#or would you choose to learn

[quantumfeat72]

(continuation of this!)

[captain-astors]

The Crown Prince

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[teyrnacousland]

I've seen the headcanon that Lucanis' mother, Caterina's perfect heir, was actually similar to Illario in some ways. That she was calculating, ruthless, ambitious, obedient... all the things Caterina overlooks in Illario because Caterina sees her favourite daughter's deep brown eyes and quiet, controlled demeanor and careful planning in Lucanis.

But I am also attached to the idea that the opposite is true too. That Illario's mother shared similarities with Lucanis; that she was empathetic and stubborn, with a slight rebellious streak. But she was always outgoing and charming, was more impulsive with her emotions, and was always sharper with her tongue than with a sword, so Caterina only sees her in Illario.

I just love the idea that Caterina can't look beyond the surface and see who her grandsons really are because on some level she can't see past the ghosts reflected in their eyes. She can't see that the quiet brown eyed boy is is more of the gentle hearted rebel, and the one with blue eyes and a shining, fake smile is the ruthless leader who would do anything she asked.

[snekdood]

"if we make america worse and more of a dictatorship that will be even harder to unravel and make it the way we want the country to be, maybe then everyone will join our Glorious Revolution!" bb girl you cant even be in the same room with someone who thinks you should vote, how in tf do you think you're gonna unite people to fight in The Revolution with you? it's gonna be you and your 5 friends, i hate to break it to you.

[cursedcola]

I don’t know if this is anything? But I truly wish that the companions on DAV gave Rook gifts to decorate their room with. Just as we do for them. Maybe once we completed a certain hurdle in their story plus a special extra one for whomever we romance.

At the beginning of the game I was hopeful and charmed to see Rook comment on the decor in their room (Varric’s mirror, etc) and thought that there was going to be momentos from each companion + main quest that we would get to decorate our space with. Each that might come with a baby dialogue interaction, small cutscene, or heck even a note//codex entry with the item left in the Caretaker’s hands would have sufficed.

Since there was no reason to decorate Rook’s room, I didn’t bother with it. The cosmetics felt useless since we spend so little time in there. It would have been great to see Rook’s room slowly gradually become full of life over time, just like the companion rooms did. I also would have folded so quick if Harding gave Rook a little houseplant, Bellara a mobile with those twinkling artifacts (maybe hung it over Rook’s lounge chair?), Davrin a carved statuette (bro is ALWAYS whittling), or even Lucanis with a knit present or an ornate dagger (if romanced, returning the favor for the wyvern dagger we buy him? Also he flirts with daggers, could have been a nice touch). Taash could have given something to represent their culture, depending on if you push them towards the Qun or Rivaini.

Those are just examples, but y’all get the point. So much raw potential for scenes. Especially since Rook’s room is barren aside from being oggled by fishies.

[timetravelstudies]

This got long and annoying so its under a cut now

The way in the fight w the museum director insul gets the same big injuries he has given trianon (so far), aand particularly the ones that T thinks back on often as specific sources of fear/humiliation/control (pepper sprayed in the eyes; kicked in the balls; choked with smth small and thin ((wire / car window)))….. im too tired to formulate a proper Thought abt this but the fact this all happens right in front of tjat one painting of dante & virgil in hell + insul and the director are in the exact same pose right as insul is about to die* is obviously so meant to evoke the idea of contrappasso….. at this stage trianon isnt “””strong””” enough (doesnt understand Insul enough and most importantly doesnt fully inhabit himself and his own strengths) to be able to pay back Insul’s violence (as he does later, though not in such a literal way anymore) so tje director will do for now🥰 bc they both need to descend into hell they both need to be subject to physical and psychological violence in order to strip down layers……. so its cool how the director serves that purpose for this phase 1 both in story for insul himself (who eats shit in this fight) and also as a sort of alert for the reader like make no mistake they are BOTH gonna get put thru the ringer. even the top has to wade through cocytus! or smth

[dustykneed]

(tsfs feels anyone? fanart below.)

You've been in his head.

But he says, never faltering, the words,

"I choose the danger."

It is in that moment that you understand:

He could never, would never,

Has never hated you.

Now you realize:

this is what humans refer to as love.

[snazzi-strawberri-artz]

AUGHH CLASS ASSIGNMENT YIPPEEE!!! Had to make cut out silhouette designs for 3 of our characters!!!

[abirddogmoment]

today's hot take for dog people: management is not the same thing as training.

[littlefankingdom]

"Batman is a bad person for not killing the Joker at this point."

I'm going to throw you off a roof. Like, you realize he is JUST a guy, right??? A single guy cannot decide that someone should die and kill them, that's not how it works. Weren't we all against cops killing people instead of arresting them, wtf do you think a random (rich and white) guy should be able to do that???

Also, it's a FUCKING COMICS. Like, the Joker will be revived as easily as the batkids are lately. And the writers have no interest in applying rehabilitation, it would not sell if all the famous rogues stopped doing crimes and Gotham got better. And they are USAmericans, half of them probably cannot understand the concept of "rehabilitation > punishment".

Btw, COUNTRIES WITHOUT THE DEATH PENALTY OR EVEN LIFE SENTENCES EXIST! Denmark, for example, doesn’t do life sentences and they are very good at rehabitation. You kind of sound stupid when you argue that something cannot be done while other countries are doing it (very usamerican of y'all) So, accept that you do not know shit about the human's mind and possibility for better, and stop with your usamerican "killing everyone I don't like is good" propaganda.

[daily-xisuma]

[047] Applied my version of Doom's partial invisibility fuzz effect and an accidental offshoot I created in the process, heehee :-)

[virfujiwara]

Happy pride to THEM!!

[i-really-like-phrogs]

When someone else’s art is so good you physically can’t look at it because of artistic jealousy

[mulders-too-large-shirt]

s2 episode 7 thoughts

hmm. hmm. that is the sound if me pondering what i just watched.

(i understand that this episode was an analysis into mulder's self-destructive behaviors when faced with overwhelming grief, but. that does not mean i enjoyed vampire hookup time)

well. we shall start from the top!

i read that it was an episode about vampires which i thought was a weird narrative choice because. hello. scully still gone??? but then i remembered that i too ignored the main quest in skyrim to hunt some vampires and that i had no place to judge

(granted, my main quest wasn't finding scully though. might have given that a bit more priority than saving the whole world. because she IS my whole world)

we open with a guy that looks like joe biden meeting with an attractive young woman. they're making out in a hot tub and we just know someone is gonna get slurped upon. and woe, it be upon us! double vampire attack.

back in DC, mulder gets his old office back! it's covered in plastic. he takes some of it off. he adjusts his calendar from may to november, so we see how much time he and scully had been assigned to other tasks, which also has me wondering how she managed to get a new house that quick.

(also, this calendar is... scantily clad women posing next to tools such as hammers and saws. was this allowed? was this acceptable? was it normal? were the 90's a lawless wasteland and mulder an irreparable freak?)

well. scully is an x file now, and he puts her glasses and id into an evidence bag and closes the filing cabinet which was sooooo evil. but he can't bring himself to put her necklace away. oh man. oh he's gotta have it in case he finds her. he has to hold her close. i'm Fine this is Fine.

so. he goes out to california to deal with the joe biden looking fellow being murdered. and he is not wanted on the crime scene. we know this because someone greets him by saying "nobody called the bureau" and he says "well, they should have" and lifts up the tape to let himself in. because one thing about him is that he's gonna let himself into a place he isn't wanted.

he sees the writing of a bible verse in blood on the wall and says something about their grasp of biblical knowledge being "feeble and literal" and i was like okayyy need to have a theological discussion with him

he then scares the other guy who originally wanted to kick him out by reciting a LARGE amount of facts related to similar cases and it's very much giving photographic memory. got me thinking, have we ever seen this man forget something? (directions don't count. they're confusing. but everything else sticks in that man's brain)

he just needs one thing: a phone book. which he uses to call a blood bank and ask about a new guy. who must be the vampire who did this!

so he rolls up to the blood bank and i'm over here struggling because i do Not Do Blood, and i knew at this point this was gonna be a tough watch, but i didn't anticipate the non-blood related reasons why this would be true

anyway he's sniffing around the blood bank and he hears some slurping and wouldn't you know, this dude is tearing into a bag of the red stuff like it's a capri sun. somehow he gets him into custody, where the dude refuses to talk because the lights are on, and mulder comes in with a lamp he put a red filter over, because he was prepared for vampire interrogation.

the vampire is going on about how what he did isn't murder because it's not like animals hunting prey is murder which is. not the greatest approach in terms of legal defense. mulder tells the guard that the guy is delusional and it's best to play along, and he believed this to be true... until he, quite literally, burned to a crisp in the sunlight. and died.

he's talking to the coroner and rattling off a bunch of vampire facts and says he didn't believe in vampires which is so funny to me because like. why is that where you draw the line, my friend. not at bigfoot and definitely not at aliens. but man. vampires are just too out there for spooky mulder. until now!

the coroner has a very funny line: "you are really upsetting me... on several levels" which seems to be the general effect fox mulder has on people. and also because i felt the same way about his dumbass actions during this episode.

coroner finds a stamp on the dead body's hand, which seems to come from a nightclub. so naturally our fbi agent ends up there.

you often see posts saying that "(insert character here) should be at the club". i fear that this is not the case for fox mulder, but it's possible that it's his suit and tie that are throwing me off. he just doesn't seem like he belongs there. i ask myself, where should he be instead? perhaps some sort of star wars convention would suit him better. a book signing with some author he likes. idk, an interior decorating festival. not here.

i shall use my verbatim words to walk you through the next scene:

"pause. he's talking to a woman who was looking into a compact without a mirror. so. vampire suspect. and now why are they getting so close together. and getting a drink. okay now they're leaving to a new spot together? AFTER she admits to vampirism"

(here she did some stuff that required me to look away from my screen due to my Weak Constitution. but also it would have felt necessary to look away anyway because it was getting... charged)

she tries to get him to... suck on her finger... but he won't do it because aids. which is fair. i think that's a smart move, actually. it's just that getting flirty with a vampire he knows was involved with a ton of killings was such a stupid move, i don't know why it's now the braincells start to kick in.

that kills the vibe, though, so she gets another guy to take his place and things escalate.

mulder pulls in at a restaurant called ra. nice! the sun god! and he is... through a window, witnessing some more slurping action. he seems to want to intervene and save this poor soul being feasted upon...

but the poor soul is no poor soul at all! he comes out and decks mulder, and delivers this line with stunning conviction: "i don't know who you are, freak, but we're two consenting adults" and with this, he is forced to flee.

and yeah. it made me laugh. my expectations for the genre were subverted. he signed up for that shit! what he did not sign up for, however, was the next part, where he was killed by the other vampires.

cut to investigating the crime scene. mulder has brought along a forensic dentist, which is a job i had no idea you could go into. he needs to see about those bites, which are very human.

next they go to vampire woman's house. it's a very nice place. mulder... opens her oven. and sees a loaf of bread in there. and i'm thinking, man, i hope this doesn't go where i think it's going. baked goods... ovens... i never want a vampire pregnancy arc. but he cracks open the loaf and something red spills out and somehow, this to him means that she is gone and isn't coming back. he can read the signs of the bread. so add that to his resume. what did the bread tell you, my liege?

he seems to have stayed in her house, however, because he's there when she's back, and says he knows she was using the bread as a charm to ward off evil. because apparently that's an eastern european thing, blood bread to warn off evil. sound off if any eastern europeans in the chat wanna confirm or deny.

anyway. he's IN this woman he thinks is a vampire's HOUSE? what the hell. mulder seriously i need you to stop and think. like you should have stopped and done some thinking a while ago. honestly i'm not mad i'm just disappointed. and he's like "i want to save you come with me before they kill you" ohhh big tough man needs to save her huh. make him feel good inside. huh. certainly no ulterior motive here...

she's monologing about her horrible childhood and how sweet blood tastes. um girl. don't lie to him like that. i have busted my lip open before that stuff does NOT taste sweet and dangerous. it's like a penny with rust that you found in a parking lot.

it seems her vampiric origin story, if to be believed, is that things simply got too kinky. which is a new take on the genre.

(it's also about being caught in an abusive relationship and the damage that inflicts, but it seems abusive boyfriend came into vampirism at his kinky parties and things escalated from there. which. well. it blew the eyebrows clean off my head, to be fair)

at this point we see that he is WEARING SCULLY'S NECKLACE? he says something like "it's from someone i lost" and she says that she "hopes he finds her"

i did not like the undertones here and certainly not the overtones. because i knew where this was going. he was shaving in her bathroom. and let me tell you something: there is only ever a shaving scene in media because the writer needs a way to get some blood out of someone's body and into the real world. and man. i knew it was coming.

but what i didn't see coming was her SHAVING HIM??? girl. i am uncomfy. and she does, of course, cut him, and then they kiss. aggressively. terribly aggressively. can anyone answer what was going on in a satisfactory manner?

but the gag is: the original vampire- who burnt to a crisp in the jail cell, and was the abusive ex she spoke of- HE'S WATCHING THEM THROUGH THE WINDOW!

he breaks in and taunts the vampire woman about how he had to "wait for her to finish" and i was like cool. thank you SO much for that mental image i'm super happy with it. i definitely don't feel like i need a shower. but then he's going on about how he can't be killed.

here, at the tail end of the episode, we learn the rules of vampirism in this world: a vampire cannot be killed by a non-vampire. and a non-vampire BECOMES a vampire by consuming the blood of a believer and also taking a life. it is only here we realize that this woman is not an actual vampire yet, she just appropriates their culture by drinking blood unnecessarily.

mulder's still sleeping in her bed and she's like "you need to leave" and she stabs the wall to make her evil ex think she's killing him. but when they go to break out, mulder ties him up quite handily and he gets in the car to escape with vampire woman. until ANOTHER vampire woman jumps on the hood of their car. and main vampire woman knocks her out for a bit by running into her with said car, which is super effective.

mulder's leaving the place in shambles, his shirt still unbuttoned, wandering down the side of the hill. back at the house, now that we know the vampire rules, main vampire woman says she can finally kill the evil vampire ex. and he's like how!! you haven't had the blood of a believer or taken a life. so. she licks the blood off her hands (unclear if it's hers or mulders tbh) and says she'll take her own life. and drops a match after pouring gasoline.

so. that brings that to an end. and shabby looking mulder sits on a hill as he learns all four in the house died.

the episode ends with him playing with scully's necklace. which i don't even sort of feel like unpacking right now but maybe another time.

probably not, though, because i just didn't like this episode. and yeah, a lot of it comes down to me not wanting to see mulder hook up with people who aren't scully. can you blame me? is it so wrong to have preferences in this world?

but also, narrative wise- do you honestly see the guy fucking off to cali while scully's still missing to deal with an unrelated problem instead of devoting every hour of his life to finding her, like we saw him do in the last episode? you expect me to think he just puts it off for a lil while? the guy who, just last episode, pulled his gun on the ski lift operator to get to the top where she might be a little faster, and then choked his one and only suspect out of fury? you're thinking this is the guy that's gonna go soak up some west coast rays?

and yeah, he was obviously not himself through the episode- very cold and analytical- but c'mon. we all want to bang a vampire. he's not special. i just personally wouldn't do that if my friend were gone. like how is that gonna help the situation. be so for real. time and place!

and also the whole only learning the rules of being a vampire about 5 minutes before they need it to be plot relevant. that annoyed me too.

overall, mulder, like i said, i'm not mad, just disappointed.

let me know what you thought on this episode- i try to not be a hater, but i also understand that hating in small doses can be good for the soul. if it's a widely beloathed episode i'll feel better in my judgement as i join a long tradition of haters who have come before me.

[myfairkatiecat]

Psychologist really went “yes, adhd is what I would call this. But I don’t believe in labels so I’m just going to not diagnose you so colleges won’t have to know :) you can still come to therapy every week though so I can help you learn to turn your adhd into something good!”