#or try to use the world between worlds

[timetodiverge]

Ahsoka season 2 brainstorming: practical and impractical ways to get the girls* back from Peridea

*Ahsoka, Sabine, AND Shin. (...and David Tennant, the Howler wolf, and the turtles)

(1) just use the force (somehow)

step 1: use the force

steps 2~10: ???

step 11: profit girls are home yay

(2) purrgil wearing a hyperspace-ring backpack

(Behold my astonishing drawing skills. You're astonished right.)

Since the purrgil migratory route from Seatos to Peridea only seems to go one way (because the whales go there to die), they'd have to build a mini Eye of Sion so they can all get back after Ezra hitches a ride there. Purrgil know the way to Peridia; Ezra knows the coordinates of home already.

(Will Thrawn be staking out Seatos to try to prevent this? Yes. Will that make it funnier when Ezra does it anyway and gets away with it? Most definitely 👍👍)

(3) use the "somehow, Palpatine returned" method

The audience:

(Mate, Disney did it first. This is now an in-canon way to Solve Problems.)

(4) Mortis Gods temple ruins on Lothal=secret yet convenient portal

Ezra "the force is all I need" Bridger will use his amazing Space Jesus powers and *insert additional justifications relating to loth-wolves, world-between-worlds, Lothal magic, Morai etc*, Ezra will open the portal on one side and the girls, working as a team in a way that will make us all cry, will open from the other side

(additionally, because we are not crying enough yet, there will be a cameo from Kanan!loth-wolf/DumeWolf. You're welcome)

(additionally additionally, the deal Ahsoka made with the Mortis Gods to make this possible means she will now die to repay the debt. Because the writers really want us to cry. A lot.)

...okay everyone YOUR TURN add on your most practical and impractical ideas

[inkskinned]

he says i hate everyone except you and that is addictive and that is kind of romantic and beautiful because you're young and you're kind of a sarcastic asshole too and you don't like bad boys, per say, but you don't really like good ones either. and you like that you were the exception, it felt like winning.

except life is not a romance book, and he was kind of being honest. he doesn't learn to be nice to your friends. he only tolerates your family. you have to beg him to come with you to birthday parties, he complains the whole time. you want to go on a date but - people are often there, wherever you're going. he's just so angry. about everything, is the thing. in the romance book, doesn't he eventually soften? can't you teach him, through your own sense of whimsy and comfort?

at first - you know introverts often need smaller friend groups, and honestly, you're fine staying at home too. you like the small, tidy life you occupy. you're not going to punish him for his personality type.

except: he really does hate everyone but you. which means he doesn't get along with his therapist. which means he has no one to talk to except for you. which means you take care of him constantly, since he otherwise has no one. which means you sometimes have to apologize for him. which means he keeps you home from seeing your friends because he hates them. you're the single exception.

about a decade from this experience, you'll type into google: how to know if a relationship is codependent.

he wraps an arm around you. i hate everyone except you. these days, you're learning what he's actually confessing is i have very little practice being kind.

[flickering-nightfall]

Intro + p11 for The Sea of Tranquility MAP

Some stills:

And long panoramas under the cut (do you love the color of the rain world?)

[beargyufairy]

I had the shiniest wheels, now they're rusting

[firefly-suite]

hi and welcome to tdp callbacks that would actually send me

"if i am the king then you have to let me go"

"i'm corvus, i was specifically requested"

"i don't believe in locks"

"haha nice one callum, he deserves it"

"lady justice came to me in a dream"

"don't get yourself killed."

"strength isn't always about weapons"

"shhh, nobody likes a noisy mage"

"tell me she wasn't your world"

"you're just like your grandmother"

"she’s not my friend, she is my prisoner"

"rickety snickers"

"wasn’t the horse~"

"i am a storm dragon. i certainly hope it's working."

"in the name of love, you may perform acts so unforgivable… you will never forgive yourself."

"we could travel the countryside and try the seven cakes of xadia!"

"i am prepared to do anything to protect the king. anything. i hope you will understand"

"i guess it wouldn't be the first time i accidentally on purpose ruined a super rare magical artifact."

"don't do this. i will kill you" "probably"

"anyone know any adventuring songs?"

"we can find more practical uses for this one"

"well, i think about it like this, why see myself as chained down, when i can be chained up?" "i admire your tenacity"

"just the three of us"

"watch, he'll come back reciting an epic poem about his adventuring. he's probably late because he's stuck thinking of a rhyme for 'legendary heroics.'"

"the world just isn't ready for what we have. "

"i have been doing research!" "yes, i can see that"

"i do not understand girls"

"i thought you disapproved" "i disagree. but i stand by you anyway"

"you know what? in a few years, when you’re older, buddy, we’ll sit down and have a heart-to-heart talk about sandwiches."

"i would rather die a king, than live as a coward."

"edge-frazzled"

"soren is a doof but he's my doof!"

"it doesn't matter what happens to me. live or die, this dragon goes home."

"the kingdom of duren has been suffering from a terrible famine for nearly seven years. "

"you big dumb human."

"even if you were wearing the rarest legendary armor, forged by sunfire elves... super dead."

"fool me once, shame on you. fool me twice, shame on me. fool me three times, back to you again." "that's not how it goes." "shame on you."

[evilkitten3]

one pet peeve of mine in founders-era fanfics is when madara's whole,,,, everything is solved by izuna just being there

like maybe this is just me, but i don't think izuna surviving or even coming around to the idea of a truce with the senju would've been enough to keep madara from the path he ended up on.

izuna wasn't the reason he left - he was definitely part of madara's issues, but he wasn't the why. even if izuna had stuck around, and even if that had been enough to keep the uchiha clan from losing their faith in madara, i think he would've still come to realize konoha wasn't what he'd hoped it would be.

best case scenario, i think izuna's survival might've caused madara to stick around a bit longer, but i don't think it would've lasted. honestly, even then, that might've just made the inevitable break-up between madara and hashirama even more agonizing (particularly for izuna)

it's a fun idea to play around with for sure, but frankly i don't think canon!madara could've ever been 'saved' from that path. certainly not if the hidden village system ended up getting set up in the same way.

[cubicpeebles]

SMALL ✓

ANTENNAE ✓

THIS IS A BUG!

[starry-bi-sky]

catch me looking up nightingale symbolisms for tales of the passerine. if danny's using the name of a songbird for a hero name, regardless of familial connections, i will utilize the symbolism tied to the bird. Anyways general gist of the nightingale symbolism i've seen, other than what wikipedia told me, is that nightingales were frequently symbolisms of spring renewal, loss/death, love, etc. catch me about to incorporate music into Danny's character

[neunhofferart]

I was just rewatching camp cretaceous and thinking about the writing and storyboarding process for a show that does silent/physical comedy so well and then I discovered your tumblr! amazing work!

Aw thank you so much!! We were a script driven show so some of it was thanks to our writers coming up with funny material to work with, and then a lot of the physical/visual comedy in Camp Cretaceous and Chaos Theory was thanks to the direction of one of our showrunners, Aaron Hammersley-- he comes from a storyboarding and directing background himself, and he often did passes on the animatics to punch up the acting and comedy even more. I got to work directly with him when I started out as a revisionist on Camp Cretaceous, and I tried to learn from and emulate his comedic sensibilities (in addition to learning from and emulating all my other incredibly talented coworkers haha).

You can particularly tell whenever Aaron touched a scene though-- like, you can almost see his drawings and recognize his timing even when it's translated to 3D. The shot of Ben falling over and screaming for sliiightly too long from the clip that was released today is one of his revisions that wasn't originally scripted, for example. I think probably the BEST example of his is the scene from Camp Cretaceous when Ben is staring at Bumpy and slowly shaking his head with those haunted eyes as she plops down in his sleeping spot-- that was pretty much exactly how Aaron drew it and timed it haha.

A lot of it comes down to thinking about the character's personality and what they'd do, picking strong expressions, limiting the movement of everything around that expression, and being allowed to let the timing breathe. It's really interesting-- a scene from a script can be made into something completely different depending on who's boarding it/who's directing it/how the interpretation of the script is approached.

Even though we were on script driven shows, part of the process of being a storyboard artist was working with our episodic directors to translate the script visually before it was animated, and troubleshooting any problems that arose while visually translating it. If we were able to pitch ideas that supported what was written in the script but took things further/we came up with good solutions to problems that also elevated the storytelling, we were given a lot of support from leadership in return-- particularly on Chaos Theory!

[polysyndetonaddictsupportgroup]

Howdy, Syn! Hope you’re doing well. I’ve got a fun little ask for you:

If you’ve got some spare time on your hands, I was wondering if there was a little (non-spoilery) detail in—well, any of your stories, I’m obsessed with all of them—that you really enjoy but don’t think anyone’s picked up on yet. If there is, I’d love to hear any ramblings on it 👀

Have a good one!

This ask is ages old but I’m working on chipping away at my backlog little by little. Since I’m in a pez dispenser debris kick right now, let’s look at that.

I honest to God can’t remember if I’ve discussed this before, so sorry if it’s redundant, but one of the main points of pez dispenser debris is that the conflict is Man v. Self to the exclusion of all else.

Like, to an extent, there’s a secondary conflict of Man v. Society, but that 1) primarily (but not entirely) exists in Izuku’s past and 2) feeds into the Man v. Self conflict by being the primary driver behind both Izukus’ actions.

I decided to eschew any kind of genuine conflict between Izuku and the people in his life because I didn’t for a second want the narrative to get confused by considerations about whether it was safe to have told his loved ones about his past.

I very easily could have chosen to explore a plot line where the people around him feel betrayed or question him. At the very least, Mirio could have had a moment of “what the fuck, man, I’ve spent my whole career being looked down on as the world’s Quirkless hero and you didn’t think to fucking mention you grew up Quirkless?”

Close to the entire class has been vulnerable with him. Todoroki told him about being abused his entire childhood. He knows about Uraraka’s financial traumas. Iida nearly killed that guy the one time. Kirishima made him look at that suspicious bump in the unfortunate place.

These are kids who have spent the past three years in the trenches together. They’ve been in actual, life or death scenarios since the age of 14-15, and the only thing that they could count on was each other. And then here they are, at the very end of it all, and they find out that the guy they’ve been trusting with their back the whole time seemingly didn’t trust them enough to tell them a single detail of his life before they met him.

They could have been a little more conflicted about the revelation. At the very least, they could have questioned deeper how their friend went from 0 Quirks to a suspicious amount of Quirks when they spent their entire time at school with Guy Whose Entire Thing Is Transferring Quirks And Like. Trying to Murder Kids Who Are Specifically Them took personal issue with every single field trip they’ve ever had.

But every single outside POV is like “obviously we can trust him. It’s Midoriya. Anywho I will now be questioning my own character because he can’t be the problem so it must be me.”

If I explored plot points like that, it would have divided the conflict’s attention between Man v. Self and Man v. Man. The plot would have to devote time and focus to resolving Izuku’s issues with his loved ones and regaining their trust, and that would have detracted from a major theme of this fic, which is that this wasn’t about not trusting the people around him. He didn’t tell them because of an internalized issue.

Midoriya trusted his friends with his life. This wasn’t about fear of them rejecting him because he grew up Quirkless. The conflict is with himself.

I also eliminated sources of external conflict by having it all come out to the entire class all at once. I didn’t want to waste plot resources on what Izuku would naturally do in this situation, which is try to hide the little shit by all means necessary and quarantine his very existence. There would be too much time and energy wasted on slowly revealing the truth to select members of the class one by one.

And don’t get me wrong, that could have been an interesting plot—it just wasn’t the one I wanted to write.

This fic is about having to grapple with the part of yourself that is still hurt and angry about it. The part that cannot process the past to the point where you fear it endangers your future. You want your trauma to just go away and not exist anymore, because things are better so it means you shouldn’t have to be them anymore.

The older Izuku wants the younger one to be gone. He wants him to, at the very least, stop talking about what happened in the past and accept the future for how it is, because he doesn’t want to lose what he’s gained. But in doing so he mirrors the denial of self his younger counterpart is being far more explicit about.

Because both versions of Izuku are refusing to believe the other is them.

Young Izuku is doing it in a very literal way. That guy ain’t me. He killed and replaced me. There is absolutely no way I am him. He refuses to accept that there is any version of him who could become like his older self.

But the older Izuku is doing the same thing, just in a less literal sense. Hes almost acting like his old self is somehow legitimately a distinct entity. He slips and says it to Aizawa—stop looking at me like I’m him. The older Izuku wants to just bulldoze over his past and pretend like it doesn’t belong to him, but it just doesn’t work that way.

That’s the conflict I wanted to capture for this fic. Just this absolute refusal to reconcile your past and your future because to do so would require processing the trauma you’ve been through. And so I cauterized off all other sources of conflict, because they’d just detract from what needed to be center stage.

[pens-and-paperbacks]

"Vander and Silvo grew up like brothers! Them being together is weird!"

Ok, listen. You're valid, but listen. In the original universe we get, I completely agree. Vander nearly killing Silco and them fighting for dominance of Zaun is brother vs brother, power vs power activity. I don't think that universe went any further. There was no room for it to go beyond that betrayal and bitter feelings.

Within the Timebomb universe however I think they became something more after reconciling.

The letter was found, they talked it out, probably fought (which, head cannon, probably left Vander with a new scar somewhere we didn't see) but after that I think they saw each other in a new light. They were now on completely even footing, fighting for the exact same vision of Zaun in the exact same way, through peace vs violence because now they've seen what violence brings and they don't want that to happen ever again.

They don't want to lose each other again.

They only really had each other, Powder and Vi to take care of after losing their parents, which is what probably got them thinking about being together as a couple of they hadn't been thinking about it already.

I just can't read their reactions/looks in that universe in any other way. It's just too tender? I just look at them looking at each other and see, "unwavering devotion."

Two kings rule over Zaun in that universe and they're very happily married, despite everything that's happened. Because how could they not be after everything that's happened?

[berrydoodleoo]

once, you were almost a ghost

[voluptuarian]

I love trying to do historical research, you want an answer to a simple question like "could Jews serve in the British army in the 1880s" and you get back

Jews in the American Revolution

Jews in the American Civil War

Jews in World War I

Jews who fought for Nazi Germany

Thanks, that absolutely covers the time period and country I specifically asked for, couldn't have done it without you

[angelsdean]

imagine cas annoys the empty so much again it spits him back out except...it spits him out into the wrong universe (and time) and that's how *our* cas ends up in the winchesters universe. and at first he doesn't realize it's not the right time or universe and he goes looking for dean and instead finds the Lebanon bunker closed off and eventually finds john + mary and he thinks it's his universe's past john and mary and he tells them he needs help to get back to his time (bc his grace is still too low). he tells them he's from the future and needs to get back to someone and he pulls out his wallet and shows them a picture of dean and they're like "whoa whoa we know that guy!!!!" and cas is like, "that's impossible. he hasn't been born yet." and they're like "no no he was here. he helped save our universe. he's from another universe and he came here from heaven because he's dead and there was this young guy with him, jack? and an older guy, robby or bobby or something...." and cas is just slowly losing his mind, all the color draining from his face because first of all what do you mean he's dead?!!! and then all the other universe stuff and then jack? and bobby??? and yea anyways they team up to help get cas to dean and along the way hmmm what if jack pops in again....only this time he's acting even weirder than before, because chuck / the god power are gaining more control / corrupting him more. and jack becomes the big bad, thwarting their attempts to get cas to dean, and wreaking havoc on their universe, so the winchesters squad help them save jack and then dean and cas can eventually get their proper reunion (which everyone in the winchesters squad is now nvested in, especially carlos, number one deangirl and destiel stan) oh and the whole time they also do not know dean is mary and john's AU kid because cas never gives a last name just keeps calling him dean. and so john also grows invested in seeing these two people get their happy ending and BOY would it be cathartic for dean to see a version of his father who is so happy to see dean happy with a man-shaped person<3

[kacievvbbbb]

I’ve been rereading this lovely fic by @erinyra (it’s great I seriously recommend) and I’ve been doing some thinking and I do think Mihawk should get sick and it could be just like a passing illness or bug but something that lays him out for a bit and while yes I think a sick Mihawk would be adorable and terrifying and I love that for me.

I also think it’d be a way for Shanks to confront his probably latent issues with illness and seemingly untouchable people. After all his captain was as untouchable as they come, literally king of the pirates, but he still got sick and that ruined Shanks life. And here it is happening all over again. Mihawk probably the strongest most unflappable person he knows is sick with some unknown disease (not really his anxiety riddled mind just can’t process what Hongo is saying) And Shanks is not handling it…..well.

Shanks can withstand many things; any manner of injury or bodily harm to him and his loved ones that’s fine they can walk it off. but illness? he does not fuck with illness…

[mist-the-wannabe-linguist]

Girl help why is a fantasy setting using modern American gender terminology

They could've already bounced off of the existing term aqun-athlok and show the gender culture of the North largely adopting Qunari concepts as part of cultural exchange resulting from the literal hundreds of years of war with the Qun. The only openly transgender characters we know of are from Tevinter anyway! They already wanted to show the Qun in a more positive light in Veilguard, having Thedosian queer culture be primarily influenced by the Qun would be a great way to do exactly that