money from a bet that you never made… And all this for what? Just to get a chance to make her fall for you

WC: 1,5 K

Genre: Romance, Fluff

AUs: High School, Fake Bet

Pairing: Seo Changbin X Fem! Reader X ???

Rebloggable Masterlist    //   Main Masterlist   // Tag List

Warnings: none

Notes: This is in “Changbin’s POV” although written as Self-insert

This is going to be a miniseries, I guess. I’m not sure how many chapters I want to make. I’d like if you guys could vote on this:

Minho as BFF to lovers for the Triangle

Han as Friends to lovers for the Triangle

No Love Triangle at all

                                                        ///

     Everyone but you wanted to be the popular guy.

     Not because you were above things like wanting to fit on the wild battlefield that high school was or because you didn’t need people’s approval to feel like a whole person, and even less because you hated being under everyone’s eyes… No. You were petty enough to admit that you loved the attention. The reason why you weren’t like everybody else was that you were the popular guy that everyone wanted to be. That’s right… You were what every single one of those kids wanted to become and you didn’t need to do anything to have your way.

     At least, that was what you believed exactly thirty seconds ago.

     The silent pause following your invitation wasn’t expected, and neither was the way her judgmental eyes scanned you from head to toes. There was this foreign feeling of being embarrassed, and that sudden urge to shrink and hide from the crowd that you didn’t allow to show on the surface. You were too cool for this. So you settled for clearing your throat, leaning on her table in what you hoped to be a flirty way, and glanced at your friends’ table in search of some sort of silent moral support that you were so in need of right now.

     You could say that you weren’t the most subtle human being in the world or else her eyes wouldn’t have snapped right to where you were looking at. As the bunch of overly stealthy people that you definitely were used to be with popularity clogging your better judgment, the four of your friends stared right into her eyes; the expression of a deer caught in headlights plastered over their face. If you had any hopes of not humiliating yourself to that strange girl in the corner ─ who you happened to have a big, fat crush on for at least one year now ─, they were immediately crushed by your own best friends.

     Very well.

     At least, it couldn’t get any worse than this, right?

     Then you learned the valuable lesson of not speaking too soon.

     “You want to go out with me?” That wasn’t the kind of incredulous tone that was meant to hide one’s excitement… It was more like that bewildered contempt that one cannot hide at all.

    She couldn’t even process the fact that you were bold enough to believe that the mere thought of dating you could ever have crossed her mind… And once more, the humiliation hit you like cold water coming directly from an angry, merciless waterfall. Was that how normal people felt in their daily lives? Jeez… It was so much better to be popular! How do those kids even handle that? Definitely not the life for you.  

     Your internal rambling had you missing the slow shift on her expression; rejection dissolving to give way to some kind of resigned interest: “How much?” She spoke up in curious confidence, and you must have been too lost on your thoughts because you had no idea of what she was talking about.

     “Excuse me?” You blurted out ever so eloquently.

     “How much is into this bet?” She asked as if it was the most reasonable thing in this world, and the lack of response had her scoffing, to further prove your point, “Really? You expect me to believe that the most popular guy in school would come all the way to my table, conveniently under his friends’ eyes, just to ask me out on a date with no second intention?” She raised her brows amusedly, chuckling at what seemed to be the best joke she had ever told anyone “Right” She huffed, crossing her arms and tilting her head to take a better look at you.

     That was the moment of the truth.

      You could either tell her that she misunderstood everything and explain how much you really liked her ─ which would put everything at risk because she clearly didn’t believe you could like someone like her ─ or you could play along with it and score a chance to win her heart on a date.

     The answer seemed to be pretty obvious to you.

     “Yeah, right” You laughed dismissively, pulling out the chair so you could sit down beside her. There was no sign of resistance in her face; moreover, there was a shimmering curiosity dancing in her expectant eyes, “You totally caught me…” You admitted grudgingly, shrugging to show her how much you didn’t care about it. Fun Fact: You actually did! And you would very much appreciate her to know that… Damn it! What the hell were you getting yourself into?! “So… Should we split it?” You suggested nonchalantly ─ just like the smooth son of a bitch you were.

     “What about fifty-fifty?” She proposed shamelessly; face twisting in a funny expression that tried to say that she didn’t care about it either but giving it away that she did, “How much is in for me? Like… A hundred bucks or something?” She leaned back on her chair before shrugging, not willing to admit that she was interested in this.

     “You’re good” You chuckled while nodding in agreement; mimicking her as you leaned back on your chair, “Sounds great, right? Getting a hundred bucks to date this hot stuff here?” You grinned as you gestured at yourself, getting nothing but an unimpressed look from her.

     “Look, Changbin…” She began hesitantly “If we’re going to make this work, it might be better for you to let me do the talking, okay?” She smiled sarcastically, looking at you with a mix of… You weren’t even sure what. Was constipation considered a feeling? If so, she looked constipated by your existence, “I’m not gonna lie… I want the money, and as long as we don’t have to do anything stupid like kissing or having sex, I think I’m in” She simply agreed while looking into your eyes.

      She had such pretty eyes… The most beautiful eyes you have ever seen… The type of eyes to hold so many emotions that you couldn’t help but wonder if those would ever be directed at you. Right now, you could see they were. However, the usually captivating trait wasn’t that heartwarming now… Not when there was nothing but pained resignation in them… Not when they made so damn obvious that she didn’t like you back… Not when they shift to sheer excitement to the sound of someone else’s voice.

     “Hey” Was the single word that brought her to such a state of happiness; eyes twinkling and a genuine smile cracking on her face as she looked to the guy talking to her “What’s this?” He asked while gesturing to the both of you before squinting his eyes in suspicion “This table has always been our, shortie, fuck off” He scoffed; sitting down as if it didn’t even cross his mind that you could stand up against him.

     “Short—?!”

     “Shut up, Minho” She rolled her eyes, even though you could see the amusement in them, “He’s here to ask me out on a date” She clarified nonchalantly; eyes attentive to his reaction.

     “Of course he is” He snorted, shaking his head in disbelief while poking his food.

     “I am” You stated seriously while boldly offering him The Look, “Is that a problem?” You arched your brow in a silent challenge.

     “I don’t know…” He dropped his fork; eyes connecting to yours with such a murderer intention that for a second you considered just playing it off as a joke “Is that a problem?” He asked back, studying your face.

     Thank Lord you were a proud Leo or else the “No, Sir” on the tip of your tongue would have slipped just like that from your mouth. Instead, you just returned his glare, choosing to be silent so you would not show him how much he scared the shit out of you. The silent battle was promptly cut off by the damsel in distress herself, a not-so-subtle kick under the table that had Minho wincing on his seat.

     “No, that’s not a problem” She stated firmly enough to end the discussion “I’m going out with him” Even though you were aware of that, it still made your stomach flutter.

     “Okay” He said bitterly; lips twitching slightly “So that’s not a problem” He forced a smile, picking his fork and scrambling his food mindlessly.

     “Great!” You offered her a bright smile, too excited to hide your true feelings.

     “Great” She stated monotonously “So… See you later?” She arched her brows as if to say that it was time for you to walk away.

      “Of course” You agreed promptly “I can walk you home later… So… We can arrange the details” You suggested hopefully, and she seemed to embrace the idea.

      “Sounds like a date” She smiled.

     “Yeah” You chuckled; rubbing your arm before waving at her and heading to your friends’ table.

     Well… Getting a date: Checked.

     Having your feelings reciprocicated: Hm… On progress?

     First confession meeting any of your expectations: Hell no...

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Rebloggable Masterlist    //   Main Masterlist   // Tag List

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[reflectionsofneptune]

little things I associate with the Mercury signs.

Little dreamy, abstract things I associate with the Mercury signs in Astrology.

Aries Mercury

Authoritative. When I want something, I make it clear. Crystal clear. No beating around the bush. A forceful way of speaking. Don’t talk about it, be about it. Short sentences. A hint of arrogance. Competitive edge seeping through my words. What can I say, I like to be a winner? At all times. A raspy voice. Adopting a youthful charm when it suits me. Attuned to perceiving danger in my environment. Disliking an over-emphasis of niceties in conversation. Keeping it real. Exercising to clear the mind. Pep - talks. The rev of an engine. Pedal to the metal. Talking to me, I need you to bring your A Game and something new. Conversation needs to be stimulating. 

Taurus Mercury

Savouring. Words need to be savoured. Like beauty, they only get better with age. Listen carefully and hear what I stand for. Slowing down. Something about the handwriting. Cursive. An even tone. Words flow out of my mouth like maple syrup oozes down the height of a stack of fluffy, warm pancakes. Stubbornness. When am I ever wrong? Pictures, or it’s not real. Proof being recognised from what my base senses pick up. Inspiration from nature. A level-head. Choosing to see the beauty in my environment. For better or for worse. Don’t be fooled by my lack of conversation, I peep everything. 

Gemini Mercury

Riddles. I’m not going to tell you the answer but the curve of my lip might reveal itself when you’re getting close. Starting one conversation with one subject. Finishing the conversation with a completely different one. Playfulness. Humour as a tool of deflection. Quick texts. Leading conversations. Making a best friend in the supermarket. Another one, on the bus.  Seeing the duality of things in my environment. Information is like crack. I can’t get enough. Multiple tabs, open. Nervous energy. Fiddling. Mimicking your mannerisms if I like you, verbally ripping you apart if it tickles my fancy. Or not, I get distracted quite easily so you may be let off the hook.

Cancer Mercury

Introspective. Thinking about the past. Sometimes not finding my way back to the present. Emotions filtering through my words. Perceptions are protective. A vintage film, the introduction devoid of colour. An interest in knowing where one comes from, what comforts someone. Needing to cleanse myself of everybody’s emotional baggage. Again. Pathetic fallacy. Finishing your sentences. Promise its not on purpose. Wanting security from my environment. A psychological slant to conversations. A rich inner imagination. A diary, signed, sealed and under my pillow. Withdrawing into the cocoon of my thoughts when I feel threatened. 

Leo Mercury 

Commanding. A leadership position sounds good to me. Confidence in my thoughts. Words that can brighten up your life. Disney movies. Teasing conversations. Class clown. My thoughts are copyrighted. Bluffing. The curve a chest, puffed out to its maximum, makes. Talking loudly so I’m sure you hear me. Describing something in such detail, so you can feel as if you were there. Piping hot tea. Intellect and ego tied together.  Creativity expressed through speech. Seeing my immediate environment as a stage. Conversations in the mirror. The little grooves formed at the corner of the eyes when the smile is genuine. Blowing my own trumpet because if I don’t, who will?

Virgo Mercury

Organised. Seeing flaws in my environment. A to-do list, covered on both sides. Polite but not foolish. The spine of a book, crease free. Stepping back in conversation. The few creases that appear on the skin when a nose is wrinkled. Monotone. Advice given freely. Or withdrawing all help if I see it going through one ear and out the other. Discernment in conversation. Sticky notes. Attuned to see the bullshit in conversation. In life. Helpful suggestions. Take it or leave it. Mind feels like a hamster wheel. How do you turn this thing off?  An upward line of a tick, in red. Not an excuse, but know that the harder I am on you, the harder I am on myself really. 

Libra Mercury

Flirting. Feels as natural as breathing does. A sweet talker. The stem of cherry. A gentle lilt that comes alive in conversation. A fickle mind. Forever weighing up the pro’s and cons. Birdsong, cutting through morning dew. Wanting peace from my environment. Trying to maintain peace in my environment. A white flag fluttering in the wind, atop a hill. Indecision feels paralysing. Waiting for you to finish speaking before I provide an opposing point of view. Feigning innocence. Learning about myself through conversations with others. Sometimes not liking what I see. 3 sides to a story. I am capable of a decision, I just feel better when the internal scales of my thoughts are balanced. 

Scorpio Mercury

Power. Power plays in conversation. Checkmate. Words are comparable to pieces on a chessboard. Not a fan of small talk. Unless it’s for my benefit. Intuition on point. And then some. Probing. Trust issues. Talking to someone for a minute but deducing years of their life from a single meeting. Burner phones in a drawer. The eerie silence that comes around, say 4 AM. Secrets, mine and yours, help me fall asleep at night. Receipts for weeks, days and months. I’ve got it all. Past hurts cut deep in my psyche. Eyebrows pulled together. Pretending to be deaf when convenient. Subject changes. A full stop. Knowledge is power. I am capable of sharing intimate details of myself…..you first though. 

Sagittarius Mercury

YOLO. Sending those kinda texts to the wrong group chat by mistake. Saying what we were all thinking, even if it’s not the ‘right’ time, ‘cos fuck it. Slidin’ in the DM’s. Popping up like it’s nothing. You know me. Is time even real? The underside of a desk, covered with tags, love notes, and condom wrappers. Going off on social media. For a good cause, most of the time. Falling back on spirituality when life gets tough. Thought patterns are expansive and influenced by cultures and theories different than mine. Appreciating the differences in life. In people. Gift of the gab. That person who’s laughing when no one else is. Believing in abundance because that's what my environment reflects back to me. Stretching the fine line between truth and fantasy…….’cos fuck it.

Capricorn Mercury

Blue ticks. Time is of the essence. Thoughts are disciplined. A 3 tier desk organiser, stuffed to the brim with documents. Elocution lessons. Did you know I used to stutter? Deadpan jokes. A raised eyebrow. Judging people. We all do it, it’s innate to us. Keep your friends close. Enemies closer. Voicemail. I don’t need people to like me, but respect me is all I ask. A calculating mind. Always planning ahead. Sudoku puzzles. People give themselves away all the time, you just need to listen. Believing people’s actions over words. Thoughts focused on external recognition became a burden I often didn’t ask for, weighs me down.

Aquarius Mercury

Observant. Seeing the subtle layers that make up human behaviour. People are fascinating. A 360 way of looking at things. Reverb on an electric guitar. Solution-focused. A finger on the pulse of undiscovered knowledge. Static from a radio dial. I’m not afraid to question everything. An outdated statue, tipped. A love and hate relationship with time. Flashes of intuition. Needing time to process thoughts. A cool perspective. Shades of sunglasses, tinted yellow. Including people I’ve never met in my thoughts. In my dreams. My wishes. A Brave New World? I’m still waiting for people to step up and take responsibility.

Pisces Mercury

The red and white swirls of a helter-skelter ride. The path connecting my thoughts and my words is a little beaten. But not many people have bothered to venture this way. Pillow talk during the day. Drifting off in conversation. Overspilling in conversations. Or people, overspilling details of their life onto me. Missing appointments. Two circles merging into one if you stare long enough. Tapped into Source. Weaving you a dream with my words so good, I start to believe it. The afterword in a novel. Doodles in a margin. Sensitivity in conversation. Picking up a million and one signals from my environment. Using music to lose myself and ironically, find myself in the end.

————

| little thoughts about venus placements

| little thoughts about the mars placements

| little thoughts about the saturn placements

[lochnessies]

genuine question: how much do you think 3H fandom's issues fall down to basic media illiteracy, like the concept of unreliable narrators, character arcs or framing? because like.

"dimitri bad!" yes, he is condemned for this in his own route and he has a character arc to grow and change. he doesn't do this in the other 3 routes bc in one he is fine and the other 2 he is dead because his original thought process literally got him killed and he could only succeed once he abandoned it. it is almost like. this was the point. why even bring it up, we know that he did bad things. we played AM and understood the narrative being told, you see

honestly, in my personal opinion, most of the fandom’s problems come from this. now the game’s structure and writing itself isn’t free of blame but it would be disingenuous to place all of it on intsys.

and usually (don’t come for me for saying this bc i know someone will) these literacy issues come from a certain section of the 3h fanbase. once again, it would be disingenuous of me to place full blame on she-who-must-not-be-named’s stans but it is undeniable that there is a common denominator with their arguments.

i wouldn’t even chalk it up to them not knowing about unreliable narrators, character arcs, and framing bc they’ve shown that they do know with their analyses. for example:

seteth is an unreliable narrator because he says edelgard wants to make herself a false goddess when she clearly doesn’t

byleth has a character arc when they go from a cold mercenary to a human in crimson flower

crimson flower can’t be a villain route because the overt tones are saying you are the heroes

now these are surface level observations that are completely false but the fact that they are used shows that they are aware of these narrative devices.

i think the problem lies in their attachment to you-know-boo. they can’t possibly fathom that their little princess actually is the one you can’t trust and that her words are worth less than tana mongeau’s cryptocurrency. that everybody other than edelgard goes through a negative character arc. that the reason the cf tones are positive is bc of the ignorance theme but if you know the lore you see the cracks

the framing of white clouds is that the church is this evil shadow over fodlan and edel is this trailblazer that will forge a new dawn for fodlan. you see her laugh, cry, and be a teenage girl. then there’s the big twist in the holy tomb where you are forced to come to terms that you were just played like a fiddle. edel may still be a cute teenage girl but she’s also a liar, a terrorist, and an enemy to peace. however, since byleth is effectively a blank slate, you don’t get this internal dialogue and in the heat of the moment the player is most likely going to side with her.

then you get to crimson flower where everything edelgard did or was complicate in is swept under the rug and never mentioned again. the assassination attempt? flayn’s kidnapping? remire? the western church? her weird ass dad? it might as well have never happened so the player forgets about it.

so when they get involved in meta and the fandom they’re doing it from an edelgard centric view. she’s the one who’s right and everybody else is unreliable. edelgard goes through a character arc and dimitri and rhea are just lunatics. crimson flower is a brilliant dawn so how dare you insinuate that there’s something rotten in the state of denmark?

then there’s the fact that cf, and by extension edelgard, simply appeals to a more self righteousness mindset. now i’m not saying everybody who likes her has their head up their own ass, but if you go to places like r/edelgard it’s just a circle jerk of people stroking each other’s egos and talk of how everybody else is too simple minded to understand how complex edelgard and her motives are [enter zero escape meme here]. you’ll also find the same on tumblr and twitter but they’ll probably call you a sexist or homophobe or some other buzzword that has lost all meaning at this point.

they’ll continue talking and badgering you and flood comments, notes, and forums on ‘why edelgard is clearly the best and why can’t you just see it’ until everybody is exhausted and leaves. they’ll then strut around like they won an argument and are valid in their opinions bc nobody is arguing with them anymore.

so yeah, they’re 100% aware of these devices it’s just that a mix of bad structure, superficial meta, willful ignorance despite the evidence to the truth, and in some occasions just a personality flaw that has created this never ending nightmare we know as the fe3h fandom.

[bpdanakins]

i just infodumped to my friends about bpd anakin and i have No Regrets snakjdkajfsk

anyway, doth thee have any more bpd anakin (or just anakin in general) headcanons becuase i am living for this

I am So Sorry this took so long, but hopefully the length makes up for it. Thank you so much for sending this to me bc BPD!Anakin is my entire life. I could talk about it all day, every day.

I’d like to thank @apple-grass-and-smiles for helping me organize my Thoughts on all of this, prompting me to focus on certain things and giving me feedback in general too. 

Okay, here goes:

Anakin fidgets!! I’m not even sure if this is a headcanon but if it is I will die on this hill. He can’t stay still for the life of him and doubly so when he’s anxious, nervous or Ready To Do Something Already. 

We know Anakin can’t hold eye contact to save his life when he’s upset or insecure, but I can also see him having issues with touch when he’s upset, unless it’s from certain people only (Padmé always gets a pass, for example).

Anakin’s quick to let some small stuff go, but larger things people do that hurt him (whether intentionally or not) aren’t really ever forgotten, and he just kind of takes that in and suppresses it, until random moments when it pops up, he remembers, and it just hurts like it’s happening all over again. The people around him often have no idea what fully sets him off, bc to them, his reaction now seems out of nowhere while his mind’s still stuck on this other thing.     - His reactions also seem sometimes like they’re Over The Top, but even just remembering past hurts can feel almost disabling at times. It’s worse when he ends up ruminating on it, because the hurt and feelings of betrayal just keep building up over and over until it almost blots everything else out.

When he’s happy or surrounded by those he loves, everyone kind of can feel it too, bc he’s just fuckoff powerful in the Force and esp other Force sensitives kind of gather around his space and just… his affection and excitement are literally infectious. 

This probably runs closer to ADHD than BPD for sure, but get him talking about anything mechanical (robotics, engineering, racing, etc) and he will go from 0 to 100 so fast you’d get whiplash. No one minds though bc, as I said, his excitement is infectious and honestly those around him just adore listening to him go off even though half of it goes over their head.     - Ahsoka may not ever get Gotta Go Fast, but she definitely loves it when he really talks her ear off about all this stuff, bc it makes her excited to learn and she picks up on all of it easily. (There’s a part of her that wants to emulate him and she does def look up to him obviously.)     - We see it with Obi-Wan, but people love to use his love of all things mechanical as a way to distract him from things that upset him. It doesn’t always work but they try.

With Obi-Wan, he ends up on the side of Anakin’s splitting like, all the time. And unfortunately sometimes Obi-Wan can’t tell that Anakin’s lashing out not because of something Obi-Wan’s actually done, but bc Anakin’s young and Obi-Wan’s the figure he can project a lot of his frustrations on.     - It can lead Obi-Wan to being confused and hurt sometimes, bc he doesn’t always understand Anakin’s thought processes when this happens, and it definitely sometimes cuts him to the core. On the reverse side, though Anakin might not always say it to his face, Obi-Wan definitely can overhear him at times when Anakin’s ready to 1v1 anyone who even so much as makes a frowny face about Obi-Wan, which helps Obi-Wan remember that Anakin does love him too, actually.     - It ends up being one of the points of frisson between Anakin and Mace, bc Anakin can’t read body language perfectly, especially when it comes to feelings of abandonment or someone seemingly not loving who Anakin loves to the same degree. Mace has a drier sense of humor at times and defs has a more resting frowny face, and this rankles Anakin at times bc he can’t always tell when Mace is just chilling vs being disappointed, and while Anakin will take it all personally, he ALSO takes any perceived criticism to those he loves personally too.     - Both Mace and Obi-Wan don’t get this bc they have a perfectly fine relationship. Anakin’s just Like That.     - (And super overprotective of people’s perceptions of Obi-Wan. Anakin will go off about Obi-Wan being mean and all that, but fuck you and your entire family tree if you ever even think Obi-Wan’s anything short as the most amazing Jedi to ever Jedi.)

Everybody and their mother can see the pedestal Anakin puts Padmé on, and surprisingly she rarely is on the end of his splitting. When he does, he just internalizes it bc he can’t stand the idea that he’s somehow seen her in a wrong light, or he feels guilty for getting angry with her.     - He also defines a huge chunk of his life around loving her, making her his center for a lot of his decisions and reactions, so when they’re off, his whole world seems backwards. It makes him Really uncomfortable and unsure. He gets panicky and upset and often people have no idea what the cause is so they just end up a lil panicky in return.     - He tends to take it out on others, by doing an exercise or by disappearing to fiddle with something.     - Pads has an easier time recognizing Anakin’s emotional needs, bc in some ways they’re the same as hers. She’s good at reaching out to him, comforting him and reassuring him of her love. And in turn, he like, never fucking shuts up about how much he loves her, and those moments are what make her feel so special around him. Being loved by Anakin makes someone feel important and even get tingly, bubbly happy feelings, because it’s hard to doubt it sometimes.     - There’s a part of her that sometimes worries about how Intense he is, but, like I said, when his positive intense emotions are focused on you, it feels wonderful. And he’s genuinely super sweet and gentle, and she appreciates that, when she tells him to back off about something, he’ll listen to her wishes. (I’m using movie Anakin as my base here bc TCW!Anakin in this regard is just…. bad y’all lmao)

Anakin’s anxious about Ahsoka All The Time. He’s afraid he’s a bad teacher, he’s afraid he’ll mess her up somehow, he’s afraid he’ll hurt her or she’ll get hurt, and that’s why he can’t stand the idea sometimes of her being on her own. It’s not a lack of trust in her abilities, but because he feels responsible for her, and that’s why he’s always ready to put himself between her and literally anything that could potentially hurt her. (Even if it’s not a physical threat.)     - There are times she finds this amusing and times this makes her angry, but mostly she is long suffering. There are times she appreciates it though, bc she’s still a kid and isn’t always sure which way is up, especially when in a war. Anakin is often a cornerstone for her, and though she’d literally NEVER admit it, his overprotectiveness can sometimes be a reassurance. She knows she can handle herself just fine, but when she has an inkling of doubt, she’ll remind herself that Anakin will be there, and then go and take care of the problem herself.     - She doesn’t always get his moments where he’s not always falling over himself to talk Obi-Wan up or go out of his way to sass at him. To her, they have a wonderful relationship and she rarely notices when Obi-Wan might say something that pokes at Anakin wrong, so she often just winds up ???? when Anakin is huffy or annoyed with her grandmaster.     - She sees Anakin’s anger issues a little more easily than others, and she worries about it but always brushes it off or downplays it, bc she always sees why he’s angry, and also always just assumes (like everyone else) that he can Handle It.     - Anakin’s recklessness and impulsivity are some of her favourite things about being his padawan. He’s literally never boring to be around, and Ahsoka needs that sort of excitement to sometimes push aside the knowledge that she’s literally in a warzone. Anakin’s also really good at doing this intentionally; he’s literally always worrying after her, and all he wants to do is take care of those he loves and make them happy, so sometimes he’ll be Extra just to get under her skin or distract her and honestly this is the basis of where their playful competitions always come from.

If Ahsoka is long suffering, Rex is doubly so. Sometimes it’s all he can do to keep up with Anakin and Ahsoka, but he appreciates Anakin “thinking outside the box”. He also appreciates knowing that Anakin is just as loyal to him and his men as he himself is (well… Anakin is until he isn’t lmao)     - Rex, like Pads, is really good at picking up Anakin’s moods and even trains of thought, so he’s always able to work around that, or even see where Anakin’s mind is going when coming up with a plan. They make a really good team bc while Anakin can jump from one idea to another without them seemingly correlated, Rex immediately follows Anakin’s leaps and they just end up in sync.     - That being said, Anakin can be really confusing at times. His moods are often so all over the place, that Rex generally has no idea what tf is going on. He deals with it by learning to be calm when Anakin’s unable to, and just ride out Anakin’s worst moods until they pass by, learning not to let it all phase him. Anakin lowkey hates it when he’s upset, but once the worst of it passes, he really appreciates that Rex will just… not press like Obi-Wan, or balances out the moments Anakin’s mind is so cluttered by instead just keeping a good focus on things.

Probably everyone’s most baffling symptom of Anakin’s is his paranoia. Obi-Wan kind of sees it the most, because Anakin is always testy with the Council and often feels put on the spot, dismissed and looked down upon. To everyone else, they don’t get where Anakin’s ideas come from, bc everything seems chill on their end. His fretting about others’ well-being is straightforward enough, but his instant panic-turned-anger shift when he receives any criticism (especially the perceived type) always gives people whiplash. It’s hard to keep up with, hard to see what it was that got to him so much, and hard to know how to help (particularly when they’re worried that trying to help him will feel like “taking sides”).     - Ahsoka takes Anakin’s POV of the Council pretty easily, at least when it comes to him. This is mostly bc she’s not there when there’s a meeting or tension around them, nor was she there when Anakin first arrived, so she just assumes they must genuinely often have issues with him too. She doesn’t see it to the extent Anakin does though, but she recognizes that sometimes he seems to blow things out of proportion when he’s upset, and figures it’ll just blow over once he’s calmed down.     - Pads, on the other hand, is always kind of aware of Anakin’s fears of losing her. He often not-so-subtly looks for reassurances that she loves him and won’t leave him, that she’s feeling alright or not angry/annoyed with him. She chalks it up to his trauma with his mother (and she’s partially right), so even when sometimes it gets on her nerves that he seems to doubt her so much, she tries to remind herself of that and let it go. 

Those closest to him can pick up that Anakin tends to see the negative in things, and is generally really hard on himself. They try to help out by giving praise where it’s due and just overall Being There, but it’s Rough to know they often don’t get through. (Palps, on the other hand, knows how to weaponize this.) 

The saddest part is that I don’t think anyone once thought Anakin was Seriously Ill, partly out of ignorance, partly bc they assumed it had to do with his age/upbringing, and partly bc, eventually, everyone was dealing with trauma and even if someone wanted to send Anakin back to the Temple to have a nap or something, they legit couldn’t bc there was a war going on and he also would never have tolerated it at that point in time.     - Obi-Wan’s the one who worries about all of this the most, because he’s always felt such a huge responsibility for Anakin and loves him a lot, he’s just never fully been able to understand how to get on the same wavelength as Anakin.     - Anakin, too, actually never fully figures out that there is something Going On. Everything’s always overwhelming him and even though he prefers doing things at 100mph, sometimes it seems like there is Too Much going on, and even during peace times it just felt like he couldn’t keep up with everything. He hates internal reflection but also can’t stop overthinking about everything, and so he just ruminates and goes in circles and often just ends up going nowhere when it comes to dealing with things. He tries his hardest all the time, he is ALWAYS trying, but doing stupid stunts, fighting droids, making robots and speeding everywhere all the time is truthfully only a bandaid.     - Being surrounded by those he adores and receiving affection from them/seeing them happy boosts his mood a lot but he doesn’t have enough self-awareness to guess at why his happier moods just won’t last.     - Sometimes he can figure out when he’s being irrational and then just takes it out on himself, which only exacerbates his bad episodes. 

Palpatine doesn’t help. He’s abusive, manipulates Anakin all the time and is the Worst and definitely makes everything Anakin is struggling with harder and I think we should all just punt him into a sun thank you this isn’t a headcanon I just want everyone to know how much I hate him

[life-rewritten]

Tharn and Type 7 Years: The marriage disagreement

When I think about Tharn and Type, I think about their love, their passion for each other, and their growth to get to the place that they are in, in Tharn and Type 7 years of love. The sequel for the show. Whilst on the surface it may look like Tharn and Type have remained the same; argumentative, non-communicative and everybody's favourite word to use toxic. I think they are so much more different, so much more in love and happy and healthy. One issue though that comes about for their new show is the marriage disagreement. Tharn wants to propose to Type, but Type for some reason keeps on avoiding and rejecting the proposal. It's a weird disagreement to me, but then when I look at the characters and how they have been shaped and view the world, it becomes quite clear no one is right or wrong when it comes to this matter. Let's look at the marriage disagreement from both of our guys' point of view.

THARN: THE PSYCHOLOGICAL, EXTERNAL, AND INTERNAL NEED TO BE LOVED

Let's look at our Tharn. When we first meet him he's you know; sly, sexy, confident in who he is. He's been out for a long time since he was 14 and so he is proud of who he is. And why shouldn't he be, he's rich and spoilt, successful and talented, and he's also sweet, kind, selfless and possessive to those he loves. He's the perfect guy, and Type knows that and Type falls for that. The thing is when you actually look at Tharn and try to bring out his flaws you see the same reasons he's perfect is the exact reasons for why he isn't perfect: he's spoilt; so he always gets his way, and because of this he's manipulative, he's possessive; so he's always jealous and explosive when it comes to whats his being taken away, he's kind but selfless; so he always lets things build under the surface, he avoids conflict not to lose what he cares about so he's a pushover. This is all because of one thing, in particular, that's his biggest flaw, he's terrified of being unlovable. 

Tharn’s Psychological Scars

Let's dive into that deeper because it's interesting. First of all, when we watch Tharn and Type season 1, we only think Type is the person who has suffered psychological and mental damages/trauma that has shaped him into the flawed person he is at the start. It's understandable why Type is the way he is, but we fail to do the same for Tharn. Tharn is also a victim of some psychological/mental hurt. He's always been deserted each time he got to close; he was always secretly manipulated by his best friend who continued to maim him and convince him that there was something wrong with him and he didn't deserve to be loved. This is why his biggest fear/hated word is break up.

Tharn has been turned into someone who is clingy and possessive of the people he loves because for a very long time he didn't understand why everyone he got close to, left and blamed it harshly on him. In fact Long has caused many painful scars to Tharn: he got physically punched and hurt by Tum his best friend for something he didn't do but also the mental strain that had on him when he lost his best friend and being accused as an awful person, he lost all the people he kept falling in love with. And even though he and Type get back together after he realises the truth, it still hunts him that he was the cause of all that happened to the people who dated him for example, Tar. He's terrified at the realisation that everyone who falls in love with him gets hurt, and it makes him think he deserves to be unlovable. 

Thus Tharn is overly protective,  possessive and clingy of his relationship despite the fact that it should seem stable because of it lasting seven years, but no his mind automatically finds loopholes and places for where it could be weakened. He goes into overdrive to ensure that Type is his and won't leave him again. So he obsesses over something that will ensure that nothing will separate him and Type for example something where they have the law and pieces of evidence that they're tied together for life. Marriage.

The origin of his and Type’s relationship

But Type automatically rejects, and this is why he's scared, he's worried about Type not wanting them to be married: 

You have to remember that Type started of this relationship very differently, he was homophobic excessively due to his own scars, and he kept Tharn on a loop for a while before they got together. First of all, for Tharn, he can't help but question if Type is still feeling this way if he still sees their relationship as something unnatural and unacceptable. It scares him because it's something that could cause their relationship to fall apart at any time if Type reverts back to his old self.

Also in episode he over hears Type talking about the future saying that if they break up then it’ll cause an issue, but the thing is Tharn only heard his trigger word break up, Type shouldn’t be thinking that they could break up, could they break up, could he end up changing mind on their promise to each other? It seems like he’s already making prevention plans for when they do, what could cause it and how can he prevent it? These are the thoughts probably running in his head And for him the way to stop that is marriage. 

It's irrational but if you're someone like Tharn who's become obsessive with the protection of his relationship then its understandable that he's finding irrational reasons in his head why Type could leave him. He's overthinking everything, and he hates that.

The jealousy of Phu and Cir

This hate is further exacerbated with jealousy for Phugun and Cir. We've seen Tharn now meet with Phugun and Cir in both episodes, in both episodes we've seen him marvel at Cirs possessiveness and their overly affectionate manner. These two are a device to shadow what's going on in Tharn's mind: they are the antithesis of Tharn and Type, they're softer, and they don't seem like they argue, or fight, they're overly affectionate to each other in public, and Phugun is gentler/sweeter when it comes to showing his love for Cir. I'm not saying Tharn wants someone like Phu as his; he loves Type. Still, he's being forced to see another couple act the way he wants, he wants to be possessive, and call Type his in public the way Cir tells him to back off from Phu, he wants to hold hands and have Type lean his head on his shoulder in public and have Type call him his in front of people. Again because of his mindset, being in public, showing their affection to other people, makes it more evidential that they have something real, having people know that they are dating/married prevents home wreckers/ others from questioning if they are making up their partner and hiding the fact they're single; Both in episode 1, have to hear people question their relationship, the authenticity and genuineness of it because they've hidden who they're seeing for seven years. It's another trigger for Tharn, hearing people question the authenticity makes him also see another loophole/question if Type is really his. That's why he says he wants Type to be only his in episode 2.

TYPE: THE PSYCHOLOGICAL, EXTERNAL, AND INTERNAL NEED TO BE PROTECTED

Let's look at Type. On the other hand, we have our problematic but lovable Type. Type is very adamant about not seeing the importance of marriage. Like I said before, I don't blame him, Type focuses on protection, or should I say prevention for their relationship. He's all about preventing outside sources from bothering them; he's all about ensuring that they keep on being the way they are because it's not an issue to him, he's okay with the people who know, so he's not ashamed of Tharn, he's willing to show their relationship to his parents, so he isn't going to revert back to thinking what they have is not natural.

But for Type he's focused on reputation, people's opinions and loopholes that cause a break down in their relationship (funny same as Tharn). Type's own is more logical and rational. He's focused on how the world perceives gay people. Let's look at Type's mindset first.

His family and society

First, his father is still against him and Tharn being together. That's already proof to him why telling people or involving world isn't useful for their relationship, it just causes bothersome noise and anger, and it becomes an unwarranted issue for them to deal with. Type has spent most of his life being homophobic because of his past trauma, for him he's spent time looking at it from someone who is against their relationship, so he knows what people can do in anger, (ruin Tharns family reputation or hurt him or Tharn ) if angry or irrational.  For Type, society isn't as lenient to LGBTQ as it should be, so he's focused on protecting what he has with Tharn. He saw how his father reacted to them, what if others do the same, what if their environment hate them and life is more challenging for them.

Also because of his past Type has a very negative reaction to people being involved in his life like that. One because after his trauma happened it was all over the news and he was a victim of people invading his space for that very reason. He had all his information, reputation, and self exposed to people who were cruel to him and so yes hates being public because of this as well. 

The nature of his and Tharn’s relationship

Secondly for Type getting married isn't a necessity, not when he knows and is confident that he and Tharn will last. Tharn has other reasons why he can't think like that, but for Type one thing he's sure about is their love for each other, they don't need physical evidence for that, they already are the physical evidence that they're forever. Because Type and Tharn have chosen each other as life partners, they tell each other that every day, they show each other every day, they've demonstrated their relationship to the people that matter to them, and they already live like a married couple for seven years.

As much as I understand Tharn's need for evidence/action to prove that they won't be separated, it is still stupid, because home wreckers will always try to break them even when married, Type still isn't going to be as affectionate in public because he's not that kind of person in public, and nothing will change their dynamic after they're married because they already live together, see each other and spend most of their time together like a married couple.

THARN AND TYPE 7 YEARS OF LOVE

But like I said, I get it. The only issue now that pushes this as a plot is how Tharn reacts to this issue when he's not getting his way. We know he can be sometimes manipulative, (he likes to guilt Type into doing his bidding/ forgiving him when they fight like putting his hand on the pan to get him to feel sorry for him), we know he can be hotheaded and just as explosive since we saw his reaction to being jealous and possessive in season 1 so mix this issue and fear with Fiat (walking in and choosing to fight for Type because they're not married). It means Tharn will make mistakes when he reacts to that.

One thing for certain though is Tharn loves Type, Type is all he cares about and wants, he's willing sometimes to be patient and hold back for Type, he tries to be understanding and communicative in episode 2, but also he still has this issue in his mind, it's going to keep on building and building, and soon it'll cause an explosion. That's why him being a pushover isn't a good thing for this.

The one thing that remains above all this is that Tharn and Type love each other, even despite having different opinions, they can't bear the thought of losing each other, they decided from episode 1 that it was them against the world, together. So no matter what happens, they will keep fighting to be together, they will keep trying to understand each other. Like I said they have matured, their relationship has changed and becomes healthier, (fighting does not mean toxicity, it just means they're realistic), and they have loved each other so far for seven years. They haven't lost that passion and attraction they have for each other. This season its time for Tharn to mature and deal with his own fears, flaws and scars last season we watched Type deal with his as he fell in love with Tharn, so let's see what happens next.

[bakugohoex]

chapter five ➺ ignited world

pairing: pro hero katsuki bakugo x pro hero female reader

cw: violence, blood talk, swearing

word count: 2300+

a/n: bruh midnight me be on a roll, i’m trying to get requests done by the 8th of january but i hope i don’t get burnt out or something, yes im reposting dont attack me

summary: in which you watch as everything you once loved becomes the ploy for a master plot, becoming something you hate you watch over the disaster the front has committed and even worse the front seem to have more secrets between each other than you and bakugo expected

chapter four | masterlist | chapter six

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You and Toga were not friends, even after the countless times she had made you show her your clothes or your quirk. You refused to even be friends with a villain, but the foul smile on your face was tricking everybody except Bakugo, he saw your knuckles get white as Toga was telling you a story.

It was a bloody story to put it lightly, filled with murder and kidnapping and all you could do was nod and smile. “What’s the worst thing you’d do to one of your victims?” She casually spoke the knife going back and forth between her fingers.

“Oh definitely control one of them to kill their wife or kid and then as soon as their just a mere inch away, I’d stop controlling them, so they do it on their own due to the impact.” You gave a grin after, you could almost feel Bakugo’s disgust, but he refrained, laughing with Mr Compress about what you had said.

Toga jolted up smiling, as she brought the knife up to your face, moving it up and down your cheek. “I love that, we should do it sometime.”

You grinned back with her, internally wanting to puke as she told you more stories. It had been a little over two days and the manhunt for you and Bakugo had begun, you’d been offered places to sleep having to share a single confided room with Bakugo. He was a heavy snorer and sleeping in the same bed was in honesty, tiring with his often jabbing at your side.

“I want to try your quirk out Y/n.” She pouts giving you puppy dog eyes, you were not comfortable with this, but you obliged making sure Bakugo could hear so you both wouldn’t even dare think about the mission at hand. Even if she did force you say something you could always just use your quirk and make both yours and Bakugo’s minds go blank.

She stabbed you in the shoulder, a pain filed through you as you tried to not scream, Bakugo instantly ran up to you. He didn’t even realise how quick he had left as he quickly ripped the bottom part of his shirt ready to put it around but instead Toga puts an injection as she drinks the blood.

“What the fuck?” He shouts out but she stops as soon as she has enough and lets him wrap his shirt around your bloody arm. He tries to gain any indication if you’re okay, but you quickly use your quirk to make both your minds go blank, it was absent, and you hoped she wouldn’t even bother reading people’s minds.

You both turned to girl, watching her commit cannibalism before you see her turn into an exact copy of you. “Bakugo, you never told me I was this pretty.” You speak light heartedly, but he gave a side eye more worried about your bleeding arm.

“Wow, this is amazing, I feel so heroic, it’s gross.” Her quick contradictions makes you roll your eyes before she puts her hand out, instantly the knife that had fell on the floor was brought into her fingers in an instant. “Y/n, this quirk is amazing.” She continues throwing things around making Dabi and Tomura both frustrated.

“You’re going to need to stitch it up.” Mr Compress says passing a first aid box that contained everything you both needed.

Bakugo grabs the box before grabbing your side, “wrap your arm around my shoulder.” You oblige he was being oddly caring and it made you feel very weirded out.

Taking you to the room, he sat you down on the bed making sure blood didn’t spill anywhere. “Is she still you?” He whispers, taking the alcohol, needle and thread out of the box.

You turn your quirk on listening to their thoughts, “Shigaraki asked if we have anything to hide, and she says that she couldn’t hear anything from us, I think she’s turned back.”

He only nods, unwrapping the shirt that he had secured around your arm, “take your shirt off.”

“What?” Your eyes widened at his command.

“Y/n, get your mind out of the gutter and take your fucking shirt off, it’s got blood on it.” You nod, peeling the bloodied shirt off your skin. You were exposed wearing the bra that cupped your cleavage, it allowed everything for him to see. “This is going to hurt.”

He shows you the alcohol he had in the cup, “can I bite something?” It was his turn for his eyes to widen, “now whose being the kinky one.” You laugh he rolls his eyes, passing you his belt.

He puts it in your mouth, you easily bite it, “one, two…”

You don’t hear the three as the alcohol is put on the wound to clean it. You screamed but the belt had made it seem a lot quieter. A tear fell down your cheeks, and Bakugo for once saw a vulnerable side, “just…just quickly do it.”

“Y/n, I’m not a fucking doctor, it’ll take time.” He grumbles back before starting to stitch the wound closed, it was painful, but you kept on biting at the belt. You knew it’d be ruined with teeth marks now, he tied it up securely before looking at your damp face. “Don’t use your arm to much, it’ll snap.”

His kindness was brought with a tone of anger, he sat on the chair opposite you, whilst you put on a different shirt. “Why’d you let her do that shit?” You passed the belt back which he threw on the other side of the room waiting for an answer.

“We need to let them do what they want, to gain their trust.”

“What? At the expense of you getting hurt?” He crossed his arms not meeting your eyes. You shrugged not replying, “what’s the end point of this Y/n?”

“I don’t know, if all of this fails, we’ll be villains.”

“We could always run away to Cuba.” He spoke trying to lighten the atmosphere.

“You want both of us to become street urchins in Cuba.” He looks down at you smiling.

You could hear someone coming as he spoke, “yeah it’s a fucking brilliant idea.” You laugh, before the door opens, Toga skipping inside. She plants herself on the bed, you smile at the girl as Bakugo refused to look at her, one glance from him and both their sadist side would come out.

“We’re going to get some materials; you both are coming.” You nod standing up, she stays planted on the bed, both you and Bakugo confused.

“We need to get changed.”

“Yeah so?” She hums playing with her knife again, you stopped caring about the minute details of changing in front of one another, quickly wearing your hero costume, you really did miss the sleeves of the costume.

“Come on.” She grabs your hand dragging you along, Bakugo followed, he didn’t know what went over him but seeing the pain in your eyes when you got stabbed, it did something to him. He shrugged the feeling off following the two of you.

Waiting outside in a white minivan that looked like the ones parents warned their kids to not get into, Dabi and Shigaraki waited. Dabi had refused any communication with you and Bakugo which in all honesty you were glad about, you hadn’t even snuck a peak into their heads yet having a feeling that they would know.

“We’re getting some materials, Y/n and Toga will be getting it and afterwards Dabi and Bakugo will burn the place down.” You didn’t ask what he was just doing all nodding.

You stayed silent before feeling Bakugo’s foot hit your leg, you knew what he wanted sitting across of you. ‘What’s up?’

‘Get in Shigaraki’s head and see what he’s doing’

You don’t think anything, going into Shigaraki’s head, ‘I could always see him tomorrow, no, I’ll make time tonight.’

You were heavily confused at the thought, going back to Bakugo’s head, ‘he was thinking about some guy he’s going to meet; I don’t know what he’s doing.’

Bakugo moved onto his own thoughts as you tuned out of his head, the drive was long and sitting next to a yapping Toga was heavily irritating. “I heard Izuku Midoriya is still single?”

You remembered her crush on the boy from when she had tried to get at both of you in the forest back when you were first years. “Yeah, he still is.” You mutter resting your head against the palm of your hand.

“I wonder if I’d be able to become a girl he likes, then I can be with him.” You gave a side eye looking down.

“Yeah maybe.” Is all you muttered.

Toga looked between you and Bakugo smiling, “are you two a thing?”

Bakugo almost choked on the words, “no, definitely not, we’re far from a thing.” You blabbered out like a mindless idiot.

“I could never be with an annoying brat like Y/n.” You rolled your eyes.

Stepping on his foot, he scowled before you talked yourself, “I could never be with a man who is so self-absorbed that he believes that whatever he says is right.”

Toga was the one to side eye this time looking at Dabi who looked genuinely uncomfortable by the atmosphere. You and Bakugo refused to make eye contact and as soon as the doors opened, you were the one to grab Toga to the building.

“What materials are we getting?” She showed you how it was a large shipment container already in the building and you both just needed to get passed and using your quirk carry it out. “So why does Bakugo and Dabi have to burn the building?”

You further question trying to slip by some workers, but Toga had other plans she easily slit their throats. “That was so fun.” She giggled as you forced a smile. “Maybe you should do that thing you wanted to do.”

“What thing?” You question walking through the building, you had all come from the back exit and you knew this building was at the heart of a small city. It was unnoticeable but you knew by the end of the day everybody would be talking about it.

“Getting someone to stab someone with your quirk, let’s do it.”

You dismissed the idea as quick as you could, “not right now, later on.”

She huffed going on a rampage of slitting more throats, you couldn’t stop her without raising alarms, she kept on going and going, blood covering her with ease. You hadn’t bothered to kill anybody, hoping it didn’t raise alarms before he pointed at a man with what seemed to be a woman. “Y/n, look I think they’re dating, do it with them?”

Your eyes widened as she grabbed the woman, tying her up to a chair, she giggled grabbing the man. “Do it then?”

“Toga we’re on a…” She interrupts you and regret falls from your face, why did you even have to tell her such a cruel thing.

“You don’t want me to tell Shigaraki that you’re really still a hero.” You raise an eyebrow, her threats weren’t empty, she put the knife in the man’s hands.

“Please, whatever you do, let my wife go.” You tried to suppress your emotions, you were about to murder them, murder someone.

“I’m sorry.” You whispered, you turned your quirk on, controlling the man, he moved forwards, his hand shaky as he couldn’t control his body, tears formed from his face, you let him speak.

“Honey, I’m sorry, I can…can’t control my body.” The man continued walking at a deadly pace, before the knife was just touching the woman’s chest.

“Please, stop.” She cried out, you tried to ignore the please, if you let go, he would fall directly into her, killing her in the process.

Toga had come behind you, whispering callously in your ear, “do it then.” With the three words your quirk was removed, and her screaming was heard before she died just as everybody else had done so. The man sobbed on his wife’s corpse and before you could tell Toga to leave him, she slit open his neck as well. You suppressed any tears that were about to fall instead going to the shipping crater.

Not speaking to Toga, you lifted the shipping container with your quirk making it follow both you and Toga back out. Dabi and Tomura saw you as Bakugo was nowhere to be seen, they helped you put it inside the van before getting inside. “Where’s Bakugo?” You question lowly.

“He’s already there.” Is all Shigaraki says before driving to a different destination, the night sky gleamed above the tall hill, you were right on top of the building and city centre. Dabi smirk bringing the cremation flames from his fingers, blue flicking through the night, you see Bakugo who notices your uneasiness. He doesn’t question it before the flames from Dabi hit at the building, it instantly become engulphed, Bakugo’s own explosions follow. The city became filled with the bright blues and yellows as destruction was underneath you all.

“What happened?” Bakugo asked as you were all made to watch the city deteriorate under the cascading flames.

You turn to him, grabbing his hand as tears fall out from your eyes. “She made me kill someone.”

He doesn’t speak, only closing his eyes. “There were people in the city who are now hurt because of me, we’re both in this together.” He whispers.

You both held onto each other’s hands, tears pricking your face as his own eyes became watered. The flames filled the town as you both knew you were the cause of the many casualties below you; you watched the ignited world beneath you as you had become something you never expected murderers and worst of all this wouldn’t be the worst thing, they’d make you both do.

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[handlewithkara]

I keep going back to that line from season 2. 

You can't force love, Mxyzptlk, It always struck me that that is something very true not just in romantic relationships, but also in regards to fandom. You can’t force love. And I’m always puzzled by fans who want to force their ship. To me it just makes no sense to demand something that is not freely given. 

I think you can champion you ship. I think you can greatly encourage writers to go down a road they might already be tempted to be going down. I’m sure most writers love adoration. So if something they wrote gets a ton of resonance, they will be tempted to do more. They might be tempted to do stuff they maybe previously thought could be a bad idea. Fan support might give them ammunition to fight for it in the writers room. To some extent, I get even calling out mistakes (like “why didn’t so and so react to that event”) in the hope that they will get addressed, that the writers will really come to see that they made a genuine oversight that they did not mean to do rather than an very intentional decision.. 

But if a creator is genuinely not feeling your ship? What is the point in forcing them to do it? How can that ever lead to a well written storyline? 

To me it makes more sense to hope for a new writer to come along who does feel your ship. Heck, as destructive as it might be, even calling for a writer’s firing and asking for them to be replaced by a writer who can do the ship makes more sense to me than trying to force the hand of a writer who just genuinely does not feel it. 

Yes, sometimes there are outside reasons that prevent a ship, like network interference. Or budget. Or show structure. But I still maintain, if that is the case, you know. You know when the writers are feeling the ship and are just stopped by outside forces (like let’s say with Xena and Gabrielle). Writers who love a ship will go to bat for that ship. They will still give them the quality writing and deep and overly lengthy emotional scenes and everything but official confirmation. 

And I think that is something I think probably many shippers on Supergirl have to accept. That maybe there are some writers on the Supergirl staff who like one couple or the other. But it’s pretty clear that at least when it comes to Kara ships even if they like them, they don’t like them enough to do the whole primetime treatment. 

I get it. It is frustrating. It’s not even just in regards to ship. Sometimes we just see so much potential in a show. Like maybe you want for a show to be this epic scifi epos and instead the writers just see it as dorky comedy show. Or maybe you want a show to be this mature character piece and instead they write it as a soap opera. Or maybe you a show to be really smart and have like this complex internally consistent world rules and mythos and the writers just don’t care about inconsistencies. There is something really amazing about really vibing with a show, because you completely agree with the creators about the show’s structure or about a pairing. (though I think fannish creativity is way more driven by those cases where there is a misalighnment, where you see potential in a show that isn’t realized) 

Usually, every show has the most potential in the pilot. The sky is the limit, the future possibilities seem endless. Usually the longer canon lasts the more chances you have to see where your vision, your ideals of the show or the characters or the pairings can misalign with the writers. In the end, it is a question of maturity to understand that. You can try to argue your position, you can make emphatic pleas. But in the end, passionate pleas don’t solve everything. You can’t force love. Just like in real life you can’t deliver a 500 page doctor thesis to somebody on why they logically should love you and guarantee that that will change whether they find you hot or not. 

Sometimes people just don’t see things that same way. Whether you are standing there beating your head on how somebody could go for something when to you it seems obvious that that is a terrible idea. Or whether it is the other way around, it seems obvious to you that something would be a great idea and they just don’t see it or don’t feel passionate about it or just fundamentally don’t see it the same way. 

This isn’t Misery. You can’t chain a writer to a bed and force them to see. 

If they don’t feel it, if they don’t feel it enough, not even after all this time, especially not after the show has already wrapped then you can’t force it. 

You can't force love. 

You can just decide whether there is still enough to love and appreciate that you can ignore the (to you) bad decisions or not. You can stay stuck in bitterness over somebody not loving you back or you can take your love, you ideals elsewhere, find somebody who actually vibes with them the same way. Or you can try to take your vision and try to become the creator yourself, for others. The one for some fans to vibe with and for other fans to get their signals crossed. 

Some people want to keep hoping for a magical turnaround. Or want to keep thinking they receive secret messages from the creators that they actually are vibing with them. And I’m not going to tell people they have to stop doing that. But if it turns out that the vibes really weren’t there, I encourage everybody to remember:  You can't force love. You can’t force people to have exactly the same vision, the same ideals, the same view on the world. People are people. And people are different. 

In real life, no device to mindforge the entire population exists and even if it did, it would be a nightmare. 

[anakinisvaderisanakin]

Tony Stark Is An Emotional Man - My Unpopular(?) Take

So, I’m rewatching the MCU - because of course I am - and I just realized something watching The Avengers for the first time in probably 10 years.

While everyone believes Tony is a prick - and don’t get me wrong, he is 60% attitude in a small package - until he saves the damn planet; the statement he gives to Banner about the Hulk saving him is very heartfelt. He opens up about his own condition with the shrapnel, which is a rare moment of him being openly vulnerable - especially in the earlier phase of the MCU. He is being genuine, and he is trying to make Banner see the positives and understand that perhaps, the situation isn’t as bleak as he’s been thinking.

Tony is trying to provide help, to comfort Banner; not for his own gain but because he recognizes himself in Banner, in spite of their very different ways of handling their inner demons, and their wildly differing personalities. Because he knows what it’s like to lose your way and your self worth, and he wants to see Banner regain some sense of himself the same way he has.

It’s nice to see the kind side to Tony, and for him to expose it willingly to help a fellow team mate - and eventually friend - accept himself and his inner struggle. Tony does not get credit enough for the fact that he always did have that side to him, he just didn’t know how to show it. Even his jokes and snarky sarcasm get less “mean spirited” as he evolves, and grows as a person.

I feel like Iron Man 2 coupled with The Avengers (and of course Iron Man 3 added onto that) are a perfect portrayal of how Tony’s more outward sense of caring for people, despite his awkward sense of socializing, was already beginning to shine through the cracks.

To me, Tony Stark is by far the most compelling character because while I am not entirely like him, I recognize so much of myself and my own hardships. It’s never too late to reinvent yourself, and Tony is the perfect metaphor for that. He even directly likens himself to a phoenix in Iron Man 2, although played for laughs at the Stark Expo.

But not only that, later on in the movie when Steve insinuates that Tony is not a hero, that he would never sacrifice himself on behalf of another; that he fights for himself alone, and tells him he's basically nothing without the suit - you can see it's hurting him. Tony never really holds eye contact unless it's worth while; unless it's getting to him and requires his full attention coming from someone he truly trusts, unless it means something. You see him keep his eyes off of everybody in social situations before he knows them or they have earned his respect; you see him avoiding getting in neck deep, avoiding and brushing off comments on his distant persona.

But that insult right there; from the man his father would rave about, that's taking. You see the pain in his eyes, you see the fact that he's being torn open. You see that he's brought right back to who he once was, reliving the guilt of every mistake he ever made. All because of Steve's judgmental, misguided perception of him. Tony hides his true self; hides his suffering, and his internal grappling with his shame and guilt over every problem and death he's directly or indirectly caused. The fact that Steve Rogers - of all people, as the revered Captain America - cannot see through his surface disguise is really getting to him. I believe Tony had assumed Steve would be superhuman, and he's struck by the realization that Steve is no more human than he himself is. He has imperfections, and flaws, and jumps to conclusions.

And the fact that it is Steve, of all people, making these assumptions of him and taking these jabs at him makes it all the worse. You need only watch for Tony keeping eye contact throughout the verbal onslaught to know it's hitting home; and to know that Tony feels, Tony knows this is what people all initially think of him. He had just hoped that somebody as subjectively righteous and morally good as Steve would have the ability to see through the facade. The fact that he doesn't, and that he doesn't hold back on his opinion, is what hits the hardest.

Another point is when Fury informs the remaining team of Coulson's (faked) death. Tony doesn't look at anyone, he sits turned completely away from the conversation. You can see he's close to losing it, and if he were to speak, if he were to look up, were to make any sort of eye contact directly - he would crack. That's one thing I love about RDJ's portrayal of Tony; the fact that he is so terrified of showing his vulnerable side in front of others, even when he is grieving or blaming himself for any mishap. He feels like he has to be the strong one, like he has to keep it together. Not for himself as much as for everyone else - because if the unfeeling, arrogant Iron Man breaks, how are any of the other team mates going to make it?

If Tony of all people reveals he takes it harder than almost anyone else present, how are they going to see him as the same man? I love how it is only later in the MCU, that he exposes this side of himself more willingly and freely - like in Endgame where he mentions how he lost “the kid” while referring to Peter. He not only maintains eye contact with Steve as he admits that, he chokes up. This same theme is prevalent between them in Civil War when Tony asks Steve to lay down his guard and hand over Bucky, “because it’s us” - which is a testament to the fact that Tony has now accepted Steve as a friend and ally, and this betrayal of his hard earned trust is breaking his heart. But this early on, none of this has become a valid option to him yet. So he keeps it inside; refusing to show his true colours.

And in this moment, what does he do when it gets too much? When he's required to speak up, to acknowledge Fury's mention of The Avengers project? He ups and leaves. Because if he speaks; judging by the eyes alone (which is yet another credit to Robert) he's going to tear up. And hence, he walks out to get it under control, to reil himself back in. It’s a habit he throughout the franchise will begin to display less and less; as he learns to be more comfortable with the team as friends, as well as openly displaying his own emotions.

We see another side to this later when Steve approaches Tony alone one on one; and Tony initially attempts to make quips about how Coulson shouldn't have gone alone, how he was an outgunned idiot. Steve cuts straight to the core, and Tony snaps. You see him nearly tear up, you see how upset he truly is deep down and how he was only doing his best to play it off the only way he knows how. But as soon as he is spoken to, is forced to make an assessment, to actually talk about it; to look Steve in the eye and defend himself - that's the exposed vulnerability that is the real Tony Stark.

Behind the snarks, behind the facade, behind the charade of the arrogant, nonchalant prick he’s been trying to make the world see him for. He's as human as he could ever be; and I believe this is also the first time Steve notices that there is more to Tony than he had presumed. He too, had assumed Tony is too wrapped up in his own ego and lavish life resume to care for the smaller man. But here, he sees that Tony feels, Tony sympathizes, and Tony is deeply traumatized by the fact that he - as he feels - allowed this to happen. He sees that Tony believes this is on his conscious.

Tony's glassy eyes and emotional turmoil betray him, and even though he jumps right back to his intellect and brains as a safety net and a defense mechanism - addressing Loki's plan to hit them at home and split them apart - this is the first time Steve is exposed to Tony's determination, ability to assess and deduce the situation, as well as his belief in doing the right thing (another theme seen later in Age of Ultron regarding Tony’s creation of Ultron himself, as well as in Civil War where Tony is adamant that the Sokovia Accords are the right path to take to pay for the critical mistake Ultron turned out to be.) And as they assemble, you're struck with the realization that this has been enough of an eye opener for Steve to realize that there is more to Tony Stark than meets the eye.

And who is first to the tower, leading the charge if not Tony?

And despite his blind faith in his own skill and ability to stall Loki just long enough; there's the epitome of the courage Tony possesses. He knows that without the suit, he has no fighting chance. He knows Loki could snap his neck in the blink of an eye. And still, he never backs off. Indeed, there is an underlying death wish or at the very least a sense of him subconsciously feeling he deserves and is fated a grim deminse - but it does take unprecedented bravery to put yourself in such clear danger.

Tony Stark could be called many things; but a coward is not one of them. Sure, he does have the untested suit on hold, but he did not know 100% it was going to work as planned. He was counting on it, but you know a part of him knew it was a long shot and might not work out in the end. The suit could have been faulty, Loki could have cracked his head open; the cavalry could have been running late. Still, Tony gambles with his life and luckily barely comes out on top.

At last, we have the finale. What can be said about it, except the fact that it shows exactly who Tony truly is? He knows he's going to die - indeed he doesn't - but he is intent on that, he is accepting death and welcoming it. If it helps save the world, if it will keep Pepper and everyone he loves, everyone he knows; everyone alive safe.

Here, the decision from the first Iron Man to actually show us Tony's eyes and face behind the mask is a godsend. Seeing as RDJ is an actor who communicates so much of his emotional range with his eyes only; we are given an easy access to see everything Tony is experiencing flash through them. We see the fear, the pain, the uncertainty; the acceptance of the inevitable. We see his eyes convey the jumbled mass of conflicting emotions speeding through his mind, we see how he finally just relents and gives in to what he thinks is going to be his time of dying. His final moments.

And he has made them worthwhile, he has already achieved what Yinsen begged of him in that cave in Afghanistan - he has made his survival count. He has saved numerous lives, and if his death is what it takes - so be it. Cue the parallel to Endgame. Hell, even Age of Ultron has elements of this as previously mentioned; although that one was on Tony himself, and his irrevocable fear and flaws as a human being. However, here the team sees Tony's will to sacrifice himself firsthand, for the first time; and contrary to Steve's initial assessment that Tony would never put his life on the line for anyone but himself - he does just that.

This is what makes this movie so powerful.

Sure, it builds upon every team member’s arc; even Fury's. But it is Tony who proves himself above all; who shows the team what we the audience already knew. That he is a hero, that our past does not define us. That Tony Stark feels, that he knows right from wrong although he's still stumbling blind half the time - just like the rest of us. And it proves to Steve - to the entire team - that he is not merely the selfish, arrogant asshole only sticking up for himself. He is a man, albeit a flawed one, who cares deeply. Who feels, who mourns, who appreciates life and the people around him; and who is - behind the barrier he's placed between himself and everyone else to avoid getting hurt - extremely insecure. He is fearful, apprehensive, sensitive, and well aware of his shortcomings.

And Tony Stark is, first and foremost, a good man.

Repost from my previous blog.

[sepublic]

Over-Analyzing Boscha

           Given what we’ve seen about Boscha, specifically her mother… And how she ends up coming across as emotionally-clingy and needing, asking if she can join her daughter’s sleepover (while at the same time only learning at the last second and not even remarking on this), I’ve gotta wonder…

           This is just speculation, but maybe Boscha’s mother (and potentially father, or other mother) is someone who treats their kid more like an emotional crutch and somebody to take care of them, rather than somebody they’re responsible for. And obviously, this kind of thing has BAD effects on a kid (see my previous analyses). I wonder if Boscha was conditioned from a young age to see emotional openness and vulnerability as a weakness, and very toxic because of how uncomfortable it made her as a child.

          Perhaps to her, friends are people you should keep a certain distance from, lest they become clingy, overstep their boundaries, and start weighing you down with insecurities as they become overly-reliant on you. In her opening monologue from Wing it like Witches, Boscha apparently believes this principle applies to fans, since she thinks that being feared and hated is just another sign of success and supposed to be normal.

          Given how prior to their falling out, Boscha constantly followed Amity around and seemed to be almost fishing for approval at times… As pointed out to me by @theowlhouseheadcanons, I wonder if Amity was someone she actually admired and look up to, as a guide for how to act; Or at the very least, Boscha looked up to the façade that Amity put up.

          From Boscha’s perspective, Amity is cooler than her; Her own parents may have some status, but Amity always talks of her friendship with Boscha as a privilege she’s extending. Amity is the Top Student at Hexside for a reason, and the personal favorite apprentice of Lilith, Head Witch of the Emperor’s Coven! She’s aloof, while keeping people at a distance, and was always better at Grudgby than Boscha.

          To Boscha, Amity may have been someone she wanted to emulate; And with the distant, cold way Amity acted around her, always setting boundaries and maintaining a distance between the two, I could see Boscha legitimately thinking that; Oh, this is how friends should act! Because keep in mind, Boscha was basically ‘gifted’ her position as Team Captain, and all the fame that went with it, from Amity; And all because Amity felt bad for injuring her.

          Boscha seems very much like the kind of person who doesn’t realize that you can dislike a person, while still treating them with dignity and respect… So if Amity felt bad about injuring her to the point where she quit Grudgby, cold-turkey, at the height of her success? Clearly Boscha means a lot to her! I mean, why else would Amity choose to hang out with her?

          Which naturally, this leads to Boscha believing that her and Amity ARE friends… And that Amity’s cold, distant way of regarding her, always keeping each other at a distance while making sure to remind Boscha who’s the dominant one in the group, is how friends should act. Coupled with what I said earlier about Boscha seeing emotional openness as weak and toxic, and I can see Boscha being under the impression that people should be admired from a distance, even by their friends, and that maintaining that kind of distance is important and just a natural thing in a good relationship.

          Which, there are differences between setting healthy boundaries, and always keeping ‘friends’ at a distance from you, reminding them of one’s superiority over them, and applying this to fans and admirers as well. What’s worse is that to Boscha, getting injured by Amity may not have been something she held against her; Not just because it was a legitimate accident and Amity even gave up her position as Team Captain to her… But I could also see her legitimately thinking that it’s totally fine to injure your friends to achieve success, and that real friends should let themselves be hurt for the ‘stronger’ of the pair!

          Obviously, I can’t see Boscha letting herself get hurt for her other friends, nor do I necessarily think she actually hurt any of them either. Which leads me to my point that Amity, or at least the image she put up, was the only person that Boscha ever actually respected and looked up to for a while (given her lack of reverence for rules and the adults); That she was always content with being second-best because it was to Amity!

          Perhaps Boscha regularly followed Amity around, always trying to get her attention and ‘impress’ her, show her how much she was like Amity, while unintentionally being clingy in her own way like her mother. So when Amity, seemingly inexplicably, leaves Boscha behind for Willow… Boscha is now at the top of the friend group, but like with Grudgby it’s only because Amity stepped down.

          What’s worse is that Amity did it because she actively rejected Boscha for being a toxic person as well. She’s now at the top, but what does Boscha do with this position, having lost the one person she looked up to, now that they’ve been ‘corrupted’? Having nobody to look to for guidance, when her own parents were unreliable? Especially now that her position at the ‘top’, both in Grudgby and amongst the friend group, is becoming hollow as attentions diverts to Willow…

          (Not that I think Boscha’s friends necessarily intended to displace her with Willow, but to someone unhealthily competitive as Boscha it would definitely seem the case.)

          Being at the top is already lonely enough as-is, but considering Boscha’s outlook on life and the way she treats people, it’s only going to get worse. I can see her being trapped in a period of confusion, not sure what to think anymore, wanting to hate Amity but also realizing that a lot of the things she knows, she was taught by her; So can she keep operating by these rules still? And so Boscha tries to distract herself from it all by just throwing her entire soul into Grudgby, only to be left in despair when Grudgby Season inevitably ends, regardless of whether or not Boscha becomes THE champion of the sport that year!

          To Boscha, she HAS to be the best, because if she’s not, then maybe she’s a loser like her parents… And she has to distance herself from them. Boscha’s parents prioritized themselves over her, so she was taught that to have any real happiness in life, she has to put herself above everybody else at any cost, lest others try and ‘take’ that from her, that she has to keep a tight hold on what she has lest it be jeopardized. Everybody is a selfish enemy trying to encroach on her territory, so Boscha has to defend at any cost!

          Obviously, I’m not saying Amity is somehow a bad person, or that she’s necessarily ‘responsible’ for who Boscha is. Amity was distant from Boscha because she was forced to be friends with her and just genuinely did not vibe; Not to mention, she was also internalizing a lot of abuse from her own parents that encouraged Amity to be someone who was cold and closed-off, which when coupled with her loneliness in the situation… It’s no wonder she didn’t really interact with Boscha on a personal level. Really, I just see the situation as being the fault of both girls’ parents, for not being caring enough and leaving their kids confused and trying to navigate one another, and getting the wrong lessons in the process.

          Clearly Boscha has some issues of her own, that are of her own choosing and fault; She’s spiteful and petty to a degree that Amity has never been. But ultimately, I think it’s fun considering why she is the way she is, and what her relationship with Amity was like, in the wake of Amity revealing more about herself and thus re-contextualizing a bunch of interactions!

          Amity isn’t at fault here, she’s a kid who was forced to hang out with someone she didn’t want to, and it’s not her fault that Boscha got the wrong messages because of abuse from her parents. And if Boscha’s mother was a ‘lonely loser’ who was clingy and toxic to her, then I can see that influencing Boscha’s way of treating Willow and her outlook on lonely people as being ‘desperate’, ‘pathetic’, and deserving to be mistreated for being ‘parasites’.

          That they need to be taught to always know their place and maintain a distance from those who matter, lest such ‘losers’ drag them down with them as well. Similarly, I can see her bullying Willow almost as a means of garnering Amity’s approval, because obviously Amity seemed intent on telling Willow to leave her alone; So Boscha would prove her loyalty and helpfulness as a friend, by telling Willow to back off! Amidst her own narrow mindset, it must be incredibly baffling to her for Amity to suddenly be hanging out with Willow and defending her from Boscha, who had always ‘protected’ her!

          I don’t know why Boscha’s mother is like this, or if her other parent is complicit as well. But generally speaking, a parent usually doesn’t resort to asking to hang out with their own kid if they aren’t lonely; So I wouldn’t be surprised if Boscha’s other parent is also distant, and responsible for her mother being emotionally needy… Which then causes Boscha’s mother to rely on her own daughter, making Boscha uncomfortable around those kinds of people, and causing a chain of events that result in the messed-up fourteen-year-old we see today!

          And again, Amity’s not responsible for Boscha, and she’s still busy trying to heal herself as well and definitely has worse self-loathing issues- Amity has never been truly selfish, mainly doing what her parents want; Which of course, she confuses as being what she wants as well. Obviously I don’t want to compare abuse, but at the same time it has to be acknowledged that Amity REALLY needs to prioritize herself and the friends she’s actually chosen for once.

          Amity is NOT a hypocrite for calling out Boscha on her bad behavior and indicating she’s more mature than her, especially since she’s never been an active bully and already made clear that Willow is to be respected. She’s still unlearning the abuse from her parents that makes Amity believe that kids like her are supposed to ‘be mature’ at an early age. She never planned to be Boscha’s friend, and Boscha was clearly more interested in the façade she put up; And even then, the image that Boscha had in mind wasn’t entirely accurate to Amity’s façade either!

          Boscha’s idea of what Amity was supposed to be like no doubt contributed to the pressure Amity had to be someone she wasn’t. It’s best for both girls that they separated, honestly- So that Amity can finally be free to make her own friends and not be beholden to someone she was forced to be with, and so Boscha can stop using Amity’s fake self as an unhealthy standard to follow, stop participating in a one-sided and unhealthy ‘friendship’, recognize where she’s messed up, respect others’ boundaries, and hopefully become kinder to others.

          Maybe then, Boscha will stop almost projecting her insecurities and needs onto Amity, looking to her almost as someone to depend and rely on, without considering who Amity ACTUALLY is and what she truly wants; Because Amity isn’t some stoic emotional crutch, she’s still a kid with her own insecurities and needs, just like Boshca. Boscha can perhaps stop looking at Amity for who Boscha wants her to be…

          …You know, the way her mother treats Boscha herself.

[fvrxdrm]

.•*Office Crush*•.

Damnation/RE6/Vendetta!Leon

Warning(s): None

Excited would be an understatement. You were ecstatic, exhilarated! It was your first day as a D.S.O. agent and you couldn't be any more exultant about it. Every step you took had a bounce to it, your face was beginning to hurt because of how hard you were trying to keep yourself from smiling, and your heart was pounding loudly that you were starting to think that the whole agency could hear it hammering from inside your chest. This was surreal. A dream come true. It may sound cheesy but it's the truth. I guess you can say that no words could express how you felt at that time.

Despite the enthusiasm taking over your brain, you couldn't but feel nervous. This was your first day. What if you fuck up? What if you get fired on your first day on the job? What if you were below their standards? What if nobody likes you? What if--

"Oomf"

So many thoughts were running through your head that you couldn't even pay attention to where you were going and bumped into something or someone, perhaps.

"Oh, my God! I'm so sorry", you apologised again and again as you picked up your papers off of the floor. You heard a deep chuckle from above you before the mysterious person knelt down in front of you and helped you collect your files.

Fuck up on the first day? Check. What's next? Getting fired right now because of this whole incident? No, no, no. That's stupid, Y/N. Why the fuck would they fire you just because you bumped into someone? Unless...

"Here", the mysterious person handed you your stuff as a small and genuine smile was etched on his face. You took the papers swiftly but gently at the same time, your face beginning to burn slightly in embarrassment. After you've taken everything from the mysterious person, you looked up and what you saw caused your eyes to widen a bit.

This was not just a someone. This was Leon Scott Kennedy, the D.S.O. and the world's best agent. 

You've heard multiple stories about him before. How he was one of the survivors of the Raccoon City incident, how he saved the president's daughter back in Spain, how he put an end to the Harvardville incident, and many more. You admired him for that and that was one of the reasons why you joined the agency.

Truth is, you were one of the few people who survived Raccoon City. However, you escaped the ghost town with Jill Valentine and Carlos Oliveira and never encountered Leon Kennedy or, from what you've heard, Claire Redfield and Sherry Birkin. After that, the three of you went your separate ways and never saw each other ever again except that one time you and Jill happened to be at the same place and hung out for a while but other than that, none.

I guess it's safe to say that that was another one of the main reasons why you joined the D.S.O.. There was a lot of thinking, a lot of second thoughts, but then you realized how much worse the situation was now that technology was getting more enhanced and science had gone too far. People were releasing more death-dealing B.O.W.s here and there and they were much worse than the ones in Raccoon City. You wanted to help in stopping that and this was your chance.

"Uh...thank you. You really didn't have to do that and I'm sorry again", you told the taller man in front of you as the both of you stood up from being knelt down.

"No problem and it's okay. Aren't you the intern?" Leon asked, the tip of his forefinger pointing at you.

Oh, no...he's going to tell the higher-ups what just happened and they're going to fire me, oh God! No, stop it, Y/N! That's ridiculous...right?

"Um...yeah. F/N L/N", you said as you masked your worried and nervous expression with a forced smile.

"Relax, L/N. I'm not going to just tell them and have them fire you. That would be stupid", Leon said and chuckled lightly at how red your face was.

How the fuck??? Oh, God. This is embarrassing.

"Um...yeah. Anyways, I have to meet with somebody today. I have to go", You stumbled through your words and looked down as shame finally took over your body.

This is bad...

"Oh, yeah. President Benford's in there. He told me he was waiting for you", Leon pointed at a frosted glass door just a few feet away from where you were standing.

"Thanks", Leon patted your shoulder lightly before walking away with a smile on his face.

"I'm Leon, by the way", he yelled while he continued walking away.

Yeah, I know...

You sighed and began walking towards where Leon was previously pointing at.

What a kickass first day...

When Leon finally heard your heels clacking against the tiled floor, he stopped dead in his tracks and turned his head to look at you as the grin on his face began to widened.

Cute.

He thought.

Leon actually knew you as another one of his fellow survivors of that incident in 1998. Everybody from the USSTRATCOM and the D.S.O. was looking for you to recruit you as another agent for years. They would track you down but the moment they would arrive to where the GPS had told them to go, you were gone to another place and would never get the chance to even see you. And now that you applied to the D.S.O. willingly, it was a sigh of relief to them that they didn't have to force you to work for them, just like how they forced Leon to, except it wasn't the D.S.O. that forced him... You get what I'm saying.

Leon had even heard stories of how you got out of the city as he was good friends with Jill. Whenever they would see each other, Jill would talk about you a lot. She would talk about how skillful you were in weaponry at the age of 16, how there wasn't even a single sign shown that you were terrified at what was happening at that time, how mature you were in handling the situation despite your age in general. She even showed Leon a picture of you from when you bumped into each other once and he noticed how pretty you looked just by staring at that photo of you. 

Your H/L H/C locks were gathered into a messy ponytail that had a few loose pieces of hair framing your face, your E/C orbs that stared back at him through Jill's phone screen seemed to twinkle as the sunlight hit your face, and your cute and bright smile reflected the happiness that was shown in your eyes. That image was forever imprinted on his mind since then and now that he saw you in person, face-to-face, he couldn't help but think about how prettier you looked in person, the bashful attitude you had making him admire you more. 

He was starting to fall in love with you more.

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

It's been a month since you've started working at the D.S.O. and your colleagues were surprisingly more than happy to welcome you. 

Everyday when you approach your table in the morning there would be various sticky notes just sticking on your desk with smiley faces written at the bottom. You've made friends that would greet you with a hug and eat breakfast with you. There were even some co-workers that would eat lunch with you and chat with you about random things. But most of all, there was this one person that would always place a cup of your favorite coffee on top of your desk with a note attached to it. 

You couldn't figure out who it was that would make such sweet gesture as the note didn't have a name on it but instead a heart was written together with the word 'anonymous'. You tried guessing but no one came to mind.

"Are you sure you don't know anyone that likes you?" One of your friends, which happened to be Sherry Birkin, asked you as she sat down on your desk.

"Sherry, if I did I would've approached them and talked to them", you replied before taking another sip of the coffee that anonymous person placed on your desk again.

"Right", was all Sherry could muster as sweat began to form on her face.

Truth is Sherry knew who it was as she caught him setting another cup on your desk the other day and talked to him about it but was told not to tell you as he wanted it to be a secret of his for a while.

Can you just please fucking tell her?

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

4 months have passed by and after so many days of training, the president had officially given you your mission.

"You ready, Agent L/N?" Hunnigan asked you as the helicopter in front of you started whirring its blades.

"Yep. Locked and loaded", you replied before grabbing the bag beside you that had everything you needed in it.

"Okay, I'll be guiding you through it", Hunnigan said with a nod. You nodded your head back before climbing on the helicopter and closing the door, your anxiousness finally taking over you as soon as the lights went dim.

First mission.

As you were preparing to leave though, one particular man was watching you with worry written all over his face. 

This was your first mission. A solo one at that. He would've been at ease if you had a partner but no, the president decided that it would be better if you were solo. 

It's not like he didn't believe in you. He did. He really did. He was the one who trained you for months and had seen your capabilities on the battlefield. He was impressed. Jill wasn't lying when she said you were a strong Amazon warrior. But that didn't mean he wasn't sweating over you. He almost got killed multiple times back in Spain and even got infected with Las Plagas. What's the possibility that that wouldn't happen to you? What's the possibility that the enemies wouldn't get their hands on you? What's the possibility that you wouldn't get killed? What if he never gets the chance to tell you how he feels?

Okay, stop, Leon. She will come back in one piece, all right? You just have to trust her more. And besides, Hunnigan's on the line to guide her. She'll be fine...she'll come back alive.

Right?

It's been a few hours since you've arrived at the location and so far you've only had a few scratches here and there that you didn't even notice were healing on their own quickly as you were too focused on getting the mission done.

There was this scary ass creature that was chasing you non-stop and you were already getting tired because of the running you were doing.

Gwen Ramirez, the psycho that released a virus called the Z-virus (A/N: I couldn't think of anything). He had injected himself with it and now, he became this spider-like beast, you know, like, Pennywise, that wanted to kill you so badly.

"Y/N, are you alright?" You heard Hunnigan ask through the comms after you've hidden yourself behind a thin metal sheet.

"Yeah, I just--", you got cut off. You look down to your abdomen and saw a huge claw piercing through it. You gasped. The claw then pulled out of you after a few seconds and you were left sliding down the metal behind you as you clutched your stomach.

"Y/N!" You heard multiple voices through the comms. You lifted your shirt up a bit and what you saw made your eyes widen in horror and astonishment. The flesh surrounding your open wound was closing on its own and you didn't how the fuck that just happened.

"Hunnigan?" You shakily called the woman on the other line.

"Hold on, Y/N. A helicopter is going towards where your location is", you ignored her statement and just told her what you were seeing.

"How the fuck is my wound healing so fast?" The clacking of keyboard stopped on the other line and nobody spoke for a moment until you heard a male voice say,

"What?" You patted every part of your body but you felt nothing, as if your cuts and bruises were gone too.

"I don't have any cuts and bruises anymore", you finally spoke again. Without any other words, you came out of your hiding spot and saw the creature looking down at you in surprise and confusion.

"How...? You should be dead!" The beast cried out. You looked past the monster and saw a few drums of explosives just standing near him.

"I thought so too", you took out your gun and shot every firkin, the explosion causing for the horrendous creature to be torn apart in pieces. 

Just as the explosion occurred, the sound of blades cutting through the cold and dark air was heard from above and a ladder was then thrown down at you.

Once the helicopter had landed on the helipad on top of the D.S.O.'s building, you jumped out of the chopper and let's say maybe a dozen of scientists quickly took you to their lab and took a sample of your blood to examine it and see what was the cause of that sudden ability you had. You happily obliged as you wanted to find out what was inside of you too and just waited as you patiently sat down on a bed.

As soon as the scientist that took some of your blood went of the room, Leon came barging in through the door with a...weird and undefined look on his face...you seriously don't know.

"Hey, Leon-mf", you were suddenly cut off by a pair of warm lips touching your own glossy ones. You tried processing it for a moment but eventually responded back by moving your lips against Leon's as you closed your eyes shut and let your hand reach the nape of his neck.

Leon caressed your bottom lip with his wet and silky tongue as a way of silently asking for permission to which you happily let him by parting your mouth more.

You were running out of breath and it seemed like Leon was too as he pulled away, a short string of saliva the only thing connecting you both. Then, you came to a realization.

"You're the one who keeps bringing me coffee", you said as a small grin started to tug on your lips.

"Yeah. I've always liked you. Jill had told me several stories about you and even showed me a picture of you both", Leon confessed as he proceeded to place a few strands of hair behind your ear.

"Well, I'm glad you do because I've admired you since the day I found out you were one of the survivors", you smiled softly at him again and grabbed his face with both hands as you pulled him in for another kiss.

[girl4music]

I'm saving this in my bookmarks. I have a lot more to say about it and need to gather my thoughts on it so I can clearly and concisely express what I want to say without insulting someone else. It's a very controversial topic of discussion after all. But one that must be discussed nonetheless.

------------------------------------------

"but the misconception you must accept that you have an addiction in order to change your relationship with drugs and alcohol, is harmful."

It is very harmful. It's similiar to constantly believing you're mentally ill when you have a mental illness. That's not going to help you get mentally well. Addiction is a mental illness. Maybe 12-step AA programs should understand what's necessary for neurodiversity first before understanding what's necessary for recovery. It makes total sense to me why DEMI LOVATO is fairing better with moderation management methods over total drug/alcohol abstinence. But that's because I understand her well, not because I understand addiction well. I just think... Neurodiversity > Recovery. And, in my mind, associating "recovery" with the term "sobriety" is more dangerous than associating the term "California sober" with "recovery" in my opinion. But what do I know? 😑

"This goes against the popular belief that consuming drugs and alcohol and being in recovery are mutually exclusive, an idea that is deeply embraced by some in the addiction treatment field."

Yes, because the addiction treatment field wants you to be free of your addictions. 🙄 They don't want you to be free of your addictions or your mental illnesses. They want you to RELY ON THEM so that the only "treatment" you can get for your addictions and mental illnesses forces you to continue said "treatment" with them. So that it's a never-ending cycle.

"The idea that recovery is synonymous with sobriety is closely tied to 12-step fellowship programs where step 1 is to admit you’re powerless over drugs and alcohol and the ultimate goal is abstinence."

Exactly. So YOU'RE powerless to make any decisions for yourself that do not include what THEY say is best for YOU. Which is an ultimate and unrealistic goal of TOTAL ABSTINENCE.

"But if you ask your friends, neighbors, or loved ones outside of the addiction field what they think it means to be in “recovery”, most will associate the term with total sobriety."

Yes, and they want to keep it that way because it makes big $$$$$.

Listen people. I'm gonna lay it out in plain English for you

Demi is not saying her "California sober" method is everyone's method. That it is the correct method for everyone dealing with addiction or/and mental illness. In fact she's made it pretty damn clear no one should think or believe it is or should be. All she is saying is that it's a method that she's found to work for her. And is it working? Well, only time and experience with it will tell. I don't know if it will for her longterm but it certainly seems to be working for her at the moment. And that's all that matters for the moment. But, for me personally, I think neurodiversity should be put first over recovery because all people aren't the same and therefore the same method for recovery will not work for all people. There are different pathways to take and different options to try. Some not so popular than others. All Demi is doing is trying those "not so popular" methods out because the one that everybody says, thinks and believes will work did not work for her at all. Sobriety did not work for her and, forgive me for using this metaphor, that's a hard pill to swallow for some people who hold the term "sober" so closely to their heart and dote on it like it's the love of their life.

I have genuine faith that this moderation management method (her "California sober") will work for her. Because, like I said... I know and understand Demi very well. I know that extremes are not right for her. And total abstinence is just another extreme for her to get addicted to on top of her other addictions. The woman needs balance in her life. She knows she needs balance in her life. So therefore she's trying that "balance" with her issues with drug and alcohol addiction. She believes it will work. And I think she's right. Will it work for somebody else? Probably not. But it's a viable pathway to take and option to try in any case. What more harm could moderation management do to some people than the harm total abstinence can do to some people? Because I definetly say the latter is far more dangerous.

We, as a society, need to get more comfortable with the term "weaning" regarding substance addiction first of all. You would not make a baby go without their mother's milk or baby formula in order to get them on to eating solid foods. Of course not. You would wean them into it. So why isn't this area of logic applied to substance addiction? It should be! That's my take on it and I want to develop this area of logic further as I learn more and more about the mental illness of addiction and substance abuse in general. I know very little about addiction. I don't know a great deal about mental illness either but more so than just what little I know about addiction specifically. But what I do know and understand very well is neurodiversity and the relationship between the external and the internal. Meaning the relationship between the environment and the human mind/body. And my argument for what to do for mental illness (and addiction, most likely) is that you must get to know and understand this relationship first before tackling recovery in any aspect of life. The relationship between "I" and "other" is extremely important for interaction of any kind with people, things, substances, ideologies, philosophies, stimulants... Everything. And I just don't believe any "program" or "treatment" for addiction recovery or mental health recovery can be without the knowing and understanding of this relationship. This primary relationship with "I" and "other" and all interactions between them.

Now for someone who lives to such extremes to the point that they are misdiagnosed with bipolar disorder (DEMI LOVATO)... It is quite evident that the key is to lessen those extremes. And the way to do that is by balancing the extremes. Not by completely taking all of them away.

One extreme for her is a total obsession with perfection and with being the best at everything, looking as good/pretty as possible. Essentially constantly setting the bar higher and higher to reach with each grasp. That is an addiction for her.

Another extreme for her is disregarding any and all expectations or goals, rebelling against every law or moral or teaching whatsoever... Basically not giving a crap about anything. Not even her own well being,... to the point where she's results to substance abuse just to keep going. To have some kind of high.

Now throw in a strict schedual of night and day, around-the-clock restriction, limitation and control into the mix and have that happen for 365 days a year and ask yourself will it lessen any extreme for Demi or will it just add another extreme on the top of it? One would absolutely lose their mind trying to keep up with all of this while being expected to perform to any degree whatsoever as a "star". One is going to fail. More than fail. One is going to seriously impact their health. One is going to be on death's door. So even though I don't know and understand addiction or mental illness very well, don't say I don't understand the tremendous effects it can have on neurodivergent people. I know and understand more than any average person would ever fucking know or understand. I know and understand Demi. And I am saying moderation management is the best method for Demi's substance abuse recovery because her addiction is not substances. Or rather - not primarily substances. Her addiction - her primary addiction - is to be PERFECT. She needs to tackle that addiction before her addictions with substances. With drugs and alcohol. And the best way for her to do that is to find balance in every aspect of her life. With her food, with her career, with her music, with her interactions with EVERYTHING. If she can tackle that addiction and wean it down to where she doesn't need to feel like she needs to be so perfect all the time and put herself through the ringer with her career... Then her issues with substance abuse will most likely disappear by themselves because she wouldn't need those substances or stimulants to cope anymore. There's no cause for it. No trigger. So, yes. She's right. Moderation management is the correct method for her. And it's proven to be so far, so let's not villify her for it just yet. Let's wait and see what the results are first. Like you would with any scientific study. And if it does turn out to be that you were right... Then you can make your conclusions on whether it's a method that should or shouldn't be used or associated with drug/alcohol addiction recovery ever again. I personally don't think so. I think she's got it now because, with Demi, it's primarily a mental health issue with her feeling or thinking that she always needs to be perfect. I think if that addiction goes away, then the addiction with the drugs and alcohol will go away on its own. There will be no need for a "recovery plan" at all for it because she's got the stimulants that she needs to remain in a healthy and balanced mindset.

Demi's effectively killing two birds with one stone. She couldn't even kill one before her overdose happened and that was not her fault. It was the fault of the people constantly around her making sure she never had any stimulants whatsoever. Leaving her powerless to ever get "mentally well" in the first place. Her last recovery team left her in one big jam. They took all the stimulants or coping mechanisms away to deal with her addiction issues with perfection and body image and eating disorders. They refused to wean her and it only made the situation worse. I mean what did they think was gonna happen? NOBODY could get "sober" or "clean" or "recovered" or "mentally well" from that level of restriction, limitation and control, let alone DEMI LOVATO, a "star" who was given access to everything under the sun as a child and was taught and told to be perfect at the same time.

Oh yes, I totally get it. And that's why I can say with complete conviction that, this time, Demi's got it now. She's got a handle on every addiction or mental health issue plaguing her because she's gone right to the root to where it all started to begin with and she's weaning herself. 👏 And you know, if you cut the head off a snake, the whole body dies along with it without ever needing to take a second chop. Apply that awfully corny metaphor to all I've just said and you'll totally get it too. Addiction and mental health recovery is not a one-size fits all method. There are other methods. Demi's just trying those other methods and being publically transparent about it. She should be respected, not vilified. I'm done.

[hunnybadgerv]

SWTOR Short Fic Weekly Challenge Prompt List

I found this list and was really intrigued by a lot of the prompts, they are really in depth and thought provoking. So, I linked the original location where I found them and am going to squirrel them away for those times when I really need inspiration. Or just really want to write in that fandom.

I’m wanting to write some Doc fic for @alyssalenko, but I can’t really get my brain in gear right now.

It is super long, so I tucked it under the cut.

SWTOR Short Fic Weekly Challenge Prompt List

Week of 6/1/2012 Culture Shock - The galaxy is a big place, and it's home to a wide variety of different cultures and species. It's not easy working with someone who may look similar to you, but comes from a radically different culture - not to mention being friends or even spouses with them Week of 6/8/2012 Allies - When something huge is going down, or just when you need a hand, who can you call that you know is going to have your back? Whether it's someone completely unlikely or exactly what you'd expect, who can you ultimately always rely on? Week of 6/15/2012 Confessions - Everybody has things they don't like to admit. Sometimes it's big, sometimes it's just something small. Sometimes it's nice to finally let it out. What does your character need to admit - and to who? Hidden Talents - All of our characters are good fighters, but people are good at more than one thing. What else are they good at - and how do their friends and family react to learning about this hidden skill?

Week of 6/22/2012 Rites of Passage - Sort of related to the cultural theme, there are tons of different rites of passage our characters go through. Some are common across cultures, like weddings. Some are specific to a culture, like coming-of-age ceremonies. And sometimes they are just an internal realization that your life has changed. Feel free to take this in any direction you would like. Week of 6/29/2012 Health - Jet-setting around the galaxy means exposing yourself to a ton of different viruses, bacteria, and parasites. Let's go, biology nerds! First Impressions - Our characters meet tons of people on their journeys. What are their first impressions of each other like? Are they accurate, or did someone put up a front? Write about it! Week of 7/6/2012 Communication Breakdown - Trying to communicate with each other when things are going well is hard enough, but our characters have plenty of other things that can get in the way. Bad com channels, language barriers, broken holo feeds - all those can mess up a conversation. Not to mention people who just plain don't understand each other... Week of 7/13/2012 Catching Up - Pretty much all of our characters have pasts that might catch up with them in the future. Sometimes that's not a good thing, like seeing an old enemy. Sometimes it's great, when an old friend comes to help you when you need it. Either way, it's bound to be interesting. Mix It Up - For this challenge you can write anything you like. The catch? Someone else's character has to be in it along with yours. It can be your friend's or someone else in the thread as long as you have gotten their permission and as long as your story involves your character and another player character that you don't play - NPCs, companions, etc don't count. Get creative with this one and see what cool stuff you can come up with. We have some really talented minds in here and I'm sure people will come up with some awesome stories. Week of 7/20/2012 Exploration - You could travel your whole life and not see all of Earth - so what about people who have an entire galaxy to explore? What new things have your characters uncovered along their journeys? Thank you bright_ephemera for this prompt. Dreams and Nightmares - Sometimes these are literal - a horrible nightmare or a pleasant dream that you don't want to wake up from. Sometimes it's a metaphor - your desires for the future or your greatest fear. Either way, they're a part of everyone's lives. Thank you Striges for this prompt! Week of 7/27/2012 Family - Dealing with a war sucks. It's already complicated enough, but family complicates things even more. Some of our characters' families are different species, or have different alligiances. How do they deal with the complications that family can bring? Suggested by Eanelinea. Discovery - In our characters' journeys, we make some surprising discoveries. Sometimes they're things about ourselves or our friends, other times they're discoveries about the world around us. Either way, they usually take us by surprise. Suggested by Crezelle. Canned Response - When we click on our companions, they give us one of a set of responses. Unfortunately, that's all the endgame interaction we get with them - but let's make the best of it! Pick a phrase (one or more) a favored companion says to you and write a fic around why they are saying it. Suggested by Morgani. Week of 8/3/2012 Celebration - There are many things to celebrate in life: from weddings to birthdays to holidays. Write about a celebration your character has been a part of. Prompt suggested by SveinEternity. Guilty Pleasures - We all have them. Does your bounty hunter love The Bachelor (or whatever the SW equivalent is)? Or your Jedi Consular love romance novels? What secret thing do they love - and would be mortified if anyone knew it? Week of 8/10/2012 Mission Accomplished - Ever wonder what exactly goes down when you send your companions on those crew skill missions? How does Khem handle diplomacy missions, for example? Write about your character sending one of his or her crew members on an assignment - your character can only appear when giving the mission; focus on a companion. Suggested by Morgani! What's In A Name - Names are special, they almost always have some meaning behind them. First names, family names, nicknames - none of them are ever arbitrary. Write a story explaining a name given to your character or a companion, whether it's their personal name, nickname, or alias. Week of 8/17/2012 What If? - Most characters have some major event in their past that changed the entire course of their life. What if that event never happened? Would they even take part in their class stories, meet all their companions, or be the person you played? Suggested by Morgani. My First - Firsts are usually special - first items, like Jedi and Sith's first lightsabers or an agent or smuggler's first gun. First times, like your first time connecting with the Force or your first time stepping onto your ship. Firsts can change a person and solidify who they are. Write about a special "first" in your character's life and how it shaped them. What's in a Name 2 - Extended for the week because it was so popular. If it still inspires you, keep writing it! All the stories were just that good. Week of 8/24/2012 Turning Point - Last week we wrote about what life would be like if major events didn't happen. This week, we're writing about major events that DID happen. Pick a particularly important moment for your character, one that solidified their path. Write about what they did and why that moment was crucial. Worst Day Ever - Everybody has a bad day. So do our characters. Maybe it was in their class story - like getting your ship stolen on your birthday - or maybe it was something that happened before or after. Whether it genuinely was the worst day or your character was just in a bad mood and something happened to make it worse, write about a day that made them call it "the worst day ever". Week of 9/1/2012 (Un)invited Guests - Things get complicated when you're visiting someone else, or have someone visiting you. Even if you want them there! Of course, things are extra complicated when your guest is someone you didn't want or expect to come around. ...Like No One's Watching - When we're alone we often indulge ourselves in things that might embarrass us if others knew. Bad music, bad dancing, whatever it is, we'd be pretty mortified if someone caught us. This time, write about your character's secret indulgences - and how they react when it's discovered. Week of 9/7/2012 Changes/New Paths - Week of 9/14/2012 Brotherhood/Sisterhood - Ceremony - Week of 9/21/2012 Parenthood - Many of our characters either have issues with their parents, are parents themselves, or both. Parents can make things complicated, whether it's simply the generational gap or the fact that they aren't great parents. Affection - It's more than just a game mechanic. How do your characters show it, whether to their lover or their family or to their friends? Does it always have the intended effect, or do things get lost in translation? Week of 9/28/2012 Fame - Your characters all end their class stories with a lot of newfound fame. How do they deal with it? Being recognized on the street, being on the news, finding themselves mentioned all over the HoloNet - it's got to be stressful. Alternatively, what if your characters met another famous person and had to deal with being starstruck? Bad Timing - Sometimes, the worst thing about something is when it happens. Even a good thing can end up being not-so-great if the timing is wrong. Write about a time when your character had to deal with something that just plain came at the wrong time. Week of 10/5/2012 Sacrifice - What are your characters willing to sacrifice to achieve their goals? Good/Bad Memories - Sometimes good memories can get your characters through hard times, sometimes bad memories are the extra push they use to move forward. What memories move your characters? Week of 10/10/2012 Teachers and Heroes - Everyone has someone they look up to, or someone who's taught them something important. Or a hero that they strive to be like. Who does your character admire and look toward when they're not sure what to do? Who has had an impact on making them the person they are today? Week of 10/17/2012 Xenobiology - Different species means more than different skin colors. It means different entirely different physiologies. Having friends whose bodies work so differently from your own can make things complicated, as everything from how you relax to how you dress and what your beauty rituals are (what is "lekku buffing", anyway?). How do your characters deal with differing biologies that they encounter? Best Day Ever - We've written about our characters' worst days; now write about their best days! A day when something wonderful happened, like finally beating your nemesis, or just a day when everything went really well for them, and how they reacted. Week of 10/24/2012 Disguises - Sometimes our characters have to gain entry to places that it's not easy to get into. What's a good strategy? A disguise, of course! Write about a time in which your character had to pretend to be someone or something else, and how they dealt with trying to be convincing. Worlds Colliding - Our characters fly all over the galaxy and meet people from many different worlds - metaphorically and literally. Relationships, friendships, and partnerships can develop, which often results in those two very different spheres of living coming together - which can be tough to navigate. Write about a time when your character's world met up with another's, and how they reacted. Week of 10/31/2012 Food - Everyone has to eat, and food is a major part of many cultures. It's part of your heritage and the memories you have of your family and friends. In a diverse galaxy, there are thousands of different things to eat and ways to prepare them, as well as traditions and customs involving food. Write about your characters' experiences in those realms. Loneliness and Solitude - Our characters end up with crews of interesting folks, but that doesn't mean they never feel lonely. When you're up against some of the biggest forces in the galaxy, it's hard not to feel alone. That said, sometimes being alone is a blessing - some well-deserved solitude is a wonderful thing when you need it. Write about a time in which your character felt lonely - or when they finally got some time to themselves. Week of 11/7/2012 Seasons - In space there are no seasons. But in a galaxy of thousands of worlds, it's every possible season at once, and not just the four temperature-variation ones. Write about some of the seasons your characters have experienced. Tools of the Trade - We all use tools in our everyday lives, whether it be a skill like one's persuasive powers, equipment like one's weaponry, or the right bit of knowhow to solve the problem without the need for that weaponry. Write about the tools that your characters depend on...or the ones they avoid using. Week of 11/14/2012 Deadly Sins - Everyone struggles with one of them at some point: wrath, pride, envy, lust, gluttony, greed, and sloth. Sometimes they spur us on to do good things. Other times, they hurt us and others. Write about your characters' struggles with the worst sins of them all. Seven Virtues - We're not just sinners, here. We all have our virtuous sides too, and many of our characters take one or more of the traditional "seven virtues" to heart: wisdom, justice, restraint, courage, faith, hope, and charity. Write about a time in which your characters embraced one or more of these virtues and how it affected them. Week of 11/21/2012 Home Ec - Our ships and everyday living arrangements have to keep running somehow. Maybe a slave or ship's droid handles it all for you; maybe...not so much. How do your characters manage cooking, cleaning, budgeting, ship maintenance, appliance repair, and more? Do the Math - On a more abstract level, tons of things in life can be reduced to, or perhaps just unhelpfully compared to, the math that rules our worlds. Write about your characters or things in their lives adding, subtracting, dividing, or multiplying. Or do they ever have to integrate? Or deal with binary logic? Or try to keep a limit on their eccentricity? Or handle something that's just...odd? Write about it! (Somewhat off-the-wall, but I hope y'all find something fun to play with in there, not necessarily strictly math-rigorous!) Week of 11/30/2012 I Love This Bar - We all do our time in the watering holes of the galaxy. What's your character's favorite memory of things seen, heard, done, purchased, insinuated, shot, kissed, imbibed, discombobulated, or otherwise rendered memorable in a cantina? Night of the Living Prompt - Remember all those ideas or half-finished scraps you had for earlier prompts? You know how it feels way too late to post it now? Resurrect your favorite prompt - let us know which it is! - and give us a story! (Kudos to kabeone for maintaining the master prompt list!) Week of 12/7/2012 As Time Goes By - No matter where you are in your character's story they are probably quite different from when they started. Maybe some are ready to settle down and others are starting to feel the passage of time. (All that Force leaping can't be good for the knees!) Has your character noticed any changes or have they stayed the same while others changed around them? Tell us about it. Week of 12/14/2012 First Day on the Job - Some of our characters have very long, very colorful employment histories. Others picked a job or had it picked for them when they were very young. Pick one of the jobs your character has held and describe the day they came to it. Loyalty and Betrayal - Two loaded words that can have major impacts on a person's life. Which characters of yours always follow orders? Which never compromise in loyalty to their friends or cause? How do your companions (not just that one) deal with challenges to their loyalties? Week of 12/21/2012 Laws and Governance - Our characters pass through a huge number of jurisdictions with a huge variety of regulations, forms of government, fine print, and - eek - legal penalties. Write about an interaction your character has had with government and/or the legal system. Failure - Our characters have flaws. They have bad days. They do it wrong. And sometimes they don't win. What failures have your characters experienced? What, if anything, did they learn from it? Week of 12/28/2012 Alternate Perspectives - Something a little different, most of the time we tell a story from a single character's perspective. But what were other characters thinking at the time? Rewrite one of your past pieces from another character's perspective or write a new fic from two characters perspectives. Use any prompt or just make something up. Week of 1/4/2013 Stomping Grounds - Our characters all have favorite places. Somewhere they grew up, somewhere they spent a lot of time, someplace that feels like home or might as well be. Someplace they’d rather be any day of the week. Somewhere they dream of when things go wrong. Tell us about your character’s favorite stomping ground. Week of 1/11/2013 Goals and Ambitions - Everybody has something they dream of, something they're working for in the future. For a lot of our characters it's a defining part of who they are. What are those goals? Who do our characters want to be? Behind the Scenes - Things aren't always as they seem, some events never look obvious, and wherever there's a curtain there may well be a man behind it. Write about what's really going on behind the scenes of your character's story. Week of 1/18/2013 The Story So Far - Let's step back for a moment to consider our universes. Write a summary for your characters, storyline, or entire universe as you would introduce them to a beginner. Week of 1/25/2013 Legacy - Legacy is an important part of the game, and a running theme throughout several of the stories. Is your character a part of a particular legacy, be it of family or ideology? What does your character want to leave behind when they're gone? Backfired Plans - ported from the AU thread. No good deed goes unpunished, and sometimes blessings come in disguise. What if something meant for good had bad effects, or vice versa? Week of 2/1/2013 LF1M - Dating site profiles are full of the good, the bad, and the ugly. If your character got lonely and tired of his/her designated love interest, what profile would you write for them to submit to the HoloNet's matchmaking services? Week of 2/8/2013 Climate - Our characters visit a dazzling array of planets, moons, and extremely large ships with a wide variety of climates and weather conditions. Write about a time when your character had reason to notice. Week of 2/15/2013 Working Out the Kinks - When has any device, excuse, or plan ever worked on the first try? Write about a time your character's efforts met reality and didn't go as perfectly as intended. Week of 2/22/2013 Enemies, Rivals, and Nemeses - Everyone has them. Each class story hands you a number of them, and we create more in our Legacies. So, how does your character deal with his or her enemies--quick death, public humiliation, something else? What about rivals, professional or otherwise? Does your character dream of destroying them or use them as motivation to exceed? Is there a nemesis lurking in the wings somewhere? Tell us about it! Week of 3/1/2013 Mirror, Mirror - Images and reflections can tell you a lot. Sometimes they give an accurate perspective on what's going on. But sometimes they don't quite reflect the truth of things. Distorted or un-, write about mirrors, reflections, or echoes that your characters have encountered or left. The Morning After - What seems like a good idea at night may turn out to be terrible in the morning. Or the other way around. Write about the morning after some event great or small that your character has experienced. Week of 3/8/2013 Life and Death - Throughout our stories in the game, some NPCs (and some of our own OCs) died and others survived. When did a critical death - or survival - make a difference in your character's tale? Your Song - Music is a tremendous force in many cultures, human and otherwise. Some people ignore it, some listen, some create, some sing really loud in the shower. Write something involving the music in your character's life. Week of 3/15/2013 To Market, To Market - To tread close to a game mechanic, or perhaps just to enrich/contextualize what game stuff we see: The Cartel Market brings tons of unique weapons, speeders, pets, funny-looking gear, and more to our in-game characters. Do any of those items have a story? Week of 3/22/2013 Myths, Legends, and Heroes - Everyone grows up with stories. Stories of fantastic people doing amazing things and having wondrous adventures. Our characters are well on their way to becoming heroes to the following generation. So who did your character look at as a role model? Whose footsteps did they want to follow? Whose stories did they read? Whose adventures did they follow on cheesy serialized animated holoprograms? Why are they so special to your character? Oh, Well That's Awkward - The class stories are full of interesting coincidences, especially when you take all the companion stories into account. Legacies, as part of the game structure, encourage even more strange situations and relations. So, what’s something about your characters’ legacy or story that makes family get-togethers interesting. Or impossible. Or just really unlikely. Week of 3/29/2013 Hide and Seek - Sometimes our characters need to find something they just don't have. Sometimes they need to keep something hidden from somebody else. Write about a time your character was hiding, seeking, hidden, or sought. Week of 4/5/2013 April Fool! - Some of our characters and companions enjoy jokes more than others. Has your character ever played a prank or practical joke? Did it work or did it backfire? Perhaps your character is the eternal butt of someone else’s pranks. Do they get even? How? The galaxy isn’t all doom and gloom; write about about fools, jokes, and general silliness. Week of 4/12/2013 Membership - Our characters grow into and out of all kinds of clubs, orders, cults, fellowships, schools, social circles, and professional organizations. Write about your character's membership in - or exclusion from - some group. Week of 4/19/2013 Children - we've had Parenthood, now look at it from another perspective: your characters may have kids or want them. What kids do they meet? Do their kids play nice together? What do their kids want and how do your adult characters help or hinder? Groomed - Presenting oneself to the world is a complicated thing. There are soap products to select, then hair to style, shaving to do, cosmetics to apply...alternately your characters might ignore some or all of the above. Write about your character's hair and/or grooming style. Week of 4/26/2013 Head of the Class - Our characters have been to academies, universities, boot camps, and the universal school of hard knocks: as students, as teachers, or maybe as maintenance, assistant, or thief. Write about your character's education. Week of 5/3/2013 Fashion - Most of our characters wear clothes. Do they follow fashion? Set it? Actively offend it? Are they more collars and cuffs or sweats and monkey-lizard slippers? What's their favorite thing to wear, what have they saved for years even if they don't fit into it, and what would they love to wear if they could just find the occasion for it? Write about your characters' clothing and how they relate to it. Prompt courtesy of iamthehoyden. Week of 5/10/2013 Planes, Trains, and Thrantamobiles - It's a big galaxy out there and we all have to get around somehow. Our characters encounter ticketing, hyperspace calculations, docking fees, late-running rides and more on ships, banthas, landspeeders, thrantas, troop transports, tauntauns, and/or whatever improvised modes of transportation they can get. Write about your character's transportation experience. Week of 5/17/2013 Cross My Heart - Honesty isn't exactly espoused by most organizations in the galaxy, but some individuals and groups still strive for it. Write about your characters encountering (or handing out) the right or wrong truth at the right or wrong time. Week of 5/24/2013 The Droids You're Looking For - One of the hallmarks of the Star Wars universe is the presence of droids: astromech, protocol, combat, and more. Write about the droids that support (our hinder) your characters. Week of 5/31/2013 Anniversaries - In honor of the SFC reaching the one-year mark, think about Anniversaries. Some dates are remembered and celebrated; others are remembered and reviled. From the fresh anniversary of something that happened just a year ago to the enduring remembrance of holidays for cultures and nations, people often mark the date and do something to observe the occasion. Write about an anniversary or significant holiday in your character's life. Week of 6/7/2013 Defenses - Sometimes our characters defend what's theirs. Sometimes they defend the things they care about. Sometimes they're asked to defend things they really don't like. Whether in combat or conversation, write about your character's efforts to defend something or someone. Week of 6/14/2013 Mea Culpa - Our characters have probably done a lot of wrong or perceived wrong, one way or another. Sometimes they think an apology is necessary. Sometimes they really don't. Sometimes they may want to apologize even when they didn't do anything. Sometimes the wronged party accepts it; sometimes they reject it; sometimes they're not there to hear it. Write about a time when your character or someone they know was prompted to apologize. Week of 6/21/2013 Animal Kingdom - Animals are all over in Star Wars, be they beasts of burden, metal-devouring parasites, mounts, showcase pets or underfoot vermin. Write about the animals your character has encountered. Week of 6/28/2013 Gifts - Gifts serve a multitude of functions, from hospitality, diplomacy, housewarming, affection, celebration, to manipulation or poison. They can be big or small, expensive or free, expected or surprising, public or private. Write about a gift your character has given or received. Week of 7/5/2013 Navigation - Our characters often find themselves navigating toward a goal by means of maps, tracking signals, advisors, or instinct. Write about some guidance that pointed the way. Week of 7/12/2013 Collections - This wide galaxy is a great place for hoarders...or definitely not hoarders, I don't know what you're talking about. Where would your character put all the random things you can accumulate, all the speeders, random pets, the copious crafting mats, countless outfits, armor sets, saber hilts.... or does your character only collect one thing in particular, a couple of things, or nothing at all? Prompt courtesy of Kitar. Week of 7/19/2013 Vacation - Our characters have traveled hither and thither over a dozen or more planets for work, politics, personal vendettas, and more. But where do they go to relax and what do they do when they've got some time to unwind? Write about your character's vacation time. Prompt courtesy of alaurin. Week of 7/26/2013 If I were a Rich Man - Our characters come from all walks of life. Were credits just a means to an end, or did they ever dream of wealth and how they might get it? Make it on their own (legal or otherwise), inherit from family, or play the Cartel Lotto and hope? In the course of their stories they become wealthy and powerful. What do they do with all those credits? Did money buy happiness? Did they fulfill their dreams, or was their monetary success empty and hollow? Prompt courtesy of Striges. Week of 8/2/2013 Lurkers - This is your chance to get in on the fun. If you’ve been reading this thread but never posted or commented, take a chance and post something! Write on anything you like, any length, any character, original or established in game. For inspiration, visit the prompt archive, but don’t feel tied to it. Not brave enough to share? Let us know what story (or stories) or character (or characters) you liked. Page one of the thread has several indices to the stories to help you. Out of the Limelight - his is the flip side of Fame. Through the course of their stories, our characters become famous. Household names, even. Would they have prefered to stay anonymous? What things are easier when no one knows your face? How do they deal with the need for privacy? Do they ever wish they hadn’t become heroes? What made them take the plunge instead of staying safely in the background? Veteran Writers - Tell the lurkers why you chose to post. What gave you the confidence to share your fiction with the community? Week of 8/9/2013 Wishes - Wherever our characters go, whatever they do, it's likely they have an eye on something more. Some people keep their fondest wishes a secret; others announce it to the world. Some wish on a star, a falling leaf, a found coin, or other totems. Some find a way to make it happen, and some haven't quite reached it yet. Write about your character's wish. (Prompt courtesy of Eversteam.) Week of 8/16/2013 Play Within A Play - (alternately titled My Immortal) - In a world where there are people, there are stories. And where there are stories, fandoms are likely to follow. And where fandoms go...well. Do any of your characters or their companions write fiction? Imagine what they would write in the way of thinly (or not at all) veiled fanfic. What stories do your characters tell about each other? (Keep it forum friendly, of course!) (I blame this prompt on kabeone.) Paying the Piper - There might be a couple different meanings to this, but in the end nothing comes for free, and one's choices have costs and consequences. Write about a time your character had to pony up the payment...or end up on the receiving end. (Prompt courtesy of Kitar.) Week of 8/23/2013 Mysteries - There's a lot out there we don't know. There's a lot out there some of us do know and some of us don't. Our characters are faced with many mysteries, some perhaps explainable by science or the Force or another sentient's mind, some not. What mysteries have your characters come across? Are they comfortable with not knowing or do they insist on uncovering the truth? Prompt courtesy of frauzet. Week of 8/30/2013 Competition - Life is full of competitions, formal and informal, friendly and unfriendly. Whether it's with siblings, neighbors, colleagues, or strangers met at the intergalactic traffic light, it's human (sentient?) nature to find something to try to be better at. Sometimes there's a clear goal, sometimes there's not. Sometimes there are rules, sometimes there aren't, sometimes there are but nobody follows them. Sometimes there's a prize at the end, and sometimes it's just about bragging rights. Write about a competition your character has participated in – or tried to avoid. Prompt courtesy of alaurin. Week of 9/6/2013 Technology - One of the great things about sci-fi is the futuristic technology. Star Wars boasts all kinds of innovations, from droids, tracking beacons, tractor beams, super lasers, lightsabers, blasters, and omnipresent (or not?) links to the Holonet. Some technologies date from ancient races, and their secrets are forgotten; some new technologies are just in the prototyping and testing stage; some are deployed on every street corner. Write about your characters' experiences with the tech of Star Wars. Prompt courtesy of Kitar. Week of 9/13/2013 The Sure Bet - Sometimes things just fall into place, and the goal is in easy reach just an action or two away. Sometimes there's a choice between long odds and a safe bet. Or sometimes a surefire proposition walks right up and make an offer. Write about your characters' experience with a sure bet. Did it turn out the way they expected? Week of 9/20/2013 Fitness - Let's face it, the jobs and adventures our characters go through are physically punishing. How do your characters hold up? Do they specifically work out and train, or do they rely on natural prowess? Do they ever fall out of practice? How do they compare to others, or do they go out of their way to avoid comparison? Prompt courtesy of Kitar. Week of 9/27/2013 Pimpin' Threads! - This week, a special one-time offer: Many of us have written additional SWTOR fic on this forum or elsewhere involving the characters that we've introduced or mentioned here on the SFC. Here's your chance to post a link and write a description about these extended stories! Please tag nsfw links as appropriate. Week of 10/4/2013 Words, Words, Words - It’s a big galaxy, and the big galaxy hosts a lot of languages. Some people are polyglots, switching among languages easily; some have enough trouble mastering one. Sometimes whole conversations go on in a foreign language, and sometimes only critical words that resist translation are used. Write about a time that certain words proved critical for your character. Week of 10/11/2013 Irresistible Urges - Cravings can happen for lots of reasons: addiction, pregnancy, a reminder of a favorite creature comfort, or it just being 2 AM right after all the takeout places have closed. What can’t your character do without? Write about a time when cravings struck. Suggested by irishfino, iirc. Week of 10/18/2013 Advice - In a galaxy this big there are a lot of problems to solve and there’s plenty of wisdom, given and received, to help deal with it. Your character is experienced. What advice would she give a newcomer seeking to follow her footsteps? What would he tell his children? Did a mentor give good advice? A rival? Did your character follow it? Was it useful? Prompt courtesy of Striges. Week of 10/25/2013 Superstition - Both cultures and individuals can hold superstitions, little practices and beliefs that are supposed to put some spin on reality, make good luck or ill. Then again, some people say it’s all nonsense, and some even tempt fate by crossing superstitious lines. What superstitions does your character hold to? Has any experience seemed to prove or disprove the rule? Week of 11/1/2013 Goodbye - Would you believe we haven’t had this prompt yet? Goodbyes come in many forms, from the quick “see you later” of an everyday contact to permanent loss. Write about a time your character said goodbye…or couldn’t. Week of 11/8/2013 Congratulations/Awards - Sometimes everything goes right, and sometimes our characters are recognized for it. Write about a time your character received an award or congratulations. Do they feel they earned it? Did it make a positive difference for others? Week of 11/15/2013 House of Something - The many and various worlds of Star Wars have many and various buildings (or large vehicles) that reflect their builders’ culture. Sometimes the style of architecture is really striking. Sometimes it’s less interesting than the events transpiring all over it. Write something involving a building or monument your characters have encountered. Week of 11/22/2013 Thank You - Gratitude is a big thing. People give thanks for gifts, social niceties, kind words, significant favors, for being offered company or for being left alone. Sometimes there are specific holidays or times dedicated to gratitude, and sometimes it just comes up on the way. What is your character grateful for? Do they admit it? Week of 11/29/2013 Shopapalooza - Whether it’s clothes, supplies, trinkets, spaceships, or groceries, our characters shop for a lot of things. Sometimes it’s a spending spree; sometimes it’s just window-shopping for what they can’t afford. It may be in a big chain mall, a backwater planet’s marketplace, an artisan’s gallery, or the Holonet. Write about your character’s shopping experience. Week of 12/6/2013 Heritage and Antiques - Star Wars is full of special things. Old things. Things with personal meaning, things revered as holy. The lightsaber your father wanted you to have when you were old enough. Your grandmother’s silver (or silver ship) you hope one day to give to your grandchildren. The insignia of your squad’s first commander, the one whose bravery won her (or him) a medal and gave your squad its reputation. The holocron that corrupted (or redeemed) your master. What things, places, or heirlooms are special to your character? Week of 12/13/2013 Signed, Sealed, and Delivered - Our universes see a lot of contracts made, whether verbal gentlemen’s agreements, electronic documents, or witnessed formal pacts. Sometimes contracts are entered into willingly; sometimes they’re coerced. Sometimes they’re broken; sometimes they’re protected against outside challenges. Sometimes old agreements come back at an unexpected time. Write about a contract your character made or avoided. Week of 12/20/2013 Snatched from the Jaws of Defeat - Our characters get into a lot of scrapes, a lot of desperate situations. Sometimes it may look like there’s no way to win…but a surprise might be in store. Write about a time your character had a success they weren’t expecting. Week of 12/27/2013 Altered States of Mind - Unlike dreaming, some altered states of mind happen while you’re wide awake and definitely doing things that affect the real world. Lots of things may affect the consciousness, from aggression-inducing biological agents to hypnotic music to spice to plain old alcohol. Write about your character’s experience with an altered state of consciousness. Was it fun or scary? Did it lead them to do something they always wished they could? Or was it more regrettable? Week of 1/3/2014 Why Are You Still Here? - Companions are bound to you in game but your head canon may be very different. Did a companion reach the breaking point with one of your characters? Did any of them leave or even subsequently rejoin your crew? Is there a particular reason an unlikely partnership is working, or a reason that a great-on-paper partnership gets badly strained? Prompt suggested by Striges. Week of 1/10/2014 You're Invited - Last week we talked about the companions who don't make much sense on our crew. This week let's look at other characters. We meet many NPCs during the class stories, and only some of them get to join our crews. Who would you have brought if the game let you recruit anybody? What NPCs did your character connect with but had to leave behind? Did you headcanon them as companions anyway? These need not be from the class story. Pick anyone and write about why they’re on your personal version of your character’s crew. Prompt courtesy of Striges. Week of 1/17/2014 Marketing - Somebody’s always trying to sell our characters something. Ads, promotions, coupons, flashy events, and more try to attract footsteps and wallets. Sometimes our characters are trying to sell something – be it services, unwanted equipment, or a cargo hold’s worth of hot merchandise. Besides all that, somebody’s got to be the face of advertising campaigns. Sometimes the advertising is right on and sometimes it’s…exaggerated. Write about your character’s experience with marketing. Week of 1/24/2014 Synchronicity - Sometimes coincidences happen up close and sometimes they happen lightyears away. Sometimes it’s a plan clicking into place and sometimes it’s totally unintended. Sometimes it makes things seem like they’re meant to be…sometimes it makes it seem like they’re really not. Write about a time very similar events happened to your characters at the same time and possibly at a distance. Week of 1/31/2014 Boring Conversation Anyway - Our characters talk to a lot of people. Sometimes these conversations end well. Sometimes they end...less well. Conversations may culminate in agreement, anger, happiness, thoughtfulness, kisses, or bloodshed…or get cut off before any satisfying conclusion is reached. Write about the way one of your characters' conversations ended. Week of 2/7/2014 Achilles' Heel - Our characters are powerful combatants, talented tacticians, clever diplomats and all-around legendary figures. However, everybody has that one "thing" that gets to them, that hurts them, or that proves their vulnerability in some way. A fear of heights... a particularly sensitive spot or old injury... an intolerance for bright sunlight... an irrationally severe dislike of womp-rats... what's the one thing that gets to your character, even on a good day? Prompt courtesy of TrystanLaryssa. Week of 2/14/2014 Love Letters and Secret Valentines - How do our characters stay in touch with the ones they love when they are far apart? Did they write romantic messages while they were courting? Has a new companion stumbled on some cherished correspondence with an old flame? Perhaps they never worked up the courage to express their feelings except in unsent letters or anonymous notes. In a romantic mood, what would your character write and to whom? Prompt courtesy of Alaurin. Week of 2/21/2014 Where are they Now? -- As our characters move through their stories they change the lives of many others, most of whom we never see again. The Force-sensitive Flesh Raider on Tython. Seh-run, the Abyssin on Korriban. Zi’am on Hutta. Paul and his elderly parents on Ord Mantell. That's just a few examples. Whatever happened to them? Did they became stalwart allies or bitter rivals? If they died because of our character’s actions, do they have relatives looking for revenge? We often remark about how characters from early on in the stories show up later to help or hinder our characters, or how characters from different class stories make cameos in others. How about some of these forgotten ones?

Week of 2/28/2014 Inheritance -- We’ve looked at antiques and heirlooms our characters possess. We’ve looked at legacies, both as a game mechanic and as something your character hopes to leave behind. But what about things they inherit? The things that follow them whether they like it or not. A noble or reviled name? Some nebulous family curse (mother never did say what it entailed). Maybe they’re heir to a throne they don’t want, or were passed over for one they desperately did. Perhaps it’s the family farm, the family business, or perhaps it’s literally nothing at all. What sorts of things or have your characters inherited, and how did they deal with them? Prompt courtesy of LaxKnight.

Week of 3/7/2014 Why They Fight--and Why They Don’t -- Characters manage to get into all kinds of altercations, large and small. Fights. But why? Not the easy answers: for the Empire, for the Republic, for family or the Force or bad luck any of the other reasons they might give to themselves or others. Why does your character choose to fight? Under what circumstances do they choose violence as a solution, and where do they draw the line? Even the cowards and the pacifists have reasons for their choices, and borders they will not cross. Explore it. Prompt and link courtesy of Kabeone. For a more complete essay, read Why We Fight by Michi on tumblr. Week of 3/14/2014 Life has no Reset Button -- Your character makes decisions every day, from minor ones, like what to wear, to vital important ones that change lives. Whether to capture or kill a prisoner. To stay with a partner or break up. To follow an order or disobey. They do the best they can under pressure and with limited information. What choices do they regret? Which ones might they do differently, now that they’ve had time to reflect? Would they make the same choice, knowing the consequences? Or are they even more sure now that they made the right decision? Week of 3/21/2014 This week, another prompt in two parts: Part One: Luminous Beings We Are -- Life is bound up, figuratively and literally, with light. Whether it's the physical study, the Light Side, or the dawning at the most unexpected times, we may find light altering the living space, illustrating the spirit, or showing the way. Write about your character's interaction with light. Prompt courtesy of BrightEphemera. *Sneak preview for next week: Darkness! Week of 3/28/2014 Forever Will It Dominate Your Destiny - On the other hand, darkness is the figurative and literal opposite and complement to light. Whether it's the physical state, the Dark Side, or some kind of ignorance, we may find darkness concealing what we need, dirtying what it touches, or hiding on the unexpected flip side of something. Write about your character's interaction with darkness. Thank you, BrightEphemera, for this pair of prompts. Week of 4/4/14 Passing On - “How we face death is at least as important as how we face life.” No one is truly immortal. Even those who have conquered aging and disease still have to deal with the inevitable dangers of combat and the perils of an adventuring life. What happens when death finally catches up with your character? Maybe a near miss gives her pause, an unwelcome reminder of mortality. Does he go out with a bang, a whimper, or quietly in his sleep? What happens to the ones left behind? This prompt courtesy of Mirdthestrill. (Quote courtesy Star Trek 2, The Wrath of Khan, at the risk of crossing fandom streams and interrupting The Princess Bride. It seems I picked the wrong movie to quote this week.) Week of 4/11/14 Laughing Fit- Humor is universal and yet also individual. What leaves one person in stitches falls flat for another for reasons of cultural or personal experience. Everyone’s funny bone is a little different. What about your characters? What makes them laugh? Do they have favorite comedians? Favorite parodies? Farce? Cat videos? There’s plenty of humor in everyday things as well. Maybe an amusing juxtaposition of events sets them off, a misspelled or misread sign, or a companion taking a pratfall. Write about a time when your character couldn’t stop laughing. Prompt suggested by Frauzet for Alaurin, who needs some laughter this week. Week of 4/18/2014 ...And Taxes- It’s said that death and taxes are the only certainties. We covered death in a recent prompt, so how about taxes? Both the Empire and Republic are huge, with countless fees, license requirements, and just plain old taxes. Hutt space is independant, but it still has to run. Does your character accept taxes as part of the cost of doing business, find ways to minimize the bill, or skip it altogether and hope no one notices? Write about your character’s encounters with taxes, fees, tariffs, and other means of government fund-raising. Week of 4/25/2014 Bushido - The seven classic Western virtues--see this week’s NotLP--are very individual-oriented. By contrast, the Bushido code stresses community and interaction: Rectitude (gi, righteousness or justice), Courage (yuu), Benevolence (jin), Respect (rei), Honesty (makoto), Honor (meiyo), and Loyalty (chuugi). Write about the presence or absence of bushido virtues in your characters' lives. Thank you, BrightEphemera, for this prompt idea. Week of 5/2/2014 Tests and Examinations - Tests are almost as pervasive as credits: Jedi or Sith trials, ship or vehicle operator’s license exams, weapons certifications, advanced intelligence analysis, basic maths. What kind of tests has your character taken? Did she prepare well or wing it? Pass or fail? What about retakes? Write about your character getting through some of the various testing and certifications he’s encountered. Week of 5/9/2014 Miracles and Wondrous Things - Star Wars is a universe with amazing high technology and an equally amazing mystical Force. Is there room between these two for a miracle? How would your character explain what defies explanation? Has he ever had to? What would she say to someone who disagrees? This prompt courtesy of Frauzet. Thanks, Frauzet! Week of 5/16/2014 Neither a Borrower nor a Lender Be. Whether borrowing money, your sister's clothes, your mother’s starship, or living on borrowed time, everyone borrows things. What happened when your character did? Did he lose it? Break it? Have a heck of a time giving it back in one piece? Or was your character the lender? Was the item ever returned or the credits paid back? What kind of condition was it in? Write about a time your character borrowed or lent out something. Prompt courtesy of Mirdthestrill. Week of 5/23/2014 Obsession: Everyone has interests. Occasionally, they devolve into fandom, or even obsession. What things obsess your character? Is it a favorite holoshow? A musical group? Perhaps swoop racing or huttball? Maybe something more esoteric--akk dog breeding, archaeology, perfume making, fine-tuning hyperdrive engines, or something else. Love feels a lot like obsession in the early infatuation stage. Or might it be a true obsession: intrusive thoughts or actions your character can’t ignore. Write about some of them and how they affect your character. Week of 5/30/2014 HAPPY 2ND BIRTHDAY SFC!!! Monuments: Beings everywhere create monuments. They can be statues or walls or great tomes or endowments to museums. Made to heroes, to wars, to governments, to benefactors, to saints, or even stupidity. They may be ancient or recent or forgotten. They may be revered or reviled, or maybe even both at once. Perhaps monuments to your character, desired or not, known or not. Write about your character’s interactions with monuments. Or: Serendipity: Merriam-Webster defines serendipity as “the faculty or phenomenon of finding valuable or agreeable things not sought for; also : an instance of this.” For many, stumbling on this thread was an instance of serendipity. Not all surprises are bad, and sometimes good things happen when you least expect it. When has your character experienced serendipity? Week of 6/6/2014 Something Borrowed-writers find inspiration everywhere, sometimes in other people’s fic. Not necessarily characters, though we had a prompt for that, too. Sometimes it’s a scene or a description, a side character or a setting. The name of a bureau, what the hyperspace vortex looks like, a slogan, or something else! We’ve been host to a number of collaborations recently, so let’s make it official. Write your story and be sure to note what you borrowed and from whom. Add a link to your inspiration if you can. Week of 6/13/2014 The Sounds of Silence-Tell a story without dialogue. Perhaps the characters are cannot speak or choose not to. Maybe the characters are incapable of speech. Maybe communications are cut off. Thoughts don’t count unless they’re audible in some way, and while journal entries or written correspondence fit the letter, they miss the spirit. Challenge yourself! Week of 6/20/2014 Background Music and Leitmotif: Imagine Darth Vader’s entrance without the Imperial March. It’s hard. His music is as much a part of his character as his black cloak and mask. Many writers have playlists for their stories, or at least particular songs that apply to certain characters or situations, or that help evoke a character or a sense of place as they write. This week’s challenge: Write a story and link the background music that goes with it, or a story centered on your character and link their leitmotif. Prompt courtesy of Mirdthestrill. Week of 6/27/2014 A Punny Story:-Often derided as the lowest form of wit, some of our most respected writers --like Shakespeare and Alfred Hitchcock--adored puns. Making and understanding puns requires a large vocabulary, a vital thing for writers. This week’s challenge: write a pun story; a story that exists for the sole purpose of setting up a pun. See this TVTropes link for some examples (click at your own risk), a wonderful music related one here by Peter Schickele (the story begins at 4:48, but the intro is totally worth it). Sadly, puns rarely translate well outside their native language. Regardless, if your story ends in a non-English pun, please include both the original and a translation/explanation. Week of 7/4/2014 Dialect and Accent: Everyone has one whether you're aware of it or not. Your words and how you say them reveal a lot about where you were born, where you grew up, what you like to read, or where and how you learned another language. What do your character's word choices tell about them? Does it mark them as ruling class, streetwise, coreward, rimward, immigrant, outsider, insider, or something else? Do they try to hide their unique pronunciation or revel in it? A source of shame or pride? Are they right and everyone else talks funny? Explore it! Week of 7/11/2014 A Picture is Worth a Thousand Words Pictures can also provide inspiration. A photograph, professional or otherwise, a scene in a movie, a well-known painting, a screenshot, a character portrait, if you’re lucky enough to have one. Write the “thousand words” (figuratively) behind the picture and share both if you can. Prompt courtesy of Jokad via the SWTOR forums. Week of 7/18/2014 There's No "I" in Team: As you play you pick up companions aplenty, maybe make friends in groups, and head-canon a lot of NPC involvement in your personal story. Over time, you wind up developing a team of players who work together in some fashion. Without that team, your character would never have the level of success they've achieved. Write about either how your team learned to mesh with each other, how they function as a unit now, or how they bond in the aftermath of a mission. Prompt courtesy of SillyMonkey71 via Tumblr. Week of 7/25/2014 Out of Time: Often, there seems not enough time in a day to get done what we need or want to do. Time management gurus to the contrary, sometimes there’s just too much going on. What about your characters? Everyone has to prioritize and has different reasons for setting priorities as they do. In fiction you can avoid all schedule conflicts, but where’s the fun in that? Write about a time your character had to make a choice about what gets done and what gets left for later, or not done at all. This prompt courtesy (in a roundabout way) of BrightEphemera. Week of 8/1/2014 Missing Something: We have things we’re good at and things we’re not. What happens to your character when something they rely on is suddenly useless or unavailable? The obvious is if your Jedi or Sith cannot call on the Force for some reason. But what about a sniper without their trusty rifle, a smuggler without their contacts, or a trooper without their squad? How did it happen? What does your character do? Week of 8/8/2014 Recurring Events: The rakghoul event is in full swing again. What other kinds of things happen to your character on a regular basis? Hyperdrive not working? Lightsaber lost? Ship stolen? Escape in the nick of time? Maybe something more prosaic, like problems with laundry. Give us a peek into one of those ongoing things your character deals with. Week of 8/15/2014 A Matter of Public Record: Every character is a wealth of information, and it's probably to someone’s advantage to know it. Everything from basic information like name, species, and gender, to more specific things, like school records, close relatives, or their favorite snack food. So what do they know about your character? What's on their public record and is any of it accurate? Has it been changed, erased, or confused with someone else’s? Who might want to know? Why? Week of 8/22/2014 Coming Home: With the advent of strongholds, what or where does your character consider home? Do they have an apartment on Coruscant, a stronghold in the wilds of Dromund Kaas, a sky palace on Nar Shaddaa? Is their ship their home, wherever it travels? Maybe home is more about the beings they’re with--their squad, their crew, their companions. We had a prompt for “Stomping Grounds,” which was more nostalgia, a childhood or imagined home. This is more at the present. At the end of the day, where does your character come home? Week of 8/29/2014 Can’t Get There From Here: Travel--or any plan--doesn’t always go smoothly. There are delays, changes in schedules, barriers blocking the way. What does your character do when their usual route is impassable? Do they follow the detour signs? Do they know--or think they know--a much better alternative route? What happens? Thanks to Frauzet for this prompt. Week of 9/5/2014 Downtime: Our characters have plenty of responsibilities. But what do they do when there’s nothing pressing? What fills those little spaces between committee meetings, the time between jobs or assignments, the days in hyperspace en route to the next big crisis? We’ve looked at both hobbies and vacations, let’s take a look at something a little less organized. How does your character fill their downtime? Prompt suggested by DoctorToDannyBoy. Week of 9/12/2014 Another Day on the Job: Our characters lead pretty interesting lives. Things they consider routine are anything but. So what does one of those days look like? What’s a regular day in the life of a special-forces trooper or Dark Council member? What problems do they face on a day-to-day basis? What unique occupational hazards do they avoid--or what perks do they enjoy? Even an ordinary day for your character is bound to be extraordinary in some way. Write about it. Week of 9/19/2014 Fish Out of Water: No one fits in everywhere. Even a well-travelled character, or one accustomed to shifting identities, can feel out of place. So how about yours? When has your character been in a truly alien, uncomfortable situation? Why were they so far out of their comfort zone? Did they wander into the wrong neighborhood? Did they miss important social cues or misinterpret what they saw? Write about a time when your character was the fish out of water. Week of 9/26/2014 Words of Wisdom: We’ve explored mentors and teachers and learning and advice. Now specifically: what words of wisdom did your character take to heart? Was there a particular quote he or she remembers? Why was it important? Because it proved true or was so abjectly wrong? Was it an intentional statement, or an offhand remark they’d be surprised anyone remembers? Write about it and why it’s important to your character. Week of 10/3/2014 Description: In the Short Fiction Weekly Challenge, we generally leap right into our characters, relying on quick sketches and familiarity to carry a reader. After all, that's how short stories usually work. How about we take a step back and really describe a character. How do they look? What kind of mannerisms do they have that a casual observer might notice? How do they dress? Go nuts giving a detailed description of what you'd see, looking at one or more of your characters. Week of 10/10/2014 Crossovers and Mashups: Imagine Captain America in the Clone Wars (Captain Republic and the Howling Commandos! Captain Empire!). Or the adventures of Han Solo, dashing rogue, and his best friend Chewbacca the genius-inventor-gorilla in a steampunk galaxy far far away. Padmé as Sleeping Beauty. Star Wars, the soap opera. Star Wars itself is a hodgepodge of bits and influences from ancient mythology, old-time serials, modern sci-fi, and everything in between. Explore some crossovers with other properties or genres and either OCs or canon characters. Week of 10/17/2014 Writer’s Revenge!: “Do not annoy a writer. They may put you in a book and kill you.” When looking for inspiration for a minor or background character, or even an important adversary, why not borrow the aggravating habits of someone familiar to you? The chatterbox co-worker who can’t stop telling stories--but none of them are interesting. The neighbor whose garage band meets daily--and loudly--at six in the morning. This week, take the best revenge on someone who irritates you: make them a character in a story. Death, of course, is optional. Have fun! Week of 10/24/2014 Write a Theme: Star Wars is unusual in its almost universal appeal, and much of its success has been attributed to the Lucas’ incorporation of universal mythological themes in the story. Good stories (and modern myths) often have these kinds of themes tying the narrative together. The fall from grace, the epic journey, love conquers all, finding hidden treasures, discovering inner strength. What recurring themes weave through your characters’ stories? Sometimes these ideas aren’t obvious at the outset, but become so as you write or review previous stories. This week’s challenge: pick one specific to your character and write a story featuring it. Week of 10/31/2014 Breaking the Fourth Wall: Addressing the Audience: Characters aren’t supposed to acknowledge their audience. Suppose they did? How would they speak to all those who’ve been reading and enjoying their adventures? What might they say to the complainers? Addressing the Creator: If your character could say something about their writer, what would it be? Would they complain about something? Take the opportunity to give you a piece of their minds? Maybe ask for a favor? Or would they be grateful and thank you? This one’s a lot more meta than we usually explore; roll with it and have fun. Week of 11/7/2014 That Didn’t Happen!: Or, alternately, It Didn’t Happen That Way! Whether you follow the class and planet stories in your fic or consider them more of a springboard, the dialogue wheel still helps tease out your character’s motivations and actions. And then, there are those other times. When none of the options are in-character. No matter how many times you exit out of a scene, what combination of responses you pick, there’s no way your character would act like that. This week’s challenge is to choose one of those moments and write what really happened. Inspired by Striges' own recent experience with a Bounty Hunter quest. Week of 11/14/2014 Exactly as Planned: Last week, the challenge was to rewrite an in-game event that your character would never do. This week, it’s the opposite. Were there any quests--class or otherwise--that fit your character’s story perfectly? Maybe something happened during combat or while exploring. Flashpoints? Even a bug, glitch, or mistake can become part of your character’s story. How did that go down? Write a story about a canon event that really is part of your character’s personal canon. Week of 11/21/2014 Weapon of Choice: Ancient weapons are no match for a good blaster: What weapons does your character favor? Is she a traditionalist or does she prefer the new hotness? Does he choose something typical for his class, role, or species, or something wildly different and unexpected? Why? From Corso’s Torchy to Lord Zash’s first saber, weapons play an important role in your character's story. Take a moment and share it. Week of 11/28/2014 Traditions: Everyone has traditions. Family, cultural, or personal. Some we keep out of habit or societal pressure, others because they hold special meaning. What about your characters? What traditions do they follow? Why? Something as complicated as an elaborate religious festival, or as simple as shredding every completed contract? Maybe your character specifically avoids certain traditions they grew up with. Or adopted new ones from an alien culture. Whatever the case, there's a story in it. Week of 12/5/2014 First Impressions--of someone else: Our characters encounter many others during the course of their stories. Some become strong allies, loyal companions. Others implacable enemies. Some end up just plain useless. Still, it’s hard to size up someone in a glance. Write about your character’s initial encounter with someone who becomes important later in their story. Week of 12/12/2014 Tall tales and exaggeration: Our characters’ adventures are exciting enough, but even the most entertaining true tale gets better with a little embellishment. Has your character ever improved on the original events for cantina entertainment? Or to impress someone? Enhanced their reputation by bending the facts a little? A lot? Or has someone else on their behalf? Is it odd overhearing someone else telling stories about them? Are the tales even a little bit true by the time they come back? This week, let’s have some boasting, aggrandizement, and hyperbole. Week of 12/19/2014 A Good Villain: Every hero needs an antagonist, someone who thwarts them at every turn. This week’s challenge: write a story centered on your character’s main villain. This might be an enemy the game made for your character or one you invented in your character’s story, but either way, this is their time in the sun. Make it good. Or bad, as the case may be. Week of 12/26/2014 Parties: Every culture has social functions. For celebrating holidays, for marking special occasions, for fun. What does your character think of them? Are they an avid participant or a wallflower? Throw their own party at the drop of a hat, or have to be dragged, kicking and screaming, to a not-exactly-optional affair? Arrive early and stay late, or put in a brief appearance and slip away as soon as possible? Are the parties they host the place to be seen, the talk of the town, where anyone who is anyone simply has to be? Or are they low key, private, and invitation only? What about crashing a party--or dealing with the crashers? A combination of any and all these things? In this week of celebrations of various kinds, write about your character’s social scene. Week of 1/2/2015 Resolutions: Has your character ever resolved to change a bad habit or start a better one? What prompted the impulse? Did they make a private vow or did they enlist the help of friends or family? Were they successful? Or did they slip back into old ways after a while? For this New Year Week, write about your character and resolutions. Week of 1/9/2015 Baggage: “What’s in there?” “Only what you take with you.” What kind of baggage does your character carry with them from early experiences? Good or bad. Are they mistrustful because someone took advantage of them? Insecure because of past criticism? Confident because they've overcome obstacles? Sure of their destiny- or afraid of their fate? The past shapes your character's present. Tell a story about how or why. Week of 1/16/2015 Colors: Republic Blue. Empire Red. Sith Black. Jedi Brown. We associate nations, religions, companies, families, and even emotions with certain colors. What about your character? Do they have a favorite color? Do colors mean much to them? Do they abide by the color conventions for their affiliations? Or do they choose something different because they prefer it? Why? This week, write about how your character navigates the visual spectrum. Week of 1/23/2015 Lifespan: A human in the Star Wars universe might easily live to 100 standard years. Wookiees live four times as long. Chiss, on the other hand, typically reach only 80, and Talz are luck to get to fifty. In a galaxy where beings of such differing lifespan can meet, interact, become friends, enemies, partners, or more, how do they deal with the knowledge that one of the pair will outlive the other? Perhaps by a significant amount? Does your character accept their (or a loved one’s) natural span or desire more? Were they reckless in their youth and less so in age, or the reverse? The Force is known to prolong lives--perhaps even to immortality or near-immortality. How does a character plan for that? This week, write about how your character approaches differences in expected lifespan. **Many thanks to Bright_ephemera for this handy Species Lifespan Chart! Week of 1/30/2015 Pick-up lines: Use them? Been used on? Turned down? Accepted? Laughed at? Good ones, bad ones, sincere or stupid and everything in between. Write about how your character deals with a classic (if dubious) way to connect with someone else. Week of 2/6/2015 Religious differences: Unlike most science fiction/space opera, Star Wars and SWTOR put religion and belief front and center. Jedi and Sith are the most obvious conflicting ideologies, but they are not alone. The Witches of Dathomir. The Trandoshan Scorekeeper. Voss' Mystics and the opposing Gormak Shaman. A quick perusal of Wookieepedia will find even more. How does your character view all these belief systems? Do they subscribe to any of them? None? How do they reconcile the differences among them? In a universe where the Force is undeniably real, where it inspires both hope and horror, what does your character think of those "hokey religions" and "sorcerer's ways"? Week of 2/13/2015 Cupid’s Arrow: According to legend, any heart pierced by Cupid’s golden-tipped arrow--human or deity alike--filled with uncontrollable, all-consuming desire. Classic love at first sight. But Cupid’s quiver also contained lead-tipped arrows with the opposite effect: provoking disdain and aversion. Has either arrow ever wounded your character? Or perhaps one of their close associates? An object of affection? Cupid’s influence covers the gamut of passions--from the sensual to unrequited all the way to bitter animosity. Tell a story where your character experiences irrational love or irrational hate. Or both. Week of 2/20/2015 Preparation: How does your character approach a competition, a blind date, or a delicate mission? Are they a meticulous planner? The one who has contingencies for the contingencies? Rehearsing their lines or moves until they can do them asleep? Or are they more of a “never tell me the odds” sort, walking in with an outline--if that--and winging it? Whether gathering intel and supplies or getting into the proper mental state, show your character getting ready. Week of 2/27/2015 Good/Bad Habits- We're all creatures of habit, whether it be actions (speaking before thinking, gambling, looking for all exits whenever entering a room), rituals (sleeping in the buff, wearing a particular color/article of clothing for luck), or substance use (caf, stims, alcohol, spice). Write about a habit your character has. Thanks to Alaurin for this prompt! Week of 3/6/2015 Propaganda: Regardless of their affiliations, it’s inevitable your character encountered propaganda or disinformation of some sort. Did they recognize it at the time? Later? Not at all? Did they challenge it or write it off as ridiculous? Were they offended? Shocked? Some classes--Agent and Trooper come to mind--might even be active participants. Write a story about your character and questionable official truth. Week of 3/13/2015 Who?: Remember that character? That original character? You know the one. The one you wrote a story for or maybe several and then petered out? That one. This week, resurrect them. We had “Night of the Living Dead” for prompts, this time, it’s Night of the Living Dead character. Pick any prompt and give a patiently waiting character a story. Week of 3/20/2015 What About That Guy?: Stories usually concern major characters. Sometimes the main plot is from the game, sometimes not. Regardless, stories also contain a number of incidental characters and minor plots as well. The guard at the door, the customs official who broke up the fight, a convenient corpse, the character (probably in a red shirt) who dies in the first scene to prove the situation is serious. Not to mention why was there a guard, how did the fight start, where did the corpse come from, what made the situation serious. Every story has places to explore behind the scenes. This week, pick one of your favorite works and fill in one or more of those spaces. (This prompt suggested by Feldraeth) (apologies to Galaxy Quest’s Crewman #6) Week of 3/27/2015 Incongruity--A wookie with curlers, troopers in armor dancing to a popular tune, a toddler with a lightsaber. Some things just don’t seem to go together. The result may be funny or tragic. When has your character encountered incongruous things or odd juxtapositions? Week of 4/3/2015 Japes, Satire, and Parody: Beings of every kind tell jokes, often about each other. What about your character? Do they delight in mocking those who desperately deserve it? Maybe they’ve been the butt of someone else’s spoof. Or perhaps they just enjoy seeing authority taken down a few pegs. This week, have a little fun at the expense of your character, their friends, or enemies. Week of 4/10/2015 Mistaken Identity: A classic literary device employed in drama and comedy alike. Has your character ever been mistaken for someone else? Have they made an error about another’s identity? What happened? Did hilarity ensue, or was it a more serious situation? Week of 4/17/2015 Paranoia: “Is it paranoia when they really are out to get you?”-- every Agent ever, and a healthy number of Sith besides. So how about your character? Are they reasonably cautious, just planning for the worst, or outright paranoid? Or is everyone really out to get them? Thanks to Frauzet for this prompt. (And credit to Joseph Heller for the paraphrased quote) Week of 4/24/2015 Scent: Humans as a species aren’t known for having a particularly good sense of smell. Despite this, perfumes and scents are incredibly popular, either to hide, replace, or enhance natural odors on both their person and possessions. Does your character care? Do they have a favorite scent? A soap, a perfume, an incense? Do their species’ preferred fragrances turn off others--or smell really good? How do their companions (some of whom may have better olfactory abilities) deal with the profusion of clashing or complementing scents? Or do they prefer your character au naturel? Credit to Alaurin’s story for inspiring this prompt. Week of 5/1/2015 Dance: We’ve had music prompts before, but what about dance? Whether formal or informal, group, alone, or in pairs, most cultures accompany music with dance. How does your character relate? Do they sit on the sidelines watching others or do they command the attention of all on the floor? It’s May Day! Write a story about your character and how they dance, even if it’s with two left feet. Week of 5/8/2015 Over Your Head- Interesting stories happen when your character is least expecting it, and least prepared. Maybe they misread the situation. Maybe their information was incorrect or incomplete. Perhaps an enemy (or friend!) arranged the whole thing. Or maybe they stumbled into the villain's lair on accident. Maybe the villains stumbled into theirs! What do they do? How does your character handle being in over their head? Week of 5/15/2015 Ships that Pass in the Night: Sometimes, two important characters miss each other completely. Perhaps they’re actively avoiding each other: hiding, in disguise, or incognito. They might notice one another, but without recognition. Perhaps their circles are so different they don’t realize who they've seen. Maybe they don't even do that much, passing like ships in the night. This week, write about the encounter that might have happened, but didn't. Week of 5/22/2015 You Can’t Always Get What You Want: Every character wants something. It might be tangible: food, money, an ancient artifact. It could be intangible: respect, success, fame or infamy. Often, their entire story is the pursuit of their desire. But something always gets in the way. What happens when something or someone thwarts your character? Gets in between your character and what they want? How do they deal with it? Week of 5/29/2015 Lost and Found--Characters lose things: keys, rings, treasures, friends, their way. They find things too: rings (again), companions, their courage. This week, write about what your character has lost, or what they found. Or both. Week of 6/5/2015 Happy 3rd Birthday SFC!!! Milestones:Milestones are more personal than Rites of Passage or Turning Points, both previous prompts. It's something significant for your character, something they might mark, independant of holidays, formal anniversaries, or rituals. The day your character finally paid off a loan--or the day they took one out to finance their dream. The first time your character felt like they belonged among their peers--or when they realized they never would. Their last drink, their first dance, moving out, moving on. Tell a story about your character reaching or remembering a personal milestone. Mixed Doubles: Combine any two prompts you like and write a story! For added fun, choose randomly. Three years of prompts means more than 150 prompts to pick from. Week of 6/12/2015 You Were The Chosen One! Or Were You?: Game stories often cast your character as The Chosen One, the One destined to Fix All The Problems. But not every character fits that trope, and not every one should. Does yours? Or not? Emphatically not? Or maybe they are, but not in the way anyone hoped. Bringing balance to the Force by reducing its practitioners to two Dark and Two Light certainly fulfils the prophecy, but probably wasn't what Yoda expected. Where does your character fall on the Chosen One continuum? Express it in a story. Week of 6/19/2015 Best Buddies: Does your character have a best friend? The one they’d like to hang out with just for fun, whether fun is cross-country skiing on Hoth or downing shots in a Nar Shaddaa Huttball cantina? The person who completed their sentences long before they met their significant other? Maybe became their significant other? Did your character stay in touch? Have they grown apart or away, the friendship almost remembered, but not quite important enough to restart? This week, write about your character being with, losing, forgetting, or reconnecting with their best buddy. Week of 6/26/2015 I Dare You!: Few phrases in the English language have gotten people into more trouble, except possibly “Hey watch this!” So how about your character? Do they feel obliged to accept any dare? Do they dare others? Or do they regard the whole concept as ridiculous, an excuse to overrule common sense in exchange for a fleeting moment of acceptance or popularity? I dare you to write about it. Week of 7/3/2015 Sight: Humans are a visually-oriented species, so sight is one of the easiest senses to evoke in a story and most writers use it automatically. We describe how a room looks or our character’s physical appearance. We tell the reader what our character sees. It is the most basic scene setting tool. This week’s challenge: make the character’s vision a central part of your story. Having trouble? Take it away. Maybe it’s too dark to see. Maybe they’re temporarily blinded. Maybe they’ve always been blind. Experiment! Week of 7/10/2015 Sound--Sound is the second most often used descriptor. At the most basic level there is spoken dialogue or ambient sounds. Beyond that, a character may have a distinctive quality to their voice: nasal, raspy, or with a peculiar accent. Maybe they yell. Maybe they whisper. Ambient sounds might be soothing--a waterfall, soft music, leaves fluttering in a gentle breeze. They might be loud--machinery, nearby traffic, raucous neighbors. Used well, sounds tell the reader about the setting and the characters without the writer spelling it out. This week, try to use sound in a creative way. Week of 7/17/2015 What an Incredible Smell You’ve Discovered!-Sense of smell. In the real world, scent can conjure up some of the most vivid memories and strong associations. It adds a dimension of realism to descriptions. At the same time it’s a very difficult sense to evoke in text. This week’s challenge is to make a scent important in your story, as well as doing your best to help the reader imagine it. It might be a perfume; an aroma specific to a place, thing, or event (pleasant or otherwise); or something with significance to your character. Some species or characters might be more aware of or sensitive to smells than others. Experiment! Week of 7/24/2015 Blech!--How you Get So Big Eating Food of This Kind? Sense of Taste: Taste is almost as difficult to evoke as smell, and just as subjective. A pleasant flavor for one character might be revolting to another. While this prompt ties to food, taste can also include medicine or even objects. Look beyond the obvious and try to use the sense of taste in a story this week. Week of 7/31/2015 It Doesn’t Feel Like Rock: Sense of Touch: Touch is a bit easier to evoke than smell or taste, but it’s often overlooked when setting a scene. Touch is a basic sense and every part of the body can experience it. How things feel help immerse a reader in your world and make it more real. Does your character’s armor fit well or does it chafe? Is the furniture smooth and well-polished, soft and padded, or rough and splintery? What was the food like--crunchy, spongy, chewy, tough, or silken? Does your character have a means of sensing or interpreting touch that is different from human? Explore it! Week of 8/7/2015 Followers, Companions and Hangers-on: Whether your character is The Chosen One or just charismatic, they’re bound to attract attention. How does this affect your character? Do they try to maintain their privacy, do they reach out to those interested in them like a group of not-very-close friends, or do they treat everyone like family? Maybe a particular follower (or group!) seeks to change the nature of their relationship with your character--wanting to become closer or move farther apart. This week, consider your character and the beings watching their adventures. Week of 8/14/2015 But I won't do that-is there a line your character won't cross ever? Some act they would never do under any circumstances? Has it been tested? Have they been dragged to and over each line step by step? Or did they hold firm? Even the bad guys have standards. What are your character’s? Week of 8/21/2015 Souvenirs: They’re everywhere. Especially at cultural or historical attractions. Models of famous buildings or statues, clothing with maps or slogans, super-slick guidebooks, posters or postcards. Things for visitors to take home. But at its heart, a souvenir is a physical reminder of another place or event. It might be Official or it might be something ordinary that reminds them of where they bought it. It might even be a scar or injury. What kind of souvenirs does your character have? How and where did they get them? Week of 8/28/2015 Distractions- Some characters are more focused than others but everyone gets distracted sometimes. It might be the garden-variety distraction--an urgent message, children, colleagues, someone who desperately needs six pig’s livers while your character is on their way to save the world. Or your character might distract themselves--endlessly exploring Encyclopedia Galactica instead of completing their research paper, or obsessing over shoe details rather than exercising. This week, write about how your character--Ooo, shiny. Week of 9/4/2015 Violence is the Only Option-When interests collide, some characters resort to violence to get what they want. Even if you want to avoid it, combat is inevitable. This week, write about a time your character has to fight with another in order to a to further their goal. Thanks to Oliverthefighter for this prompt.

Week of 9/11/2015 Change of Venue-Few characters--or stories--stay in one place. Your character moves from familiar places and things to new and strange ones. Does your character relish the excitement of change, or do they prefer the predictable? What do they do when they have to move, regardless of preference? This week, pick a new place for your character to be, or write about how they got there. Week of 9/18/2015 Fasting or Going Hungry - A character may go without food for a number of reasons: poverty, crash dieting, disciplines of faith or duty, declining weird alien food, forgetting to restock, or even forgetting to eat. What about your character? When have they experienced hunger? Was it intentional or accidental? Why? We had prompts for taste as well as favorite foods. This week, consider the opposite. Week of 9/25/2015 Looking Forward/Anticipation - There’s always something new on the horizon, be it an opportunity, an event, or even just a well-earned rest. What is your character looking forward to? What do they anticipate happening? Are they excited? Anxious? A little of both? Something else entirely? What future thing or event is your character eagerly awaiting? Week of 10/2/2015 I’ve got a bad feeling about this - Last week our characters were looking forward to something good. This week, they’re just as sure it’s going to be bad. When has your character known something wasn’t going to work out? How did they know? Past experience, premonition, general pessimism? Did events turn out as bad as they expected, or were they better? Worse? How bad were those bad feelings, and was it justified? Week of 10/9/2015 ...and counting- We’ve had prompts for math, but how about plain old counting and numbers? Does your character worry about how many ration bars they have? How many days (or weeks...or months!) since their last contract? Whether they have more artifacts than their nearest rival? Does your character have a lucky number? How do they show it? Maybe they just count their credits--but not before they’re in hand. Week of 10/16/2015 Promises - It seems like such a small social contract, but a promise can be a big deal. It might be a promise to a child for a treat, to communicate with a loved one on a regular basis, or to keep a secret--state or personal. How about your character? What promises have they made? Have they kept them? Did another character break a promise to your character? Some are quick to give their word and just as quick to break it. For others, their word is their bond and never given lightly. Week of 10/23/2015 Missing You: Your character relies on friends and companions, but they can't be there all the time. A companion takes a vacation. Maybe they had an appointment, ran an errand, or stormed off in a huff. Maybe they grew apart, took a job or a post in a faraway place. Maybe they just went to work for the day. Sometimes you don't realize how much you depend on someone until they're not there. Who does your character miss when they're gone and why? Week of 10/30/2015 Day of the Dead- celebrated in Mexico on the first and second of November, the modern Day of the Dead celebration has its roots in ancient Mesoamerican traditions. Returning spirits of the dead are welcomed and honored with food and stories. It is a happy festival, all about retaining and celebrating connections with family who have passed on and and less about mourning them. So who would your character remember and why? If, years after their death, your character’s spirit returned to their relatives for just one night, what would they find? There are story possibilities on either side of death’s gateway, find one this week. Week of 11/6/2015 Cheering Up- Into every life a little rain must fall, and our characters are no different. Who or what cheers them up when they're down? How would they help a friend with the blues? Whether as the cheer-er or the cheer-ee, write about some happy characters this week. Week of 11/13/2015 Strange Relations- Every character has an assortment of friends and companions. As writers, we usually pick types or occupations that fit logically with them. But what about an oddball? Obi-Wan Kenobi was friends with a smuggler-restaurant owner, hardly a likely pair. Who among your character's compatriots has unusual skills, occupations, or backgrounds? How did they meet and become friends? Why do they remain friendly despite obvious differences? Week of 11/20/2015 The no-win scenario - Sometimes, every choice is bad. Every option has unacceptable consequences. You're damned if you do, damned if you don't. Has your character faced such a situation? How did they deal with it? Did they pick the lesser of two evils or try to find a better solution? Or did they, like Kirk, cheat their way out? Do they regret their choice? Week of 11/27/2015 Insomnia - Everyone’s had a sleepless night. Maybe more than one. What about your character? Do concerns keep them awake? Are they too excited for sleep? Maybe they just chose the wrong time for a stimulant beverage. Perhaps they were so engrossed in an activity they only realized they stayed awake all night when the sun rose. A bout of insomnia could be a single event or a recurring problem. How does your character deal with being unable to sleep--assuming their species even needs to. Week of 12/4/2015 That's Cheating! - Some characters are honest and trustworthy to a fault. Others less so. The vast majority are somewhere in between. Where does your character fall? Do they play by the rules or make up their own? Have they been the victim of a cheater? At cards, a merchant, or even a relationship? Do stakes or situation matter, or will your character cheat (or not) any time? Week of 12/11/2015 The Mundane - Never mind flitting about the galaxy and fighting (or furthering) evil. How does your character handle buying supplies? Doing laundry? Repairing or replacing their gear? Homework? Housework? Reports? Letters? There's an awful lot of routine things in a hero's life that rarely make the big story. This week, pick one that should. Suggested by DoctortoDannyBoy. Week of 12/18/2015 The Times, They are a-Changin' - Even in a galaxy far far away, things change. The world, the galaxy, doesn't look the same as it did when your character was younger. How does your character feel about it? Do they take it in stride, or are they more a 'back in my day' lecturer? Was the past as good-or bad-as they remember? Or are those rose-colored glasses blinders? Week of 12/25/2015 Merry Christmas SFC! The Gift of the Magi - not the biblical reference but the short story by author O. Henry, describes gifts given out of true love and at great personal cost to the giver. Has your character given such a gift? Did the recipient appreciate it? Was your character the recipient? Did they understand the value of what they were given? Week of 1/1/2016 Happy New Year SFC!! Starting Over - Rarely, your character may get the chance to start over. To try again. Do it right this time, or at least differently. What would your character do with such an opportunity? Would they take it or are they content with their current situation? What might they pay, give up, to start over? Or have they already done so? Did it work as well as they hoped? In most cultures the new year is a time to get a fresh start. What about your character? Week of 1/8/2016 Return from Holiday - However nice the vacation, eventually your character comes back to their regular job. Is it a difficult change in mindset? Did your character leave the phone off the hook or did they check in all the time? What happened in their absence? Did everything fall apart? Did things hum along smoothly, no one noticing your character was gone? What do they find when they return? An emergency, a slow simmering crisis, or nothing at all out of the ordinary? This week, write about your character dealing with the transition from holiday to everyday. Week of 1/15/2016 Under the Weather-everyone gets sick, even the most hale and hearty character. How does yours deal with illness? Tough it out and hope no one notices? Or do they turn into a baby at the first sign of a sniffle? Whether the treatments in your world are high-tech or top out at chicken soup and herbal tea, write about your character feeling poorly. Week of 1/22/2016 Snappy Comebacks - in real life, people rarely have the perfect response to a rude question or comment. It usually occurs hours or even days after the conversation that prompted it. But fiction is different. Your character has the advantage of time-your time-to devise a fantastic zinger. This week, write about your character winning (or losing!) a verbal joust. Week of 1/29/2016 Bad luck- Sometimes things go wrong. No reason. It just happens. For some characters it's an occasional annoyance. For others, well, without bad luck they'd have none at all. Or, like Obi-Wan, your character might believe “there's no such thing as luck.” Given that for a writer, it's fun when our characters get into trouble, write about a time when things didn't go quite right for them, how they dealt with it, or how they felt about it. Week of 2/5/2016 Good Fortune- Last week we told stories about our character’s bad luck. This week, things are looking up. Maybe your character finally won the lottery, a game of poker or pazzak, or just won the flip and doesn’t have to do dishes. Maybe they found a parking meter with time left, or maybe they managed to catch the last transport off-world before the quarantine. Maybe something that looked bad on the surface turned out to be a blessing in disguise. Luck can be about big things or small. With Chinese New Year just around the corner, give your character some good fortune this week. Week of 2/12/2016 Star-Crossed Lovers - Back when most marriages were arranged, falling in love with someone wasn't always wonderful. It caused all sorts of complications. Love can be an all-consuming fire, beautiful and terrible at the same time. People in love were prone to ridiculous acts-and that hasn't changed. Cupid's golden arrow doesn't always choose a wise or appropriate match. This week, write about a time when your character or someone they care about loved not wisely, but too well. Week of 2/19/2016 Largess - A gift, usually of money, though in English the word retains its older connotations of generosity and charity. Characters often become wealthy over the course of their stories. Does yours spread the wealth or keep it for themselves? Do they make sure everyone knows all about their generosity, or are they quiet and anonymous? Maybe they were the recipient early in their careers. Did it help? Or do they see other's largess passing them by? Week of 2/26/2016 Losing Confidence - everyone has a crisis of confidence at some point. For a character, it might be a minor setback early in their story, setting them off on their path. It could occur later, where overcoming the self-imposed obstacle is the dramatic moment. Or it could even be a recurring theme throughout their story. This week, write about a time your character lost confidence in their skills or abilities, and what they did about it. Week of 3/4/2016 Theater - A movie, a play, a puppet show. A 3D holographic immersive experience. Their child's first school pageant. Your character's first school pageant. This week write about your character's experiences with the theater. Week of 3/11/2016 Taboos - some things are off limits, be it for cultural, personal, or legal reasons. How do they relate to your character? Do they not even realize the restriction? Notice, but abide by the rules? Or do they flout society's conventions and laugh? Why? Does their attitude cause trouble for them, or does it grease the wheels? Week of 3/18/2016 Pretty Things - They say beauty is in the eye of the beholder, and certainly people find beauty in different things. What about your character? Where do they find beauty? In artwork or song? Unusual landscapes? Stunning outfits? Well-crafted arguments, equations, or formulae? Animals, insects, or minerals? For this week's challenge, surround your character with pretty things, however conventional or strange they may be. Week of 3/25/2016 Cross Purposes - some characters are allies, others indifferent. Then there are the adversaries. And sometimes two character are at cross purposes and don't' even know it. Protagonist- antagonist is one of the most basic story structures. Give it a twist with two main characters working against each other, knowingly or otherwise. Week of 4/1/2016 Good Things Come in Small Packages: write a drabble, around 100 words, on any previous prompt or none at all. Some sources put drabbles at anywhere from 53 words on the low end to 500 at the upper end. While I don’t have BrightEphemera’s Massive Statistical Number Crunching Data of Awesomeness, I recall the majority of our stories being in the 500-1500 word range. Let’s push that lower limit. We had an unofficial drabble week a long time ago. This time it’s for real. Week of 4/8/2016 Bigger is better- write something long. 2000+ words. Use any previous prompt or invent your own. Long works have a different set of challenges compared to short ones. In the former, every word counts. In the latter, it’s hooking the reader and keeping them entertained for the duration. Go for it! Week of 4/15/2016 It Takes Two: Write a story in two parts. Use any previous prompt (or pair of prompts) or choose your own topic. The reason for the division is up to you. Switch perspectives, follow a different character, or leave the reader with a cliffhanger. Publish on successive days or in separate posts. Each section can be any length but they can’t stand alone! They must need each other to be complete. Week of 4/22/2016 Menage a Trois: Brevity is the soul of wit. Tell a story in three sentences. Stop reading and write! Week of 4/29/2016 Spring Cleaning: May Day is Sunday, time to clean out the WIP folder. Pick something and finish it, whether it’s old and cobwebby or just a few sheets down from the top. Even if you thought it solidified into a shale-like mass under the pressure of all the other WIPs. Crack it open and see. What’s inside that document you haven’t opened in ages? Sometimes pressure and long aging makes a diamond. All it needs is some polishing to shine. Week of 5/6/2016 The Hard Way--No one is good at everything, even The Chosen One. What skills or subjects did your character have trouble with? Did they work hard and eventually master them, or did they bail as soon as possible? What happens when they need to rely on that skill? Is it still a struggle for them, or have they incorporated it into their repertoire even though it’s difficult? This week, consider something your character had trouble learning or still finds difficult, and how they deal with it. Week of 5/13/2016 Nicknames--Does your character have an in-story nickname? How did they earn it? Was it accidentally bestowed or deliberately cultivated? Do they prefer it to their given name or hate it? Give it out or hope no one ever finds out? Do they even know they have one? Maybe their enemies (or friends!) only use it behind their back. Or is your character the one giving nicknames to everyone else? Week of 5/20/2016 Current Events--Events in the larger fictional world shape your character’s little slice of it, whether they want it to or not. What things are in the news for your character? What do they hear about on the Holonet or from the town gossip, read about in the paper or posted on boards? How do these events affect them? Are they concerned about current events or blissfully unaware of anything outside their immediate experience? Maybe your character is the one making headlines. Write about it! Week of 5/27/2016 Birthdays--Does your character celebrate their birthday? What do they do? Have a big party or an intimate gathering with a few close friends? Or do they hope no one notices? Perhaps they eternally claim some age they like the best, whether it’s a birthday past or one yet to come. Maybe they neither know nor care. Living another year might not mean much to them. Maybe they mark a day of different personal significance. Or maybe a significant other throws a surprise party whether your character wants it or not. Consider birthdays this week, and what they mean for your character. Week of 6/3/2016 Happy 4th Birthday SFC!!! Why Didn’t I Think of This Sooner? Character Version- Who hasn’t come up with a great idea well after it’s useful? Probably not your character, since they aren’t actually under real-world time constraints. What if they did? Characters can have regrets or second-guess themselves, too. Perhaps they come up with the perfect escape plan while fighting through guards they didn’t avoid. Maybe they wish they had bought the magical sword from the swordsmith. Maybe they remember the vital clue after setting off the trap. Consider this a chance to try some internal conflict for your character. What do they do when they realize they could have done something differently? Why Didn’t I Think of This Sooner? Author Version- Who hasn’t come up with a great idea well after it’s useful? Every writer ever. Maybe it’s a better way to relate your character to your world, maybe it’s a background event, maybe it’s a change to the world itself. But you already established all of these events. It’s ok: there’s Retcon. Writers retcon all the time. Sometimes it’s major--a reboot of the universe--sometimes it’s not--rewriting or throwing out an episode or scene or adding foreshadowing where you didn’t before. This week, make a change to something in your story you wish you’d done from the beginning. The new timeline can become your new canon or you can keep it as an AU (we have a whole thread for that, too). Stories aren’t finished until the writer says they are. Week of 6/10/2016 Scars--Reminders of old wounds. They might be visible--remnants of a childhood fall, a parent’s rage, an accident, a fire, a careless slip with a weapon or tool. The near miss that wasn’t quite a miss. But scars can be internal or emotional as well. A song that was a former lover’s favorite, a scent that summons a painful memory, a street or neighborhood your character refuses to travel. This week write a story about a scar your character bears. Consider how they acquired it, and how it affects them. Week of 6/17/2016 Special Delivery--Has your character ever ordered or commissioned something? A weapon, an outfit, a portrait, or a story? Are they patient waiting for it to arrive or be completed or do they inquire every day? Do they micromanage? Track their package down to the minute? Or do they forget about it entirely until it shows up? Perhaps your character is the one doing the delivery. Do they get lost? Wonder what’s in the mysterious box? Write about your character’s encounters with deliveries and orders. Week of 6/24/2016 Relaxing--When your character takes time off to kick back and relax, what do they do? Do they have to travel? Go somewhere where they can avoid pressure and constant requests for aid or advice? Do they escape into a good book or other entertainment? Perhaps they indulge in a hobby or visit a spa. What does your character do to relax? Or do they find it impossible? Week of 7/1/2016 Deadlines--Time is running out. Your character has something to do, to complete, to finish, to arrange, and their time grows short. What were they doing? Was it something they put off until it was critical? Did they plan for a long time and only now the pieces are coming together? Did the situation arise suddenly and demand a quick response before the critical time? Was it self-imposed or did another character impose it? A deadline is nothing more than a date or time by which something must be ready or complete. Write about it this week. Week of 7/8/2016 Overindulgence--It is possible to have too much of a good thing. The consequences vary, from a mere stomachache to a hangover to an arrest record or worse. Some characters are more prone to overindulgence than others. Has your character overindulged? Maybe they were the voice of reason while everyone around them consumed to excess. What happened? Did the incident become an embarrassing story? Tell it! Week of 7/15/2016 Wrong Size--”one size fits all” rarely does. Anything can be the wrong size: clothes, armor, weapons, starship or computer components, backpacks or duffels, the bowl of soup your character ordered. The incident could be a minor inconvenience or a major problem. The reason behind it might be a simple mistake or deliberate sabotage. Write a story where something was the wrong size, and how your character coped. Week of 7/22/2016 Lost in Translation--Some of our characters know many languages, some only one. Regardless, there will be times when a foreign concept is difficult or impossible to explain. Perhaps a term is untranslatable, words are insufficient, or maybe they’re using a bad dictionary. The results can be funny or tragic, or both in equal measures. This week’s challenge is to lose something in translation. Week of 7/29/2016 Piercing the Veil--When has your character seen things for what they truly are? Seen past the plots and the machinations of other characters to what was really going on? That sudden flash of insight when the pieces come together and everything makes sense. Was it real? How do they deal with their new-found insight? Do others believe them, or are they alone with the truth? Explore a time when your character’s intuition guided their actions. Week of 8/5/2016 Strength in Numbers: Some problems are too big for one person to deal with. Maybe your character needs specialized help; someone (or several someones) with particular skills to fill gaps in their own. They might want backup, or moral support, or someone to share the blame if everything goes south. Or perhaps they simply want confirmation that others believe they’re doing the right thing. This week, write about a time when your character found strength in numbers. Week of 8/12/2016 Camouflage: There’s more to camouflage than the standard brown and green irregular blobs. Some visual camouflage is meant to deceive cameras or other electronic sensors, not organic eyes. Other types disguise not the presence of an object or person, but its apparent movement. Even ordinary clothing can be camouflage if it lets a person blend in when they would otherwise stand out. At its heart, camouflage is concealment. Consider a time when your character needed some, or was fooled. Week of 8/19/2016 Sleeping Rough: Has your character ever been without a safe place to sleep? No money for a room, no one to share with, lost (urban or wilderness), or run away? Was it part of a training exercise, experiment, or mission and therefore only temporary? Was it indefinite, desperate, with no alternative and no end in sight? Was it voluntary and, despite the difficulties, still preferable to the situation they left behind? Have they been fortunate enough to never worry about housing, and how do they react toward another in poorer circumstances? This week, consider your character sleeping rough. Week of 8/26/2016 Can’t Live Without: Everyone has something, whether literal or figurative. Is is a person? A loved one? A pet? A country, a job, or a purpose? A moral conviction. Is it a medicine that holds a disease or condition at bay? Something less serious, like a favorite book, delicacy, or entertainment. A special item. What one person perceives as necessary someone else might regard as silly--but try taking away a toddler’s Special Blanket. Everyone has something. What is it that your character can’t live without? Week of 9/2/2016 Meeting Old Friends- Some old friends are nearly forgotten, others are close as ever. They might be separated by time and distance or right across the hall. This week, have your character meet with one of them. It could be a planned reunion, scheduled months in advance, as simple as knocking on a door for their daily tea together, or as accidental as running into them at the market. Write about a time when your character met with an old friend, however you choose to interpret it. Week of 9/9/2016 Small Victories--Not every success has to be a big one. The world (or galaxy, or civilization) doesn’t need to be saved from certain destruction every day. Some days, it’s the little things that matter. Your character’s child, who’s been struggling with something, finally gets it. The friend who’s always late, isn’t. The minor repair really was minor. Maybe the toast landed butter-side up. This week, celebrate a small victory with your character. The big ones might be more dramatic, but it’s the little ones that keep them going. Week of 9/16/2016 Promotions-- As characters advance through their stories, they often advance in their (fictional) organizations as well. Has your character gotten a promotion? Was it deserved? Did higher-ups pass over someone more qualified, or did your character work hard for their advancement? Additional responsibilities usually accompany a new position, how does your character handle them? Did they receive any extra training or were they thrown in the deep end? Did things work out for them? Are they pleased with their promotion or do they wish they could go back? Is it, as many things, a mixed bag? This week, give your character a promotion. Week of 9/23/2016 Lawbreaker!--Some characters break laws on a regular basis, others are more law-abiding. But most every character has crossed the line on occasion, if only in a very minor way or on accident. What about yours? Did they know they were violating a law? Why did they do it? Because the law is ridiculous, because it is inconvenient, because the law is wrong, because they knew they wouldn’t get caught, or do they simply not care? What law did they break? Did they pay a penalty? Personal or legal? Write about it! Week of 9/30/2016 Borders: In essence, borders are nothing more than imaginary lines between properties or political entities. Crossing the border might be little more than opening a gate or stamping a passport. It could be an all-day affair with questioning and bribery if the parties involved are hostile to each other. In space or a remote area, there are lots of opportunity for skirmishes. Someone thought the border was a light week over. The navicomp or maps are out of date and need calibrating. The patrol was supposed be gone by now. Those military exercises were planned for our side but someone got trigger happy. Transgressions could be real and deliberate, real and manufactured, or honest mistakes. This week, write about your character crossing a border, and what happened when they did. Week of 10/7/2016 Changes in Appearance--People don’t keep the same appearance their whole lives. We cut or grow hair, change styles, choose different clothes, sometimes even consider surgery, tattoos, piercings, or other permanent alterations to our appearances. Yet written characters often stay the same. This week, make a change to your character’s appearance and write about why it happened. There’s always a reason, and it’s bound to be interesting. Week of 10/14/2016 Coincidence--Coincidences that start or complicate a plot are often overlooked, but those that end it are not. Why? It feels fake. It breaks the suspension of disbelief. In an age of word processors, where adding foreshadowing is as easy as typing a new paragraph, it smacks of poor plotting. This week? Who cares. In a make-believe world where everything happens for a reason, this time the reason is because you need it to. Consider it an exercise in how not to tie up a story, or how to recognize what not to do. Sometimes it’s fun to write bad. Week of 10/21/2016 Forgetting--No one’s memory is perfect. Everyone forgets, even your character. A date or name slips their mind, the password or combination to a lock, maybe they left something at home. It’s not always a bad thing. Painful memories are sometimes best forgotten, or at least put aside for a time. This week, write about a time your character forgot something, and what happened when they did. Week of 11/4/2016 Burning the Candle at Both Ends--Too busy. There’s too much to do and not enough time to do it. Maybe it was bad scheduling or an accident or problems encountered along the way, but whatever the reason, your character has to work hard to do it. What was it? Why are they working so hard? What do they hope to gain? Is it temporary or a chronic issue for them? Can they prevent the situation, or will it happen again? This week, write about a time when your character burned a little too bright. Week of 11/11/2016 Formal Occasion--No matter how informal a character and their story, at some point they’ll probably have to dress up. Maybe it’s a formal dinner, a wedding, a graduation or promotion, or a date at the opera. Different cultures have different etiquette for these kinds of events as well. How does your character fare? Are they as home in formalwear and surrounded by numerous forks as they are around a campfire? Are they uncomfortable? Or are they most at home in high society? This week, put your character in formalwear and at a special function and see what they do. Week of 11/18/2016 Just Desserts--Everyone loves to see the villain get what’s coming to them. Maybe it’s your character who delivers justice. Maybe they’re on the receiving end. This week, hand out some just desserts in your story. Week of 11/25/2016 In A Rut--Doing the same thing over and over. No one wantS to be stuck there. It could be your character, dissatisfied with where their career is going. It could just as well be the writer, bored with what feels like the same plots and situations. Shake it up. Throw in something unexpected. Put your character in a place you never thought they’d be. Try something different and see where it goes. Or, alternately, let your character complain about the sameness. Week of 12/2/2016 Cooperation--Some characters are loners by nature but even so, they can’t do everything by themselves. They’ll have to cooperate with others. Whether it’s a willing partnership where they all gain or coerced and barely tolerated, there’s ample room for conflict. Maybe they plan to betray their partner at the first opportunity. Maybe they prefer to remain on good terms. Maybe it’s an alliance of necessity and they’ll part on neutral ground. Whatever the reason, whatever the outcome, this week write about your character cooperating with others to achieve a goal. Week of 12/9/2016 Trigger Warning-- Everyone--every character--has strong feelings about something. The old standby is “don’t discuss politics or religion” but there are many other options. What sets off your character? What’s that one topic they have to argue about? What’s their position and why? Is it rational? Was it learned and never questioned? This week, push one or more of your character’s buttons. Week of 12/16/2016 Limits-- No character is all-powerful, or at least interesting ones aren’t. There are limits to what they can do, be it legal, physical, mental, or self-imposed. What happens when they come up against them? Do they push past it, accept it, or back away? Limits are often there for a reason and breaking them can have consequences. Explore some this week. Week of 12/23/2016 Making a Mountain out of a Molehill - Some characters are more prone to blowing things out of proportion than others. Maybe it’s just certain situations. Consider a time when something that seemed insurmountable turned out to be minor. Was your character’s preparation or anxiety unreasonable? Or did their actions make the difference between a mountain and a molehill? Week of 12/30/2016 Not My Holiday - This week, most of the Western world is celebrating Christmas and the New Year but no holiday is universal, even on Earth. Are your character’s holidays in line with the culture they live in? Do they celebrate something different at a time no one else does? Do they feel left out on either occasion? Their reasons don’t have to be cultural; they might associate bad experiences with a popular holiday or good ones with something obscure. There are stories in any of the permutations. Write one. Week of 1/6/2017 Luxuries - It’s easy to think in terms of expensive things: fine wine, silk, exquisite meals, and panoramic views. Luxuries don’t have be expensive, or even things. One character might consider time alone a luxury. For another, enough to eat and a safe place to live. Yet another may relish the privileges their wealth affords them. What does your character consider a luxury and how do they indulge? Week of 1/13/2017 Omens and Portents - Whether being born under a Blood Moon or according to the signs in an ancient prophecy or just picking the winning lottery numbers two weeks in a row, our characters’ lives are filled with omens. Do they put any stock in the superstitions or consider it a bunch of baloney? Are the portents more important to their companions who expect them to be the hero? Is it a sign they should buy another lottery ticket? Omens can be good or bad, and the way your character deals with them likewise so. Explore it.

Week of 4/21/17 Constant Companions–Who’s with your character through all their adventures? Who’s their right hand, the one who’s always there? Who’s Samwise to your Frodo? Why are they there and why do they stay? This week write something featuring the person or people your character relies on most. Week of 4/28/17 Food on the Go–Everyone enjoys a quick snack. What’s your character’s favorite? What food stall do they have to hit whenever they’re in town? What take-away meal do they always bring home? What munchies do they pack along for a journey? Far from meaningless detail, something as mundane as food can tell your readers a lot about your character. Week of 5/5/17 Plants/Gardening–It’s hard to avoid plant life, even on a spaceship. In low-tech societies plants are recognized as sources of food and medicine. In more high-tech ones they provide breathable air as well as beauty. Whether your character has a green thumb or can’t tell a cabbage from a kitten, write some plants into their story this week. Week of 5/12/17 Irritating Habits–Everyone has them. What about your character or one of their companions? Gum-chewing, whistling, smoking, a preference for odiferous delicacies? Who annoys who and how? Consider, too, that rude, irritating, or just plain gross behavior in one culture may be perfectly acceptable or even polite in another. The converse is true as well. Week of 5/19/17 Forgotten Places–A ghost town, an ancient ruin, a hidden valley, an island settlement, now abandoned. Places where people were, but no longer are. What does your character think about them? When has your character encountered one? Did they stumble on it? Seek it out? Read or hear a tale about it? Does it, like El Dorado, exist only in stories? Week of 5/26/17 Titles–Queen, Lord, Baron, Senator, President, Minister, Director, Sir or Madam. A title might be formal, bestowed in a ceremony. It might be a basic term of respect or polite discourse. Or it might be earned by appearance, action, or affiliation: Erik the Red, Catherine the Great, Jabba the Hutt. What titles does your character have? Happy 5th Birthday SFC!!!!!! Week of 6/2/17 History–Personal or World, history informs your character’s actions. What part of the past shapes their present? Are they aware of it? How so? This week, consider your character’s history and its influence. Week of 6/9/17 Hope–Hope, the final thing in Pandora’s Box. Hope is what keeps people going when the night is dark and the journey is hard. Hope for a brighter day and a better way. Or just something different, some change. To fall in love, to find redemption, to find a purpose. Even a doomsday cult has hope, though outsiders don’t understand it. What does your character hope for? Week of 6/16/17 Challenge–If it were easy, everyone would be doing it. What’s hard for your character? What challenges do they set for themselves and what ones do they face? Difficulty often reveals a character’s true self. How do they face a challenge? Week of 6/23/17 Midsummer/Midwinter– It’s the turn of the seasons this week, the longest day for the northern hemisphere and the longest night for the southern hemisphere. What does midsummer or midwinter mean for your character? Alternately, write about your characters longest night or longest day. Week of 6/30/17 Curve Ball–as writers we plan our characters’ encounters. This week, throw them into something new. Something they didn’t expect. Something they never saw coming. Who panics? Who takes it in stride? Who stumbles but runs with it? Week of 7/7/17 Good News Everyone!: What would be good news for your character? Something personal? A promotion? A sale? A marriage, a child, a vacation? A divorce? Maybe something local: a tramway or road finishes construction, a botanical garden opens. Larger? Peace declared between warring factions or nations? War declared against an oppressive enemy? Is it something they expected or a complete surprise? Think of something your character considers good news and how they react to it. Week of 7/14/17 And Now, the Bad News: Something happened, and your character’s not pleased about it. Did they lose a promotion or sale to a rival? Is a local landmark shutting or being torn down? Is a plant or animal they’re particularly fond of in decline? Does an event confirm their pessimistic outlook, or crush their optimism? How did they find out? Are they shocked or resigned? No good news to soften the blow this time. Write about your character dealing with bad news. Week of 7/21/17 Looking Back: Whether it’s with fondness or relief, everyone thinks about their past sometimes. Something that held them back, or something that propelled them forward. They might consider time with a mentor, a formative event, or just a memorable vacation. Write about your character reminiscing. Week of 7/28/17 Looking Forward: No one knows the future, but that doesn’t stop us from imagining what it might hold. What about your character? What do they see in their crystal ball? Good news? Bad news? What do they see as the result of today’s decisions? Or do they live in the moment and deal with the future as it arrives? We’ve done Hope and Goals, let’s look at the pragmatic. Week of 8/4/17 Long-Distance connections – Your character’s friends, family, colleagues, or loved ones won’t always be close at hand. How do they maintain the relationship? Do they enjoy real-time, visual and audio transmissions? Is there a delay for distance – or surreptitious monitoring? Pre-recorded messages? Text messages? Letters? Maybe contact isn’t possible at all. What do they share? What do they hold back and why? Consider time as a separation, and how a character might stay connected to someone lost to them, or discover a connection to the past. Week of 8/11/17 Temptation: It comes in all flavors, all kinds, all things. And it need not be a physical thing at all, but an experience or emotion. It’s usually, but not always, a vice. What tempts your character? What siren song do they find irresistible? Do they crash on the rocks following it, do their friends help them avoid it, or do they manage alone? Not all temptations are bad, of course, and not all can be neatly avoided. Week of 8/18/17 Folk Tales: All cultures have folk tales–the stories people tell each other. The ones everyone knows, or knows a version of. They may be written down, or they may only be told around the campfire, the coffee pot, or in the chatroom. They may be cautionary tales, stories of heroism, or horror. Modern urban legends fall in this category. What ones does your character know? Where did they hear them? Which ones do they share and why? Let your character be the storyteller this week. Week of 8/25/17 Phobia: From Phobos, the personification of fear in Greek mythology, in English a phobia is more than just being afraid. Phobias are rarely rational. The brain is often eager to label anything as a terrible threat regardless of whether it’s logical. A true phobia can be debilitating, where the sufferer avoids any situation that might trigger their fear. Does your character have such a disability? What about one of their companions or someone they meet? Is it a common or reasonable thing to fear? Something others sympathize with even if they don’t appreciate the severity? Or is it something rare or mundane? Some thing or condition, made all the worse by the fact that literally no one else understands why it provokes such a reaction. How does your character deal with it? How do they help a companion through an episode? Week of 9/1/17 Windfall: Something good fell in your character’s lap, something they weren’t expecting. Does it come at an opportune time to fix a problem? Does it cause a headache (or heartache) down the road? Or do they make cider, as one does with windfall apples? Week of 9/8/17 Hero Worship: Who does your character think of when they hear the word “hero”? Is it a specific person? A type of person, or a person in a specific occupation? Have they ever met their hero(es)? Who sees your character as a hero–no matter how venal they really are? How do they show it, and how does your character deal with it? Week of 9/15/17 Flirting With Disaster: Even the most risk-averse character gets into sticky situations, or they should if you’re doing your job as a writer. Then there are others who live their entire lives on the edge. This week, write about a time when things were so, so close to going wrong. When the table shook beneath the house of cards but didn’t quite fall. Or maybe it did. Week of 9/22/17 What Goes Around Comes Around: If the Golden Rule is “treat others how you wish to be treated” then this is what happens when you don’t. Cheaters will be cheated, liars lied to, and bullies bullied. Write about a time when your character’s behavior came back to bite them, or when they had an opportunity to visit retribution on someone who wronged them. Week of 9/29/17 Frustration: Sometimes events (aka the writer) conspire to thwart your character. It might be a series of minor things–the coffee machine broke, the bus was late (so they caught it but were late anyway), and to top it off all the good donuts were gone at the meeting…where the project no one else wanted ended up in their lap. Yay. Maybe it’s a repeated error: the food stall never gets their order right, the clerk always mispronounces your character’s name. This week write about someone or something getting on your character’s last nerve. Week of 10/6/17 Conversion or Proselytizing: You! Yes, you! Can we talk for a bit about…what? What ideas does your character hope to pass on to others? What ideology moves them? Did they convert to their current mindset from a different one? How and why did they make the change? While religion and politics are most obvious choices with this prompt, consider also scientific theories, dietary or exercise regimens, brand loyalty, or comic book heroes. Which version was better, the movie or the book? Why? Does your character have to win the debate, or are they most invested in the discussion itself? Week of 10/13/17 Embarrassment: Everyone has that moment they’d rather forget. The time when every eye was on them, but not in a good way. What about your character? When has the glaring spotlight of public embarrassment shone on them and why? Is it a story they’ll never tell? Is it the hilarious tale told for laughs well after the fact? Or is it one of those things that slips out after too many intoxicants? Week of 10/20/17 Practice Makes Perfect: No matter how skilled your character is, there’s always room for improvement. What does your character do to keep in practice? Are they building on existing accomplishments or learning something new? Is it a skill they need for their main occupation, or something they do for fun? Are they edging toward perfection, or always terrible but having a great time anyway? Practice your own writing this week. Week of 10/27/17 Roadblock: Something’s in the way, physically or metaphorically. Something preventing your character from getting what they want. What is it? Why is it there? What does your character want and who wants to stop them? This week, throw a roadblock in your character’s path. Let’s see how they navigate it. Week of 11/3/17 Goals: Your character is nothing without goals. Pursuing their goal is what propels the story forward. Step back for a moment and consider how and why they set that goal. Did they wake up one morning and know what they wanted to do? Did it grow organically out of life experience? Did they go through a modern, goal-setting exercise? Is theirs a reasonable goal, achievable with a stretch, or are they unlikely to ever achieve it? Do they keep moving the goalposts? Does someone move them for your character? Set a goal this week. Week of 11/10/17 NO PANTS! Relaxing at home. Nothing planned, nothing going on, nothing pending, no crises. No pants. What’s that mean for your character? Is there any place or time when they can truly relax? Do they fantasize about relaxation while dashing between disasters? Are they stuck in the doldrums, praying for something–anything–to happen? Or do they take “no pants” more literally? Week of 11/17/17 Don’t Stop Believing: Countless writers guides council you to include the moment when your character considers quitting. For some stories, it’s the centerpiece, if not the center. Somehow, they go on. Complete the quest, finish the journey, save the world, make a difference. This week, write about your character facing such a moment, and not giving up. Finding the strength to go on. Week of 11/24/17 Success: It’s said that nothing worth doing is ever easy. Certainly your character’s journey shouldn’t be, or it wouldn’t have been interesting. And the writing of it might not be either, but now it’s done. Quest complete, journey over, book finished. How does it feel? Does your character celebrate? How? Is this success just a little one on a much longer road, or is it the big one they’ve been waiting for? If so, is there a bigger goal on the horizon, one they couldn’t even see until they got here? Let your character bask in success for a change, and think about whether their story is really over. Week of 12/1/17 The right way, the wrong way, and my way: It’s said there are three ways to approach a task. What does your character think? Do they follow the rules, willingly break them, or choose their own path? Maybe all three at different times in their story? What about teaching someone else? Are they as inflexible as the saying suggests or will they entertain new solutions? Week of 12/8/17 Accommodation: Does your character need something outside what’s considered typical for their species? Are they more at home in enclosed or darkened spaces–or the opposite? A special diet due to allergies or disease? Something more obvious, like ramps instead of stairs or fixtures and handles being at more convenient heights? What about something basic, like being left-handed in a right-handed world? Week of 12/15/17 Recurring Nightmares: An actual nightmare, one that isn’t real? Or a real nightmare situation occurring over and over? Write your character in a recurring nightmare this week. Or a recurring dream, if you’d prefer. Interpret the prompt as literally or loosely as you like. Week of 4/13/18 Smuggler’s Blues: Has your character trafficked in less-than-legal items? Even by accident or for personal use only? What was it? Drugs? Stolen merchandise? Banned books? People? Translated media that isn’t officially available in that language? Fruit, vegetables, plants, or animals that aren’t allowed to leave their country of origin, or aren’t allowed into the destination? Cheese? Maybe your character purchased smuggled items. Maybe they’re they’re the smuggler. There are plenty of reasons for someone to circumvent import restrictions here on Earth and at least as many elsewhere and when. Surely there’s a story in it. Week of 4/20/18 Hurts so Good: Pain is supposed to be the body’s signal to stop. Humans (and fictional species) often ignore it or even seek it out. Sure, sure, BSDM; look beyond the obvious. Think of hot foods–temperature hot or spicy hot, where the heat is a critical part of the enjoyment. An exercise program, where short-term muscle pain means you’re doing it right. A good roller coaster, haunted house, or horror movie is supposed to cause anxiety or fear and all their attendant sensations, things we usually find unpleasant or painful. Write about your character seeking, enjoying, observing, declining, or railing against such an activity. Week of 4/27/18 Reunited: Characters who spend time apart must come back together. Do they look forward to it? Dread it? Count every moment until they can reunite, or invent ways to prolong the separation? Do they have any special rituals? A particular knock or bell ring, a call to their partner, a hug or kiss? Furtively sneaking in and hope no one notices? How do they catch up? Long conversations? Bare mumbles? Did it matter for them how long they’ve been apart? Is a few hours separation as hard to bear as a month? Week of 5/4/18 Ordinary Heroes: Your character might be a hero in their own right, and they probably had many others to look up to. So who in their lives was a hero to them by being nothing other than themselves? Who did they admire as a person? Whose example did they hope to follow? Was it a relative who always accepted them, no questions asked? A shopkeeper who always had a kind word for everyone they met? A teacher who expected the best and wouldn’t take less–and who also helped students discover what their best looked like? Write a story involving an influence on your character’s character. (inspired by This Post. May the Fourth Be With You) Week of 5/11/18 Censored! [Redacted] Strikethrough! Restricted! Takedown!: When has your character encountered censorship? What was it? Something they wanted or needed but weren’t allowed? Why? Something they created that was blacked out, altered, or removed? Was it a report, a discovery, a work of art or fiction? Did they agree with the censor or fight the decision? What problems occured because of the restriction–or lack thereof? Week of 5/18/18 Favorite drinks: Living things eat and drink, and sentient creatures with cultures have a variety of beverages to choose from. With variety comes favorites–so what is your character’s? Cocktails automatically come to mind, but a favorite drink can be any beverage. Your character could have different favorites for different parts of the day–their favorite wake-up drink won’t be the same as their go-to wind-down libation. It might be something they grew up with, or something a loved one recently introduced them to. Maybe it used to be a favorite but they grew out of it, associated it with painful memories, or relocated and simply can’t get it or the ingredients. Expensive or cheap, rare or common, mind-altering or otherwise, share one of your character’s favorite drinks. Week of 5/27/18 Carry On: How does your character get back to “normal”? To recover from their injury, whether physical, mental, or emotional? Life goes on and so does your character. How do they do it? Some recover with barely a pause, others take longer. Not everyone has healthy coping strategies. Maybe they cope by moving through unhealthy or destructive habits before they can start to heal. Sometimes healing leaves scars that never go away. Write a story about your character carrying on. Keeping calm optional. Week of 6/1/18 Happy 6th Birthday SFC!!!!!! Mistakes Were Made: The perennial apology-not-apology. Someone made mistakes, frequently not the person making the statement. So what happened? Was your character the mistake-maker or the one wronged? Who is “apologizing” and for what? Will anything be resolved, or is this papering over a systemic problem? Again? Is it a way to give someone a well-deserved second chance, or a perpetual offender getting away? Week of 6/8/18 Skeletons in the Closet: What’s that thing your character hopes no one ever finds? Some shameful Secret they’d just as soon remain a secret? Does anyone find out? What happens? What does your character imagine will happen? Is it reasonable, overblown, or conservative? While there are loads of things a character can be ashamed of, consider that shame is personal. What fatally embarasses your character might be no big deal to others or society at large. Alternately, it could be even worse now than when your character hid it in the first place. Rattle some skeletons in your character’s closet this week. Week of 6/15/18 Tired: Sleepy? Overworked? Bored? Or really Done With This Sh*t? Everyone gets tired, physically and mentally. What is your character tired of or from? Why? Do they fix it? Can they, or is it out of their control? Just don’t be too tired to write it. Week of 6/22/18 Kissing Frogs: Fandom often revolves around romantic pairs, especially finding “the one:” your character’s soulmate. Surely they don’t find their soulmate on the first try. They must have had other relationships. Ones that didn’t work out or didn’t last. What happened? This week, write a story about one of the frogs your character kissed on the way to finding their prince/princess. Week of 6/29/18 Keep on Keeping on: Now that our characters have been on the job for quite some years, what keeps them going? What makes them do just one more job, instead of retiring, settling down, or doing something completely different? Tradition, momentum, habit, joy, satisfaction, can’t think of a reason to change or anything else they’re good at. Everyone’s reasons are their own. What’s your character’s? Prompt courtesy of frauzet. Week of 7/6/18 Set the Standards: What’s the minimum your character will accept, be it service, the kinds of jobs they’ll take, or the places they’ll go or stay? What about the people they’ll work with or date? Do they have standards for decency or conduct? How do they define them? What’s their reasoning for their personal limits? Have they ever been tested? Are they reasonable, inflated, underrated, irrational? Week of 7/13/18 Look Behind You: What’s behind your character, literally or figuratively? Where did they come from? What did they leave behind to get where they are now? A village, town, city, or planet? Family, lovers, friends, rivals, or enemies? Ideas or beliefs? Do any of them catch up or are they forever in the past? How does your character feel about that? Week of 7/20/18 Once in a Lifetime: Some things only come around once. A show, a natural phenomena, an opportunity. Grab it, enjoy it, experience it while it’s here or available, because your character won’t ever have another chance. What is a once-in-a-lifetime event for your character? Are they able to take advantage of, appreciate, or participate in it? What happens afterwards? Week of 7/27/18 Treat Yourself: Indulge! What’s a treat for your character? Food, a spa day, a movie/theater/holovid/musical? Surely they have something they love to do that they maybe don’t do often, something that makes them feel good about themselves. We torture our characters enough. This week do something nice for them. Week of 8/3/18 Friends: Our characters collect any number of friends and helpers during their adventures. In fact, few characters can do without friends. They’re part of what makes a story vibrant and alive. Friends don’t have to be sycophants; they can (and probably should) disagree with your character about things. Things that matter, not easy things like favorite foods or colors. Friends and companions breathe life into your character’s story. This week, write something where one of your character’s friends has an important role as well. Week of 8/10/18 Friends to Lovers: This one is almost a given in many stories. Many people enjoy reading (or writing) a story where the characters find their friendship growing into something more intimate. Whether it’s a coffee shop romance a super-slow-burn fic, write characters going from friends to lovers this week. Week of 8/17/18 Lovers Back to Friends: Then again, love doesn’t always work out. It’s easy to take the hostile view of a breakup. Where both characters end up disliking or avoiding each other. This time try something harder: they remain friends despite their previous intimacy. It needn’t happen right away. Few people are so mature. This time, imagine it does or has to and how your character handles it anywhere along the timeline. Explore what it means to retain real friendship, not merely stating “we’re friends.” Week of 8/24/18 Friends to Enemies: Hate is always easier to evoke than love or friendship, so easy prompt this week. Or is it? Imagine one of your character’s friends becoming an enemy. Why do they diverge when they obviously got along well? A slow drift or one inciting event? Losing a good friend hurts, and making one an enemy means the wound never really heals. How does your character live with it? Week of 8/31/18 Enemies to Friends: Occasionally, your character and an enemy end up on the same side. And beyond sharing a common goal or working together just this once, they begin hanging out and relying on each other. Why? What converts their enemy to a friend? Note: this is not necessarily a heel-face turn. If your character is villainous their enemy might end up on the dark side. They have cookies, after all. Maybe both decide the struggle is futile and retire together. What about your character’s other friends? Week of 9/7/18 How Hard Can It Be? Words usually uttered before discovering exactly how hard it can be. When has your character underestimated a situation? What thing looked easy then turned out to be less so? How did your character handle it? Did they rise to the occasion? Realize their error? Back out and try again? Fail completely? All of the above? Be as humorous or serious as you like, but this week have your character discover that the easy thing is, in fact, rather more difficult than they expected. Week of 9/14/18 What’s the Worst That Could Happen? Inevitably, not what actually happens. In life the real result may more often be better, but as writers it’s far more fun to make it worse. This week, put your character in a situation they’re sure they can handle, and make it worse. What’s the worst that could happen? Just let me get started. Week of 9/21/18 It’s All Downhill From Here! The situation is handled, crisis solved or averted, nothing left but the cleanup and a smooth glide to the end. On the other hand, maybe it’s more like a downhill slide into a swamp or off a cliff. It’s fun to shake up reader–and character–expectations. Throw up some roadblocks or dig some potholes in their easy ride. Make that smooth landing less so. Complete disaster optional. Week of 9/28/18 Never Going There and That’s Final! Until, of course, they have to. What place does your character avoid? Is it a single, physical place? A city, county, or planet? A type of place: Zoos, spooky dark forests filled with snakes, buffet restaurants? Why do they hate it? There must be a reason, however irrational. Now put them there anyway. Tell the story of why and how they ended up someplace your character swore they’d never go to under any circumstances, and what happened after. Week of 10/5/18 What Might Have Been: Almost everyone wonders how their life might have turned out if they’d made different choices, been born in different circumstances, or combination of both. How does your character answer this question? Suppose they were cast in a different role in your story or as another one of your characters? How would their lives be different? How would your story be different? Explore what might have been with your character this week, either as a dream, a discussion with another character, or a full-blown AU. Thanks to Lady_Thorne and Lord_Thorne on the SWTOR forums for this prompt. (Special message for the SWTOR crowd: thanks to everyone participating in what has to be the longest continually running forum thread in MMORPG history. Still going since 2012.) Week of 10/12/18 Listen: More important than being able to act, perhaps, is the ability to listen. To hear someone voice their concerns or point of view without filtering through their own experience or opinion. When has your character really listened to another one in your story? They need not be converted, but they ought to gain understanding. Some characters don’t care; that’s fine and valid. This week, let your character be the quiet one and really listen to someone else in the story, then show what they do with their new perspective. Week of 10/19/18 Oblivious: Not everyone is observant, and even the most vigilant character misses something on occasion. When did they miss something obvious? It could be a physical object or an idea. The proverbial elephant in the room or a solution that’s staring them in the face. Maybe your character just overlooks cues everyone else sees. What happens when someone else points it out? Week of 10/26/18 Comfort Food: It might not be a favorite. It doesn’t have to be from childhood, though it often is. It might not always be the same thing, depending on circumstances. Sometimes, preparation is as much a part of the comfort as consuming. When all else fails to dispel your character’s demons, what food(s) do they turn to for comfort? Week of 11/2/18 Voice of Reason: In every group, for every plan, there’s always one Voice of Reason, and their plan might be safest but not always best. Does your character listen? Do they plunge ahead anyway? Or are they the sane one trying to dissuade the rest from something reckless? Whose approach was right? What, in hindsight, might have been better? Week of 11/9/18 Ship of Fools: The colloquial meaning is that of one wise person surrounded by idiots, but the original allegory has everyone on the ship unable to navigate it, all the while vying for the chance, or to influence the one currently botching the job. Regardless, the ship goes nowhere, often with recriminations all around. When has your character sailed on a ship of fools? Were they the wise one dealing with incompetence? Or just as clueless but putting up a better front than the rest? Week of 11/16/18 Power! Given this blog started in a Star Wars fandom, it’s surprising this prompt never appeared before. What does your character consider power and how do they pursue it? Just as important: why? Some seek power for its own sake but most have an agenda. Are they a reformer? Do they want to change the system they’re part of to fit their vision? Do they want the ability to destroy whomever they view as enemies? A secure enough position to voice their opinions without backlash, or at least without fearing the consequences? Do they gain power despite not wanting it, because their fellows see them as a leader? Or are they seeking more mundane power? A ship fast enough to outrun the authorities? Superpowers: magic, reality-bending abilities, flight (if they can’t already), telepathy, or teleportation? Week of 11/23/18 Butterfly Effect: In essence, tiny changes in starting conditions leading to wildly different results. Modern behavioral psychologists contribute the nudge: a small push toward a desired behavior or goal. Our lives are filled with examples. How about your character? Is there a slight difference in their backstory–or current story–that could change it entirely? When did they receive a nudge and how did it shape them? What events pushed their later actions? We had a prompt for turning points, which was more about large, obvious events that put your character on their path. A butterfly effect might be so small as to go unnoticed at the time but proved no less influential. Week of 11/30/18 The Last Straw: Your character’s companions don’t rubber-stamp your decisions. They agree or disagree to a greater or lesser extent. And, sometimes, they leave. It’s unlikely to come as a complete surprise, but even so there was probably one incident, one particular choice, that drove them away. How does your character deal with it? Are they forgiving or vengeful? How does the companion make their exit? Do they confront your character or just leave without a goodbye? What are their reasons, and does your character consider them reasonable? What was the companion’s last straw? Week of 12/7/18 Paralyzed: Literally unable to move. Is it a disease? An accident? Are they completely paralyzed or does the condition affect only part of their body? What happened to cause it? Is your character paralyzed with indecision; all options equally bad (or good?). Maybe they’re overwhelmed and terrified to make any choice. Maybe they’re paralyzed both physically and emotionally. Or one and not the other. Paralyze your character this week, and write how they deal with it. Week of 12/14/18 Happy Together: Your character encounters numerous others in their story. Who’s special? Who is the one they just want to see happy, preferably with them? It could be their SO but it doesn’t have to be; happiness comes in all flavors and sizes and doesn’t have to involve romance. Or, for that matter, even being outwardly nice. There are lots of relationships (fictional or otherwise) where observers would never know how much the people involved respect and care for each other given how often they throw insults around. This week, write your character and another happy together, in whatever form that happiness takes. Week of 12/21/18 Good Intentions: It’s said the road to hell is paved with them. Most characters, outside of the truly villainous, want to help and to make things better. Usually we let them. Good intentions can backfire or have unintended consequences, some of which might be worse than the original situation. They can also be far better! It’s our story; we do what we want, and things need not always be bad. This week, begin with your character’s good intentions and tell us what happens. Week of 12/28/18 The Fine Print: Any Bounty Hunter knows better than to sign anything from Gault without reading it first, still there may have been contracts our OCs wish they hadn’t signed. What details did they miss? Was it something small and insignificant, even humorous? Something major and problematic? How did they inconvenience your character? Did they get back at the beings who made the contract and took advantage of them? Chalk it up to a learning experience and move on? Something else? Was the contract more akin to our familiar Terms of Service Agreements that no one reads deciphers anyway? Did they fulfill the contract or did they renege? Why? This week consider what may be hiding in the fine print and how it affects your character. Week of 1/4/19 Keep Grandma Happy: Okay, okay, not necessarily Grandma. Every family (or other social unit) has that one person whom you simply appease. The one you don’t want flying off the handle because it’s such a bother and not worth the resulting tirade and calming down process. Surely your character’s circle has one. Who is it? Is it your character? What’s their hot button and why? What do the other characters do to avoid it? How do they settle them down when, inevitably, it gets pushed? Does someone push it on purpose for the fireworks? (note: while the intent of this prompt is humorous, feel free to make a more serious case, i.e. trigger or content warnings. Polite characters avoid the topic out of empathy or compassion and only dickish ones bring it up.) Week of 1/11/19 If Wishes Were Horses: then beggars would ride. We often think of wishes as something for children, but everyone does it. Wishes can be for anything from a lucky chance through feasible-but-difficult to outright impossible. What things does your character wish for? Little wishes? Not much more than good luck? Middling-possible wishes? Things that could happen given some work and luck? Something that could never happen? Prohibited by the laws of physics or just wildly improbable? There’s nothing really wrong with wishes, however impractical or unlikely. Every so often, wishes come true. Week of 1/18/19 To Sleep: perchance to dream? Humans spend, on average, one third of their lives asleep. We have rooms, furniture, phrases and clothing all dedicated to this biological necessity. What does your character do to sleep? Do they have special rituals? Do they need a sleep mask and soothing music or can they fall asleep anywhere, anytime? Do they prefer near silence and darkness? White noise and a night light? Are they always uncomfortable in a strange place? Does having a familiar object–pillow, blanket, childhood teddy bear–make it better? Pets? What about snoring or tossing and turning? Do they have a bedmate (or housemate) to annoy, or who annoys them? Maybe their sleep schedule is at odds with the rest of the world for some reason. Maybe they don’t have a sleep schedule–their days are too erratic. Perhaps they don’t require sleep themselves but find it an interesting trait in their companions. Week of 1/25/19 Loyalty: True loyalty is a complex subject. Essentially, someone puts your character’s well-being equal to or exceeding their own. It doesn’t mean agreeing with everything your character says or does, but offering a different perspective when warranted. It contains elements of being a friend and a lover, without necessarily sharing the more intimate or personal components of those relationships. Though, one hopes that friends and lovers are also loyal. Perhaps this is why betrayal hurts so much; the one who had your character’s back had a knife all along. Other times we mistake a loyal character leaving for betrayal, when in fact they can no longer bear to watch someone they care about self destruct. Consider who’s loyal to your character this week, to whom your character owes loyalty, why, and what might happen to change those dynamics. Week of 2/1/19 You’re Not the One I Was Looking For: It’s fun to set your character up with the perfect match. The One They’ve Been Dreaming of. Hold that thought–what about someone else? Someone close, maybe overlooked. Someone who’s right for your character in all the ways that matter, but not necessarily the ones your character thinks are important. Maybe they catch your character on the rebound; maybe they’ve been there all along but never thought about your character in a romantic way. Maybe a casual hookup turns into something more. This week, consider your character finding, not the one they were looking for, but The One just the same. Week of 2/8/19 Bus Stop: How did your character meet their Love Interest? Blind date? Friend-of-a-friend? Co-worker? Professional matchmaker? Your world’s equivalent of a dating app? Chance meeting at a bus stop? This week, tell the story of how they met. Week of 2/15/19 Kiss The Girl: or guy, or nonbinary person; whoever or whatever it is that your character is falling for (and, we hope, is falling for them as well) this is it. The Kiss. The Moment you’ve been waiting to write. So write it! Make it the end after a slow burn, or start with the Kiss and move forward. Week of 2/22/19 Storybook Love: After it all, the meeting, the spark, and the kiss, how does the story go? What happens after? Or during? How does your character’s love become part of the rest of their story? Maybe their love is the whole story, the prime mover of the plot, but what else happens around them? How does their relationship affect the other characters and the larger story of their lives? Write some of the book around their storybook love Week of 3/1/19 When I’m Sixty-Four: What happens when the infatuation wears off? When the rush of novelty and discovery fades? What do your characters still love about each other? Why do they choose to stay together? It is a choice, after all, and they could decide otherwise. Perhaps they do. That’s a story, too. Week of 3/8/19 Forbidden Fruit: Something forbidden is often that much more desirable, a focus of obsession. What is something your character can’t have? Not something they’re not likely to get. Something they could have, or an activity they could engage in, but chose not to. What is it and why must they avoid it? What are the consequences if they indulge? Are they physical, social, or something else? Do they think about the forbidden thing constantly, desiring it even though they know they shouldn’t? Do they really not care about the thing? Have they tried it and discovered it wasn’t as good, as interesting, or as exciting as they thought it would be? Was it better than they ever imagined? Week of 3/15/19 Insulting: Our characters often get into physical altercations, but what about verbal ones? When was a well-delivered quip or challenge just right to take down an opponent? Who did they insult and why? What was the response? Your character might have disrespected an authority figure who’s so far removed as to neither know nor care–though in some societies they might care very much and deal with it harshly. Maybe your character was the one insulted. Was it deserved? How do they react? Most of all: What did they say? Week of 3/22/19 Injury: Since our characters do often get into physical altercations, what injuries have they suffered? In a cinematic world it might be limited to minor scrapes, or serious wounds that heal in no time and without a scar. More realistic stories may have more lasting repercussions. How are their injuries treated? Technology, magic, herbs and other ‘traditional’ remedies? Some of everything? How long is their recovery? How complete? Does it make a difference if they received aid right away or if it took time before they could do so? Do they avoid doctors? What are the doctors like in your world? Think about a time your character was physically hurt and the medical help they received. Week of 3/29/19 Lasting Repercussions: Every battle leaves a mark, every injury a scar. They might not be visible, due to magic or high tech medicine. They might be psychological, but no less real or damaging. They might be social: new enemies or a change in class or status. The entire world may have changed. All your character’s conflicts, verbal or physical, have repercussions. Write about one.

Week of 4/5/19 Evil Twin: A subset of mistaken identity. Suppose there was another character, related or no, who looked so much like your character that everyone assumes they are the same person? Further suppose that this doppelganger has the opposite personality of your character. What happens? Do people trust them when they shouldn’t, or get surprised when they’re generous? How much trouble do they make for your character? Does your character even know they exist? Do they figure it out? What happens? Week of 4/12/19 Idiot Helpers: your character has companions, friends, and underlings. No doubt most of them are competent, but even the most reliable companion messes up. Some of them might be constantly messing up, misinterpreting your character’s instructions, and running ridiculous (or even contradictory) side schemes of their own. How does this complicate your character’s life? How do they deal with that companion they can’t get rid of or can’t bear to part with, but who is laughably incompetent? What kind of harebrained schemes are they getting into and how do they complicate your character’s life? Week of 4/19/19 Devil Boss: Our characters aren’t always independent. Sometime they have to take orders. And sometimes those orders, the one giving them, or both, are impossible. How does your character deal with a ridiculous situation? One they maybe aren’t meant to survive, complete, or would have to be insane to attempt? Suppose the orders they get are incompatible or in direct opposition. Maybe the orders aren’t so bad but their boss is just a pain to deal with. This week, imagine your character dealing with their boss, or at least someone around whom they should tread carefully, but who isn’t at all obliged to do the same. Week of 4/26/19 Seemed Like a Good Idea at the Time: Think Han Solo turning the corner into the stormtrooper barracks. When has your character done something that made the situation worse? Tried to roll with the situation, but ended up in hotter water instead? Stuck with the original plan even when events changed so as to render it useless? Maybe things didn’t get worse, but definitely didn’t improve at all and now there’s a different crisis. Write about an idea that seemed like a good one at the time, but turned out less so. Week of 5/3/19 Compromise: insisting on having everything their way all the time is a sure way for your character to lose friends and alienate allies. When have they had to compromise? Accept less than everything in order to get some of it? Negotiate a deal where everyone wins and no one really loses? It could be any kind of situation–from sharing a meal to deciding how to run a government. There’s bound to be some things they can’t bend on and others they may, and they have to negotiate similar stances with others. Write about a time your character needed to compromise and did, or didn’t, and what happened. Week of 5/10/19 Going Camping! Camp is everywhere this week. In its broadest definition, Camp is something so over-the-top, in poor taste, or ostentatiously awful it’s enjoyed as ridiculous or ironic. Ideally both at the same time. To say camp has no standards is to misunderstand its true nature: it’s not mainstream, doesn’t want to be, and is quite happy as it is thank you very much. This week’s challenge is to incorporate camp in your writing. Introduce (or bring back) a campy character. Include a campy setting. Tell a campy story. Write something campy! Week of 5/17/19 What is your Quest: A staple of video games and stories alike. In the most epic versions your character must retrieve/destroy an incredible artefact, thus demonstrating their worth and saving the world. A more mundane quest might be to get herbs from the neighbor’s garden…who happens to be a witch. Perhaps enough pig livers to make a pie…strangely, not every pig has a liver. This week, send your character on a quest. What are they doing and how will they get there? A quest can be an entire book or only one small part. Likewise, your story could detail the full quest, beginning to end, or one small but significant event during it. Week of 5/24/19 Under My Skin: Something latches on to your character and won’t let go. What is it? An idea they can’t stop thinking about? An offhand comment by another they keep mulling over? A slight, real or imagined, that wont quit ruining their day? A person who fascinates them–or drives them crazy? A literal parasite they picked up and really ought to have looked at? Week of 5/31/19 Games: Cards? Dice? Board? Ball? Video? Games of chance, games of skill, physical games as individuals or teams. Quiet pastime games, crowd-entertainment spectacles. Coliseums, pitches, dining room tables. Games for all ages, games for children, games for adults. Sentient species everywhere play all kinds of games and for various reasons. There could be no lasting repercussions, or it could be deadly. This week, make a game or its outcome important in your story. Happy 7th Birthday SFC!!!!!! Week of 6/7/19 Reports of My Death Have Been Greatly Exaggerated: Our characters lead dangerous lives. They’re sent on missions they’re not expected to survive. They’re gone for long periods of time and no one hears from them. They may have alternate identities or roles they don’t want to (or can’t) let loved ones know about. Sometimes reporting agencies get events wrong. Sometimes people make assumptions. Comic books aren’t the only places where death isn’t necessarily permanent. Write about a time when your character was declared dead but wasn’t and the complications that ensued, or when a close associate (enemy? !!) comes back to life after everyone believed they were gone for good. Week of 6/14/19 You’re My Only Hope: It is your character’s most desperate hour. They (and possibly their friends or organization) need help. The kind of help they can only get from one person, and they’re not at all certain they’ll get it. How do they convince the person to aid them? What kind of help is it? Why do they need it and why is this other person so special? What happens if your character fails to recruit them? Is their help really that crucial? Do they end up a liability afterward? Week of 6/21/19 Bodies: Everybody has a body, your character included. How do they take care of themselves? Are there features they like and ones they don’t? Things they change regularly? Others they accept as permanent? Do they make allowances for their own unique issues and inform others of their requirements? Do they try to hide what they see as imperfections? Compensate for a lack, reasonable or otherwise? What about upgrades or other alterations? A cyborg might replace parts for any number of reasons. In a magical or biologically advanced setting they might regenerate, regrow, or augment what occurs naturally. Alternately, they might be stuck with what they were born with, good and bad alike. This week, give some thought to how your character relates to their physical form. Week of 6/28/19 Vulnerable: Our characters aren’t always in charge of everything. Everyone has weak spots. Everyone gets In difficult situations. Consider a time when your character was vulnerable in some way. Physically– maybe they’re a prisoner. Emotionally–a loved one or dear friend took advantage of them. Spiritually–they discovered the universe doesn’t really work the way they were taught. Even the least introspective character has vulnerabilities. Peek through a gap in your character’s armor and find a story. Week of 7/5/19 Liability: A disadvantage or debt: a liability is something your character is responsible for, or something that holds them back. It could be a literal, monetary debt. It might be something they inherited but don’t want. Perhaps another character, who really ought not to be in that situation. Maybe your character is the liability, endangering the mission because of inexpertise or some other qually. How does everyone deal with it? Week of 7/12/19 Craving: Sometimes, you just gotta have it. What is “it”? We often think of craving in relation to food, but it can be anything: intoxicants, attention, validation, touch, or affection. Nearly anything can be desired intensely as to be craved. Write about a time your character craved something, how they went about getting it, and what happened after. Why was it so important, anyway? Week of 7/19/19 Forced Arrangements: A marriage, an assigned partnership, dormmates, weekend conference roomies, seatmates for a long trip or event, even a blind date. Sometimes your character has to deal with another, with little say in the matter. How serious is the situation? How long does it last? How does your character handle it? What happens afterward? Do they part as friends and keep in touch or never speak again? If permanent, how do they make it work? Week of 7/26/19 A Favor: Your character needs help, and someone owes them a favor. Perhaps your character is the one who owes a favor. These are social obligations with no clear monetary value, yet we seem to know instinctively when a request is reasonable. Even when it’s not, we may find ourselves honoring it. In some circles, a favor maybe more codified and ritualized. Yet while money may be involved, it’s never the real debt. Do your character a favor and write about them cashing in or fulfilling a social debt this week. Week of 8/2/19 Dear Diary: A diary, a journal, a personal log. Whether it’s a way of summarizing the day, a method for working through problems, or an aid to memory, people and characters find writing in a diary to be a helpful tool. What about your character? Do they keep a diary? What do they write about? Perhaps they find one belonging to a relative, a lover, a mentor, or even a stranger. Do they read it or return it? Week of 8/9/19 Dear John: before breaking up via text was a thing there was the “Dear John” letter. Has your character written one? Received one? Breakups are never easy. The letter (or text) means one person doesn’t have to face the raw emotions (and possibly violence) of the other. So what would your character write, or what did their letter say? Week of 8/16/19 Dear Mum and Dad: letters from camp: It’s summer in the northern hemisphere, time for Vacations and Summer Camp. Does your character send their children to camp? Did they go as a child? What about boot camp, or postcards from a trip to a distant locale? Who do they write to and what do they say? Do friends or relatives send messages to your character from their vacations? Business trips? Write some camp letters or postcards this week. Week of 8/23/19 Dear Editor: Prior to comment sections, there were Letters to the Editor, where newspaper or magazine readers made their opinions known, and sometimes were published. Has your character ever spoken their mind in this official way? What was the occasion? Do they troll everyone on every message board they can find? Disagree politely? Usually ignore it all but this..this cannot stand. Let your character rant in public this week. Week of 8/30/19 Dearest Love: In worlds where instant communication is the norm, there’s still something special about a love letter. Where letter-writing is the only kind of long-distance messaging they’re even more treasured. Simultaneously raw and full of heartfelt emotion and meticulously edited. Every word considered and weighed. They embody the uniqueness of love. Who might your character write a love letter to? Have they ever received one? What did it say? Were the feelings reciprocated? Week of 9/6/19 Playing for Keeps: A phrase originally from the game of marbles, if you played for funsies you went home with all the marbles you brought. When playing for keeps, you kept yours plus any you knocked out of the circle, even if they were your opponent’s favorites. You might even target those on purpose. Playing for keeps suggests a risk and a chance for genuine loss from which there is no recovery. An outcome which your character does not have full control over, and will likely change things for them. This time, someone loses. Things will not be the same in the aftermath. There’s no chance for de-escalation. This week, your character is Playing for Keeps. Week of 9/13/19 Adventure Time!: Adventuring isn’t a typical career. Most people stay at home with ordinary jobs, taking care of the farm figuratively or literally. What was it that changed your character’s course? Were they always adventurous? The first one climbing the rock or jumping in the pool since toddlerhood? Were they pushed into it by circumstance or a timely visit by a wizard? Gradually funneled into an adventurous life one decision at a time until they hardly recognize their lives? Explore your character’s first step off the ordinary path for the one less taken. What was your character’s very first adventure? Week of 9/20/19 Sole Survivor: Sometimes it’s a mission gone bad. Only one of the team made it back. Maybe no one was expected to return, but one did. Maybe it was a game, and they were the last one standing when everyone else got eliminated. If it wasn’t your character, perhaps it is a close associate or even a new contact. This week, consider a character who survived a situation when no one else did. How did they get there? Where do they go afterward? How do they deal with it? Has it happened before? Is the character considered Bad Luck personified? Are they Good Luck–guaranteed to win? Write about your character being the sole survivor, or encountering one. Week of 9/27/19 Hypocrisy: We’ve covered lying before but this time it’s a special kind of lie: putting up a virtuous front for public accolade while not actually believing in those virtues or actively violating them in private. Nearly every character (and person) engages in some hypocrisy, overlapping with those insidious little white lies told to keep the peace. Have they ever encountered some whoppers? In themselves or others? What did they do? What could they do? Who was involved? What was the outcome? Did anything change? If your character, they might be in for some soul searching assuming they want to atone. They might just as easily fight the one who uncovered them. Write about your character encountering blatant hypocrisy. Week of 10/4/19 Happy Place: When your character’s feeling down, frightened, or overwhelmed, where do they go? What’s their “happy place”? Is it a literal, physical location? An actual place they visit that never fails to ground them? Is it an object that brings soothing memories with it? A story, a book, or a piece of music? An activity that helps them refocus? Is their happy place a lie? A bar where they can drink away their feelings, a painful memory that crowds out the new one, a story, song, or activity that distracts but offers no real solace? This week, write about your character’s happy place. Week of 10/11/19 Inappropriate Attire: When has your character arrived for an event in the wrong clothing? Why? Was it a social gaffe? Did they interpret “fancy dress” as a formal affair when what was intended was a costume party? Were they told it was casual but not, apparently, that casual? Maybe they prepared for the wrong conditions–it’s never this hot (or cold!) this time of year! Those shoes seemed like a good idea at the outset but now, not so much. Who would have thought they’d need a high-visibility vest? Or that going armed and armored was such a faux pas? This week write about your character being completely inappropriately attired for the occasion and what happened after. Week of 10/18/19 Message in a Bottle: Has your character ever received a message from a stranger? Was it spam, and they decided to mess with the sender? Was it a misdirected communication, meant for someone else? Was it a blind message, sent without knowing who might receive it? What did it say? Maybe your character sent such a message. Did they hope for help? Were they seeking a random connection with someone else curious enough to answer? Open the bottle and write about the message inside. Week of 10/25/19 Lost!: Really, really lost. So far off course that they don’t know where the course is, let alone how to get back on it. The compass is gone or broken. The sun or stars are hidden behind the clouds. The radio dead or not receiving signal. How did your character get into this situation? Is is real–as in they are physically lost? Is it metaphorical–they’re in a completely unfamiliar situation with no idea how to get out of it. Most importantly: how are they getting home? Week of 11/1/19 A Matter of Life and Death: This week the stakes are high. Your character has to intercede or maybe they’re the one in the situation. It’s a matter of life and death. Whose? Why? How did the situation get this serious? Is there any way out? Is it really a Matter of Life and Death or did someone use the distress beacon to order pizza? Week of 11/8/19 Wrong side of the Bed: Every character can have an incident that ruins an otherwise decent day. As an author, that’s fun to write. What about those times when they just wake up in a bad mood? No reason, no inciting incident, They’re annoyed from the get-go. Those are usually the days that go from bad to worse. Does someone try to get them out of their funk? Are they usually bright and sunny and this is a noticeable change in disposition? Maybe it’s only a matter of degree and their companions are walking on thinner eggshells. This week, write about a time when your character got up on the wrong side of the bed and what the rest of their day was like. Week of 11/15/19 Love Language/Showing Affection: Every person, every character, has their own way of showing affection. There are culturally sanctioned ways, which often differ by gender and class. Everyone’s different, though, and how they show affection is often how they perceive their standing in another’s eyes. Write this week about your character showing affection in their own way, or recognizing another’s unique love language. Week of 11/22/19 Beauty: In the eye of the beholder and only skin deep? Or is there in truth no beauty? It’s more common to make our characters physically attractive than not, but modern human (and especially Western) standards are not universal. How does this play in their unique cultures? What does your character consider beautiful? Does it align with their society? What does beauty mean to them in the context of their story? Do they see themselves as beautiful? What would they do to become so, or more so, or do they care? Week of 11/29/19 Masks and True Faces: Some of our characters wear physical masks. Why? Do they protect their body against harm, their identity against retaliation, or hide something they are ashamed of? Some eschew protection and flaunt their identity, their face, their safety. Other characters take on new personalities and identities depending on who they’re with or the job they need to do. Not a physical mask, but protection just the same. Write about the masks your character wears and to whom, if anyone, they show their true face and self. Week of 12/6/19 Infodump: Writers often need to give the reader information. A lot of it. A backstory, a history, a strange device, a motivation. You need a character to monologue. This week’s challenge is to create a scene around explaining something important about your character, their world, or their current situation. Infodumps don’t have to be boring! They can be funny, ridiculous, serious, or even deadpan, all while still being interesting. Your infodump doesn’t even have to match the tone of the rest of your story. This week: tell, don’t show. Week of 12/13/19 Sweater Weather: It’s winter here in the northern hemisphere. Definitely time to break out the jackets, scarves, and long sleeves if you haven’t already. What does your character think of cold weather? Are they the ones wearing shorts in the snow, or are they always cold even wrapped in blankets? Do they come from a place with an actual winter, but now live elsewhere with different traditions or no seasons at all? Are they accustomed to an unchanging climate and the seasons always throw them off? What is this “winter” you speak of? Wait, there’s something besides cold? Of course, sweater weather also suggests cuddling, cups of hot chocolate, tea, cider, or even soup. Be romantic, dystopian, or anywhere in between this week. Week of 12/20/19 Festive Food: Few human holidays are celebrated without food. Special cakes or cookies, the bread that only comes out for the holiday, roasts, stews, vegetarian, carnivore, and everything in between. Some of the special foods are cultural: everyone all around you is making the same things because of course everyone makes them. Sometimes it’s a special thing in your family alone: Grandma’s holiday bread, Dad’s special cookies, Auntie’s secret-recipe casserole. Sometimes the special thing is special because it is part of a culture otherwise left behind: the thing no one makes here, but does where you’re from. What special food does your character associate with holidays and why? Do they make and enjoy it and share with their friends? Who likes it and who hates it? Does your character hate it, but make it anyway because reasons? Week of 12/27/19 Second Chances: Everyone screws up. Who gets a second chance? Under what circumstances will your character give another a second chance? Honest mistake? Unforeseen circumstances? Deliberate sabotage? Will some characters (main or otherwise) allow anyone a second chance? No one? Nobody is owed a second chance; no one can earn it. They don’t have to be forgiven for the initial wrong. Give someone in your character’s story a second chance this week. Or don’t. That’s a story too. Week of 1/3/20 New Year, New You: Make a new character, or write for a character you haven’t before. It can be a completely new OC, a new character in your game or story, or an established character in a property you like but never wrote them before. Write anything from a short scene to a complete fic or story. Week of 1/10/20 Face Your Fears: Write the kind of scene you find most difficult. Falling in love? Action? Smut? Exposition? Description and scene-setting? High emotions? Every writer has something they find hard to write. It’s only human to avoid including it. But at some point your story will need that kind of scene. Face your fear now. Week of 1/17/20 Travel Without A Map: This one is easy for those habitual pantsers out there. Write a scene or a whole piece without having any (or as little as possible) preconceived idea of where it’s going. Let your characters tell the story they want to tell. They might surprise you! Write the whole thing, beginning to end. Don’t go back and change things! Not even typos! Or try not to fix typos–that’s hard. The goal this week is a word-vomit, totally unplanned draft that nevertheless is complete of itself. Travel without a map or GPS, but do make it home at the end. Week of 1/24/20 Self Care: Write the kind of scene you need to write or read. Not necessarily the next one to finish your fic. The kind you need to write: fluffy happiness, cathartic violence, something silly, something deep and philosophical, something satirical and full of sharp cutting edges. This is for no one but you. There’s no obligation to share it with anyone, even SFWC. And if you prefer, take the week off and write nothing. Recharge. You have permission. Take care of yourself this week, however that looks to you. Week of 1/31/20 Complete Something: Remember that word-vomit first draft from a couple weeks ago? Edit it to completeness. Alternately, pick something from your WIP pile and finish it, whether it’s the first draft or final, ready-to-be-posted version. Choose a work that’s not done, and finish it. Move it from the inbox to the outbox. There are few things that feel as nice as finally finishing something. Wrap up the Month of Meta with that feeling of accomplishment. Week of 2/7/20 Right Person, Wrong Time: When has your character met another who could be a perfect fit…but not now? It might be a soulmate, a mentor, a social connection, or a patron. But your character isn’t ready for their help, guidance, friendship, or love yet. Maybe your character is, but the person they meet is the one at the wrong time. Why are “the stars wrong”? Does the relationship require a personal change on someone’s part, or are there social or cultural forces in play? Do they ever figure it out? Or do they remain out of sync for the whole story? Week of 2/14/20 Chocolate! It’s Valentine’s Day here in the US and everything is red, white, and shades of pink. And chocolate! Does your character’s world have a day for romantic love? Is there a food or treat associated with it? Is it like chocolate: sweet, creamy, indulgent and yet ordinary any other time? Is it actual chocolate? Who would your character give it to, or who do they hope to receive it from? What does that person mean to them? They don’t have to be lovers, after all. Or does your character ignore the whole meaning thing and use it as an excuse to stock up? All of the above? Week of 2/21/20 Found Family: Many of our characters collect a wide circle of friends and hangers-on. Do they have a closer inner circle that’s more than friends? A found family, a collection of characters that interact the way a tightly bonded family might but aren’t related? No one has to fall into stereotypical roles. There doesn’t have to be a “Mom” or “Dad,” “Kid Brother” or “Big Sister.” They don’t always get along, but they always support and care for each other. Write a story involving your character’s found family if they have one, or their adventure with someone who does. Week of 2/28/20 Ride or Die: Who sticks with your character for all their adventures, good or bad, boring or exciting? The one they call for a spontaneous vacation, to get them out of jail, or to help them move to a second-story walkup apartment. Hopefully their love interest (if they have one) qualifies, but Ride or Die is neither exclusive nor necessarily romantic. It doesn’t even have to be reciprocated. Write something where this relationship is front and center. The story doesn’t work unless the characters absolutely, unequivocally, have each other’s back, no matter what happens. Week of 3/6/20 Time Change: When has your character been out of sync with their surroundings? In space all planets have their own day-night cycles as well as years. Travel to a new place at light speed or more means having to adjust to a wildly different schedule upon landing. And what time does the crew keep in transit? Is there an agreed-upon standard or does every captain choose their own? Fantasy settings can still have abrupt time changes: long-distance teleports, extended sleep spells, world-altering magic. Does a place like Discworld have time zones? Maybe your character is the habitual early riser in a world or night owls, or the reverse. Week of 3/13/20 Bad Advice: What’s the worst advice your character received? Something so patently wrong they disregarded it immediately and questioned the giver’s sanity or intelligence? Something they thought was valid but proved less so in practice? Something they fervently believed in until their own repeated experiences made them change their mind? Write about your character and some colossally bad advice. Week of 3/20/20 Rock Your World: When has your character received unexpected, life-changing news? Was it good or bad? Both? Maybe they learned about an otherwise-unknown relative, received a large inheritance, or acquired a large debt. Perhaps they received medical news–positive or negative. A domestic animal showed up on their doorstep and decided it lived there. Whatever happened, their life is different from this day forward, and it isn’t their choice. What do they do? Week of 3/27/20 Forbidden Knowledge: The secret technique, a hidden history, a coded text. What does the secret technique do and why is it secret? What was your character taught, what really happened, who hid the truth and why? Is the code unbreakable or was the key lost on purpose? Is it really a code or is it actually a lost language? What does the text say? Worlds abound in knowledge that’s forbidden to to learn or at least difficult to find. Have your character search for, find out about, or discover some this week. Week of 4/3/20 Cooking: We’ve had several prompts about food, but how about its preparation? Does your character cook? Does their species prepare food at all? What counts as preparation--and how literally do they “gather” or “hunt down” ingredients? Do they like cooking but usually leave it to someone else? Are they terrible at it but clueless to that fact? Are they really quite good cooks, whether they enjoy it or not? Do they only ever prepare one certain dish? Or are they perfectly content to survive on their world’s equivalent of instant ramen, military ration packs, or cheap takeaway? Week of 4/10/20 Auto/Biography: We often write backstories for our characters with no intention of using the information directly in their adventures. But suppose someone in their world did? Who would write your character’s biography? What would your character want in it? What would they write if they did it themselves? Is your character protective of their legacy or are they willing to authorize a warts-and-all tale? Would your character exaggerate their adventures for the sake of a good tale, or downplay them as irrelevant to their later work? Do they want to be venerated as saintly and good, or feared as a tyrant no one would dare cross? Something in between? And who would read or listen to the tale? Week of 4/17/20 Won’t Get Fooled Again: Everyone’s been fooled sometime. When does your character notice a pattern? It is a similar scam, or the same person running a different one? What was it about the interaction that tipped off your character? Are they fooled, have they learned, or are they giving someone another chance? Is it worth it? Is the issue so minor that they don’t mind? Are they playing a game with a loved one or friend and fooling is the point? Is your character wrong and the exchange was on the level the whole time? Week of 4/24/20 No!: Not just no, but hell no. Absolute refusal, you can’t make me, never gonna do it. When has your character outright refused another’s request? What about orders? Demands? Did they agree and then think better of it? Did they go along and quit when they reached their limit? Did the request seem reasonable on the surface but turn out less so? Was it just awful from the get-go? Did they say no just for spite? What were the consequences for refusal? Week of 5/1/20 Relying on Technology: Regardless of setting, our characters rely on technological innovations. In a fantasy setting, those might be cunning spellwork or finely-crafted weapons. The far future could have memory-dubbing and cybernetics. In any setting, food production, travel, and medicine often employ technology we barely acknowledge. What technology in your character’s world do they absolutely rely on? What can they not get along without? Do they even realize how much they need it? What happens when something goes wrong in the way it functions? What if it breaks and can’t be repaired, or at least not easily or quickly? How much trouble do they have when the things they expect to work just...don't? Week of 5/8/20 Ever Your Servant: Who serves your character? Not their friend, lover, or companion, characters or NPCs intended as equals, but someone of lower social station. Someone who’s hired for their skills and paid for their work. A butler (hello, Alfred), a maid, the barista at their favorite coffeeshop. Perhaps a slave in societies that allow it or a droid or a golem in those that don’t. This week write a story concerning your character and another who serves them. Week of 5/15/20 Because I Can: When has your character done something just because? Was it a harmless act done on a whim? A luxury or trip they can finally afford? A crime they knew would go unpunished? A cruel act enabled by power? A heroic one, likewise enabled by power, lack of oversight, or cleverness? Something small that makes them happy? This week, write your character doing something just because they can. Week of 5/22/20 Bored: Everyone gets bored. Some more easily than others. When has your character been bored? They could be snowbound at home, waiting for an appointment, or a passenger in a vehicle with nothing to do. Perhaps it’s boredom spiked with danger. They’ve sent their distress signal and there’s nothing to do but wait. How do they keep themselves occupied? Do they bother? Can they easily escape their situation but choose not to? Write about your character dealing with boredom. Week of 5/29/20 Welcome Back/Welcome Home: Some people have fond memories of your character. Parents, old friends, or mentors. Others, perhaps, not so much: exes, enemies, people they've wronged. What kind of welcome does your character get when visiting them again? Is it what they expect or very different? Happy 8th Birthday SFC!!!!!!! Week of 6/5/20 Putting Up a Front: A character might feign bravery to convince themselves or inspire others. They might pretend a breakup doesn’t hurt. Putting up a front is performative; hiding vulnerability behind a mask a person hopes improves or maintains their status. Suppressing emotions comes naturally to some characters, less so for others. When--if ever--has your character put up a front and why did they do so? Week of 6/12/20 Do I Have To?: There are bound to be tasks your character needs to complete that they’d really rather not do. It could be anything from routine chores to some major (or expensive) repairs to their ship, home, or estate. It might be putting up with ridiculous demands from a boss or overlord. It could be something that goes against their moral code--wherever their personal moral compass points--that they nevertheless feel they have to do. It might be something they personally find unpleasant and no one else understands why. Maybe it’s something they’ve been putting off, or something they’ve only just been assigned. This week, write a story where your character asks, literally or figuratively, do I have to? Week of 6/19/20 Like a Child--No Inhibitions: We had the prompt Like No One’s Watching for your character indulging in some activity they liked but were embarrassed to engage in. This time, let them shed those inhibitions. Children do the things they love and don’t care who knows about it. Be it singing on the bus, wearing colors or patterns that “adults know” don’t match, eating the whole slice of cake because it tastes great, or making stories in their favorite make-believe world. This week, write a story where your character is going to have fun regardless of other’s opinions, or a time when they remembered being so free.